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antoniosvivaldi · 3 months

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Neural Filters Tutorial for Gifmakers by @antoniosvivaldi

Hi everyone! In light of my blog’s 10th birthday, I’m delighted to reveal my highly anticipated gifmaking tutorial using Neural Filters - a very powerful collection of filters that really broadened my scope in gifmaking over the past 12 months.

Before I get into this tutorial, I want to thank @laurabenanti, @maines , @cobbbvanth, and @cal-kestis for their unconditional support over the course of my journey of investigating the Neural Filters & their valuable inputs on the rendering performance!

In this tutorial, I will outline what the Photoshop Neural Filters do and how I use them in my workflow - multiple examples will be provided for better clarity. Finally, I will talk about some known performance issues with the filters & some feasible workarounds.

Tutorial Structure:

Meet the Neural Filters: What they are and what they do

Why I use Neural Filters? How I use Neural Filters in my giffing workflow

Getting started: The giffing workflow in a nutshell and installing the Neural Filters

Applying Neural Filters onto your gif: Making use of the Neural Filters settings; with multiple examples

Testing your system: recommended if you’re using Neural Filters for the first time

Rendering performance: Common Neural Filters performance issues & workarounds

For quick reference, here are the examples that I will show in this tutorial:

Example 1: Image Enhancement | improving the image quality of gifs prepared from highly compressed video files

Example 2: Facial Enhancement | enhancing an individual's facial features

Example 3: Colour Manipulation | colourising B&W gifs for a colourful gifset

Example 4: Artistic effects | transforming landscapes & adding artistic effects onto your gifs

Example 5: Putting it all together | my usual giffing workflow using Neural Filters

What you need & need to know:

Software: Photoshop 2021 or later (recommended: 2023 or later)*

Hardware: 8GB of RAM; having a supported GPU is highly recommended*

Difficulty: Advanced (requires a lot of patience); knowledge in gifmaking and using video timeline assumed

Key concepts: Smart Layer / Smart Filters

Benchmarking your system: Neural Filters test files**

Supplementary materials: Tutorial Resources / Detailed findings on rendering gifs with Neural Filters + known issues***

*I primarily gif on an M2 Max MacBook Pro that's running Photoshop 2024, but I also have experiences gifmaking on few other Mac models from 2012 ~ 2023.

**Using Neural Filters can be resource intensive, so it’s helpful to run the test files yourself. I’ll outline some known performance issues with Neural Filters and workarounds later in the tutorial.

***This supplementary page contains additional Neural Filters benchmark tests and instructions, as well as more information on the rendering performance (for Apple Silicon-based devices) when subject to heavy Neural Filters gifmaking workflows

Tutorial under the cut. Like / Reblog this post if you find this tutorial helpful. Linking this post as an inspo link will also be greatly appreciated!

1. Meet the Neural Filters!

Neural Filters are powered by Adobe's machine learning engine known as Adobe Sensei. It is a non-destructive method to help streamline workflows that would've been difficult and/or tedious to do manually.

Here are the Neural Filters available in Photoshop 2024:

Skin Smoothing: Removes blemishes on the skin

Smart Portrait: This a cloud-based filter that allows you to change the mood, facial age, hair, etc using the sliders+

Makeup Transfer: Applies the makeup (from a reference image) to the eyes & mouth area of your image

Landscape Mixer: Transforms the landscape of your image (e.g. seasons & time of the day, etc), based on the landscape features of a reference image

Style Transfer: Applies artistic styles e.g. texturings (from a reference image) onto your image

Harmonisation: Applies the colour balance of your image based on the lighting of the background image+

Colour Transfer: Applies the colour scheme (of a reference image) onto your image

Colourise: Adds colours onto a B&W image

Super Zoom: Zoom / crop an image without losing resolution+

Depth Blur: Blurs the background of the image

JPEG Artefacts Removal: Removes artefacts caused by JPEG compression

Photo Restoration: Enhances image quality & facial details

+These three filters aren't used in my giffing workflow. The cloud-based nature of Smart Portrait leads to disjointed looking frames. For Harmonisation, applying this on a gif causes Neural Filter timeout error. Finally, Super Zoom does not currently support output as a Smart Filter

If you're running Photoshop 2021 or earlier version of Photoshop 2022, you will see a smaller selection of Neural Filters:

Things to be aware of:

You can apply up to six Neural Filters at the same time

Filters where you can use your own reference images: Makeup Transfer (portraits only), Landscape Mixer, Style Transfer (not available in Photoshop 2021), and Colour Transfer

Later iterations of Photoshop 2023 & newer: The first three default presets for Landscape Mixer and Colour Transfer are currently broken.

2. Why I use Neural Filters?

Here are my four main Neural Filters use cases in my gifmaking process. In each use case I'll list out the filters that I use:

Enhancing Image Quality:

Common wisdom is to find the highest quality video to gif from for a media release & avoid YouTube whenever possible. However for smaller / niche media (e.g. new & upcoming musical artists), prepping gifs from highly compressed YouTube videos is inevitable.

So how do I get around with this? I have found Neural Filters pretty handy when it comes to both correcting issues from video compression & enhancing details in gifs prepared from these highly compressed video files.

Filters used: JPEG Artefacts Removal / Photo Restoration

Facial Enhancement:

When I prepare gifs from highly compressed videos, something I like to do is to enhance the facial features. This is again useful when I make gifsets from compressed videos & want to fill up my final panel with a close-up shot.

Filters used: Skin Smoothing / Makeup Transfer / Photo Restoration (Facial Enhancement slider)

Colour Manipulation:

Neural Filters is a powerful way to do advanced colour manipulation - whether I want to quickly transform the colour scheme of a gif or transform a B&W clip into something colourful.

Filters used: Colourise / Colour Transfer

Artistic Effects:

This is one of my favourite things to do with Neural Filters! I enjoy using the filters to create artistic effects by feeding textures that I've downloaded as reference images. I also enjoy using these filters to transform the overall the atmosphere of my composite gifs. The gifsets where I've leveraged Neural Filters for artistic effects could be found under this tag on usergif.

Filters used: Landscape Mixer / Style Transfer / Depth Blur

How I use Neural Filters over different stages of my gifmaking workflow:

I want to outline how I use different Neural Filters throughout my gifmaking process. This can be roughly divided into two stages:

Stage I: Enhancement and/or Colourising | Takes place early in my gifmaking process. I process a large amount of component gifs by applying Neural Filters for enhancement purposes and adding some base colourings.++

Stage II: Artistic Effects & more Colour Manipulation | Takes place when I'm assembling my component gifs in the big PSD / PSB composition file that will be my final gif panel.

I will walk through this in more detail later in the tutorial.

++I personally like to keep the size of the component gifs in their original resolution (a mixture of 1080p & 4K), to get best possible results from the Neural Filters and have more flexibility later on in my workflow. I resize & sharpen these gifs after they're placed into my final PSD composition files in Tumblr dimensions.

3. Getting started

The essence is to output Neural Filters as a Smart Filter on the smart object when working with the Video Timeline interface. Your workflow will contain the following steps:

Prepare your gif

In the frame animation interface, set the frame delay to 0.03s and convert your gif to the Video Timeline

In the Video Timeline interface, go to Filter > Neural Filters and output to a Smart Filter

Flatten or render your gif (either approach is fine). To flatten your gif, play the "flatten" action from the gif prep action pack. To render your gif as a .mov file, go to File > Export > Render Video & use the following settings.

Setting up:

o.) To get started, prepare your gifs the usual way - whether you screencap or clip videos. You should see your prepared gif in the frame animation interface as follows:

Note: As mentioned earlier, I keep the gifs in their original resolution right now because working with a larger dimension document allows more flexibility later on in my workflow. I have also found that I get higher quality results working with more pixels. I eventually do my final sharpening & resizing when I fit all of my component gifs to a main PSD composition file (that's of Tumblr dimension).

i.) To use Smart Filters, convert your gif to a Smart Video Layer.

As an aside, I like to work with everything in 0.03s until I finish everything (then correct the frame delay to 0.05s when I upload my panels onto Tumblr).

For convenience, I use my own action pack to first set the frame delay to 0.03s (highlighted in yellow) and then convert to timeline (highlighted in red) to access the Video Timeline interface. To play an action, press the play button highlighted in green.

Once you've converted this gif to a Smart Video Layer, you'll see the Video Timeline interface as follows:

ii.) Select your gif (now as a Smart Layer) and go to Filter > Neural Filters

Installing Neural Filters:

Install the individual Neural Filters that you want to use. If the filter isn't installed, it will show a cloud symbol (highlighted in yellow). If the filter is already installed, it will show a toggle button (highlighted in green)

When you toggle this button, the Neural Filters preview window will look like this (where the toggle button next to the filter that you use turns blue)

4. Using Neural Filters

Once you have installed the Neural Filters that you want to use in your gif, you can toggle on a filter and play around with the sliders until you're satisfied. Here I'll walkthrough multiple concrete examples of how I use Neural Filters in my giffing process.

Example 1: Image enhancement | sample gifset

This is my typical Stage I Neural Filters gifmaking workflow. When giffing older or more niche media releases, my main concern is the video compression that leads to a lot of artefacts in the screencapped / video clipped gifs.

To fix the artefacts from compression, I go to Filter > Neural Filters, and toggle JPEG Artefacts Removal filter. Then I choose the strength of the filter (boxed in green), output this as a Smart Filter (boxed in yellow), and press OK (boxed in red).

Note: The filter has to be fully processed before you could press the OK button!

After applying the Neural Filters, you'll see "Neural Filters" under the Smart Filters property of the smart layer

Flatten / render your gif

Example 2: Facial enhancement | sample gifset

This is my routine use case during my Stage I Neural Filters gifmaking workflow. For musical artists (e.g. Maisie Peters), YouTube is often the only place where I'm able to find some videos to prepare gifs from. However even the highest resolution video available on YouTube is highly compressed.

Go to Filter > Neural Filters and toggle on Photo Restoration. If Photoshop recognises faces in the image, there will be a "Facial Enhancement" slider under the filter settings.

Play around with the Photo Enhancement & Facial Enhancement sliders. You can also expand the "Adjustment" menu make additional adjustments e.g. remove noises and reducing different types of artefacts.

Once you're happy with the results, press OK and then flatten / render your gif.

Example 3: Colour Manipulation | sample gifset

Want to make a colourful gifset but the source video is in B&W? This is where Colourise from Neural Filters comes in handy! This same colourising approach is also very helpful for colouring poor-lit scenes as detailed in this tutorial.

Here's a B&W gif that we want to colourise:

Highly recommended: add some adjustment layers onto the B&W gif to improve the contrast & depth. This will give you higher quality results when you colourise your gif.

Go to Filter > Neural Filters and toggle on Colourise.

Make sure "Auto colour image" is enabled.

Play around with further adjustments e.g. colour balance, until you're satisfied then press OK.

Important: When you colourise a gif, you need to double check that the resulting skin tone is accurate to real life. I personally go to Google Images and search up photoshoots of the individual / character that I'm giffing for quick reference.

Add additional adjustment layers until you're happy with the colouring of the skin tone.

Once you're happy with the additional adjustments, flatten / render your gif. And voila!

Note: For Colour Manipulation, I use Colourise in my Stage I workflow and Colour Transfer in my Stage II workflow to do other types of colour manipulations (e.g. transforming the colour scheme of the component gifs)

Example 4: Artistic Effects | sample gifset

This is where I use Neural Filters for the bulk of my Stage II workflow: the most enjoyable stage in my editing process!

Normally I would be working with my big composition files with multiple component gifs inside it. To begin the fun, drag a component gif (in PSD file) to the main PSD composition file.

Resize this gif in the composition file until you're happy with the placement

Duplicate this gif. Sharpen the bottom layer (highlighted in yellow), and then select the top layer (highlighted in green) & go to Filter > Neural Filters

I like to use Style Transfer and Landscape Mixer to create artistic effects from Neural Filters. In this particular example, I've chosen Landscape Mixer

Select a preset or feed a custom image to the filter (here I chose a texture that I've on my computer)

Play around with the different sliders e.g. time of the day / seasons

Important: uncheck "Harmonise Subject" & "Preserve Subject" - these two settings are known to cause performance issues when you render a multiframe smart object (e.g. for a gif)

Once you're happy with the artistic effect, press OK

To ensure you preserve the actual subject you want to gif (bc Preserve Subject is unchecked), add a layer mask onto the top layer (with Neural Filters) and mask out the facial region. You might need to play around with the Layer Mask Position keyframes or Rotoscope your subject in the process.

After you're happy with the masking, flatten / render this composition file and voila!

Example 5: Putting it all together | sample gifset

Let's recap on the Neural Filters gifmaking workflow and where Stage I and Stage II fit in my gifmaking process:

i. Preparing & enhancing the component gifs

Prepare all component gifs and convert them to smart layers

Stage I: Add base colourings & apply Photo Restoration / JPEG Artefacts Removal to enhance the gif's image quality

Flatten all of these component gifs and convert them back to Smart Video Layers (this process can take a lot of time)

Some of these enhanced gifs will be Rotoscoped so this is done before adding the gifs to the big PSD composition file

ii. Setting up the big PSD composition file

Make a separate PSD composition file (Ctrl / Cmmd + N) that's of Tumblr dimension (e.g. 540px in width)

Drag all of the component gifs used into this PSD composition file

Enable Video Timeline and trim the work area

In the composition file, resize / move the component gifs until you're happy with the placement & sharpen these gifs if you haven't already done so

Duplicate the layers that you want to use Neural Filters on

iii. Working with Neural Filters in the PSD composition file

Stage II: Neural Filters to create artistic effects / more colour manipulations!

Mask the smart layers with Neural Filters to both preserve the subject and avoid colouring issues from the filters

Flatten / render the PSD composition file: the more component gifs in your composition file, the longer the exporting will take. (I prefer to render the composition file into a .mov clip to prevent overriding a file that I've spent effort putting together.)

Note: In some of my layout gifsets (where I've heavily used Neural Filters in Stage II), the rendering time for the panel took more than 20 minutes. This is one of the rare instances where I was maxing out my computer's memory.

Useful things to take note of:

Important: If you're using Neural Filters for Colour Manipulation or Artistic Effects, you need to take a lot of care ensuring that the skin tone of nonwhite characters / individuals is accurately coloured

Use the Facial Enhancement slider from Photo Restoration in moderation, if you max out the slider value you risk oversharpening your gif later on in your gifmaking workflow

You will get higher quality results from Neural Filters by working with larger image dimensions: This gives Neural Filters more pixels to work with. You also get better quality results by feeding higher resolution reference images to the Neural Filters.

Makeup Transfer is more stable when the person / character has minimal motion in your gif

You might get unexpected results from Landscape Mixer if you feed a reference image that don't feature a distinctive landscape. This is not always a bad thing: for instance, I have used this texture as a reference image for Landscape Mixer, to create the shimmery effects as seen in this gifset

5. Testing your system

If this is the first time you're applying Neural Filters directly onto a gif, it will be helpful to test out your system yourself. This will help:

Gauge the expected rendering time that you'll need to wait for your gif to export, given specific Neural Filters that you've used

Identify potential performance issues when you render the gif: this is important and will determine whether you will need to fully playback your gif before flattening / rendering the file.

Understand how your system's resources are being utilised: Inputs from Windows PC users & Mac users alike are welcome!

About the Neural Filters test files:

Contains six distinct files, each using different Neural Filters

Two sizes of test files: one copy in full HD (1080p) and another copy downsized to 540px

One folder containing the flattened / rendered test files

How to use the Neural Filters test files:

What you need:

Photoshop 2022 or newer (recommended: 2023 or later)

Install the following Neural Filters: Landscape Mixer / Style Transfer / Colour Transfer / Colourise / Photo Restoration / Depth Blur

Recommended for some Apple Silicon-based MacBook Pro models: Enable High Power Mode

How to use the test files:

For optimal performance, close all background apps

Open a test file

Flatten the test file into frames (load this action pack & play the “flatten” action)

Take note of the time it takes until you’re directed to the frame animation interface

Compare the rendered frames to the expected results in this folder: check that all of the frames look the same. If they don't, you will need to fully playback the test file in full before flattening the file.†

Re-run the test file without the Neural Filters and take note of how long it takes before you're directed to the frame animation interface

Recommended: Take note of how your system is utilised during the rendering process (more info here for MacOS users)

†This is a performance issue known as flickering that I will discuss in the next section. If you come across this, you'll have to playback a gif where you've used Neural Filters (on the video timeline) in full, prior to flattening / rendering it.

Factors that could affect the rendering performance / time (more info):

The number of frames, dimension, and colour bit depth of your gif

If you use Neural Filters with facial recognition features, the rendering time will be affected by the number of characters / individuals in your gif

Most resource intensive filters (powered by largest machine learning models): Landscape Mixer / Photo Restoration (with Facial Enhancement) / and JPEG Artefacts Removal

Least resource intensive filters (smallest machine learning models): Colour Transfer / Colourise

The number of Neural Filters that you apply at once / The number of component gifs with Neural Filters in your PSD file

Your system: system memory, the GPU, and the architecture of the system's CPU+++

+++ Rendering a gif with Neural Filters demands a lot of system memory & GPU horsepower. Rendering will be faster & more reliable on newer computers, as these systems have CPU & GPU with more modern instruction sets that are geared towards machine learning-based tasks.

Additionally, the unified memory architecture of Apple Silicon M-series chips are found to be quite efficient at processing Neural Filters.

6. Performance issues & workarounds

Common Performance issues:

I will discuss several common issues related to rendering or exporting a multi-frame smart object (e.g. your composite gif) that uses Neural Filters below. This is commonly caused by insufficient system memory and/or the GPU.

Flickering frames: in the flattened / rendered file, Neural Filters aren't applied to some of the frames+-+

Scrambled frames: the frames in the flattened / rendered file isn't in order

Neural Filters exceeded the timeout limit error: this is normally a software related issue

Long export / rendering time: long rendering time is expected in heavy workflows

Laggy Photoshop / system interface: having to wait quite a long time to preview the next frame on the timeline

Issues with Landscape Mixer: Using the filter gives ill-defined defined results (Common in older systems)--

Workarounds:

Workarounds that could reduce unreliable rendering performance & long rendering time:

Close other apps running in the background

Work with smaller colour bit depth (i.e. 8-bit rather than 16-bit)

Downsize your gif before converting to the video timeline-+-

Try to keep the number of frames as low as possible

Avoid stacking multiple Neural Filters at once. Try applying & rendering the filters that you want one by one

Specific workarounds for specific issues:

How to resolve flickering frames: If you come across flickering, you will need to playback your gif on the video timeline in full to find the frames where the filter isn't applied. You will need to select all of the frames to allow Photoshop to reprocess these, before you render your gif.+-+

What to do if you come across Neural Filters timeout error? This is caused by several incompatible Neural Filters e.g. Harmonisation (both the filter itself and as a setting in Landscape Mixer), Scratch Reduction in Photo Restoration, and trying to stack multiple Neural Filters with facial recognition features.

If the timeout error is caused by stacking multiple filters, a feasible workaround is to apply the Neural Filters that you want to use one by one over multiple rendering sessions, rather all of them in one go.

+-+This is a very common issue for Apple Silicon-based Macs. Flickering happens when a gif with Neural Filters is rendered without being previously played back in the timeline.

This issue is likely related to the memory bandwidth & the GPU cores of the chips, because not all Apple Silicon-based Macs exhibit this behaviour (i.e. devices equipped with Max / Ultra M-series chips are mostly unaffected).

-- As mentioned in the supplementary page, Landscape Mixer requires a lot of GPU horsepower to be fully rendered. For older systems (pre-2017 builds), there are no workarounds other than to avoid using this filter.

-+- For smaller dimensions, the size of the machine learning models powering the filters play an outsized role in the rendering time (i.e. marginal reduction in rendering time when downsizing 1080p file to Tumblr dimensions). If you use filters powered by larger models e.g. Landscape Mixer and Photo Restoration, you will need to be very patient when exporting your gif.

7. More useful resources on using Neural Filters

Creating animations with Neural Filters effects | Max Novak

Using Neural Filters to colour correct by @edteachs

I hope this is helpful! If you have any questions or need any help related to the tutorial, feel free to send me an ask 💖

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livelovecaliforniadreams · 2 years

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corazondebeskar-reads · 7 months

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all I did was what I had to - part one

all I did was what I had to miniseries

part one: all I did was what I had to

series masterlist | part one | part two | part three

dark!Joel Miller x f!reader

Word Count: 2.1k

Summary: A newcomer to Joel's group of raiders makes a pass at you. Joel reinforces his dominance.

Warnings: DARK. dead dove do not eat. raider!Joel is not a good man, dark!Joel Miller, mention of past assault (not by Joel), dub-con due to power imbalance and implied captivity, reader can have a little stockholm syndrome as a treat. watersports, piss drinking, canon-typical violence, gore, piv intercourse, unsafe sex, oral (m receiving), oral (f receiving), bit of both game and show joel, sorta d/s dynamics I guess, not RACK compliant

Originally written for Kinktober 2023 - Day 4 - Overstimulation / Human Urinal, inspired by this prompt list from @absurdthirst and this gifset from @a7estrellas. I did not come up with raider/hunter!Joel or dark!Joel and many great writers have built in this sandbox before me.

also on ao3

You’d like to say that six months ago, when the group of raiders “took you in,” you would have fought tooth and nail to avoid this situation. You wished you could say you ever really fought back at all.

But after Joel Miller had found you in a supply room during a raid, sobbing and struggling under a FEDRA officer, you had never even so much as told him no. Not after he pulled the man—your husband, who had been starving and abusing you since your wedding night three weeks ago—off your aching body and pummeled his face into the ground. When all that was left was pulp, he had helped you to your feet with bloodied hands.

“You okay?” he said. His furrowed brow and cold eyes told you he was dangerous more than the corpse on the ground, as his concern was for you alone, entirely barren of remorse or disgust.

You nodded, but the tremor of your hands betrayed you. He shucked off his jacket and helped you into it, numb as you were, and zipped it up. It was long enough to give you the illusion of modesty since your clothes were nowhere to be found.

He had led you down the stairs and outside, crowding you into the passenger seat of a dented, rusty pickup.

“Wait here,” he said, shutting the door.

And you had.

Now, you were knelt between Joel’s heavy boots in the living room of the main safe house. He was sprawled on the main sofa, beer in one hand and the other on the back of your head. The others were milling about, drinking shitty moonshine, and enjoying the spoils of today’s raid.

You had an old, soft flannel on and Joel’s thick cock in your throat. He was holding you there, motionless, while your eyes stung and watered. Every so often, he’d guide you to bob up and down or shove your face down to lick his balls. He was dragging it out, savoring it in a rare display of luxury.

Their haul today meant easy living for a couple months after striking an unfortunate band of Fireflies. After the slaughter, they had returned with crates and cases of supplies. You, however, had spent the last two days locked in your room upstairs.

The upper floor of the house was Joel’s. The door at the foot of the stairs locked from both directions, the sole key to which never left the chain around his neck. Your little room had a mattress and a door to a Jack and Jill bathroom. Joel’s room, where you actually spent most of your time, was on the other side. But it had been locked, and you had been left with plenty of food and water but absolutely nothing to do.

So when Joel came home in a better mood than you’d ever seen him, you jumped at the opportunity to go downstairs. He didn’t like you down there most of the time, didn’t like anyone seeing you but him, unless he was putting on a show of dominance.

Like now. Your quiet obedience on full display, a reminder that even in a time of prosperity, Joel Miller was still the king.

He took the last swig of his beer and handled the bottle off to a lackey (you didn't see them enough to tell them apart, or care enough to learn their names). He let go of your hair and gave your cheek two sharp pats, smirking when you scrambled to please him. Your hands had been clasped behind your back where they belonged, but he was ready to cum, so you wrapped one around the base of his cock and massaged his balls with the other, using your throat as roughly as he would.

This was second nature, now. The only days you went without his cock in your mouth were the days he was away on raids. When you had woken that morning without the ache in your jaw and throat, you had been sad. (Whatever that said about your life now wasn’t something you wanted to think about too hard.)

Saliva coated your fingers where they grasped the very root of him, smearing on your face as you buried him as deep within you as possible. Tears scorched your cheeks as you gagged and struggled to remember to breathe through your nose.

He snapped his fingers in your face, drawing not just your eyes to his but capturing the attention of everyone else in the room. He held your gaze and your head in place as hot ropes of cum shot down your throat.

Drained, he let you up, a lazy grin spreading as you coughed and sobbed for a moment.

“Shit,” said one of the newer recruits, too young and stupid to survive for long. “I call next.”

The tension in the room was immediate. One of Joel’s smarter lackeys stepped away from the splatter zone. He was, after all, sporting a new denim jacket from the haul.

Joel held your eyes for a moment before slowly looking up at the offender. He rose, forcing you to scramble back a few inches to make room. His flaccid cock was eye level with you now, but you didn’t dare look away from his face. The satisfied grin had sharpened, his dark eyes clear and dangerous.

“Yeah? You want her to suck you off?” Joel drawled.

How this man had lived to his mid-twenties astounded you. He was making eye contact with a predator with apparently zero awareness of the danger.

“Fuck yeah, man,” said the future corpse.

Joel dragged his eyes back down to you. “Open up, sweetheart.”

The other man made to move toward you, but Joel raised one finger and waited while you opened your mouth, tongue out. Your heart was racing. You didn’t believe he would actually let someone else touch you, but there was still a sharp jolt of fear.

Joel took himself in hand, lifting your chin up with the other. He cocked an eyebrow at you—not seeking permission, but granting a warning. You realized what he was about to do right before it happened, tensing every muscle to fight the instinct to snap your mouth shut.

It wasn’t the first time Joel had pissed in your mouth, but that didn’t make the acrid stream any more pleasant. It burned your raw throat on the way down. He didn’t look away from you, thumb stroking your jaw gently. When he finished, he held his cock out for you to lick the tip clean. You pressed a soft kiss, offering forgiveness he didn’t require, and sat back on your heels.

He looked up at the other man, waving a loose arm in your direction. “Ya still want her?”

“You’re fucked up,” the newcomer said, shaking his head. “That’s fucking disgusting.”

Joel laughed and pulled your head to his thigh, one ear pressed against it and his large palm over the other. You squeezed your eyes shut just in time as he drew his pistol and shot the man in the crotch in one fluid moment. The bang still jolted you, and you pressed your face harder into Joel’s rough jeans.

He took his hand off your ear to stroke your cheek. “Get him out of here,” he barked at one of the others, who immediately dragged the screaming, writhing man out of the house.

Joel squatted down, hands on your shoulders. “You okay?” He inspected you, brushing his hands over “your” shirt to make sure none of the viscera had reached you.

You nodded, though you were shaking a little and forcing slow, wavering breaths in and out.

“That’s my girl,” he said, brushing a thumb over your swollen lips. He stood up and helped you up, leading you upstairs without another glance at his men.

Your hand grasped tight in his rough, calloused palm, and he led you to his room, where you sat on the edge of the bed, eyes downcast.

He toed off his boots and slid his belt out of the loops of his jeans. “Don’t worry, baby. We’ll wash the taste outta your mouth.”

You looked up to watch him shuck off his gray t-shirt, captivated by the way it peeled off his biceps and fluttered to the floor. It was followed quickly by his jeans and boxers. His cock sprung free, hard again already after the thrilling turn of events.

You made to slide to your knees, but he clicked his tongue at you. “C’mon, I ain’t that mean. Lay back, sweetheart. You did so good out there for me.”

You obeyed, ass perched on the edge, knees bent and legs spread wide, braced against the footboard. He stepped between your legs, running a hand over your stomach.

“Look at you, princess, you’re soaked.” The crooked smirk returned as he lightly dragged a finger through your wet folds. “You liked that?”

A wretched flush overtook you from your face to your chest, ears burning. You looked away, but the sharp tsk brought your eyes back to him.

“Don’t hide from me,” his voice pitched low and dark, the drawl always thicker when he was stalking prey. “It’s a good thing, baby. Tell me why you’re dripping.”

“Felt safe,” you murmured, blushing harder. “I like bein’ yours.”

He grinned and pushed his thumb down on your clit, watching as you gasped and jerked.

“Good girl,” he said and sank to his knees.

He chuckled, watching your eyes grow wide. He didn’t want to spoil you, so this was a rare treat. He spread you with two fingers, licking a wide stripe from your cunt to your clit. Your hips jerked, and he lay an arm over them, pinning you down as you sobbed a long moan.

A rare treat, but a divine one. He ate you out like you were the first oasis in the desert. Licking and sucking, plunging three fingers deep into your pussy until you fell apart on his tongue. And he didn’t stop, teeth nipping at your clit until the aftershocks of your orgasm crested smoothly into another. And another. You were sobbing full out, thrashing to pull away from the suffocating pain and pleasure, but he held you in place until the sixth orgasm left you sprawled, loose-limbed, eyes dazed.

“That’s it, baby,” he crooned, standing up and raising your knees to your chest. You hadn’t the strength to move where he wanted, but he was more than happy to manhandle your pliant, soft body.

Your eyes fluttered open when he notched the fat head of his cock at your entrance, only to roll back and shut again when he pushed into the hilt in one smooth stroke. You were slick, and he had stretched you with his fingers (another luxury you weren’t always awarded), but the sheer size of him never failed to take your breath away.

There was no slow, gentle sex with Joel. Only the rough, demanding pace he set immediately, hands bruising your already mottled hips. It didn’t take long, him having already spent once that day and your body in no condition to handle a long session. When he began to flood your cunt with his warmth, he reached down and pinched your clit, twisting cruelly. Your scream was loud but broken, rough with overuse, as he ripped another orgasm from you.

He slipped out and crawled onto the mattress, gently moving you up to rest against the pillows with him. “Open,” he said, tapping at your jaw.

You let your mouth fall open, not a spare thought in your brain, as he made good on the promise to wash the taste of his piss out. Reaching between your legs, he scooped up a glob of your mixed juices, bringing them to your tongue. You automatically closed your lips around him, sucking and licking. He repeated the motion twice more until he was satisfied, then pulled you in for a deep kiss, chasing the taste of both your pleasures.

It wasn’t until after he lulled you to sleep, brushing the sweat from your brow, that he pulled his clothes back on and crept out of the room.

Outside, his men had tied the injured sonofabitch around the wrists and slung the rope over a solid branch, his feet just barely dragging on the mud below.

He jolted alert as Joel approached and began sobbing in fear. Joel spit at his feet.

“Shame you didn’t bleed out already,” Joel said, drawing his finger along the blade of his favorite knife. The blood pooled on Joel’s fingertip, dripping down to his wrist.

The other man watched, eyes wide with terror, and began screaming around the rag in his mouth.

“I mean, a shame for you,” Joel said, with a shrug and a quirk of his lips. “I’m gonna have a real good time, though.”

*title from "There's No 'I' in Team" by Taking Back Sunday.

#joel miller x reader #joel x reader #the last of us fic #raider!joel #dark!joel miller #dead dove do not eat #kinktober 2023 #raider!joel miller #dark joel miller #joel miller x you #joel miller x f!reader #corazondebeskar-reads and writes

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venus-haze · 9 months

Text

Working for the Knife (Mickey Altieri x Reader)

Summary: It’s been over 15 years since the Windsor College murders, not that they had ever been on your radar. That changes when you get hired at a New York marketing firm where you work closely with Mickey Altieri, alleged Ghostface killer whose charges were dropped after a controversial mistrial. Working so closely together piques your interest in each other, soon spiraling out of control. [This is an AU.]

Note: Female reader implied to be mid-20s or older, but no other descriptors are used. This is based on an anonymous request and also Timothy Olyphant being such a DILF, I had to write something like this (I had Justified era Olyphant in mind while writing this, specifically these gifsets, but you can picture whatever hehe). Creative liberties have obviously been taken. Do not interact if you’re under 18 or post thinspo/ED content.

Word count: 6.8k

Warnings: True crime elements (the reader engages with a lot of true crime content), but obviously this is a fictional serial killer. Mutual stalking/obsession. Sexually explicit content that includes dubious consent fantasy that involves knifeplay; spanking, daddy kink, oral sex (f. receiving). Do not interact if you’re under 18.

For once, you felt like things were going your way. After a little over three years of scraping by at your old job where you were woefully overworked and underpaid, your months-long job search finally came to an end when a mid-sized marketing firm gave you an offer you couldn’t refuse. Sure, you’d taken a huge pay raise and shifted to a hybrid schedule with your new job, but the highlight was undoubtedly Mickey, the only other person on your small team and the type of sexy older man you sure as hell didn’t mind spending your days in the office with.

With the whole company working hybrid or completely remote, people only came in sporadically, as did you and Mickey, only going in on Tuesdays and Thursdays, with the occasional Friday if needed. As a result, you didn’t get much of a chance to meet anyone else who worked there.

Your first week was fully in person, since some of the programs you’d be using for the job were easier to learn if he were there to show you. You certainly weren’t complaining, having plenty of time to get a feel for your new coworker, silently observing and testing the waters with light flirting, which he seemed to return. Maybe you were just a little too hopeful.

“Big plans for the weekend?” you asked when five o’clock rolled around on Friday.

“Got a hot date with Netflix,” he said. “How about you?”

“My friend and I are getting drinks later, but that’s about it.”

“What’s your poison?”

“Anything under $10, if I can help it.”

He grinned. “A woman after my own heart. Don’t have too much fun.”

“I’ll try,” you said, smiling as you began packing your laptop into your bag. “Have a good weekend, Mickey.”

“You too.”

With your first week at your new gig down, you headed to a small bar in Flatbush to celebrate with your best friend and dish the highly anticipated dirt on your hot coworker. Lee was already at the bar when you’d arrived, sitting at a small table and sipping a beer she went ahead and bought herself.

“Drinks are on me,” you said. “I fucking owe you.”

Lee grinned. “Always glad to help.”

You wouldn’t have gotten the job without Lee. She helped you fudge your resume to match the experience on the job listing, gently scamming your way into the position you now held. All week you’d been texting her about how great things were going, and fawning over Mickey, of course.

After joking about ordering top-shelf liquor on your dime, Lee settled on a margarita, undoubtedly the first of many for the night. You returned from the bar with your drinks, more than ready to gush about how much better your new job was compared to the hell of your old one. Nothing could bring down your mood.

“Yeah, yeah, yeah, they pay you out the ass and you don’t have to worry about health insurance anymore. Great,” Lee said over her margarita. “I wanna hear about your hot DILF coworker. No detail is too small.”

“Lee, oh my god, it’s not even fair how hot he is. Our desks are right next to each other in an L shape, and I feel like such a weirdo for staring at him all the time. He’s been so nice helping me all week, too. Maybe I’m looking too much into it, but sometimes I feel like he’s being a little flirty?”

“Is he married?”

“No ring, and no mention of any family or long-term relationship. I don’t get it, how could Mickey be single?”

“You don’t hear many people going by Mickey anymore,” she said. “Either he’s a mouse or incredibly Irish.”

“I think he’s Italian,” you mused. “Altieri sounds Italian to me.”

Lee’s eyes widened. “Shut the fuck up.”

“Wait, was that offensive?”

“No, just that you’re working with an alleged serial killer.”

“What the hell are you talking about?” you asked, but she was already busy typing away at her phone.

Suddenly, Lee’s phone was shoved in your face, a your hot coworker’s mugshot front and center in an archived New York Times article from October 1998.

SUSPECT ARRESTED IN WINDSOR COLLEGE KILLINGS

Michael ‘Mickey’ Altieri, 21, was arrested early Thursday morning in Windsor, Ohio, as the primary suspect in the Windsor College killings. Among the charges are first degree murder, attempted first degree murder and aggravated assault. Altieri has maintained his innocence and is being held on $1,000,000 bail in Windsor County Jail as he awaits trial.

The brutal killings that made national headlines were directly inspired by the ‘Ghostface’ murders in Woodsboro, California, two years prior and coincided with the release of STAB, a film based on Woodsboro survivor and reporter Gale Weathers’ book on the murders. Survivor Sidney Prescott was a student at Windsor College and targeted yet again in the latest string of murders. Allegedly, Altieri’s accomplice was Debbie Loomis, mother of one of the two original Ghostface killers, Billy Loomis. Mrs. Loomis was killed in an altercation prior to Altieri’s apprehension by police.

You looked away from her phone screen, feeling like your head was spinning though you weren’t even finished with your first drink. “Well, if he did all that stuff, why isn’t he on death row or something?”

“There was a mistrial. It was a huge thing,” Lee said. “You’ve seriously never heard of it?”

“No. Can you send that to me?” you asked.

“Yeah, I’ll send some podcast episodes and Youtube videos on it, too. You know I’m on that true crime shit.”

It took a few more drinks for you to be able to shake off the thought of your hot older coworker potentially being a serial killer, but the rest of your night with Lee was a lot of fun. She’d been one of your closest friends in college, and the two of you lived together when you first moved to New York. You knew she meant well, but damn, did that news put a damper on things.

You returned to your apartment a little after midnight, kicking off your heels at the door and collapsing on your couch, not bothering to make the short walk to your bedroom. 17 missed texts from Lee, all links to videos and podcasts about Mickey that she recommended.

Among the links Lee had sent you was a nearly hour long Youtube video titled: ‘What Happened at the Windsor College Ghostface Trial? A Deep Dive’. The woman in the thumbnail had a scared expression on her face, her eyes focused on that same mugshot of Mickey you saw in the old New York Times article.

Pressing on the link in your messages, you had the video come up on your TV instead, slouching back in your seat as it began to play.

‘I know most stuff about the Windsor College murders focus on just that, the murders, but I thought it’d be interesting to go into the trial that followed because it was almost like something out of a movie, but it doesn’t get as much attention as the killings, especially since there have been like two more Ghostface murder sprees since this happened. I’m just presenting facts and my own observations here for educational purposes, and it’s not my intention to imply guilt on anyone who hasn’t been convicted in a court of law. Before we get into it though, I wanna give a huge thank you to BetterHelp for sponsoring today’s video—‘

You rolled your eyes, skipping through the three-minute long sponsorship spiel.

‘So my sources for this video are Gale Weathers’ books Wrongly Accused: The Maureen Prescott Murder, The Woodsboro Murders, and College Terror. I also used James Chase’s book Ghostface on Trial, articles from newspapers and a few like lawyer journals that I was able to find online, and whatever stuff from the trial itself that’s public information. I have it all linked in the description—“

Pausing the video, you pulled up the New York Public Library website and searched for College Terror and Ghostface on Trial. Copies of both were available at the branch near your office, and you wasted no time in putting a hold on the books.

The next few minutes of the video gave an overview of the murders at Windsor College, which you half-paid attention to. You’d watched Stab 2 in high school, so you felt you were familiar enough with the killings. Thinking back on the movie, though, all of the characters had the same names as their real-life counterparts except for Mickey. Legal reasons, you assumed.

You turned up the volume on your TV as the video finally got into the details of the trial.

‘As soon as Mickey was arrested, theories were all over the news about what had happened and there was a ton of speculation about his guilt. James Chase, a controversial defense attorney from Chicago, took on the case pro-bono, stating in his book Ghostface on Trial that he knew he stood to make more money on a book deal, interviews, and speaking engagements by winning the case than whatever fees he’d get for representing Mickey. The defense focused on discrediting both of the prosecution’s star witnesses early on in the trial, planting seeds of doubt in the jury.

Chase and his team leaned heavily on the fact that three years prior, Sidney Prescott had incorrectly identified Cotton Weary as her mother’s killer when in fact it was Sidney’s former boyfriend Billy Loomis and their mutual friend Stu Macher who had committed that initial murder that led up to the original Woodsboro Ghostface murders.

Gale Weathers’ testimony was also discounted by the defense on the fact that she was a sensationalistic tabloid journalist who’d admittedly fabricated elements of her best-selling book on the Woodsboro killings. She claimed this was a result of editing and to achieve a better narrative flow.

The defense also said the deceased Debbie Loomis had more of a reason to go after Sidney and recreate her son’s Ghostface murders as revenge for his death. They pushed the idea that she acted with Sidney’s boyfriend, Derek, and that Mickey ended up getting caught in the crosshairs of what was a gruesome and unfortunate situation. Sidney maintained Derek’s innocence, but the fact that both he and Debbie were killed by gunshot wounds made it likely they were the Ghostface duo this time around.

Former Woodsboro Deputy Dewey Riley, another survivor of both Ghostface killings, was unable to testify because he was in a coma. He later said that because he was incapacitated before Sidney and Gale allegedly confronted Debbie and Mickey, he couldn’t say for sure who the killer or killers were, but he trusted their judgment and stood behind their testimonies.

It didn’t help either that Sidney was visibly distraught while on the stand and mixed up details of the original Woodsboro murders and the Windsor College ones. Gale was initially confident while being questioned by the defense, but later became combative when the inaccuracies in her books came up. In contrast, Mickey appeared calm and earnest, and seemed to have his story straight every time he took the stand.

There’s actually some footage of the trial that I was able to find, so I’m gonna play that now.’

The video was grainy, camera focused on an agitated-looking Sidney Prescott sitting in the witness stand. On the other side of the stand, a blond man in a gray suit read off from a stack of papers in his hand.

“Ms. Prescott, in your statement to police, you claimed that Mr. Altieri admitted to both you and Ms. Weathers that he had committed the murders with Debbie Loomis and wanted to get caught. Could you perhaps explain to myself and the jury, why exactly an alleged killer would want to get caught?”

“Because he’s fucking sick in the head!” Sidney exclaimed.

“Language, Ms. Prescott,” Judge Matthews said.

“He said he did it on purpose,” Sidney continued, her voice breaking. “He told us he wanted to get caught so he could blame it on the movies! He had everything planned out, the lawyers he wanted, the angle the media would take, he even quoted that line from Psycho, ‘We all go a little mad sometimes.’”

Chase furrowed his brow as he looked over the papers in his hands. “When did he say this? I’m not seeing that in your statement.”

“He said it right after he shot Randy,“ Sidney said.

“Randy wasn’t shot, he was stabbed.”

Sidney’s eyes widened. “I know. I meant—“

“Ms. Prescott, is there something you didn’t include in your police statement that you’re telling us now?”

Her voice was barely a whisper. “Billy quoted Psycho, after he shot Randy at Stu Macher’s house, not Mickey. I got mixed up.”

You gasped, bringing your hand to cover your mouth. The courtroom on your screen devolved into nothing short of pandemonium. The video then faded into Gale Weathers in the middle of being questioned by the defense. She, in contrast to Sidney, looked confident and well-put together under Chase’s grilling.

“Ms. Weathers, you wrote in your book that your camera man Kenny was gutted, when in actuality his throat was slashed, is that correct?”

Gale nodded. “It is.”

“Why the inconsistency?”

“All books, fiction or nonfiction go through an editing process. That was a decision made by my editor to establish a better narrative flow. It isn’t uncommon in the true crime genre by any means.”

“Better narrative flow isn’t the truth, though, is it?” Chase asked.

“Look, a book is a book. I’ll say right now under oath that Kenny was killed when one of those guys in the Ghostface costume slit his throat. I’ll also say under oath that Mickey Altieri did commit those murders with Debbie Loomis, and he confessed it to me and Sidney Prescott.”

“Your honor, this isn’t the only major inconsistency we’ve found in Ms. Weathers’ book on the Woodsboro murders. Yesterday we distributed to the prosecution and now present to the jury at least seventeen of these major inconsistencies.”

“What do you want me to say? I’m the cheesy tabloid journalist everyone thinks I am?”

The corners of Chase’s lips twitched. “Not quite my words.”

“You’re a real piece of work,” Gale scoffed.

The jury murmured among themselves at her shift in attitude. You found yourself chewing on your nail, enraptured by the trial. For the last time, the video faded out and then back in to show Mickey, your coworker, sitting on the witness stand. This time, the prosecutor was in front of him, his annoyed expression a contrast to Mickey’s calm demeanor.

“Mr. Altieri, we have signed affidavits from several of your former classmates that in your film theory class, you claimed in a heated argument with Randy Meeks and CiCi Cooper, both of whom were killed by this ‘Ghostface’ persona of yours—“

“Objection!” Chase shouted. “Claiming the Ghostface persona belongs to Mr. Altieri is an undue presumption of guilt.”

“Sustained,” Judge Matthews said. “I advise you to reconsider your wording going forward, counselor.”

The prosecutor huffed. “You claimed in a heated argument with Randy Meeks and Casey Cooper, both of whom were killed by the ‘Ghostface’ persona, that violent movies were responsible for influencing people to commit acts of violence, is that correct?”

“It was a classroom discussion. Our professor had brought it up because two fellow students were brutally killed at the premier of a slasher movie the night before, by someone dressed as the killer from that same slasher movie. I just thought it wasn’t a coincidence, and neither did half the other students in that class. Are you going to make them testify too?”

“Don’t deflect, Mr. Altieri.”

“I don’t understand how I’m deflecting. You asked me about a conversation I had with my classmates, and I answered.”

The video went back to the commentator, but you had goosebumps raised across your skin. You rewound back to the clip of Mickey’s testimony, staring at his face. Could he be a killer? Only a few days ago, you wouldn’t have even considered it. Now, you were down a rabbit hole that sent your mind reeling.

‘A lot of the prosecution’s evidence was dismissed as circumstantial by the defense. Mickey had alibis for all of the murders, even for the one Sidney claimed to witness him commit, allegedly shooting her boyfriend Derek. The chat room records and emails allegedly linked to Debbie and Mickey didn’t do much to convince the jury of Mickey’s alleged involvement in the murders. The records did positively identify Debbie based on the account’s password hints and her IP address. The other user was more tech savvy, changing IP addresses to make it more difficult to confirm an identity.

In move that was described as ‘sloppy’ and ‘desperate’ by the media following the trial’s conclusion, the prosecution also tried to claim that Mickey being the only other survivor among Sidney’s friends was suspicious and indicated his involvement, but the defense pointed out that Randy Meeks had also been the only other survivor of Sidney’s friend group in the original Woodsboro killings despite a gunshot wound like Mickey had, and later on at Windsor he was a victim.

Randy Meeks’ murder actually played a huge role in the defense’s strategy. Several Windsor College students saw Mickey elsewhere on campus during Randy’s murder. The final nail in the coffin was when Windsor County police confirmed that DNA in the news van where Randy was murdered was a match for Debbie Loomis. The police retested other evidence, but couldn’t find anything conclusive.

After weeks of questioning and evidence, the jury deliberated for a little over five days before returning to the judge in a deadlock. Judge Matthews declared a mistrial, and less than a year later, a district court dismissed the case on lack of substantial evidence and all charges against Mickey Altieri were dropped. Despite media speculation that he would, Mickey chose not to sue Sidney and Gale for defamation and hasn’t been in the public eye since the controversial trial.’

You stared blankly at your TV screen when the video ended, another one auto-playing a few seconds later. Even after your drinks with Lee, you felt way too sober to even process any of it. For the next few hours, you devoured videos, bookmarked dozens of articles, and sifted through podcast episodes to listen to during work.

The odd case had made its home in the recesses of your mind. You dreamed about him when you finally fell asleep, just before sunrise. Sitting in the downtown Manhattan office, the open floor layout was unusually bright, fluorescent lighting washing the place in an eerie white glow. Mickey walked over to his desk, blood dripping from his fingers, splattering on the carpet in a trail leading right to him. He looked at you, a smile on his face as he brought his upright, bloody index finger to his lips.

As the weekend flew by, you tried to keep yourself otherwise occupied. It wasn’t good for you to stay fixated on it, and certainly not fair to Mickey.

Working from home on Monday helped, as you focused on finishing the last of the onboarding process.

Tuesday was where things became tricky again. You sat on the forty-minute long subway ride to the office equipped with a podcast episode about your new coworker. The hosts didn’t seem to have much new information from what you took in the night before, except for the last few minutes of the episode where they’d gone off-script.

‘Last I saw online, he was living in Manhattan.’

‘Oh my god, that’s so Patrick Bateman-core.’

‘So you think he did it?’

‘It’s tough to say, like I totally get why the jury couldn’t come to a consensus.’

‘Yeah same, messy as hell. I tend to think that he didn’t do it. Innocent until proven guilty, ya know?’

‘I get that. We did try to get in touch with him for some kind of statement or even an interview—‘

‘Wishful thinking.’

‘Yeah, we looked for his email address, but I guess it wasn’t the right one because our message got bounced back, so that was a big fat bust.’

‘He’s like notorious for denying interview requests, anyway. I think he turned down book deals and stuff.’

Enraptured by the conversation, you nearly missed your stop. On the three block walk to your office, you hurriedly opened one of your playlists and put it on shuffle. The last thing you needed was for Mickey to somehow see on your home screen you’d just been listening to a podcast episode about him.

Your head was spinning by the time you got to your desk. He hadn’t arrived yet, and you felt a bit relieved that you had a little more time to psych yourself up. You shouldn’t have even had to do that in the first place, just be normal about your coworker, but if you learned anything over the weekend, even if he wasn’t guilty, he sure as hell wasn’t normal.

The elevator doors opened, and you looked up to see him walk out, waving at you.

“Morning, Y/N, have a good weekend?”

“Pretty good. I’m more broke than when it started, though. How about you?”

“Like I told you, hot date with Netflix,” he said, sitting down. “Thought you were sticking with shitty liquor?”

“I was, but my friend wasn’t. I got the tab, and she got plenty of margaritas.”

“Shit, I oughta get drinks with you sometime if you get all your friends’ tabs.”

You grinned. “Don’t count your luck.”

He chuckled to himself. The two of you worked in near silence for the next three hours, though you found yourself glancing over at him every so often, out of curiosity and also admiration. His graying hair suited him, and you could see the muscles in his arms from his casually rolled up shirt sleeves.

Soon, though, you found it hard to stay awake, the light from your computer screen adding onto your fatigue. To your horror, you yawned loudly, catching Mickey’s attention.

“You alright? I’m not too boring, am I?”

“No, I just kept waking up last night. I feel like I barely slept.”

“Why don’t we take an early lunch and go get coffee?”

“That sounds great,” you said, grabbing your purse.

There was a deli right up the block, and when you looked at the small pastry case, you decided to order something with your coffee. Mickey placed his order, a hot coffee and a bear claw. With plenty of tables to choose from, you and Mickey sat near the window.

Your coffee definitely hit the spot, and the sugar from your pastry helped wake you up too.

“How long’s your commute?” Mickey asked.

“About 40 minutes. I live in Brooklyn, kinda between Bushwick and Bed-Stuy.”

“Damn, that’s long. I live on the Upper West Side.”

You raised your eyebrows. “Wow. Before this job, I was barely able to afford to rent on my own.”

“It’s a rent-controlled building. I’m not making a ton after alimony and child support.”

“Oh, I’m sorry.”

He shrugged, though he looked out the window as he continued speaking. “It was a long time ago. Deanna and me just didn’t see eye-to-eye on a lot of stuff when our son was born. I knew before he even got to kindergarten it was over.”

Unsure of how to respond, you slowly reached across the table, putting your hand over his. “I’m sorry, Mickey, really.”

“You’re a sweet girl,” he said, giving your hand a slight squeeze before releasing it. “They live upstate, so I don’t see them much. I have more time for going to the movies and Mets games.”

“I only go when they’re bad because tickets are cheaper.”

He snickered. “I should take a page outta your book. How about you? Any sports? Or reading? Isn’t true crime pretty popular with young women now?”

Your heart pounded at his question. Innocuous enough. True crime was extremely popular. The paranoid part of you couldn’t help but feel like it was an accusation. Then again, he couldn’t possibly know you’d spent the weekend immersing yourself in it, particularly stuff about him.

“I’m not really interested in that,” you said. “Sometimes my friends and I go to trivia nights at bars. I’m not that good, but it’s fun to just hang out. I have a membership at the MOMA, so I go there a lot. They show movies sometimes, too.”

To your relief, the conversation shifted to just that, and Mickey seemed surprised by some of your opinions on different movies. He told you he’d originally gone to college for film studies, which you already knew, of course. The odd thing was, while you certainly didn’t want him aware of just how much you knew about him, you didn’t feel guilty for it, just that he would be weirded out by it, obviously.

You and Mickey ended up talking about movies for nearly an hour and a half, well over your allotted hour lunch break, but he assured you no one would care that much. Still, the two of you half-ran back to the office, and something bubbled in your chest when he sat down and smiled at you, the wrinkles by his eyes becoming more prominent.

The rest of the workday went by quickly, and you headed to the library where you’d reserved the two books about the Windsor College murders and trial. By the time you got home, you’d already devoured the first two chapters of Gale Weathers’ book. Glad to be working remotely the following day, you let yourself stay up later than usual to read, getting to the halfway point before you could hardly keep your eyes open.

Weeks turned into months, and you absolutely loved your job, and the pay, but most of all, how the content you consumed and your proximity to Mickey seemed to feed into each other in a vicious cycle that increasingly drowned out the rational part of you that knew what you were doing was weird.

Still, it wasn’t like you were invading his personal privacy or treating him any different than you did before. All of the information you’d read, listened to, or watched was all public as your running list of books, podcasts, and documentaries on the matter grew. You’d even rewatched the Stab movies and started scrolling through threads and tags related to Mickey and what happened at Windsor College. After all of the personal research you did and how much you’d gotten to know Mickey at work, you couldn’t conclusively say whether or not he did it.

You tried keeping your obsession lowkey, but your friends seemed to notice how you’d shoehorn it into conversations. Lee had even told you she was afraid she’d created a monster by bringing up Mickey’s past in the first place. If she’d never made her comment or showed you that first article, you probably never would’ve known about it, remaining blissfully unaware and going about your business at your typical office job with your hot older coworker.

For how much time you spent at home between work and researching, it seemed like whenever you’d go out, you’d come home to something missing or moved. Articles of clothing gone, coffee mugs out of place, books not quite in the order you’d left them. At first, you chalked it up to your consuming too much true crime content, feeding into your paranoia, but when you asked your landlord to install another lock on your door, it all seemed to stop. That didn’t bode well with you.

Your fantasies blended with reality in your dreams, as you were having increasing occurrences of Ghostface or Mickey, or both, in them. Whenever you woke up, you didn’t remember much except for a warm feeling in your core. One dream remained vivid even after you awoke, though.

You were in your apartment alone, late at night, when you got a call from an unknown number. Normally, you didn’t pick up calls unless you were expecting them, but for some reason you picked up. The details of the phone call itself were jumbled, but you were frightened, running into your bedroom and locking the door behind you.

To your horror, you’d locked yourself in with Ghostface, the looming predator who looked at you emotionlessly, stalking toward you with his knife. When you turned around, the door knob was gone, and a black gloved hand grabbed your shoulder, moving you to face him as he pushed you against the door. He sliced through your slinky pajama top, exposing your breasts to him. Roughly groping each of them, he let out a low moan in appreciation before bringing the knife to your collarbone, dragging the blade to the valley between your breasts. Your breath hitched as he pressed it a bit deeper, but instead, you felt it in your pussy, like he was penetrating you.

“Give me a kiss, sweetheart,” your masked assailant ordered in a distorted voice.

Slowly, you leaned in, pressing your lips against the cold, hard plastic mask. You gasped as he dug the knife into your skin with one hand, his other slipping under your panties, pushing his fingers between your folds.

“I own you,” he said, clearly in Mickey’s voice this time.

You threw your head back in ecstasy as he pushed his fingers into your tight cunt, and then your alarm blared, jolting you awake. Turning over, you groaned into your pillow in frustration. At least it ended up being great masturbation material later on.

Another Thursday at work, seemingly uneventful as usual. You and Mickey had gotten into the habit of getting lunch together whenever you both were in the office. Maybe it was just wishful thinking, but as time went on, they felt more like dates than just a casual lunch with a coworker. Not that you were complaining.

“Got any plans for the weekend?” he asked in the nearby deli the two of you had begun to frequent.

“No, not really.”

“Do you wanna come over after work tomorrow? Watch a movie or something?” he asked.

“That’d be great!” you said, almost a bit too enthusiastically. “Should I bring anything?”

He shook his head, smiling a bit. “I can order a pizza.”

For some reason, you trusted yourself to be normal at his place, telling yourself throughout Friday that everything would work out fine. Being a weirdo about his alleged murders certainly wouldn’t help you get a real date with him, but your infatuation with him was only growing. You liked the slightest hint of danger about him, going to his apartment alone, wondering in the back of your mind what his true intentions were and feeling a bit of a thrill at the prospect that they could be anything less than innocent.

You showed up at his apartment that evening with a bottle of wine in hand, even though he’d told you not to bring anything. As expected, he thanked you for the wine, though he gave you an exasperated look as he let you into his apartment. Nicer than yours, but it still looked lived-in.

“Pizza will be here in a couple of minutes,” he said. “I’m thinking Mean Streets for the movie.”

“It’s a classic,” you agreed. “I love Harvey Keitel in it.”

“You know, that was De Niro and Scorsese’s first time working together.”

“Wait, why did I think Taxi Driver was first?”

“Came out in ‘76, just after he was in Godfather Part II in ‘74. Busy decade for him.”

“You’re telling me.”

The doorbell rang, the pizza arriving sooner than expected. You waited in the kitchen while Mickey dealt with the delivery.

“We can eat in the living room while we watch,” he said, carrying the pizza box inside. “I don’t have many people over, so it’s still a little messy.”

“That’s okay,” you assured him.

He put on the movie, and you balanced the paper plate on your lap, nodding along to “Be My Baby” as it played during the opening scene. Testing the waters, you scooted closer to him a few minutes into the movie. He glanced over at you, and you could’ve sworn you saw the faintest hint of a smile on his face.

You were especially pleased when he put his arm around you, not bothering with the pretense of a “move,” but rather taking what he wanted. Settling comfortably next to him, you tried to focus on the movie.

Despite his arm around your shoulders, closer physically to him than you ever had been, you felt restless. You knew when the halfway point of the movie was, and so you excused yourself to use the bathroom, telling him he didn’t need to pause it until you returned.

The tips of your fingers itched as you passed closed doors to the bathroom, which he told you was at the end of the hall. Biting your lip, you considered your options, and in a moment of impulse and weakness, you reached for one of the door handles. A mostly empty extra bedroom, maybe his son’s old room.

You weren’t deterred, opening another door. Jackpot. Slightly messy, with clothes strewn about the floor and on the dark sheets of his bed. Glancing behind you, you stepped into his room and looked around for anything that stood out.

Most people hid things under their beds, and so you got down on your hands and knees, wondering where exactly he might hide his—

“Don’t think this is the bathroom,” he said, startling you.

You yelped, frantically turning around as your brain short circuited for an explanation. “I—I was just—“

“Looking for trophies? All serial killers keep them, right?” he asked, towering over you from your spot on the floor. “Mementos of their victims or the kills.”

You shook your head frantically. “I’m so sorry. I shouldn’t have been snooping.”

“No, you shouldn’t have, but you’re looking in the wrong place anyway,” he said, pulling the knife from behind his back.

“Serial killers also don’t—don’t kill people th-they know,” you stammered.

“Typically,” he agreed, “but I’m not typical, am I? I’m sure you’ve listened to plenty of those cute little podcasts where some dumbasses read the Wikipedia page about the Windsor College murders in between hawking security systems to their listeners that they’ve just scared shitless. I admitted I did it, went to fucking trial, and the jury couldn’t even find me guilty.”

“Point taken.”

“So, what trophy would I keep from you?”

You were silent for a moment before answering, looking him in the eye. “My panties.”

“Which pair? Figure I have at least five of them now. Unless you wanna make that six, sweetheart.”

“You’ve been breaking into my place all this time.”

“You made it way too easy. It’s like you were asking for it.”

Maybe you were. Regardless, you didn’t show any resistance when he lightly kicked at your leg, a silent command to stand up. You got to your feet, though your gaze was fixed on the knife in his hand. His eyes followed yours, and he smirked a bit before putting the knife aside.

He turned you around, pushing you back onto his bed. Your breath caught in your throat as he pushed your skirt up, his hand caressing your ass, fingers brushing the thin fabric of your panties.

“Were you asking for it, sweetheart? Have you wanted this all along? Been a bad girl to get my attention?”

“Yes,” you whimpered weakly, your pussy clenching around nothing.

“Y’know, I’ve heard of serial killers having groupies, but you,” he said, slapping your ass for emphasis, eliciting a moan from you, “are something else.”

“Fuck, daddy,” you whispered, fidgeting against his mattress.

“I’m disappointed in you.” Another smack on your ass. “I could’ve been having fun with you months ago.” Smack! You hissed this time, though your pussy was pulsing between your legs. “Bent you over my desk in the office, have my way with you while no one else is around—or maybe a little slut like you would wanna get caught with daddy’s dick buried inside her.”

He spanked you harder this time, holding you down when your body instinctively recoiled at the impact. A pained moan escaped your lips as he pressed his body weight against you, his clothed cock rubbing against your tender skin. Tears welled up in your eyes as the sensation, and you resisted the urge to slip your hand between your legs.

“Or maybe,” he said, reaching around you to wrap his hand around your neck, “you just want me to fuck you before I kill you. Probably cum the minute I put that old Ghostface mask on, huh, baby?”

You let out a strangled moan at his words. “Yes, daddy.”

He released his grip on your throat, standing up to give you one more slap across your ass. “Turn over. If you’re good for me, maybe I’ll give you what you want.”

The friction from his sheets stung against your sore ass as you rolled over to look at him, though he grabbed you, pushing you onto your back himself. His grip on you was tight, fingers digging into your arms as he held you down beneath him, completely at his mercy.

He pulled off your skirt and panties, leaving your pussy exposed for him. He dragged his index finger between your folds, and you whimpered when he brushed your clit.

“God, you’re soaked,” he murmured against your lips. “Was it the spanking, or is it the serial killer thing?”

“Both.”

“Good answer,” he said, lazily circling your clit with his finger.

He ducked his head down, wasting no time in devouring your wet cunt. His tongue relentlessly flicked at your clit while he slid two fingers inside you, pumping them in and out of your hole. You took them easily, but wondered if it’d be the same for his cock when he’d undoubtedly fuck you.

Your hands gripped his sheets as he worked his tongue, your feet curling at the tension you felt building up inside of you. He moaned against you, loud enough that it felt like his voice rocked through your body.

“Don’t stop,” you pleaded breathlessly.

A pained and outraged whine pulled from your throat when he did just that. You looked down at him between your legs, betrayed.

“Why should I let you cum?” he teased, rubbing light circles in your clit with his soaked fingers. “You’ve been a bad girl.”

“Oh fuck,” you moaned. “Please, daddy.”

“You can do better than that, sweetheart.”

“Please let me cum, daddy. I’ll be so good. I—I’ll do anything, just—please,” you cried out in frustration of being so close yet not quite there.

“Only since you asked so nicely,” he relented, dipping his head back down between your legs, his hands holding your hips in place as your lower half began to quiver at his touch.

You could feel his lips move slightly against your sensitive pussy, nothing short of a smug expression on his face at making you fall apart so easily. It didn’t matter, your head was swimming, muscles strained as he brought you closer to climax. Grabbing his hair, you pressed his face closer against your pussy, grinding against it in desperation.

“Mickey—Fuck—“ you choked out as your orgasm wracked through you, fireworks in between your legs as your body shook.

He ate you out through your orgasm, and another tidal wave of pleasure hit you all at once, almost painful and overwhelming, your brain on fire at the sensation. You could hardly catch your breath when you released your grip from his hair and he lifted his head, your wetness glistening on his lips.

When he kissed you, you hardly had the strength to kiss him back, though tasting yourself on his mouth sent a rush through you. He pressed sloppy kisses to your face, trailing down to your neck. His hard length rubbed against your slick-coated thigh, a low growl coming from deep in his throat.

“W-Wait, can I ask you something?”

“Shoot,” he mumbled against your skin.

“Did you really wanna get caught?”

He stopped, lifting his head from your neck to look at you a few moments before answering, “Yeah, blame the movies, make a real circus of the trial, but my attorney said he didn’t think I could pull off an insanity plea because I was too put together. Obviously pleading guilty and confessing everything wouldn’t get nearly as much attention as actually going on trial. I was pissed at first, but it worked out, I mean I had every reporter eating out of the palm of my hand by day three.”

“Why don’t you do interviews now? Or write a book?”

“What’s there to say? Not the truth.”

“I guess that makes sense,” you muttered. “Are you gonna kill me?”

“Probably should,” he said, the slightest smirk ghosting his lips as his eyes raked over you, “I might need more convincing not to.”

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