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angelbarelywrites · 7 months

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♡ slashers scenarios | sharing a bed

♡ fandoms; The Boy, Halloween, Texas Chainsaw Massacre (original + 2006), House of Wax, Dead by Daylight, slashers (general)

♡ characters; Brahms Heelshire, Micheal Myers, Thomas Hewitt, Bubba Sawyer, Vincent Sinclair

♡ reader; gender neutral

♡ cw; very suggestive content, implied smut

♡note; swapped out billy in this one bc i can’t imagine him sharing a bed with someone and not getting literally pornographic

•┈••✦ ❤ ✦••┈•

Brahms Heelshire

> Once he decides he wants to share the bed, he finds the biggest guest room bed and brings all of the comfiest pillows and blankets he can to make it perfect

> For you more than him, but he doesn’t feel too hurt when you push half of them to the foot of the bed

> It was a lot even for a king bed

> You’re reluctant at first, not used to sharing a bed

> But you find he’s very hard to say no to once you’re in that deep

> He tries to give you space, but it’s not long before he’s wrapped around you, clinging for dear life

> And he almost immediately falls asleep like that, head tucked into your chest

> You sigh and try and relax, petting his hair

> And you fall asleep with your hand still tangled in his black locks, holding him close to you

> You wake up to him nuzzling your neck and practically whining

> “Baby…wake up…”

> You’d ask him what the problem was…if you couldn’t feel it against your leg

> You spend most of the morning still in bed, lazily fixing his predicament

Micheal Myers

> He doesn’t get why you want him to do this

> You know he doesn’t cuddle

> You know he usually gets restless and wanders at night

> But there’s no reason to say no, and even he can’t stand how sad your pout is

> You hum and stretch, tucking yourself in and look at him expectantly

> He takes off his boots and lays on top of the covers beside you, stiff as a board

> You have to coax him to even take the mask off, but he still won’t relax

> You quickly realize he’s used to high security psych ward bunks, not big comfy queen beds full of stuffed animals

> “…do you…wanna sleep on the floor?”

> He pauses.

> Shakes his head and closes his eyes.

> After you finally fall sleep, he sits up, intending on leaving

> But you look so peaceful…he can’t help to stay and watch you. Just for a little while.

> When he touches your cheek, you press into his hand. Maybe a while longer.

> When you wake up he’s still staring at you, hand long gone from your cheek

> But once you blink awake, it creeps somewhere else..

Thomas Hewitt

> He’s almost nervous of the idea

> Y’all are certainly intimate with each other - just as intimate as you would be if you were married like his mama was planning

> But what if the family noticed you were in there? He’d kill Hoyt for calling you anything nasty-

> When he sees you in skimpy PJs, he immediately forgets his worries

> He has a huge bed because he’s a huge guy, so when you curl up in it alone, it’s almost comical

> He’s staring at you as he climbs in after you, cautiously removing his mask

> His shoulders relax a little when you smile up at him, still so amazed you can stand to look at him

>“Hold me?”

> He grunts and takes no time in pulling you flush, spooning you. He’s more relaxed than he’s been in a while, sure he’ll fall asleep in no time

> Until you give a tiny sigh and shift your hips, innocently adjusting

> It doesn’t take much for you to set him off- he’s touch starved and obsessed with you.

> Along with feeling him against your ass, you can literally hear his breathing change.

> “…Tommy baby? Want me to take care of that?”

> It takes another two hours before you fall asleep, both sticky with sweat and sated, your head laying on his broad chest.

Bubba Sawyer

> He’s so happy to have a sleepover- even if you live right down the hall in the same house (I cannot imagine you dating him and being allowed to leave the farm tbh)

> He gives you an updated tour of his room- he’s very happy to show you the collection of polaroids of you he hung up.

> You were wondering where those went

> Finally he drops you on the bed, giggling quietly

> It’s old but comfy, and he has plenty of stolen pillows and blankets, and even some stuffed bears

> He strips right on down to his heart boxers, leaving his mask on for last

> He takes it off slowly, giving you that shy look he always does

> You grin and open your arms and he’s more than happy to scoop you up with a coo.

> By the time you’re settled, you’re curled around his back

> He loves being the little spoon, even if he’s a big brute

> When you wake up he’s bursting back into the room with some slightly burnt toast for breakfast

> It’s a sudden wake up call, but a welcome one

> And you repay him in tons of kisses, all over

Vincent Sinclair

> Like some of the others he’s hesitant

> But you want him to relax, he’s been working so hard- so you take him away from the studio, and into your room

> You’re not even letting him so much as sketch until he sleeps

> He tilts his head and is almost pouting, trying to guilt you - even more so once you help him remove his wax

> Until you coax him into his stomach so you can massage his back, that is

> You’re clumsy and certainly not a professional, but your hands on him is enough to melt away the stress

> He suddenly rolls over and grabs your hips as he hears you yawn

> It’s your turn to pout down at him

> But eventually you relent and let him cradle you close to his chest as he hums a nonsense lullaby

> You keep him trapped in bed the next morning as revenge, again straddling him before he can get up to leave

> But this time, you’re most certainly not yawning

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melluvsuu · 9 days

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“ 𝐓𝐇𝐄 𝐃𝐈𝐍𝐄𝐑 . ”

character : dazai osamu

context : you’re an agent going undercover, you encounter port mafia executive dazai. he finds you interesting. yeah..

authors note : you should listen to the diner by Billie ellish to get the vibe to it.

warning : stalker briefly mentioned, stalker!dazai, can be interpreted romantically or whatever, shout out to my bbg @riiwrites 😼☝🏽, murder and blood mentioned too, gender not mentioned, literally we rock with they/them 💋‼️.. uhm I think that’s all gays yeah..

,, 𝐌𝐎𝐑𝐄 𝐔𝐍𝐃𝐄𝐑 𝐓𝐇𝐄 𝐂𝐔𝐓. 𝜚

𝐓𝐇𝐄 𝐒𝐊𝐘 𝐀𝐁𝐎𝐕𝐄 𝐖𝐀𝐒 𝐀 𝐁𝐑𝐄𝐀𝐓𝐇𝐓𝐀𝐊𝐈𝐍𝐆 𝐖𝐀𝐓𝐄𝐑𝐂𝐎𝐋𝐎𝐔𝐑 𝐎𝐅 𝐅𝐀𝐃𝐈𝐍𝐆 𝐎𝐑𝐀𝐍𝐆𝐄𝐒 𝐀𝐍𝐃 𝐏𝐔𝐑𝐏𝐋𝐄𝐒, the last remnants of daylight clinging stubbornly to the horizon. It was a view [name] had come to appreciate, standing on the balcony of the modest clinic where [name] built their cover. As a doctor specialising in human behaviour, their role was simple enough—listen, observe, and blend in. Standing there in viewing the people going about their days, [name] ran their fingers along the balcony’s iron railing, feeling the coolness of the metal beneath their skin. In this quiet neighbourhood, [name] was simply known as Dr. [name]—a doctor who listened to the woes of the weary, a person who could help people understand the storms in their minds. In some ways, [name] had taken to the role more naturally than they expected. It wasn’t far from what I had trained for, after all. But beneath that calm exterior, my real purpose was far more pressing.

The wind picked up slightly, rustling the papers on my desk inside the small office. I stepped back inside, closing the door behind me as I glanced at the scattered reports and profiles I’d been reviewing. Every interaction I had here was a potential lead—every patient, every conversation was a thread that might lead me to the missing documents. I was hunting for the whispers in the crowd, the signs that something was about to crack.

I sat down and opened one of the files again. A name stared back at me—Takeda Masaru, a local journalist with a reputation for being nosey. He had been in to see me twice, under the guise of seeking help for stress and insomnia. But I knew better. Knocking me out of my train of thought, my smartwatch started vibrating. It was morse code.

‘GOOD EVENING AGENT [NAME], IT'S NICE TO YOU ALIVE AND WELL.WE HAVE NEW INTEL. THERE'S BEEN SIGHTING AT THE LOADING. THE DOCUMENTS SHOULD BE THERE. IT SHOULD BE A DARK RED CARGO BOX WITH THE NAME ‘MELLUVS ART AND WRITING SUPPLIES’ . QUICKLY GET THERE BEFORE ANYBODY INTERVENES. BEST OF LUCK TO YOU.’

I quickly changed my clothing still keeping my pants and shoes and swapping my glasses with sunglasses, my shirt with a business shirt. Taking my coat off the rack I jumped off of the railing onto the pavement. The cold air hitting my face, I felt that familiar rush of adrenaline. The peaceful exterior I’d adopted as a doctor was peeling away, revealing the true purpose behind the mask.

I arrived at the loading dock slipping past guards. While remaining on my toes, looking around, finding the maroon cargo box, picking the lock, catching it before it could fall can make noise. Opening the door and sorting through papers. I found the papers of the document, putting the papers in my doctors folder, I turned to step out just to be greeted with…

"Are you lost?" a voice rang out behind them.

“I’m sorry?” You turned towards the stranger with a simple smile.

“I said, are you lost? Dr. [name].” He repeated.

Standing in the shadow of a weathered chimney was a young man, barely older than them, with an unsettlingly casual grin. His black hair fell messily over his eyes, his posture loose and unthreatening, but I knew better than to trust appearances. There was something sharp beneath that smile.

“Ah. No I’m not..”

"Dazai Osamu," the man introduced himself, stepping closer without a care in the world. "What a coincidence, meeting you here."

"Coincidence?" [name]’s voice was flat, unamused. "I don’t believe in coincidences."

Dazai’s grin widened. "Smart. I don’t either."

This wasn’t good. My mission had suddenly become complicated—this was Dazai, a notorious figure in the Port Mafia, rumoured to be both brilliant and dangerous. Getting caught up with him was exactly what their agency warned them about. But retreating now would be even worse. They couldn't afford to show any weakness.

"You’re in my way," I stated plainly, their eyes locked onto him. Dazai’s expression flickered briefly with interest.

"Am I?" he mused, not moving an inch. Instead, his eyes gleamed with curiosity. "I wonder what someone like you is doing up here. You don’t seem like the usual riffraff the mafia deals with. You're different."

I said nothing. They were trained to maintain a poker face, but they could feel Dazai’s gaze piercing through them, searching for cracks.

After a tense silence, I decided it was better to end this encounter quickly. "I have no business with you. Walk away."

Dazai’s grin softened into something almost playful. "I could say the same. But I don’t feel like walking away just yet. You intrigue me."

Before you could respond, a shout echoed from the alley below—footsteps, too many of them. The mission wasn’t over yet. With a sharp glance at Dazai, [name] moved quickly, shoving him out the way with the documents I hand, disappearing into the shadows of the cargo port.

𓎢𓎟𓎟𓎟 . ♡ . 𓎟𓎟𓎟𓎢

The mission was complete, the documents recovered, and the city’s fragile calm preserved. Days passed, and YN pushed the encounter with Dazai to the back of their mind. They believed they had left him behind in that port, a fleeting figure from a fleeting night.

But they were wrong.

It began with small sightings—first at a diner near one of their agency’s hideouts, a quaint place where [name] often went to clear their mind. They walked in for a quiet moment, only to find Dazai, seated by the window, sipping his coffee as if it was the most natural thing in the world. His eyes met theirs, and that familiar grin spread across his face.

The next time, it was at their ‘job’. [name] worked as a hired security operative for a private military company, and the sight of Dazai loitering near the building was more than unsettling. He didn’t approach them, but his presence was a constant reminder that he was watching.

The evening air felt heavy as [name] returned home from a long shift, exhaustion pulling at their every step. They hadn’t noticed the lingering presence outside, the demon in the shadows, waiting. The lock clicked into place behind them as they shut the door, and for a moment, they stood still, listening. No footsteps followed. The silence was almost comforting.

They kicked off their shoes, fingers absently unbuttoning their dress shirt, craving nothing more than the solace of the couch. As they sank into it, something caught their eye—an envelope, placed conspicuously on the coffee table. A surge of unease rippled through their tired mind, heart beginning to race as they reached for the envelope, fingers brushing the edge of the paper with caution. Slowly, they opened it, their eyes scanning the contents.

‘THIS IS A REALLY NICE PLACE YOU’VE GOT HERE! MIND IF I MOVE IN? I HOPE YOU’RE READING THIS SILLY NOTE! I MIGHT’VE STOLEN SOME DOCUMENTS AND IMPORTANT FILES FROM YOUR OFFICE, SORRY, AGENT [NAME]~!’

A low groan of frustration escaped their lips as they crumpled the note and tossed it into the garbage. [name] rubbed their temples, too drained to deal with the antics of a certain mafioso tonight. Just as they tried to let the tension slip away, they caught sight of something—someone—standing on the balcony.

Their heart skipped a beat, and instinctively, they reached for their gun, gripping it tightly as they cautiously approached the window. They slid it open with precision, never taking their eyes off the figure leaning against the railing. "You’re persistent," [name] said, gun ready but posture steady.

The man on the balcony didn’t seem fazed by the weapon. Dazai Osamu smiled as if this were all part of a game. "And you’re elusive," he countered, voice light and carefree. But there was something beneath that tone, something deeper, lurking behind the casual amusement in his gaze. "I like people who don’t give themselves away so easily."

[name] sighed, lowering the gun but keeping it in hand. Arms crossed, they met his eyes with thinly veiled exasperation. "What do you want, Dazai?"

He tilted his head slightly, as though considering the question, his eyes glinting with amusement. "I’ve been trying to figure that out. You’re… interesting. And I’m rarely interested in anyone."

"Flattering," [name] muttered, voice laced with sarcasm as their patience wore thin. "But I’ve got work to do."

Dazai’s expression shifted, his grin softening, but his presence growing more intense as he stepped closer. "I know," he said quietly. "That’s what makes this so fun. You, with your little secrets and dangerous missions… I can’t help but want to unravel it all."

"You can’t follow me forever," [name] warned, voice quieter now, each word a warning laced with resolve.

Dazai’s smile softened further, almost genuine. "Maybe not," he agreed, his voice low, "but I can follow you for a little while longer.”

“Get the hell out of my apartment,” [name] snapped, their voice sharp as they levelled the gun at Dazai. The cold metal clicked audibly as they cocked it, a clear threat in the air. They pointed toward the door, eyes hard and unyielding. “Do it now, or I'll shoot you.”

Dazai’s grin didn’t falter. If anything, it widened, his eyes gleaming with that same unsettling amusement, as if the threat didn’t faze him in the slightest. He raised his hands in mock surrender, but his body remained relaxed, nonchalant, as though he were in complete control of the situation.

“Shoot me?” he mused, voice light but laced with something darker. “Now, now, Agent [name] that seems a bit extreme, doesn’t it?”

“You think I’m joking?” [name] growled, finger hovering dangerously over the trigger.

Dazai took a step closer, completely unbothered by the barrel pointed at him. His voice dropped to a near whisper, his eyes locking with theirs. “No, I don’t. That’s what makes this so exciting.”

There was a tension in the room now, thick and palpable. [name] held their ground, but Dazai’s calmness, his lack of fear—it was disarming. He was playing a game they weren’t sure they could win.

“Get out.” [name] demanded, not lowering the gun but sensing this encounter was only going to spiral deeper.

Dazai’s smile softened just a touch, his tone almost genuine. “Nope~!”

“You’re testing my patience,” [name] warned, heart pounding but steady, still aiming squarely at his chest.

“Good,” Dazai murmured, stepping back toward the balcony door. “I like it when people have limits. It gives me something to push.”

With a final glance, he gave them a playful wink. “Until next time, Agent.” Then, as quickly and casually as he had appeared, Dazai slipped out, leaving the tension in the room behind him like a lingering shadow.

[name] stood still, their gun still raised, breaths coming in heavy. The sense of danger hadn’t left—it was only a matter of time before he returned.

additional author notes : ending kinda sucked ass again smh..

word count: 1k

reposts are welcome but do not steal my work!

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panlight · 5 days

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So Twilight has been re-written from Edward's perspective AND gender-swapped. The logical next step seems to be the Rosencrantz and Guildenstern are Dead treatment (or, if you will, The Lion King 1½ treatment), where it's re-written from the POV of a couple of side characters and the main plot is going on in the background of their own story.

Let's go into at least the first part of New Moon with this so we can include some more characters.

I left off Alice because she's already pretty central to the main story, the point is a more periphery character.

#twilight renaissance #panlight polls

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pinkeoni · 1 year

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...but what was Will really saying in the van?

This a post a year after the fact, when post people have already said what needs to be said, but you know what!! This is my blog and I can say whatever I want.

Will talking about himself and using El as a guise is pretty obvious. The handful of people who say that it really was from El are few and far between. El doesn't gaf about DnD, she's not even in the painting, and she even told Mike herself that she didn't know what Will was making.

Whether or not Mike actually believed Will's lie is something that I'm personally on the fence about, but I'm not talking about him today! There are plenty of great Mike posts about this if you want a Mike analysis.

The cinematography supports this as well. At the start of the scene, Will is established on the left side of the frame, and Mike is on the right. When Will tells Mike that El commissioned the painting, we get a shot of the mirror where they swap places.

The switching of frame placement suggests that something is off, and mirrors in film can be used to show deception. The shot supports the idea that Will is not being fully truthful, which is backed up by what we already know. Each mirror shot is also prompted by a shot of Jonathan, suggesting that this is always from his point of view. We also know that he was able to see through Will's lie, so that supports this idea.

But we don't get the entire monologue from this angle, because really Will isn't entirely lying, he's just lying about whose feelings it really is.

It's no secret that the painting is an expression of Will's love for his friends, but also his romantic feelings for Mike. The positioning of the painting itself as a phallus (take a shot every time I've said "phallus" in a recent analysis) displays this in the visual language of the show along with the written one.

I think that gender and the use of pronouns is important here. Will states the entire monologue using "she" and "her" and places El in the place of himself. So what he's essentially saying "My sexuality is a wonderful thing that can bring both of us joy, but only if comes from a girl." In context Mike seems specifically anxious about El so Will is reassuring him from that angle, but it also stands that Will doesn't see his sexuality and feelings as good enough to cure an ailing Mike.

There was scriptgate and the infamous "I hate who I am" line which everyone remembers where they were for, but when the scripts were said to be fake, this line seemed to no longer hold any weight within the fandom and was widely disregarded. He loves himself, actually!

But legitimacy of the script aside, does this line still ring true? Even if it were real, a unspoken internal dialogue in an action line doesn't matter unless the show actually expresses it. So do they?

After all Will said it himself, "you make [me] feel like [I'm] not a mistake at all. Like [I'm] better for being different." So that must be how he feels, right? And yet—

—he doesn't really look like someone proud of his sexuality, does he?

I find the idea that Will doesn't suffer from any internalized homophobia rather absurd. It's definitely informed by external homophobia, but it would be different if Will fought back, but instead we see time and time again Will turning his pain inward. "Zombie Boy" leads to "It just makes me feel like more of a freak." and "It's not my fault you don't like girls" leads to the destruction of Castle Byers. I know that that line is informed by Mike's internal projection and might not be intended to be homophobic, although the statement still is homophobic despite intent. If Will knows he is gay and just heard that from his friend, of course he's going to take it that way. We see a little bit of Will standing up for himself, although this usually results in Will apologizing or not accepting apologies from others even when he deserves it. The bedroom scene in Dear Billy is a big step forward because not only does Mike apologize and assert that Will wasn't in the wrong, but Will actually listens.

It is true that Will accepts that he is gay and doesn't seem to fight it, although as others have pointed out, this doesn't necessarily mean that Will is necessarily proud of who he is. The van scene is just another example of Will taking that external pain and forcing it inward. There is likely to be consequences resulting from his lie that affects all three of them, but Will has decided to go a route that (he believes) will benefit Mike and El and only cause himself pain.

Look at this way. Let's say that Will hadn't lied about the painting being from El, that he was totally honest about the painting coming from him, but Mike didn't understand it as a romantic gesture. Not only would this not really make sense, and require Mike to be a level of oblivious on an absurd level, but it would also communicate something completely different. The new meaning would be this: Will is proud of his sexuality and able to take ownership of it, and the trouble comes from Mike not understanding. The conflict is now completely external.

I've seen debate on whether or not Mike really did understand what Will was saying although I think that's beside the point. If Mike did understand that Will was talking about himself, then this was not communicated to Will. The above scenario leads the conflict to be solely relieved by Mike finally understanding, and while there is surely to still be an external conflict between Will and Mike, Will's conflict of sexuality remains to be internal. Even if Mike did tell Will that he knew it was from him, this wouldn't necessarily solve Will's problem. The remedy to Will's internal conflict can only come from himself, by being able to proudly put his name to his painting.

#will byers #byler #stranger things #my analysis #btw— i hope none of my commentary regarding mike and mike analyses comes off as a jab. thats not my intention at all #im not saying not to look at mike or analyze mike #im just saying that this particular analysis is will focused #and other very talented analysts have made their own posts about mike in the van that you should check out if you wanna hear more about tha #perspective

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friendly-emerald-emily · 3 days

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molly is such a fascinating character to me. and surprisingly, not because of her content in the show. but her lack of content. molly really felt like to me she was supposed to be the break-out star of the HiT era. let me explain why.

in short, it's all down to marketing and merchandise. i'm a massive HiT era apologist, mostly because it's the era of ttte i grew up with, but as i was looking through my catalogue of merch, i noticed something...molly was popping up. a lot. weirdly so.

i have a good amount of those briarpatch ttte board games, and typically they were for 4 players, and as such 4 engines were provided to play as: thomas, percy, james, and...molly? at first it seems weird, but when you think about it, it makes sense. molly rounds out a quartet themed around red, green, blue, and yellow, and also adds in a female character. i think that last bit is important, but i'll get to it later.

so i went digging, and the 4 player briarpatch games pre-molly usually had mavis in her place, likely also to add female representation, just swapping yellow for black. there are a few exceptions, i recall seeing toby and harvey instead, but again, it was mostly mavis.

looking at more merchandise outside of board games in this era, molly got quite a bit of focus. she was part of a set of 4 bath squirters along with thomas, percy, and james, and what i find most shocking, she was one of VERY few engines to receive a trackmaster remote control engine. molly also was featured on a 2008 great discovery trading card, even though she only had one line in the entire movie.

after this, i went digging deeper into the world of the thomas microsites and online games, where molly also had a strong presence. the quartet of thomas, percy, james, and molly continued in the simon-says type memory game (i think it's called 'peep peep!'?) and molly also appeared in the emotions game, but this game featured 5 engines, and the fifth...was emily. remember my point theorizing that molly was focused on because she was a girl? here's where it's important.

this five engine ensemble of thomas, percy, james, molly, and emily is repeated again in the plug n' play game 'right on time', a game that i own and remember fondly. emily was chosen again to fill the fifth slot, and i think it's because HiT wanted to have a gender-equal ensemble a la bwba. and i think molly was chosen specifically not only because her yellow paint is unique and for her gender, but because she is probably the girl character at the time that had the most opposing personality to emily. as we all know during this time, emily was interesting and had flaws unlike SOME OTHER ERAS- portrayed as having a very strong and opinionated personality, which would easily contrast towards molly's more shy and sensitive personality. both have also been described as having sisterly attitudes towards other engines. i think HiT wanted to prove in this 5 engine ensemble that they had varied writing for their female characters.

for all of this, i think that molly WAS supposed to be a much more important character than she turned out to be, mostly because she was marketed so heavily and disproportionately than her screen time would lead you to believe. molly also appeared more often than the other HiT newbies (bar rosie), but that isn't really saying much with how little other characters like neville or billy appeared. i don't know why molly was dropped so suddenly when the set up for her seemed to be there? only thing i can think of is that emily had just been moved to tidmouth sheds right before series 9, and that they didn't want to repeat that process?? idk i'm just spitballing because i've been thinking about molly a lot recently. on a small related note, her basis is also very specific and her design is SUCH a standout compared to other new characters at this time, so clearly effort was put into her. i wonder how different the series would have been if molly was elevated to prominent secondary character status like salty or mavis, or even main character status!

tl;dr i think molly was originally going to be important but then she wasn't :(

#emerald speaks #emerald essays #i love you molly you deserved so much better <3 #ttte molly #ig i'll tag everyone else #ttte thomas #ttte james #ttte percy #ttte mavis #ttte emily #ttte #thomas the tank engine #thomas and friends #ttte hit era #hit era

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