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#getting back into my helluva boss analysis
anthurak · 1 year
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One detail I really like about ‘Queen Bee’ is how it essentially provides a ‘missing piece’ of Loona’s character development, and in turn makes Seeing Stars an even more impactful episode for her.
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Because Queen Bee gives us a first-hand look at Loona’s attempts to make friends, and by extension shows us why that is so hard for her. This episode showed us that Loona’s extreme awkwardness around Vortex back in Spring Broken wasn’t just a case of ‘not knowing how to talk to your crush’ awkwardness but rather how she acts in just about any social situation. As it turns out, Loona is a lot more socially awkward and introverted than a lot of us probably guessed. Which probably shouldn’t be all that surprising in hindsight given what we saw of her background before Blitzo adopted her in Seeing Stars.
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With this in mind it’s pretty easy to guess that Loona’s normal response to this social awkwardness is to fall back on her tried and tested psychological defense mechanism of getting sarcastic/abrasive/angry and possibly hitting something or someone in order to get herself to a safe distance. Something we both see inferred with the ‘Lunatic Loona’ comment and see in action with Loona’s response to the poodle who brought it up, and later when Loona gets angry at Bee. In hindsight, Loona acting super shy and awkward in Spring Broken is the result of her for once not being able to fall back on getting angry to avoid an awkward or uncomfortable social situation because she actually wants Vortex to like her.
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As an aside, I think this is something many people don’t recognize about Loona. That her general abrasiveness and ‘anger issues’ are almost certainly a defense mechanism that she’s developed over what clearly seems to have been years of trauma and likely abuse before being adopted by Blitzo. It’s a way for Loona to protect herself by keeping anyone who could possibly hurt her at a safe distance. A defense mechanism that’s become so ingrained for her that it’s pretty much reflexive at this point.
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For example, this is why I think all the claims that Loona is somehow ‘abusive’ to Blitzo are seriously missing the point: It’s pretty clear that Blitzo has little to no respect for personal boundaries, as we see with both his stalking of the M&Ms and showering Loona with overcompensating affection. So is it really so surprising that Loona would be beating the crap out of him so often when Blitzo is likely constantly triggering Loona’s deeply engrained and reflexive defense mechanism? All while Blitzo himself is entirely oblivious to what he’s doing because as we’ve seen, Blitzo would sooner chew off his own leg and arm before confronting emotional/psychological problems/baggage, ESPECIALLY his own.
Which of course is not to say that I think it’s somehow a good thing or justified when Loona beats the crap out of her father. Rather, that ‘Blitzo constantly invades Loona’s personal space and Loona responds with a brutal ass-kicking’ is a symptom of their respective issues and dysfunctional relationship. Not some banal ‘Blitzo is a poor helpless victim and Loona is a terrible person’ excuse.
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Going back to Loona’s development in Queen Bee that leads into Seeing Stars, all this demonstrates to us that Loona doesn’t really have any friends and why that is the case. Like at the start of Queen Bee, we can’t even really call Vortex a friend to Loona, at least from her perspective. For Loona, Vortex isn’t so much a friend as he is a crush. It’s clear that Loona’s initial reasons for coming to the party were mostly just to hang out with this one guy she has a crush on. As evidenced by how Loona immediately wants to ditch the party upon meeting Bee-lezebub, and by extension, realizes that she has absolutely ZERO chance with Vortex.
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Now of course, by the end of Queen Bee, we see that Loona seems to have at least started making a few friends among the other hounds at Bee’s party. It’s clear that getting invited back into the party by some friendlier hounds and imps as well as, ironically enough, Blitzo’s presence did help Loona get past some of her social awkwardness. At the same time though, we don’t see enough of them with Loona to really call these much more than ‘good acquaintances’/cool-people-she-met-at-a-party-once.
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Which, going into Seeing Stars, is what makes Loona’s scene with Octavia so MASSIVELY important for her.
As I discussed in a previous post, Loona didn’t need to put in effectively ALL of the legwork in finding Octavia. We see that she was at first perfectly content non-verballing telling Blitzo to fuck off and just chilling out around L.A. Instead, it seems that the real reason Loona decided to track down Octavia was because she related to what Octavia was probably going through, which spurred her to go and help her.
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Octavia is so much more than just some guy Loona had a crush on or someone Loona had fun with at a party once. This is someone that Loona clearly relates to on a very personal level. Someone that Loona clearly sees a lot of herself in. And because of that, for the first time we see Loona let down all the guards and defenses she normally puts up and really connect with someone else.
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A connection which is clearly something special. Loona, who has spent the whole show making it clear she does NOT like people getting in her personal space, and proving she can, will and has beat the utter crap out of anyone who does, offers Octavia to take her hand. And when Octavia goes for a full-blown hug instead, Loona is only briefly surprised and clearly not uncomfortable in the least, even returning and enjoying the hug herself.
I’ve stated in the past that I don’t particularly like how much of the HB fandom has really latched onto treating Loona and Octavia as sisters. And one of the big reasons is that I feel like it rather cheapens the bond and connection these two are actually forming. It paints these two more as kids whose relationship is simply an extension of their fathers’ relationship, brought together simply because those fathers became are a couple.
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When what we’re actually seeing is Loona’s and Octavia’s friendship developing largely independent of whatever Blitzo and Stolas have going on. I mean let’s not forget that Stolitz as a relationship is nowhere close to even dating, let alone marriage. Blitzo and Stolas never encourage their daughters to spend time together either, the closest thing to that we see is Blitzo telling Loona to go find Octavia while everyone else is getting sidetracked by shenanigans, which Loona initially blows off completely. Instead, Loona and Octavia clearly seem to be becoming friends due to shared interests, likes and a deep understanding and empathy to the problems the other is facing. And is really in no way dependent on Blitzo and Stolas being a thing, again considering the fact that Stolitz could at this point be charitably be described as a ‘vaguely-defined and very shaky fling’.
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Moreso than Vortex, Bee or any of the hounds Loona met in Queen Bee, Loona’s friendship with Octavia feels like something very significant and special for both of them.
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brykp · 2 months
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THEORY: Lucifer Morningstar in Hazbin Hotel... Might Actually Be a Star
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I was thinking of what Sera said to Charlie when she was first welcomed into Heaven... "Greetings, Daughter of the Morningstar"... or, did she enunciate morning-star? This is a real thing in the world that exists for us people on earth, in fact you can walk outside and see it very early every morning --- it is the last star shining in the sky. Tangent oncoming, but it gets back to the main point ----- Lucifer means "light-bearer", or, "light-bringer", because it calls forth the rising sun. In symbology, this has been interpreted as a man holding a torch. In Hazbin Hotel, we not only see Lucifer literally can produce fire from his hand, but this has been passed down to his daughter as well. They're light-bearers --- literally. Also, that is precisely what stars do... they produce light! Now let me advance to next bulletpoint of this post... Vivienne Medrano ALREADY used a "living" object, that can terraform into a more active form, in this web show. And that is none other than Kiki, the literal key to the hotel. She turns into a cat-semblant body.
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On the same note, Vivienne Medrano is no stranger to humanoids or beings naturally being another thing. This was a primary feature of her extinct webcomic, Zoophobia, where every animal naturally has a humanesque form they can convert to whenever necessary. For example, Jackie is a great macaw (this isn't the parrot's true appearance, this is a format she takes alternatively):
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Now, I know Lucifer is snake-coded, but I couldn't help but acknowledge how well-versed Vivienne Medrano seems to be in demonology and religion, to an extent, based on some videos from YouTuber cartoon analysis channels. And (I'm going to repeat, excuse my drawling), it is a common fact that the morning star.... in the sky... can be seen every morning. Hence, Sera uttered; "Greetings, daughter of the morning star". So, here's the next bulletpoint --- the acknowledgment of celestial bodies as sources of worship (astrology) is a key point in this universe. Stolas, a major character in the same world, studies and is a sort of regulator of the celestial bodies.
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That's his whole schtick. Plus, he is royalty in Hell, so astrology is probably a no-shit presence of fact among the general population in Hell. On the the next bulletpoint: YouTube theorists and fans of both these web shows in general have expressed how they think Hazbin Hotel + Helluva Boss take place somewhere in 'outer space'. From the Pride Ring alone, we can see other celestial bodies IN the sky, like Heaven and a weird moon with a copy of Pride Ring's Pentagram on it. While I don't think the Hellaverse is in outer space exactly, I really think it's code for 'the heavenly realms'. Now on to the next and probably most important fact... now, what might the Pride Ring be? What does its parameter resemble? (Btw, follow this person on Tumblr and X, they are a great Lucy fan artist):
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Not to mention the pentagram (which is also, coincidentally, and non-coincidentally a star-shape) floating right above it. What is a meteorite? A falling star. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! What is my final say on this? I might say Lucifer is... well, a fallen star. He may or may not be a literal star in the show, but this is a huge probability in the Hellaverse considering it IS Vivienne Medrano's brainchild. This is my headcannon now... that because these are the heavenly realms, the most powerful beings/ characters can and do exist likely in alternate/ first forms in the same existential plane. Charlie is half human and half angel... or further, half star. Also, this means Lilith fucked a star. (And Eve too, oop.)
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zaebeecee · 4 months
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Helluva Boss Full Moon Episode Analysis 🌕 ✨
My very long and detailed personal analysis of the scene we were all waiting for below the cut. Spoilers, obviously, so don’t click if you don’t wanna see that. Also, this is just my own opinion, it’s cool if you don’t agree.
Also, I took all these screenshots on my phone because it’s all I have, so I apologize for the constant presence of the “hey you wanna change apps now or something” bar at the bottom of the screen.
tl;dr: Both Stolas and Blitzø are at fault here, and that’s the point of the episode.
So, I’m gonna start right after Stolas requests his book back and informs Blitzø that he needs it permanently.
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Blitzø argues that he needs the book for his job. And that’s true, Moxxie already spelled that out earlier in the episode. But we have seen Blitzø trying to persuade Stolas before, and this is not how he does it. Whenever he persuades Stolas for something that is based in purely selfish reasons, he leans on his sexuality and on Stolas’ desire, not on straight up begging. All day, he has been plagued by Loona’s words that Stolas has been getting bored of him, and the fact that the first thing Stolas does is request his grimoire back is proof that she was right.
But Blitzø, being Blitzø, can’t just say that he’s scared Stolas has gotten bored of him, so he goes back to the thing Stolas already knows: he needs the book for his job.
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Stolas, of course, was anticipating this. That’s why he has the Asmodean crystal prepared and within reach to give to Blitzø in exchange, probably to assuage his fears about the future of his company. He genuinely cares about Blitzø’s passions, and because of that, he is genuinely invested in his work and wants to do whatever he can to help him. Additionally, not only will the crystal end the transactional nature of their relationship, it will free Blitzø—and his employees—of the burden of being held accountable for law breaking.
Blitzø, on the other hand, wasn’t expecting anything like this. He has known from day one that if Stolas ever takes his book back, that’s the end of I.M.P. For Stolas to then turn around and tell him that he got a crystal for him (and advocated to Asmodeus on Blitzø’s behalf, no less) is something he probably never imagined would happen, much less anticipated.
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For Stolas, a member of demonic royalty and of a privileged class of demon, this isn’t that big of a gesture. It’s big, of course—Stolas isn’t stupid, he knows how difficult it is for a non-Lust demon to acquire one of these crystals and is aware that his connections are the reason he was able to do this at all—but to him, it’s something of a no-brainer.
Stolas could not imagine a reality where he denied Blitzø anything, at least not right now. So, in his desire to end the transaction, it’s only natural to him that he would find another way for Blitzø to do his job, one where he doesn’t have to rely on anyone but himself. And in a rational situation, Stolas would be entirely right.
But this isn’t a rational situation. Blitzø doesn’t hear that he’s not beholden to anyone anymore, what he hears is that his excuse to see Stolas and pretend that it isn’t emotional has been taken away from him. That’s why he says they can just keep doing things the old way: he’s so emotionally constipated that if he loses the book, he either has to confront his feelings for Stolas or never see him again. And it might not matter anyway, because if Blitzø believes that Stolas only wants sex and has grown bored of him, this is simply a very expensive way to say “I don’t need you anymore”.
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I think Stolas placing the stone on Blitzø’s bracer is a very important detail for the way things go in both of their minds, and it is very different:
For Stolas, he has proven to Blitzø that he is serious in his offer, and that this crystal belongs to him. He knows Blitzø is suspicious and untrusting, and by fastening it to him in a way that means Stolas himself cannot take it back, it shows Blitzø that Stolas truly means what he’s saying. It’s a display of selfless sincerity, and of trust, because if Blitzø took off that moment, there would be nothing Stolas could really do about it.
However, for Blitzø, Stolas has just taken away his autonomy and made the decision for him. Before he even had a chance to parse his thoughts on what’s happening, Stolas places the crystal on him, even though the only answer he has given is a fairly explicit “but I don’t want this”.
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When Stolas tells Blitzø that he doesn’t have to stay, but that Stolas wants him to, he is showing an emotionally vulnerable side of himself that he only ever lets Octavia see. He is bearing his soul to Blitzø, because he wants to make it perfectly clear what he wants. And it’s so very important to emphasize that Stolas is very clear and direct in what he wants, because he doesn’t want to accidentally give Blitzø the wrong impression. He’s put a lot of thought into this, primarily because he’s been obsessing over what he was going to say ever since he went to ask Asmodeus for the crystal in the first place.
However, it’s also important to remember that Stolas is the one who prepared himself for this conversation. Of course he has a beautiful speech prepared and has reasoned out his arguments and knows exactly what he plans to do.
Blitzø is not prepared for this, however. Blitzø, who has convinced himself that a prince could never actually want an imp (especially one like him), who has spent all day telling himself that he isn’t feeling emotional over this and running all over town to acquire as much as possible because he’s afraid Stolas is getting bored, is completely blindsided by the sudden deluge of real emotion that’s pouring out of Stolas. Blitzø is already exceedingly bad with words, and because of his self-hate, he leans on the idea that it’s a kinky roleplay because that’s so much easier for him to believe.
Stolas, of course, has no reason to know any of this. To his eye, he just presented his heart to Blitzø on a platter, and Blitzø immediately turned flippant and dismissive, an obvious rejection of what he just metaphorically gutted himself over. To him, Blitzø has just affirmed that he doesn’t take this seriously, isn’t anywhere near as invested in it as Stolas is himself, and doesn’t actually want him.
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To Stolas, this is the end of the conversation. He ended the transaction, he asked Blitzø for a real relationship, and Blitzø said no. With nothing else to discuss, Stolas leaves the room, probably assuming Blitzø will leave the way he came in. I would imagine that, after living with Stella for so long, the best way to deal with an awkward situation has always been to remove himself from that situation entirely. For him, this is a kindness, because otherwise the room is about to get very uncomfortable.
To Blitzø, this is a dismissal that Stolas would give to a servant or someone else he deems as lesser. He even asks if Stolas was serious in a disbelieving manner, because the idea of everything Stolas said being genuine is too alien for him. When he runs after Stolas, he clearly still doesn’t even know what he’s going to say, because things are moving too fast for him to process.
Stolas is, in my opinion, completely justified in his feelings. He’s hurt, because he’s cared so much for Blitzø for so long, and he tells him as much because Stolas is still trying to be fully upfront and honest. He believes he received Blitzø’s answer, as well as confirmation that everything has always been about sex.
I think it’s this, in particular, that sets Blitzø off. The transactional relationship was Stolas’s idea. Stolas spent every moment they were together, especially early S1, doing nothing but hitting on Blitzø. He even tells Stolas, in his mind, that he knows he only wants sex after the disaster at Ozzie’s, which was also the last time they talked in person. Blitzø is hearing his own words being used against him, realizing how much it hurts, and lashing out because anger is how he responds to strong emotion. (This is a bad thing, by the way. I’m not condoning it, just making an observation.)
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Because he’s lashing out, Blitzø proceeds to verbally dump on Stolas, but he says something very important: he tells Stolas he needs a minute to think.
Blitzø was, again, blindsided by this conversation. He was then put on the spot and made to give an answer immediately, and when he wasn’t able to provide an in-depth, soul-searching, thoroughly considered answer off the cuff, he lost any opportunity to even attempt to recover the situation. And in my opinion, this is the most unfair thing Stolas does this entire scene. He seems to have completely forgotten that Blitzø isn’t prepared, and expects him to be as ready for this as he is himself.
When Blitzø tears into Stolas about his station, and about how the rich treat people like him, it’s clearly something he’s been wanting to say for quite some time. But he’s emotional, he’s not thinking straight, and he says things far harsher than he means to (which I’ll expound on in a moment). One of Blitzø’s flaws is saying things without thinking them through, and it definitely fucks him over right here.
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Blitzø has no way of knowing that what he just said to Stolas is almost identical to what Striker said when he kidnapped and almost killed Stolas. But it is: both of them directly state that Stolas uses people beneath him because he can. Just like Blitzø didn’t hear Stolas’s sincerity, Stolas isn’t hearing Blitzø’s turmoil. Instead, he hears that the man he loves has the same opinion of him as someone who tried to kill him multiple times. That has to be a heartbreaking feeling, especially since Stolas seems to have been actively working to not be like his fellow royals, and it hurts him that Blitzø doesn’t see that.
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Blitzø doesn’t just feel bad when he sees Stolas crying. When he hears Stolas’s words, he realizes what it was that he just said and that he didn’t mean it. He even tries to apologize; when he reaches out, he’s halfway through “I’m sorry” once he realizes he’s been teleported outside. And Blitzø never apologizes, not so directly, which means he knows that he hurt Stolas and he knows that Stolas didn’t deserve it.
I also think so much of his frustration stems from the fact that he wasn’t given an opportunity to explain himself. It was explaining that started healing his relationship with Fizzarolli, after all, and not having the same chance here was clearly fucking him up.
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Here’s my takeaway from this episode: this argument needed to happen if their relationship was going to evolve in a healthy way. Both of them had put too much baggage into what they currently had, and the only way to fix that was to dump it out on the proverbial table the way they did. And, because they needed to dump their baggage, it makes sense that it ended with both of them wounded.
Both of them need time to work things out, be alone with their thoughts, and try to get over their own bullshit.
Blitzø needs to learn how to let himself open up to emotion, even just a little bit, and how to express himself without sarcasm, anger, or tears.
Stolas needs to learn how to actually listen to others (which we know is a problem from the time he took Via to Loo Loo Land after being told point blank she didn’t want to go).
Both of them did things wrong. And both of them did things right: Stolas was so honest and straightforward, and Blitzø immediately realized a place he had fucked up and tried to fix it immediately. And I think this argument needed to be both of their fault, ultimately, because something on this scale would be almost impossible to come back from otherwise.
Painful, but necessary. And it’ll just mean their making up will be that much more satisfying.
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akirathedramaqueen · 3 months
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A little bit of mumbling about the Full Moon episode and Stolitz drama
ALERT: multiple Helluva Boss spoilers, so, please, be advised
Yea, it's another episode of "I can't get over relationship issues of a red lizard and a tall owl", so buckle up, and let me give my share of thoughts about how important was what we have seen in the "Full Moon" episode.
I appeciate if you read it, because it's quite big and I realise, that not much people like longreads, but I desperately wanted it out, and I wanted to try to engage with HB community, as I saw so many wonderful points, analysis, and observations out here.
So... let's go, I guess!
The Growth Concept
Once, my therapist told me, that sometimes, the only way to grow and do better is to face a challenge you cannot avoid anymore, albeit desperately would want to. We do not grow, when everything is convenient and stable, no matter whether "stable" means stability or stalling. We grow, when life pushes us to do so, when we have nowhere to run anymore. When there is... when there is just no other way.
The Full Moon meeting, albeit infinitely sad and hurting, was the challenge for them to become the better versions of themselves. Stolas caused the rumbling, something you cannot take back anymore, something which couldn't be returned to status quo. It was very brave of him to do so, to give the chance to be open and vulnerable for a change.
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"It's... we're not... it's not a... It's a transactional fucking, you see" - S1EP5. As you may witness here, in S2EP8, exhibit A is clearly not happy with the transactional deal ending in his favor
But could it be better than that?
Even before the episode came out, I don't think anyone had expectations for the meeting to not turn out ugly. Trailer already hinted at that, and, besides, their earlier interactions gave nothing of "let's communicate" vibe.
Stolas was not clear about wanting to talk their issues out, the viewer was the only one who knew he longs for that. Yes, you may say that Stolas *suggested* to discuss what happened at Ozzie's, as we have seen at the end of the "Western Energy" episode, but immediately retreated after, I am sorry, a simple question "why?". It does not mean "no", yet, Stolas instantly gave up and fell into one-side poor explanation of what he thinks happened, not giving Blitzø space to engage.
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People also like to mention Blitzø's one-liners of an answer, implying him not wanting to do anything with Stolas, but I want to point out how Stolas himself bolted out of every opportunity to meet. Blitzø never said "no" clearly, and still Stolas cut every opportunity out.
Notice also how Stolas's messages are much more complicated and over-explaining, while Blitzø's are extra short and on point. I think it also shows in how different environments they were raised in, with Stolas knowing royal etiquitte, where everything is a sub-text, intrigue, rules, and no one is quite clear on intentions, and Blitzø not giving second thought about what leaves his mouth, or, in the case of messages, textbox. It's not only in their ability to simply write grammatically accurate, it's in their style of communication, culture even, where the problems of Stolas is to play the politics, and Blitzø's problem is to simply stay on float for another day.
And Blitzø? Hell, my poor man is deaf, blind, mute, and emotionally illiterate. It took Fizz 40 seconds to crack the case open in the "Oops" episode, and Blitzø didn't even pick up on it, despite being said twice he is wrong about Stolas. He would never come to *that* conclusion himself, even if the whole show cast will scream "STOLAS LOVES YOU" in his face. How can you expect him to even try to comprehend hints in behaviour and messages? And don't be fooled by his "it's only transactional, you see" moments - when he never says he is into Stolas, the show gave us plenty material to doubt that statement. He averts his gaze, saying "it's only a deal", hence he lies. He blushes when seeing Stolas's human form, hence he likes him. He is offended and hurt by Ozzie's accident, hence he cares. He crawls himself on knees and is not bothered by chains, hence he wants to belong to Stolas. He doesn't voice his desires once, but you know they are there.
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So, no, before that night, they had no chance of getting better, because they were too deep in their own trauma and world view. I want to make that clear, just in case if someone still wishes it went better.
And that leads us to the Full Moon, where all cards were out
There is plenty of analysis already all over the Internet on every frame of the show, how beautifully it's written, and how masterfully it was performed, when you can see so much in each tail flinch, each face expression, each movement, and each word. I won't go into that, I think I would be rather repeating things said so many times by so many observant fans.
What I want to add, though, is... The fail was unavoidable, but necessary. It was not preventable because of many things, also explained many times... But, shortly, just to carry on the point, you cannot undo years of trauma, self-hatred, and abandoment issues in one night. You cannot revert all of the mess they already created with the whole deal thing.
But you can face the issue. You can stand up to it. You can break the wrong and to try to rebuild to do it right.
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And that's what Stolas did. He stood up not only to his fears, but also to Blitzø's, and his desperate attempts to retain status quo.
Stolas challenged both of them.
And a small note: another thing which went wrong is how much of a shock it came out to Blitzø. Stolas was ready to face the challenge, because he couldn't take it anymore, he planned that night for weeks. Blitzø was not ready for that at all, but Stolas pushed him to the point of no return, and Blitzø was forced to adapt to the new reality in seconds.
Their reactions make so much sense. While Stolas was ready, there is a difference between being ready to face it, and being capable of facing it gracefully, and Blitzø... well, he didn't even have a minute to internalize all what's going on, and Stolas being for once extremely clear in intentions didn't help, because trigger already kicked in.
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But is it that bad, really?
No, I don't think so. In fact, that fight they had was even good for them.
As tragic as it was, they got something out of it. Now there is no space for doubts about them having feelings for each other. Sure, they might be adamant about other wrong assumptions, that their partner now hates them and they are trash of a hellbeing, or whatever else they heard instead of what's actually been said, but, again, there is no doubt it's fucking serious. They cannot pretend or hide anymore that this is "just a deal".
That exchange opened the space for them to grow. Despite me feeling like I was stabbed after watching the episode, I am... even glad it turned out this way, because now, when all the words are said, all crutches broken, old wounds are opened and actively bleeding, there is a chance for them to heal, and to learn how to walk, not allowing their trauma to shape who they seem to be and inhibit their real selves.
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There is now hope for them. You can clearly see them being vulnerable in the last trailer, and being together, on one couch, at least... one can only hope that they will have the capacity of having just one more proper talk.
Thanks for coming to my ted talk, I know I speak too much, and no, I am not okay, but I hope it was at least a bit entertaining for you :d Also, English is not my first language, soooo... cut me some slack with grammar and consistency, please, haha
Happy to carry on the great mission of overanalyzing every bit of information we have about them XD
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imaginative-123 · 6 days
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The Yaoi Community is so ignorant to the issues other gay men faced from toxic yaoi fangirls
Warning: Minors do not retweet, interact or like my posts if I found out you're a minor you might get blocked.
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Btw I'm not using f*joshi bec I found out it's a misogynistic term so I'll use Yaoi fangirls although the people using that term when it comes to criticism for Yaoi Fangirls may not realized it's a sexist term and I used that word before and not realizing it was sexist, just bec you may not seen a yaoi fangirl assaulting gay men for not having sex that doesn't excuse blind ignorance of sexual harassment gay men faced from yaoi fangirls. Also I'm not ignoring if there are other queer women who experienced being assaulted by men and I've seen other women who have issues with men in how they seen lesbians and I think they deserved better, also I used to consumed real life gay porn from websites in the past not until I found out recently that there are few stories of gay guys who tell their horrifying stories from the sex industry that includes a gay sex worker who was abused from his work and disliked Hazbin Hotel's depiction of SA and his thoughts on Poison, it just pisses me off that the Yaoi community will be ignorant to bad behaviors the community has been criticized for years by gay men who have valid criticisms so that they can defend themselves of using terms like Misogyny or the classic "You just hate women that can't enjoy BL!" When there's problematic behaviors in the community that's been a problem.
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Yes the women who did this to him is Sexual Harassment, it's gross.
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For the last comment there are guys I've seen who were also hated for fetishization, there are people having heated discussions on that from what I've seen.
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Also this is the worst one bec this is really disgusting, an asian man was being helped by a man on his chest bec I believe this is related to injury from the Olympics and guess what the toxic yaoi fangirls make art and sexualized him. This is Online Sexual Harassment, this is distasteful to be honest, poor guy he deserved better.
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This comment definitely surprised me
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Hello?! Just bec there are certain men who did bad things to women that doesn't mean other women can do bad things to men, can we acknowledge that Sexual Harassments on both genders is bad?
This is all I have to post, I'm a Yaoi fangirl for all these years ever since I started as a teen, I used to have sh#tty views on men in the past during my Yaoi and Proshipper phase back then but as of growing up I'm starting to try and be open about the real issues in real life and I'm trying my best to be open and understanding as possible, and btw I'm no longer a Proshipper and I'm still a Yaoi fangirl but as someone who is part of the community, I can't just ignore the issues and normalization of bad behaviours and sexism of the community which is unfortunate it gives the Yaoi fangirls who don't participate in bad behaviours a bad name and it's sad bec there are times I feel ashamed of being a Yaoi fangirl, and what I'm hoping is that the Yaoi Community should call out bad behaviours instead of trying to act like being innocent all the time and did nothing wrong but also try to blame Misogyny as a defense card when people criticize their bad behaviors. Also Toxic Yaoi fangirls who participate in bad behaviours can be Misandrists themselves towards straight and gay men. Yes Misandry exists, stop trying to tell me it doesn't exist it's like saying Misogyny can't exist, Sexism in both genders can exist in Society.
The reason I brought up Hazbin Hotel bec I'm going to make a second post about Viv's sexist views on gay men since I've made a post on Helluva Boss and that second post on Hazbin will take time since I have college workload to do in Thesis and Foreign Language and Visual Effects. So if you're interested reading my analysis and criticisms of Viv's work here's the link.
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sunnysaystuff · 3 months
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it's apology tour analysis time! let's start with the first scene.
god the place where blitz and stolas have the scene is utterly gorgeous. this whole episode is absolutely gorgeous, oh my god. hats off to helluva boss animation. this is absolutely beautiful, so beautiful i nearly got distracted from the actual scene.
so, blitz shows up. he knows stolas is pissed, but as always, he's toxically positive, trying to pretend everything is fine - because there are no feelings involved in all of this anyways, right? "why didn't you respond to all those gay memes i sent you after i brutally rejected you, insulted you and broke your heart :(" hun... then blitz tries to pattern-match, basically. "oh, if i get him horny things will go back to normal, where he's a prince using me for sex. normal, where i feel safe." he just wants things to be normal again so he can ignore everything he's feeling and forget everything stolas said because there's no way anyone could ever love him. right???
"but you usually like it when i..." what he's really saying is "this is the pattern! this is what always happens! can you please stick to the script and just let things go back to normal already i can't deal with this whole feelings thing???" and stolas goes "i'm not in the mood" - "i don't want to stick to the script, i don't want to do this fake thing with you, i'm hurt and i want you gone."
"i'm too much imp to simp" LMAO that killed me, like amidst my pain and suffering i giggled a bit
"ends shit before it gets serious" okay you're deeply afraid of emotional intimacy, we get it
stolas is a king for going "i'm uncomfortable, fuck off" like YES king lay down those boundaries and respect yourself! stolas is OFF his abused arc and i love that for him so much
"aaaaand there it is" blitz was so heartbreakingly relieved, like he just wanted things to be the way he thought, he just wanted to be right about stolas, because the alternative - that someone actually loved him - couldn't be true, was impossible in his eyes
"everyone but you" the sad part is how true it is. the whole episode blitz apologizes to everyone, but he never gives stolas the apology he deserves.
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mdhwrites · 18 days
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Since you watched Hazbin hotel, you maybe have watched Helluva Boss too. I have a question, cause im curious.
Do you think that Stolas's marriage was retconned to victimize him?
So I'm going to swerve this at first to just talk about the fact that what they did with Stolas is nothing new, it's just essentially twin tropes smashing together at the same time. Both are ways people use family to humanize someone, and in a broader context two ways in general used to humanize someone. His daughter is essentially "Save the Cat" where by showing a gentler, warmer, more caring side of himself, we know there's nobility in him which can paint some of his better actions in a kinder light. Meanwhile, his wife shows the pressure and cruelty upon him, the way life crushes him, that makes his crueler actions seem perhaps more like coping mechanisms. It's like giving an alcoholic a tragic backstory so you understand that he doesn't drink himself to oblivion because it's fun for him and he doesn't care about the harm it does to others but because he needs it to survive and function at all, at least in his eyes.
Neither of these tropes are bad either. Done with less awful character traits, you get stuff like the silly person who covers their trauma by being over the top and maybe ignoring reality more than they should. I myself literally used saving a cat as a way to humanize my noble main character in Little Miss Rich Witch because while she was dismissive of others and seem annoyed at many people's actions, now she was willing to hurt herself by reaching into a bush of brambles and help a kitten find safety. It theoretically can help assure the reader that a better person is under there and going to emerge eventually.
...Which brings us back to Stolas. Now the first thing I have to mention is that you're actually incorrect. I have not watched Hazbin but I mention a lot of shows that I've seen enough analysis, discussion, etc. for and feel comfortable enough mentioning some broadstroke elements that resonate with what I'm discussing. I HAVE seen some of Helluva Boss but ended it on the episode where Blitzo and Moxxie get kidnapped so I'm not ignorant on these subjects but I didn't really see when life went to complete shit for Stolas...
And I do not give a fuck because neither of these tropes function when there is no better man to speak of. I mentioned Rich Witch not just as self promotion but because of a REALLY important element that fails with his daughter: Follow through. Azu, the noble girl, puts herself in danger of breaking the rules because her busy schedule means that in order to bring the kitten to a shelter, she first has to bring it to school the next day. Then we find out that while she's tsundere about the reasons for working there and doesn't think animals like her, she actually volunteers at that same shelter so this is hardly the first animal she's saved in some way. This makes what is essentially virtue signalling an actual part of the fucking character. Stolas on the other hand, in the SAME EPISODE that we introduced to Octavia, has seemingly neglected his daughter's interests and the fact that she's been growing up for roughly a decade. Hell, even then, he still hires his boytoy to guard them so he can focus on being horny than his daughter and on other childish pleasures that he enjoys. So... Yeah, he gets a really sweet song with her but it's hardly like that's some small nugget smoldering at the core of his character as that fire burned out long ago.
Which brings us to his wife. Hey, why does the alcoholic have a tragic backstory instead of saying, "I beat my wife because she's a bitch and that's why I drink"? It's because the latter doesn't feel like a justified response. At that point, you are a horrible human being with little care for others, you're just bitching and moaning so that you can justify your terrible behavior. This is what Stolas is doing to his wife. "You're a bitch so I openly, confidently, CONSTANTLY cheat on you with someone I do not actually act like I give a fuck about except for his dick because otherwise show him basic human decency." At that point, the only reason the show manages to frame Stolas' wife as worse than him is because she never gets a song with Octavia so it comes across like only one tried to be a good parent before things went to hell and... That's just narrative bias, not strict fact. Not from what I saw.
These tropes only work when there is a better man underneath it all. There is no better man to Stolas. It's akin to how Blitzo has this tragic backstory, life has clearly dealt him a terrible hand... And he's just a complete horrid monster when it comes to those around him. Moxxie despises him for what he does to his privacy, his boundaries and his own personal life and for what? Because Blitzo gets off on it? Luna is a trying too hard goth chick and she isn't actually that mean or cruel or the like. Not even the fucking succubi that act as an antagonist for an episode are as bad to their people as Blitzo is to his and that's without getting into how that episode's proper antagonist is actually Blitzo, both because of past actions and present.
There is at no point, besides shallow backstory (which as always, backstory does not actually a character make because their present actions matter WAY MORE), where we really have a reason to think there's good people in there anymore. That's also why I dropped the show. I wanted to continue but it clearly was going to focus on its worst characters rather than anyone with an ounce of likability. Or, better yet, anything actually compelling about them several episodes into the series besides "Uwu, look at my tragedy while I harass the people around me."
I'm sorry, that just makes you the asshole. See you next tale.
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I had initially considering answering this privately since I don't know all the nuances about Blitzo's marriage... But also I watched 7 episodes (including the pilot), more than twice as many as most people tell you is a fair shake, and these were my impressions. At that point... Sorry, you have an uphill battle to prove your sexual harassment in story is somehow justified. The CONSTANT sexual harassment that is not just because they're in hell since Moxxie and Millie prove you don't have to be like this. It's still a choice.
I have a public Discord for any and all who want to join!
I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.
A Twitter you can follow too
And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.
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Hazbin hate and bigotry
(This probably is rambly because it’s almost 2 in the morning and these are half asleep thoughts)
Maybe this is just a me thing- or maybe this is glaringly obvious, but it’s so strange to me that a lot of the fandoms that get the most hate are ones where non-conforming people make up a lot of the fandom.
Steven universe and Hazbin Hotel/ Helluva boss are the first things that come to mind. Women, LGBTQ+ people, and neurodivergent people are a huuuge part of the fandom. Do they do some questionable and problematic stuff sometimes? Yeah- but what fandom doesn’t?
Things like Fnaf, Star Wars, etc. that have a large male audience are rarely treated the same way. Even though they used to be considered “uncool”, you were just nerdy or a little weird if you were into them(especially if you were a dude). Now a days people generally would think you’re a dick if you’re making fun of people for liking these things.
There were way weirder cartoons on back when Steven universe was airing. There are weirder things on now- the boys, Rick and Morty, both shows I do enjoy, but If their audience didn’t have a large amount of members that were/are cis men- they’d also either be ‘weird’ or at the very least not as well liked.
Even shows that are popular- think shows enjoyed mostly by women. Twilight, the vampire diaries- they’re generally considered cringy by people who don’t enjoy them. And men will make fun of women for enjoying it- this is less obvious than my previous examples because a lot of women who are considered “normal” like these shows. That doesn’t stop them from getting made fun of for liking them, or judged- mostly by men. A lot of the hate I see for something like twilight outside of men just calling it dumb is actually well structured analysis of the books and movies, not just bullying.
I don’t think I’ve seen many shows that can get away with marketing to young adults who aren’t men. They are either blasted on the internet like the people who like them are some kind of cringy freaks (Steven universe, Hazbin hotel, etc), or they fade into obscurity or get canceled (inside job, tuca and birdie).
If something is weird- it has to be for men, or it’s suddenly a crime to enjoy it.
P.S.
This is also seen inside fandoms that have become more socially acceptable. When people are nerdy in ways that aren’t necessarily ‘cool’ or generally accepted they are often bullied by not just other people, but people in the fandom. Honestly even when more diverse people get INTO fandoms some fans go crazy. “Omg girls and gay people like Star Wars?! They’re ruining the movies!” By simply existing or posting silly little fan art videos on TikTok because they’re enjoying their media and not just letting their eyes glaze over while they watch a movie.
P.P.S.
This is of course not to say these shows or some of their creators don’t have flaws- obviously they do. However people often magnify these flaws in order to have a ‘non-bigoted’ way to make fun of people who don’t fit into their world view.
You’re not a good person if you bully neurodivergent teenagers off the internet because they like something you don’t. Do some self reflection. You can not like something and just choose not to engage with it.
P.P.P.S
The leopards will also eat your face, btw. (For those of this who it applies to. You know who you are.)
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lolotheparagon · 1 year
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Helluva Boss is Hella Sexist To Both Men and Women - Part 2
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In my last post about HB, I was discussing how the main female characters of HB get shunted to the sidelines/used as a vehicle for the men's character development. And its about time we started talking about the male characters as well. Cos despite how female characters being mistreated is the more pressing issues (cos female characters always have trouble being written properly for hundreds of years because the writers were incels or misogynistic women) male characters have their own stereotypes or objectification that writers fall into. Especially in regards to mlm relationships (OH, WE'LL FUCKING GET TO THAT)
But for now, lets talk about the main guys in HB:
Blitzo
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I might as well go into full character analysis here cos Blitz is ultimately the protagonist of the show. Blitz is a interesting character by concept. A foul-mouthed demon with a literal devil-may-care attitude, completely unprofessional, loves his job as an assassin but also craves love and intimacy with others but struggles to due to a history of failed relationships in the past so he hides behind a mask. Hes an absolute mess of a character and I love that. Blitz is not only a good vessel for comedy but drama as well as his self-sabotaging of his relationships with his friends/co-workers can be a great character arc of him learning to trust others again and start to love himself...
HOWEVER Vivziepop just LOVES throwing angst upon angst onto this guy cos it seems that every past relationship he's had from an ex-girlfriend Verosika to his former partner/childhood friend Fizzarolli to even HIS OWN SISTER ends bitterly and it seems no one from Blitz's past even likes him or is on some amiable ground. Verosika is portrayed like an antagonistic ex, Fizzarolli condescends and humiliates him and from what we see of Barbie's view from that animatic, she comments on how he fucked up her life. So we have two women who are scorned at him (one for justifiable reasons since Blitz was an inconsiderate jerk and the other for reasons we dont know yet) and a guy who broke ties with him to be his rival. And its not like Blitz isnt remorseful because whenever Verosika talks about their relationship, you can see the look of regret on Blitz's face and he was shown to be scared whenever he encounters Fizz, like a kid scared of a bully.
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Even Blitz's relationship with his adoptive daughter is fucked up, Loona constantly abuses her father when hes done ABSOLUTELY NOTHING to warrant it outside of him being protective at a few moments or babying her (and by babying her I mean calling her Loonypoo or showering her with gifts and hugs). Aka what a typical parent is like. And yet he constantly bends over backwards for her and Loona hasn't even learned her lesson to stop being a bitch cos apparently the writers think women hitting men is funny. There are a few moments of them getting along, but its only for comedy. I would say the only good relationships Blitz has is with Millie and Moxxie. But even that's pushing it cos Blitz barely interacts with Millie in any meaningful way outside of co-worker banter and with Moxxie, the only meaningful scenes they share is in the Truth Seekers episode or that little scene in Seeing Stars.
Ultimately Blitz' relationships with others is why he's such a fucked up mess of a person to begin with. While he has a more stable relationship with his current friends/co-workers, the people of his past keep coming back into his life to mess with him and while he clearly regrets how he treated some, like Verosika, others like Fizz, are okay with hurting him for the evulz and thus set them up to be villainous foils. With all this baggage plus his traumatic childhood regarding his father and presumably dead mother, Blitz sounds like a great character to explore, especially with two characters who both have history with Blitz in different ways. And they barely show up.
You see, Verosika and Fizz ONLY appear in a couple episodes. Fizz appears properly (not his robot double) in the season 1 FINALE and his past with Blitzo is only expanded upon in season 2 premiere whereas Verosika had her own episode in season 1 earlier and her only other significant appearance is in the finale. Apart from that, we only get snippets of info about their relationships from Blitzo's viewpoint. WE HAVENT EVEN SEEN A FLASHBACK WITH BLITZ' BREAK UP WITH FIZZ OR VEROSIKA.
And then we come to his relationship with Stolas...and its fucking awful. That image at the top of this post? Thats what Blitz thinks of Stolas. Doesn't look like a wholesome relationship, does it? I can talk about Stolitz enough to fill a bible but to summarise: Blitz' relationship with Stolas is incredibly fucked up and whats worst, its shown so far to be one-sided. What started as a transactional sex relationship in order for Blitz to use Stolas' grimoire to enter the human world to do his job. (the ONLY METHOD HE HAS, mind you) And from what we see of Blitz' view of this relationship, he's tolerant of him at best to annoyed and angry at worst. The one scene at the end of the season 1 finale cements this when Stolas wants to comfort Blitz after the scene at Ozzies and Blitz refused to have sex with Stolas cos hes deeply hurt and embarassed after everything thats happened that night.
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(btw love this video is titled Blitzo hurts stolas feelings. Like the scene of Blitz being publicly humiliated by both his ex and his rival didnt happen not 1 minute ago with Stolas just standing there not even saying anything so Blitz is clearly hurt by that but nooooo sad gay owl uwu)
Throughout the first season, Blitz treats Stolas like an abhorrent admirer with how Stolas constantly coddles or flirts with him to the nth degree and the argument shown above thats supposed to be the climax of this relationship's problems isnt even RESOLVED when the second season rolls around, the show just treats Blitzo like a tsundere slowly becoming more chill with someone whom he's force-shipped with. The writers really REALLY want you to root for Blitz to be with Stolas yet Blitz has been nothing but uncomfortable or annoyed in his presence. Look at Blitz' face on these photos on Stolas' phone. He looks bored as fuck. oH buT ItS OKAy cos BLitzo hAS a PHOTo of HIm slightly smiling AFter the two had secks so its all good.
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That's not the gotcha card you think, guys. Still doesnt excuse how fucked up the relationship is
The main problem I have with Blitzo is that Vivziepop LOVES to torture this imp for drama with scorned lovers, estranged siblings, an abusive father, a presumably dead mother, an ex-best friend who's now his bully, a one-sided relationship with a powerful prince thats built on coercion and pity sex. And yet the show flits back on forth on making him this lol screw you memelord who doesnt give a fuck to a tragic, broken man who doesnt know how to love anyone and himself anymore and the show doesnt dwell hard enough into the latter. I want Blitz to get therapy already or have him actually learn from his mistakes and the show doesnt punish him for it or treat his abuse like a joke. Ive got nothing wrong with a protagonist who's an asshole but dumping all this trauma and angst onto this character who's already got issues to deal with in his current life (like stalking, his lack of respect for boundaries, saying the r slur or making fatphobic jokes) is just depressing.
Moxxie
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Moxxie is by far my fave character for how level-headed and kind he is but cos the writers are so indulgent with their tropes, they've flanderised him into a soft boi malewife, infantilising him to the point he literally cant do anything without his wife picking up the slack.
My three main problems with him are: his status as a butt-monkey, his lack of agency and his co-dependency on Millie.
To start with: he's the most morally upright imp on the team so its only natural he would be the butt monkey of the team, but despite how Blitz respects him enough as an assassin, Moxxie is still ridiculed, assaulted and attacked by Blitz, Loona, Verosika, practically everyone except his wife. And while having a butt monkey for comedy is fine, the show goes out of its way to mock Moxxie for things that are so nonsensical it feels more like degradation than snarky banter. For some reason, theres a running gag where Loona and Blitz mock how fat Moxxie is...Look at him! He's thin as a pencil! WHO THE FUCK CONSIDERS THAT FAT?! And whats worse, Moxxie has internalised this by saying to Loona in the most recent episode that he lost weight, to which Loona looks up at him and ignores him. Why is this a running gag? What is the reason? It feels so cruel and pointless.
Secondly, his lack of agency. Despite Moxxie being the most intelligent of the team and his name LITERALLY MEANS "fighting spirit." he's still delegated to a damsel in distress or be given the idiot ball so other characters can have more spotlight. In the Spring Broken episode, while Blitz is distracted with Loona and Verosika, Millie and Moxxie put up the slack and carry on the mission, but Moxxie accidentally gets drunk and spends the rest of the episode being an inebriated doofus. Little moments like this are funny but there was and entire subplot in Seeing Stars where Moxxie gets roped into buying demo CDs and merchandise from every hack artist he bumps into in Hollywood and its up to Millie to take charge.
In the Exes and O's episode where we finally meet Moxxie's father and the uncomfortable reunion plus Moxxie's traumatic childhood flashback perfectly builds up to a scene where he stands up to Crimson for forcing him into marrying a dickhead shark and yet Moxxie gets struck down in one shot and wakes up being tied up at the altar. So the one chance Moxxie gets to take down his monstrous father is completely negated. Thats fucking weak.
Isnt Moxxie supposed to be a professional assassin? Have him do more badass stuff. Let him take control of a mission or a rescue. Have another scene like the Harvest Moon festival where he intimidates a villain with a DEMON-KILLING GUN. Or that scene where Blitzo and Moxxie take down a bunch of human agents in Truth Seekers. He has incredibly knowledge of weaponry and technology which are excellent skills for an assassin to have, so USE THEM. Where's this Moxxie?
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This issue also ties into his relationship with his wife Millie. Even though M&M have the most stable wholesome relationship in the whole show, half the time it feels like Millie is doing the most physical work out of their relationship. Whenever Moxxie is in trouble, kidnapped, put in danger or held hostage, Millie always bursts in to save the day and that would be fine except it makes Moxxie look like some baby who cant even tie his bow without Millie there. That whole wedding crash scene in Exes and O's was all set up so Millie can burst in doing cool badass fighting and save her husband. Why couldnt Crimson lock up Millie and Blitzo too? Well, we wont be able to have our cool Millie fight scene where she murders a bunch of thugs and do a Shrek reference. It feels imbalanced calling these two a "power couple" where only ONE of them is powerful and the other is just the emotional support noodle boy. And its even worse how Millie so far hasn't been in a situation where she needs support from her husband so we dont see that much of Moxxie being a good husband outside of cute couple banter.
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Basically less this and more of this
Lastly, it seems he gets hit with the angst stick too, cos the most recent episode was about his traumatic childhood with his abusive mob boss father and it turns out he isnt even dealt with or killed by Moxxie, the imps just rescue Moxxie and fuck off so Crimson can continue to be more of a problem. Yeah, that's exactly what this show needed. More traumatised men having their abuse being completely glossed over/treated as a joke so we can have our precious status quo. Except the rich white guy, he gets his happy ending.
SPEAKING OF WHICH...
Stolas
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Oh god, its time we talked about this fucker.
My issue with Stolas mostly stems from two things: his treatment of the people he's supposed to care about like Blitz or Octavia and his flanderisation from a clingy rich asshole from the pilot who is in a transactional sexual relationship with a low class imp to a precious soft uwu nice guy who tries WEALLY HARWD
Vivzie clearly likes Stolas and she's been pushing for him to be a main character since the beginning, but the problem was Vivzie wants Stolas to be a well-intentioned person WHILST being a barely trying father to his teenager daughter and still being in a borderline SA relationship with a commoner.
Now I like the idea of Stolas being a complex character, theres nothing wrong with a flawed but sympathetic character (which Vivziepop is clearly trying to do). Stolas has made mistakes, he's neglected his daughter, cheated on his wife and put the only person he claims to love in his life in a transactional sexual relationship with a commoner imp, whilst treating other imps with apathy or disdain. These are all great things to unpack with Stolas, giving him the reality check he desperately needs (lets not forget he's a privleged prince of Hell and hes always been rather ignorant) so he can improve and be a better person, not just for himself, but to his daughter and to Blitz, whom he's grown to care about beyond sexual attraction.
BUT NOPE! Lets give Stolas a tragic backstory in the season 2 opener (JUST AFTER THE PREVIOUS EP TALKING ABOUT HOW STOLAS CLEARLY REALISING BLITZ DOESNT RECIPROCATE HIS FEELINGS AND THAT STOLAS MISINTERPRETED THEIR RELATIONSHIP). Lets give him an unhappy childhood, a father who doesnt care about him (yes Vivzie slap on another abusive dad to your characters as a shortcut for the audience to sympathise with them, that'll work), an unhappy marriage to an abusive woman, his relationship of Blitz is now established as a childhood friends trope (although I use the term VERY loosely as the two aren't even friends for more than a day) and instead lets depict Stolas' affair from a messy, complicated dilemma Stolas has to deal with the consequences to a triumphant act of defiance over an abusive wife. And dont get me wrong, Im totally fine with Stolas divorcing Stella, it was clear their marriage even in Stella's first appearance wasnt happy. BUT considering how that whole Circus episode was used to make the audience sympathise with Stolas EVEN MORE than the show was already doing, its overcompensating at this point.
When a show is shoving so many sad tragic scenarios into a character's backstory so the audience can buy merch feel sorry for him, thats a sign the character himself isn't very well written.
Lets also talk about Octavia, his teenager daughter who's bared witnessed to her parents declining marriage careening into divorce and while this is happening, we see Stolas making bare minimum attempts to fix his relationship with her. In Loo Land, we see Stolas taking her to a park she's clearly not interested in going to cos he's too stupid to ask about his daughter's interests and spends half the episode flirting with Blitz. After a talk with Octavia and comforts her afterwards, taking her out of the park and suggests they do something she enjoys. Now, I loved that. It really showed how Stolas can put his horniness aside to help his daughter. BUT in the next episode about them, Stolas dismisses Octavia AGAIN cos hes too focused on arguing with his ex-wife, causing Octavia to run away to the human realm. And sure Stolas is worried sick once he finds out Octavia's gone but when we get into the human realm and both him and Blitz get shoved into a sitcom studio, STOLAS JUST GOES ALONG WITH THIS WHOLE SITCOM SUBPLOT AND AGAIN FLIRTS WITH BLITZ LIKE THE PREVIOUS EPISODE OF THEM INTERACTING DIDNT HAPPEN.
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With how anxious Stolas was acting throughout the first act of the episode, you would think that he wouldnt have time to deal with Blitz' sitcom shit and spend the day but NO FOR SOME REASON LOONA'S THE ONLY ONE WHO IS ACTIVELY SEARCHING FOR OCTAVIA. OCTAVIA'S OWN FUCKING FATHER IS TOO INCOMPETENT TO SEARCH FOR HER HIMSELF ALL BECAUSE OF SOME WACKY COMEDIC MISUNDERSTANDING WITH BLITZ. Oh sure, your teenage daughter's missing in the human realm but nah l'll just carry on simping for my imp bf cos HEY AT SHE'S NOT IN DANGER.
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Loo Land: Stolas wants to spend a day with Octavia but ends up distracted with Blitz and learns to pay attention to his daughter and support her.
Seeing Stars: Octavia wants to spend a day with her father but Stolas dismisses her because he'd distracted with arguing with his ex-wife, causing Octavia to run off to the human realm, Stolas goes there but spends half the episode watching Blitz in a live sitcom instead of finding his daughter and yet is forgiven for being a neglectful dad.
But its okay cos Stolas and Octavia have a big hug at the end (they dont even get a chance to talk about the divorce btw since this is the first episode featuring Stolas and his family after the divorce) and despite how hurt and neglected Octavia felt by her dad, she's like "ah its no big deal the furry here told me dads fuck up but they mean well so im good now". So Stolas makes the bare minimum amount of parenting and he's forgiven for it cos he TWIES. Not trying hard enough, just trying at all. "Cos hey, at least its better than nothing!"
Vivzie, this plus the amount of abusive fathers youve already got in this show, I think you have daddy issues. You might wanna get that checked out.
So, much like with its female characters: Helluva Boss has serious problems with how it portrays men. The man with shitloads of emotional trauma and abuse is glossed over/never resolved for the sake of drama and protecting the status quo. (Blitz, Moxxie) The soft-spoken male being infantilised to the point he cant even fight his way of a paper bag with his badass hypercompetent wife to help him (Moxxie), the father who does the bare minimum amount of effort for his daughter and is forgiven for it because HE MEANS WELL (Stolas), the utterly RANCID fetishisation of mlm relationships with the endgame couple going from a toxic sexual manipulation/transactional relationship into a forbidden lovers romance (Stolitz) and the rest of the men in the show are either sex-obsessed (Chaz, Fizzarolli) or abusive (Paimon, Blitz' dad, Crimson) cos MEN AMIRIGHT?
Yeah there are a lot of perverts, coomers and abusive dads irl. Im not saying Helluva Boss isnt accurate to that fact. But these are negative stereotypes about men that shouldnt be shoved in our faces all the time. I think the only recurring male demon character so far who ISNT a chauvinistic dick, cruel or abusive is Wally Wackford. I know people pull the "oh theyre from Hell, of course they're jerks" to excuse all of this but thats fine when theyre characters youre not supposed to sympathise with like Crimson or Blitz' dad but its another thing when your supposed to sympathise with characters like Stolas but they're fucking horrible and yet the show constantly treats them like precious babus who did nothing wrong, while the characters who ARE legit sympathetic (Moxxie, Blitz) are dumped pain after pain onto them cos that makes good dramatic scenes for Youtube, not a story.
Part 1: https://www.tumblr.com/lolotheparagon/712718858369286144/helluva-boss-is-hella-sexist-to-both-men-and-women
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justanotherhh · 3 months
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I picked the absolute wrong time to get emotionally invested in stolitz I got into helluva boss after I finished watched hazbin hotel s1 then over the next few months i watched a load of stolitz analysis videos then the moment i got on board they broke up because character stuff how to cope in the next few months.
lolllll commiserations, but also! if I may counter...
I too got into helluva post-hazbin s1 (I'd seen the hazbin pilot back in the day, but hadn't realised there was a whole other show also being made) and I'm kinda feeling this is the best time to get into it, because:
I confess, I like to know what's going to happen, I like to have a strong sense of structure, and while that structure does begin to appear pretty early on (we introduce recurring villains and characters, relationships that'll be picked apart, etc. way back in the first few episodes of s1) it's not until end s1 and especially s2 that these teasers start to bear fruit... kind of like any tv show really except ofc one does have to (understandably) wait quite awhile between episodes on this one
I'm glad, on the note of waiting between episodes, that I got some run-up where I could just watch some stuff and then settle down for the next part of the story. I've got all the stuff I want to theorise on what's coming next (certainly far more than a poor soul watching back in s1 presumably had) and I have a strong sense of the trajectory of the show
I... am so into angst..... oh it's the best feeling..... I wanna sit in this space for aaaages, which is good, because I don't think they'll even start patching things up until the finale (I could be wrong about that ofc, get a loootta curveballs in these 20mins). i also like the doors it opens for Blitzo to suffer more, what can I say... he's my favourite, I want him sad (tbh I also want him hurt, but hey, we've got a whole other two seasons coming after this, I can cross my fingers for that)
in conclusion: So Much Information! So Much Character Growth! Several Episodes! Angst (if you're me)! But also it's not finished, so you know there's pleeeenty more to come in this story, which is its own joy!
do not be too saddened by things. consider, you could have been waiting after Ozzie's without a clue as to whether they'd broken up or not (the answer, ofc, was "mmmmno but that's just because they're not talking about it, just you wait...")
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helluvatired · 5 months
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my helluva boss 2024 trailer analysis part 2
(keep in mind that this is all just speculation and analysis, so i can be totally wrong in the end lol)
(part 1 here)
we have blitzo protecting stolas from something, and i think it's from andrealphus.
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the floor is the same as in this scene, and it looks like snow and ice
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i think we're going to have a flashback to how millie met blitzo, because she has big hair here (she had big hair when she married moxxie), this scene is probably when they met
or else it would be a big timeskip, but i think the first option fits better
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then we have mammon in a suit. he looks much more asshole and intimidating like this /pos
just like stella, he must also be resolving the breakup in a bureaucratic way
he also has stim toys lol
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this character (possibly satan) also appears to be in the same scenario as mammon, who also appears to be in the trial scenario
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i don't know if stolas' divorce would be so important for the seven deadly sins, so maybe it's another matter or this trial is a place that powerful beings use for bureaucracy
you will be ok (reprise)????? octavia appears to be in the same place as stolas teleport in ep 2, or somewhere similar
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blitzo is wearing a white outfit with red stains (blood?) in all these scenes, so i think it's safe to say it takes place in the same episode
also, will verosika and stolas become friends?
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this seems to be on the ep apology tour, it makes me wonder if the whole ep is going to be a musical
he is wearing the same clothes here
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considering that stolitz will break up in full moon, and this ep is an apology tour, blitz will start to look at stolas in a different way now
i don't think they will get back together in this ep, but it will be a step forward in their relationship
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he's definitely looking at blitzo here, and he looks hurt
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i also loved having the name and date for the next eps at the end of the trailer! it makes the audience have a little control and also be able to plan a little in advance. it's a great idea! :))
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GUYS I'VE OFFICIALLY LOST IT-
So. Awhile ago, I saw this post, right? Basically it just said that Sera and Sir Pentious' cards have very similar compositions, and that Seraphim, which is what Sera is, are often associated with serpents. Interesting, but could still be a coincidence, right?
So anyways I checked the reblogs and saw somebody say they should kiss. And now I'm insane.
Because like... the only thing we know really about Sir Pentious' potential story arc in the show is that he's gonna have a crush on one of the other characters. And the only thing confirmed about his sexuality(to my knowledge) is that he is attracted to women. We don't really have any way to know who his crush is, because there are a lot of women in Hazbin Hotel, but could still be noteworthy, right? And like... okay this is gonna sound like the most "trust me, bro" evidence I could possibly pull out of my ass at first but I just need you to hear me out here, okay? Sera's crown and Sir Pentious' hat have a lot of visual similarities. Here's a helpful diagram :)
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Which like. Okay. Could literally be nothing, right? Except for two small things that I can't let go of: One, Sir Pentious' goggles + the v-shaped brim on his hat were added to his design AFTER he was given a more prominent role in the show-
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(Pilot design, back when he was meant to be a one-off villain of the week vs current design as a member of the main cast)
And two, the Hellaverse shows kind of have a tendancy to use visuals in order to signify characters' relationships to eachother. It's also just a pretty popular form of symbolism as a whole tbh, but the Hellaverse has a lot of really good examples. Like, for instance, how Vaggie's new outfit is a lot closer to Charlie's color pallette than any of her previous designs, or this really good breakdown by @/raeynbowboi about the symbolism of hearts in Hazbin Hotel and how they pertain to Angel Dust/his relationships! It's from awhile ago so some of the info is a tad outdated, but overall I do think the analysis holds up. Meanwhile, in Helluva Boss, Moxxie and Millie have basically the same color pallette and they were the most functional relationship in the entire show before before Fizzmodeus came along. Which, speaking of those two...
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See, I made this diagram because, after I pointed out the similarities between Sera and Sir Pentious' headgear to my dad and asked him if those kinds of similarities were a valid form of analysis(because I am but a humble highschooler that doesn't know everything about media analysis, and also I felt like I was losing my mind-), my dad said that I should look at the creator's(Vivziepop's) other works to see if couples having similar motifs was a recurring theme. So obviously, I picked my favorite couple in either show and disected their designs for every little detail that could maybe possibly be an intentional parallel. And while some of it is kind of iffy, like Fizz's limbs being the same kind of blue as Ozzie's tufts could just be a way to show that Ozzie made them, or both of them having uh, two things sticking off of their head(that one's definitely a reach-), I think stuff like both of them having hearts as a recurring detail in their designs or having lITERALLY THE SAME EYE COLOR??? Are pretty good evidence that Viv/the Hellaverse design team tend to use visuals to signify characters relationships.
ALSO!!!! If the Fallen Angel Vaggie theory ends up being true, there could be some interesting parallels to draw between Chaggie and Sera/Sir Pentious! Something about like... demon royalty/random angel vs angel royalty/random demon. Could be used to draw parallels between how the two societies treat that kind of thing idk.
So, now that all the meta evidence is out of the way, we can get down to what really matters: would these two work as a couple? Do their personalities mesh well togther? And the answer to that is!
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IM SORRY FOR USING THE GIF IT WAS A GOOD JOKE IN MY HEAD BUT TYPING THIS OUT IDK IF IT'S ACTUALLY FUNNY-
But in all seriousness, I don't actually know. We just... haven't seen enough of Sera to know for sure. In fact, this whole theory is based off of small details that definitely add up to SOMETHING, but could very well be pieces to some very different puzzles that I'm trying to shove together because somebody jokingly suggested that they would fit. Like, the parallels really COULD mean something, and it COULD have something to do with Sir Pentious having a crush on another character, but like. There could also be a million other answers to both of those questions, y'know? I also have a tendancy to make wild conspiracy theories about genuinely inconsequential details... I almost never talk about them publically, but still. Though I will say, based off of Sera's description in the leaks, I could definitely see a world where she bounces off of Sir Pentious pretty well. Her description in the leaks very much gave me uh... Isabela cover of Surface Pressure vibes, y'know? Shit that is- that is a weird way to describe that but most people on here have seen Encanto right? Y'all get it? And Sir Pentious is both a Victorian Gentleman Type and completely unhinged. Like... idk there's something there. I could maybe see it working. But at the end of the day, it's just too early to tell.
That being said I WILL be trying to pump out some fanart of these two before the actual show comes out and crushes my crackshipping dreams. Also their ship name is either SeraPentious or PentSera I can't decide.
Edit: Wait a second... SeraPent. Serpent. PUN!!!!!!!!!! Okay I think I'm going with SeraPent-
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ripplestitchskein · 6 months
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I've been binge reading your Helluva Boss and Stolitz posts for a while now and I love how mature and nuanced your takes are. I've run into a good deal too many Stolitz antis on Twitter who won't give Stolas and Blitzo's relationship a chance to improve later, despite the show clearly trying to do just that. I'm especially tired of people saying that their relationship is one-sided. And even when actual evidence is put out there that Blitzo actually does like Stolas back, they say it doesn't count because those hints are less than 5 second long small details rather than being spoonfed to them. Just argued with one of them on Twitter like an hour ago and that's exactly what they said. And they accused ME of not paying attention because in their mind, Stolitz was built up from sexual assault, and they think Blitzo's line in Western Energy "He can get hurt?" is somehow out of character which confused the hell out of me, and they kept insisting that Blitzo had "zero interest" in Stolas no matter what.
Thank you so much!! I do try my best to be as rational and logical as possible so I’m glad it’s coming through, not to say I don’t have emotionally based reactions or bias but in my meta analysis I try to set my personal feelings about the text presented aside and just talk about what it could potentially mean based on recurring elements, themes, and deliberate choices made throughout not just in individual scenes.
LooLoo Land is a perfect example, there are some moments in that episode I heavily dislike (Blitzø shoving the dolls down his pants, the “as long as she washes it” convo, and Stolas being sexually inappropriate in front of his kid) so I do understand some of the criticism. It was also episode two and being a creative myself I know firsthand that things like that happen. You put in things early, for a joke, a laugh, to highlight personalities and they don’t necessarily come across the way you intended or jive with where the story ends up. Which is why a lot of my analysis takes in the entirety of what we have so far, the recurring stuff, not just individual moments or one off lines.
I’ve always maintained that it’s crucial to remember that creators are not perfect beings who are getting their story from on high fully formed, they make mistakes, they get inspired and take things in a different direction as things develop, they can contradict themselves over time. It happens.
It’s also a cartoon so it’s limited in how much it can even do, how expressive the characters can be, how much time they have to explore and the medium absolutely comes into play when analyzing it. Art has always been and will always be subjective, and unless the creator flat out contradicts something it’s largely left to interpretation, but that interpretation cannot be based on one scene, or one episode, or a one off bit of dialogue or a single expression either.
I always encourage not wasting your time arguing with people who are still serving up early content talking points or who dont have media literacy as a learned skilled. I know it’s super hard, I’m guilty of it myself. I was so close to going off on a “Stella and Stolas are mutually abusive” take last night you have no idea. It was more the dude was just being deliberately obtuse to the point I stopped myself and was like “they have to be trolling, no way someone believes this”. You can’t change their minds, they obviously don’t want to engage with the material from a place of good faith, and it just bums you out at the end of it.
A lot of them are really young too I find, which may be part of the disparity. I’m 38 so I have a lot of different experiences to draw from they haven’t had yet. I’ve been a fandom girl since I was a kid, I’ve always been a shipper and I also create things so my perspective is further down the line and with lived experience some people don’t have yet. I’m reminded of this daily, my oldest son is 18 and we have many conversations where I’m reminded about how much you learn as you grow older and the assumptions you make as a younger person. This is not to say that younger people can’t think critically but it is a skill and it improves over time like any other.
I also encourage people to think of what is being said and why. There is a lot of hate for VivziePop as a person. My understanding is she said some things early on and created a hate base that is going to deliberately misinterpret just to validate their initial assumptions about her motive and character. With popular things there is always a small subset that hate a show because of its popularity too, I don’t think because they are jealous like some speculate but because they didn’t personally enjoy it and don’t like feeling like they are missing something, so they take it in a “it must be the children who are wrong” Principal Skinner approach. They can’t see why people love it so those people must be ignoring what they didn’t like about it and they must tell them.
Sometimes people like another ship or another character more, and their ship might involve one half of yours, or they don’t feel their character is getting the same focus and attention because of yours. So instead of just letting everyone enjoy their own things it’s now a competition, a source of resentment and they must make that everyone else’s problem.
And I’ve talked about the fascistic purity culture that seems to encroach into fiction spaces as well that is also at heavily play. Any time a character does anything that is vaguely “toxic”, “problematic” they are immediately painted with the SA brush, the creator is promoting it and the fans are enabling it and are somehow directly responsible for it existing in the world. You can’t do anything about them except enjoy what you like, look at it critically within your own personal comfort level, and as always, my favorite thing to say “kill the cop in your head.” Not just with fiction but everything.
I’m glad my analysis is being enjoyed, and I super appreciate your feedback on it. Come to my inbox anytime and we’ll enjoy the ride together!
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squadxx4392 · 8 months
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Analyzing "Just Look My Way - Stolas' Lament" - Incomplete Version
So we all know that Stolas from Helluva Boss is very, very much in love with Blitzo(The 'o' is silent, so pronounced as 'Blitz').
However, throughout the series, Blitzo seems to be oblivious. An example of this is stated in the Helluva Boss series, "Hey! Stolas only cares about having a rugged peasant raw-dog him into his mattress, it's nothing.. y'know.. it's nothing else(Season Two, Episode Six, 10:12-10:20)."
Now, shortly after another episode of the series came out, season two episode seven, to be exact, a music video came out. It was a song for Stolas which, in the first minute, everyone could tell it was indefinitely about Blitzo.
The beginning of the music video starts with Stolas receiving an Asmodean Crystal from Asmodeous, the Sin of Lust, which Stolas had asked for in the sixth episode of season two, "...he needs to access the mortal realm to carry out his work. I know your demons are some of the only ones who can traverse freely and legally. I was wondering if you could help me find a way he could, too?(Season Two, Episode Six, 7:33-7:46)."
Throughout the music video, Blitzo is being compared to the full moon, which, as per an agreement the two made in the very first episode of the series, is a reference to their full moon contract.
Basically, their 'unspoken contract', as Stolas put it, is Blitzo gets to use Stolas' grimoire for his work, and because Stolas requires it to finish his duties with the Goetia family, they have a once monthly meeting on the full moon, where Stolas collects the grimoire and they have a night of 'passionate fornication'.
This is what makes Blitzo think of Stolas as a prick who doesn't want anything more than sex from him. This was stated in season one episode seven of the show, "Stolas, don't act like what we have is anything but you wanting me to f**k you, okay? You make that really clear all the time(Season One, Episode Seven, 14:36-14:43)." And this was what Stolas has realized what Blitzo thought of their relationship.
And so, in an effort to prove Stolas truly loves him and truly cares about more than sex, he is going to attempt to give Blitzo the crystal so he isn't made to associate with Stolas as he wouldn't require the grimoire to travel to Earth.
Now, back to the music video, which is what this analysis is truly about. We are going to be analyzing the lyrics of the song, and the meanings behind them.
After Stolas starts singing, he sings, "I am a guardian/a watcher of these ancient rites/yet I find myself drawn from that path/on those dazzling moonlit nights(Just Look My Way - Stolas' Lament, 0:30-0:46)." This is a reference to the full moon escapades he and Blitzo have.
"I can give you everything you need/Or do you want to hear me plead/Just look my way/Just look my way/Is there something more that I don't know/That you won't say 'til we've both grown cold/Just say 'please stay'/Look my way(Just Look My Way - Stolas' Lament, 0:47-1:33)." Through these lyrics, Stolas shows how much he truly cares about Blitzo. He is willing to plead with the Imp to show him how much he cares about him.
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the-xolotl · 5 months
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“… I want someone to want me”
Helluva Boss trailer spoilers + Stolitz small analysis !!
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i feel like Stoles might be letting go of Blitz. he’s tired, he’s the first one to say how fucked their arrangement is not to mention the entire song of inner-conflict he had about his relationship with Blitz. Stolas, while still not the greatest, is becoming the bigger person and possibly wanting to call it off for good.
when we have the line of Octavia calling him out on putting Blitz before her and Stella we get the lovely imagery of many portraits of Blitz cracking and shattering away is a whirlwind. without being over analytical, it does give me the sense that this is causing a great impact on Stolas, he has to let go and destroy (in a way) what he feels for Blitz. he has come to the conclusion he needs to put aside his feelings.
and because he just needs to put himself first. Blitz isn’t receptive of his feelings no matter how hard he tries, and he has has endured a loveless marriage for far too long to now be in a situation of the exact same kind with someone he knows/thinks won’t change, even for him.
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this scene here particularly breaks me because all the scenes we see Stolas in we see a defeated, reluctant, and resentful individual and it’s almost always when he’s with Blitz.
But there’s a lot to be said about Blitz as well, because even if Stolas pulls away first, Blitz is surprised but then walks away angrily. further demonstrating his unwillingness to fight for Stolas. and he still stand where he is, he doesn’t walk away but he’s also done chasing him.
then we hear Blitz speaking and going on the same narrative that he has convinced himself is the only truth; that Stolas uses him as a kink and stress reliever. no matter how hard Stolas tries, Blitz won’t hear to him or even believe him when he tries to show he does genuinely like or even loves him. and so he walks away.
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it goes back to his line in “Look My Way” ; I must grant you this choice.
Stolas wants Blitz to choose him, but to a degree knows he won’t.
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sunnysaystuff · 4 months
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hi
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𖤓 feel free to tag me in any post if we're moots, even if we don't know each other well! i love being tagged in things!
𖤓 here's my taglist / moot list, which you should definitely check out if we're moots, and leave a note so i can add you to it!
about
𖤓 call me: sunny / (if you know me) whatever name you already use
𖤓 pronouns: any
𖤓 would recommend following me on the basis of these fandoms: marauders, hazbin hotel / helluva boss, septimus heap, great gatsby musical
𖤓 wouldn't recommend following me on the basis of these fandoms (which i'm in regardless): atla, mlp, assassination classroom, wof (the fanfiction is surprisingly really good like read dark seas by riokodragon), gilmore girls, spiderverse, wednesday, the locked tomb, gomens, stranger things, six the musical (sam pauly!!), ginny & georgia!!
𖤓 if you follow i'll probably follow back! i love getting new moots
tagging system
𖤓 #sunnysays - when I have thoughts! (non rbs; stuff I say) --- used often
𖤓 #sunnyficrecs - when I give fic (fanfiction) recs --- hasn't been used in a while
𖤓 #sunnytrack - posts of mine that I wanna reread --- sometimes used
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𖤓 #sunnysaved - self explanatory --- used often
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fics
𖤓 I have about forty wips and...one posted on ao3, so.
𖤓 stars aligning --- post briefly explaining it
meta
𖤓 [#MARAUDERS]: my thoughts on the jegulus drama + ADEAB (all death eaters are bastards)
𖤓 [#MARAUDERS]: anti tall alpha remus x needy sirius
𖤓 [#MARAUDERS]: quick note on anti alpha dom james
𖤓 [#MARAUDERS]: quick note saying EVAN AND SNAPE WERE FRIENDS!!
𖤓 [#HELLUVA BOSS]: underlying meaning of stolas's "'cause i am not a thief"
𖤓 [#HELLUVA BOSS]: analysis of the first scene of apology tour
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