Small question, does it have to be Gotham for Cass? There's charas like Dick that can go establish their identity in a different city. Then there's Bruce, Steph, Jason and Duke who are so intrinsically tied to Gotham that this has to be the city for them. Where does Cass lie on this spectrum? Tq!
EXCELLENT question. I think Cass' situation is somewhat unique because of the way her character was handled post-Batgirl (2000).
In favour of Cass not staying in Gotham, she doesn't have the same emotional connection to Gotham as the four people you listed. She wasn't raised there, and in Batgirl (2000), she has next to no ties to Gotham civilians. In fact, it's when she moves to Bludhaven in Gabrych's run that she gains her first civilian friend and civilian love interest. The iconic volving panel is from Bludhaven, too. It's undeniable that the distance from Gotham, from Bruce (and arguably Babs), helps her grow:
Batgirl (2000) #71
It can't be overstated how important ownership is to Cass. To own something means, necessarily, that you not an object. You are a person who something belongs to, and who belongs to something. By calling Bludhaven the "first place that's ever been... mine," she's explicitly saying that Gotham was not hers. Bludhaven was the first place that made her feel fully human.
But there are caveats to this. Cass goes to Bludhaven in the wake of Stephanie's death, a Gothamite through and through. It's probable that Steph's death colours her view of Gotham here, and her willingness to embrace Bludhaven is in response to the pain that Gotham now brings her. (This is also after Babs calls Cass stupid). Feeling like Gotham doesn't belong to her might stem from these specific circumstances, and not be applicable in current canon.
Still, if the story had ended there, I'd say Cass doesn't need to stay in Gotham. Unfortunately, it doesn't.
Red Robin (2009) #17
After Bruce's death, Cass goes to Hong Kong. Well, 'goes' is putting it nicely. She was written off to make Steph Batgirl, which resulted in Cass a) not appearing in most comics, b) being stripped of the bat symbol, and c) being isolated from everyone she cares about, besides Tim. It's a horrific and undeserved fate, reversing everything Cass' story once stood for (narrative agency; becoming a hero; finding a family).
Though Cass regains the symbol and becomes the Bat of Hong Kong, she is no longer part of the narrative; her distance from Gotham became a representation of her distance from narrative importance. That's the real danger of Cass leaving Gotham - unlike Dick, who is a big enough character to be guaranteed solos in Blud, Cass leaving Gotham will forever hold the threat of erasure.
I'm discussing this in a meta-textual sense, but textually Cass knows the danger too.
Gates of Gotham #5
Here, Cass rebuffs Dick's assertion that Gotham will never keep either of them because they don't belong. She says, "It's about how you choose to see the world. Everything else is just an excuse." She's repudiating multiple things: editorial's decision to boot her from Gotham; Bruce's decision to take Batgirl away; even, somewhat, Dick's ascension to the Bat mantle when she wasn't given a chance.
This is ultimately why, though Cass could work elsewhere, I think she should work in Gotham. It's the place she ran to after David Cain, the place she chose to stay in, and the place that gave her Batgirl. Most importantly, it's the place that rejected her. It's not about Gotham itself - It's about how she was ejected from it, and how she fought her way back, over and over again. Cass staying in Gotham ensures history doesn't repeat itself. It rewards Cass fans who survived OYL, Batman Inc, and New 52 with the light at the end of the tunnel.
This is just my opinion! I do love her stint in Bludhaven, so I understand other people preferring her elsewhere. Just for me, she may not belong to Gotham in the way Bruce, Steph, Duke, Jay, or Babs does, but she deserves to be there.
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Ryan-Posting again! ♡
Otherwise Titled: a stressed Orphan and her protective Guardians.
Ryan gets her Found Family .2 seconds after entering the Armada Ship. Subodai watches her back from the start, and his take is basically: That's a child. She's capable, yeah, and a great leader, but she's a child. I'm protecting her with my life. He effectively becomes her Dad. (As well as her First-Mate)
And then, of course, there's Dead Mike. He's like her uncle. He was the one person who didn't ever abandon her or her parents (willingly) and he swore his afterlife to avenge her family, and now to care for her. He's a big softy, and the moment he realized Ryan was still alive, he swore to be there for her till his second death.
And, as it goes, I also love the concept that Ryan is generally pretty harmless-looking when she first starts her adventures. No name for herself, she doesn't speak, and her actions are sneaky so people rarely know it was her who hit them. Until she becomes more infamous, Dead Mike and Subodai act as her big scary goons. They hit hard and w/o hesitation if Ryan orders it.
(Also picturing Ryan ready to tear someone to pieces, but she's already low on health, and Ratbeard or Steele holding Ryan back with Subodai and Mike roll up their sleeves and go demolish the enemy. And/or Armada coming by in a town, and Ryan ducking behind Subodai and clinging to his hand (hoof?) As she uses him as a wall between her fear and herself.)
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