just so you know every time you post about horror films i add something to my watchlist <3 truly invaluable, you're the #1 for horror recommendations on this website. love you!
* There is one really specific character archetype all of these characters fit into and for some reason I will always get attached to them like a magnet
i find myself often hesitant to really talk about ana in alot of aspects and a big reason for that is being in the same boat as her regarding losing her older sister to a tragic incident ( lost my older half-sister in a car a.ccident ) & then losing my mom ( c.ancer two years ago ). and i know it can come off uncomfortable to some when theres a bit of a blurred line between a characters' experiences vs the writers and thats where that hesitation comes in most days.
however, those losses are so significant in ana's story, in how things go for her throughout her life following the house -- whether its known in my canon if maria's alive but whereabouts unknown still or its confirmed she's dead or w/e -- that it'd be too much a disservice i feel to tiptoe around it like i do so, just a fair warning hopefully that yeah, there'll be times where my experience with losses may bleed into ana & maria & frankly also others a bit. as well, my experience of watching my mom lose her oldest kid may reflect in mama ginny & mama flores, so. fair warning on that too.
*They have a bad habbit of putting anything and everything in their mouths, like children so we have to keep an eye on them because of that and their unpredictable behavior, even if everyone else also has certain mental problems, Funk are Cute Somehow*
Funk Sans and Metatheater Sans belongs to me
Lunatic General Story - Reference
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Anna Funk Damage - Il Corpo Che Si Rompe - horror disco gone industrial
An icy wave of distortion. Gristle and bone bass. Incantatory, bloodcurdling poetics. Anna Funk Damage returns to Osare! Editions with a full-length LP, laying down 13 occultist tracks, turbocharged by industrialism, dissolution and heartbreak. The Italian producer more than lives up to his namesake, delivering his signature, genre-destroying blend of experimental-punk-techno and steely dance floor deviance.
Opening with a howl, clatter and smash, on 'Sono Spento’, Andrea Natale takes the shape of a self-annihilating robot, his heavily pitched-down vocals laden in layers of FX. ‘Maybe I’ whirls into a slow build screech while 'Allegri Rimpianti’ joins together organic, pummelling percussion, sharp synth chords, and jangly guitar for a nightmarish trifecta of throbbing noise. Occasionally, Natale's presence falls away entirely, allowing for unadulterated machinic ecstasy to take over. Cogs grind on 'Memoria, Solitudine’, a dark and lolloping track, thrumming with sinister, malicious intent, before 'La Fine’ signs off, lurching skittishly like an anxious, artificially pumping heart.
Interweaving elements of avant-garde ambient, rock, and even black metal, all rewired through a Moog DFAM and a Mother-32 interface, II Corpo Che Si Rompe is powered by unrelenting energy as Natale descends to ever more demonic, punishing depths.
Cover art by Manuel Sepulveda
Featuring images by Eva Kammergruber
Words by Hannah Pezzack
I'm trying to make plain and thoughtful music for my philosophical audio drama but I keep making absolute BANGERS. Why has God cursed me with such awesome rhythm