#god i love talking about this show

[waitmyturtles]

Hi Turtles! To follow up on another IFYLITA anon, do you think there are any intentions in having so much parallels between Ohm/Jom and Yai/Jom scenes? We've seen both parallel-ish scenes whether it is the breakup or their loving scenes. I wonder if you think the director & writers have something they wanted to tell from this

Lovey dovey parallels: https://x.com/charlidos/status/1719055971186602065?s=20

Breakup scene: https://x.com/gxminist/status/1714313653523198051?s=20

@clairedaring, hello! Oooh yes, I think there’s intention. I’m reading it very surface-level, but I think it’s just a story of Jom’s growth.

Jom waited two years for Ohm to come back to him, only to be dumped. He got drunk, hopped into a car, and flew over a bridge — quite intense.

He was about to lose Yai in an extremely similar way, to another woman. However, as opposed to having been separated for two years prior to the break-up, Jom still had Yai near him, and was able to fight for Yai. Jom had also been contemplating two sets of rights that he hadn’t needed to beforehand in his present day — his safety as an out gay man, and the lack of equality for the house servant population that he and his friends belonged to.

So I think all of that context kind of gave Jom some oomph to seek out a better fate for himself vis à vis equality and intention. Ohm looms over Jom, while Jom meets Yai at eye level. Jom maybe learned not to let power loom over him as long as he could seek it for his own fate.

I hope this answered your question! Jom’s growth story is just chef’s kiss.

[anthyies]

the thing about disco elysium is that it has women in it. what you see on the internet about it might lie to you about that but it has women, gay women even, very compelling women even, in it.

[useyourtelescope]

Nicola Coughlan Interviewed by Entertainment Tonight + Colin & Penelope in Bridgerton Season One Episode Four

[drenched-in-sunlight]

i love the DLC man

[minhosblr]

The only singer ever!

[keferon]

“Mistakes on mistakes until” ch 69 spoilers below!

Ahahahahahahah here I go again

Mistakes on mistakes until until I can draw Jazz with my eyes closed

I woke up, checked my phone, woke up for real and decided that whatever plans I had for this day yeah no they can wait a little bit kfkgnfk

Also. Consider listening this while reading. Or don't who am I to tell you what to do~

[adastreia-12]

poseidon’s relationship with percy is something that is so personal to me. love so flawed and complicated, so wary and tentative. your father is here. he’s always been here. he’s not sure what to make of you but he is proud of you. you’re not sure what to make of him either. you’re sally jackson’s son, but you have your father’s eyes. you are the sea as much as he is. trust him. trust yourself. breathe. the sea does not like to be restrained.

[kacievvbbbb]

Wasteland baby! is the most under appreciated of the Hozier albums and truly what an album to be released just before the pandemic what a song to release before the pandemic. During an uncertain time an album about not being alone in a wasteland the way most of the songs are about devotion, to the point of fault, to the point of personal harm, to the point of manipulation, about doing everything to be with this person even when it's detrimental to you both or even when it's a person you've made up in your head, in a year when we couldn’t go out and see each other. Hozier releases an album that puts the yearning for love in the loneliness of the pandemic into words a full year before the pandemic even happened and we don’t even really talk about it and that should be a crime.

True that love in withdrawal was the weepin' of me That the sound of the saw must be known by the tree

god imagine hearing that in a pandemic and not going insane.

in this essay, I will-

[stargirl230]

I’m so late to this but i started watching ofmd and jim has stolen my whole heart 🍊

(no reposts; reblogs appreciated)

[theoldkyokodied]

Uploading all my Tomgreg art at once from the past few week before season 4 hits, who knows in what kind of mental state i'm gonna be once it does :')

[brother-emperors]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

[heybiji]

dandelion casually dropping traumatic information while insisting that instead of killing the problem wizard they simply burn his tongue

[flintbian]

There's a disabled angel in good omens 🥺

[lizardkingeliot]

Still can't stop thinking about how agonizing it must have been for Lestat to stand up on that stage at the trial and lie about the early stages of his and Louis' relationship and twist the details to make Louis the pursuer and pretend like he didn't want him when the most essential fact of Lestat's life since the year 1910 has been wanting and loving Louis more than anything in the world.

And just... the fact that he was doing it—standing up there and speaking the twisted lines given to him by Armand and the coven—only because he was there to save Louis. The fact that his only mission was Don't Let Louis Die. The fact that they made him sacrifice his daughter to save his soulmate. Wield their love as a weapon in a last desperate attempt to make sure Louis keeps on living. No matter what, even if it meant Louis would never forgive him. Even if it meant Louis would always hate him.

Lestat just needed Louis to not die.

[uhbasicallyjustmilex]

“hold on to your heart” // do me a favour live at forest hills stadium new york 08/09/23 ♡

[dollarstoreartsupplies]

forever thinking about johanna shooting fogg and what it says for both her and anthony as characters

because the whole show, from the very first scene, we've been set up to see anthony and sweeney as parallels of one another; anthony is sweeney back when he was benjamin, he's full of hope, he's in love (with a woman who looks almost identical to lucy), and then he gets that love brutally ripped away by judge turpin

in 'no place like london' sweeney says: "you are young, life has been kind to you-- you will learn" and by the point in the show where anthony is going to rescue johanna we're almost inclined to agree with him

except anthony cannot shoot the gun, he's not like sweeney in that he cannot kill another person even if it was to save someone he loved. anthony is never going to become sweeney todd.

and then we realize that we've been looking at the wrong person the whole show, and it's so obvious it's laughable: johanna shoots the gun.

johanna who has been raised to be silent and obedient and perfect, johanna who, without knowing the half of it, has had everything taken away from her by judge turpin, her mother, her father, and her freedom. johanna who we've been led to believe is the lucy to anthony's sweeney.

she is fully justified in shooting fogg, no one could fault her for it, but she doesn't even hesitate.

in that moment she is her father's daughter.

that isn't to say that I think johanna is going to go on a killing spree after the musical, obviously, but it's such a fascinating scene in terms of their development: because despite it all anthony is still the same, and because of it all johanna is not

anthony is the last bit of hope left in the story, and johanna is the last bit of sweeney