#from authors who are providing you with their work

[am-i-the-asshole-official]

WIBTA if I left a bad review on a book I haven’t purchased?

(📚📖 to find later)

I’m an audiobook narrator professionally. I do most of my work via independent contracting with a production company. NOTE: they are NOT a publishing house. They do not provide editors/betas/etc for the text, they focus on turning (usually self published) books into audiobooks and marketing those audiobooks.

Most of the books I record with them are great, and I have a lot of fun reading good books! But…some of the books I’ve read for them have been. REALLY. REALLY. bad. Like I personally would have stopped reading within the first few pages bad if it wasn’t literally my job to read the words out loud.

I’m currently reading a book for them that makes me want to tear my hair out. The writing is boring, badly paced, and repetitive. None of the characters are likeable, and the relationships are shallow, the combat is boring, there are no stakes, etc etc. To give you an idea, the main character is the type of kid who on the playground would insist he had a mega super invincibility shield so you couldn’t touch him, but he also had a mega super invincibility shield breaking sword if you decided you wanted a shield too. And the narrative REWARDS HIM for acting that way.

I’ve never left a review on any of the books I’ve narrated before, but this one…i am seriously considering writing a review to try and warn people away from this book.

A few things to consider, though:

1: i am not being paid royalty share from the book, i get a flat rate based on the number of hours in the final audiobook. But as far as I know, the author only starts making money from producing this audiobook once the production company makes back the money they paid me for making it.

2: i would review anonymously/under a fake name and only on the book product page, not the product page for the audiobook version.

3: if an audiobook does not sell, then it is most likely I will not be obligated to continue recording the rest of the series (and it IS a series. At least three books are out as of now. I am currently slated to record them all, provided the audiobook sells decently)

4: the book currently has ~250 reviews already, and a 4.7/5 rating (how???? get some fucking standards), so it’s not like I’m leaving a 1 star review on something that only has 6 reviews.

I don’t think that one bad review would tank the whole series, but I do feel like leaving bad reviews on a product I didn’t even buy might be a dick move, especially if the author’s pay for this book relies on it selling well. But on the other hand, his book sucks and people should know that.

I wouldn’t be leaving a “0 stars: this sucks” review, I’d want to make it comprehensive and detailed. But I’d also feel bad about that because I’m sure the author reads his reviews, and even though his book sucks shit, i don’t want to like…make someone lose their passion to write? But ALSO if you’re making people pay $16 for the book and/or $40 for the audiobook, maybe the book should be fucking good? Idk.

So, tumblr, WIBTA?

[olderthannetfic]

I just got a comment saying I should have tagged for dom/sub undertones and I'm a little confused. In canon, this guy always bosses his wife around re: doing shit that's healthy for her - napping, drinking water, remembering to eat more than once a day, getting more than 3 hours of sleep - and she lovingly calls him "Boss Man" as a nickname because of it. On some occasions where she's gone more than a day without eating he'll swipe her phone and order her to eat before she gets it back, something she always seems to find endearing. There's a lot of 'I didn't mean to worry you', 'you're worth worrying about, now here's your favorite homemade walnut bread' stuff, all there in canon, just lifted from canon and transplanted into my fic.

Is this dom/sub stuff? I'm aroace so I've never been in a relationship, but I assumed "take care of yourself" "I will but I will call you a silly nickname over it" was regular relationship stuff. Or is it that the frequency of it makes it dom/sub stuff, and I'm just not grasping that because my neurodivergency is making me not read the social cues correctly? I was only recently diagnosed but this has been a problem for a long time, the whole line between normal and abnormal behavior, so I thought I'd ask you. You're much more well-read than I am and know a lot more about shipping dynamics and how they're tagged. I feel like you're an expert whose opinion carries a lot of conclusions-informed-by-knowledge and so your take could help me figure this out.

People who are doms or subs or write them, if you have a guide on this stuff, that'd be cool, too. I want to educate myself more so I know if I should tag something. After all, I can't get my story to people who want to read it if it doesn't show up in the tags they're searching for. Readers aren't mindreaders. It's on me to make sure they can get ahold of the things they're looking for. I just need to work around my own ADHD-addled brain to do it.

--

I think this is the usual pattern of demanding silly tags that would only make sense in that reader's own bookmarks.

Yes, caretaking and food control of various kinds can be a part of BDSM. No, your description of canon does not make it sound like this has obvious undertones.

Readers are going to have different interpretations. It's possible that other readers would agree with this one. I have my doubts. I suspect they're projecting. But sure, maybe other people would think there was some of that vibe.

However, if you did not intend the fic to read this way, I would not add the tag. This is not what the fic is about.

--

As for what this kind of thing can look like when it is intended as a dom/sub activity, the movie Secretary has a bunch of examples. She calls him on the phone to tell him what her family's dinner looks like that night; he gives her instructions about which things she can eat how much of. The way she acts while making that phone call makes it clear it's an exciting game to her. Another time, he tells her she's not allowed to cut herself anymore: he will provide what she needs.

Even if the characters are being playful, just nagging someone to do basic self care doesn't really come across as this. It's more charged when it's an intentional power exchange thing.

It's more like... hmm... if you and a friend agreed to LARP as characters for a day. Even if you were acting fairly normal and doing things you'd often do anyway, there would be this added extra vibe to it that someone who knew you well could probably detect.

It's not so much about the specific behaviors: it's about the extra meaning those people ascribe to them. If it doesn't seem like the canon characters think of this caretaking any specific way and you, as the fic author, don't see it that way, then I don't think it will generally read as a dom/sub thing to most readers.

[iheartpeppino]

Okay, everyone in the Pizza Tower fandom is aware that The Noise was inspired by The Noid, an anti-mascot from Domino's Pizza. But... did you know The Noid has lore? I found this comment on MatPat's Food Theory video on The Noid today; it was posted 10 months ago:

If you can't read it, it says this:

I briefly worked at domino's in the early 90's.. One of my tasks there was dressing up in a 6ft tall Noid costume and dance around on the side of the road. It really sucked. One interesting thing about working there was a poster in the breakroom that gave actual lore for the Noid. It stated that gremlins have plagued mankind since the dawn of time and as time and technology progressed, various gremlins would specialize in messing with various things, like airplanes, cars, etc. Then one day, a "renegade gremlin" named the Noid decided to take specialization a step further by causing mayhem for pizza delivery, and was highly successful at it, until he went up against his arch nemesis, Domino's. It was a professionally made poster that was provided to the store by Domino's, so I figure it's official Noid canon, but I've never seen a copy of it online, nor have I seen anything anywhere on the internet that states this lore.. it's weird.

So, assuming this is true... all the times we've called The Noise or Noisette gremlins is actually spot-on, and not just because a poster in one of Pizza Tower's levels calls them "Pizza Gremlins". The Noid is a gremlin who specializes in messing up pizza deliveries... a PIZZA GREMLIN. Another example of gremlins in popular media is The Gremlins by Walt Disney, which was originally a book written by famous children's author Roald Dahl:

The Gremlins were originally going to star in a full-length film in the 1940's, but it never came to fruition. Here, they were known to sabotage war planes. These guys did show up in books later, and even made appearances in the Epic Mickey video game series.

So yeah, calling Noise and Noisette "gremlins" is correct. Honestly, it wouldn't surprise me if The Doise was also some sort of gremlin...

[vodkassassin]

I just read your "stop commenting like the author is dead post" and I completely agree with you. May I ask if there is anything one can say to an author (other than thanking them for their work and complimenting the fic) if they have suddenly stopped posting out of nowhere? There are some authors who posted regularly and just completely stopped and I'm tempted to add something like "I hope you are doing well and that everything is okay" but I don't want to make them feel bad or that they have to justify their decisions. How would you feel to get such a comment? My intention is not to guilt them into updating but good intentions can still make people feel bad

I have had comments where people say exactly that (the “hope you’re doing well and that everything is ok”) and I’ll say that this is the angelic other side of the coin of the “update now!” devil side.

Saying “i noticed you haven’t updated as you usually do, I hope everything is ok.” (Oftentimes this comment type continues on to specify that they are not asking after an update but instead are asking after the well-being of the author, such as “no pressure or anything! Just hope that you’re doing well”) this comment highlights the fact that the commentor is only asking because they noticed that the trends of the author’s posting have changed suddenly without warning and it’s made them concerned for the author. The commentor in this case is asking if the author is alright and letting them know that the commentor is hoping for their well-being. It’s coming from a kind place, a human place. It lets the author know that the commentor acknowledges that they are a person, too.

That’s completely different from comments that just say “noticed this hasn’t updated in a long time. Are you still working on this?/Why is it always the good stories that get abandoned?” Because THIS comment communicates to the author that the commentor does not care about the author themself, only the content that the author provides for them. Chapter updates are only a transaction in the eyes of the commentor, one that they feel entitled to despite not paying for them, and they’re annoyed that they have not received their product as per usual. They are commenting on the change in the quality of service and wish to voice their complaints to the provider for slacking. It lets the author know that the commentor does not see them as a person, but as a source of media.

So while the two comments above are similar aside from how they’re worded, they communicate two different mindsets. One is someone asking after another person’s wellbeing and wishing them well, and the second is someone annoyed that the content creator they feel entitled to the content of hasn’t been ‘doing their job’ despite not being paid for it at all.

Hopefully this helps clarify why we authors find it so offensive and insulting to receive the second type of comments.

But rest assured, we (or at least I personally) actually find the first type of comment as something nice to receive bc it means you care.

[siriuslemonmuffin]

instead of bitching why don’t we all just be thankful ao3 doesn’t have ads xxx

[anytimebitchess]

I love being THAT person that humbles famous people. I know very well who you are, but do I care? NO ♥️

[applesaucesea]

Designing ocs with a friend on whiteboard

[iamthedukeofurl]

I feel like the Hbomberguy plagiarism video has a lot of really good lessons about building an argument. Like, the thesis of the video isn't just "Plagiarism is rife on Youtube", although that point was certainly well made, it was specifically about James Somerton, who isn't mentioned until about halfway through the video. Before then, Hbomb goes through several creators who are already widely discredited as plagiarists, and in each section he introduces concepts that are later incorporated into the final takedown of Somerton, but each section also stands on it's own. Like, he starts with Filip, the game reviewer, which he uses to introduce the format of how he will discuss and expose plagiarists. Specifically, the graphic of displaying the source material while the plagiarist's voice plays, and marking up said source material every time the plagiarist changes some wording slightly. This is the method that Hbomb uses across the entire video. With Illuminaughtii, Hbomb introduces a few major concepts 1) The idea of Insufficient citation. Illuminaughtii "Cites" her sources by putting a plaintext pastebin link in her video descriptions with no indication of how each source was used. Technically, her source is CITED, but not in any relevant or useful way. She has a big list of stuff she read, and a random youtube link in there happens to be the source that she stole 90% of the video from. 2) He introduces the profit motive behind this approach. Putting out a lot of content very quickly is how one builds an audience, and therefore an income, out of making stuff on youtube. Plagiarism of this sort is a way to produce content very quickly and build a following. The Internet Historian section introduces two new concepts:

1) The behavior of an exposed plagiarist, taking down and reuploading videos with minor changes, awkwardly trying to insert credit without admitting guilt. 2) That the plagiarists are stealing not just research, but STYLE. Previous sections go over how the plagiarists are reusing the same words, but this section oozes over how much of the final product's quality was the result of how well the source material was written. TIH didn't just crib the notes from the Mentalfloss article, he created a video heavily dependent on the original author's skill as a writer. When TIH tried his own hand at presenting the same set of facts, it came out much worse. So that when the time comes for the Somerton takedown, Hbomb has already laid the groundwork to bring these concepts back. Somerton takes down and reuploads videos when he's caught, he declares this his video is "based on" work by somebody else without providing proper citation. He's not just stealing research done by somebody else, he's taking their insights and talent as a writer and regurgitating it as his own, and he's doing so to churn out a vast wall of content that he can financially benefit from, and he doesn't need to tell you why this is important, because he's already done so. He already convinced you that Illuminaughtii hiding a line in a pastebin didn't excuse her plagiarism, so you don't need to be told why Somerton saying his video is "Based On" somebody else's book doesn't excuse it.

[drchucktingle]

THE TEXAS LIBRARY ASSOCIATION HAVE ISSUED AN APOLOGY AND A RE-INVITATION. HERE IS MY STATEMENT

hello buckaroos. the TEXAS LIBRARY ASSOCIATION have issued a formal statement and apology which you can read at the attached link.

while i find the language used to discuss what was done a little unsatisfying, i would like to start by saying i appreciate anyone taking steps to prove love is real and make things right. the genuine feeling of ‘realizing you have made a mistake and hurt someone else’ is a terrible one, and i have so much empathy for this group as they reckon with their choices causing harm. i appreciate their apology.

i also think more good than bad has come from this situation. i am so thankful this happened to me (someone with a large social media presence) and not a smaller buckaroo author without the means to stand up for themselves. i think the next time someone comes to the TXLA with an accommodation need, they will hopefully be taken more seriously

lets trot down to business about specifics now. the TXLA has re-invited chuck to the original panel and even offered to take a moment at the top of the panel to talk about what happened. this is very kind of them and i will say THANK YOU. 

unfortunately i will also have to decline.

the fact that it took this much effort, social media backlash, and discussion to let me simply EXIST PHYSICALLY in a way that is authentic to myself is not a good sign. if this organization immediately questions an authors chosen presentation in this manner, i cannot imagine what my other accommodations would be met with.

sometimes i am at an event and i very quickly need extra space to breathe. sometimes i am at an event and i need special guides to help me along from place to place. these are not ‘big asks’ and every other conference has gladly provided them, but if the TXLA had this kind of initial reaction to my physical appearance, i cannot imagine them readily helping with my other needs without ‘proof’.

this is clearly not a safe place to trot for those who require additional accommodations. regardless of any apology, their ACTIONS have shown that people who appear unusual or unique are not welcome at this event on a subconscious level. i believe the TXLA have some serious inner work to do beyond this apology, and i believe this inner work will involve actions more than words.

but even more importantly i would like to make this very important point: IT DOES NOT MATTER IF MY MASK IS A DISABILITY AID OR NOT. i appreciate the way this discussion has allowed us to trot out some deep talks on autism and proved love in this way, but i think there is a much more important point at hand.

regardless of WHAT someone looks like, it is not the job of an event or conference to pick apart WHY. physical presentation can be a part of someones neurodivergence, or gender, or sexuality, but i can also just exist as a nebulous undefined part of their inner self. it can be a piece they are not ready to openly discuss yet. the guests at TXLA are authors (aka ARTISTS) and the idea that a conference dedicated to an ART is going to deny people with unique and unusual presentations for ANY reason is absurd. since when are we applying a ‘dress code’ to our artists?

without knowing it, i personally believe there is an element of the ‘good queer, bad queer’ phenomenon going on here. there is a push to say ‘LOOK we accept these marginalized groups and cultures’ but behind the scenes that means ‘we accept these marginalized groups and cultures who are quiet and speak in turn and wear the metaphorical suit and tie’. it is easy to show diversity when you only take on the voices that arent too ‘strange’.

to prove my point i ask you this: do you think orville peck would have FOR ONE SECOND been asked to perform at the texas library association event without his mask?

so with that i say ‘very sincerely, thank you, but i will have to decline the re-invitation. maybe next year’

[reasonsforhope]

Holy crap, I didn't think Biden would be able to get the Climate Corps established without Congress. This is SUCH fantastic news.

--

"After being thwarted by Congress, President Joe Biden will use his executive authority to create a New Deal-style American Climate Corps that will serve as a major green jobs training program.

In an announcement Wednesday, the White House said the program will employ more than 20,000 young adults who will build trails, plant trees, help install solar panels and do other work to boost conservation and help prevent catastrophic wildfires.

The climate corps had been proposed in early versions of the sweeping climate law approved last year but was jettisoned amid strong opposition from Republicans and concerns about cost.

Democrats and environmental advocacy groups never gave up on the plan and pushed Biden in recent weeks to issue an executive order authorizing what the White House now calls the American Climate Corps.

“After years of demonstrating and fighting for a Climate Corps, we turned a generational rallying cry into a real jobs program that will put a new generation to work stopping the climate crisis,” said Varshini Prakash, executive director of the Sunrise Movement, an environmental group that has led the push for a climate corps.

With the new corps “and the historic climate investments won by our broader movement, the path towards a Green New Deal is beginning to become visible,” Prakash said...

...Environmental activists hailed the new jobs program, which is modeled after the Civilian Conservation Corps, created in the 1930s by President Franklin D. Roosevelt, a Democrat, as part of the New Deal...

Lawmakers Weigh In

More than 50 Democratic lawmakers, including Massachusetts Sen. Ed Markey and New York Rep. Alexandria Ocasio-Cortez, had also encouraged Biden to create a climate corps, saying in a letter on Monday that “the climate crisis demands a whole-of-government response at an unprecedented scale.”

The lawmakers cited deadly heat waves in the Southwest and across the nation, as well as dangerous floods in New England and devastating wildfires on the Hawaiian island of Maui, among recent examples of climate-related disasters.

Democrats called creation of the climate corps “historic” and the first step toward fulfilling the vision of the Green New Deal.

“Today President Biden listened to the (environmental) movement, and he delivered with an American Climate Corps,” a beaming Markey said at a celebratory news conference outside the Capitol.

“We are starting to turn the green dream into a green reality,” added Ocasio-Cortez, who co-sponsored the Green New Deal legislation with Markey four years ago.

“You all are changing the world,” she told young activists.

Program Details and Grant Deadlines

The initiative will provide job training and service opportunities to work on a wide range of projects, including restoring coastal wetlands to protect communities from storm surges and flooding; clean energy projects such as wind and solar power; managing forests to prevent catastrophic wildfires; and energy efficient solutions to cut energy bills for consumers, the White House said.

Creation of the climate corps comes as the Environmental Protection Agency launches a $4.6 billion grant competition for states, municipalities and tribes to cut climate pollution and advance environmental justice. The Climate Pollution Reduction Grants are funded by the 2022 climate law and are intended to drive community-driven solutions to slow climate change.

EPA Administrator Michael Regan said the grants will help “communities so they can chart their own paths toward the clean energy future.”

The deadline for states and municipalities to apply is April 1, with grants expected in late 2024. Tribes and territories must apply by May 1, with grants expected by early 2025."

-via Boston.com, September 21, 2023

[seat-safety-switch]

Police officers could solve real problems. They could be out there feeding hot soup to the unhoused, making sure that hazardous garbage is kept away from daycares, or doing something about all these birds that keep shitting on my car. Instead of those productive things, Officer Bringdown is here, on the side of the road, spending my tax money to hand me a ticket for more of my money.

Or at least he would be, if he could figure out how to work his dorky little ticket printer. You see, I have an ace up my sleeve. Not only is my car old, and difficult to place, but I’ve made certain modifications to the vehicle that render its legal state “complicated.” My shark of an attorney, Max, brags about the bear trap of intermingled kit-car laws and year-of-manufacture exclusions that have led to this vehicle being one hundred percent approved-of by the government, in any condition I dictate, whether they meant to or not.

“Uhh, how do you spell ‘Duesenberg’ again?” the cop asks, betraying his lack of education in the classics. I spell it out for him, and explain again that the replica registration exception of December 1986 means that a 1921 Model J does not need to have operational turn signals or a functional speedometer.

“How is this a replica of a 1921 car? It says Plymouth on the hood.” he asks me suspiciously, behind mirrored aviator shades. I am familiar with this shift in conversation. I see now that he has fallen into the first legal pit without complaint. I was hoping for a more worthy opponent.

“Officer, has the state rendered upon you an encyclopedic knowledge and unimpeachable legal authority of what a 1921 Duesenberg Model J consists and does not consist of?” I ask him, reading off a sheet that has been provided by my attorney, who would really rather that I shut the fuck up entirely, but who I know secretly thrills at the chance to end another state trooper’s career in the court of law in which he is akin to a walking god. Dude has groupies.

The cop demurs, tries to change the subject, save some face. “What’s that smell?” he asks.

“Hydrazine.”

[end-otw-racism]

End OTW Racism: A Call To Action

A fan protest against the lack of action from the OTW on addressing issues of harassment and racism on AO3 and within the organization

This is a Call To Action for Fans of Color and Allies

AO3 has acknowledged that they have a harassment & racism problem that its parent organization, the Organization for Transformative Works (OTW), needs to address. Currently, people can use AO3 to harass others through fanworks, comments, and tags. Just a few examples include: racist Untamed “spitefic” that used anti-Indigenous slurs and was written specifically to lash out at fans of color; a Transformer fic that used its Black-coded character to reenact George Floyd’s murder in July 2020; someone naming a fandom scholar who criticized their Nazi omegaverse fic in the tags of the fic specifically to incite harassment to the scholar; writers using racial slurs against commenters who pointed out racism in their hockey fic; and so much more.

In June 2020, after the murder of George Floyd, the OTW committed to addressing these issues. It has been nearly three years and they have not yet implemented any of the changes they promised, other than a blocking/muting tool that was already in development before 2020. We need to hold the OTW accountable to their own promises. (See the section further down on “Why Are We Doing This” for even more detail.)

As fans, together, we are powerful. We are organizing to protest the lack of action on promises made by the Organization for Transformative works to deal with issues of racism and harassment on their platform, Archive of Our Own.

We call on fans to do any or all of the following actions any time between May 17 to 31, 2023 to send a message to AO3 and OTW that we will hold them to their promises.

On AO3

Change the title of ten (or more!) of your most recent or most popular fanworks to include ‘End Racism in the OTW’ in the beginning, and provide a link to this post in your summary or first/top creator’s note

Post a new fanwork any time between May 17th to 31st with “End Racism in the OTW” either as the title or at the beginning of the title. The fanwork does not have to be long - it can be a 100-word fic, a quick sketch, a podfic of a ficlet, a 20-second vid/edit, a short piece of meta, etc. In the summary or first/top creator’s note, provide a link to this post

If updating any WIPs with a new chapter, add ‘End Racism in the OTW’ to the title and provide a link back to this post in your summary or first/top author’s note

Update your AO3 icon using the profile pic graphic in our Social Media Toolkit

Plan to maintain these changes until May 31, 2023, or longer if you wish

Send a message to the OTW asking for an update on their 2020 commitments!

For Readers: leave encouraging comments on fanworks with the "End Racism in the OTW" title to show your support of this initiative.

On tumblr

Reblog this Call to Action with the tag #End OTW Racism

Update your profile pics and banners using the graphics in our Social Media Toolkit

Follow this account for updates and signal boost our posts

On Twitter

Follow @/EndOTWRacism (remove the backslash) and signal boost our pinned tweet

Update your profile pics and banners using our graphics, and change your display name to include #EndOTWRacism

Use sample tweets and graphics from our Social Media Toolkit to tweet about your fanworks, and use the hashtag #EndOTWRacism

Help us make this a long-term campaign - sign up to help with other anti-racism projects and future actions!

What Do We Want?

Since their June 2020 statement, OTW has been working on updating their Terms of Service (TOS) to address racist and bigoted harassment, but with little transparency and only the vaguest of updates. It has been three years since their commitment to this update - we want to see the results of their work implemented in the next 6-12 months. Their TOS updates and complementary policies should include:

Harassment policies that can be regularly updated to address both on-site harassment and off-site coordinated harassment of AO3 users, with updated protocols for the Policy & Abuse Team to ensure consistent and informed resolutions of abuse claims

A content policy on abusive (extremely racist and extremely bigoted) content; by abusive, we are talking about fanworks that are intentionally used to spread hate and harassment, not those that accidentally invoke racist or other bigoted stereotypes

These points are not particularly new and are not our own innovation; please refer to Stitch's article written over two years ago, asking for several of these very things.

OTW has also already committed to various process-based actions for longer-term works towards centering antiracism, including hiring a Diversity Consultant. The last update that OTW published said that the consultant would be hired within the next five years (after already having had three years to work on it since their original commitment). That is not soon enough. We want to see the following process-based actions implemented:

Hiring a Diversity Consultant within the next 3-6 months

Committing to a policy of transparency on this topic, with quarterly updates on the progress of these projects including challenges and their plan for overcoming those challenges. These quarterly updates should be published on OTW News page and newsletters, not solely discussed in Board meetings

Why Are We Doing This?

16 years ago, Astolat famously published her manifesto calling for a fandom Archive of One’s Own. In that time, AO3 has grown to be a central pillar of fandom, likely far outstripping its founders’ original vision. It is more than just an archive now; it is a central hub of the modern fannish experience. AO3 and the OTW must continue to grow and evolve with fandom over time to remain a healthy and functioning pillar of fandom. To that end, there are several areas in which the organization, as it admits itself, is lacking.

In June 2020, in the wake of the George Floyd protests and the uprising of the Black Lives Matter Movement, The OTW published a “This Week in Fandom” referencing the works of Dr. Rukmini Pande and Stitch, among others in which they discussed ‘making change for a better society’ through ‘conversations about race and racism’. In response, Dr. Pande and Stitch submitted a letter to the OTW calling for a more formal public statement than an offhand reference in a News Roundup that only served to call for thoughts and discussion without any indication the organization intended to do anything, policy wise, to address the issues being raised.

Eventually, the organization did remove the references to the works of Dr. Pande and Stitch and then made an official statement on the issue of racism within the organization and AO3. In it, they identified several things they would be prioritizing to combat harassment and benefit users. Some of those have been implemented (notably those that were already under development). However as of this writing, little else has been done especially in regards to:

Improving admin tools for the Policy & Abuse team

Reassessing the current mandatory archive warnings with the possibility of implementing others

And, most importantly, reviewing the Terms of Service (TOS) to allow the Policy & Abuse team to address harassment that is currently not covered by the existing TOS

By their own admission, the current tools and policies of the OTW are not sufficient to deal with issues of harassment and racism.

Several people who were involved in the founding of the OTW, including previous OTW Board members and staff on the original OTW Content Policy Committee, acknowledge that the founding of the OTW in 2008 and early board iterations failed us as a fandom by not doing enough, and by not even considering the way racism is perpetuated in fannish spaces, despite a long history of racism in fandom.

It has been nearly three years since the original commitment by the organization with little visible, measurable progress on these three crucial issues and a complete lack of transparency on where they are in regards to even beginning to deal with these issues. In fact, in Q&As, it was heavily implied by a member of the board that those calling for OTW to deal with issues of racism (which OTW had already acknowledged as a problem!) were not really fans but outside agitators.

This has cast significant doubt on the organization's sincerity and commitment to their stated goals, and on their position as leaders of a central fan tent-pole. Fans of color are not outsiders. They are right here, members of our community, and they are being harassed and targeted and driven out while space and platforms are being given to racists.

We, as fans of color and our allies, find the current state of fandom and current actions (and lack thereof) unacceptable. Fandom is our space, all of ours. We, as a fandom, have a right to a racism-free space and have a duty to our fellow fans to create that space. Unlike so much of the world, this is a space we can control and make better. It is a space we must make better. To read even more about this movement, visit our FAQs.

[echoekhi]

I’m Declaring War Against “What If” Videos: Project Copy-Knight

What Are “What If” Videos?

These videos follow a common recipe: A narrator, given a fandom (usually anime ones like My Hero Academia and Naruto), explores an alternative timeline where something is different. Maybe the main character has extra powers, maybe a key plot point goes differently. They then go on and make up a whole new story, detailing the conflicts and romance between characters, much like an ordinary fanfic.

Except, they are fanfics. Actual fanfics, pulled off AO3, FFN and Wattpad, given a different title, with random thumbnail and background images added to them, narrated by computer text-to-speech synthesizers.

They are very easy to make: pick a fanfic, copy all the text into a text-to-speech generator, mix the resulting audio file with some generic art from the fandom as the background, give it a snappy title like “What if Deku had the Power of Ten Rings”, photoshop an attention-grabbing thumbnail, dump it onto YouTube and get thousands of views.

In fact, the process is so straightforward and requires so little effort, it’s pretty clear some of these channels have automated pipelines to pump these out en-masse. They don’t bother with asking the fic authors for permission. Sometimes they don’t even bother with putting the fic’s link in the description or crediting the author. These content-farms then monetise these videos, so they get a cut from YouTube’s ads.

In short, an industry has emerged from the systematic copyright theft of fanfiction, for profit.

Project Copy-Knight

Since the adversaries almost certainly have automated systems set up for this, the only realistic countermeasure is with another automated system. Identifying fanfics manually by listening to the videos and searching them up with tags is just too slow and impractical.

And so, I came up with a simple automated pipeline to identify the original authors of “What If” videos.

It would go download these videos, run speech recognition on it, search the text through a database full of AO3 fics, and identify which work it came from. After manual confirmation, the original authors will be notified that their works have been subject to copyright theft, and instructions provided on how to DMCA-strike the channel out of existence.

I built a prototype over the weekend, and it works surprisingly well:

On a randomly-selected YouTube channel (in this case Infinite Paradox Fanfic), the toolchain was able to identify the origin of half of the content. The raw output, after manual verification, turned out to be extremely accurate. The time taken to identify the source of a video was about 5 minutes, most of those were spent running Whisper, and the actual full-text-search query and Levenshtein analysis was less than 5 seconds.

The other videos probably came from fanfiction websites other than AO3, like fanfiction.net or Wattpad. As I do not have access to archives of those websites, I cannot identify the other ones, but they are almost certainly not original.

Armed with this fantastic proof-of-concept, I’m officially declaring war against “What If” videos. The mission statement of Project Copy-Knight will be the elimination of “What If” videos based on the theft of AO3 content on YouTube.

I Need Your Help

I am acutely aware that I cannot accomplish this on my own. There are many moving parts in this system that simply cannot be completely automated – like the selection of YouTube channels to feed into the toolchain, the manual verification step to prevent false-positives being sent to authors, the reaching-out to authors who have comments disabled, etc, etc.

So, if you are interested in helping to defend fanworks, or just want to have a chat or ask about the technical details of the toolchain, please consider joining my Discord server. I could really use your help.

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See full blog article and acknowledgements here: https://echoekhi.com/2023/11/25/project-copy-knight/

[leclerc-hs]

ex's and oh's - CL16

pairing: ex!charles leclerc x fem!reader summary: in which you and your ex-boyfriend are in complicated territory OR your ex fucks you in the drivers seat of his car warnings: 18+, SMUT under the cut, badly translated french (pls correct me), not proofread!!!! word count: 2.4k author's note: ok I just want to sincerely apologize for my long absence on here!!! i know you’ve been waiting for me to finish this for a while now LOL but I've been insanely busy balancing life with two jobs lol. So I'm going to leave this here. I can honestly say it's not my best work and I apologize for that but I really wanted to give y'all something in the mean time. I have a bunch of drafts I plan to work on whenever I get the chance. Love you all!! pls forgive me and don't forget to leave me some comments and thoughts xoxo

THERE WAS NOTHING that could’ve prepared you for this fight. You weren’t drunk, as promised. Although you weren’t sober either. 

You and Charles were...complicated. Exes but…. still, something more. You would always be something more. Your history stretched back almost forever, and that alone made it challenging to stay apart from each other.

There was a point in time when the aftermath of your breakup made it impossible for both of you to share the same space. It invariably led to bitter arguments over seemingly trivial matters. One such instance was during a movie night with your group of friends when you showed up in a sweatshirt that was far too big for your body, obvious that it wasn’t your own. Charles simmered with silent resentment in the corner until he could no longer contain it. The memory etched vividly in your mind, recalling the knots in your stomach throughout the night, feeling the intense burn of Charles’ gaze upon you. He didn’t cast a single glance at the movie that evening.

“Who’s fucking sweatshirt is that?”

“Already fucking other people, hm?”

As you slid into the familiar supple leather seats of his Ferrari, you felt the warmth of the car hug you like a blanket, providing much relief from the contrast of the cold air outside. In the process of slipping into his car, your skirt had ridden up higher than Charles would’ve preferred, your panties nearly exposed if it weren’t for the sheer tights providing more coverage. Did you really go out dressed like that? He felt his hands grip the steering wheel tighter than normal as a waft of your perfume enveloped the car. 

“Did you have fun?” His tone was neutral, but his body posture was tense. He barely turned his head to check if you placed your seat belt on before peeling out from the curb at a speed much too fast.

Sober you would’ve caught onto his attitude almost immediately. But tipsy you, thought nothing of it. 

“Oh Charlie!” You exasperated, the click of your seatbelt filling the car as the radio was turned on the lowest possible volume. “It was so fun!” 

He dropped one of his hands from the wheel, bringing his hand to rub the scruff of his unshaven jaw, as a deep sigh falls past his lips. He was annoyed—more than annoyed. The sole fact that you left him unanswered for hours wasn’t his only issue. What had his muscles all tight and the permanent frown on his face was the images of one of your guy friends being way too close to you. Too close for Charles liking. It was the same guy that his friends had briefly mentioned weeks ago on his boat. 

“Cha, l’aimes-tu toujours?”  Do you still love her? His friends sat around the table; half-eaten food left on their plates. He didn’t answer the question immediately. But everyone knew, subconsciously, that he did.

“Elle et Nick été proches récemment,” Her and Nick have been close lately. The phrase alone made Charles choke on his water. In that moment, he thanked the lord for the sunglasses covering his widened eyes. The burn in his chest began simmering as the conversation continued.

“Oui, ne sont-ils pas partis ensemble l’autre soir?” Yeah, didn’t they leave together the other night?

He couldn’t blame his friends for the discussion. They didn’t know that you two were still in complicated territory. Everyone always figured you two would rekindle, but it’s been so long, no one knew if it would happen anymore.

So, although Charles felt like the air was being sucked out of his lungs, he plastered a big smile on his face while throwing his arm around the back of the chair beside him. “Nick, hm?”

He made a genuine effort to control his anger. Honestly, he really did try. However, as you persisted in discussing the night, particularly when the name ‘Nick’ slipped past your lips, he couldn’t help but lose his composure just a little bit.

His voice took on a lethal edge as he maneuvered the car to the side of the desolate road. The act of driving demanded attention, but his mind was a whirlwind of a million thoughts. He was consumed by anger, it oozed from every pore of his skin as he scoffed and turned to confront you. Your eyes were already fixated on him, and his gaze instantly met yours.

“A-t-il touché à toi?” Did he touch you? His voice rumbled like a low growl, and the green in his eyes was so deep and intense that it masked their actual color, making it nearly impossible to discern the green hue. But you memorized those eyes. His eyes. You were familiar with every nuance of shade that adorned them. His breath was slow and even as he awaited your answer.

The idea drove him insane—the notion of another man laying his hands on you. And even worse, you wanting another man’s hands on you.

For a moment, you found yourself taken aback, only to fully comprehend his tense posture and the sharpness in his tone. Suppressing any inclination to react visibly, you wrestled to maintain a neutral expression, ensuring your lips didn’t betray a hint of a smirk at his jealousy. You didn’t even need to ask who he was. 

“Et est-ce que cela aurait de l’importance s’il l’avait fait?” And would it matter if he did?

The fact that you didn’t need to even address who he was talking about, only caused him to spiral further. As if you were confirming that Nick is the only other option. 

The car felt increasingly smaller as the anger in Charles grew. His knee was bouncing with impatience as he clenched his jaw. Yes. Yes, it fucking mattered. He wanted to shout until his lungs gave out that it mattered. He began to lose the evenness of his breathing pattern, becoming more erratic as you didn’t answer the question.

“Dis-le-moi et nous le découvrirons,” Tell me and we’ll find out. His eyes traced your every movement as your eyes narrowed at him, a scowl forming on your lips. The lips he dreamed about almost every night. 

The silence in the car heightened, and with each passing second, you could feel your heart rate quicken. His gaze remained fixated on your face, unwilling to divert elsewhere. It was as if he were a predator, and you, his prey, captivated under the unrelenting focus of his eyes.

“What? No snarky remarks for me?” C’mon play with me. Although he felt like his chest might crack in two, he needed to mask it. Needed to be nonchalant. 

The tension lingered until you took a sharp swallow, the muscles in your neck twitching, that his eyes shifted, descending to the nape of your neck. They fixated on the subtle gleam of your collarbones, still glistening with a thin sheen of sweat from the night’s dancing. His gaze traced the gentle rise and fall of your breasts with each breath. He wanted to devour you whole.

You felt your thighs clench slightly from his pressuring gaze. He is so fucking hot. His hair in complete disarray from running his hands through it. He wore a pair of grey sweats and a black hoodie that made you want to cling your body around him as soon as you saw him.

“Y a-t-il quelque chose entre vous deux?” Is there something between you two? His patience was wearing thin. You still haven’t answered his question, and the silence was eating him alive.

You detected a subtle waver in his tone, prompting a softening in your gaze. Your hand gently reached for his face, and he allowed his head to lean ever so slightly against the palm of your hand. It was as if your touch alone had the power to appease the turmoil of anger and jealousy rising within him. 

And as much as you loved to get under his skin like he did yours sometimes. You couldn’t find it in you to provoke him. To cause him any pain. “No.”

The corner of his lips twitched up slightly as your thumb brushed against his jawline. His hands tremble when they reach for you, pulling you out of your seat and across the center console into his lap. “Est-ce que cela aurait de l’importance?” Would it matter? You repeated the question as your legs straddled him. His hands slid around your waist, resting on your backside in a tight grip, so you couldn’t move. 

His mouth formed into a hardened line, as if he forced it to show you just how serious he was when he answered. “Bien sûr que cela a de l’importance,” Of course it matters. 

“Porquoi?” Why?

“Why?” He repeats your question. Scoffing at the fact that you even had to ask him. As if you didn’t already know why.

You suck in a sharp breath as soon as his warm tongue meets with the nape of your neck, trailing hot and wet kisses up until his lips meet yours for a moment before pulling away. 

“Mon coeur t’appartient.” My heart is yours. There was no questioning in his words. “Il a toujours été tien.” It’s always been yours. As those words hung in the air, your breath caught. You love this man. You love this man with every fiber of your being. 

His fingers gripped onto your thighs with an almost bruising intensity, as if he needed to confirm your presence by feeling you in his hands, ensuring you weren’t a figment of his imagination. His nails traced along the thin fabric at the apex of your thigh, before digging them in and tearing them open instantly. You let out an audible moan as his fingers found immediate solace to the damp spot on your underwear. Of course, you were already wet just by looking at him.

“Est-ce que tu m’aimes?” Do you love me? He questioned, adding slight pressure to your cotton covered clit. 

You moaned in delight at the contact but did not answer his question. It drove him mad.

His fingers slipped past your underwear, shoving them to the side, and slipping his fingers into your heated core. His fingers curled, hitting the spot you needed him most just right. Your back arched, barely grazing the horn of the steering wheel. Your hands were frantic, reaching for the waistband of his grey sweats as Charles lifted in hips off his seat to help you.

“Oh fuck,” You moaned out loud. The pace of Charles’ fingers had you careening forward with a cry, before he pulled them out of you completely, leaving you shouting “No!”.

“Relax cherie,” He clicked his tongue before pulling your chest flush with his, raising you up an inch to slide his cock right into you. He groaned as your pussy clenched tightly around him, squeezing him so tight he could barely focus on anything else. He held you down against him, letting neither of you move. 

It wasn’t until you fully sat, completely full of him, that he rips the buttons of your shirt open, revealing a lacy ensemble across your chest. He traces the tip of his finger along cup of your breast and says, “Did you wear this on purpose, hm?”

You shook your head, wiggling your hips with a groan. You needed to move, needed to feel the force of his cock into you, but he wouldn’t let you. He just held your hips down as if he was waiting for something.

"You feel so good," He groans. "Squeezing me so tight."

“Cha, please.” You begged, getting agitated at the lack of movement.

“Est-ce que tu m’aimes?” Do you love me? He repeats again. A grin stretched across his features at your obvious struggle. The fact that you needed his cock this badly, had him only growing harder. 

You bit your lip as Charles’ fingers sprawled across your neck in a tight grip, pulling your face to his. Close enough that your noses were touching.

“Réponds, et je suis tout à toi.” Answer, and I’m all yours.

“Est-ce que tu m’aimes?” Do you love me?

You don’t know what held you back from answering before. Because you did. He knew you did. He just needed to hear the words from your lips. Needed the reassurance that this was more than a quick fuck to you.

“Oui!” Yes! You half-shouted, eyes blown wide with need. “I will always love you!”

His hand released your hips, giving you the immediate go-ahead. You wasted no time, working yourself over his cock, moans eliciting from the both of you almost instantly. His hands slid to cup your ass, controlling your movements as he urges you to move faster.

“Mon dieu,” Charles groaned, his fingers dipping into the cup of your lacy ensemble, rolling your nipples between his index finger and thumb. “Je t’aime,” I love you.

The mere utterance of those words had you instinctively squeezing his cock with an intensified fervor, bringing you perilously close to the brink of ecstasy. A sly smirk played on his lips, a silent acknowledgment of the effect his declaration had on you.

You moved your hips faster, the bounce of your breasts had Charles in a trance before he brought his eyes back to your face, looking you deep in the eyes. “Je t’aime,” He muttered again, bringing his lips to your mouth, swallowing your moans as if they were the oxygen he needed to breathe. “C’mon, give it to me.” He begged, thrusting his hips upward into you as much as he could, eyes rolling to the back of his head until you both reach that point of ecstasy you both needed.

His face was bright red, cheeks flushed, as you worked yourself over him in a hurried pace. His sweatshirt no doubt, making him feel like a furnace, as sweat forms near his eyebrow. His eyes were wild, unsure where to look until they met with your eyes. His cock twitching inside of you from the clench of your pussy on him, and the gaze of your eyes.

“Je t’aime!” You shouted, releasing all over him and falling forward in exhaustion onto Charles chest. 

Charles groaned hotly into your ear, his release catching him completely off guard due to the words you uttered. You could hear his heart pounding in his chest as you rested against it. 

“Mon Coeur est à toi.” My heart is yours. His fingers caressed the ends of your hair behind your back. The both of you made no attempts to move.

“Mon Coeur est à toi.” My heart is yours. You repeat back to him, pressing a soft kiss to his lips.

[fans4wga]

September 25: Read the WGA's email to its membership

[ID: tweet from Adam Conover @/adamconover that says, "We did it. We have a tentative deal. Over the coming days, we'll discuss and vote on it, together, as a democratic union. But today, I want to thank every single WGA member, and every fellow worker who stood with us in solidarity. You made this possible. Thank you. #WGAStrong".

Attached is a screenshot of the first part of the WGA's recent email to its membership. Conover's next tweet says, "Here's the rest of our email to members, which details what happens next:" with the rest of the email attached in screenshots.

Transcript of the WGA's email to its membership:

DEAR MEMBERS,

We have reached a tentative agreement on a new 2023 MBA, which is to say an agreement in principle on all deal points, subject to drafting final contract language.

What we have won in this contract — most particularly, everything we have gained since May 2nd — is due to the willingness of this membership to exercise its power, to demonstrate its solidarity, to walk side-by-side, to endure the pain and uncertainty of the past 146 days. It is the leverage generated by your strike, in concert with the extraordinary support of our union siblings, that finally brought the companies back to the table to make a deal.

We can say, with great pride, that this deal is exceptional — with meaningful gains and protections for writers in every sector of the membership.

What remains now is for our staff to make sure everything we have agreed to is codified in final contract language. And though we are eager to share the details of what has been achieved with you, we cannot do that until the last "i" is dotted. To do so would complicate our ability to finish the job. So, as you have been patient with us before, we ask you to be patient again — one last time.

Once the Memorandum of Agreement with the AMPTP is complete, the Negotiating Committee will vote on whether to recommend the agreement and send it on to the WGAW Board and WGAE Council for approval. The Board and Council will then vote on whether to authorize a contract ratification vote by the membership.

If that authorization is approved, the Board and Council would also vote on whether to lift the restraining order and end the strike at a certain date and time (to be determined) pending ratification. This would allow writers to return to work during the ratification vote, but would not affect the membership's rights to make a final determination on contract approval.

Immediately after those leadership votes, which are tentatively scheduled for Tuesday if the language is settled, we will provide a comprehensive summary of the deal points and the Memorandum of Agreement. We will also convene meetings where members will have the opportunity to learn more about and assess the deal before voting on ratification.

To be clear, no one is to return to work until specifically authorized to by the Guild. We are still on strike until then. But we are, as of today, suspending WGA picketing. Instead, if you are able, we encourage you to join the SAG-AFTRA picket lines this week.

Finally, we appreciated your patience as you waited for news from us — and had to fend off rumors — during the last few days of the negotiation. Please wait for further information from the Guild. We will have more to share with you in the coming days, as we finalize the contract language and go through our unions' processes.

As always, thank you for your support. You will hear from us again very soon.

In solidarity,

WGA NEGOTIATING COMMITTEE