#fire screen

[dozydawn]

[nobrashfestivity]

Victorian summer fire-screen with taxidermy birds by and labeled for Henry James Burton (1814-1895). Made in London in the second half of the 19th century, this case contains a variety of rare birds such as quetzal, trogon, cotinga and a multitude of hummingbird species. Courtesy Zebregs&Röell Art and Antiques at PAN Amsterdam Art Fair.

[nuveau-deco]

Art Deco Fire Screen with an Iron Openwork Design of Crows Perched on Branches Set against a Rust-Colored Velvet Backing. Designed by Michel Zadounaisky and manufactured ca. 1930 in Lyon, France. From the Mitchell Wolfson, Jr. Collection at The Wolfsonian–Florida International University, accession number: TD1989.365.1

(Source: digital.wolfsonian.org)

[shewhoworshipscarlin]

Pole screen, 1790, Scotia, New York.

[bacchuschucklefuck]

beautiful! majestic!

[wildbeautifuldamned]

Antique Victorian Micro Beaded Pole Screen Fire Screen NO POLE OR FRAME ebay web_art08

[starrrbakerrr]

The Hunger Games trilogy, text to screen (in/spo)

[anewp0tat0]

looks like I can draw again!!

Sebastian called him "orphan" for the rest of the week.

[leonardcohenofficial]

there’s a great write up by someone on here that i will have to search for in which they discuss how the ultimate evil for david lynch is sexual violence against women (even more severe than murder, which is often auxiliary to that type of specific violence); twin peaks is incredibly soapy—on purpose! lynch and frost are playing with form and content on purpose to examine incredibly difficult subject matter through a (for lack of a better word) more palatable format—which most of the time i think works to its advantage and makes those moments of visible horror so much more effective (i use “visible” rather than “true” or other similar adjectives because the horror is always there, it’s embedded in the entire town, shows up in every generation we see in screen and we watch them grapple with it in different ways, but that’s a separate post)

however—and i’ve talked about this before—i find that once you’ve watched fire walk with me it is so much harder to watch the show because the ignorance of nearly every single member of the town (yes, including cooper) pervades the way the action unfolds. twin peaks viewers knew the premise of the show going in and we get to discover details and information alongside the characters. when albert rosenfield comes in as the only voice of reason and reality, it’s set up to be jarring to both the townspeople and to the viewer. why?

sheryl lee said in an interview, “fire walk with me was very difficult for me to watch… and, emotionally it’s a reminder: this is a movie, but this continues to happen every day and how can we stop it? when i watch fire walk with me now, as a mother, i watch it and i think look at all those signs that were being exhibited. this girl was in danger, and look at all these people that were in her life. what would have happened if someone, somewhere, somehow could have helped or stopped it? that’s hard to watch.”

much has been discussed critically about fire walk with me and whether or not it’s exploitative in the ways that it portrays sexual violence against women. while lynch does not shy away from making that violence visible, it is done so in an attempt to make the viewer examine their own relationship to that violence and how it shows up in their own lives. the audience is forced to think about the ways that they are complicit in how and why these violent acts occur and what they can do to stop it, which is why for many it is an uncomfortable watch. for others, it is a painful (and speaking from my own perspective) necessary watch because lynch didn’t make a horror movie, he made a documentary.

fire walk with me is necessary (in my humblest of opinions) to understand why the pieces that lynch and frost put into twin peaks work. there’s so much backstory to how they weren’t originally going to reveal who laura palmer’s killer was until ABC made them, lynch wasn’t around during much of the second season so things got a little off the rails storytelling-wise, etc. etc. but fire walk with me allows them to tie difficult, often horrifying threads (ben horne unknowingly attempting to have sex with his daughter, the townspeople’s distancing of albert, the hands of random townspeople trembling as BOB attempts to claw back into the material world, the list goes on and on) back to the central thesis of “sexual violence is the ultimate evil, it is completely avoidable, and you have a responsibility to recognize the signs and stop being complicit”

[carnationhes]

screencap redraw!! Catching Fire 59:29

[judithan-xing]

a future unchanged

[rookesbane]

The Ballad of Songbirds and Snakes (2020) // The Hunger Games films (2012-2015)

[bardsansa]

even the iron still fears the rot, hiding from something i cannot stop

[a-dauntless-daffodil]

they were literally that one meme i can't i cannnnn't

[shewhoworshipscarlin]

Pole screen, 1790, Scotia, NY.

[mikodrawnnarratives]

Post fire au y/n meets Cryptid Hunter y/n because it would literally be the most perfect crossover ever. I can't get enough of y/nverse

Copper is a caretaker with kids. Struggling. Protective energy rn. Mechanic. Traumatized. They are practically already besties with cryptid eclipse and hunter. Eclipse is a cryptid caretaker who adores children to the point he'll kill rulebreakers who hurt them. Hunter is traumatized and has lots of hero complex stuff going on which honestly I think Copper would relate to the hero complex stuff a lot.

TLDR: They'd get along.

Or at least have fun interactions along the way.

Post fire au characters are from @paper-lilypie (hopefully tumblr actually notifies you of this @ this time)

and cryptid sightings characters from @naffeclipse

Some spoilers for Cryptid Sightings but I think it's just really minor stuff

Much more under the cut :)

If they met after Hunter knew that Cryptid Eclipse was a cryptid all along, they wouldn't be worrying about how destroyed their sweetie's animatronic vessel are when they visit.

So. Cryptid Sun and Moon go after rulebreakers who harm children n stuff. Post fire sun and moon. Have blood covered hands.

The moment they realize. They better book it before Copper's boo is torn to shreds

Meanwhile Cryptid Moon is just having fun with the kids because you know they'd get along

Explosion noises in their minds rn this is so cool they are literally meeting a cryptid woah

Maes is a little more nervous but since Cryptid Moon isn't acting scary right now it's okay

oop

Since post fire au Sun and Moon still got some virus issues in the beginning, their status was debatable. The more time Cryptid Eclipse spends around them, the more they recognize they're gulity lol

Cryptid Eclipse may be the kids new uncle but he's not allowed to beat up their favorite dads.

And lastly some interactions I think would definitely happen:

And lastly some interactions I think would definitely happen

Also, Hunter would think Post Fire Sun and Moon are so cool since they are actual animatronics with advanced ai like WOAH

ALSO I didn't get around to drawing it since my eyes hurt like heck rn BUT with the amount of love both y/ns get from their boys, they'd relate to each other in that way as well