#god of stories and faking death

[autumnoficarus]

i can't stop listening to the 'purpose is glorious' track from this season's ost and thinking about how lovely the title and its meaning are. it's just such an amazing underlying theme in this show, and - while i do have criticisms about some of the choices made for the series finale - i really do feel the writers wholeheartedly delivered in sending that message home. for me personally, loki's ending is so gratifying and a large part of that is solely from viewing their arc's conclusion with the perspective of this theme in mind. to have spent years watching this character i hold very dear to my heart struggle to find belonging, to feel as though they matter and there is reason in their existence, finally get a chance to show - and recognize - their worth was so, so rewarding. and honestly, i think the message behind the phrasing of 'purpose is glorious' is all the more meaningful because of how loki's arc finished. yes, the outcome was bittersweet; yes, we're left knowing loki didn't get the happiness they undeniably earned after everything they'd gone through. it smarts something fierce to know their journey up until they deviated from their timeline and became a variant, as well as seen their eventual intended fate. the ache is only worsened after witnessing everything that happens within the TVA and the entirety of loki's character growth leading up to a redefining moment where they willingly choose to undergo a nightmarish amount of time in the endeavor to do the right thing. of course we want them to emerge victorious when they've struggled for so long, but that's not the point. loki's final moments are them forfeiting their right to a happy ending to preserve the stories of others because all stories matter and should inherently reserve the free will to be written; as sylvie says, loki makes their choice so their loved ones and life across the multiverse still have a chance to belong somewhere and embrace their place in the world. the take away is that even burden can be glorious. even with all the hardships of life - all the inevitable heartache, disappointment, and grief we encounter just by being alive - we have meaning in our existence. there is meaning in the trials we face, and the suffering we endure in order to overcome them. our pain gives us purpose; it gives us the ability to love, to grow from and for each other, and choose to sacrifice our happiness for the benefit of another. loki's purpose was forged in the bonds of those they met in their time at the TVA and the sense of value they gained from their companionship. their sacrifice perfectly conveys how the human capacity to love is one of cosmic greatness, which can ultimately surpass our instinctual desire to preserve one's self. we can move immovable mountains and challenge insurmountable adversity in behalf of the ones we love and their welfare. if that isn't an act deserving of glory, I don't know what is.

tldr; loki's purpose is the friends they made along the way = as the saying goes, 'tis better to have loved and lost than never to have loved at all'. or: our own lives have purpose because of the connections we share with others, even when we are met with great loss.

[clownjacket]

Okay my crack theory for Lucy’s god situation:

What if instead of dying Lucy’s god became an archfey and fucked off, forsaking all of their followers. I could see that as justifiable for a minor god—maybe you don’t want your personality and existence to be dependent on a group of people small enough for a really big hurricane to wipe them out. Maybe you want to try your hand at self actualization, which you can’t really do as a god. Whatever.

But that would still mean Lucy’s grades would be screwed for the year, and the whole group would be switched to pass/fail.

Whatever god they’re trying to bring back seems like they want to stay a god, but would also only have a single living cleric so their nature would be heavily influenced by who that cleric is, and could still be controlled. Bringing back an established dead god with living followers probably reduces the risk of the god immediately dying or completely sucking ass/not being powerful like what happened with YES!(?), and we know the Ratgrinders LOVE minimizing risk. And choosing a dead god that represents something Lucy is actually passionate about preaching and proselytizing would make her work as a cleric much easier for her emotionally than, say, switching to Helio and just going through the motions, and bringing back a god would probably look good on college resumes.

Idk, that’s just an alternative theory to Lucy’s god dying based on what’s been established this season.

[coconut530]

SERIOUSLY!? RIGHT IN FRONT OF MY PUMPKIN BREAD TRIFLE PT. 2

[thevelaryons]

NEW RELIGION, or AU WHERE ADDAM SURVIVES TUMBLETON AND CHOOSES A DIFFERENT PATH FOR HIMSELF GOING FORWARD

Fight Club, Chuck Palahniuk // Captive Prince, C.S. Pacat // Cat’s Eye, Margaret Atwood // Fire & Blood, George R.R. Martin // The Five People You Meet in Heaven, Mitch Albom // Interpretation of Dreams, Sigmund Freud // Angel on Fire - Halsey // Sun Bleached Flies - Ethel Cain // Adonis: Selected Poems, Adonis (tr. Khaled Mattawa) // The Sun Is Also a Star, Nicola Yoon // Three - Sleeping At Last // How’d Your Parents Die Again?, Fatimah Asghar // @tagdevilish // The Five People You Meet in Heaven, Mitch Albom // Gusty Island by Listening Point Foundation // Prayer, Jorie Graham // Loss, H.D. // Crush, Richard Siken // H of H Playbook, Anne Carson // Fifteen - Taylor Swift // The Art of Drowning, Billy Collins // unknown // TOUCH (2019) by Alina Pronskaya // Crush, Richard Siken // In A Week – Hozier // Litany in Which Certain Things Are Crossed Out, Richard Siken // Solve for Desire: Poems, Caitlin Bailey // @ghuolboy // Truce - Twenty One Pilots

[jojotier]

how do you write a story where the protagonist dies?

not one where the protagonist is fighting you every step of the way- not one where she is begging you to spare her life. I feel like that's easier, because you just set fate in motion, and hey, for the story you want, you can't interfere. it was always going to end like this. like yes I'm mourning you, but the laws of this world I've built dictate that your death is inevitable. Sorry. It will be over soon. Then we can rest.

but what do you do when your protagonist wants to die?

not because of suicidal ideation, because that, too, would be easier to deal with. you show her that life is still worth living. you show her kindness, and love, and even if she still constantly wants to die at least she can see that she might need to work on that, and you can at least promise her that things will be okay. it got better for me, so it's really just common decency to make sure it gets better for you.

but what if your protagonist has lived too long? What if there isn't any getting better because this is better, this is as good as it's going to get, and to live is to repeat a thousand years of illness and stasis?

The win state's long since been reached. She's loved and lost and longs only to go home to the place her mother and her mother's mother and her grandmother's mother has died.

how cruel am I, then, that my first instinct is to deny her?

[ballads-of-breeze]

“I know what you are 🐦”

“Right back at you 🐉”

[wall-e-gorl]

I just love how complex bell summers is!! And how simple at the same time!! They want you to eat and to make sure you're safe, and they're so sure they know how to do that all the time!!

[dirt-str1der]

Do you consider any of the non protagonist yakuza girls well writen?

I think none of them had rights

[dihalect]

just finished death note

[autumnoficarus]

i have so many things to do today but i am also trapped in a time loop from 11/9/2023 at exactly 9pm (cst) where i watched my favorite marvel character renowned for their anti-hero characterization sacrifice themselves for the greater good and to protect those they love.

so. there's that

[piduai]

feel good stories in which everyone is so niceys to each other and they solve their conflicts peacefully are cool and stuff but i'll always just crave stuff with unimaginable unnecessarily brutal violence and blood guts betrayal toxicity all that. heavy themes and whatnot. it's just more enjoyable when they backstab each other and then die in an explosion of viscera sorry

[accursedvoid]

Glad I got out of BNHA awhile back, from everything I’m seeing the manga and it’s presumed ending direction is going downhill faster than the naruto finale.

[arolesbianism]

Most of the sekai cast are like completely irrelevant to the main plots of the random card au but that doesn't stop me from thinking abt them from time to time. An Kohane and Haruka are more historical figures which ofc means tragedy but also they r kinda silly to me. Goat and boar so caught up in their echo chamber that they forgot how to actually hide it well in front of a normal person (Kohane)

[averycrimsonrain]

like I'm gonna read svsss eventually but trying to piece together what happens via out of context spoilers on my dashboard is just so entertaining. Things I have learned so far:

The main character straight up dies bc he thinks faking your own death is tacky (it seems like he gets resurrected eventually??)

His love interest is a demon lord/puppy dog who's absolutely insane (sleeps next to a dead body for five years & makes his crush drink his blood???)

I have no idea what Mobei Jun's role in the story is but I know he's the hottest man in the world (& god's specialest little boy)

There are (allegedly) female characters who uhhh. Exist?

The main villain (??) of the story is the author, whose name seems to just be "Airplane"

Today I learned there is a sexy snake man. What wonders shall tomorrow bring

[flokali]

Hi!! I am brainrotting and cannot get it out of my mind, so I thought to share. A very simple thought.

Accolyte Zhongli. Very willing to please et cetera. But biting him? Like come on, biting a Dragon? Is it ownership? Is it playful bite? You know, the sudden urge to bite someone (or is it just me?). So biting a very willing Zhongli.

Sobbing. This will haunt me for a while.

Slight NSF_W

Thinking so many thoughts... happy belated valentines day every1 ><

Warnings: NB! Reader, yandere!Zhongli, SAGAU, implied Dom!Reader/Sub!Zhongli, unhealthy relationship dynamics, biting, soft-violence (?), possessive behavior, jealousy, ask to tag!

Dragons in Liyue are known to be loyal, fierce, and elegant; the stories always describe them as powerful beasts who are to be respected, with sincere hearts and wisdom beyond a mere mortal’s understanding.

In a way, such behaviors did translate to your acolyte, Zhongli. He was one of your oldest followers, not just in age but time serving you, over six millenia he has existed and can proudly state he’s worshiped you for most of it. You would think that the years would have mellowed him out, polished up the edges of his devotion, soothe the tempest in his heart into a much milder dribble, and yet – you knew very few of your acolytes who could rival the passion he seemed to hold towards you.

The relationship between you and all of your followers was strange, at least to you — going from a normal person to being worshiped as a God was not an easy process, much less in a world as different from your own as Teyvat was to Earth — however none were perhaps as strange as the relationship between you and Zhongli.

He is always at your side, from the moment you wake up to the moment you go to sleep. At first, his insistence on being your attendant had been met with heavy resistance from the others but his stubbornness greatly overpowered their annoyance; no matter what rotation you were in, Zhongli was always by your side.

You knew of his vessel, Morax, the large dragon that he’d used to fake his death, and you knew that “Zhongli” wasn’t his true form – you just hadn’t guessed some traits would have seeped into the other form or maybe it was simply part of his personality.

He was possessive and overprotective over you, it was like an internal struggle between submission and the need to monopolize you was constantly going on in his head, yet he refused to outwardly admit it.

“I am simply concerned for you, Your Grace.” He’d say whenever you’d bring up his overbearing nature, considering that he and the rest viewed you as an all-powerful being, you’d think he’d have more trust in your ability to protect yourself. And yet, whenever he’s allowed, he’ll always attempt to deter you from leaving his side. At some point you realized it was probably for his sake rather than your own, but by then you had grown endeared to the man and decided to allow it anyway.

Even as your most loyal follower who you spent most of your days with, Zhongli had his quirks and habits about him that simply baffled you – no matter how many days you’d spent with the former Archon, there were just things he’d do and say that’d leave you questioning all you knew about him prior.

All you really knew about him before was reduced to what had been revealed in game, from the Traveler’s perspective and the NPC’s who’d speak about him. Meeting him and interacting with him quickly let you know that his personality, at least when directed towards you, was quite different from what you had assumed from your previous observations.

An example of such discrepancies was his obsessive need to please you.

The traditional Liyue clothes you once complimented him on? Most of his wardrobe has changed to include such attires more frequently. The hair accessory you bought him once when you traveled to Fontaine? You don’t think you’ve seen him without it since. That one time you complimented him when he wore warmer tones? It seems his closet has been rid of any other color.

It was unsettling if not a bit cute, who wouldn’t be a little bit flattered to know their opinion held such weight to a man such as Morax; but it was only a matter of time before it all escalated

Somewhere, at some point, your relationship with Zhongli changed – morphing into something more complex than you would have expected. You would soon wonder if he was classified more so as a lover or some sort of concubinus than a mere helper, his role as an attendant seeming more like a guise so he could spend his time with you each day.

Fleeting touches now lasted longer, the feeling of his hot gaze on you burned stronger with every passing moment, it was a natural escalation; kisses now were no longer restrained to the hand, they now landed on your lips, your cheeks, your neck, wandering hands found their home in your waist and the small of your back.

When he told you he loved you, you knew not if he spoke as a devotee or a lover.

It was during a heated make out session that you found out his weakness to being marked and claimed, much to your surprise. He’d been quite insistent on not leaving a single mark on your person, not a hickey or bite, you guessed it must have been a preference but never asked about it either. You decided that, for the time being, you would avoid the topic until it naturally came up - and up did it come.

You had been on top of him, sitting on his lap and caressing his hair as your lips danced with one another’s, his golden eyes were shut tight in pleasure as he let you use his lips and body as you wished. His hands rested on your waist, tightly gripping at your robes and skin as he desperately clung onto your body. Soft whines left his lips periodically, his breathing was quick and you could feel his heart beating where your chests met.

You playfully decided to trail kisses across his face, at first he whined when he felt the loss of your lips on his but he soon fell quiet – other than a few moans and whimpers – as you left open mouthed kisses into his skin and down his neck.

It’s there that, in the heat of the moment, you decide to bite his neck, leaving a small hickey on his flushed skin. His reaction is immediate; his head falls backwards, his whole body heats up and you feel something stiffen below you, his face burns a bright red as a loud moan escapes his lips. His grip on you tightens, his fingers digging into your skin to a point you are certain it’ll leave a mark, and his heartbeat quickens; pleasure basically radiates off of his body the minute your teeth nib at his neck.

You stop, teeth sunken into his skin and hand tangled in his hair, his reaction so lewd and surprising you become flustered and stop dead in your tracks.

Zhongli, however, only pulls you tighter into his body, using a hand to press your face deeper into his neck, as if urging you to use more force in your bite – timidly you give in and nibble into his flesh, further deepening the imprint of your teeth in his skin. His whole body feels hot to the touch, his mind feels hazy, your soft bites into his skin send shockwaves through him.

You had no idea what you were doing to him, did you? Or else you wouldn’t have been so careless when picking the spot, but it doesn’t matter, in this moment of intense pleasure, the former Archon decides to give into delusion and believe you knew the meaning behind biting a draconic being such as himself �� and in the neck of all places as well.

Old traditions dictate that a bite mark, especially in the jugular or neck, was a sign of ownership. It was often that mates would mark each other in the neck with enough force to leave scars, sinking sharp teeth into one another with ironic tenderness. It showed trust and care for the other, both to be marked and leave a mark, as it required vulnerability and care from both parties. It was a deeply intimate act, one that would be reserved to life-long partners and mates, it was a gesture of possessiveness and devotion tinted with love.

If he were to be honest, Zhongli would have thought himself to be the one to mark you instead of the other way around, it’d been something he’d often fantasized at night before your arrival, and yet, as he felt your — significantly duller teeth — bite into him he could feel his admiration and love for you grow as he became yours; even if you may not have known.

He’d always imagined himself on top of you, your naked form beneath him, as he sunk his canines into your flesh until he tasted your holy blood. He’d imagined himself cradling your pleasure stricken body while you moaned his name, a sinful sound coming from a divine being. Instead, it is himself that lays within your grasp, panting in ecstasy as he holds himself back from coming completely undone and showing a depraved side of himself even he did not know of.

If he was honest, he almost wishes you’d draw blood, sink your teeth so deep into his skin it breaks layers of flesh and leaves a deep scar that could never heal – a sign of your favoritism and ownership, one that he could proudly say was unique to him. If only you weren’t so careful with him, so scared of hurting him; he means no offense, but your current form is significantly weaker than his and he’s survived wars most have not heard of; even if you wanted to sink your nails into his skin and carve your name into his body, he thinks his strength and shear devotion to you alone would prove the pain to be nonexistent.

A gasp of your name leaves his parted lips, it’s erotic - the way his pink lips let a symphony of pleasured sounds - a wave of hormones rushing through his body, sending his brain into overdrive.

You look up at him, not having expected such a lewd reaction, but the sight of his half-lidded eyes as they burn into your own sends a hot-buzz down your spine. His cheeks are flushed, his lips bloodied as he bites them, his bare chest is heaving up and down; the expression on his face is orgasmic. His loose hair sticks to his forehead as sweat runs down his temples, clearly your gesture had taken quite an effect on him.

You slowly remove your lips from their spot, about to question his reaction - wondering if you’d perhaps crossed a line, but he stops you with a crooked smile and warm hands against the back of your head.

“It is okay, Your Grace,” he whispers, tongue darting to wet his drying lips, he guides your head back into his neck, “bite me all you want, my neck is yours for the taking.”

You giggle a bit at his eagerness, feeling his hard-on press against your ass. You playfully adjust yourself in his lap, softly nipping at his neck before biting down in a new spot.

“Ha-ah,” he moans once more, you feel him startle beneath you, “don’t be afraid to draw out blood, either… in fact, please, feel free to do so.”

He can only hope you take on the challenge, eager to flaunt your lovely bites to Neuvillette and any poor soul that even so much as thinks of questioning his position in your life.

[henry-fox-biggest-stan]

Me because the Percy Jackson series is actually about the different cycles of abuse, which include abuse within romantic partners (Sally and Gabe), abuse between “family” (Percy and Gabe, Meg and Nero), abuse from people in positions of power (the gods over the demigods), and so on, oppression than ranges from having adhd in the public educational system to being forced to perform quests for your entire life for people who could not care less about your well-being, how camp is both somewhere safe but also the bittersweet taste of arriving there and realizing you can never escape, you can never be normal your life will never be the same. There’s no turning back. How Luke was right on theory but not on acts, how these kids got around the idea to never make it to 18, and how there was nothing they could do about that. How many of them sat in their cabins, counting down the days until their sibling/friend/partner came back, only for them to not come back at all. Was it ever their turn to leave someone waiting behind? Annabeth, Percy, Grover, Thalia, the whole deal with Nico, Bianca, Silena, and every single demigod. Children of Apollo were the camp healers, was it a choice? A moral obligation? In camp Jupiter there’s Jason, there’s Reyna, Piper’s story, Leo’s story, the way Jason and Piper’s relationship was heteronormativity pushed by Hero because both of them were queer but she wanted a perfect couple. After being gone missing, people searched for Percy, but Jason? The devastation of Leo and Jason’s relationship, how Leo never knew his feelings for him were required, how both Leo and Piper thought they knew Jason but it was all fake memories, how Jason never fully got his memories back. Hazel’s story, Frank’s story, how Nico and Leo’s mutual dislike for each other comes from a place of understatement. How they both see themselves in each other and look away as one looks away from a mirror when they dislike their reflection. They are both so similar, almost the same. They both are also autistic, except Leo is always masking, and Nico never really learnt how to. Neurodivergence, adhd and dyslexia. Being a demigod is a metaphor for neurodiversity. Was Dionysus actual punishment looking over camp? Or was it spending years and years seeing demigods come and grow and die? Knowing there was nothing he could do about it? Knowing than if he was with the gods, he would be causing their deaths, instead of grieving them? Does Chiron feel hopeless? Memory, names, ghosts. Blades, swords, arrows, blood. So many blood, blood-stained hands. Monsters follow you before coming to camp, did they hurt you family? It was all your fault. They don’t want you to come back, you bring danger, you’re more dangerous than the monster, you are a monster yourself, after all the Minotaur was a demigod too. Leo killed his mother, Zeus killed Maria, Sally got taken to the underworld, Tristan was held hostage, Fredrick and his wife and sons got attacked by monsters, and who’s fault it was? You run away you keep on running but you’ll never outrun the danger because the danger is yourself, you are at fault, how do you run away now?

The odyssey, the iliad, the statues in museums, you look at them, do you see yourself? Do you see any resemble? Your nose kinda looks like theirs, the shape of their lips, the width of their hands, but that’s a lie you’re nothing like them, never will be, is that a tragedy? Do you want to be like them? Do you want to be a hero and die a heroic death? Or do you simply wish to visit your family on Christmas and live the life your little cousins will eventually live? Maybe you’ll never see the life they’ll live, maybe you’ll die before seeing it. There’s nothing to be done about that, you just have to accept it. Don’t you feel the rage, bubbling inside of you, making your hands shake? What can you do with it? Not much, remember last time, remember Luke, what did he accomplish? Nothing, blood, screams. You remember the war, you remember the city, maybe it was the first or the second time you set a foot on it, now every single time you do (if you do) in the future, it will be tainted. Look in that corner, that used to be destroyed. Look at that building, my friend died against that wall, that road was filled with blood. Was it ours? Theirs? Is there even a difference between us? Should there be? Why were you on your side? Why were they in theirs? Who was right? Who was wrong? You can go anywhere but home, maybe you’re not welcomed, maybe there’s no home to return, maybe it’s better for everyone if you don’t return. Nico keeps Bianca’s jacket, Leo taps iloveyou on Morse code. Piper was forced to be someone she wasn’t, she thought she was someone she was not, she was forced to think that. Who is she? Is she even who she thought she was? Jason still don’t remembers everything, and him? Who is he? Nico will never get his memories back, he wonders about his mom, did he have more family back then? Grandparents, aunts? Hazel is a walking curse. Silena and Clarisse as Patroklos and Achilles. Apollo seeing the brutal reality of demigods’ life on trials of apollo.

Your hand shakes, the sword you hold moves, you feel it’s weight, do you want to hold it? Do you have to?

The dead come back to haunt us, Nico sees Bianca everywhere, Leo still remembers his mother’s voice, Hazel came back from the dead, Frank holds his life on his pocket, Thalia lost a brother twice, Leo didn’t really die, Jason died instead, Percy wished to drown himself, half of camp still waits for their brother to come back, even if it has been months, even if it has been years. Luke’s mother still waits, was she crazy? The campers who thought to recognize their friend’s face for a second before remembering than it couldn’t possibly be them, were they crazy too? Who was crazier? Luke’s mother who did not remember, or the campers who did? The underworld has no mercy only justice, but the world has no justice only mercy. You might get mercy, but you never will get justice. Was it fair anything than happened to them? You might be spared in a war or in a battle out of mercy, out of pity, out of recognition, but that didn’t stop you from having to fight in it, that didn’t stop you from having to wield the sword. Spare all the people you want, turn a blind eye to whatever you want, mercy? sure, but you were still holding the sword, you were still supposed to fight, you still weren’t in charge of your life. How was that justice? How was that fair? Names had power, even their names had more power than your life, even the letters making up their names were more powerful than your fists, could you ever win? Could you ever win when their names were so powerful they could not be pronounced but your life was so worthless they didn’t even care to learn yours? To learn the names of the ones than died because of them. You can’t say the name of you sister’s killer, but you’re still expected to burn an offering to them each night at dinner.