#geeked out

[veoutsold]

pitaya.... 💔💔

[forestdeity]

comet - 10/14/2024

[dimachina]

GEEZ KYLE HOW GEEKED OUT CAN YOU GET

[sweetloots]

Sweet Loots will be at Geeked Out: Ottawa's Toy & Collectible Sale on March 23 & 24 at the Nepean Sportsplex! This will be a 2 day event running from 10am-4pm each day. We'll have lots of super cool prints, comics, stickers and more goodies from me, @DigiFlohw, katizua, Purple Box Fort, and Engen Books! I will also have a selection of collectibles up for sale as well! Find us at table 44! Check out @geekedout.toys for more deets! °˖✧◝(⁰▿⁰)◜✧˖°

[keinuckel]

Where are the hot freaks fans... Hot freaks forever (2023) is so undeniably good, it may even be better than hot freaks (2013). Paycheck to paycheck and Free Holiday Gift EP are also amazing short ones.

[mo-mode]

I know it’s controversial but I think Annabeth geeking out over the Hephaestus contraptions was adorable

[turquoisemagpie]

Yes, @therealjacksepticeye !! You’re learning to use tumblr the way the gods intended!!

[gravitycoill]

lil comic i’ve had in my head for a bit

[scarlet--wiccan]

On related note, a few years ago, the Entomological Society of America officially discontinued the use of "gypsy moth" and "gyspy ant" as common names for Lymantria dispar and Aphaenogaster araneoides. L. Dispar is now known as the "spongy moth," so named for the appearance of their eggs, but I don't think a new common name has caught on for the ant species yet.

These changes we brought about, in large part, by the advocacy of Romani people in academia. You might not think that bug names are a very serious issue, but I believe that language matters. These species became known as "gypsies" because their attributes were likened to certain stereotypes and negative perceptions of actual Roma, so the continued use of those names reaffirmed those negative associations in the public consciousness. Slurs and pejoratives can never be truly decontexualized.

In my mind, one of the biggest obstacles that Romani people face when we are trying to advocate for ourselves is a lack of recognition as a marginalized group that deserves the necessary consideration. Even for seemingly trivial matters, like bugs or comic book characters, the way that people talk about us-- and talk down to us, when we get involved-- is telling. So, I always think that changes like this are a win, because it means that people are willing to learn and grant us the dignity we deserve. And there's nothing wrong with wanting to effect change in your own field, even arts and science.

[hifugoro]

Just said something about this on twitter but out of everything in 3rd semester that’s meant to show the contrast between akechis behavior pre-engineroom and post-engineroom I honestly think this specific change in sprite expression does it best

The first one looks directly at you because he makes this face when he’s trying to gain sympathy points / connect with whoever he’s talking to. Okay yeah he uses it when he was talking about his mother at leblanc and the bathhouse which definitely drew from a place real sadness but it was still a calculated part of his attempts to endear himself. And the second one is the exact opposite. It barely shows up and when it does it’s only for 1-2 (?) dialogue boxes a piece. It’s the expression he makes when he can’t immediately hide his emotions. The quick turning away / avoidance of eye contact is so you Don’t connect with the little hints of genuineness that manage to slip out for the two seconds that they last. Maybe so he doesn’t have to see your face if you do? Anyway. TDLR I just think it’s nice to focus less on his crazy talk and meangirlisms and acknowledge that they’re 100% also being used to rein in the fact that he’s progressively losing his grip on masking “the real akechi” from sight 100% of the time. At every point in the game he only wants his real self to be seen in tiny, entirely controlled sneak peeks, and only when he thinks it benefits him. agh

[transcarcinization]

the man the myth the sisko

if anyone has ds9 requests i would love to talk with people. i have not seen the last half of the last season yet though

[ohposhers]

We live in a timeline where Shadow the Hedgehog is appearing on our bar televisions

[arcanegifs]

Geeked Week 2024 | Official Trailer | Netflix | Arcane S2 Sneak Peek

[beggars-opera]

[cosmos-kitty]

Do you have any tips for painting with gouache? like how do you get it to stay a nice solid color over a large swath of paper? and how do you blend it so seamlessly?

Of course, here's a few pointers off the top of my head:

1. I've used gouache for this in the past so it's possible, but the flat backdrop on my latest WIP is actually acrylic! A nifty thing I've found about putting a layer of acrylic down, is that it creates a barrier once dried and essentially makes the paper waterproof. This means you can work in gouache on top without it mixing with the background, and you can wet a section and completely wipe it clean with a cloth/tissue and it won't disturb the acrylic layer underneath. It also makes the paper more resilient, and you don't get as much pilling/tearing from the moisture

To get an even wash it's mostly getting the right consistency, I add just a little water - enough that the paint is less "tacky" as you drag your brush along paper, but not so much that it's runny or translucent. It takes a couple of attempts sometimes!

2. Also for the current WIP that I posted earlier, like the vast majority of my traditional pieces, keep in mind that it's mixed media. So I assume you're referring to the blue-green gradient on the bird and wondering how I got the gouache to blend like that - it's actually colouring pencils! I'll often switch between dry and wet media, even layer them back and forth, whatever makes the most sense to get the effect I want 😁

3. On that note, when you're working with paint, or any medium really, I can't recommend enough having a "test" sheet that you do both before and during a traditional piece. It allows you try out different medium combos, see what shade your gouache will dry into, and catch any issues before it ends up on your artwork. I often see artists being encouraged to just Bob Ross their way through a piece, the idea being that you'll just have happy little accidents that you'll naturally work into the piece - maybe, but you'll also possibly irreversibly wreck your hard work and have to start again. I don't know, I'm just a methodical person I guess, but seeing someone just directly apply something to the page when they're not sure what it's going to do makes me wince - no two art supplies are the same! All of those paints and pens have different chemical makeups, there's an unlimited number of ways what you're using could interact, good or bad.

Since it's already there, I usually reuse one of the leftover failsons from the process of making the wash background, then test everything on top of that. That way you can see exactly what shade the paint will dry on top of whatever colour the background is:

Doesn't need to look good, nobody sees it (usually) and you can also test the thickness of your brushstrokes while you're at it.

Anyway, I hope this helps!