SUGAR AND SPICE and all that's nice are heaped upon our beautiful bouffant. These flounces are there to give you a wonderful whirl and the top layering has all the ribbons and lace needed to send you into the prettiest flutter. Look, too, at that delicate lace edging at the hem - sweet if it shows when you're dancing!
Journal des Dames et des Modes, Costume Parisien, 20 décembre 1827, (2560): Coeffure ornée d'une couronne de fleurs d'oranger et d'un voile par Mr.Plaisir. Robe de popeline brodée en soie et garnie de volans brodés. Collection of the Rijksmuseum, Netherlands
Woman dressed in a wedding gown of poplin embroidered with silk and decorated with embroidered flounces. 'Coeffure' adorned with an orange blossom wreath and a veil by Mr Plaisir. Further accessories: earrings, necklace, bracelets on both wrists, gloves, flat shoe with square toe. Seated figure in the same bridal gown, seen from the back. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.
the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
Le Salon de 1874 by Camille-Léopold Cabaillot-Lassalle (on sale at Ary Jean Art Gallery). From their Web site 1574X2000.
1875 Lady in Black with a Dog by James Archer (location ?). From meisterdrucke.de-kunstdrucke-James-Archer-197600-Porträt-einer-Dame-in-Schwarz-mit-einem-Hund,-1875 2308X3878.
1877 Toilette by Jules James Rougeron (Tokyo Fuji Art Museum - Tokyo, Japan). From facebook.com/MimiMatthewsAuthor/photos/toilette-by-jules-james-rougeron-1877-this-is-the-painting-thats-on-the-cover-of/2377279908990463/ 1174X1725.
Florentia Maria Crawshay 1849-1920), née Woods, as a Young Woman by ? (Cyfarthfa Castle Museum & Art Gallery - Merthyr Tydfil, Merthyr Tydfil, UK). From Wikimedia; fixed more obvious spots w Pshop 936X1200.jpg,
Princess of Wales Alexandra by W. & D. Downey (Royal Collection). From teatimeatwinterpalace.tumblr.com/post/167945509352/queen-alexandra-when-princess-of-wales-x 540X810.
Two elegant sisters in a luxurious interior by Gustave Léonard de Jonghe (location ?). From tumblr.com/artthatgivesmefeelings; fixed spots & some cracks w Pshop 2048X2809.
1879 Jacqueline Paton en robe noire by Léon Comerre (location ?). From tumblr.com/random-brushstrokes; fixed spots & flaws w Pshop 1627X3072.
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La Mode illustrée, no. 8, 21 février 1886, Paris. Robe en lèze de dentelle crème (devant). Ville de Paris / Bibliothèque Forney
La jupe, faite en satin crème, est garnie d'un volant ayant 10 centimètres de largeur; on la recouvre au-dessus de ce volant avec un volant en lèze de dentelle crème et des morceaux de garniture plissés en même lèze de dentelle. Le corsage, en lèze de dentelle, plissé devant et derrière, est garni de dentelle cousue en spirales. Une dentelle semblable entoure le bord inférieur des manches ainsi que les basques par derrière et recouvre le col droit fait en ruban'ottoman rouge. Des nœuds et des pans en ruban ottoman ayant 8 et do centimètres de largeur garnissent la robe d'après les indications du dessin.
The skirt, made of cream satin, is trimmed with a flounce 10 centimeters wide; it is covered above this flounce with a flounce in cream lèze lace and pieces of pleated trim in the same lèze lace. The bodice, in lèze lace, pleated in front and behind, is trimmed with lace sewn in spirals. A similar lace surrounds the lower edge of the sleeves as well as the tails behind and covers the straight collar made of red ottoman ribbon. Bows and panels of Ottoman ribbon 8 and 10 centimeters wide garnish the dress as indicated in the drawing.