#galactic seasons critical

[wanderersrest]

Mecha's "I'm Not Like the Other Girls" Problem

Preface: I'd like to apologize to everyone who reads this post. Normally, my posts are pretty lighthearted and informative. This one, however, is not lighthearted.

I feel it is important to talk about this topic though, as this is a problem that has been plaguing mecha shows for a long time now. It bothers me when people dismiss the things that I like *gestures at G Gundam*, so it should be of no surprise that I have strong feelings about this topic. It's pretty adjacent to the reason why I don't like the "Real vs Super Robot" dick-measuring contests that happen between fans, especially as someone whose favorite mecha show gets a lot of heat because of that stupid debate.

Part of what makes it worse is that I don't dislike these shows a whole lot. Okay, two of them I don't like a whole lot, but one is because its second season really drops the ball on things while the other is, in my opinion, a pretty mediocre show that is being propped up as the hottest thing since sliced bread by its fans.

I'm also going to be talking about gen:Lock, a show that I hate from pure pop cultural osmosis. So content warning: suicide, children getting killed, and gen:Lock, among other things.

Stop me if you've heard this one before:

"Evangelion's not like other mecha shows because it focuses on the character drama instead of the robots."

If you've ever watched any mecha show ever, you'd realize just how bizarre this line really is. There's always some variation where it'll be the favorite series of the person saying this and, when confronted, will bare their ass out for the world to see by showing that they have not watched any other mecha show. If you're lucky, they might have watched one or two other mecha shows, and chances are likely that it will be one of the other "Not Like the Other Girl" shows.

So today, for something a bit lighter in comparison to my soul-crushing Abbreviated History of Mecha, I'm going to take my turn dismantling this braindead take. Really take my turn at this dead horse, because it is something that plagues this genre of stories.

Context: Evangelion's Legacy Is Exaggerated

Thank you, cast of the hit anime series Neon Genesis Evangelion. I felt brave just saying that.

Jokes aside, I feel it is important to get this out of the way now. And, to be fair, Evangelion is critically acclaimed for a reason. Eva's success did leave an impact on the rest of the industry. A whole generation of anime shows have tried to capture the same energy that Eva had, leading to the rise of the extremely nebulous sekai-kei trend. This isn't even touching on the fact that Eva is also one of the most popular mecha franchises of all time.

That being said, the problem with Eva's legacy is that people in the west exaggerated its legacy. So instead of it being an important series that builds off of the legacy of the shows it was inspired by in order to create something new and just as noteworthy as its forebears, it is now this transgressive series that brutally deconstructs mecha on top of everything mentioned prior. Evangelion became a series that was more than most mecha shows, since it really spends a lot of its time with its characters, particularly the Eva pilots and their handler. Evangelion was different because it was about the characters and not the giant robots.

...Except, that's not true.

This is Ideon Erasure

One of the shows that inspired Evangelion, Space Runaway Ideon, is about as serious as they come. It's a story about the horrors of war, and the characters have to contend with this and press on. And while it might not be as introspective as say Evangelion, the difference is what both had as inspiration: Ideon only had shows like Space Battleship Yamato, Voltes V, Zambot 3, and Mobile Suit Gundam as reference points. Evangelion has all four of those shows as well as other shows like Fang of the Sun Dougram, Super Dimension Fortress Macross, and Legend of the Galactic Heroes among other shows to reference

I'm not saying that those shows also influenced Evangelion. I'm just pointing out that, in the history of mecha, Eva has more things to be compared to. And to be fair to the people who kickstarted the "Eva's not like the other girls" mentality, the west's experience with mecha prior to Eva was either shows like Transformers, which existed largely to sell toys, or shows like Gundam Wing, where a lot of the show can be seen as "Wow, cool robot." So along comes Evangelion with its esoteric Christian imagery, brooding protagonists, and eldritch antagonists. It's really nothing anyone in the west has seen before, and so the "Not Like the Other Girls" meme is born.

And now, I'd like to go into debunking this line of thinking with a lot of the big offenders. Because it turns out that Evangelion is not the only show to get this treatment. And if you thought Eva was a bad example of "Not Being Like the Other Girls," then oh boy are these examples somehow worse.

Case Study 1 - Code Geass: Casval Lelouch of the Rebellion

Code Geass is probably the closest example to in terms of being "Not Like the Other Girls" that isn't Evagenlion itself. Like Evangelion before it, Code Geass has more of a focus on its characters than its mech action. A fair bit of screen time is spent focused on the politicking and strategizing and brainwashing (with actual, factual magic) of our main character, Lelouch Code Geass Lamperouge, with all of the shenanigans that ensue. It's a series with a unique spin on the military robot shows of old due to its inclusion of magic (namely the titular Geass) and advanced super materials like Sakuradite (based off of the mythical metal hi'hiirokane or scarletite).

The problem with Code Geass being a "Not Like the Other Girls" show is twofold:

The robots of Code Geass, here known as Knightmare Frames, play a pivotal part in the story. The Knightmare Frames are what allow Britannia to take over the world as well as they do, and a big focus on the series is just how advanced the latest Knightmare Frame, Lancelot, is compared to the other Knightmare Frames. Season 2 exacerbates this problem when the elite Knightmare Frames like Lancelot are constantly getting exponentially more upgrades throughout the season.

It's also hard not to ignore the similarities between this show and Mobile Suit Gundam (the original, not the franchise as a whole). Consider that Code Geass' main character is, for lack of a better word, a Char clone. He wears a mask and oftentimes hides his true motives, which helps when it comes time for politics. He's even got a special power that helps him with his core skills. The only thing Lelouch is lacking is the piloting skill, which is where Kallen Kouzuki comes in (and fun fact: her signature Knightmare Frame, the Guren MK II, is red).

Oh, I should also mention this here: before working on Code Geass, Goro Taniguchi worked on Gun x Sword, which is unabashedly a giant robot anime. Does this really add anything to my point? Not really. I just think it's interesting to point this out due to Gun x Sword's proximity to Code Geass in terms of release dates.

Case Study 2 - Tengen Toppa Getter Robo Gurren Lagann

Probably the single most insane version of this is when people treat Tengen Toppa Gurren Lagann as being "Not Like the Other Girls."

Y'know... Gurren Lagann. The show where the giant robots grow as large as the known universe. A show where one of the major thematic elements is a celebration of giant robot shows that's reflected in the four major story arcs representing a distillation of the four decades of giant robot shows from as early as Mazinger Z. A show where the main character draws a lot of his self worth from, among other things, how well he pilots his mini robot (a gender-swapped Noa Izumi, if you will).

Oh, and most important of all: this is also the show written by, and I'm not making this up, a man who refers to himself as Getter Robo's number one fan.

This doesn't even touch on other shows that one could argue also had a hand in influencing Gurren Lagann like Mobile Fighter G Gundam and The King of Braves, GaoGaiGar. Look me in the eye and tell me that Kamina wasn't written with characters like Domon Kasshu and Guy Shishioh in mind. Or the fact that Simon the Digger is less Ryouma Nagare and more Domon Kasshu by way of Guy Shishioh.

In the case of Gurren Lagann, though, it should also be of no surprise that this is the series brought up the least amongst the "Not Like the Other Girls" shows. A big part of this stems from, as I mentioned earlier, the fact that Gurren Lagann is a celebration of giant robots.

...What's that? Why does it sound like an axe is being sharpened in the background? No, reader, you're hearing things. I clearly don't have an axe to grind with the next show.

Case Study 3 - Armored Trooper 86: Eighty Six

Part of what I hate about the modern seasonal anime release schedule is that it's created an entire generation of anime fans who refuse to watch any series that released before 2010. This line of thinking can be pretty dangerous, and this is coming from a guy who's always saying the newer Pokemon games are generally better than the older ones. The difference is twofold:

Pokemon isn't anywhere near as old as all of anime. Like it's not even close to being that old.

This only really applies to core game mechanics in the mainline non-Legends games. It doesn't really take into account things like story elements, Pokemon rosters, or generation design differences (read as: is the game pre- or post-Physical/Special split).

I'm bringing this up because I feel like the seasonal anime format is the reason why 86: Eighty Six became a "Not Like the Other Girl" show. As someone who watches a lot of mecha shows, 86 is just...

...it's there. It exists. In my opinion, 86 doesn't really have a whole to say outside of racism is bad and look at how much Shin and company suffer because of it. Everything 86 does has been done before in some fashion by literally every military robot series that existed prior to 86's first publication in 2017. Heck, two years prior to it's publication was the first airing of Mobile Suit Gundam: Iron-Blooded Orphans, the then-latest entry in the Gundam franchise. And that series is all about how unfettered capitalism makes it almost impossible for the marginalized to survive without having to resort to violence.

But I think it's folly to suggest fans of 86 to go watch Iron-Blooded Orphans. Not because it's bad, which I'd argue that it's not. No, it's more because IBO is too recent. Part of the problem with the "Not Like the Other Girls" mentality is that people will limit themselves into only watching one show, oftentimes failing to see that part of what makes their favorite show so special is the fact that it is inspired by other works. For people who like 86, it would be better to recommend shows like Armored Trooper VOTOMs, Fang of the Sun Dougram (or really any military robot series directed by Ryousuke Takahashi), or even the original Gundam from 1979. But as harsh as I may be on 86, it's not the worst offender. I'd even go so far as to say that 86 is, at worst, a symptom. I think the real problem lies with the next series I'm going to talk about.

The Worst Offender - gen:Lock

If you thought I disliked 86 because of how its fans hype it up as being better and so much different than the rest of the canon, at least 86 is a pretty entertaining watch.

gen:Lock makes me turn into AM from I Have No Mouth And I Must Scream. To describe the enmity I have towards gen:Lock is not something I want to fully unload on this blog, as it is this series that really kicked the "Not Like the Other Girls" mentality into overdrive. gen:Lock was once described by one of its executive producers as being about the characters and not the robots. Which kind of spits in the face of the canon of mecha in its entirety, as the entire genre has almost never really frontlined the machines as being the main character. And when mecha stories are about the machines, the machine tends to be a character in its own right.

And if I'm being honest, part of what makes me so livid about gen:Lock is how this series basically funneled away funds from other projects at Rooster Teeth. That's what got series creator Gray Haddock fired, after all. So you can't even say that season one, which I've been told is a pretty decent season, is okay in comparison. So even if the "It's not about the mecha" line is supposed to be marketing speak, the behind-the-scenes nonsense still sullies the show. I don't even think I need to touch on the mess that is gen:Lock season 2; between the poorly animated sex scene, the sudden killing of a recently-outed queer character, and the fact that one of the main characters, and later the entire main cast, get rewarded for committing suicide... Yeah. Let's just move on before a blow a fuse.

Magic Knight Rayearth Is Actually Not Like the Other Girls

I think part of what makes all of this so absurd is that there is a series that can actually be considered "Not Like the Other Girls."

It's Magic Knight Rayearth.

A lot of what helps in this case is that Rayearth is, primarily, a magical girl series. That is not to say that Rayearth is not a mecha show though, as the Rune Gods play a pivotal role in the series. Not helping things is the fact that the Rune Gods are literally an extension of their magic knight's personalities, which is true of pretty much every giant robot ever. But, by being a magical girl series first and foremost, Rayearth approaches giant robots from a unique angle due to the world of Cephiro being similar to that of a fantasy JRPG setting where willpower determines everything. So the Rune Gods end up being real, living creatures that take the form of giant robots, as opposed to just being giant robots that exist in the setting.

Except it's still a giant robot series. Everything I just said doesn't suddenly mean that Magic Knight Rayearth is no longer a mecha show.

Conclusion

Look. I get it. These shows are great. Okay, gen:Lock isn't, but the other four are. I get it. The people who trot out this line do it because they love the series they're putting up on a pedestal. My issue comes with the putting it up on a pedestal part. It has a tendency to displace other shows that are just as worthy of praise, and in some cases maybe even better depending on the viewer, than the "Not Like the Other Girl" shows. So, to close this rant out, I'd like to suggest some shows for people whose only experience with mecha are one of the "Not Like the Other Girls" shows.

If you like...

...Neon Genesis Evangelion, you might be interested in checking out Ultraman, Mobile Suit Gundam, Space Runaway Ideon, Aura Battler Dunbine, Patlabor (either the TV or OVA timeline), or Gargantia on the Verduous Planet.

...Code Geass: Lelouch of the Rebellion, you might be interested in checking out Mobile Suit Gundam (again), Fang of the Sun Dougram, Patlabor (the OVA timeline this time), Gun x Sword, or Psalm of Planets Eureka Seven.

...Tengen Toppa Gurren Lagann, you might like Mazinger Z, Getter Robo, Gunbuster, Mobile Fighter G Gundam, The King of Braves GaoGaiGar, Back Arrow, SSSS.Gridman, SSSS.Dynazenon, and Gridman Universe.

...86: Eighty Six or gen:Lock, you might like Mobile Suit Gundam (pretty much any series that isn't G or Build), Armored Trooper VOTOMs (or really anything related to Ryousuke Takahashi), Metal Armor Dragonar, Patlabor (See Evangelion above), or Full Metal Panic!.

...Magic Knight Rayearth, you might be interested in Aura Battler Dunbine, Panzer World Galient, Patlabor (the TV timeline), Mobile Fighter G Gundam (yes really), or The Vision of Escaflowne.

And thanks for reading my rant. Next time, something else!

[niqhtlord01]

Humans are weird: The Hammer and the Anvil ( Don’t forget to come see my on my new patreon and support me for early access to stories and personal story requests :D https://www.patreon.com/NiqhtLord )    

“Retreat!?”

Several of the bridge crew turned at the admiral’s raised voice before a look for their captain had them return to their duties. With the enemy fleet now fully assembled before the Coalition Armada there was more than enough work for each of them to attend to.

Troy Brakus was a seasoned captain serving the Terran navy for thirteen years with the last five aboard his own vessel the “Unruly Yeoman”. She had fought everything from opportunistic space pirates to despotic warlords carving out their own tiny petty kingdoms amongst the stars. There wasn’t a vibration or groan that her ship made that he did not recognize nor crew member he did not know. This ship was his home and at the moment it looked very much like it was about to be blown to pieces.

Having been a member of the Galactic Coalition of Star Systems, the Terran navy had been dragged into the recent conflict with the Genven Imperium. This outcome had hardly been a surprise to anyone as the Genven had been launching an increasing number of raids along the border for the last year until finally the Coalition had had enough and made an official proclamation of war to halt the incursions.

What they had not counted on was that Coalition intelligence had been drastically underestimating the Genven’s naval strength. So when the Coalition united fleet entered Genven territory they were met by an enemy war fleet three times their size. A notion the supreme admiral of the fleet had certainly noticed as they were now issuing a fleet wide retreat order.

“We are outnumbered 3:1 Admiral Kelly,” the supreme admiral said over a communication link, “if we stay here we will lose the entire fleet.”

“And if we retreat we deal a crippling blow to the Coalition’s morale and hand the Genven’s the initiative!” Admiral Kelly countered.

Admiral Kelly Winfeld was the overall leader of the Terran contingent of the Coalition navy which had allocated fifteen warships and twenty seven cruiser and smaller class vessels to the coalition fleet. No other commander outside of the supreme commander could issue orders to the Terran navy, and even then it had been an unofficial understanding that said orders would only be listened to if they had Admiral Kelly’s blessing. Which was making the current disagreement all the more dire.

“Numbers does not always guarantee victory,” Kelly continued, “we can still win this battle if we use our heads and out maneuv-“

“You have your orders Admiral Kelly!” the supreme admiral cut in forcefully. “If you are unable to comply you shall be stripped of your rank and-“

The transmission suddenly was cut off and the hologram of the supreme admiral faded away instantly. Captain Brakus took his hand off his command console and looked up at the Admiral.

“Your orders, ma’am?”

Standing up straight and adjusting her uniform, Admiral Kelly turned around to Brakus and grinned.

“All ships line up behind the Unruly Yeoman and divert all power to forward shields and engines.” She pointed at the heart of the Genven fleet which was now spreading out in a large crane formation in the hopes of surrounding the Coalition fleet before it could withdraw.

Captain Brakus relayed the orders to his crew as the power diversion to shields began. The lights flickered as each station called out that the power had been successfully diverted and shields now were at 300%. Taking a look at the tactical display he could see that while the rest of the coalition fleet began pulling away the Terran contingents were following the Admiral’s orders and forming up behind the Unruly Yeoman.

The last ship had entered the formation just as the first volley of enemy plasma lances impacted the fleet. A number of coalition ships were struck in the rear and suffered critical engine failures or outright exploded.

“Engines to full,” Admiral Kelly shouted as the shields endured another barrage, “make for the center of their fleet!”

“All ahead full.” Captain Brakus relayed and the Unruly Yeoman slowly pressed forward at the head of the Terran navy.

“We have a communication incoming from the supreme admiral.” The communication officer shouted across the bridge as another salvo struck the shields sending a shudder through the ship.

“Ignore it.” Admiral Kelly said as the Terran line continued pressing forward.

The amount of incoming fire was steadily increasing as the Genven ships began to find their mark. Each impact sending increasingly violent shudders. At the front of the column were all of the heavier ships were in the front soaking up the majority of the damage while the smaller escort vessels clung tightly behind them for protection.

“Do we have an actual plan?” captain Brakus inquired as the fleet pressed ever closer to the center of the Genven formation. “I’d rather not end up like the light brigade.”

“We needn’t worry about that unfortunate debacle.”

She pointed to the tactical chart. Coalition forces were making all speed towards the edge of the system while the Genven fleet was still in hot pursuit.

“Now that we’re between their wings they can’t fire on us since any deflected or missed shots will hit their own forces.”

Brakus nodded as he realized why the admiral had ordered power to the shields and engines. “So only the center formation can still attack us freely.”

He looked up from the display to see the center of the Genven fleet steadily becoming larger in the view screen as was the looming dreadnought that housed their command staff. It was the easiest to spot as it was twice as big as any of the surrounding vessels and dotted with nearly three times as many gun ports.

“So are we going to eliminate their command?”

To his surprise the admiral shook her head. “Even if we did wipe out the center the two wings would still be enough to wipe out the rest of the coalition before turning around and snatching us.”

She tapped the tactical display as if counting down to some event only she knew. “We need to destroy their formation in a way that causes enough chaos to break their momentum and give our own forces enough time to counterattack.”

“Captain.” One of the deck officers interrupted. Brakus turned to see the officer motioning to the proximity warnings now displaying as the Genven ships were rapidly approaching.

Brakus nodded to the officer and turned back to the Admiral.

“If you have a plan, now would be the time.”

Without missing a beat Admiral Kelly finally stopped tapping the tactical display and shouted “All ships hard to port!”

As one the entire line of terran ships broke off what many appeared to be a suicidal charge and steered headlong into the right wing of the enemy fleet that was still chasing after the Coalition.

“Divert power from shields to forward batteries; fire when ready!”

Brakus could hear the thrumming of the energy planets as they once more diverted power across the ship on a whim and watched as the first plasma lances from the forward cannons lashed out.

The Genven right wing had been so focused on catching the retreating Coalition forces that the sudden attack from the Terran navy blindsided them. They had expected the humans to smash themselves against the center of their lines but now faced massed fire from dangerously close quarters. A few of the ships attempted to divert power back to their shields but at such short distances the plasma lances were already carving through their hulls.

Like a hot knife carving through butter the Terran navy decimated the right wing, separating the forces almost in two as the forward elements aborted their forward charge and the rear elements found themselves crashing into the burnt remains of the destroyed ships the Terran’s left in their wake.

Several of the bridge crew let out a hearty cheer as the gun batteries across all decks adding nicely to their ever growing kill count until finally they broke through the line entirely. Brakus was about to ask for next orders but the admiral beat him to it.

“All ships hard to starboard now, come up behind the center; target engines and rear emplacements first then work your way down through critical systems.”

Brakus relayed the orders to his crew as the Terran navy came about once more and poised themselves to strike at the rear of the center Genven fleet.

Already their attack was causing the desire chaos the admiral had wanted as the left wing of the Genven fleet was breaking off their pursuit of the retreating Coalition forces to come turn and face the Terran forces. The center was likewise positioning themselves to track the Terran fleet but finding their progress slowed by how packed together they were.

“Coalition forces are turning around Captain.” The scanning officer called out followed swiftly by the communications officer.

“The Supreme Admiral is hailing us again and is demanding to speak to you admiral.”

“Tell him to take a number,” she said with a smile as the opening salvos against the center fleet started, “I’ve got a battle to win.”

[unearthlytraveller]

Babylon 5 Rewatch: TKO

Today, I have done something I literally have not done in two decades: watched B5 in airdate order, not JMS's recommended order. If I were to do the latter, the next episode after Signs and Portents would be Grail, and TKO wouldn't come until nearly the end of the season.

The recommended ordering doesn't make a lot of difference, especially for this episode. We have a couple of pieces of foreshadowing for the season finale, but they can go anywhere. The big issue in season 1 comes with Legacies, which aired before Babylon Squared but really has to come after it. It does do a slightly better job of spreading out the good episodes, however. By airing order, we get four mid-tier episodes before A Voice in the Wilderness and Babylon Squared, then one more before the season finale. With the recommended ordering, we would have two before then three after. But on the positive side, we've got this episode out of the way; watching it is now in the past, not hanging over us like the Sword of Damocles.

Yeah, I'm not a big fan of this one. B5 has never been great at depicting hand-to-hand combat, and while the fights here were not as bad as I remembered, they still aren't good. As if that wasn't enough to write off half the episode, I really don't like our main guest character spewing slurs, even if they are fictional ones.

These were criticisms I remembered from my last viewing, but I found some more this time. The Muta-Do looks perpetually bored. If even he is uninterested, why should I be? The sports news section looked shockingly cheap; it actually surprised me. And the final question is: if its so important that humans don't take part in the Mutai, how the hell has it been on B5, a human station, for several years? That would mean they basically uprooted to the station as soon as it came online!

The whole "humans should not interfere in our special alien customs" thing feels thematically related to western cultural dominance and appropriation. This is awkward in story, because Earth is a relative upstart and weak on the galactic scale. It also makes the "actually. humans are just fine in the Mutai" conclusion a bit ehh. I mean, yes, Smith got in by respecting the customs and traditions of the event, but I feel that there wasn't time to handle this with appropriate depth and subtelty in one of two plots in a filler episode.

One final thing about this side of the episode: this is Walker Smith's story. Except, we'll never see him again. Now, I could to some extent forgive that if it was good, but see above. Among our main cast, only Garibaldi is involved, and what do we learn about him? Not a lot. There's another reference to his alcoholism; we see that he doesn't watch his back; and... that's about it. So, we can't even justify this with character development.

So, let's go on to other plot. This one is at least about one of our main characters, and Ivanova definitely benefits from the attention. There are even a couple of nice scenes between her and Sinclair. It's a shame, then, that this plot deteriotes into predictable melodrama.

OK, so I've just written 7 mostly negative paragraphs about TKO. So I want to say, I don't actually hate this episode. It's just... there. I sat, I watched it, it's over, at least the next episode has a guest appearance from David Warner.

[fiercestpurpose]

Friends at the Table season breakdown

Friends at the Table is an actual-play podcast focused on critical worldbuilding, smart characterization, and fun interaction between friends.

But this post is for anyone who's ever thought, "What is Friends at the Table actually about?" Well, it's about a lot of different things, depending on the season.

Seasons of Hieron -- Autumn in Hieron (S1), Winter in Hieron (S3), Spring in Hieron (S5)

Using DungeonWorld as its main system, this is closest to DND style high fantasy with adventurers of different races who come together to go on quests

What starts as a series of fetch quests escalates until the dead don’t stay dead, the nature of existence is brought into question, and the world itself is in danger of dying.

Follow a team of morally ambiguous adventurers as they fuck around only to find out!

Starring: an evil woman with an eviler sword, an orc who shows us why true neutral is in fact the evilest possible alignment, a snake oil salesman, a paladin who accidentally serves three different gods, and more!

Counter/Weight (S2)

Giant robot season #1

Cyberpunk/space opera/mecha anime

It’s the Cold War in space. Two long time enemies, Liberal Democracy Land and Corporation Land, recently banded together to stop the Empire of Fish Aliens.

Now, our story is set in space Berlin, on a planet divided between the two reluctant allies

Follow a parking robot, an exiled fish alien, a hacker, and a former pop idol as they try to survive as mercenaries and fight off giant robots with their own giant robots.

Marielda (S2.5?)

Steampunk heist season

A mini-season, set in the ancient past of Hieron, but it works as a standalone.

A group of criminals rob God. This sets them off on a dangerous path that will determine the fate of all of Hieron.

A story about the power of information and the power of access to information. Featuring trains, azaleas, ghosts, divorce, and clarinets.

Twilight Mirage (S4)

Giant robot season #2!

(The giant robot seasons are set in the same universe but several thousand years apart. They're loosely connected but can be enjoyed separately.)

The contemplative, wondering nature of Studio Ghibli films meets the teeming space opera of Star Wars

The Divine Fleet is a great utopia that has lasted thousands of years, powered by their machine gods. But one-by-one, these machines are dying off. Can two teams of specialized government agents save their gods and their way of life? And if they can't, how will all the people of the Divine Fleet find a new way forward?

Featuring the greatest Friends at the Table character of all time: fat, purple-furred, bisexual catgirl in sexy lingerie who rides a motorbike, runs a speakeasy, and can alter reality with her mind

Partizan (S6) (And Palisade, its sequel, is S8)

Giant robot season #3

Twilight Mirage is set explicitly in a utopia. Partizan is set explicitly in the middle of an exploitative empire. The guiding question here is: How do you even begin to imagine the possibility that such an empire could fall?

At the center of a galactic empire made up of rival states, we follow two groups: a mercenary squad that specializes in theft and sabotage, and a group of criminals under the control of a young and spoilt noble. But everyone has their own agenda, and as the empire hurtles towards civil war, who will get what they so desperately want? And who will lose it all?

Also, of course, they are in giant robots

Sangfielle (S7)

Horror fantasy

Sangfielle is a land of sprawling plains crisscrossed by semi-sentient malevolent trains. Strange things from the past or future come out of the mines, old and new gods alike appear in unexpected places, and you are always at risk of losing your life, your freedom, or simply your self

Nature vs. technology horror where both nature and technology can be equally horrifying!!

Characters include: a grotesque eyeball that possesses people but only consensually, a giant goat person whose life's purpose is to kill trains, and a junk mage who keeps taking things he shouldn't

Bluff City (Bonus season)

What if Atlantic City was Even Weirder

A series of one or two shots that are loosely linked by their location and come together to tell the story of the city. Each story uses a different system and so each one has a slightly different feel.

The paranormal, the surreal, the gritty, the desperate, and the outrageous rub shoulders in Bluff City, in stories featuring superheroes, ghost hunters, murder mysteries, and a priceless one-of-a-kind bird.

Things that the show is always about, no matter the season:

Religion — Always. From DND-style gods to robot gods to Catholic God to weird old gods you dig up from the mines, there are lots of gods and lots of people worshipping gods in different ways.

Labor issues and political issues surrounding control, propaganda, surveillance.

Weird body stuff/weird identity stuff — clones, consciousness transferred into different bodies, robots that influence your thoughts, robots that bond to your body, being seven thousand bees in a trench coat, etc

Having fun with different ttrpg systems! They use a lot of different systems on the podcast

Aesthetics, just like generally, and especially fashion. Action stops for twenty minutes while everyone goes around and describes what their character is wearing in exact detail. It’s fantastic.

Fun, silly, or unique names, ranging from "Lazer Ted" to "they marked scars of light in pitch; born in fiercest purpose, and beheld as the signet sealed upon our pact"

Critical worldbuilding, smart characterization, and fun interaction between friends!

[brujitaadinbo]

I find it funny how there are people who still say; that in Star Wars love is not present in the work. Oh my god, what a stupid argument. A galactic opera that reflects what is most inexplicable but at the same time so present in the universe; love.

I had the opportunity to see other works by George Lucas. When I had first seen this movie, I was a girl, too young. A few days ago I was able to enjoy "Willow" from 1988. Directed by R. Howard

A story that totally shows the essence of G. Lucas in all its senses (as well as his good aspects, also his bad aspects) We see how he always talks about something very important; the vindication of characters who are not villains or antiheroes, forgiveness and redemption.

Despite the little time on screen and the short interaction of the characters who are in a process of improving and redeeming themselves (typical essence of SW and G. Lucas)

They manage to connect with the public and enrich the bond, showing us that second chances exist and can be for something better.

Where do i want to go with this?

I have seen how there are people who continue to destroy season 3 of The Mandalorian; with criticism, ridicule and arguments straight out of the trash.

They talk about Bo Katan not having the right to make up for his mistakes and correct his path. They talk about Din being lost as the protagonist and blah blah…..

Din was always there, he was so enriched by Grogu, his path was to develop and be a better person; Filoni and Jon mention it since season 1.

Bo has every right to redeem himself; because the same creed allows it… these are words that Din mentions to the Armorer in this season 3 chapter 1 "Redemption is part of the creed and my right is to claim it, bathe in the living waters and return to the undercover"

I love that Din was so wise this season. And the armorer had no choice but to remain silent and accept the truth of Din's words.

The essence of redemption and change to be better have always been in SW. To deny it is to lie.

As well as love and the very used but very useful resource that also manages to enrich the characters who suffer from it if you know how to use it. Enemies then lovers.

Call it cliché garbage or whatever you want, but this resource is infallible if you don't overexploit it and give depth to the interaction of the characters who are going to experience this process. And believe me in SW, in Willow, in the Mandalorian this resource resists, it shows itself, it is pleasant, it attracts and it works.

Since season 2, the strong attraction between Din and Bo was noticed, even if they want to deny it, all this is observed from many elements, both visual and the process of the story itself and how it makes them see both characters as if they were magnets and that despite their differences, they manage to live together and forgive each other, old wounds or quarrels.

I love it because in Willow, everything happens so fast but you can understand this; An evil queen has control of a magical place, where only a little girl will manage to destroy her and bring peace again. You understand this perfectly. Here the characters are added who do not want to do bad things but are forced to do so, such as "Sorsha", the princess daughter of the evil queen who is the antihero of this story. As he struggles to survive against his mother's cruel reign, following her stern orders, his heart is divided between right and wrong.

It sounds to me like a young Bo Katan, confused and involved in the conflicts of her planet, her family, not knowing what is right but acting out of duty because that's how it "has to be."

And then another of the fallen heroes arrives who is in the process of vindication, a man who lets himself be carried away more by material things or the gain he can get from people or the situation, but who coincidentally meets the girl who will bring hope. to this land, he begins to have faith in this assignment and in himself, he begins to feel that it is time to be a better person.

Madmartigan changes sides and goes with the good guys, that's when Din Djarin also feels this way; cruel and feared bounty hunter, meets a green boy who will bring change and hope to everyone. This is when Din starts to improve because he believes it is right.

The interesting thing is how Sorsha and Madmartigan come to cross paths, everything in common about that girl who will bring hope and who makes both characters in the end coexist and vindicate themselves. It is the love that gets into this relationship and begins to make them interact in a sentimental way, even though it all started with "broken heart dust"

LOL irony? could be? But thanks to that sex, a beautiful couple developed within this movie, so much so that the actors got married for a time in real life and had children.

That little baby manages to unite these characters, allowing them to bond as if they were a family, at the end of the movie. Regardless of rank, lineage, or power, Sorsha manages to rule with order and peace alongside Madmartigan. They save the little baby and keep hope for everyone, along with Willow obviously.

I love that they show that aspect FAMILY, whether or not it is blood, if they are the healthy ties that keep you strong and well. Don't lose them.

I love it because despite the dark overtones in Willow, it makes us keep faith in positive things. Family can sometimes be a burden or a great blessing but when it can be a support, you are in the right place. And it is also good to be able to choose who is part of your family. Just as they show it in The Mandalorian; a new family, a new bond, a clan, people who have gone through similar things, who understand and protect you and who you are willing to care for and protect.

This is the way.

[ljones41]

Looking Back at "STAR WARS: THE CLONE WARS" (2008-2020)

LOOKING BACK AT "STAR WARS: THE CLONE WARS" (2008-2020)

Lucasfilm's 2008-2020 animated series, "STAR WARS: THE CLONE WARS" had become a big favorite among fans of the STAR WARS franchise over the past decade-and-a-half. Set during the tail end of the Prequel Trilogy, many fans regard it as superior to the three movies produced and directed by George Lucas between 1999 and 2005. Not only that, many regarded it as a necessity for STAR WARS to understand that particular trilogy. After viewing it, I can honestly say that I do not agree with these fans.

Fans had expressed two other opinions about "THE CLONE WARS", aside from it being superior to the Prequel Trilogy movies and being needed to understand it. They still believe it did a better job of conveying Anakin Skywalker's journey from loyal Jedi Knight to the young Sith apprentice who had betrayed his former Order. Many fans had also complained that the animated series did something that the Prequel Trilogy had failed to do - namely convey a full narrative of the Clone Wars.

Disagreement Over Prevailing View

When I had stated that I did not agree with the prevailing view of "THE CLONE WARS", I meant it. Do not get me wrong. Overall, I liked it. I especially enjoyed those story arcs that centered around the clone troopers, especially the story about ARC Trooper Fives in Season Six. But there were other story arcs that I found interesting - including the one regarding Jedi padawans Ahsoka Tano and Barriss Offee, and Count Dooku's conflict with his former apprentice, Asajj Ventress. The latter proved to be one of two characters introduced by "THE CLONE WARS" that I enjoyed watching. I also became a big fan of the cunning, yet hilarious space pirate known as Hondo Ohnaka. But I never became a major fan of "THE CLONE WARS".

Unlike many fans and critics, I never regarded the series as better than the Prequel Trilogy. Just about every STAR WARS production I have seen (movies or television) had its share of flaws. Personally, I believe "THE CLONE WARS" had suffered from more flaws than the Prequel or Original Trilogies. The two trilogies served as parts of a saga about the Force-sensitive Skywalker family, with the Clone Wars, the decline of the Jedi Order and the Galactic Republic, along with the Galactic Civil War serving as the saga's backgrounds. For me, "THE CLONE WARS" was like watching a series that could not make up its mind about its main narrative or theme. The only aspect about "THE CLONE WARS" that seemed to be consistent was its setting - the three-year civil war withing the Galactic Republic known as the Clone Wars. Otherwise, the series spiraled into different arcs and stories with very little connection - whether they were about the war itself; the decline of both the Jedi Order and the Galactic Republic; the downfall of Anakin Skywalker; the development of his Jedi apprentice, Ahsoka Tano; the Mandalorian Civil War, which involved Jedi Master Obi-Wan Kenobi; the re-emergence of Maul, former Sith apprentice of Darth Sidious; and other arcs that centered around characters like Count Dooku aka Darth Tyrannus, Asajj Ventress, the Mandalorian clone Boba Fett and especially the clone troopers.

A Necessity?

Since many fans and critics had claimed that viewing "THE CLONE WARS" was a necessity in understanding the Prequel Trilogy. Really? Why? I do not understand that opinion. The reason I do not understand it is because I never had any trouble understanding the Prequel Trilogy. As I had stated earlier, I realized that it was mainly about the downfall of Anakin Skywalker, in which the Clone Wars and the downfalls of both the Jedi Order and the Galactic Republic played major roles. I get the feeling that many had wanted the Prequel Trilogy to be more about the Clone Wars, instead of the Skywalker family saga.

If that is how they feel, why not complain about the Original Trilogy's limited portrayal of the Galactic Civil War? It seemed to me that the Original Trilogy seemed more about Luke Skywalker, his circle of companions, and his father Anakin Skywalker aka Darth Vader more than the actual civil war that served as the trilogy's background. Perhaps Lucasfilm should create a series that feature numerous stories and character arcs set during the Galactic Civil War? Especially the four-year period between 1977's "STAR WARS: A NEW HOPE" and 1983's "STAR WARS: RETURN OF THE JEDI"? Sure, there have been productions about the early years of the rebellion - before the events of "A NEW HOPE". But these productions have only appeared in the last ten years. And they were released or aired as individual productions, not the sprawling monolith that became "THE CLONE WARS". But I did not need these productions to understand the Original Trilogy anymore than I needed "THE CLONE WARS" to understand the Prequel Trilogy.

Portrayal of Anakin Skywalker

If "THE CLONE WARS" was supposed to be a production that helped fans understand the Prequel Trilogy, who was the series' main character? Seriously. Was it Jedi Knight Anakin Skywalker? If so, I was not impressed by the series' portrayal of the character. Many have claimed that Anakin's portrayal in "THE CLONE WARS" was an improvement over his portrayal in the Prequel Trilogy. I do not agree with this assessment. In fact, I found Anakin's portrayal in the animated series rather troubling. One, he seemed to be a cross between a juvenile delinquent and a borderline Sith Lord. There were moments when the series seemed to be rushing him toward his role as Darth Sidious' Sith apprentice . . . before the events of 2005's "STAR WARS: REVENGE OF THE SITH".

The 2005 movie's first half hour had revealed Anakin's continuing guilt over his massacre of the Tusken Raiders who had killed his mother Shmi Skywalker in 2002's "STAR WARS: ATTACK OF THE CLONES". Not only did Anakin experience three years of guilt over that act, but also expressed regret for killing Darth Sidious' previous apprentice, Count Dooku aka Darth Tyrannus, when the latter was defenseless in "REVENGE OF THE SITH". Anakin even managed to express both horror and disgust for helping Sidious kill Jedi Master Mace Windu in the movie's last half hour. Following the Jedi Master's death, Anakin had ceased to feel any genuine remorse over those he had killed. However, "THE CLONE WARS" was set during the three years between "ATTACK OF THE CLONES" and "REVENGE OF THE SITH". And yet, I cannot recall the series ever conveying any of the guilt Anakin had felt toward his destruction of the Tusken village. Between that (over which he had felt guilt) and his roles in Dooku and Windu's death (which he had express regret and horror respectively), Anakin had harmed a good deal of individuals in "THE CLONE WARS" without any regret or remorse. This seems very odd to me to this day.

For me, the Anakin Skywalker of "THE CLONE WARS" seemed to be some Force sensitive version of Han Solo. In fact, someone had once given Anakin the nickname, "Jedi Han Solo". Many fans had complimented the character for his lack of whining and being more powerful. If these same fans were referring to Anakin's bouts of whining in "ATTACK OF THE CLONES", then what the hell were they expecting from a nineteen year-old padawan? Complete self-assurance? Some James Dean version of Anakin Skywalker? Well, instead of James Dean, they got some variation on Han Solo. And Anakin's attitude toward Padme seemed completely different from his relationship with her in the Prequel movies. Aside from that ugly moment in "REVENGE OF THE SITH" when Anakin had been blinded by unsubstantiated jealousy, he had never been aggressive toward Padme in the movies. The Anakin of the movies would have never tried to control Padme or dominate her the way he did in "THE CLONE WARS"'s Season One finale, (1.22) "Hostage Crisis" in which he tried to convince (in reality, coerce) her to stop work in order to provide him with "tender loving care" during his furlough. The cinematic Anakin would have shown more respect toward his wife. And as for that whole "Mortis" from Season Three . . . oh God! Why did Lucasfilm believe it was necessary to shove some ham-fisted narrative about Anakin bringing balance to the Force? I realize I should go into more detail about this particular arc. Needless to say, I did not care for it. It was like watching a series of over-the-top metaphors and allegories flashing before my eyes. And as I had earlier stated, I found it necessary. One has only have to observe Anakin's personality and his arc to notice the complicated nature of his character.

Ahsoka Tano

Then . . . Lucasfilm gave Anakin a padawan learner - a Togruta female named Ahsoka Tano, who was five years younger than him. Why did the Jedi Council assign a padawan for Anakin to train so soon after becoming a Knight? Yes, the Council had allowed the newly knighted Obi-Wan Kenobi to serve as Anakin's new Jedi mentor near the end of "STAR WARS: THE PHANTOM MENACE". But Anakin's recruitment into the Jedi Order and his role as Obi-Wan's new apprentice had occurred under unusual circumstances, due to a promise the latter had made to his dying former Jedi master, Qui-Gon Jinn. Obi-Wan had chosen to take on a new apprentice at the ripe age of 25. He had not been ordered to accept a padawan learner, like Anakin. Who had been 19 to 20 years old at the time . . . and recently knighted like his former mentor. Why did the Jedi Council, whose opinion of Anakin had always seemed to be in a state of wariness, had assigned a padawan to him? Why did Lucasfilm? If they had wanted Ahsoka to be one of the series' major character so badly, why not make her Obi-Wan's next padawan?

Now that I think about it, why bother creating the Ahsoka Tano character in the first place? In "THE CLONE WARS", Ahsoka had been close to Anakin, Obi-Wan and Padmé. Yet, the trio and NO ONE ELSE had mentioned her in "REVENGE OF THE SITH". I realize that the 2005 movie had been created first. But if no one had mentioned Ahsoka, someone who had been so close to Anakin, what was the fucking point in creating her for "THE CLONE WARS"/? Or . . . what was the point in making her Anakin's padawan? And it is a damn miracle that her character never became a Mary Sue. At least not completely. Ahsoka had made her share of mistakes throughout the series. But considering that she seemed to be the only Force user capable of using two lightsabers at the same time, I sometimes found myself wondering otherwise.

By the time "THE CLONE WARS" ended, I found myself wondering who was supposed to be the series' main character. Did the series actually have a main character? No one was more surprised than myself to discover that the series' last eight episodes focused on Ahoska Tano. After all, her character had left the Jedi Order in the Season Five finale, (5.20) "The Wrong Jedi". She never appeared in Season Six. I had assumed that Season Five was the last viewers would see of Ahsoka. Oh no. She came back with a vengeance and practically dominated Season Seven. The latter had twelve episodes. Out of those twelve episodes, four of them featured Ahosoka's adventures with a pair of smugglers known as the Martez sisters and the last four centered on her experiences with Darth Maul and Order 66. Eight out of twelve fucking episodes. At this time in the story, Ahsoka was no longer a Jedi - padawan or otherwise. Why did Lucasfilm and Dave Filoni thought it was necessary to bring her back and allow her to dominate the series' final season? Why was it necessary for us to see Ahsoka survive Order 66 at a time when she had not been a Jedi since the end of Season Five? After all, she was alive and well in "STAR WARS: REBELS", the series set right before the Original Trilogy. And once Order 66 began, the clone troopers not only targeted Ahsoka, but also . . . a captured Maul. WHY? In the name of God, why would the clone troopers target two people who were not a part of the Jedi Order?

Other Characters

*Darth Maul - What made the series' final season so problematic for me was not only did it focus heavily on Ahsoka Tano, but also Maul, Darth Sidious' former Sith apprentice. After being defeated and cut down by Obi-Wan Kenobi in "THE PHANTOM MENACE", the Nightsister Mother Talzin resurrected him and he became obsessed with the man who struck him down. How can I put this? I believe Darth Maul should have remained dead. I realize George Lucas had plans for his resurrection in the Sequel Trilogy films, but I do not care. I was never able to generate any real interest in his arc, following his resurrection in "THE CLONE WARS". And I found his arc in both "THE CLONE WARS" and "REBELS" and death in the latter series, an exercise in futility.

*Padmé Amidala - Thanks to Ahsoka Tano's presence in "THE CLONE WARS", Padmé ended up being regulated to one of the series' supporting characters. Granted, the series featured the occasional episode about her missions for the Galactic Senate or some political situation, her relationship with Anakin barely received any attention, aside from the Clovis arc . . . or perhaps one or two other. I am not sure. Nevertheless, I believe the heavy focus on Anakin's relationship with Ahsoka came at the expense of his continuing relationship with Padmé. I have one other issue with Padmé. I did not find her as interesting as I did in the Prequel movies. It seemed as if a good deal of her complexity had been stripped away.

*Obi-Wan Kenobi - It seemed to me that the young Jedi Master did not suffer from underexposure on the same level as Padmé Amidala. As one of the military leaders of the clone troopers, it only seemed natural that his character was focused upon. For me, Obi-Wan's most interesting arc proved to be the Mandalorian rebellion and his relationship with the pacifist leader, Duchess Satine Kryze. It seemed like the only time Obi-Wan came close to being the complex man he had been in the films. Otherwise, the Jedi Master spent most of "THE CLONE WARS" being portrayed as this ideal character. If Obi-Wan had truly been the ideal character many have claimed he was, I would have found him boring. Uninteresting. And Obi-Wan has never been boring to me in the films produced by George Lucas.

*The Jedi Order Council - My memories of the Council seemed to be a bit sketchy, aside from two arcs. I do recall arc that Jedi Master Mace Windu played a major role in an arc about him and Jar-Jar Binks rescuing a queen from a cult headed by the Nightsisters' former leader, Mother Talzin. Somewhat. And there was the late Season Six arc that featured Jedi Master Yoda exploring the origin of the Force and through a series of visions, discovering the true nature of the Clone Wars, the possibility of the Jedi Order's downfall and later, its resurrection. This particular arc seemed like nothing more than a ham-fisted attempt at foreshadow. Also, Yoda's conclusions following this arc seemed to contradict his actions during the last act of "REVENGE OF THE SITH" - namely his attempt to kill Darth Sidious.

*The Sith Order - I suppose I have no real complaints about the portrayal of the Sith Order in this series. Count Dooku's character seemed more fully explored in "THE CLONE WARS" than it did in the second and third Prequel movies. Darth Sidious remained a shadowy figure at this point in the series. I found his constant evil smiles (when no one was looking) rather annoying after two or three episodes. Hell, I can only recall this happening once in "REVENGE OF THE SITH". If there was one story arc regarding Sidious that I truly dislike was the Season Two episode, (2.19) "The Zillo Beast Strikes Back". The Sith's decision to entrap a dangerous Zillo beast and study it escaped to the streets of Coruscant struck me as one of dumbest ever made by a Sith Lord. Especially once as intelligent as Sidious.

*Cad Bane - I might as well say it. I dislike the Cad Bane character. No . . . I despise him. I despise his faux Southern accent. I despise that ridiculous hat that he wears. But what I really despise about Cad Bane was how George Lucas, Dave Filoni and Henry Gilroy made him such a tough adversary for the Jedi characters. Despite being a ruthless, yet greedy bounty hunter with a fast draw, Bane has been able to defeat powerful Jedi characters like Anakin and Obi-Wan . . . despite lacking any Force abilities. This guy was practically a villainous Gary Stu. And I never thought I would actually see one in a television series, let alone a movie.

I could go on about many other characters in "THE CLONE WARS", but my main issues with "THE CLONE WARS" seemed to be mainly focused on the series' narrative. Many of the stories and arcs rarely connected, if not at all. And I am at a loss on how this was supposed to help filmgoers understand the Prequel Trilogy. Perhaps many STAR WARS were unable to understand the Trilogy's main narrative. But I did. I was also aware that both the Original and Prequel Trilogies were part of the Skywalker family saga. Events and conflicts like the decline of the Galactic Republic, the Clone Wars, the fall of the Jedi Order, the ascension of the Sith Order, the rise of the Galactic Empire, the rise of the Rebel Alliance and the Galactic Civil War all served as backdrops for the family saga. While many fans had criticized the Prequel Trilogy for not focusing more on the Clone Wars, these same fans praised the actual series for doing just that.

The Prequel Trilogy was basically three chapters in the Skywalker family saga. Not two or three chapters in the detailed account of the Clone Wars. All one has to do is watch the Original Trilogy movies and see how the Galactic Civil War had merely served as a backdrop for another set of chapters in the Skywalker family saga. Yet, I do not recall anyone demanding a television series or a collection of movies depicting that particular conflict in greater detail - to the point of excluding the main characters of the family saga.

Once I had complained about the sprawling nature of "THE CLONE WARS"'s narrative online. Someone had pointed out that it explained the series' rarely connected arcs and stories was an indication that it was an anthology series. Strangely enough, I have yet to encounter a website that includes that description for the series. A part of me suspects that Lucas, Filoni and Gilroy had created "THE CLONE WARS" to satisfy those fans who had expected Lucasfilm to convey the conflict in full detail in the Prequel Trilogy. I find this laughable, because the Galactic Civil War had never been portrayed in full detail in the Original Trilogy.

[dwcmarshalarts]

hey dwc! or is marshal ok? second ask ive sent you want but wanted to learn about it in your one piece i recall in the background seeing a UN blue armband with white cross which is your stand-in for the red cross which is pretty neat more recently you make an improved rank system however there was one issue i noticed, in that piece with the armband i recognised that the soldiers (enlisted) had different rank badges (in another older piece too) and was wondering if you could share a similair explainer for those too! officers granted are cool but its always neat to hear more about the military proletariat that make up the 99%, especially when they're the critical backbone like sgt's, and was wondering how you approached warrant officers if you went with a more american or british style (fellow worldbuilder here for a more cold-war era setting with some retro-futuristic undertones: not throwing shade but hearing about the enlisted is pretty cool, especially since i wanna know how the poor enlisted sailors, marines, soldiers & airmen get treated within the confines of the icc's military) additionally: in one of your other pieces for a comission i rememeber some destinctly british styled uniforms and was wondering if those were one-offs for that comission or those were the "space british" in the westminster area of the icc

being of (nominally) british origin / brought up in a country that uses the same rank insignia i've always had a soft spot for it and like to hear about our shared representation across space thats normally overlooked for more american influences i intend to ask in the future so prepare yourself for 8 trillion character long asks :ppp hope your having a good day <3

Many questions, but good ones nonetheless. Thanks, to start off with, your attentiveness to detail and dedication to following along enough to notice these things! Let's break it down one by one.

What about the rank system?

I'm presuming you mentioned this:

These are indeed enlisted, non-commissioned officer ranks. They also appear in similar, but different concept here:

As my story focuses on mainly commissioned ranks, I haven't really had much time to do/focus on the enlisted as much, as they (so far at least) have only had occasional appearances. Whenever I get to the meat of Season 2 and 3, they'll be featured more prominently.

That said, I haven't really nailed down the Enlisted rank system as much. Though I'm working with a friend to formalize it!

What about the Warrant Officers?

So, funny story. Years ago when I was much younger, I was obsessed with Civil War History. Still am, though maybe not to the same degree. I learned the command structure of commissioned ranks through reading the Orders of Battle and whatnot. To my surprise, that order has largely remained the same to this day, down to the insignia per rank. That's the springboard I jumped off when I set about assembling the ICC's Armed Forces, Ground Forces in particular.

The thing is, I'd overlooked Warrant Officers- since their institution was entirely predated by the 1860s by a whole 30-something years. As a result, I haven't really thought about where they would be. In my head, a lot of the specialist jobs held by them though would be taken by lower ranked Commissioned Officers (Junior or Senior Lt's.) But it'd make sense if they were around as well.

In any case, I have a clear idea for where we could see them pop up in Xever's story.

Treatment of the Enlisteds

The Interstellar Cooperation Circuit isn't the Galactic Empire. The I.C.C. is indeed geo/stellarpolitically predatory, but it generally treats soldiers within its ranks *fairly* alright, and not as disposable pawns like the Imperial Military/Stormtrooper Corps/(insert evil empire troopers from x sci fi series here). Mileage varies between the branches though.

Ground Forces I don't have any exact numbers, but the Ground Forces would by far be the largest branch in the Circuit military. The name "Ground Forces" would seem to imply they'd be analogous to modern "Armies." While they're largely inspired by that, and you'd be able to trace their in-universe lineage to them, they actually handle plenty more than just literal ground operations. The official name of Ground Forces is "Terrestrial Operations," which refers to any military action taken on a planet's surface. While this does predominantly consists of traditional, ground-based combat, this also does include terrestrial/surface navy and planet-specific air power components. Ground Forces's mission is long-term accomplishment of the Circuit's Foreign Policy objectives and spearhead of most terrestrial missions.

That all said, that means they have the most severe case of logistical sprawl. On the books, the Circuit has rules and regulations that protect individual servicemen from harsh treatment, unethical conduct, etc. The basics. But, especially for units in further off parts of the ICC reach, supplies can be short.

On top of all of this, Ground Forces are expected to handle a myriad of different climates, environments, and exposure to various degrees of colonization, urban development, etc.

There'd be no simple answer to how Ground Forces enlisteds are treated, as inner-system bases closer to the Circuit core would be better off than outposts in the peripheries, etc.

ICC Navy The ICC Navy, in sharp contrast to the Ground Forces, is proportionally better funded, better equipped, and frequently paraded.

Originally having started off as a glorified Merchant Marine, the ICC Navy eventually take from domestic Naval forces and became a formalized Military Branch some time in the 23rd century.

Since protection of Interstellar Trade and the power of keeping commercial lines open, as well as inter-system border security and Circuit defense was what allowed for Ground Forces to operate at all, the Navy became increasingly crucial. Life aboard the Circuit's fleets was, by comparison to the barracks on dingy outposts, a little bit more bearable. For Naval personnel, they didn't have to worry about the rocking of traditional, terrestrial boats, nor did they have to worry about favorable weather conditions. Their equipment didn't break down as easily, and outside of the rare, pre-war battery exchanges, any fighting that was done by the Navy was handled by the Naval Marine- which were significantly better equipped and trained than the Ground Forces, largely due to their much smaller size and specialized focuses.

Before the Second Galactic War in 2365, the ICC Navy expected such little, major combat that higher ranking officers frequently attended work in their dress uniforms instead of combat fatigues, as the job was largely more management than direct operations.

The Voidfarers The runt of the litter and the most recently added branch to the ICC's military, the Voidfarers are the ICC"s dedicated, independent starfighter corps. To separate them from Navy starfighters, the Voidfarers have "permanent" bases on planets or orbital stations, and their mission is less to engage in any potential heavy combat (unless directed to support Naval operations), and more to plug in the gaps not covered between the obligations of Ground Forces and Navy, such as protection of trade routes where sending a large naval vessel wouldn't make sense, or providing air support where Ground Forces may be lacking. As such, the Voidfarers have the least amount of resources, but are designed to function without too much support outside of hardware maintenance. Voidfarer units are usually quite small, and sparsely positioned, so a large part of the Voidfarer identity is how rare they are compared to the bigger two branches.

Day to day life for Voidfarers can comfortably be considered mundane- for even disparate/far off postings, action is seldom had.

Commonwealth of New Westminster

The British-inspired military uniforms you might be thinking of, while used in a commission, are indeed in-universe designs.

The history here is that the CNW was an area of space largely settled by Commonwealth Nations (predominantly the UK) during early space colonization in the 20th and 21st Century. Instead of steadily forging their own identity like Greksil (the crucial ICC Founding Member), they more closely followed their Old Earth institutions and still regarded the reigning monarch as their Head of State. During the First Galactic War between Old Earth and her colonies against Greksil and her allies, the CNW sat out, and when the war was over, served as the refuge for an escaping Royal Family when order on Old Earth began to collapse.

Ever since then, the CNW has been on a largely independent streak- partaking in interstellar deals while still refusing to kowtow. When the ICC was formed, they waited a couple decades to join, and would only do so on the conditions that they maintained a high degree of autonomy, including their own separate currency and military while also helping train and organize the nascent Circuit Armed Forces.

Hope that clarifies some things!

[tworegimesof]

your brain is soo wrinkly and galactic, thank you for indulging and giving these recs much thought! I've finished the tv adaptation of normal people and while i have only read lines from np, i did pick up another book of hers with satoshoko solely in mind, titled: "beautiful world, where are you". right after binge-reading your works, too, so i somehow feel validated she made it to the list. i have read ms. bby_rabbit's work and loved it! I always enjoy when fics explore the dynamics of satoshoko + the students (esp kugitafushi), and hs,dj's megumi was a delight. sadly, I'm now unfamiliar w the remainder of your list, but rest assured i am capital R - running - straight to storygraph after this.

re: weird relationship with one's own works, i get a version of that feeling too, as i am my own harshest critic. however, i want to share an anecdote with you that i hope you'll enjoy. one time i was just watching this on youtube when i, completely out of nowhere, imagined seiya probably having done it as well. i don't know how i got here lol. i was never one to think about ship babies and i'd be embarrassed about stsk popping up in my head, if it weren't for the fact that it was an added layer, which truly made the video more comedic.

it goes to show you've written characters so memorable and endearing in that they manage to sneakily occupy ppl's minds and brighten days. thanks again for answering.

p.s. did u ever watch the hidden inventory arc get animated? it was so cute

Dunno about wrinkly and galactic, but my brain is certainly in my skull. I don’t mind talking about books, reading is one of my favorite things to do. I’ve never seen the television adaptation, but I’ve read both of those books. I think Normal People is the better novel of the two. I love bby_rabbit, she’s my writer bestie, and I’ll be sure to pass your sweet words on! 

Wow, that video made my day! I loved how the little baby was very careful not to disturb their mom but fully slapped their dad across the face. It’ s so flattering to hear that you thought of little Seiya, and that you don’t cringe when my stories come back to you unexpected. Day made, self-esteem boosted! 

I have not yet seen the second season. I’m annoyed with where the manga has been going, and I don’t want to see Yuji’s torture well animated, but the clips I have seen are very cute! 

[thatgirlfromnowheres-blog]

Recently, I've been less active on Tumblr due to work commitments. I came across a post about Rocket's leadership skills, which amazed me. It's disappointing that some characters in Galactic Football weren't fully developed, particularly in Season 3. S3, which had the potential to be the best season, wasted a significant amount of time on  D'jok/Mei/Sinedd unnecessary romantic drama and the love story involving Mice, which was meant to be funny but WASN’T!

The producers could have been much more imaginative by delving into each character's background and showcasing their unique abilities, strengths, and weaknesses. Rocket, one of my favorite characters in Galactic Football, Rocket, once a top player, was downgraded by a strange illness (which still doesn't make sense to me to this day). He became a coach, a destiny set for him since S1, but his leadership skills could have been better explored. His professional journey was far from easy; from a shy and insecure boy, he endured criticism, bullying, and an unfair suspension. Rocket is a strategist, a leader and he thinks when his team doesn’t.

There are other characters who were poorly utilized, like Mice, reduced to being the team's comic relief. My babies Thran and Ahito seem to exist merely as background characters, and I wish we had the chance to know them better. Tia's character, too, was limited to being a side love interest. Mei had some character development, but same can't be said for the other female characters.

[fearsmagazine]

Episode four of The eX-Files podcast hosted by Jenny Owen Youngs and Kristin Russo is out now

Episode four, “Conduit,” of The eX-Files, an “X-Files” rewatch podcast from acclaimed podcast hosts Jenny Owen Youngs and Kristin Russo, is out now. New episodes follow every Wednesday and are available on all major podcast platforms.

The eX-Files is created under Russo and Young’s podcast collective Buffering: A Rewatch Adventure—part of the ongoing collection of rewatch podcasts under the duo’s creative direction.

“Conduit” follows episode three, “Squeeze,” which featured Song Exploder host/creator Hrishikesh Hirway. Future season guests will be announced soon.

On The eX-Files, Youngs—who grew up on a steady diet of Mulder and Scully—and Russo—who’s never seen it—dig into every episode of the seminal 90s sci-fi, “The X-Files,” spoiler free, one at a time. The podcast’s namesake—The eX-Files spelled with an “e”—is a credit to the duo’s relationship: in addition to being longtime business partners, Youngs and Russo are also ex-wives. The new series finds Youngs and Russo at their very best, as they engage in critical discussions on aliens, actors and ’90s nostalgia through a queer and feminist lens. Youngs and Russo’s first project—what started as a podcast venture between a married couple to explore every episode of “Buffy the Vampire Slayer”—turned into a pop culture phenomenon that sold out live shows across the country. Their infectious chemistry, coupled with their joyful and empathetic exploration of story, earned Buffering the Vampire Slayera spot on the top of rewatch podcast lists from The New York Times, Entertainment Weekly, Esquire, TIME and more.

Singer-songwriter Jenny Owen Youngs has released numerous albums and EPs, including last year’s It’s Dangerous to Go Alone, and has toured worldwide with the likes of Regina Spektor, Frank Turner and Aimee Mann, among others. She recently co-wrote the chart topping, five-time platinum single “High Hopes” by Panic! At The Disco, as well as co-writing songs with Ingrid Michaelson, Pitbull, Briston Maroney, Shungudzo and others. Her solo music has been featured on TV shows such as “Weeds,” “Grey’s Anatomy,” “Nurse Jackie” and “Bojack Horseman” and has seen praise from The AV Club, The New York Times, Stereogum and NPR.

Kristin Russo is a writer, educator and consultant with a focus on Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) issues. She is the author of This is a Book for Parents of Gay Kids (Chronicle, 2014) and founded the educational website My Kid Is Gay. She also worked as host and producer of “First Person,” a video series on gender and sexuality from PBS Digital and WNET. She holds a Masters in Gender Studies from the CUNY Graduate Center, has spoken at hundreds of universities nationwide—Harvard, Stanford and NYU included—and works with large-scale companies like Hyatt, Virgin Galactic, and Toyota on allyship & inclusion.

You can listen to Episode four, “Conduit,” of The eX-Files HERE.

[askvectorprime]

Why omega suprime was so weak in g1 season 3.

Dear Guzzling Guardian,

Decepticon domination on Cybertron by 2005 critically impacted the Autobots' war effort on Earth. Optimus Prime had the tough decision between rationing energon to the newly-formed Autobot City and Metroplex, or to Omega Supreme's deep space missions to attack Decepticon outbreaks throughout the galaxy. Optimus decided the right call was to fortify Autobot City and strengthen Autobot presence on Earth and withdraw from galactic skirmishes.

Omega understood the decision, and was reassigned to Ark defense—as a Guardian Robot he felt honored by the duty. However, he was wounded protecting the Ark during the Battle of Autobot City, and because energon reserves were so low, he was never fully re-energized until the Second Golden Age of Cybertron.

[burnwater13]

Din Djarin sitting outside of the cantina in Mos Pelgo, on Tatooine. Image from The Mandalorian, Season 2, Episode 1, The Marshal. Calendar by DateWorks.

Quiet moments were strange. At least Grogu found them strange. He wasn’t sleeping. He wasn’t eating. He wasn’t hiding. He was just there with the Mandalorian and they were just quiet. If he hadn’t known better he would have attributed that stillness to Tatooine just being a quiet, boring kind of place. Just a planet of farmers. Nothing to see here. Nothing to worry about. 

That of course was a lie. Tatooine had more weird stuff happening on it than almost any other planet he’d been to, other than Nevarro… maybe. Even Coruscant, which had been a hive of activity for millennia, wasn’t as strange from day to day as Tatooine. 

It had two suns. Two stars. Too huge balls of hydrogen and helium and some other stuff, burning away, day and night, because stars don’t go to sleep, and somehow this ball of sand, and rock, and whatever else, managed to be the perfect distance from those stars. Of course, if it hadn’t been the perfect distance away, the chunk of rock and sand he was surveying would have been torn to shreds by the gravity fields of those twin stars, or melted into an amorphous blob by their heat, or unlivable due to radiation. It could only be what it was because it was where it was. 

What it was, was weird. Sand beasts? Check. Krayt Dragons? Check. Bantha? Check. Eopie? Check.  Rancor? Check. Barghests? Check. Massifs? Check. An indigenous humanoid population? Check. Areas of lush greenery? Negative. Flowing rivers of water? Negative. Clouds and rain? Negative. Sources of food? Hmmmm. A few. Eopie and Bantha had to eat something. They also had to drink something. The sand beasts, rancor, and krayt dragons could eat them and the humans and the Jawas. 

That’s right. Tatooine had a population of Jawas living on it. Somehow. They were scavengers, so they didn’t have to find the best stuff, but how they found any stuff was pretty amazing given how tiny Tatooine’s population actually was. Because Tatooine wasn’t at some critical juncture of a trade route. It didn’t have rare, basic, resources, like beskar ore, or kyber crystals, or the ingredients to bacta. The most valuable resource on Tatooine was water and the Sand people owned it all, according to them. Grogu had no reason to argue with them about that. But how did the Jawas deal with that? He knew that the humans there dealt with it all poorly.

So why did people even inhabit this place that was so hard to live on? He would have thought that they would have all gone to Sorgan or Endor or any of a thousand other planets at the first opportunity. That’s probably why Tatooine had such a tiny population. Less than a million people called Tatooine home. It was hard to fathom a whole planet having so few people on, until you realized the planet didn’t even have the resources to support a fraction of that population. 

He gathered, from the discussions with Marshal Vanth, that there had once been mining companies on Tatooine, but Vanth never said what they were mining. Whatever it was, it had brought all sorts of people to Tatooine. Some because they worked for the mining operations. Others came because mining operations demanded support, like lodging, food, medicine, repair services, and the like. 

Unfortunately for all of those people, the mining operations didn’t last long. The metal ores present contained a contaminant that reduced their value to the extent the mining corporations just closed up shop. They left their equipment behind and the Jawas took it over pretty quickly, which made sense for them, but still why have it there at all? As for the people, well, they were just stuck there. Which couldn’t have felt good. 

Which was why Grogu wondered why any of them even remained. He understood why pirates and smugglers, and scoundrels found Tatooine convenient. It was in the middle of nowhere, galactically speaking, and no one really exerted anything like lawfulness there. At least, not outside of Mos Pelgo and Mos Kadhus. Those towns had marshals. Mos Eisley and Mos Espa seemed to rely on gangs or clans, or syndicates to provide something like civil society (which was silly because that’s really not was criminal enterprises were good at). As long as you remained on their good side, things went fairly smoothly for you, but that was is no way, shape, or form reliable. Hives of scum and villainy came to mind when people talked about those cities. 

Maybe that was why Grogu and Din Djarin had this rare moment of peace and tranquility. Having a marshal, who lived in the town and knew all the people, and actually cared about them seemed to make a difference. He wondered if that was true about Mos Kadhus as well. He expected that it was. Of course that was part of Tatooine’s weirdness. Some places wanted peace and a simple life, while other parts of it seemed well content with scum and villainy. Those folks probably never had enough quiet time to even consider that things could be a different way, which was kind of pity. 

Grogu took a deep breath and looked at the Mandalorian.

“Come on kid. It’s time to go take out that Krayt Dragon.”

So much for peace and quiet. 

[adem-ahmed-posts-blog]

Prologue: Discovery

Introduction to the Elysium and its mission

Discovery of the ancient Elthar station

Awakening of the station and initial data retrieval

Chapter 1: The Awakening

The mysterious energy surge

The crew’s investigation and encounter with the dormant station

Initial clues about the Elthar civilization

Chapter 2: The Threat

The emergence of the cosmic threat, The Annihilation

First encounter with hostile alien ships

Formation of an alliance with the Galactic Coalition

Chapter 3: The Elthar Legacy

Detailed analysis of the Elthar data

Discovery of the Elthar’s advanced technology and its potential

Plan to seek out other Elthar artifacts

Chapter 4: The Pursuit

Battle with the alien fleet

Arrival of the Galactic Coalition fleet

Joint effort to combat the emerging threat

Chapter 5: The Alliance

Formalizing the alliance with the Galactic Coalition

Strategic planning and information sharing

Setting course for the first Elthar artifact

Chapter 6: The Plan

Journey to the first Elthar site

Excavation of the ice-covered world

Discovery of crucial Elthar technology

Chapter 7: The First Artifact

Unveiling of the Elthar console and its data

Integration of new technology into the fleet

Rising seismic activity and narrow escape

Chapter 8: The Lost World

Arrival at an obscure star system

Unearthing of another Elthar outpost

Understanding the deeper purpose of the Elthar beacons

Chapter 9: The Anomaly

Detection of a space rift and Elthar distress signal

Exploration of the hidden Elthar outpost

Acquiring critical defensive grid technology

Chapter 10: The Beacon

Decoding the Elthar beacon’s message

Strategic preparation for the final battle

Activation of the Elthar defensive grid

Chapter 11: The Final Stand

The climactic battle against The Annihilation

Combined efforts of the Elysium and Coalition fleet

Successful defeat of The Annihilation

Epilogue: Echoes of the Void

Aftermath of the final battle

Strengthening of the alliance and sharing of Elthar technology

The Elysium’s continued mission to explore and protect

Character Profiles

Captain Mara Valen

Role: Commanding Officer of the Elysium

Traits: Determined, wise, courageous

Lieutenant Jax Rinehart

Role: Science Officer

Traits: Brilliant, curious, analytical

Commander Aric Tanaka

Role: Tactical Officer

Traits: Strategic, seasoned, stern

Ensign Talia Brooks

Role: Navigator

Traits: Skilled, quick-thinking, reliable

Admiral Serin Kall

Role: Leader of the Galactic Coalition fleet

Traits: Authoritative, wise, commanding

Themes and Motifs

Exploration and Discovery

The Elysium’s mission to explore uncharted space

Uncovering the secrets of the Elthar civilization

Unity and Alliance

The formation and strengthening of the alliance between the Elysium and the Galactic Coalition

The collective effort to combat a common threat

Advanced Technology

The integration of Elthar technology into modern systems

The potential and danger of powerful, ancient technology

Cosmic Threat

The omnipresent danger of The Annihilation

The existential threat it poses to all life in the galaxy

Sacrifice and Heroism

The sacrifices made by the crew and allies in the fight against The Annihilation

Acts of bravery and heroism in the face of overwhelming odds

Setting

The Elysium

A state-of-the-art starship equipped with advanced technology

The primary setting for the crew’s operations and strategic planning

Elthar Stations and Outposts

Ancient structures filled with advanced technology and historical data

Key locations for uncovering the Elthar’s legacy and countermeasures against The Annihilation

Galactic Coalition Ships

Diverse and technologically advanced ships from various civilizations

Represent the unity and cooperation among different species

Space and the Unknown

The vast, mysterious expanse of the Andromeda Galaxy

The ever-present sense of discovery and danger

Introduction

In the boundless expanse of the Andromeda Galaxy, where stars shimmer like distant memories and nebulas paint the heavens with cosmic splendor, the spirit of exploration thrives. It is the year 2387, and humanity, united under the banner of the United Earth Federation, has ventured beyond the confines of its home system, seeking to unravel the mysteries of the universe.

Aboard the Federation’s flagship, Elysium, Captain Mara Valen gazes out at the kaleidoscope of stars from her command chair. The Elysium is a marvel of human engineering, a sleek vessel designed for both discovery and defense, equipped with cutting-edge technology and a crew of the finest minds and bravest hearts.

Their mission: to chart the unknown regions of Andromeda, to seek out new life and civilizations, and to boldly go where no human has gone before. Yet, as the Elysium navigates through the celestial wonders, an ancient secret lies in wait, a relic of a long-lost civilization known as the Elthar.

The discovery begins innocuously — a faint energy signal detected by the ship’s sensors, leading the crew to an enigmatic structure hidden within a remote star system. As they delve into the mysteries of the Elthar artifact, they awaken a dormant power and a peril that transcends the boundaries of space and time.

The Elthar, once the guardians of the galaxy, had faced a cataclysmic force known as The Annihilation. This cosmic entity, capable of consuming entire star systems, had driven the Elthar to the brink of extinction. Now, as the echoes of the Elthar’s final battle reverberate through the void, The Annihilation stirs once more.

Captain Valen and her crew find themselves thrust into a desperate race against time. With the help of Lieutenant Jax Rinehart, the ship’s brilliant and ever-curious science officer, and Commander Aric Tanaka, the tactical officer with a warrior’s spirit, they must unlock the secrets of the Elthar technology and forge alliances with other civilizations.

The path ahead is fraught with danger, as hostile alien fleets emerge and The Annihilation grows stronger. Yet, amidst the uncertainty and looming darkness, the bonds of unity and courage light their way. Together, the Elysium and the Galactic Coalition prepare for a final stand against the ultimate cosmic threat.

“Echoes of the Void” is a tale of exploration, unity, and resilience. It is a journey into the unknown, where the legacy of the past guides the heroes of the present, and the fate of the galaxy hangs in the balance. As Captain Valen leads her crew into the heart of the mystery, one truth becomes clear: the echoes of the void are not just a warning — they are a call to action.

Chapter 1

The Discovery

In the year 2387, humanity had finally conquered the stars. The United Earth Federation’s flagship, Elysium, was on a routine mission to chart the uncharted territories of the Andromeda Galaxy. Captain Mara Valen stood at the helm, her eyes scanning the vast expanse of space through the observation deck. The stars seemed to whisper secrets, and today, she felt a strange sense of anticipation.

“Captain, we’re detecting an anomaly,” reported Lieutenant Jax Rinehart, the ship’s science officer. His voice was calm but carried an edge of excitement. “Coordinates 37.6 by 92.1.”

“On screen,” Mara ordered.

The main viewscreen flickered, revealing a swirling vortex of light and energy. It was unlike anything they’d encountered before. The crew of the Elysium stared in awe.

“Could it be a wormhole?” Mara asked, her mind racing with possibilities.

Jax shook his head. “No, it’s something else. Its energy signature is… unique. I recommend we investigate further.”

Mara nodded. “Prepare a probe. Let’s see what we’re dealing with.”

As the probe was launched, the crew waited in tense silence. Data streamed in, and Jax’s fingers flew over his console, analyzing the readings.

“Captain, this isn’t just a natural phenomenon. There’s a structure inside,” he said, his voice barely above a whisper. “It’s an ancient alien artifact.”

Chapter 2

The Artifact

The Elysium approached the anomaly with caution. The swirling vortex parted like a curtain, revealing a massive, metallic construct. It was a space station, but its design was far beyond anything humanity had ever seen. The station was dormant, but it emanated a faint, pulsing energy.

“Prepare an away team,” Mara ordered. “We need to explore this station.”

Mara, Jax, and a small team of engineers and security personnel donned their exosuits and boarded a shuttle. As they approached the station, they marveled at its intricate architecture. It was both beautiful and foreboding, a relic of a long-lost civilization.

The shuttle docked, and the team cautiously entered the station. The air was thin but breathable, and the corridors were lined with strange symbols and holographic displays. Jax activated his translator device, but the language was unlike anything in their database.

“Stay alert,” Mara instructed. “We don’t know what we might encounter here.”

As they ventured deeper into the station, they came across a large chamber. In its center was a crystalline structure, glowing with an ethereal light. Jax approached it, his scanner buzzing with activity.

“This crystal… it’s a data repository,” Jax said, his eyes wide with wonder. “If we can access it, we might learn about the civilization that built this place.”

Mara nodded. “Do it.”

Jax carefully connected his scanner to the crystal. As he did, the chamber lit up with holographic projections. Images of alien landscapes, advanced technology, and star charts filled the air. The team watched in awe as the history of the long-lost civilization unfolded before them.

But then, the projections changed. They showed a great calamity, a cosmic event that tore their world apart. The final images were of a desperate attempt to preserve their knowledge and warn any future explorers.

“We need to get this data back to the Elysium,” Mara said urgently. “It could be the key to understanding what happened here.”

Chapter 3

The Awakening

As the team made their way back to the shuttle, the station suddenly came to life. Lights flickered on, and a low hum resonated through the corridors. Mara’s heart pounded as they quickened their pace.

“Captain, we’re detecting an energy surge,” Jax warned. “Something’s activating.”

The station’s systems whirred to life, and doors began to close behind them. They sprinted towards the shuttle, the ancient structure rumbling around them.

“Go, go, go!” Mara shouted.

They barely made it to the shuttle as the docking bay doors sealed shut. The shuttle launched, and they watched as the station’s exterior transformed, revealing massive energy conduits and weaponry.

“What’s happening?” Mara asked, her voice filled with tension.

Jax’s face was pale. “I think the station is awakening. It’s responding to our presence.”

The Elysium’s crew scrambled to analyze the data they had collected. The ancient civilization had left a message, a warning about a great cosmic threat that had destroyed them. And now, it seemed that threat was stirring once more.

“Captain, we’re detecting a massive energy signature,” Jax reported. “It’s coming from deep within the station.”

Mara’s eyes narrowed. “Prepare for evasive maneuvers. We need to get out of here and warn the Federation.”

As the Elysium turned to leave, the station unleashed a burst of energy, sending shockwaves through space. The crew held on as the ship shook violently.

“Engage warp drive!” Mara ordered.

The Elysium surged forward, escaping the station’s grasp. But Mara knew that their discovery had unleashed something ancient and powerful. The echoes of the void were calling, and they had no choice but to answer.

Chapter 4

The Pursuit

Back on the Elysium, the crew was on high alert. The station’s sudden awakening had shaken everyone. Captain Mara Valen stood in the command center, her mind racing with questions about the ancient civilization and the threat they had uncovered.

“Lieutenant Rinehart, have you analyzed the data we retrieved?” Mara asked.

Jax nodded, his face grim. “Yes, Captain. The data indicates that the civilization called themselves the Elthar. They were highly advanced, but they faced a threat they referred to as ‘The Annihilation’. It seems to be a cosmic entity or force that consumed their worlds.”

Mara’s eyes widened. “And the station?”

“The station was designed as a warning beacon and a defensive outpost,” Jax explained. “It was meant to awaken if the threat ever returned.”

Suddenly, the ship’s sensors blared to life. “Captain, we’re detecting multiple vessels on an intercept course,” reported Ensign Talia Brooks from the helm.

“On screen,” Mara ordered.

The viewscreen flickered to show a fleet of sleek, black ships emerging from the vortex. They were unlike any ships the Elysium had encountered before, their designs eerie and menacing.

“Unknown vessels, this is Captain Mara Valen of the United Earth Federation starship Elysium. Identify yourselves,” Mara transmitted.

There was no response. Instead, the alien ships accelerated, their weapons charging.

“Shields up! Prepare for evasive maneuvers!” Mara commanded.

The alien ships opened fire, and the Elysium shook under the impact. The crew worked frantically to return fire, their advanced weaponry struggling against the unknown technology.

“Captain, our weapons are barely making a dent!” shouted Commander Aric Tanaka, the ship’s tactical officer.

Mara clenched her fists. “Jax, can we use any of the Elthar technology to boost our defenses?”

“I’m working on it, Captain, but it’ll take time,” Jax replied, his fingers flying over the console.

The battle raged on, the Elysium weaving through space to evade the relentless assault. The alien ships were relentless, their coordination suggesting a hive-mind intelligence.

Chapter 5

The Alliance

Just as the situation seemed dire, another fleet of ships emerged from hyperspace. These ships bore the insignia of the Galactic Coalition, a powerful alliance of various alien species.

“This is Admiral Serin Kall of the Galactic Coalition. We are here to assist,” came a voice over the comm.

Mara sighed with relief. “Admiral Kall, your timing is impeccable.”

The Coalition ships joined the fray, their advanced weaponry and tactics turning the tide of the battle. Together, the Elysium and the Coalition fleet pushed back the alien attackers.

After the last of the alien ships was destroyed, Mara opened a channel to Admiral Kall. “Thank you for your assistance, Admiral. We owe you one.”

Admiral Kall, a tall, imposing figure with silver skin and piercing blue eyes, nodded. “We received your distress signal and recognized the threat. The Annihilation is a force we’ve encountered before. We must work together if we are to defeat it.”

Mara agreed. “We have data from the Elthar station that might be crucial. Let’s rendezvous and discuss our next steps.”

Chapter 6

The Plan

Aboard the Coalition flagship, Argentum, Mara and Jax met with Admiral Kall and his team. The Elthar data was projected in a holographic display, detailing the history of The Annihilation and the measures taken to combat it.

“The Elthar were able to contain the threat for a time, but it ultimately consumed them,” Jax explained. “Their technology is advanced, but we need to understand it fully to use it effectively.”

Admiral Kall studied the data. “We have encountered remnants of the Elthar civilization in other parts of the galaxy. Their technology could be the key to stopping The Annihilation once and for all.”

Mara nodded. “Then we must find these remnants and unlock their secrets. Our mission just became a race against time.”

The meeting concluded with a plan to seek out other Elthar artifacts and unite the galaxy’s forces against The Annihilation. The Elysium and the Coalition fleet set course for the nearest known Elthar site, determined to unravel the mystery and save their worlds from impending doom.

Chapter 7

The First Artifact

Their journey led them to a desolate moon orbiting a dying star. The Elthar site was buried deep beneath the surface, shielded from detection by advanced cloaking technology. The Elysium and Coalition teams worked together to penetrate the defenses and gain access.

Inside, they found a massive vault filled with Elthar technology and records. Jax and the Coalition scientists worked tirelessly to decipher the information, uncovering blueprints for powerful weapons and defenses designed to combat The Annihilation.

“Captain, we’ve found something,” Jax said, his excitement barely contained. “It’s a map. It shows the locations of other Elthar outposts and their key facilities.”

Mara’s eyes lit up. “This is it. This is what we need to turn the tide.”

With the map in hand, the Elysium and Coalition fleet set off on a galaxy-spanning quest to gather the Elthar artifacts and build a formidable arsenal against The Annihilation. The echoes of the void were growing louder, and the fate of the galaxy hung in the balance.

Chapter 8

The Lost World

The map led the Elysium and the Coalition fleet to an obscure star system on the fringes of the galaxy. The star was dying, its light dim and flickering, casting an eerie glow over the planets that orbited it. Their destination was an ice-covered world, its surface frozen and desolate.

“Scans show an Elthar structure beneath the ice, Captain,” Jax reported. “It’s heavily shielded, but I think we can penetrate it with our modified equipment.”

Mara nodded. “Prepare an excavation team. Let’s see what the Elthar left for us.”

The team, consisting of members from both the Elysium and Coalition ships, descended to the planet’s surface. They used advanced drilling equipment to bore through the thick ice, revealing a massive, ornate door. Jax deciphered the ancient symbols etched into its surface, triggering a mechanism that opened the door with a hiss.

Inside, they found a cavernous chamber filled with Elthar artifacts and technology. At the center was a large console, its controls glowing faintly. Jax approached it carefully, his scanner buzzing with excitement.

“This console contains detailed information on Elthar energy manipulation technology,” Jax said. “It’s more advanced than anything we’ve seen.”

Admiral Kall examined the artifacts with a mixture of awe and determination. “With this technology, we can create a weapon powerful enough to combat The Annihilation.”

The team worked tirelessly to transfer the data and technology to their ships. As they did, the ground beneath them began to tremble.

“Captain, seismic activity is increasing,” Jax warned. “We need to get out of here.”

The team hurried back to their shuttles, the cavern shaking and collapsing behind them. They barely escaped as the ancient structure was swallowed by the ice.

Chapter 9

The Anomaly

Back aboard the Elysium, the team began integrating the new technology. The Elthar energy manipulation systems were unlike anything they had encountered, capable of generating immense power.

“Captain, with this technology, we can enhance our weapons and shields exponentially,” Jax explained. “But it will take time to fully integrate.”

“Do it as quickly as you can,” Mara ordered. “We don’t have much time.”

As the crew worked, the ship’s sensors detected a strange anomaly nearby. It was a rift in space, similar to the one they had encountered near the Elthar station.

“Captain, this rift… it’s emitting a signal,” Ensign Brooks reported. “It’s a distress signal.”

Mara frowned. “From whom?”

“It appears to be of Elthar origin,” Jax said, his eyes widening. “It’s a beacon.”

The Elysium and Coalition ships approached the rift cautiously. As they drew closer, the signal intensified, guiding them towards a hidden Elthar outpost.

Chapter 10

The Beacon

The outpost was a small, unassuming structure floating in the void. As the team boarded, they were greeted by a holographic projection of an Elthar scientist.

“Greetings, travelers,” the projection said. “If you are seeing this, it means you have encountered The Annihilation. We have left these beacons to aid you in your fight.”

The hologram provided detailed instructions on how to use the Elthar technology to create a powerful defensive grid, capable of containing and neutralizing The Annihilation. It also warned of the entity’s increasing strength and adaptability.

“Captain, this could be the breakthrough we need,” Jax said. “With this information, we can fortify our defenses and prepare for a final stand.”

Mara nodded, her determination steeling. “Then we need to act fast. Let’s get this data back to the fleet and start the preparations.”

Chapter 11

The Final Stand

The fleet gathered at a strategic location near a pulsar, using its natural energy to power the defensive grid. The Elthar technology was integrated into their ships, enhancing their capabilities and creating a formidable line of defense.

As they prepared, The Annihilation began to stir. The void itself seemed to ripple and distort, heralding the entity’s approach.

“All ships, prepare for combat,” Admiral Kall commanded. “This is our last stand.”

The Annihilation emerged from the void, a massive, swirling mass of dark energy. Its presence was overwhelming, a force of nature that seemed to defy the very fabric of reality.

“Engage the grid!” Mara ordered.

The fleet activated the Elthar defensive grid, creating a barrier of energy that encircled The Annihilation. The entity lashed out, but the grid held firm, absorbing and redirecting its attacks.

“Focus all fire on the entity!” Admiral Kall commanded.

The fleet’s combined firepower, enhanced by the Elthar technology, struck The Annihilation with unrelenting force. The entity writhed and twisted, its form destabilizing.

“Captain, the grid is holding, but it’s taking a toll,” Jax warned. “We need to deliver a decisive blow.”

Mara steeled herself. “All ships, focus on the core. We need to hit it with everything we’ve got.”

The fleet concentrated their fire on the center of The Annihilation. The entity convulsed, its form fracturing and collapsing under the assault.

With a final, ear-piercing shriek, The Annihilation imploded, its dark energy dissipating into the void. The fleet stood victorious, but the toll was heavy. Many ships were damaged, and the crew was exhausted.

“We did it,” Mara said, her voice filled with relief and exhaustion. “We’ve stopped The Annihilation.”

Admiral Kall nodded, his expression solemn. “We have, but at a great cost. We must remember the sacrifices made and ensure that the Elthar technology is preserved and used wisely.”

Epilogue

Echoes of the Void

In the aftermath, the Elysium and the Coalition fleet worked together to rebuild and strengthen their alliance. The Elthar technology was shared among the galaxy’s civilizations, a testament to the power of unity and cooperation.

Captain Mara Valen stood on the observation deck, looking out at the stars. The echoes of the void had been silenced, but their message remained clear: vigilance, unity, and the pursuit of knowledge were the keys to survival in the vast, mysterious expanse of space.

As the Elysium prepared for its next mission, Mara knew that the galaxy was filled with countless wonders and dangers. But she also knew that, together, they could face whatever came their way.

And so, the Elysium ventured forth into the stars, ready to explore the unknown and protect the legacy of those who had come before.

The End.

[govindhtech]

Adventures Of Misty Skye with NVIDIA DLSS 3 & NVIDIA Reflex

The Adventures of Misty Skye Skye: Misty Isle Debuts June 19th DLSS 3, DLAA, Reflex

Immerse yourself in a hyper-realistic Viking survival game on Skye. Skye: The Misty Isle by Aurora Game Studios follows Einar as he braves the elements and fights dangerous predators to discover the land’s fate and his arrival.

Start your life-changing adventure and join Odin’s famous champions. Skye invites you to become the Viking warrior you were meant to be! Before sailing, sharpen your axe. On June 19, GeForce RTX gamers can enable DLSS 3 to boost frame rates by 2.4X in Skye: The Misty Isle’s Early Access.

Reflex, DLSS 3 Still Wakes The Deep & Skye: The Misty Isle This Week at Pax Dei Each week, new games with NVIDIA DLSS, NVIDIA Reflex, and advanced ray-traced effects are produced or announced, giving GeForce RTX players the best PC experience. More than 500 games and applications use RTX technology. After a week of DLSS announcements and launches, they have more news this week.

Pax Dei debuts today with DLSS 3 and Reflex, Still Wakes supports DLSS 3. Today, the Deep launches DLSS 3 and Reflex. WITH DLSS 3, Reflex, and ray tracing, THE FINALS Season 3 is out now, while Skye: The Misty Isle opens tomorrow.

Pax Dei, DLSS 3 & Reflex, Now Available Steam Early Access offers social sandbox MMO Pax Dei. Players are invited to help Mainframe Industries and New Tales create a real, breathing virtual world they may enjoy for years to come.

Visit a world of myths, ghosts, and unchallenged magic. Set your own difficulties. Experience the land, build your home, forge your reputation, and tell your experiences with thousands of other players.

Pax Dei release date In actuality, Pax Dei’s full release date is still unknown. As of right now, it’s under Early Access, which indicates that it’s still in development but playable.

Pax Dei was just released, with an Early Access release date of June 18, 2024.

NVIDIA DLSS 3 and NVIDIA Reflex are supported from day one in Pax Dei, giving GeForce RTX gamers the finest experience from the start. DLSS Super Resolution Boosts Frame Rates for All GeForce RTX Users, while DLSS Frame Generation Improves 40 Series Performance.90% of GeForce gamers have enabled NVIDIA Reflex, which has reduced system latency in over 100 games since September 2020.

In 2023, Reflex’s system latency-reducing technology let GeForce gamers play over 10 billion hours of their preferred games faster. 9 top 10 competitive shooters and critically acclaimed co-op and single-player titles support Reflex. In 4K, DLSS 3 triples GeForce RTX 40 Series desktop graphics card frame rates. GeForce RTX 4070 and faster cards can run Pax Dei above 70 fps.

The fastest cards can play at 145 fps Many GeForce RTX 40 Series gamers can play at above 100 fps at 2560×1440 and 2.3X average performance multiplier: A 2.2X average performance gain lets every GeForce RTX 40 Series GPU top 80 fps at 1920×1080, and several exceed 120. GeForce RTX 4090, the fastest consumer graphics card, scores 230 fps.

DLSS 3, DLAA, and Reflex Launch Today in Still Wakes The Deep The Chinese Room, known for Amnesia: A Machine for Pigs, Everybody’s Gone to the Rapture, and Dear Esther, returns to first-person narrative horror in Still Wakes The Deep, published by Secret Mode.

In 1975, off Scotland’s coast, an offshore oil rig worker fights for survival in a ferocious storm, dangerous surroundings, and the dark, frigid North Sea. Communication is cut off. No escapes. One must face the unknowable terror aboard.

Still Wakes The Deep launches later today with day-one support for DLSS 3, DLAA, and Reflex, offering GeForce RTX gamers the best experience battling for their life in this heavily anticipated game.

Season 5 of Deep Rock Galactic is now available, featuring DLSS 3 rock and stone! One of Steam’s most popular co-op games, Deep Rock Galactic, has an Overwhelmingly Positive 97% rating average from over 230,000 user reviews! Ghost Ship Games and Coffee Stain Publishing released Drilling Deeper Season 5 recently, which DLSS 3 can accelerate.

Take on a new Deep Scan assignment, survive the Core Stone season event, fight new foes with new weapon Overclocks, and test your mining skills on Hazard 5+.Deep Rock Galactic finally supports DLSS 3 Frame Generation, allowing GeForce RTX 40 Series users to speed up frame rates in frantic, hard missions with dozens of on-screen bugs.

Season 3 of THE FINALS adds DLSS 3, Reflex, and Ray Tracing Embark Studios’ free-to-play shooter THE FINALS depicts a destroyed universe, making each match unique. Team members compete in virtual tournaments for the title. Season 3 of THE FINALS includes Terminal Attack 5v5 and World Tour Cash Out modes. Kyoto 1568 is a new arena in the map rotation, and the 3 player classes can acquire 5 meta-changing items.

THE FINALS stands out with explosive surroundings and a wide range of weapons to battle tough foes. Lighting must react realistically to light occlusion and disoccuption as structures and walls collapse. For this, NVIDIA RTXGI calculates and updates light and shadow in real time on all platforms.

The GeForce RTX GPU in your PC or laptop allows RTXGI to use hardware-accelerated ray tracing to create more realistic global illumination effects. If activated, light will realistically bounce around, respond to damage, and interact with volumetric fog and smoke. Light and shadow will improve.

NVIDIA DLSS 3 Frame Generation and DLSS 2 Super Resolution can keep frame rates high in this fast-paced shooter.

All GeForce gamers with GPUs from the GTX 900 Series can enable NVIDIA Reflex to reduce system latency by up to 57% in THE FINALS. DLSS 3 more than doubles performance.

Many more games will get DLSS integrations. Visit here to see the entire list of over 500 RTX-enhanced games and applications and check back for updates on the future DLSS and RTX games.

Read more on Govindhtech.com

[themovieblogonline]

Unveiling the Secrets of "Dune: Prophecy"

Fans of Frank Herbert's legendary sci-fi saga stand up! Warner Bros. and Max are serving up a prequel series that dives deep into the history of Arrakis. For those unfamiliar, Arrakis is the desert planet at the heart of the "Dune" universe. "Dune: Prophecy," looks to be a show that quenches your thirst for all things spice, sandworms, and galactic intrigue. The recently released trailer for "Dune: Prophecy" is a visual feast. Special effects sizzle, the pacing is tight, and the presence of the ever-charismatic Mark Strong assures us of memorable monologues. Yes, the spirit of "Dune" is alive and well. If the trailer is any indication, Warner Bros. is poised to deliver a show that will have fans glued to their screens. https://www.youtube.com/watch?v=EEoQAoEGLhw But what exactly is "Dune: Prophecy" about? Prepare to travel back 10,000 years before the arrival of Paul Atreides, the prophesied Kwisatz Haderach. This prequel series takes us to a time when the Bene Gesserit were still in their infancy. The Bene Gesserit  are the mysterious order known for their mental and physical prowess, The story centers around two Harkonnen sisters who fight against shadowy forces threatening humanity. Their struggle paves the way for the establishment of the Bene Gesserit, a sisterhood that will play a pivotal role in shaping the future of the galaxy. Adding to the excitement is the casting of the legendary Indian actress Tabu. Variety reports that Tabu will portray Sister Francesca, a powerful and enigmatic figure with a complicated past. Her arrival at the Imperial court promises to stir up a hornet's nest of political intrigue. "Dune: Prophecy" boasts a star-studded cast that includes Emily Watson, Olivia Williams, and Sarah-Sofie Boussnina. The series has overcome a long journey to the screen, including several changes in showrunners and a creative overhaul in 2023. With Alison Schapker at the helm as showrunner, "Dune: Prophecy" is poised to be a visually stunning and narratively gripping saga. A Look Back at the "Dune" Film Franchise For those new to the "Dune" universe, here's a quick primer. The franchise began with Frank Herbert's groundbreaking 1965 novel, which explored themes of ecology, politics, and religion in a richly imagined desert world. The book's enduring popularity led to several attempts to bring it to the big screen, with David Lynch's 1984 film being the most well-known (and controversial) adaptation. In 2021, Denis Villeneuve's "Dune" film revitalized the franchise for a new generation. The critically acclaimed film, along with its recently released sequel "Dune: Part Two," has grossed over $1.1 billion worldwide. With a third film on the horizon, the "Dune" universe continues to expand and capture the imaginations of audiences worldwide. So, whether you're a seasoned "Dune" fan or a newcomer curious to explore this epic saga, "Dune: Prophecy" is a must-watch. Mark your calendars for its release this fall on Max, and prepare to embark on a journey into the heart of the "Dune" universe! https://www.youtube.com/watch?v=SLbfFT99oJA Read the full article

[archerygun]

Any Great British Bake-Off host other than Matt Lucas could play the Doctor.

And while that statement is objectively correct, I have a footnote. It would be even better in companion-doctor duos.

Sue as Doctor and Mel as companion, essentially the galactic equivalent of those two old man muppets that yell criticism from the balcony whenever someone talks and generally have a great time travelling the cosmos and laughing at everyone.

Sandi Toksvig as Doctor and Noel Fielding as companion. Constantly make a joke out of people refusing to believe that Noel isn’t the alien. Time-travelling is great for goths if you go to the Victorian Era. Make her refuse to go to the Victorian Era to her companion’s utter dismay. The child and parent dynamic, but they have the exact same level of maturity which is none.

(I’ve only seen up to season 2, if you give me spoilers, I will personally be there to shit on your grave).