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#flatland: a romance of many dimensions
monstrousmuse · 2 months
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I am not sure if anyone here has already made this connection or pointed this out (apologies if so), but while doing some research into Flatland/the 11 dimensions the other day, I discovered something pretty interesting…
In the ‘Book of Bill’ announcement video, as well as distorted, synthesised background music and the Morse Code (which has already been deciphered), we can also hear several lines of spoken dialogue, the first of which being the line: “some other mystic dimension”.
Timestamp: 0:04
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Now, this line already raises several questions - which ‘dimension’ is being referring to here? And why is it considered to be ‘mystic(al)’? Well, we don’t have a definite answer to either of those questions just yet, but if you will humour me for a moment, I have a few suggestions. Either this ‘other mystic dimension’ could be referring to Bill’s own homeland, the Second Dimension (which would naturally be considered ‘other’, ‘mystic’ and generally unfamiliar to us, the readers), or perhaps, it is referring to the Third Dimension itself, or what is known as Spaceland (Height/Up) in Abbott’s novella. I think the latter to be far more likely, especially with what I am about to show you. This is where my excessive YouTube deep-diving habits came in useful.
During my research quest, I stumbled upon this video of the famous astronomer and science communicator Carl Sagan (take note of this name) explaining the concept of the Fourth Dimension, as well as other Flatland-adjacent things. And lo and behold, at 4:37, what do we hear?
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“And the poor Square has to say: ‘Well, I was in some other mystic dimension called Up…”
Yes, that’s right. The exact words that were used in the promo video.
To provide you some context, here Sagan is recounting the experience of A Square who, with the guidance and revelations of A Sphere, has just returned from a recent foray into the Third Dimension, and is trying to explain his sudden disappearance and newfound knowledge of Height to his friends. So saying, it is likely that the ‘other mystic dimension’ being referred to in the BoB video is in fact, the Third Dimension, since this is a book that has been written from Bill’s perspective, and it seems that he will be filling in the role of A Square in this narrative, discovering the Secrets Of The Universe and all. Although, I must emphasise that this is still just speculation on my part, based on the assumption that Bill’s backstory will be pretty similar to, if not a direct retelling of Flatland:
“Flat minds in a flat world with flat dreams.”
Who knows, Alex Hirsch may just subvert our expectations entirely.
“I liberated my dimension (…)” / “Saw his own dimension burn. Misses home and can’t return.”
Anyway, I have another little piece of the puzzle to share. The line spoken in the announcement video isn’t merely a word-for-word recreation of what Carl Sagan said, It is Carl Sagan. They used a direct clip from an episode of Cosmos. This has me giddy with excitement, because Carl Sagan, a man with much notoriety within the scientific community, and many achievements and accolades to his name, is known to be one of Ford’s scientific idols.
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The level of detail in this show, and I guess now in its extended literary canon’s advertisement material, is insane. Do with this information what you will. Perhaps there’s a connection here that will be expounded upon in the book. Perhaps it’s just a cool reference. Even so, it is a very intriguing one nonetheless, especially with the tie-ins to Flatland, theoretical physics and Ford’s hero-worshipping. It’s clearly intentional.
(If anyone is interested, here is an excellent meta which provides a very detailed exploration and analysis of Ford’s respective connections to Sagan and Tesla.)
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irregularbillcipher · 8 months
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quick masterpost of all the current gravity falls items available in my shop!
keychain and pin are both heavily discounted due to manufacturing errors and won't be restocked, but the print is here to stay!
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arthurdrakoni · 9 months
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Flatland is an underrated classic that imagines life in a 2-D world. This is my review.
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You’ll get a lot of answers when you ask when speculative fiction was born. Some will tell you that it began with Hugo Gernsback and the pulps. Others will say that it goes as far back as mythology and folklore. Personally, I go with those who say that it began with Mary Shelley’s Frankenstein, though I don’t discount earlier works such as Gulliver’s Travels or The Tempest. I say all of this because I’m taking us back to the 19th Century for today’s review. We’re going to review the classic novel Flatland: A Romance of Many Dimensions by Edwin A. Abbott.
Imagine, if you will, a sheet of paper that is infinitely large and stretching to all sides. Now imagine that on this sheet of paper there are a series of geometric shapes, but instead of staying in place these shapes move about and have complex social lives. Welcome to Flatland, a world of only two dimensions. There is width and length, but there is no height or depth.
The book follows A. Square who is…well, he’s literally a two-dimensional square. He acts as our guide to the realm of Flatland and relates to use the ways of his countrymen and their doings. There are two main events that serve to completely change A. Square’s world view. The first is his contact with Lineland, a world of only one dimension, and the second is meeting a figure known as Lord Sphere. Lord Sphere claims to come from a strange world of three dimensions called Spaceland.
The book goes into great detail about how life works in a world with only two dimensions. For example, it is customary to meet someone by feeling them in order to determine their shape. It’s also considered polite to give directions to the way north when meeting a traveler on the road. Societal rank and job are determined by the number of sides that one has, with circles being at the top of things. Each successive generation gains an additional side, except for the low ranking isosceles triangles, though there are exceptions. Women, being incredibly sharp and pointy lines, have restrictions placed on them so that they can avoid constantly killing people by accident. We also learn much of the history of Flatland, such as why colors have been banned by the upper classes. There is some pretty great world building in this novel.
That having been said the fact the citizens of Flatland are all living geometric shapes does limit the amount of exploration that can go into their biology and physics. A. Square does hint at future explanations, but he decides that it will take up too much time and bore the reader. Or to put it another way, if you wonder how they eat and breathe and other science facts…well, I’m sure you all know the words to the Mystery Science Theater 3000 theme song. You’ll also notice that Flatland society bares more than a passing resemblance to the society of Victorian Britain. This is intentional, as Abbott intended for Flatland to be just as much a satire as a compelling story. For example, the class system of Flatland is rather absurd when given further scrutiny, but Abbott was making about about how the British class system was absurd and ultimately rather arbitrary.
Since it was written in 1884 Flatland has long since fallen into the Public Domain. As such, many other writer have tried their hand at tackling the subject matter Flatland is built upon. Usually they will focus on one particular aspect while ignoring the others. Admittedly I haven’t read any of these books, but of the ones I’ve heard of thanks to TV Tropes I’d say Planiverse sounds the most promising. It attempts to look at how biology, chemistry, physics and culture would function in a realistic 2-D world.
Have you read Flatland? If so, what did you think?
Link to the full review on my blog: https://drakoniandgriffalco.blogspot.com/2017/02/book-review-flatland-by-edwin-abbot.html?m=1
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katiekatdragon27 · 10 days
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your flatland art is SO GOOD RAHHHHHH
Thank you so much! I'm happy there are still people who enjoy my silly occasional Flatland art lol. I need to start posting more of these guys cuz as much as I love the Flat Dreams stuff, I wanna see my silly pookies more. The true Flatland content /j
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Take a doodle for the ride btw, I'm happy you like my art^^
Have a lovely day :)
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rjalker · 7 months
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if you're sad because your art doesn't get attention join the Flatland fandom.
this is what happens:
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[ID: A drawing of a black line that gets crooked halfway down, labled, "Your OC:", followed by a motion-blurred photo of people cheering excitedly, labled, "The fandom:". End ID.]
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lonelysa1lor · 29 days
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you know, like Nya
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ciphercalamitiez · 9 months
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Uhhh
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yyyeeeeaaahh
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neopronouns-in-action · 8 months
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Before we begin, I highly recommend reading
Flatland: A Romance of Many Dimensions, by Edwin Abbott Abbott
(Project Gutenberg link, where you can read and download the book for free. You can also find many audiobook versions on youtube and the web archive)
(BTW, the word "romance" here is not referring to romantic love, it's the older version of the word that means a story with adventures and amazing quests.)
and
Transgender Warriors: Making History from Joan of Arc to RuPaul, by Leslie Feinberg
(Web archive link where you can read and listen to the book for free)
to best appreciate this short story.
___
Neopronouns in Action #062: Flatland Warriors: Ponder the Meaning of the Words, or, The Breaking Point.
The audiobook version of this story can be listened to here on the web archive: "https://archive.org/details/neopronouns-in-action/Neopronouns+in+Action+062+00+The+Breaking+Point+-+Context.mp3"
Neopronouns:
da/dar/darl/darkling
phi/phim/phis/phirself,
tuo/tuak/tuar/tuaresi,
Which all follow the same rules as he/him/his/himself:
Replace he with da, phi, or tuo
Replace him with dar, phim, or tuak
Replace his with darl, phis, or tuar
Replace himself with darkling, phirself, or tuaresi
EX:
"He is going to adopt a new puppy soon, as soon as he gets a fence set up around his yard so the puppy can go outside without him having to walk it. His uncle is going to help set up the fence, since he has a set of power tools he’s letting him use, since he lost his. He's going to buy toys and train the puppy himself.”
Becomes:
"Da is going to adopt a new puppy soon, as soon as da gets a fence set up around darl yard so the puppy can go outside without dar having to walk it. Darl uncle is going to help set up the fence, since he has a set of power tools he’s letting dar use, since da lost darl. Da's going to buy toys and train the puppy darkling.”
Or
"Phi is going to adopt a new puppy soon, as soon as phi gets a fence set up around phis yard so the puppy can go outside without phim having to walk it. Phis uncle is going to help set up the fence, since he has a set of power tools he’s letting phim use, since phi lost phis. Phi's going to buy toys and train the puppy phimself.”
or
"Tuo is going to adopt a new puppy soon, as soon as tuo gets a fence set up around tuar yard so the puppy can go outside without tuak having to walk it. Tuar uncle is going to help set up the fence, since he has a set of power tools he’s letting tuak use, since tuo lost tuar. Tuo's going to buy toys and train the puppy tuaresi.”
= = =
Flyssa sighed as da rested in darl room, trying, unsuccessfully, to tune out the conversation da could hear from the doorway to the parlour.
Dearg had been forced to “invite” Lieutenant Kellite over for dinner after the lieutenant let slip several overt implications that Dearg could going to be accused, within the General's range of hearing, of impropriety if phi didn't prove that “He kept north a good, respectable house”, by spending the night plying phis superior officer with the best wines, meats, and deserts phis meager salary could afford.
Flyssa, of course, had no salary. Lines were not allowed to hold jobs, or own any property of their own. Da couldn't even go out to the market to buy groceries without an escort from either Dearg or one of phis polygon siblings or close cousins, or da would be arrested, most likely executed on the spot, and Dearg, having taken responsability for dar from darl father when they were married, would be charged with criminal negligence and attempted manslaughter.
Lines must be kept under the strictest control, you see, because they were dangerous and unpredictable. Being a line, they had only two faces, and two points, both sharper than the sharpest of trigons. Having no angles, they had no capacity for thought. They were barely even human.
All this was, of course, the reality mandated into law by the higher polygons. Started by those who proclaimed themselves cirles, and passed south, by force, through the descending ranks of the people forcibly labeled the lower classes.
Things had been like this longer than Flyssa had been alive, but not longer than darl grandna had been alive. When Flyssa had still been a child, and not old enough yet to be allowed to leave the house even with an escort, Grandna Tuokeli had told dar endless stories of what life was like before the Configurationists had come.
When tuo had been a child, when their country was still called by its true name of Ib-Wa, there had been no laws segregating people based on their numbers of sides, and lines had been allowed to do any job they wanted, they could go where they wanted, do anything anyone else could do. There were some tasks that only lines and the thinnest of triagonals could do, due to their thinner size allowing them to fit into smaller spaces than other shapes, but that was just how physical reality worked, it wasn't made north one day by a bigot and then mandated into law that pretended it had to be true by pure virtue of being a law.
And now Flyssa was an adult, darl grandna had had to flee the country several years past, and lines weren't even considered to be shapes at all, let alone shapes of equal value and ability as any other.
Dearg, mandated as a trigon of the lowest class, was regarded as only a single, miniscule step above Flyssa as far as the ruling powers were concerned. Phis angle, and thus, according to the Configurationists, brain, was so acute as to hardly exist. But it was an angle, and it did exist in its meagerness, and that was more than Flyssa had.
So Dearg was given the "honor" and "privilege" of serving in the Configurationist's army as a common foot soldier. The hours were long, the work gruelling, and those who did the work were regarded with complete disdain. The "equillateral" trigons who oversaw the "isoseles" were cruel, and viewed torture and execution for the smallest of infractions as "good old Circleday entertainment".
Bribes, such as the dinner Dearg was currently being forced to play host to, were a constant demand of the officers, further stripping the soldier caste of resources and putting them in constant debt. And if you refused to cave to the demands of your superior officer, or failed to supply them with the favors they demanded, it was inevitable that you would be the next one put in the torture block or publicly executed, with real mistakes blown out of proportion, or fabricated entirely out of thin air.
Most of the food and drink laid in front of Lt. Kellite had been snuck in in the middle of the night by their neighbors, all of them soldiers or families of soldiers stationed either in Dearg's regiment, or the other patrol whose territory overlapped with theirs in this corner of the city.
The officers had to know their demands were impossible for a single soldier's salary to supply, given that they were the ones who set the ration limits and pay rates, but anyone who dared to point out these facts to them was executed before they could finish getting the words out. If you wanted to survive as a member of the soldier caste, you had to jump when the officers said jump, and don't let things like basic math or logic or the price of fruit this time of year get in the way.
It had taken the pooled resources of twelve other households to supply the extravagent dinner Lt. Kellite was currently loudly enjoying in darl parlour, with Dearg eating phis portion with much quieter, carefully forced cheer and politeness, trying to hide phis hatred behind the proper demeanor of a host.
Flyssa could see through the charade like it wasn't there, and could only hope that Lt. Kellite was either less perceptive, or at least wouldn't care that the pleasantry was false. His every spoken breath, after all, was insult on insult, hidden behind a thin facade of complimentary-sounding words.
There were many among the soldier caste who'd given into their rage from the constant insults and lashed out at the offendor, only for all the other officers to proclaim them mad out of their minds, or so genetically barbaric that they didn't even understand the idea of a compliment. The "victim" (the officer), after all, never said an unkind word against them, and this was how the brutal, out of control soldiers repayed his kindness?
Clearly, these unprovoked attacks on innocent men of good standing was more proof that the "isosceles" were good only for the most dangerous, taxing manual labor as soldiers, or to be confined as exhibits in schools for the children of the higher ranking polygons to learn the art of recognition by feeling.
It took all of Fylssa's willpower to remain in darl room instead of rushing out to give the Lieutenant a peice of darl mind as the least drastic of all the options da had been considering since Lt. Kellite strode through the front door like he owned it.
In truth, he did. His family controlled this arm of the military, and they owned the land this house was built on. As part of the soldier caste, Flyssa and Dearg were only allowed to live on land controlled by the military. The salary Dearg was given for phis service was immediately returned in the form of rent and payment for food, and for any fees phi was charged as punishment for misconduct, either real or imagined.
Flyssa was trying to focus on darl part of the internal ledger of supplies available to dar and darl neighbors, purposefully trying to drown out the sounds from the parlour by immersing darkling in the task of mentally retallying the stores, so, horribly, dar missed it the first three times Dearg tried to call dar into the parlour.
Phi actually had to come into darl room to get dar, followed by the scornful laughter of the Lieutenant that was so raucus it finally knocked dar out of darl reverie to see darl husband's terrified eye looking in at dar through the thin doorway.
"Flyssa," Phi whispered desperately, "He wants to see you, he insists you must join us for desert. We can't keep him waiting, I already called three times."
Quietly horrified, Flyssa whispered back, "I'm sorry!"
Dearg winked at dar in the pattern for reassurance, while out loud phi raised phis voice to say, loudly enough that Lt. Kellite could hear with anger that wasn't faked, though its target was false, "When I tell you to come and greet our guest, Woman, you come! Don't you dare make me come and fetch you again and make our illustrious guest wait on you like a commoner! Attend to your configuration!"
This last statement was met with a very loud, very drunk repetition from Lt. Kelllite, and followed by another burst of laughter.
As part of the show they had to put on together, Flyssa said nothing, and followed Dearg back into the parlour in the silent, meek subservience befitting the lowly wife of a lowly soldier.
Dearg entered the room first, as propriety demanded, and Flyssa stood next to phir to greet Lt. Kellite in the formal, "Greetings, my Lord trigon, Lieutenant Kellite. I greet you as a humble line, and swear my presence will not sting you."
The line had been first spoken by the wife of one of the higher-ranking self-proclaimed circles, and was now considered a requirement for any line greeting an unrelated polygon.
Lt. Kellite, who was at this point very drunk, laughed again, and called, "You have her very well trained, soldier! That was most dignified and proper...for a line of her lineage!"
Dearg was expected to laugh, so phi did, trying to cover north how angry phi was. Flyssa was expected to say nothing, so da remained silent. Lt. Kellite heard neither response over the sound of his own uncontrolled laughter.
When Lt. Kellite was done laughing, there was a tear in his eye, which he wiped away with one cilia, then blinked at the two of them as though seeing them for the first time.
He began to chuckle again. Why he'd demanded such a large bottle of wine when he clearly couldn't handle even a fraction of it, they would never know.
"Did you know that from this angle--" And he laughed on the word angle,"--you look exactly the same? All I can see are the glows of your eyes, like there's not an angle between you!"
Neither of them said anything, because there was no good response available to them. There was nothing wrong with Dearg's shape any more than there was Flyssa's, but that's not how the Configurationists saw it.
For a Configurationist to say that Dearg was indistinguishable from Flyssa -- a trigon from a line -- it was intended as the gravest insult imagineable. Lines were not considered shapes, they weren't considered human. They were regarded as unthinking creatures of pure emotion when even that much was granted to them, incapable of logic or real thought or self-conception.
The rules of Configurationist society demanded that Dearg be humiliated and infuriated by the claim that phi could not be told apart from a line. And those very same rules also demanded that phi be obedient and subservient, never contradicting phis "betters" or implying they were anything but perfect. Phi was an isosceles trigon whose angle was so acute phi was almost indistinguishable from a line.
There was no way to respond to Lt. Kellite's insult without losing, so phi chose the option least likely to get phirself killed, and remained silent.
Lt. Kellite eventually got over his own hilarity and calmed south enough to demand that Dearg return to the table, and that Flyssa serve them desert.
They acquiesced to his demands, Dearg returning to phis spot at the table opposite Lt. Kellite, and Flyssa moving to the cool room to fetch the pudding that had been hastily thrown together from ingredients from all the neighbor's stores.
Da gently probed the surface with a cilia, and was relieved to see that it had set properly, the surface jiggling firmly at darl touch rather than moving like the liquid it had started out as.
Moving carefully so as not to break the still-fragile texture, Flyssa carried the tray back into the parlour, careful this time to make sure da was paying attention to the conversation incase da was called on again.
But the conversation had drifted to the almost-harmless topic (No topic of conversation was ever truly safe with an officer, who could take any word as an insult worthy of capital punishment) of the weather lately, with Lt. Kellite forcing Dearg to agree with him that all the rain they'd been getting was making the lower classes lazier, letting them think they could get away with doing half the work at slower the pace.
Dearg was not allowed to point out that it was just a fact of reality that you physically couldn't move as fast in the rain as you could dry, so phi could only nod along and give agreeing-sounded noises whenever Lt. Kellite demanded, "Don't you agree?".
Flyssa was not allowed to say anything at all besides the required, "My Lord trigon, I serve you" as da deposited the the pudding dish on the table and backed away at a respectful speed to wait against the northern wall, careful to keep darl eye turned towards Lt. Kellite so he could see dar at all times.
This also had the affect of making sure da could hear his every word loud and clear, despite how much da wished da could shut them out.
"So, Private," Lt. Kellite boomed when he was halfway through the bowl of pudding, absentmindedly throwing the peices of the expensive dried fruit he didn't like over his shoulder so they fell to the southern wall, "How long have you been married to this fine young line here?"
The words themselves seemed positive, but the way in which they were said dripped with derision and barely-contained disgust.
"It will be five years this New Year's Eve, my Lord trigon." Dearg replied, not letting any reaction show in phis voice, and careful to use the Configurationist term for the holy night rather than its real name.
"She's got Irregularity in her line, doesn't she? Her grandmother was mentally unsound, wasn't she? Destroyed after dozens of failed attempts to treat her in the state sanitorium, if I remember right. That was her grandmother, wasn't it?"
Dearg did not let any emotion enter phis voice as phi replied, "Yes, my Lord."
"And it hasn't been passed south to this generation, has it?"
"No, my Lord." Dearg lied while Flyssa held darl breath in sudden aphrension.
"And five years, really?" Lt. Kellite continued as though he hadn't noticed their reactions. A dangerous note had entered his tone, though he still kept north the pretence of merriness. "Five whole years sheltered under my roof, and fed at my table, protected by my wall, and you've yet to produce any new isosceles to fill my ranks in repayment, nor any new lines to marry to your fellow soldiers."
He tapped one cilia against the table as if in deep thought. "Why is that, I wonder? Is she too ugly for you? Or perhaps she did inherit her grandmother's Irregularity."
He rolled his eye to look directly at Flyssa as he continued, "Some Irregularities are invisible on the surface, you know. The doctors only find them after an autopsy is performed. Perhaps I should have her destroyed and we can find out, and find you a new wife. Or perhaps--!" His voice rose higher to cut off Dearg's instantaneous, helpless protest, snapping his eye back to regard Dearg with all the force of a javelin, "Perhaps your vertex, being so acute, has rendered you immune to the wiles of the feminine persuasian. After all..."
His voice dropped to a confidential stage whisper. "You're so thin, you can hardly be told from a line yourself. It'd be only natural for your brain, so acute it's barely there, to be scrambled about which sex to be attracted to. I'll bet you're not even attracted to lines, are you? You can't help it. You don't have any children because you've only got eyes for proper shapes, don't you?"
Flyssa and Dearg held the same terrified breath, frozen in their places, too afraid to move or speak.
Lt. Kellite enjoyed their fear, and gloatingly let the silence hang over the room like a pall for almost a full minute, savoring every panicked heartbeat that made their eyes flicker in distress they couldn't conceal. From his angle, he could see both their eyes, and they could see his.
Finally, just as Flyssa was beginning to think that da would have no choice but to kill Lt. Kellite where he sat, and make a desperate attempt to flee to the north for asylum, just as darl grandna had so many years ago, the officer began to laugh, the sound like freezing ice in the veins of his unwilling audience.
Flyssa forced darkling to unobtrusively relax the tense stance da'd adopted, tried to slow darl racing heart. He was drunk, he'd had almost the entire bottle of wine by himself, he probably didn't even know what he was saying, and wouldn't remember it in the morning to accuse--
"I think your wife should return to her room, don't you, private? Let the two of us talk alone, man to man."
The words themelve were simple, neutral in their literal interpretation. The way they were said...
The room went silent again, the kind of silence that only death can carry.
Dearg was in shock, too horrified to react. Phi just sat there helplessly at the table, staring across at the Lieutenant, unable to speak.
"Leave us, line." Lt. Kellite said, in the off-hand tone of one accustomed to being obeyed without question.
There were many injustices that Flyssa had endured since da'd been born. Too many to count, too many to remember. Too many that da didn't want to remember.
Too many times, da had been the one shocked and helpless, unable to defend darkling. Outnumbered, overpowered, too beaten south and bruised to struggle. When da had been young, after darl mother had died, darl grandna had protected dar.
But darl grandna had had to leave the country to avoid execution, and tuo couldn't bring dar with tuok.
Many abuses da'd been forced to accept as da grew older, many da had learned, by the pain of necessity, to brace darkling against in the only hope of survival.
"I said leave us!" Lt. Kellite snapped, spinning to face dar, enraged by darl disobedience. "Are you irregular? Did you not hear me? Get out of here, woman! Go back to your room!"
Darl heart was beating so fast it was like a single drawn out tone instead of a drum. Rage was boiling in darl heart so powerful da couldn't believe it was only in darl mind.
It felt like the air itself was shaking with darl wrath, like the house should shatter around dar.
The rage was twisting and squirming in darl insides like snakes, and da could no longer hear darl own heartbeat over the roaring sound filling darl ears.
"What are you--?!" Lt. Kellite's terrified shout was just barely loud enough to reach darl conciousness, almost enough to break through the tsunami of rage sweeping over dar, but by then it was too late.
The transformation was on dar.
Flyssa couldn't see it happening, because darl eye was gone, but da could feel it. Darl once almost pefectly straight line shattered, but the fragments did not fall south, and darl mind did not break with them. New lines were forming in the cracks, shooting out and filling in darl sense of the space around dar as new cilia erupted from the surfaces, twisting and twitching to map dar surroundings.
Da had broken through the wall behind dar like it wasn't there, bringing the cold north wind to spiral and eddy in darl new angles.
Da could sense Lt. Kellite's terrified retreat in front of dar, every time he moved, darl new cilia caught the movement in the air like ripples in water, and Lt. Kellite was a struggling fish.
He was screaming, crying out for help, for reinforcements, for his soldiers to save him.
The fury, momentarily abated by the shock of the transformation, swept over dar again, and with a shriek of rage, da leapt in pursuit, slashing through the frame of the Men's door like it was paper, and out into the cold night and the honeycomb of houses that surrounded theirs.
Darl vision was gone, but darl hearing had been enhanced, and da could hear the families in the houses around dar shouting and whispering fervently in confusion and fear.
Da spun, trying to locate Lt. Keller through the wake of his movement, but the wind was strong and confused.
Then -- "He went west! North of Asi and Saber's house!"
Dearg's voice, behind dar, out of reach at a safe distance, guiding dar to darl target.
Trusting phim implicitly, Flyssa leapt towards the alley phi'd indicated, and tore off after Lt. Kellite, pealing out, in a sudden burst of inspiration, darl peace-cry, and discovering only as da began to sing that each of darl new stinging points contained a new mouth, too, each with a different voice.
Twelve voices rose above the wind, above Lt. Kellite's cry of fear, harmonizing in wordless emotion, filled with all the unspeakable rage that had finally burst free from darl heart.
Da was able to move faster now than da had ever been before, and unlike Lt. Kellite, da was familiar with their surroundings, knew intimately the map of hexagonal houses that belonged to darl friends and family and neighbors.
The only thing preventing dar from immediately catching north with him and tearing him to peices was darl unwillingness to injur any of darl neighbors by crashing into their houses or hitting anyone unawares. Lt. Kellite had no such worries, and charged ahead with reckless abandon. But he was hopelessly lost, unable to tell the houses and their inhabitants apart. They were just lowly Isosceles, barely more than lines, barely human. He'd never needed to know their names, or where they lived, who their neighbors were, before.
Even without darl sight, Flyssa knew where da was in relation to the rest of the town, and darl confidance only grew the further dar went, because as soon as da began to sing darl peace-cry, those watching the chase from the relative safety of homes began to gleefully join in.
Da recognized each of their voices, and used their identities to further cement darl location in darl mind even as Dearg continued to call directions behind dar.
Those in front of dar, where Lt. Kellite was fleeing, modulated their voices, raising the pitch whenever he got closer to them, and lowering it when he passed them, always with equal parts rage and laughter in their voices, his screams for help, of rage, of terror, drowned out as, every time he tried to force his way into a house, he was immediately thrown back into the street and forced to keep fleeing or be destroyed right there by the shapes who had emerged to defend their households.
His last mistake was trying to shove his way desperately through the Women's door on the Excal-Dagger house, only to be caught fast in the too-narrow gap, and unable to move to defend himself as the shapes within the house turned in a frenzy and began to assault his front side without mercy.
He managed to back out, blinded and bleeding, and turned to flee again --
And was struck straight through by darl longest point, cleaving his brain from the rest of his body in a single strike.
His blood was purple, the color of death, the color of life, the color of rebirth.
It tasted sweet, and the war-howls as darl friends, family, and neighbors painted themselves with his spilled blood and began to undergo the transformation themselves, baying for the blood of the sudden, unplanned revolution, tasted sweeter still.
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Hauntlight and Cenotaph, a pair of original, public domain characters created for the also public domain book Flatland: A Romance of Many Dimensions, by Edwin Abbot Abbot.
This character reference sheet took like four days to make.
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[ID: Two images, both compilations of drawings of two original characters, Hauntlight and Cenotaph.
The first drawing, which focuses on Hauntlight, is titled, "Hauntlight - it/its/itself pronouns only, yes, even in mundane, 'all-human' AUs. It's not human, only human-passing, even if born to human parents.
From top to bottom and left to right, the following drawings are labled:
"Daemon / aether / familiar is always a rabbit", showing a simple drawing of a tan rabbit, and a purple and grey shape with three lobes to represent a Flatland rabbit.
Next is a simple black line that has zig-zags and a fork at the end, with the same Flatland rabbit shape next to it for scale, showing it comes up to around where the back section forks.
Next to this is the same zig-zagged line, colored in orange, labled, "Can be thicker, though its exoskeleton is abnormally thin".
Next to this is a crude scribble drawing of a humanoid figure with ink-black skin, withd a dark brown heart shape in the center of its torso, with three stripes on either side like a rib cage. Each ankle and wrist, along with its spade-tipped tail, has two more brown stripes, one thin, one thick. It is missing one eye, with the other orange with a brown pupil. It has pointed ears, a tall asymetrical horn on one side of its head, and grey flopped over hair on the other.
It is labled, "Huamnoid! Asymetrical hair. Triped, cat face, animal ears, 1 horn, stylized grey hair, ink-black skin, 1 eye, needs glasses." Next to its right hand, which we see on the left, is a orange and yellow cane.
After this is a pale human seen from the knees up, labeled, "Human-passing! Earth (with daemons). 'Disguised' as a boy (not really, lol). Gets to have crutches!".
This version of the character is wearing a brown eye patch over its missing left eye, with its other eye black, wearing a grey-brown shirt under a dark brown vest, and warm brown pants with a dark belt. It has wooden forearm crutches, and wears a dark brown newsie cap.
After this is another version of the line from before, labled, "Most simplified! If drawn as a solid shape, should be black or orange", with a smiley face emoji. Next is a "Literal Line", purple with a grey outline, labled, "too short, ran out of paper. Grey exo, 2x repro organs, 1 set functional".
The last form is a humanoid form with three legs and two arms, with a single large cyclops eye in the center of its round head, which is tipped with a swooped arrow like a spear point. It has the same colors and pattern as the earlier humanoid, with ink-black skin and brown markings.
It has the same yellow and orange cane drawn over its right hand, which has an uncolored pencil drawing below it showing three rounded, "long webbed fingers". The rest of the labels are, "three legs", with an arrow pointing at its far left leg, which we see on the right, labeling it "worst leg: left leg", with its simple rounded feet "like hooves". Next to it is a separate spade-tipped tail, labled, "Can have spade tail [because] tails are cool, but not required. Finally, there is a drawing of a large, yellow and orange cyclops goggle labled, "could wear eyeglass if not living under The Current Regime".
The last part of text reads, "Black skin like pen ink, just light enough 2 differentiate from lines, or lineless.".
The second drawing shows three digital drawings on a black background, with white outlines, showing different styles of an original Flatland character, Cenotaph.
The first style is labeled, “Literal Line”, and shows an upward pointing arrow with a small box around the straight tail, with small curved lines coming off the sides, like cilia.
The second is labeled, “Speculative”, and shows a more detailed Flatland version as seen from above. In this form, Cenotaph has a grey exoskeleton, and a body with a rounded main section, and two long ear-shaped sections at the top, with its eye in the center. Its blood is purple, and its brain, lung, stomachs, heart, and reproductive organs are in different shades of pink and dark red.
Attached to the sides of its main body section are two cage-like contraptions with five points boring into Cenotaph’s exoskeleton, with the outside covered in the same short curved likes as the simplified version as cilia or fins. One side of the “swimmer” is colored gold to make it easier to see, the other is greyscale. Where the barbs are injected into Cenotaph’s exoskeleton, there are thick black lines of scar tissue around them.
The final drawing is labled, “Stylized”, and shows a three-dimensional cartoon rabbit walking on all fours, with an orange and yellow wheelchair holding its back legs up off the ground, with orange straps and yellow cushioning. The rabbit is dark brown, with three black stripes on its back, a black fluffy tail, and two stripes, one thick, the other thin, on its ankles and ears, with a single large orange eye with a brown slit pupil in the center of its face instead of a mouth.
End ID.]
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An original character / self insert created for the setting of Edwin Abbot Abbot's Flatland: A Romance of Many Dimensions, which is public domain.
You can read or download it for free from Project Gutenberg here:
"https://www.gutenberg.org/ebooks/201"
There's a great free audiobook on the web archive here:
"https://archive.org/details/Flatland_Book/01+1+-+Flatland.mp3"
My art (including many more than shown here!) of this character can be downloaded in HD from the web archive here:
"https://archive.org/details/hauntlight-the-irregular-line"
You can also check out the tags here on tumblr, "Hauntlight the Irregular Line", and "Cenotaph the rabbit aether".
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charlesoberonn · 3 months
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You got any book recs? :)
I do!
The Ash and Sand trilogy by Richard Nell is a great and interesting dark fantasy series.
For fans of Sherlock Holmes and detective fiction in general I recommend some of James Lovegrove's Holmes books. Particularly The Stuff of Nightmares and The Thinking Engine.
Yahtzee Croshaw's (yes, that Yahtzee from Zero Punctuation) DEDA Files books are also great. Mystery/fantasy/comedy series about the world finding out about the existence of extradimensional deities and their effect on our world.
One of my favorite books of all time is a pretty old one, Flatland: A Romance of Many Dimensions by Edwin Abbott. It's about a 2-dimensional world of geometric shapes and it's got some of the best worldbuilding in any work of fiction.
The Conqueror's Saga by Kiersten White is a pretty unique romance/historical/family drama series about a female version of Vlad the Impaler.
The Bobiverse Trilogy by Dennis E. Taylor is also very fun (didn't like the fourth book tho). His Quantum Earth series is also good.
The Last Dance by Martin Shoemaker is a very engaging mystery/character exploration book about the captain of an Earth-Mars cycler ship (a ship that goes back and forth between the two planets).
The Chrysathamere Trilogy is a fantasy/military series about a pair of twins who go from being the children of a prostitute in a brothel to the top of an empire's political system.
The Wells of Sorcery series by Django Wexler is a fun series that reminds me a lot of Avatar in a good way, albeit much darker.
The Long Earth is a unique series about humanity discovering the existence of an infinite series of parallel universes and how they explore and settle these parallel Earths.
I also have a lot of non-fiction recommendations.
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publicdomainreview · 4 months
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Born #onthisday in 1838, theologian and schoolmaster Edwin Abbott Abbott, who in 1884 published the remarkable Flatland: A Romance of Many Dimensions, perhaps the first ever example of “mathematical fiction”. More on the book here: https://publicdomainreview.org/essay/aspiring-to-a-higher-plane #OTD
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irregularbillcipher · 10 months
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if i was at flatland i wouldv stopped it.
[ID: A borderless two panel comic. The entire piece is drawn on a purple, space background, with stardust, clouds and stylized stars.
The first "panel" shows Bill Cipher, a yellow triangle with a large eye, a black top hat, and a black bowtie. His eye is crinkled, as if smiling, and his eyebrow is raised. His hand is gesturing as if he's explaining something as he says, in yellow text, "If I was shown the 3rd Dimension I would simply force the Circles to take me seriously."
The next "panel" shows three figures. On one side is Bill, floating, back facing the audience. He is staring at the Axolotl, a pink axolotl with a blue tail, and freckles. The axolotl is smiling at him mildly, eyebrows raised. Clinging to Bill's hand and dangling from him is Andrew Kryptos, a navy blue equare with one eye and a mouth with buck teeth. He is also wearing gloves and boots, and loots up at Bill, slightly worried. In the background is a flat blue planet, which is on fire.
The Axolotl says, in pink text, "A Square tried that and he was imprisoned for life LOL not with it."
Bill responds "Yeah well RIP to A Square but we're different."
End ID]
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ckret2 · 1 month
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also I’ve been reading Flatland: a Romance of Many Dimensions and it’s kinda [Bill voice] hilarious how fucked up that society is. there’s eugenics all over the place. women’s lives are insanely controlled. there’s a whole class of people who are used as classroom displays for children to learn to differentiate angles by touch. the mistreatment of these last two classes of people is broadly seen as okay because they’ve been determined to be too intellectually disabled to matter or care. there’s something new every time you turn the page
It's so messed up right?
I've got a passage coming up in some chapters when the humans get their hands on a copy of Flatland """"Flatworld"""" and I summarize it thus:
Flatworld was a hundred pages of an old-fashioned formal-sounding super boring guy rambling on about the most egregiously evil society Mabel had ever had the horror of reading about.
Society consisted of a bunch of geometric shapes—which in concept sounded half nerdy and half adorable—but they'd made a brutally oppressive government organized by quantity of sides, with infinite-sided circles at the top and three-sided triangles at the bottom, and one-sided lines—women—oppressed into near silence. Career options, educational opportunities, who you could love, were all determined by your sides. Irregular shapes—quadrilaterals that weren't squares, triangles that weren't equilateral, anyone with a side too long or too short—were presumed from birth to be criminally insane. Each generation had sons with one more side than their father—and they had to, because having higher-ranked sons was the only way families could climb out of poverty. When babies were born with too few or irregular sides, poor families abandoned them—or worse—and rich families put them through oft-fatal bone-snapping surgeries to regularize or increase their sides. Knowledge of the third dimension was considered heretical, and anybody claiming it was real was locked in an insane asylum.
I deliberately left out some of the atrocities—the treatment of isosceles triangles, the classroom displays—on the grounds that I'm just trying to lightly summarize a story-within-a-story and details like that would introduce complexities and necessitate explanations that would detract more than they contribute to the "oh this place is fucked UP" message.
So like. The above is SIMPLIFIED. There's MORE THAN THAT. Wild.
(And then Mabel looks across the room and goes "how much of this is true???" and Bill goes "it depends, how much of it needs to be true for you to decide my tragic backstory completely justifies my evil ways?")
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myemuisemo · 27 days
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With April showers, Letters from Watson brings us the first installment of The Sign of the Four, a prospect that makes me quake. When I was a tot of eight years, reading the library's copy of The Boy's Sherlock Holmes with a creeping sense of guilt because I was not at that time (and have not been at any time before or since) a boy, I found The Sign of the Four... long. Very long. I was obviously too young for the concepts, even though I could make sense of the words. (That sums up a lot of my reading in that era.)
I'm also reeling from last week's "The Man with the Watches," an utter tragedy of "be gay, do crime."
What's striking me this time -- what with the introduction of Holmes' cocaine use and also the watch deduction that raises a wince and a shudder from anyone who remembers that BBC Sherlock happened -- is how Watson is being positioned (and I don't mean "positioned in the path of which bullet," though apparently he got hit by more than one while in India).
Cocaine
Watson is progressive! His objections to cocaine sound so mild to us in the twenty-first century, but in 1890, scientific opinion was just barely starting to turn away from seeing cocaine as a wonder drug. It was used for local anesthesia as well as for general pep. Queen Victoria drank Vin Mariani, a wine fortified with cocaine, and so did the Pope. Coca Cola contained cocaine until 1906. Sigmund Freud was a vocal proponent of cocaine for improving mood and performance, until he botched an operation in the early 1890s while high.
A couple hair-raising reads on this topic are Cocaine: The Victorian Wonder Drug and A Cure for (Anything) that Ails You: Cocaine in Victorian Medicine.
So Holmes' original audience would have seen him as an up-to-date scientist using a socially approved means of moderating his mood. His shooting up a 7% solution of cocaine is about equivalent to a 21st century person taking nutritional supplements that are meant to boost brain power.
After all the "say no to drugs" education in the American school system, that's so hard for me to get my brain around, but there we are. Holmes is doing something no more troubling than pouring a glass of whiskey and much more scientific.
Watson, therefore, can be read either as being right at the edge of shifting scientific opinion or as being a fussbudget.
Tinge it with romanticism
I'm firmly Team Watson when Holmes starts criticizing A Study in Scarlet:
He shook his head sadly. “I glanced over it,” said he. “Honestly, I cannot congratulate you upon it. Detection is, or ought to be, an exact science, and should be treated in the same cold and unemotional manner. You have attempted to tinge it with romanticism, which produces much the same effect as if you worked a love-story or an elopement into the fifth proposition of Euclid.”
The reader is being positioned here to view with contempt the exact features of the work that we probably enjoyed. Poor Watson!
Is it possible that some reviewers commented on the melodrama of the Lucy portions? Yes, and it'd be a valid point. Nonetheless, having experienced a good many math classes, I think the fifth proposition of Euclid might be improved by a rom--
wait.
Doyle, you magnificent bastard.
Flatland: A Romance in Many Dimensions was published in 1884. It wasn't a huge success, but it seems likely Doyle could have known it, and it did, in fact, mention a love story in a discussion of angles. Back when I read it in college (because if you "liked math," someone would inevitably give you a copy of Flatland), I missed the social satire but appreciated the geometry.
Watson is canonically an effective popular writer, and I refuse to denigrate him for that.
The Watch
First, Holmes substantially invents forensic science with his monographs on tobacco and on callouses.
Then we learn that Watson is a second son, which fits with his his training for a profession and choosing the army to help make his way.
Watson was not on great terms with his brother before his brother's death. Holmes doesn't explicitly deduce this, but it's there to be deduced. Holmes knew Watson's father was long dead, which could have come up in any number of casual ways. Holmes had no idea that Watson had a brother, so Watson:
Didn't mention the brother in any context, ever.
Didn't set up any framed daguerreotypes from his childhood nor any modern photos made with the collodion process. Having a posed family photo would have been so completely normal, as would being sent new photos by family members.
Never interrupted his routine to visit his brother while living with Holmes.
Did not attend his brother's funeral (unless it took place while Holmes was away) and did not wear a black armband for mourning in Holmes' presence. Neglecting mourning for a relative would have been a sign of serious estrangement.
Holmes is possessed of some level of tact in not expanding on this topic.
Watson is also nobody's fool: he knows there are ways to fool a mark with apparently miraculous knowledge.
The question in my mind is this: did Watson deliberately distract Holmes from asking what was the subject of the telegram?
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rjalker · 2 months
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A lot of people I talk to IRL cannot seem to understand when I tell them that Flatland is about math and explaining the concept of the fourth dimension, yes, but it's also really blatant political commentary.
Next time they're confused about how this can possibly be, I'll just show them this meme.
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[ID: A simple MS Paint drawing showing a collection of isosceles triangle saying together, "We want the right to go to school", with a square shouting in all caps in response, "Oh dear Nature they want to destroy our schools!". End ID.]
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lonelysa1lor · 17 days
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wonderful friday for people everywhere
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