#had to re-listen to all the albums to decide

[doyoulikethissong-poll]

Queen - The Show Must Go On 1991

Innuendo is the fourteenth studio album by the British rockband Queen, released on 4 February 1991. It was the band's last album to be released in lead singer Freddie Mercury's lifetime. It reached the number 1 spot on the UK album charts for two weeks, and also peaked at number 1 in Italy, the Netherlands, Germany, and Switzerland, staying at the top for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.

The album was recorded between March 1989 and November 1990. In the spring of 1987, Mercury had been diagnosed with AIDS, although he kept his illness a secret from the public and denied numerous media reports that he was seriously ill. The band and producers were aiming for a November or December release date in order to catch the crucial Christmas market, but Mercury's declining health meant that the release of the album did not take place until February. Nine months after the album was released, Mercury died of AIDS-derived bronchopneumonia.

"The Show Must Go On" was written by Brian May, based on a chord sequence he had been working on. May decided to use the sequence, and both he and Mercury decided the theme of the lyrics and wrote the first verse together. From then on May finished the lyrics, completed the vocal melody and wrote the bridge, inspired by Pachelbel's Canon. The song chronicles the effort of Mercury continuing to perform despite approaching the end of his life. When the band recorded the song in 1990, Mercury's condition had deteriorated to the point that May had concerns as to whether he was physically capable of singing it. May recalls; "I said, 'Fred, I don't know if this is going to be possible to sing.' And he went, 'I'll fucking do it, darling' — vodka down — and went in and killed it, completely lacerated that vocal".

The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of clips from all their videos since 1982. Due to Mercury's critical health at the time of its production, a fresh appearance by the band in a video was not possible.

"The Show Must Go On" was released as a single in the UK on 14 October 1991, just six weeks before Mercury died. Following his death on 24 November 1991, the song re-entered the British charts and spent as many weeks in the top 75 (five) as it did upon its original release, initially reaching a peak of 16. In 1992, the song was released as a double A-side with "Bohemian Rhapsody" in the US and reached number 2 in the US.

It was first played live on 20 April 1992, during The Freddie Mercury Tribute Concert, performed by the three remaining members of Queen, with Elton John singing lead vocals and Black Sabbath guitarist Tony Iommi playing rhythm guitar. A different live version featuring Elton John on vocals later appeared on Queen's Greatest Hits III album.

Since its release, the song has appeared on television and film, including Moulin Rouge!.

"The Show Must Go On" received a total of 85,2% yes votes! Previous Queen polls: #29 "Mustapha"

[selyeji]

jersey

fermin lopez x reader (requested)

summary : love at first sight or was it love at first concert?

warnings : none

daily click to help palestine

a/n : decided to move shorter notes here !

the atmosphere of the stadium was filled with cheers from culers. with the score up by 2-1, recently scored by fermin lopez. you sat down with a few friends, using your hands to rest your chin

your music was quite popular, and currently in a tour. since you arrived a few days early, there was time to burn and decided to appear in a barcelona match.

as the team goes back to their positions from celebrating. the cameraman seems to catch you, angling the camera to you sitting in the stands. you smile back and wave, pulling one of your friends in to also be angled in the monitor.

fermin raises his head to view the screen, his eye catches your face, sweetly smiling. before he knew it, the game has started, he swiftly got back to his senses and started to watch the ball and move.

once the match ended, you sighed out of relief. the heat and temperature in barcelona was definitely not made for you. you stood up right away, wanting to flee the situation.

fermin went to the changing rooms, taking his time in switching clothes. exhausted from the match, he decided to use his phone a bit. he sat on a chair, shirtless. scrolling through instagram, looking at match posts. unconsciously trying to find your name, or any post about that band on the screen.

his eye finally catches one, with the headline

“music artist y/n attends fc barcelona vs atletico madrid game… see more.”

luckily for him, your ig account was already tagged. giving him easier access to your profile. your feed was either filled with selfies and photos with your friends, your pet or music.

it was obvious you played the guitar way more. deciding to check your story, you posted a picture of camp nou inside from an hour ago. the grass green as ever, culers in the background and the net visibly seen.

there was no way you could’ve seen his specific profile with hundreds seeing your story, fermin thought. oh how wrong he was, once you got back to your hotel room. you laid on the bed, white cold sheets touching your warm skin. your hair messed up as you scroll through social media.

your notifications blowing up, usually tags from sports and music news after your appearance in a game. deciding to check your story likes, you come across a profile.

blue checkmark. an athlete? now thats a new one. he didn’t like the story itself but his profile was placed above the others. he probably just wanted to know whoever you were, you thought and brushed it off.

getting up while tying your hair. re-tuning your guitar strings to get your mind distracted. plugging your earphones to your guitar, not wanting to distract people in other rooms as you practice.

you had your entire songs memorized but it didn’t hurt to practice. it always bothered and kept you paranoid if you ever mess up, not wanting to do that same mistake on stage.

music always kept you at ease, it gave you a way of escaping reality. when your parents bought you your first acoustic guitar, your hands never left it alone. always practicing chords, doing finger practices and so-on.

of course your parents noticed this, deciding to gift you any music related items. they supported your career all the way through.

deciding it was already late, you did your skincare routine and went to sleep. there were still parts of barcelona you wanted to explore tomorrow, after all it was a big lively city.

fermin already wide awake early on the morning, driving his way to camp nou. training doesn’t stop even after a win or not. his phone bluetooth connected to the cars speaker, blasting your music. he heard a few of your songs before but never listened to an entire album.

his finger lightly tapping on the steering wheel, following each beat of your song. he carefully parks his car, before he could even remove his seatbelt a sudden face and a hand grabs onto his window.

“holy shit gavi! it’s too early for this man…” fermin said as he rolls his window down. immediately regretting that decision when he forgot to pause the music.

“wow… i never knew you were into her music… especially after yesterday.” gavi said while giggling, a wide grin across his face. fermin rolls his eyes as he grabbed his phone to disconnect from the speakers. he grabs his small bag filled with toiletries, before getting out of the car.

fermin and gavi walk into the changing rooms together, the others already arrived earlier than them.

“ay fermin, gavi!” ferran first spoke to them, dabbing them up. “you wanna come with us tomorrow? we got tickets for y/ns concert.” pedri said, fermin stood there, looking confused.

“i mean it’s alright if you don’t want to, i don’t really expect for you to listen to her music.” pedri shrugs his shoulders before gavi spoke up, “nah we’re down, both of us.” he said as he hugs his arm around fermins neck.

“sweet. we’ll meet up tomorrow so i can hand out the tickets.” ferran said, as he changes into his training kit while walking out to the field with pedri.

gavi elbows fermin, his smug face from earlier still plastered on his face. fermin exchanges an annoyed look.

…

it was the night of the concert, you were quite nervous but relaxed at the same time. you already did this performance in different countries already, you should be used to it by now.

you sat backstage re-practicing the songs and lyrics. the team and background musicians preparing their own part as well.

your curious self started to wander around, you peeked through the stage entrances. it’s only a few minutes until the show starts, there should be people by now. but you didn’t expect for the crowd to be so large. you already knew a lot of tickets were sold but never this much. your heart felt warm knowing now people really loved your art of music.

fermin sat near the stage with the other players, patiently waiting. “i’ll just go to the restroom, i’ll be back. don’t do anything stupid gavi.” he said, standing up and walking down the stairs. “what why me only…?” gavi said innocently.

“you got it right?” ferran asked gavi while fermin was gone.

“hell yeah…” gavi responded, slowly revealing the jersey underneath his jacket.

“seriously, if people don’t know whats under there and heard what you guys said. they’d think its something illegal and report us.” pedri said with concern in his voice. the two of them laugh it off.

it was time, the concert has officially started. you walk out the backstage and reveal yourself. walking up to the microphone, greeting the fans and thanking them for their support.

you swiftly picked up your guitar that was already placed onstage before it started. starting to play a few strings. the crowd was full of life, singing together from time to time.

you enjoyed your time and before you knew it, you were already on your last song.

however, ferran and gavi start to panic. they still haven’t threw the jersey onstage, you haven’t went near them the entire time. time was ticking, they both knew this was a chance of a lifetime.

luckily, the fans beside them were singing loud enough to catch your attention. you started walking over, kneeling down infront of the fan. continuously playing your guitar in a relaxed manner.

before you got up, a ball of red and blue that was threw onto the stage caught your attention. you stood up and took it. revealing to the crowd the barcelona jersey, flipping it over. fermín 16 in white bold text, shown throughout the whole crowd. could even be seen from the farthest seats away.

you took off your guitar strap to put the shirt on properly. quickly putting it back on, you smile and decided to play an unreleased song of yours. you didn’t plan to play it, but since you were in a good mood, it couldn’t hurt.

…

the event finally ended, you plopped onto a nearby couch backstage. deciding to check your phone for any posts from fans.

fermin checks his notifications, eyes reflecting back the light of the screen that shows

y/n followed you back!

y/n replied to your story : ❤️

fermin smiles to himself, remembering he posted a concert picture earlier.

“see you’re grinning harder than i usually do, you should thank me.” gavi said confidently and smiling knowing he did his friend a favor.

“yeah… thanks for this one. you actually did something good for me once.”

a/n : i got like 3 jamal fics to work on give me time i need like more brain power for them 😢😢😢😢 yes i got crazy motivation to finish this so i can stay up

[l33bang24]

OMG It’s You…

Youtube! Fem reader x Stray Kids

Summary: Y/N’s YouTube channel is taking off after her reactions to Stray Kids MV God’s Menu. Now she’s making videos nonstop along with working a full time job. What would happen if she got offered a job of a lifetime and met the boys of her succession?

⚠️ Warning ⚠️: overthinking, anxiety, undeserving, frustration, fatigue

🏷️: @laylasbunbunny @weirdowithaphone @silverstarburst @jusanontstuff @anxiousskylar @drewsandsebastianswife @amararosesblog @niaalove (taglist open)

Chapter 2 Chapter 2.5 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 6.5 Chapter 7 Chapter 8 Chapter 9

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Y/N’s POV

I don’t think people understand just how exhausting life can be. ‘Not to mention expensive too.’ I thought to myself. When I got home I greeted my family before dumping my stuff by the front door then headed to my room. I collapsed on the bed and let out a huge sigh. I didn’t want to get up because of how exhausted I was but I needed to edit some of my videos I’ve made in the last couple of days. I dreaded doing it because I lost some of my footage due to me falling asleep at the computer. How I did it exactly is a mystery to me. All I know is I tried to find it and it wasn’t there.

I got up and started moving about the room. I needed to get changed and get a shower before I started working. As I was in the shower I started reflecting on my YouTube channel. I’m an introvert as most people would say. I don’t socialize much with others unless I’m at work where I have to, but I usually mind my own business. Unless I hear gossip then I’m interested. I debated whether if it was a good idea to start a channel since I didn’t think I was very entertaining.

You see I grew up in the South where I listened to Country music along with some Pop and occasional Hip Hop or R&B. When I first heard K-pop music it was odd at first but over time I came to really enjoy it. Which brings me to where I am now, listening to K-pop music and rating the group’s albums from my perspective and reacting to videos of them being silly. Stray Kids found their way into my heart one day and since then they’ve become a part of my life.

After getting refreshed, I go into the kitchen to find something to eat since my stomach made a gurgling noise. I decided on a sandwich and some chips. After making my food I head back to my room and start up my computer and monitors. It’s been a little over a year now since I started this channel. I knew from the start that doing a reaction channel probably wouldn’t go viral right away, but after some time more people started to find my channel and following me. Especially after my reaction to God’s Menu MV. Call it the Felix effect if you would. Even to the point where they were excited for new videos to come out.

I always worried that people wouldn’t like my videos, but then I would see all the positive comments and smile that I made someone’s day better. I used that positivity to keep me going, doesn’t mean that I didn’t get hate here or there. Although there are a bunch of people who stood up for me. That would always make my day better.

‘Focus Y/N. You still have to finish these two videos so you can start making more for next week.’ I shook my head and got working on my videos that I already recorded. ‘I need to re-record what I deleted so that I can finish editing this video.” I got to work on the one I didn’t mess up first before going to the second one. I pulled my camera towards me and turning it on. I pulled up the previous videos I had watched from that evening before doing my intro.

“Hello Lovelies and welcome back to the channel. So, as you will see I’m dressed different from my previous video. Reason being is that I deleted some footage and now I’m having to re-record where I left off. So, let’s get started shall we.”

——————————————————————

Third Person POV

The boys were taking a small break from practice. They’ve been going at it for days it seemed like, even if it were only a couple of hours. Things were picking up since their comeback was coming up soon. As each one of them found a place to relax, Felix was watching a video on YouTube.

“How many times have you watched that same video?” Felix looked up to see his other half looking at his screen with his eyebrows raised. “I can’t help it. She’s very relatable, super sweet, and I love her accent. Plus she’s beautiful and has gorgeous y/e/c eyes.” Hyunjin sits down beside Felix. “Okay okay I get it, you love everything about Y/N. It’s not like you’re the only one though.” Hyunjin takes a moment to look at the rest of his members. “We all have seen her videos and like her just the same as you, if not more.” Felix sighs. “I know. I guess some days I enjoy watching her videos because they make me smile. Especially when some days are harder than others. Her videos comfort me like a warm hug on a cold day.” Felix smiles thinking about it while Hyunjin smiles at him, understanding where he comes from.

He remembers when they first found Y/N’s videos. During Chan’s room, there were some Stays that told Chan to look her up and watch her videos. It didn’t happen right away but Stays were persistent on them watching her, so they finally watched one of her videos just to see what their fans were talking about. One video turned into three videos then seven videos, up until the point where they had seen all of her videos. Some might say that Stray Kids themselves love Y/N’s videos more than Stays. Each member has there own favorite episodes of Y/N as well as their favorite qualities of her. Chan likes how motherly she acts, especially when it comes to Stays asking her questions on certain topics. Lee Minho likes how she can understand and speak Korean. Even go as far as to have subtitles in Korean for people who don’t understand English that well.

Changbin likes her laugh, especially when its uncontrollable laughter. It makes him want to laugh with her. Hyunjin likes how creative she can be with her edits. Like when she adds in all these cool effects or audio cues that make the video even more engaging. Han Jisung likes how uncharacteristically funny she can be without trying. Felix like her smile, he thinks it’s her most charming point. Seungmin likes her sassy/blunt side. He thinks that’s the funniest part of her personality. Jeongin likes her whole personality in general. He knows he could see her as an older sister if he ever met her.

Hyunjin turns back to Felix “I believe that’s exactly how Stays feel seeing videos of us too. We’ve seen them express it through messages and videos. So I get where you’re coming from.” He pats Felix’s knee and moves to go back over to his original spot.

“SHE JUST POSTED A NEW VIDEO!” All of the boys looked in the direction of the voice they heard. All scrambling to get over to Changbin who had called them. “Well what are you waiting for? Play the video!” Lee Know shouts as Changbin presses play on his phone.

(Terrible title but it’s all I could come up with lol. Hope you all like it! I’m trying something new so who knows how far I’ll go with this one. I’ll try to update as much as I can. Thanks!)

[madwomansapologist]

I saw b99 and idk if your requests are open but i would love a slowburn jake x reader

Where jake is kinda oblivious to reader feelings but also him and reader have a flirt war where who blushes most loses kinda :D

Hope you have a star-tastic day 💫

Wait, what? | Jake Peralta

Masterlist | Rules | Taglist | Library | More Jake Peralta | AO3

synopsis: Two competitive idiots in love. That's it.

warnings: None.

note: thank you for your request, i wish you a star-tastic day 🧸🪩

• It was all Boyle's fault. If it wasn't for him, everything would had happen way faster. When you and Peralta meet for the first time, you already working as detective and Jake being a rookie to 99th precint, Boyle shouted something about marriage. It took you years to forget that.

• Jake was a detective with great instincts, it would have been so easy to work with him. Or it would be, if he didn't act like a child. Always bragging, teasing everyone around him, joking about anything that moves. Jake was fun, but was also damn annoying.

• But with time you realized he was more than that. Jake was competent. And never left nobody behind. You could count on him. Not only when you're dealing with dangerous things, but when you need someone to make you laugh on a hard day. Jake will be there, as annoying as he can be, trying his best.

• Falling in love with Jake was unheeded. So slow you didn't even notice. It start with simple things. It started with the way he makes you laugh.

• Jake can make you laugh until you're affraid to piss on your clothes. You being so loud that make other people laugh because of your reaction. But he can also make you chuckle. On these days you're mad at him, or you're in an important meeting, or it is such a bad joke that's embarrasing that you find it funny. And Jake is the best at making you giggle. When you're sad, going through a hard time, and felt like the way of the world is on your shoulders.

• You didn't noticed that you were falling in love, but Jake wasn't so oblivious. He didn't fall in love with you. He walked in love with you. He chose to love you. Jake is immature, and annoying, and childsh and dumb... but he knew what that feeling burning his chest was. Jake just never imagined you could feel the same.

• So time did what it always did: it passes.

• Everything changed when they found out that you were invited to join the Vulture team and didn't know what to do. At first the squad felt betrayed, but then the fear of losing someone important to the team became the most important feeling. Nobody wanted to lose you. Not even Gina.

• For a week, everyone went out of their way to spoil you. You'd fight with them and say it was an important choice and that treats wouldn't help you choose, but that didn't stop them. Boyle cooked your favorite dishes, Terry praised and listened to you, Holt even smiled at you. And Jake, well, Jake became the most competitive person in the world. He was trying to make you realize that no other place would make you as happy as 99th.

• Rosa took you to Shaw's Bar thinking a heart to heart conversation would help, but Jake had other plans. He knew that bar held fond memories, and a little drink would make the nostalgia take root in your heart. He just didn't expect the two of you to end up drunk talking about everything you lived together.

• If without booze you were already competitive, imagine totally drunk. You walked around New York, as loud as possible, betting on everything. About who opened the door first, about what each person on the street would do next, about the result of the football game going on at the time, about which Taylor Swift album would be re-recorded first. And at some point, they decided to see who went the longest without blinking. Jake would blow in your face whenever his eyes stung, but you forced him to keep going until there was a fair winner.

• The drunkness had already destroyed any sense of self-preservation in Jake. All he saw was your constant smile, your cheeks burning, your eyes sparkling. Jake just saw you, without even listening to his conscience. He wasn't afraid, didn't thought he wasn't enough, that you may already had someone else on your heart. Jake didn't think, he just acted. Jake kissed you.

• And you kissed him back.

GENERAL TAGLIST: @suakemi @notanalienindisguiseblink

if you enjoyed, please reblog! i promise it makes a difference ♡

@ madwomansapologist.tumblr.

[rqbossman]

Hello Mr Bossman! (and possibly anyone else who reads this)

Its an honour to be here, I have a few questions. First i appologise for the long paragraph, you may dismiss it for the questions at the bottom. For context, i am here after finishing TMA and being up to date with TMAP, i then went over and listened to RQG, and have just finished listening to Epilogue 3 and might i just say, good sir I am grateful for your podcasts. I am currently just a few months away from my final exams of High School, and as someone who even just 1 year ago was very lost, struggling with school and being just overwhelmed. TMA isnt exactly comforting, but the characters and plot managed to serve as a good form of escapism while sorting myself out. I found my self engaging more in creative things that i had originally put aside in favour of maths and science (which i hated but thought i needed to do). I started drawing again, even if just fanart. and i found things going well. By finding podcasts, story telling and these communities have helped me in my own understanding of what i want in life. I got an ADHD diagnosis earlier this year, and almost directly after started RQG and as my first hyperfixation (that i was aware of as an hyperfixation) gosh dang it hit hard. (in a good way). Ive been able to do so much more creative writing and drawings, and got re-involved with a small dnd group with some friends who i played one game with almost 4 years ago now. So overall, inspirational sounds cringe, but it was. Im doing my best with the upcoming exams, but trying to get in to Medicine is not my only prority, and the fact ive been re-introduced to my first love (Literature and story telling), im planning to go do an Arts degree and i know i wouldnt have been able to confidently make this decision, or even have survived this long in the school system without the work you and your coworkers do. Now the sap is out of the way, Question time! (if you could answer even just one of these questions it would be so cool)(they go in order of RQ relevant to random stuff)(dont feel pressured to answer all/any. i know i wrote alot): 1. what would you say is the best way to draft out a long-form story. (with "Erasing the Line" as an example) Did you start at the end, with the links to the overarching plot.

2. When working with the players (in a form of TTRPG), what did you do to make sure you didnt miss relevant timing of plot points/ avoid creating spoilers while still giving enough detail?

3. What are good places to start with making a job out of storytelling/voice acting/audio etc. In the case of RQ, how is this a job and where do i sign up please! /j (what i mean is, how is best way/how did you find all the people involved and was there a common path that you were all on before getting to where you are now?) 4. Do you have recommendations for Terry Pratchett Books, i may be an literary-leaning student, but it seems i have never actually properly read any of his books. so where is best place to start?/What did you read first?

5. Similar authors or similar inspirations? Did you have a favourite podcast you listen to in your free time that you havnt had a hand in producing/directing/working on. 6. Favourite song/album/artist. And more specifically, what you like listening to in background when doing either writing or (for ttrpg) character research/game planing. 7. Since the olympics are on at the moment, what has been your favourite sport to watch, if you have been watching at all. Thank you for your time :)

Thankyou for all the kind words. Knowing our work is helping people really keeps our engines fired up. Let's see if I can't answer your questions: 1. I "sandbox" which is where I just shove everything I can think of into an unorganised bullet point list. Characters, setting, plot, all of it in one big mess. Then I decide what type of story you want to tell, copy and paste to a new document and then start to organise the thoughts (with the sandbox on standby if new stuff comes in I don't know what to do with). I think of it like scultping, you cut away bits and reshape until something comes out the other end that is story shaped. Only then do I attempt to build the sandcastle and put something coherant together like a synopsis or scratch draft etc.

2. Very tricky. I did a complete review and update of all notes after each recording session and don't forget the audio eas edited. I made lots of gaffs that you never heard as audience.

3. I contacted anyone I could convince to take part and just proved I was serious by overworking. I don't reccomend that route. Unfortunately it really is "who" you know. That doesn't mean chase established professionals as much as it means you need to get out there and associate with other up-and-comers who match your vibe. For me the route was long and windy and not a particularly good example. 4. I normally recommend people do not read his books in publication order. Don't get me wrong, its wonderful watching his craft grow from one title to the next but I would recommend new readers tip their toe into his later works to see if they like where he ended up before committing the time. I often recommend 'Monstrous Regiment' as people's first one. My favourite though is 'Thief of Time.'

5. I don't get much time to listen to podcasts in the last couple of years. I used to listen to a lot of non fiction. 'Stuff you Should Know' and that ilk. I also read a fair amount of classic YA fiction to unwind (Windinsger trilogy, Bartimeous, stuff like that.) 6. Paul Simon's Graceland but when working I assemble a playlist for each seperate project that is tonally appropriate. If I really need to focus I listen to Classical Minimalism. Or the Old School Runescape soundtrack. I'm allowed to be ecclectic. 7. I am actually in an incredibly busy work crunch at the moment so haven't seen any of it!

[good-beansdraws]

Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy

[preciadosbass]

14/8/24 [4x DIYS + a drawing <already posted> today!! key & significant photos at end. technically a journal from yesterday as it was posted on a later schedule.]

woke up at 9 and opened instagram to find out about danielle’s [vic fuentes’s wife] second pregnancy. im so happy for the both of themm!! [that explains vic’s freaky comments on danielle’s posts…] i stayed scrolling on insta and doing those story template/prompt things up until 9:50 when i finally went out to properly say good morning to boris. id already mouthed it to him through the front door after waking up, but i can’t go without actually sitting with him. i had breakfast as the heat is making me faint and he kept on jumping up on my knees to try and eat it. he did at one point lick the bottom of my toast [i got it on video yipee] and the way he tucks his paws and places them on my leg to get to it is so cute.

my mum said i should take off that bit of toast so i did, and stayed outside with him until 10:15 because apparently my sister has people [keyworkers [[?]] come over aswell and two people turned up on the driveway. once i was back inside my room, i wrote the entry to this journal and listened to linkin park’s ‘meteora’ [their best album in my opinion] i thought that i wouldn’t be able to leave my room in ages due to the people round, but my dad came in and told me that they’d left to shop/bake/cook with my sister. which is good for her, and ideal for me because i can get on with my diy windcharm inspired decoration/bottlecap charm.

i waited for my dad to get his tools and he started drilling the holes through the bottlecaps at around 10:40. after he was done, i brought the shells i collected from the beach inside, and my dad started going through the different ways he could drill through them as i couldn’t decide. i decided on one and made my bottlecap charms while he drilled. i finished one out of two of the charms when i realised the elastic was drooping and it looked weird so my dad drilled through the tops of the caps to make things easier. obviously you can see where it was originally drilled but i still think the results are cute. [photos at end]

i went outside to get sticks for my ‘windcharm’ thing, and put ‘jaime’ on my favourite bottlecap charm, which isn’t revolutionary for anyone else apart from me. it is at the moment because i don’t have my name on anything i own, and i finally put it somewhere!! the best part is, i can just say it’s because i love jaime preciado, as my family already know about my interest in him. they’ll never know whahahaha

i don’t actually know why i made the charms, they don’t serve much purpose other than hanging somewhere in my room and being something to look at. but i like randomly making ‘useless’ stuff — it gives me something to do. hopefully i can put up some more hooks and actually put them on display, maybe use the jaime one as a keychain if i do ever come out. i finished re-doing them, took pictures of them, and then said a quick hello to boris before starting to make my windcharm thing at 12:40.

i felt conscious over everyone in the house watching me make it, so i took the shells with me went into my room. i measured out all the elastic and started making it at 1. i threaded all the shells and a few odd tiny beads onto the frame. i originally meant to make one the bits that hang down to have silver beads on, but they didn’t fit through the elastic, so i resorted to bigger cream coloured beads. i finished it at 1:40 and stood on my stool to work out where i wanted it hung. i organised a place for it to go and hot glued my favourite shell onto the centre of the stick frame. my dad put a hook in my ceiling and hung it at 2:20. it dosent really look anything close to a windcharm, but at least it’s another thing in my room to glance at. [picture at end]

i listened to my atticus cd while making it, and i love it — my favourite track so far [im not sure how long i listened to it] was american nightmare by am/pm. it’s one of the only cds i have where all of the tracks/most of the tracks; [i cant remember] are all recorded by different artists. afterwards i went outside with boris until 3. my mum and dad were on the other side of the garden gate, being shown my sister’s nunchucking. upon getting inside, i started putting up some more photos at the side of my desk [3:20] i also stuck my jaime charm up there aswell. as for the other target looking one, i’m going to leave it hanging on my mini bass. [pictured at end]

i feel like i haven’t put up anything in decades even though i did not too long ago when i stuck pikachu on the side of my shelf, but still. while doing this, i listened to my main playlist [WIP] [link at end]. once i was done, i got out a few scrap parts of old jeans that id cut up and drew on them with a paint pen. i cant actually make any patches because i’ve lost my fabric paint, but i thought i might aswell make the ‘template.’ i made a my chemical romance once, along with ones of fall out boy, ‘all cats r beautiful’, the pierce the veil symbol, the frank iero logo, a killjoys patch, and a party poison patch. kobra kid is my fav out of the killjoys, but there’s no way on earth i’m drawing a kobra on denim or whatever the fabric im using is. i’m bad at drawing as it is. [will post photos of the finished product if i remember]

after putting all my supplies away, i posted for the first time on the mcr community i joined [which was scary wtf everyone’s so good at art there]. it was a picture of my diy black parade mcr trinket box. afterwards i wrote a decent amount of this and added a few full albums to my main playlist along with changing the playlist image. i also added three more can tabs to my tab bracelet as i found two out of nowhere this morning, and my sister brought one back from her outing. i listened to some more music and made drafts up until 5:40 when i started collecting black + white/dark blue pics of jaime and chi so i can redesign my homescreen and app icons. i finished after an hour and im super happy with the result. hopefully my favourite colour dosent change again because actually going through every app and changing the icon is boring asf. [photos at end]

i drew a killjoy oc from 7 to literally 12.. it took so long because it was my first time every drawing digitally and i made up their design on the spot. i wasn’t planning on finishing them so i had a break at 9, also. i’m okay with how it came out considering what i just mentioned. i love their ray gun design and i’m obviously yet to give them lore/a proper gang etc. i continued adding text to the drawing and posted a picture of them at 12:30. [the post under this]. at 12:50 i started looking at other peoples killjoy oc’s as i haven’t really done that before. i continued doing that while collecting band/musician gifs along the way until 1:50. i had already been in my parents room for 15-20 minutes but i did my questions about boris around the time just listed.

i did them quite quickly, went downstairs, did my teeth, and started saying goodnight to boris at 2:30. i told him/showed him the things i’ve made today and finished speaking to him at 3:20. i fed him before going into my room and wrapping up this journal. i posted this before going to sleep, but i’ll say i went to sleep at 3:35 and update the actual time in tomorrow’s journal.

🗝️ — boris/my cat, questions about boris/i ask my parents questions about my cat to verify he’s okay + will be okay in the morning. its a compulsive thing and i’m hopefully going to be tested for OCD in the future.

have a good day/night O_o

[merrybloomwrites]

One Direction - Health Scare

Summary: When the workload leads to a medical emergency, the boys are there to take care of you.

Word Count: 941

CW: seizure, hospitals

------------------------------------------------------------------------------

Being in One Direction is a dream come true.

It’s also the hardest thing you’ve ever done in your life. The work is incredibly fun, but also extremely grueling. You have expectations on you for every waking minute. There’s hardly time for a break or rest.

When you do sleep, it’s often on a bus, and never quite as restful as you hope. 

Halfway through the current tour, you begin to really feel the exhaustion. Not only are you and the boys doing a show nearly every day, but you’re also recording the next album. On the rare occasions when you have a night in a hotel, you’re often woken up to re-record something.

You can tell you’re not the only one who is getting run down, but you also feel like the boys are handling it better than you are. 

So you keep quiet, not wanting to complain to them when they all have their own stuff going on as well.

What you don’t know is how they’ve noticed how drained you are, and have talked amongst them about it. They’re worried, but they have no clue how to help. So they try to take care of you in subtle ways.

Liam is always making sure you have water or some sort of power drink, reminding you how important it is to stay hydrated.

Niall gets you food any time he grabs some for himself. He’d noticed you would skip meals on occasion and decided he couldn’t allow that on his watch.

Zayn asks you to meditate with him, saying that he does better with a partner. You don’t realize that he often does this when you’re most stressed, and he really wants to get you to take a minute to breathe. 

Louis gets into shenanigans, making you laugh and reminding you that not everything needs to be serious all the time. 

Harry asks you to hang on the couch with him on the rare times you get breaks. He’ll wrap an arm around you and tell a story. Sometimes you sit and listen, sometimes you take a power nap. Either way he’s happy to help you get some rest whenever possible.

But all of that isn’t enough. There’s something going on in your body that no one can see. You start to get dizzy, and these spells become more frequent.

Each of the boys have caught you more than once at this point, always helping you sit down to make sure you don’t get hurt. Their worry heightens every time this happens.

And then things get worse.

It’s early morning, and you had yet another fitful night of sleep on the bus. You head to the kitchen to make a cup of tea, and find Harry and Liam already there. They wish you a good morning, and you go to say the same, but find yourself unable to form words. That’s when your world goes dark.

Harry rushes to break your fall, and notices this isn’t like the other dizzy spells. Before he gets you safely to the ground you begin to shake in his arms.

“Oh my god,” Liam says. “She’s having a seizure. Get her on her side, quickly!” The two of them move you, cushioning your head and making sure there’s nothing nearby you can hit as you continue to have convulsions. 

The other three boys rush into the kitchen, having heard Liam shouting. 

“What the hell is going on?” Louis asks.

Liam is quick to explain, saying, “She’s having a seizure. Louis, call an ambulance, Niall call management and tell them what’s going on. Zayn get the driver to pull over.” They all do as they’re told while Harry continues to support you. After nearly two minutes, the seizing stops, but you’re still quite out of it. 

You don’t fully come to for a while, and by that point you’re in the hospital, Harry by your side and security standing by the door. 

“Hey there,” Harry says. “How are you feeling?”

“Uhm, okay I think?” you reply. “What happened?” 

“You had a seizure. Scared the shit out of us,” he answers with a chuckle, letting you know he’s not actually mad.

“Sorry about that.”

“Hey, don’t apologize. We just want to figure out what’s going on with you and help you get better, okay?”

Before you can answer, a doctor walks in. She introduces herself and asks you a bunch of questions. When she asks if you know where you are you reply, “Unfair question, I never know where I am.” Your cheeky reply let’s Harry know you’re feeling better, and you share a smile at the inside joke. 

After a full workup you’re discharged with orders to see a neurologist. The other boys are waiting, somewhat impatiently, for you to get back to them. You’re informed that the upcoming week of shows have been postponed so you can rest, and you know that the boys fought hard to make that happen. 

You spend the week in a hotel, and though you each have your own room, everyone piles into yours. They watch you for any signs that you’re about to have another seizure, and Liam goes with you to your neurologist appointment in order to fill the doctor in on everything that happened. 

You don’t have answers yet, but you find that you’re not worried. Not when you have the biggest support team there to take care of you. And though your job is hard, and at times overwhelming, you wouldn’t trade it for the world. Not when it led you to find the people who will be there for you, no matter what.

------------------------------------------------------------------------------

AN: Hope you enjoyed the final One Direction ficlet! Full series and longer oneshots are coming soon!

[jackharloww]

Blame on me

Summary: This is a few days after Jackman. release day. You finally get the chance to fully listen to the album and have a few comments.

You and Jack were sitting on the sofa that was on the patio, with two wine glasses in your hands and a plate of fruit on the table in front of you. You sat next to him, with his arm around you and your head on his shoulder. Grace had fallen asleep a while ago and you had her monitor in front of you on the table, in case she woke up and needed you. You had been at the hospital with Nathaniel the whole day but got home to take a shower and spend time with your husband.

"I want to talk to you about something," you said gently, scooting away from him, sitting sideways on the sofa so you could look at him better.

"hmm?" he turned around to look at you, giving you his undivided attention.

"I know I already told you how proud of you I am" you started, receiving a soft smile. He put his hand on your leg, gently rubbing it with his thumb. "But I re-listened to the album today, and the rawness and all of the emotions you put into the album was everything" You continued.

You had listened to the album as soon as it dropped but didn't really get to just sit with it yourself and admire his lyrics. Jack had been very secretive about what he had been recording while he was working on the album, just telling you that he was getting things ready for Nathaniel's birth so he could be off from work for a while after. So you were very surprised when he announced a new album, but with everything going on, you didn't find the time to really soak in the lyrics.

That was until today, the doctors allowed you to start driving again so you decided to take a longer way to the hospital and just drive around in your car to fully listen to the album. You had to stop multiple times to soak every lyric in and wipe away the tears in your eyes, he really outdid himself with this one.

"I'm glad you liked it babe" he smiled to you

"liked it?" you exclaimed "I absolutely loved it"

"What song did you like the most?" he asked curiously

"Don't do this to me" You shook your head at him, making him laugh.

"What did you think of Blame on me?" he asked, his voice hesitant.

"It made me so emotional, I can't imagine how you felt writing that" you answered him, feeling yourself get emotional just talking about it. "I loved the way every verse ended the same, and the vulnerability of every verse - just wow. I cried when you said "My baby brother I don't have an excuse" you admitted with a giggle, making Jack get a big smile on his face.

"You want to know what made me write it?" He smiled and looked down at his hands. You reached out for them and held them in yours, making Jack look up at you.

"Tell me" you gave him a gentle smile

"As soon as you got pregnant, and I realized Grace is going to be a big sister, I knew I didn't want them to have the same relationship Clay and I had when we were teens" he admitted, and you could tell this was hard for him to speak on.

"I treated him so badly when we were teens, and It made me think of Grace and Nathaniel. I don't want them to ever feel like Clay and I did," He looked away and stared into the distance, waiting for you to speak up.

You reached for his face and turned his head so he would look at you again, "That's so beautiful" you smiled at him, "And you don't have to be worried about that, We will be with them every step of the way".

"Well after your explanation, It's my favorite song now," you said after a few seconds making Jack chuckle.

"ooh really?" he laughed and came closer to you, he put his arms around your waist before slowly pushing you down on the sofa, his arm holding his body up over yours. He still felt the need to be very careful with your body, even though you told him it was okay, "I'm glad you like it," he mumbled before finally leaning down and kissing you.

-----------------------------

taglist: @harlowcomehome , @harlowsbby , @middlechild404 , @heavyhitterheaux , @nattinatalia , @neon-lights-and-glitter , @hoodharlow , @itsyagirljaz , @mortirolo

[seeminglydark]

hi! is there are reason that you decided that cassette tapes would be john’s chosen form of physical media? how would john organize his music (i.e., genre, band name, release date) and what would john keep his cassettes in? i can imagine him either having stuff in old shoe boxes or a cassette case that he hand-painted himself!

Yes! It's my personal favorite form of media, I'm really partial to cassettes, i think from growing up in the early 90's when it was the norm, so imprinted on my brain. I love mix tapes, jumping up to smash the record button when my fave tune came on the radio, so id always miss the first 10 seconds haha, my first several cars had tape decks. i love Walkmans, it was such a HUGE thing in my life to be able to put headphones on and take my music with me for the first time. I translate a lot of that nostalgia to john. I always imagine him with his Walkman and headphones, or small portable stereo, in bed with all the lights off except the white christmas lights that criss cross his ceiling, Creaky on his chest, listening to the episodes on repeat.

John organizes his music by How Much he Currently Likes A Band, grouped by band name and then oddly enough by album color. (so if he had several cassettes by say, Social D, they'd be next to each other in rainbow or light to dark.) He does most things by color, he's slower at reading and alphabetizing is a bit of a chore and makes him feel self-conscious and stressed. He doesn't mix music and books on tape, they each have their own shelf. He does rearrange a LOT.

Right again re: shoe box and painting the cases! I actually wrote a little snippet of this a long long time ago that didn't make it into the comic, but you can have it now, under the cut.

'Caro eyes a shoe box on the shelf curiously, its covered in stickers, anti fascism and punk rock bands. 'Can i look at this?' they ask, he nods, his back to them. They pull it down and settle it in their lap, lifting off the top to discover... cassette tapes! Oh wait, John did say Maddie recorded their show for him onto cassettes. There were at least 40, all lined up in the order of episodes. Caro pulled one out, the white paper inside the case was filled in with bright colors and shapes, elaborate images of ghosts and snakes and monsters. They pulled out another. A cartoon portrait of the little blond, violet eyes wide at the barrage of brightly colored spirits hovering behind them. 'Is this me?' they ask out loud. John turns to look and freezes. 'Oh….' embarrassed. 'Uh yeah…' 'Wow the art is so…?' they murmur, pulling out another, this one done in greens and blues with metallics. 'Ive never seen anything like these before?' They saw a lot of fanart, but this was different somehow. It felt more personal. Like the person who made them really put their soul into it, like it wasn't just fanart to the artist, but something really deeply important. 'I…um….' Johns face is bright red now..' um…I mean, you know I dont have social media..' he reminds them softly, rubbing the back of his neck. 'Wait.' Caro looks up, he's so flustered now, shuffling his feet, ears on fire. 'These are YOURS? You did these?' Somehow they've forgotten he used to fill up notebooks with colorful drawings, street art and tagging. Liquid letters and cartoon animals with thick black outlines. 'Sure.' He shrugs and turns away, back to them again, 'I would draw on them while listening, you know. It just felt kinda sad to leave them blank. Maddie showed me some of the fanart online, and the box set of the first season. I can't do the same kind of art, I'm not good like those other people, but…I didn't want to leave them blank, so I made my own I guess.' he pauses. 'I'm sorry…you must think I'm so fucking weird.' 'I don't think its weird…' they murmur looking at the tapes. 'I think its really cool. I didn't know you were such a talented artist.' He laughs, a short bark that sounds like a cough. They put the box gently back on the shelf, and sit on the bed, deciding to spare him. They can see he's smiling though, even if he's trying to hide it with his fist pressed against his lips.'

[akookminsupporter]

JIMIN'S (REAL) FACE

Jimin, your son of a bitch. You did it and what a way to go.

For a couple of weeks now in my mind, there have been several opinions forming about Jimin and the direction of his career and why I believe he will achieve many things as a Solo artist. When Set Me Free pt.2 was released those ideas evolved, but the core of them remained the same. Jimin was destined for great things as a Solo artist.

A week ago when I decided to make a post where I would write all those thoughts I didn't think it would be like this one. I thought it would be a post where I would say a thousand things sometimes without saying anything at the end, but after listening to FACE, and after reading the lyrics, I decided to do this differently.

Art is a curious subject. Complicated in how simple it can be. Maybe that's why I've never been good at understanding much about it, but one thing I do like about art is that everyone can give different interpretations to a piece of art, sometimes the interpretation will even be different from the artist who created it.

In the last couple of days, I have read some interpretations of FACE and what it means. Many agree on some opinions and others do not. Today I want to give mine.

Jimin has already explained in several interviews what his album is about. His feelings during the pandemic and after the world opened up again. Based on that I came to personal conclusions from his journey in FACE. Maybe what I say is different from what you think, maybe what I say is different from what Jimin says, but as I said, that's the beauty of art and FACE is art.

I think Jimin said it in one of his interviews, FACE is chronologically ordered. Each song describes a moment of his struggle, of his feelings, of his being, so I will try to explain how I understood the story that Jimin told with his album.

SET ME FREE PT 2.

The first song we heard from the album was Set Me Free Pt.2. A song that I personally believe describes the culmination of Jimin's journey. Jimin told us beforehand that he IS free. That he no longer cares what others think of him. Jimin told us up front that the dark world we would find in FACE is no longer his present but his past. He wanted to assure us from the beginning that he was fine.

In the interview with Rolling Stone, Jimin said it. He has already overcome everything that FACE describes.

"I don't know how people are going to react to the music, but I actually was able to completely resolve and move on from all those feelings of being lost. I'm perfectly okay now."

So yes, Jimin is finally free but I'll talk more about that when I get to that point in the story or when I get to Track 5.

FACE-OFF.

Jimin said that the album represents his feelings during the pandemic and this song perfectly describes how he felt, but it also describes so much more. I made a post yesterday giving my opinion of what I think Face-Off means and I still stand by that opinion, but today I add another layer to it. That song also signifies the battle Jimin had with himself.

The pandemic, 2020 in particular was a time when we had too much time on our hands. Too much time with our thoughts and too much time connected with other people.

I do believe that it was during this time that Jimin really knew the intentions of some people close to him and the realisation of that hurt. You see, I think Jimin is one of those people who doesn't let everyone into his inner circle and when he does it is special. Jimin is a person who likes to give, acts of service are one of his love languages. And when you betray a person like Jimin, it hurts.

But now I also think the song is about himself. The battle against his inner self. The battle against his true self.

All that time we were confined to our homes, it forced many of us to think. To evaluate and re-evaluate who we are, who we were and who we want to be. I think that was the case with Jimin.  I think Jimin during that time finally had to face himself. His demons and his true self.

There has always been this "discussion" in the fandom about whether or not Jimin is LGTBI+, for some it's obvious, for others it's not. The problem with this debate is that many read the word LGTBI+ in relation to a man and immediately think of the word Gay, forgetting that a man can also be bisexual. Bisexual erasure is unfortunately very normal in the fandom and in society in general.

Jimin once talked about how he pretended for a long time to be something he wasn't. He pretended to be this strong man. He pretended to be this strong, masculine man that society and the industry expected him to be. That time he also said that he wasn't like that anymore, that he finally was who he was, but I don't think the fight ever stopped. At least not for a long time.

When you confront yourself you go through various states of emotions. Denial, anger, desolation, understanding and finally acceptance. I believe Face-off is at least the first two of these.

Remember the video I shared where someone explained the choreography of Like Crazy? I think Face-Off is the beginning of that, but rawer, angrier, more... lost.

If you notice, all the songs on the album don't have a conclusion or solution, except for the second to last track.

I think in Face-off the inner Jimin finally says everything he feels, finally vents his frustrations and complains to the outer Jimin that he gave him everything but still let him down. And the outer Jimin lets him, lets him get it all out, is finally willing to listen.

INTERLUDE: DIVE

Dive is literally a pause in the story. It's where Jimin took a step back and decided to think. He decided to maybe think about everything that happened in Face-off. It's interesting but not surprising that Jimin here used two of the places where he's perhaps happiest, the stage, talking to his fans and running. Remember all the times he's said he discovered that running was good for him?

LIKE CRAZY (MAIN TRACK)

And we get to the crux of the story.

I think Like Crazy is a conversation with himself. The whole album is a conversation with himself, that's why the use of autotune in some parts of the songs, by distorting the voice doesn't sound like Jimin because it's not, not the outer Jimin at least.

I think to really understand Like Crazy you have to see the video and the choreography as well. It's all connected, it's not a coincidence, Jimin doesn't work like that. It's important to understand that.

Like Crazy is Jimin's acceptance in a way that something has to change and it's at the same time a self-questioning of whether it's worth doing.

Same cliched story, just like on TV/It's getting more familiar/Did I come this far to find the me that you knew? /Yeah I know You know/I know

But despite that I think Jimin still struggles in a way, not to deny his inner self but to keep hiding it until he gets to the end of the song and realises he can't do it anymore.

This will break me/This is gonna break me/No don't you wake me/I wanna stay in this dream, don't save me/Don't you try to save me need a way we/I need a way we can dream on

In the end, all that's left is... understanding and acceptance and all the fears that come with that.

Alone again.../What's the point?

ALONE

The simplest way I could describe this song is catharsis. Alone is a catharsis of feelings. Of doubts. Of questions. Of self-recrimination. It's what comes after accepting the truth. It is the real confrontation with your actions. This song is Jimin saying out loud his fears. It is the acceptance out loud that he was living a lie. That's why I think the word lie was repeated several times because he kept trying to lie to himself, to say that everything was fine but no, it was a lie. He was lying to himself. Alone is a pretty deep song. She does not seek solutions and offers no consolation, on the contrary, she is perhaps the darkest state Jimin reached before finally being free.

SET ME FREE PT.2

Freedom. In Set Me Free Pt.2 Jimin finally gets rid of everything, mainly his fears. Here Jimin finally understood that he has the power and that's why it doesn't matter what anyone says. Jimin finally understood that he can be unstoppably him. As he wants. But Set Me Free Pt.2 is also a juxtaposition of the whole story. In Set Me Free Pt.2 Jimin presents himself as society and the industry thinks he should be, look. Masculine, strong, tough. The music of the song also sells that idea, but the lyrics do not.

I think the lyrics, the choreography and the set design of the MV plus Jimin's outfit are a major fuck you to those standards. It's like Jimin is defying everyone. Challenging everyone's opinions about him. About who he really is.

Set Me Free Pt.2 is Jimin basically saying I can play the game too but in my own way. In this song, Jimin understood that he controls the narrative.

Personally, I think Jimin's real freedom is that he understood that other people's opinions of him don't matter. Jimin's real freedom came when he finally decided to take the power away from his fears and his detractors. I think that's why Jimin demands to be set free because they no longer have anything they can use to keep him locked up.

At the end of the MV we see a Jimin dressed in white. With a soft and determined expression. Soft Jimin we could say. In the end, we saw the other part of Jimin. In the end, he basically said: I can be both.

In the end, Jimin understood that he can be whoever he wants to be and that people can interpret him however they want, he doesn't care anymore.

LETTER (Hidden Track)

This song has the fandom debating. Is it for the fans? For the other members? For Jungkook? What if the song is for all of them?

Letter the sunset after the storm. The lyrics of the song are the reflections you write on paper of everything you experienced after so much darkness. Letter is a warm embrace. A sincere thank you. Letter is literally a promise that now he will take care of you.

But the question that surrounds this song the most is, why Jungkook? And the answer I think is simple. Because it has always been him.

Jimin and Jungkook have a particular relationship. Different. Intimate. I don't know what label it has, but it's special. Jungkook is the person Jimin is always looking for. He's the one he laughs with, the one he has inside jokes with. The one he cries with, the one he gets drunk with, the one he practices with, the one he's happy with. Jimin has always been there for Jungkook and Jungkook has always been there for Jimin so what better person to share that promise with than him? what better person to share his new journey with than Jungkook?

FACE is an amazing album, Jimin not only showed who he is as an artist but also who he is as a person.

Jimin confirmed with this album that he really gets what he wants. That quiet work well done gives great rewards. I will never be able to express how proud and grateful I am to Jimin.

This post ended up being longer than I thought it would be. I don't know if I managed to say everything I wanted to say in it. I don't know if what I said is well said.

If you made it this far, you may have disagreed with me and that's fine, as I said at the beginning, that's the beauty of art. One piece can have multiple interpretations.

[gay-little-bitch]

Personal Lies pt 1

Pt2 pt3 pt4 Pt5

Note: To any new readers, the first 4 chapters are pretty bad but I will re-write those at some point and I promise it gets better.

"Steve Harrington was one of the newest indie artists in 2023 who gained some popularity in the genre when he released his first album titled 'The King.' The album was a dedication to someone he had a crush on in high school. He was the school's resident freak who nobody wanted, while Steve was in the popular crowd and he was of course quite the sex symbol.

The first single he released was called 'Personal Lies' which he used to express how he felt when he first fell for this anonymous boy. The order he released the songs showcases how he felt over time and why he was crushing after 'the freak.' This leads to the question 'is this love still there?' Steve will neither confirm nor deny this but revealed he still wishes the boy remembered him.

Will he find this boy? Will crushes bloom?"

-------------------

Steve's Pov:

"Oh my god Robs." Steve scoffs "Are you seeing this shit?!" He turns his phone over to Robin to show her a TikTok page dedicated to finding his mystery boy. She can barely contain the giggle that slips past her lips. "Babes your face is like bright red, you look like a tomato. It's okay~ they're just trying to help." Steve gets up from his seat to aggressively bring his and his roommate's dishes to the sink.

"How did they find all of that out about me though?!" Steve reads the information on the TikTok. "For 20 years Steve lived in a small place in Indiana called Hawkins. Steve went to Hawkins Middle school and Hawkins high. He used to be best friends with a kid named Tommy Hagan and Carol Perkins, who are dating. Steve's new friends consist of Nancy Wheeler (his ex-girlfriend), her brother Mike Wheeler, Will Byers (Mike's boyfriend), and his brother Jonathan Byers. Steve seems to be very close with Dustin Henderson, Max Mayfield, Lucas Sinclair, Erica Sinclair, Argyle (last name unknown), Jane Hopper, and his roommate/best friend Robin Buckley."

"Like who told them?!" Steve takes a deep breath and looks at Robin. He seems calm but decides to start rambling. "I just don't understand why I can't just live my lonely single life without people butting in??? Eddie probably doesn't even remember me and even if he did he's probably not even gay or he just hates me. Did you know I was a dick to him in school? I didn't mean to be a dick I just really wanted some. Specifically hi-"

Robin slaps a hand over her best friend's mouth. "Steve...? Stop." He lets out a sad sounding sigh. "If you don't want to find him, we don't have to but I think it would be the perfect idea to make you feel something again. After me and Nance started dating you seemed so sad. You need someone to love Stevie."

"Yeah whatever" Robin mutters something about calling Gareth (Eddie's bestfriend since high school) and without anymore words they continue their movie.

----------------------

2 days later

The smell of eggs and bacon fills the room of a sleeping Steve. His headache has no signs of going away but he regretfully gets out of bed. The first thing he sees when he opens the door is Robin, who has 2 glasses of her hangover cure. "Here Steve!" He hesitates before taking it. Robin usually doesn't let him use her cure and tells him to 'make it himself.' "Is it drugged?" Steve smells the gross looking slurry. It doesn't smell half bad.

"No dumbass it's not drugged. Didn't you see the news?" Steve gives her a questioning look, waiting for her to respond. "You are on the billboard hot 100!"

Steve slams his glass down on the counter hoping it doesn't break. "Holy shit Robs are you fucking serious?!" "Dead."

Steve starts freaking out. "What if Eddie sees and knows it's about him?!" Robin giggles. "He doesn't really listen to your type of music I don't think. I don't think he knows. He's not even on social media as far as I know. You'll be okay Stevie. Why don't you want him to know that it's about him?"

He downs his drink and goes to put it in the sink. "What if he still thinks i'm an asshole and wants nothing to do with me? I don't wanna risk it ya' know?" Robin rolls her eyes at Steve's stupidity and grabs her phone.

Robin's Pov:

Last night Robin decided to text Gareth and see if he's still in contact with Eddie and if he'd heard Steve's new album. Good news, he was still best friends with Eddie. Bad news, Gareth hates Steve and refuses to listen. Robin refuses to give up and she invites him for an early lunch at the coffee shop a few blocks away, and with some negotiation he agrees.

--------------------------

Gareth walks into the shop wearing a ripped mesh shirt, an iron maden shirt, and dark blue baggy jeans. His hair is longer and the ends are colored red. He looks so much different from high school.

"Gareth!!" Robin swings out her arms for a hug. He cautiously accepts and they sit down at the table next to the window. "So why did you invite me here? I know it wasn't just to have a coffee." Robin feels her smile grow. "Did you know Steve has a crush on Eddie?" Gareth freezes and has a confused but amused look on his face.

"Eddie has a crush on Steve... He literally wrote his newest album about his crush in high school." Robin slaps the table and gets looks from the other customers. "Steve did the same thing!! We need to set them up!" Gareth looks intrigued so she keeps going.

"Steve's fans have been trying to figure out who the mystery boy is and I bet your guys' fans are probably doing the same thing. So what if we let them keep guessing for a little while longer and then we hook them up!" His face lights up and he grabs his phone. "I have to go but I just send you my Instagram and the band's Instagram. Let's hope this plan works."

They say their goodbyes and right when Robin gets in her car she checks his Instagram.

Corroded Coffin: 4.5 Million Followers

Eddie Munson: 3.7 Million Followers

"Holy Shit."

Notes: Hope you liked the first part! I'm really happy with the outcome of my post inspiring this&lt;;33333 I used @little-gae-shit idea for the album name "The King" and I used @maya-custodios-dionach idea for the Gareth and Robin thing. Idk how many parts this will be but I'm excited to continue to write. I suck at writing to lets hope this is okay :/

read on ao3

Tags:

@down-sizing-redux , @gay-stranger-things , @satan-is-obsessed , @this-is-moony-lovegood , @impeachy , @maraudersfavoritewhore , @robinbuckleymybeloved

[maditalksmusic]

An Analysis of Jeff Buckley's Grace (1994)

I still remember vividly the first time I listened to Jeff Buckley’s “Lover, You Should've Come Over". It was a rainy winter evening in 2021, and I was in a bit of a music rut. Everything I’d been listening to on repeat for the last month or two had become annoyingly redundant, and in a rather torpid attempt to reinvigorate my consumption of music, I decided to put my Spotify-generated “Discover Weekly” playlist. A few songs went by that, weren’t bad per se, but certainly weren’t all that memorable. When that opening harmonium passage graced my ears, chills washed over me. I stopped my Pinterest scroll, turned up the volume, then laid back in bed and just listened. Six and a half minutes later, I found myself uncontrollably weeping. To this day, “Lover, You Should’ve Come Over” is still my favorite song ever made. 

Jeff Buckley’s charm lies in the fact that, as it was best said by Dominique Leone in her 2004 review of Grace for Pitchfork, he was “a songbird, like the kind that used to receive roses and blown kisses from the debutantes in the balcony after performances.” While technically classified under the extremely broad umbrella that is rock music, Buckley effortlessly blurs the lines of genre on Grace. He incorporates a myriad of sounds characteristic of not only rock, but also jazz, blues, and folk. He got his start in Los Angeles and then moved to New York City and joined guitarist Gary Lucas’ band, Gods & Monsters, prior to entering a record deal as a solo artist. Buckley performed at cafés at tiny venues around Lower Manhattan through 1992 and 1993, most frequently at Sin-é, which inspired the release of his debut solo EP, Live at Sin-é, in 1993. A standout from the EP is “Je N'en Connais Pas La Fin”, which translates to “I do not know the end” is a sort of cover of the original Edith Piaf song, loosely translated to English from the French lyrics. 

Released in August of 1994, Grace is Jeff Buckley’s first and only complete studio album. Since his tragic passing on May 29, 1997, songs from projects titled Sketches for My Sweetheart The Drunk and You and I were released posthumously in 1998 and 2016, respectively. The original version of Grace, distributed by Columbia Records, features ten tracks. However, in 2004, Columbia decided to re-release a “legacy edition” of the album, featuring an eleventh track, "Forget Her", that was never intended to be released. The ethics of that decision are still heavily debated, as Buckley himself stated that he despised the song and did not want it on the album, despite Columbia’s original attempts to convince him to release the track. 

Grace opens with the hauntingly fervent track "Mojo Pin", inspired by a dream of Buckley’s. It’s title is a euphemism for an almost overwhelming sort of addiction to someone, to a point where you have to have them. The term “mojo” originated in the Southern United States in the 1920s, adapted from the Gullah word “moco”, referring to magic, and came to be used as slang for heroin and other drugs in the 1960s. I don’t think this track would have functioned nearly as well anywhere else in the album - it starts off softly, reaching a desperate crescendo by the end of song as Buckley lets his vocals soar with the repetition of “Black beauty, I love you so,” in tandem with an intense snare finish, driving in the sheer emotional power that is held through the duration of the album. 

Following “Mojo Pin” is the album’s title track, "Grace", which sounds completely different, yet still manages to encapsulate the same wretched yet hopeful yearning that is interwoven throughout the whole album. “Grace” was inspired by Buckley’s experience saying goodbye to his girlfriend at the airport. It explores the interplay between the struggle with the passing of time and the ways that love can carry a person through those difficulties. As Buckley croons “it’s my time coming, I’m not afraid / Afraid to die” in the first verse, it’s easy to see death as a sort of beautiful conclusion instead of a violent end. Listening to Grace very closely resembles a religious experience, at least for me. The cover of Leonard Cohen's 1984 "Hallelujah"  featured on the album brings this sentiment to a very literal level. While it isn’t my favorite song on the album, Buckley’s cover is the most beautiful rendition I’ve heard. It remains one of his most popular songs and for many, is a gateway into his music. 

Interestingly, three covers are featured on Grace. “Hallelujah” is known by the vast majority of listeners to be a cover, however "Lilac Wine" was composed by James Shelton in 1950 for the musical Dance Me A Song and "Corpus Christi Carol" is an English hymn written in the sixteenth century. Buckley’s version of “Corpus Christi Carol” is based specifically on an arrangement by Benjamin Britten. Both “Lilac Wine” and “Corpus Christi Carol” have become closely associated with Jeff Buckley as his personal sound still shines brightly through both songs, his unmistakable voice working beautifully with any variety of instrumentation. 

The juxtaposition of “Hallelujah” and “Lover, You Should’ve Come Over” immediately next to each other in the track list is a very clever sort of storytelling. Buckley’s cover of “Hallelujah” differs from others in that it doesn’t feel nearly as hymnal. The production is incredibly minimal, putting the width of Buckley’s vocal range on full display. It doesn’t feel like a church service so much as it is akin to finding yourself alone in a cathedral, reaching out from the depths of your soul to bathe yourself in the elusive notion of God’s love. It’s almost as if the music is trying to achieve some sort of salvation before it plunges into the heartbreaking ballad that is “Lover, You Should’ve Come Over”, a song that begs for forgiveness at the cost of mind, body, and soul. Much of Grace has its roots in Jeff Buckley’s relationship with Rebecca Moore, with some even considering her to be his muse. However, “Lover, You Should’ve Come Over” is most specifically about the end of their relationship. The track holds some of Buckley’s strongest songwriting, and quite frankly some of the best in history. “All my blood for the sweetness of her laughter” and “She’s the tear that hangs inside my soul forever” are some of my favorite lyrics out there. It’s a particularly gorgeous song on the record, but live, even if only seen through a decades-old recording, is soul-crushing. The performance Buckley did for JBTV Chicago in November of 1994 is forever seared into my mind. 

The conclusion of Grace has become a rather controversial topic due to the 2004 addition of “Forget Her” with the release of the Legacy Edition by Columbia Records. I enjoy the song independently, but I never listen to it as a part of the album. If  it was added at an earlier point in the tracklist it could debatably work, either between "Last Goodbye"  and “Lilac Wine” or between "So Real" and “Hallelujah”, though I believe Jeff Buckley’s original thought process on keeping it off the album was absolutely sound. The final two tracks, "Eternal Life" and "Dream Brother" on the other hand, tie up the album perfectly. 

“Eternal Life” is the ‘heaviest’ song on the album instrumentally, more aligned with a traditional rock song than anything else on Grace. It stands out considerably from the sounds on the rest of the album, even while those sounds are so wonderfully varied, but it does so well. Departing from the more autobiographical lyrics of many of the songs on the album, “Eternal Life” is focused on the struggles of being human, written as a product of Buckley’s anger, according to Genius over world events such as the assassination of Martin Luther King Jr, World War II, killings in Guyana, and more. It’s an expression of an anger shared by many at the time of its release, and an anger that many people today continue to feel as we see the horrendous effects of the Israel-Palestine conflict, the ongoing war in Ukraine, and feel the stress of the upcoming presidential election. “Dream Brother” is an ideal conclusion to Grace. The song serves as a warning in a sense, inspired by one of Buckley’s friends who left a pregnant girlfriend, telling him not to be like “the one who made me so old”, referencing his father, Tim Buckley, who only met his own son once and died of a drug overdose at 28. “Dream Brother” can serve as a reminder to us all to be accountable for our actions and allow ourselves to fully experience our emotions. 

The constant sense of raw and unbridled emotional vulnerability is what makes Grace what it is. I always do my best creative work after listening to some Buckley, because he’s an artist that can open you up and force you to dig into the depths of your psyche by means of song. That emotional vulnerability is the driving force behind Jeff Buckley’s ability to craft such enchantingly gut-wrenching music, and ultimately that is what every listener can take away from Grace. 

[taylor-on-your-dash]

Writing of Speak Now Timeline

Disclaimer: Hello! Just a quick note before you dive in. As I said in the Writing of Red Timeline, not every album has enough information to pinpoint the exact date on which its songs were written. Sadly, Speak Now is one of those albums, so I based this timeline more on the experiences that I think inspired the songs on the album. Of course, I'm not Taylor, I'm not in her head and I don't know people in the music industry that can corroborate this research. Therefore, there's always the chance that some of the conclusions might be wrong. You are more than welcome to take the sources listed here and come up with your own theories on the condition that you'll credit me. This is 100% my research, originally posted on Reddit on March 3rd, 2023.

Trigger Warning: John Mayer.

Introduction: The making of Speak Now was very different from Fearless which was recorded live, and closer to Debut. After Taylor wrote a song, the first step was to record a stripped-down demo at Nathan Chapman's studio Pain In The Art, where Nathan would play all of the instruments and Taylor would record the vocals. To understand better what "stripped-down" means in this context, listen to Let's Go. All of Speak Now started like Let's Go. Some of the demo instruments survived, and others were re-recorded by other musicians or overdubbed at a later date, between January 2010 and July 2010. Taylor's demo vocals ALL survived. They were not re-recorded.

[Nathan Chapman Interview] “With Speak Now, we deliberately went back to our initial way of working together. We had an unlimited budget, and could have gone and recorded the whole album in the Bahamas, used any studio we liked and whatever musicians we wanted. But we decided to bring it back to the basics on purpose, because we wanted to keep it about the music and our chemistry. [We were trying not] to over-compensate for the pressure we were feeling for a follow-up to Fearless. That's why we stripped it down and made the demos first. Taylor came to my studio and I played all the instruments on the demos, and because I have a good vocal booth, her demo vocals ended up being the vocals you hear on the record. After finishing the demos, we went out to different studios, and tried different combinations of engineers and musicians to replace some of the elements of my demos, mostly the programmed drums, and to do additional overdubs. So Taylor comes in, and plays me a song, and I chart it while listening to her. I then tap out a tempo, she hands me her guitar, I go into a recording booth, put on headphones, start the click‑track and hit record. She's hearing what I'm doing and singing along while she's in the control room, so I know where I am in the song. After that, I program the drums, usually using Superior Drummer in Logic. I play the drum parts on my Roland Fantom G6 keyboard, and then quantise. I then play the fills that I want to complete the drum part. After this I'll put down a bass part, and at this point we make sure we're really OK with the tempo and that we love the arrangement. I may add an electric guitar to make the track bigger, and then she'll go into the vocal booth and she'll sing the song three or four times. We may do a little bit of comping, but she executes these songs really well, and I don't want to mess with her takes too much. The audience wants to hear someone sing with real emotion. From there we'll listen to what we have and we'll maybe add some vocal harmonies and guitars, and I do a quick mix and she's out of the door.”

WRITING OF SPEAK NOW TIMELINE

November 2, 2006: Taylor writes Sparks Fly, after opening for Jake Owen in Portland, OR, on Halloween night. The secret message in the album booklet is Portland, Oregon. She will perform the song for the first time on April 6, 2007, in her native Reading PA.

[From MySpace] Happy Halloween! I'm sitting at the airport in Portland, Oregon... About to get on a red-eye flight (Oh yes, I just said red-eye. Meaning, all night. This should be interesting...)  to Toronto, Canada for another weekend of Rascal Flatts shows. Tonight was awesome. It was a show in Portland at a bar called Duke's, I opened up for Jake Owen. And a little back-story, I've had his album on repeat for the past couple of months... It's an amazing album and I literally cannot stop listening to it. I've got every line memorized, and if you see me on a plane.. Chances are, I'm listening to some song off that album, at a volume level that's probably going to cause long-term hearing damage someday. ANYWAY. I got to walk in on his sound check and meet him. Turns out he's extremely cool, and had bought my album on iTunes. :-) And since I had to leave after one song of his set, he played my favorite song "8 Second Ride" first. Which is another reason why he's awesome.

The writing date was leaked by Steve Hall from the IC on July 21, 2010. Since we didn't have the secret message yet, we didn't have any reason to believe it was written after the Jake Owen show. (thanks @backup-baby-backup!)

Original handwritten lyric sheet:

May 30, 2007: First performance of Sparks Fly in Oroville, CA. Steve Hall from the Inner Circle/Dark Blue Tennessee.com films it and posts it online.

Differences between the draft and the 2007 live version:

“You stand there in front of me” -> “you stood there in front of me”

“Get me with those brown eyes, baby” -> “get me with those green eyes, baby”

“Take your open hand and take me out” -> “reach out open-handed and lead me out”

“Dim the paper lanterns” -> “don’t need more paper lanterns”

“This night is the 31st” -> “my heart is beating fast”

“So let’s make it count now, baby” -> “I could wait patiently”

“I’ll run my fingers” -> “I run my fingers”

“And make no borderlines” -> “gonna strike this match tonight”

“Forgive me when I can’t take in everything you are” -> “and lead me up the staircase”

“You kissed me like you meant it, I swear I saw sparks” -> “I’d love to hate it, but you make it like a firework show”

There was also an additional section: We stood at the gate (and you kiss me) / With the moon on your face / And you’ll kiss me

September 2008: Taylor and Martin Johnson team up to write a diss track about Camilla Belle, called Drama Queen. This is one of the first steps in the Taylor-Joe-Camilla saga, which started with Forever & Always and Drama Queen and continued on Speak Now. There is no evidence that Drama Queen was considered for Speak Now, but for being an unreleased song, it made it as far as being mastered for the OG Fearless so it has to mean something. In my opinion, it would've taken Better Than Revenge's place, if BTR hadn't existed. Taylor talked about the Fearless mastering process on September 30th on MySpace: this song literally CANNOT be younger, since the mastering of a song is considered a legal document, necessary for copyright protection and the collection of royalties.

March 8, 2009: John Mayer tweets: "Waking up to this song idea that won't leave my head. 3 days straight now. That means it's good enough to finish. It's called Half of My Heart and I want to sing it with Taylor Swift. She would make a killer Stevie Nicks in contrast to my Tom Petty of a song."

Taylor's answer: "I freaked out when I heard [it], because I’ve been such a big fan of John for such a long time. I’m really excited about just the idea that he would even mention me in his Twitter!”

March 13, 2009: [From her Twitter] [second source] "A day off in Sydney. Drove two hours out of the city and spent the day on the beach. Wrote a chorus you'll hear on the next record. :)"

March 19, 2009: [From MySpace] ““I’m wiped out. I've been in the studio all day (I know, I know.. We JUST put out a new album. I think I have a problem, I cannot stop writing songs.) It’s so much fun knowing that you can take your time, because you have like a year and a half to make something you’re really proud of. I love recording a few songs, waiting a few months, recording a few more.. Instead of devoting a few weeks to “record the album” and then it’s just done. I like dragging it out, that way you can be meticulous about every detail. Daydream about different ways to put the songs together, and then take them apart. I’m pretty obsessed with the whole process. So needless to say, it was good to be back in the studio with my redheaded producer who I missed terribly.”

Speculation: One of the songs is possibly Mr. Perfectly Fine, since, as we know from Fearless TV, it was considered for Fearless Platinum. Maybe Haunted was also part of the same recording session. Haunted is the first Speak Now song to be copyrighted, so it has to be one of the first songs.

‘Haunted’ is about the moment that you realize the person you’re in love with is drifting and fading fast. And you don’t know what to do, but in that period of time, in that phase of love, where it’s fading out, time moves so slowly. Everything hinges on what that last text message said, and you’re realizing that he’s kind of falling out of love. That’s a really heartbreaking and tragic thing to go through, because the whole time you’re trying to tell yourself it’s not happening. I went through this, and I ended up waking up in the middle of the night writing this song about it.

The secret message is: "Still to this day".

Early April 2009: Taylor and Martin Johnson from Boys Like Girls write If This Was A Movie.

Speculation: I think it was written in April just because of the lyric "six months gone and I'm still reaching" and Taylor and Joe Jonas had broken up six months before, in October.

Literally nothing else is known about this song.

April 23, 2009: The Fearless Tour starts in Evansville, Indiana. Taylor will write most of Speak Now while on tour.

May 22, 2009: Taylor and John Mayer perform White Horse and Your Body Is A Wonderland at the LA Staples Center.

May 23, 2009: Taylor and John Mayer record Half Of My Heart.

May 29, 2009: [From MySpace] “Tomorrow, after the performance on the Today show, I’ll fly back to Nashville and record a lot of new songs I’ve written in the last few weeks.

June 8, 2009: [From Twitter] "In the studio. I don't know whose computer I'm using. Pssh.. Such a rebel right now.."

June 9, 2009: [From Twitter] "If I said I was in the studio with T-Pain, would you believe me?"

June 12, 2009: American publishes an interview with Taylor where she talks about her third album. The interview was probably done in April.

“There are definitely breakup songs on this record, but not too many. I like to balance out the amount of happy songs, breakup songs, sentimental songs, I-miss-you songs, angry songs. I don’t want to try and harp on the same emotion too much because I feel like if you make the ‘angry’ album, that’s going to lose people.”

June 16, 2009: the Jonas Brothers release their new album Lines, Vines and Trying Times, which includes a song called Much Better, that references Taylor:

I get a rep for breaking hearts / Now, I'm done with superstars / And all the tears on her guitar

This is likely the song that inspires Taylor to write Better Than Revenge, since the phrase "much better" is used multiple times in the song.

“The song "Better Than Revenge" is about a girl, who a few years ago, stole my boyfriend. I think she probably thought I forgot about it, but I didn't.”

Fun Fact: Joe Jonas changed the lyrics from "I'm done with superstars" to "I'm cool with superstars".

July 1, 2009: [From MySpace] “What else is new... Recording a bunch of new songs.”

One of them is possibly Better Than Revenge, maybe even Let's Go. Taylor seems still bitter about Joe leaving her.

July 11, 2009: Taylor writes on her diary about going to an antique shop. This is probably the inspiration for Timeless.

[Lover Journal] I just got back from a trip to Canada that was absolutely refreshing and good for the soul. I never really knew what a good thing having no cell or internet could be. But it was a great thing. I did things a little differently up there, and I actually liked it. I started reading self-help books. It’s really uplifting knowing that you can change your life today, tomorrow … just by doing a few things you never thought of. Or doing things differently than you’ve done them before. New things I adopted from a self help book: Get up early. Keep your cool. Don’t tee off on people you love. Laugh more. You can control your moods. Create a love account and make deposits, in other words, show people that you love them. Another new hobby of mine is ….. antique stores. And not just neat, organized antique stores. I really like the ones where there’s so much crap to dig through, you can find absolute treasures for nothing. I went to 2 antique stores in Saskatchewan, and one today in Winnipeg. I bought all these old glass mason jars. I’m gonna use them for candle holders. I bought old scales and watch faces and chairs and old trunks and a bird cage and 2 lamps.

July 21, 2009: [From Twitter] Hanging with my producer Nathan, discussing the next adventure. Album #3.

July 2009: Based on a Lover Journal, I think that Taylor wrote Never Grow Up in July 2009.

Handwritten Lyrics From a Lover Journal:

‘Never Grow Up’ is a song about the fact that I don’t quite know how I feel about growing up. It’s tricky. Growing up happens without you knowing it. Growing up is such a crazy concept because a lot of times when you were younger you wish you were older. I look out into a crowd every night and I see a lot of girls that are my age and going through exactly the same things as I’m going through. Every once in a while I look down and I see a little girl who is seven or eight, and I wish I could tell her all of this. There she is becoming who she is going to be and forming her thoughts and dreams and opinions. I wrote this song for those little girls.

[Nathan Chapman Interview] “The song 'Never Grow Up' is just she singing and I on acoustic guitar. We recorded ourselves live. That song probably happened in two hours.”

September 6, 2009: Taylor announces Fearless Platinum Edition on MySpace, out on October 26, 2009. It includes Jump Then Fall, which was originally written in the summer of 2008, while Taylor was dating Joe Jonas. The secret message of the song is "Last Summer Was Magical". It seems like Taylor doesn't harbor bitter feelings toward Joe anymore.

“We just put out Fearless last year? I know! We’re not putting out a whole new album. We’re re-releasing Fearless with SIX new songs added. I’m so excited for you to hear this new music, see the new pictures, and watch the 50 million hours of bonus content. I love you a lot and I’ll see you on the road!”

September 13, 2009: New York. Night of the VMA incident, where Kanye West interrupts Taylor while she's accepting the Best Music Video Award for You Belong With Me. Taylor starts writing Innocent shortly after.

Based on the themes of the song and on the fact that, according to the booklet, it was written in 2009, I think that Castles Crumbling was also inspired by the VMA incident.

[GQ] “When the crowd started booing, I thought they were booing because they also believed I didn’t deserve the award. That’s where the hurt came from. I went backstage and cried, and then I had to stop crying and perform five minutes later. I just told myself I had to perform, and I tried to convince myself that maybe this wasn’t that big of a deal. But that was the most happenstance thing to ever happen in my career.”

September 15, 2009 (morning): Taylor is still in New York doing interviews, like The View with Whoopy Goldberg. Taylor says that she bought her own condo in Nashville. Unsurprisingly, the main topic is the VMA incident.

September 15, 2009 (night): Taylor attends Owl City's show in New York. She and Adam Young (aka Owl City) had exchanged emails in the previous months. She writes Enchanted after their meeting.

[MTV Interview] “I started writing that in the hotel room when I got back, because it was just this positive, wistful feeling of ‘I hope you understand just how much I loved meeting you.’ Using the word ‘wonderstruck’ [in the lyrics] was done on purpose, because that’s a word which that person used one time in an e-mail... so I purposely wrote it in the song, so he would know.”

[Adam Young Interview] When Young met the 21-year-old music superstar backstage at one of his shows in New York, he was starstruck. "She was on her way up to meet me and that was the most nerve-racking few minutes of my life just waiting to meet Taylor Swift," he says. "When I met her she was glowing and I was too. It's hard to put into words, but I was definitely wonderstruck to meet her." Unfortunately for Young, nothing ever progressed beyond emails and one fateful meeting. "I think I'm not the most romantic and eloquent guy in the world," he admits. "She's just this endearing, wonderful girl and maybe I said something wrong. Who knows. It went on for three or four months, something like that."

Speculation: I think that the first verse of Enchanted is a reference to the View interview that Taylor did that morning.

September 26, 2009: While touring in Little Rock, Arkansas, with Kellie Pickler and Gloriana, Taylor writes a song, possibly Last Kiss.

“The song ‘Last Kiss’ is sort of like a letter to somebody. You say all of these desperate, hopeless feelings that you have after a break-up. Going through a break-up you feel all of these different things. You feel anger, and you feel confusion, and frustration. Then there is the absolute sadness. The sadness of losing this person, losing all the memories, and the hopes you had for the future. There are times when you have this moment of truth where you just admit to yourself that you miss all these things. When I was in one of those moments I wrote this song.”

[Drummer Nick Buda on the recording of Last Kiss, recorded in mid 2010 circa] On "Last Kiss," South African-born Nick Buda said there was an air of real excitement when they were recording the album. “She is awesome to work with and super-appreciative of her players. There was a real chemistry involved in this record.” Their desire to get exactly the sound they wanted extended to changing Buda’s modern drum kit to a vintage one on some choruses in order to get a different tone from some of the bombastic “teenage rock band” sound. “The songs were so well written that very rarely did they go past a third take,” he said.

The secret message is "Forever And Always".

October 17, 2009: [From Twitter] Travis: you look so out of it. Me: I'm writing a song in my head. Travis: oh, I apologize. I didn't realize you were working."

November 7, 2009: Taylor sings "Monologue Song (La La La) at the SNL, where she mentions her breakup with Joe and dating Taylor Lautner.

November 30, 2009: Taylor tweets: “If I had a dime for every time my producer and I blurt out the same thing at the same time, followed by an awkward, uncoordinated high five...”

Late November/Early December 2009: Taylor writes Ours and possibly Superman. Maybe they're the songs Taylor was talking about in the tweet.

[People Country] “I wrote [Ours] when I was about to turn 20. I was in a relationship I knew people wouldn't approve of and it was just a matter of time before everyone found out. When you're first getting to know someone, it's a fragile time, and then you add newspapers and magazine covers and it can get kind of rough. I wanted to have this song to play for him when it got difficult. Singing it for him was one of the sweetest moments I can remember. [I won't say who inspired it], to me, the song says something bigger, which is "I love you, and I don't care what anyone else thinks."”

(About Ours) “I’m excited about telling the beginnings of stories, like the story of this song called ‘Ours,’ where I wrote it about this guy nobody thought I should be with. So I wrote this song specifically just to play it for him, just to show him, ‘I don’t care what anyone says. I don’t care that you have tattoos. I don’t care that you have a gap between your teeth. I love you for who you are.’ And that song ended up actually making it on [Speak Now] and becoming a #1 song.”

That's how Taylor broke down the lyrics for People in April 2012:

“Seems like there’s always someone who disapproves” -> "I felt like I was on a tightrope. I knew that falling in love with the wrong person could freak people out."

“So don’t you worry your pretty little mind” -> "A lot of people have pretty little heads, but it's difficult to find a pretty little mind."

“People throw rocks at things that shine” -> "I kind of made up the phrase. It has a nursery rhyme feel, which I like."

“The stakes are high, the water's rough” -> "Those are the first lines that came to me."

“Lurking in the shadows with their lip gloss smiles” -> "It stereotypes girls who that pretend they're happy for your and are not."

“I'll fight their doubt and give you faith with this song for you” -> "My realization of what we were up against came out in that line. I was desperate to make it work."

“Cause I love the gap between your teeth” -> "My favorite part of the song. It's symbolic of "I love your idiosyncrasies."

“And any snide remarks from my father about your tattoos” -> "My dad thinks that this line is hilarious. He loves to tease me."

[About Superman] “This is about, well, a guy, as usual. This was a guy that I was sort of enamored with. This song got its title by something that I just said randomly in conversation. When he walked out of the room, I turned to one of my friends and said, ‘It’s like watching Superman fly away.’”

Dear John's secret message is "I Loved You From The Very First Day", which is a line from Superman.

The song also includes the line "Wishing the flowers were from you", which may or may not be the same flowers mentioned in Back To December ("You gave me roses and I left them there to die").

Gossip Speculation: This makes me think that Taylor was never deeply in love with Taylor L (-> "And I realised I loved you in the fall") and she left Taylor L for John Mayer (-> "And if you'd never saved me from boredom, I would've gone on as I was")

December 6, 2009: [From MySpace] “I just got back to Nashville this morning after being in LA all week. Today I was out and about and in the studio all day...”

December 11, 2009: Taylor and John Mayer perform Half Of My Heart at the Z100 Jingle Bell Ball concert in New York. After this concert, rumors of them dating surface.

December 13, 2009: Taylor turns 20.

December 22, 2009: [From Twitter] "I was writing a song and my pen fell into the piano. Still trying to figure out if I should do anything about this."

January 11, 2010: [From Twitter] "Studio-ness with all the same boys who played on Fearless. Home-made cupcakes were brought. Awkward fist-pumps happened. Onward!"

January 13, 2010: [From MySpace] Thank you January. I have had this month off. [...] I've written songs on napkins and sat at a giant table with my whole family on my mother's birthday, all of us in one place for the first time in too long. I've gotten to take what has happened to me and process it to my full capability, and celebrate it the way it deserved to be celebrated. I've made new music. I've gone over the memories and jumped up and down with my producer and floated around with nothing on my schedule other than just appreciating what my life has somehow turned into. So thank you for giving me so much to be thankful for this January. Thank you beyond what I know how to say.

[From Twitter] "More recording. So excited. So excited. So excited. See, I said that three times. Once for every album we've made in this studio."

[Music News.com Interview] “The weirdest place I have ever written a song is probably in an airport, and I got an idea so fast that I had to run to the bathroom at the airport, grab a paper towel and write lyrics on the paper towel. I still have it. I still have it in a box in my room.”

“Getting back in the studio with the same guys I trust and know and love.. (right, the pointing one: my producer Nathan Chapman) (Left, the waving one: Bass extraorinaire, Tim Marks. Clearly marked on his road case.) Nick Buddha is in charge of the drums.”

January 2010: It's possible that one of the songs recorded during the January session was Speak Now.

[MTV Interview] "One of my friends... the guy she had been in love with since childhood was marrying this other girl," she said. "And my first inclination was to say, 'Well, are you gonna speak now?' And then I started thinking about what I would do if I was still in love with someone who was marrying someone who they shouldn't be marrying. And so I wrote this song about exactly what my game plan would be."

“This song was inspired by one of my friends who was telling me about her childhood sweetheart, crush guy. They were kind of together in high school and went their separate ways, and it was kind of understood that they were gonna get back together. Then, she one day comes in and tells me he’s getting married. He had met this girl who was just this mean person who made him completely stop talking to all of his friends, cut off his family, had him like so completely isolated. And I just, kind of randomly, was like, ‘So, you gonna speak now?’ She was like, ‘What do you mean?’ And I was like ‘Oh, you know, like storm the church, speak now or forever hold your peace? I’ll go with you. I’ll play guitar. It would be great.’ She was just kind of laughing, and later on I just was wrapping my mind around that idea of how tragic it would be if someone you loved was marrying somebody else. Later I had a dream about one of my ex-boyfriends getting married, and it just all came together that I needed to write this song about interrupting a wedding.”

The secret message for Speak Now is “You always regret what you don’t say.”

In January 2010, things are starting to get serious. Taylor, Nathan and the rest of the group, are at the Starstruck Recording Studio to finish up some songs.

Mid January 2010: In a Rolling Stone interview, Taylor confirms she has already recorded some songs.

“‘I’ll be moving out, living on my own, experiencing relationships,’ she says. ‘All of that will be documented in sort of a photo-album-slash-diary, which will be this next record.’ I’ve written so much for this next record and recorded a bunch of songs already, but I don’t want to give away any of the titles – it’s still too early in the process. I don’t really write for albums as much as I just write for my life and process what I feel, whether that feeling is resentment or hope or happiness or a crush — writing songs helps me get through those moments.”

January 31, 2010: Taylor wins her first AOTY for Fearless at the 52nd Grammy Awards.

February 1, 2010: Bob Lefsetz posts his particularly negative review of her performance with Stevie Nicks at the Grammy's. Mean was likely written shortly after.

“When you do what I do, which is you put yourself out there for a lot of people to say whatever they want about it, there are a million different opinions from a million different people. I get it that not everyone is going to like everything that you do, and I get that no matter what, you’re going to be criticized for something. But I also get that there are different kinds of ways to criticize someone. There is constructive criticism. There’s professional criticism. And then, there’s just being mean. There’s a line that you cross when you just start to attack everything about a person, and there’s one guy who just crossed the line over and over again. Just being mean, and saying things that would ruin my day. […] There’s always going to be someone who’s just mean to you. Dealing with that is all you can control about that situation, how you handle it. ‘Mean’ is about how I handle it, and sort of my mindset about this whole situation.”

"There's a song called 'Mean,' that I guess you could categorize it into feelings and or relationships but it's actually about a critic."

In a later interview with 60 Minutes, Swift revealed that the critic was someone who attacked her performance with Stevie Nicks at the 52nd Grammy Awards, where she sang off-key.

February 3, 2010: Taylor writes Mean.

[InDemand] "There's a song on the record called Mean. I remember I started writing it sitting on my kitchen counter, just playing it. Then I took a plane and flew to the venue where we were gonna play that night, and finishing it in the dressing room.

I'm inferring the date but Taylor went to Australia on February 4th, so that's the closest date to the Bob Lefsetz's post. Alternatively, the other closest date is February 17th.

February 4, 2010: John Mayer is interviewed for Rolling Stone, and a friend of his says: "Nothing is what it seems. He operates in layers of meaning, where a poop joke is so much more than a poop joke. And he’d be a phenomenal chess player, because he knows all the moves so many steps ahead. That’s just how he operates.” (-> "And I lived in your chess game, but you changed the rules every day.")

February 5, 2010: Josh Farro from Paramore announces his engagement. Since he specifies that some people already knew about it, it is safe to assume that Hailey Williams, his ex-girlfriend and bandmate, knew before this date about it. Taylor's interviews imply that they were talking about the engagement, not the wedding.

I've got some news to share with you guys so here it goes... As some of you already know, I am engaged! So, as weird as it is to stay behind, I need to take some time off to plan the wedding and everything.

February 11, 2010: Taylor Lautner's birthday. Taylor doesn't call him, as she confessed in Back To December.

February 13, 2010: Based on a Lover Journal entry from this day, it seems like Taylor and John were no longer dating. Dear John must've been written around this period.

[Lover Journal, Flight from Adelaide to Nashville]: “My horoscope said today someone new is going to come into the picture and change my life in an exciting way. PLUS, its the 13th so it has to be true. Right? Right Well, I don't see it happening in the form of meeting someone. Maybe I'll get an email or a call. From someone fantastic and life changing. Or maybe I won't. That's more likely. I've been obsessing over the new album. I always do that until it's just right. I don't know if I have the formula just right for this one yet. I know there are great songs. I just need to figure out the strands that bond them together into a great album. And I will obsess until it's there. This album, any album, is the next 2 years of my life. It has to be more than amazing. It has to be great enough to keep MY attention for 2 years.”

“The song ‘Dear John’ is sort of like the last email you would ever send to someone that you used to be in a relationship with. Usually people write this venting last email to someone and they say everything that they want to say to that person, and then they usually don’t send it. I guess by putting this song on the album I am pushing send.”

February 22, 2010: [From MySpace] “I’ve been writing lots of songs.”

March 10, 2010: Taylor writes Mine.

[InDemand] "I wrote Mine somewhere on the road, I think in Texas, actually."

According to three different Reddit sources, Taylor was dating a non famous guy from Belmont University. The coffee shop referenced in Mine is a coffee shop in Austin, TX, by the water called Mozart's.

“This is a situation where a guy that I just barely knew put his arm around me by the water, and I saw the entire relationship flash before my eyes, almost like a weird science-fiction movie. After I wrote the song, things sort of fell apart, as things so often do. And I hadn’t talked to him in a couple months. And the song came out, and that day, I got an e-mail from him. And I was like, ‘Yes!’ Because that one was sort of half-confession and half-prediction or projection of what I saw.”

“Lately I’ve had this bad habit of running away from love. Kind of getting to the place where it’s about to commit, and then you just, like, run in the opposite direction. ‘Mine’ is about the idea that I could find someone who would be the exception to that, someone who would be so sturdy and so much of a sure thing that I wouldn’t run from it. Sometimes I look back on a lot of examples that I’ve seen of love, long term, and a lot of times it doesn’t work out. There are goodbyes and people get really hurt, so I tend to be a little ‘run-awayish.’ But I’m never past hoping that at some point that could change. This song is the first single because it has this… There was this moment between Nathan [Chapman] and I, my producer, when I brought this song in and when we made this demo in one day in his basement and we just kinda looked at each other and we were like, ‘This is it. This is the one.’”

[Nathan Chapman interview] “The demo for 'Mine' took less than five hours to record, and sounded almost identical to the record. After that we worked on the track for another four months, off and on [until July], and spent $30,000 to make sure it sounded perfect in the real world.”

[Scott Borchetta Billboard Interview] "Mine" was a turning point in the album’s development. Swift and Chapman had begun recording new songs almost as soon as "Fearless" was released. The two cut demos in his basement studio and would only take those songs to larger facilities once they felt they had an emotional foundation in the basic tracks. Still, it wasn’t until early 2010 when the album truly began to coalesce. Swift presented "Mine" to Borchetta in his office, just a few doors down the hall from the leather couch in the lobby.

"We probably played that song four or five times," Borchetta recalls. "I’m jumping around playing air guitar, she’s singing the song back to me, and it was just one of those crazy, fun, Taylor teen-age moments." And then it got serious. "I said, ‘Keep going,’ " Borchetta says. "She kind of looked at me like, ‘You’re challenging me.’ And I said, ‘Yeah. You’ve found true north here. Keep going.’"

Taylor will talk about being challenged by Borchetta to write more for Speak Now during the Red Era:

“During Speak Now, when I went to (label head) Scott Borchetta and said, 'The album's finished,' he said, 'No, it's not -- you need to keep writing.'”

Early March 2010: According to Scott Borchetta, shortly after he challenged Taylor to write more, she finishes writing Innocent, which she had started 6 months prior.

"Innocent," written after the VMA incident with Kanye West, for example, didn't come to Swift quickly. "Some songs take 30 minutes to write, and some take six months, which was the case with 'Innocent.'

“It took a while to write that song," Swift says. "That was a huge, intense thing in my life that resonated for a long time. It was brought up to me in grocery stores and everywhere I went, and in a lot of times in my life, when I don’t know how I feel about something, I say nothing. And that’s what I did until I could come to the conclusion that I came to in order to write ‘Innocent,’ " she says. "Even then, I didn’t talk about it, and I still don’t really talk about it. I just thought it was very important for me to sing about it.”

March 24, 2010: Taylor has lunch with Taylor Lautner. This meeting is likely what inspires Back To December. (thanks to @backup-baby-backup for locating the article)

[Interview Clip] Transcript: “‘Back To December’ is a song that addresses a first for me, in that I’ve never apologized to someone in a song before. This is about a person who was incredible to me- just perfect in a relationship, and I was really careless with him. So, this is a song full of words that I would say to him that he deserves to hear.”

[CBS Interview] She explained in the interview that she based the song on a conversation she had with the guy about whom she's singing. "It's not loosely based," she revealed. "It's almost word-for-word. It is a song and a conversation that needed to happen, because I don't want to hurt people. If you unintentionally do so, you've got to make that better."

April 3, 2010: Paramore's member Josh Farro marries Jenna Rice. Taylor attends the ceremony. She also goes to the studio in the morning.

[From Twitter] "Nathan you smell really good! Is that a new cologne?" "Thanks! Actually it's a two in one shampoo and soap. From Dial." My producer rules."

April 13, 2010: Taylor comes up with the title "Speak Now" after Scott Borchetta rejects "Enchanted". She also writes in her journal about getting tired of songs.

[From a Lover Journal] “So I've been obsessing over the new records to the point where it's all I can focus on. I'm majorly stressed and borderline losing it, with all these lists and chronic dissatisfaction. Perfectionist-ness. I keep growing tired of songs because I know I've raised the bar and I can beat half of the songs. Scott and I had lunch the other day. We were talking about the record and I had this epiphany. I didn't talk about it in interviews about how I felt about much of what has happened in the last 2 years. I've been silent about so much that I'm saying on this album. It's time to Speak Now. Scott freaked out. He loved it. We have a title, ladies and gentlemen!”

[Scott Borchetta Interview] “At one point, the record was not called ‘Speak Now.’ It was called ‘Enchanted,'” Big Machine president/CEO Scott Borchetta said. “We were at lunch, and she had played me a bunch of the new songs. I looked at her and I‘m like, ‘Taylor, this record isn’t about fairy tales and high school anymore. That’s not where you’re at. I don’t think the record should be called ‘Enchanted.'” Swift excused herself from the table at that point. By the time she came back, she had the “Speak Now” title, which comes closer to representing the evolution that the album represents in her career and in her still-young understanding of the world.

June 5, 2010: End of the Fearless Tour. Around this week, Taylor writes Long Live, scrabbling the chorus in her journal.

“This song is about my band, and my producer, and all the people who have helped us build this brick by brick. The fans, the people who I feel that we are all in this together, this song talks about the triumphant moments that we’ve had in the last two years. We’ve had times where we just jump up and down, and dance like we don’t care how we’re dancing, and just scream at the top of our lungs, “How is this happening?” And, I feel very lucky to even have had one of those moments, nonetheless all the ones that I got to have. ‘Long Live’ is about how I feel reflecting on it. This song for me is like looking at a photo album of all the award shows, and all the stadium shows, and all the hands in the air in the crowd. It’s sort of the first love song that I’ve written to my team.”

“"Long Live," (in parentheses "We Will Be Remembered"), is the first song where I've ever had parentheses in the title. Besides that, though, this song is about my band, and my producer, and all the people who have helped us build this brick by brick. The fans, the people who I feel that we are all in this together, this song talks about the triumphant moments that we've had in the last two years. We've had times where we just jump up and down, and dance like we don't care how we're dancing, and just scream at the top of our lungs, "How is this happening?" And, I feel very lucky to even have had one of those moments, nonetheless all the ones that I got to have. "Long Live" is about how I feel reflecting on it. This song for me is like looking at a photo album of all the award shows, and all the stadium shows, and all the hands in the air in the crowd. It's sort of the first love song that I've written to my team.”

June 9, 2010: Night of the CMT Music Awards, held in Nashville. 'CMT Music Awards' is the secret message of The Story Of Us.

“‘The Story of Us’ is about running into someone I had been in a relationship with at an awards show, and we were seated a few seats away from each other. I just wanted to say to him, ‘Is this killing you? Because it’s killing me.’ But I didn’t. But I couldn’t. Because we both had these silent shields up. I went home and I sat there at the kitchen table and I said to my mom, ‘I felt like I was standing alone in a crowded room.’ Then I got up and ran into my bedroom, as she’s seen me do many times. And she probably assumed I had come up with a line in the song.”

“'The Story of Us' is a song that I wrote about an awkward situation where, well… Let me just preface by saying that I have happened to run into exes in strange places lately. This is about one of those situations where the strange place that I ran into him was an awards show. I was seated a couple of seats away from him and there was so much that needed to be said, and neither one of us was willing to say it. We were both acting like we were engaged in conversations with people that we don't even know. It was just miserable. I was telling my Mom about it later, and I said I felt like I was standing alone in a crowded room. And then I was like, "Gotta go. Bye!" And my Mom is used to that at this point so, that's what this song is about.”

June 13, 2010: Taylor premiers Mine during the 13-hour Meet & Greet at the CMA Music Festival. Fans ask a lot of questions about Sparks Fly.

“'Sparks Fly' is a song I wrote a few years ago and played in concert. You guys have learned it and I think like it, which makes me really happy. When we did the 13-hour Meet and Greet at the CMA Fest, there was a comment I got over and over again. You guys were saying, 'So what about 'Sparks Fly?' Is it going to be on the next record? [...] I played that song at maybe one or two shows, and you guys just jumped on it and really made it something that I had to put on the album because you really showed interest in it.”

Comparison between the 2007 live version and the final one:

First verse: You say my name for the first time, baby, and I fall in love in an empty bar -> You’re the kind of reckless that should send me runnin’, but I kinda know that I won’t get far.

Second verse: So reach out open-handed and lead me out to that floor / I don’t need more paper lanterns / Take me down, baby / Bring on the movie score / ‘Cause my heart is beating fast and you are beautiful / And I could wait patiently, but I really wish you would... -> My mind forgets to remind me you’re a bad idea / You touch me once and it’s really somethin’ / You find I’m even better than you imagined I would be / I’m on my guard for the rest of the world / But with you, I know it’s no good / And I could wait patiently, but I really wish you would…

Bridge: Just keep your beautiful eyes on me / Gonna strike this match tonight / And lead me up the staircase / Won't you whisper soft and slow / I’d love to hate it, but you make it like a firework show -> Just keep on keepin’ your eyes on me, it’s just wrong enough to make it feel right / And lead me up the staircase / Won't you whisper soft and slow / I'm captivated by you, baby I’m captivated by you baby, like a fireworks show.

Speculation: I think that the line "I'm on my guard from the rest of the world" from Sparks Fly being written after "And you figure out why I'm guarded" from Mine is very telling of what Taylor was going through.

June 16, 2010: [From a Lover Journal] After the CMT Music Awards, Taylor works on The Story Of Us for a few days, before finishing it on June 16th, on her way to Nathan Chapman's studio.

[MTV Interview] “I was at an awards show, and there was a guy there, obviously — it all starts there, doesn’t it? It was a guy I had been in a relationship with, falling out, then we end up at the same awards show, both trying to act like we don’t care, both like, you know, chatting up the people next to us. Afterward, I just felt so empty, like we were both fighting this silent war of pretending we didn’t care that the other was there. And I went home, and I wrote this song about it. And at that point, I had this gut feeling, and I knew the album was finished.”

[Lover Journal Page Transcript] “So I've been a little studio rat since the tour ended [...] I wake up to my cell phone alarm around 9:30 each morning, throw on a sundress, skip makeup, tie my hair in a messy side-braid, and head out the door with no shoes on. Because the only walking outside I'll be doing is from my house to my car, then from my car three steps to Nathan's basement studio. I worked on a song for a few days, then basically finished it in the car on the way to Nathan's this morning. It. Is. So. Good. And I can safely say I am DONE writing this record!! This song is up-tempo, and hooky and sort a torn sounding... like this horrible stressed confusion that comes on when you know the person you're pining away for is in the room. There are these invisible walls keeping things from being okay. So you're not fine. And they're not fine. And I'm happy I wrote that song!! :)”

Video: Making of The Story Of Us Demo

It will be the last song she writes before having a writer's block that will end 6 months later with All Too Well.

[USA Today Interview] [All Too Well] came after a six-month writing drought that followed a particularly toxic relationship. "There's a kind of bad that gets so overpowering you can't even write about it," she says of that time. "When you feel pain that is so far past dysfunctional, that leaves you with so many emotions that you can't filter them down to simple emotions to write about, that's when you know you really need to get out."

June 18, 2010: John Mayer presents Taylor with the Hal David Starlight Award, at the 41st Songwriters Hall of Fame Awards.

John's speech: “You could put her in a time machine in any era and she would have a hit record. Don't confuse everybody loving one thing as hype. Sometimes that's everyone agreeing that it's fabulous.”

From now on, Taylor will only focus on the production of Speak Now, tweaking the songs and overdubbing the instruments.

June 30, 2010: Taylor tweets about Amos Heller recording the bass on Mine at the Blackbird Studio. Clips from this day are also released.

July 8, 2010: Taylor is spotted in Maine, while filming the music video of Mine. The final mix of the song is not ready yet.

[Source] Taylor Swift was in Kennebunk today, July 8, shooting part of a new music video at Christ Church on Dane Street. The Rev. Janet Leighninger, pastor of Christ Church said they had been contacted a while ago by a company that scouts film locations and happened to check the church out one Sunday. “Then they called about a week ago and said could they possibly film here,” she said. Leighninger said she was told it would be a country artist shooting a music video, but not who the artist was. “We wanted to make sure it was appropriate,” she said. On the morning of the shoot, Leighninger discovered the artist was Swift.

[People who were there] "It was a blast to watch! Both Taylor and the guy in her video seemed to be having tons of fun and at one point where he proposes and they kissed he looked up at the camera crew and said 'She said no by the way.' The scene lasted about 30 minutes and then they started filming in the house again."

[Mixer Justin Niebank Interview] "Interestingly enough, I'd done some kind of pre‑mix of 'Mine' for a video thing, with the original drums and bass, and Nathan and Taylor were like: 'This is cool, but we want to go a little bit more for a power approach.' So by the time it got to the final mix they had rerecorded the bass and the drums and it sounded great.

The rough version of the final mix is called "Mine JN Master Mix", where JN stands for Justin Niebank. You can also see "SF" which stands for Shannon Forest, the drummer. The old stems played by Nathan are also visible.

To sum up all of the known Mine demos:

First demo: Recorded in March 2010; all instruments played by Nathan Chapman; Mixed by Nathan.

Second demo: Mixed in June 2010, made for the Music Video; all instruments still played by Nathan Chapman; Mixed by Justin Niebank.

Third demo: Called "JN Master Mix": Mixed on July 21, 2010, bass played by Amos Heller, drums played by Shannon Forest, mixed by Justin Niebank, mix ready or almost ready to be mastered.

July 15, 2010: Taylor and Toby Hemingway are spotted shopping in West Hollywood. This is also the day when the orchestra strings for Back To December and Haunted are recorded, arranged by Paul Buckmaster. Taylor's interview in the studio here.

“I wanted the music and the orchestration [for Haunted] to reflect the intensity of the emotion the song is about, so we recorded strings with Paul Buckmaster at Capitol Studios in Los Angeles. It was an amazing experience – recording this entire big, live string section that I think in the end really captured the intense, chaotic feeling of confusion I was looking for.”

Late July 2010: In the meantime, Justin Niebank completes the definitive mixes. Mine is completed on July 21st specifically.

[Nathan Chapman] For Speak Now we had to mix 17 songs in three weeks, and I knew that I would want to go back to tweak some of the songs we had mixed earlier, and I did not want to have to recall the mixing board every time. There just wasn't time for that.

July 2010: Taylor moves out to her own condo in Nashville.

“This summer I've been 99 percent focused on my new record and one percent focused on the fact that I actually just moved into my first place. I'm officially moved in! I'm so excited! As you know, I've been constantly talking about how I've been antique shopping and non-stop planning and construction on this place. It's been really awesome to figure out what it's like to be on your own, just cooking and stuff. I'm having such a blast with it.”

The Never Grow Up secret message is: "I moved out in July".

July 2010: Shooting of the Speak Now Photoshoot with her band, The Agency.

August 4, 2010: Mine is released. It was supposed to be released on August 15th, but since it had leaked its release was anticipated.

August 31, 2010: The Mine Music Video is released. Taylor has a get-together at her home in Nashville with the kids in the video and their families.

Taylor broke down the music video in 2012 in this very funny interview for Vevo Certified;

Behind The Scenes Footage: PART 1, PART 2, PART 3 from the Speak Now Deluxe Edition/Target. This is very unhinged.

[Director Roman White comment] Creating this piece was beyond fun, and I’ve honestly never had a better time on a shoot. Was it crazy hot? Yes. Were there tons of bugs? Yes. Was all of this offset by the insanely gorgeous scenery? 100% YES! We shot the entire piece near Portland, Maine and much lobster was eaten! My AMAZING producer, Tameron Hedge, actually got accosted by a HUGE seagull who took off with her lobster roll (that’s how good they were). Other than that one little incident, Maine was absolute perfection. On the first day, we shot on a private estate with more than 2,000 acres and a private beach, rounding out the second day in a small harbor town. There was a lot going on, and I had a BLAST with the entire gang!

September 12, 2010: Taylor premiers Innocent at the VMAs, a year after the Kanye incident.

“You have to try really hard to regulate what you feel, what you let in, and what you don’t… but then when it comes to making an album, if you make everything general and kind of gloss over your actual, raw feelings, that doesn’t benefit anyone. As far as what to feel and what level to feel it, I can’t really control any of that. It’s just how things hit you, and what you let in is definitely something you’ve got to find a balance for.”

“I think a lot of people expected me to write a song about him. But for me it was important to write a song to him.”

October 25, 2010: Speak Now is finally released.

“There is also the fact that the album is called 'Speak Now,' and that pertains to the album as a concept and as an entire theme of the record, more than I can even tell you," she says. "I've been working on it for two years. Ever since we put out 'Fearless,' I've been writing for this record and conceptualizing it and putting it together in my head, what I wanted it to be. I like to take a lot of time between albums to work up the next one and see what it is. We did the same thing with 'Fearless.' We put two years in between it [and her self-titled debut album] and that gives enough time for me [to] write everything that I live. You have got to give yourself time to live a lot of things, so you can write a lot of things.”

“I wrote all the songs myself for this record. It didn't really happen on purpose. It just sort of happened that way. I'd get my best ideas at 3:00 AM in Arkansas, and didn't have a co-writer around and I'd just finish it. And that would happen again in New York; that would happen again in Boston; that would happen again in Nashville. The songs that made the cut for the albums are the ones that I wrote by myself so – wish me luck!”

“In life you have a lot of situations that pop up and people that come into your life, and sometimes you don’t get to tell them what you wish you would have told them,” Swift said. “This album is my opportunity to do that track-by-track. Each song is a different confession to a different person.”

“Some of the things I wrote about are things everyone saw me go through,” she added. “Some of the things I wrote about are things nobody ever knew about. I’m beyond excited for you to hear these stories and confessions.”

Bonus: The Vault

“My favorite thing to do is make a list of what the album can be, even when I'm in the beginning stages of writing the album and I've got three songs on the list. I still make a list of what the track listing would be like. Which [song] is track one, two or three. And then you keep writing more songs and writing more songs and all of a sudden you've got a list of 25 songs. What I would do is keep bumping off songs that I felt I had overwritten. As you keep writing more songs, your list gets better and better and better. And I did that so many times I can't even count!”

The Vault Titles:

Castles Crumbling

Someone Just Told Me

His Lies

Wonderful Things

I Can See You

Let's Go

Foolish One

Timeless

Bother Me

Electric Touch

When Emma Falls In Love

All of them are self-written.

This post will be edited once we will have additional info on the songs, especially the Vault Songs. Thank you for reading!

[icouldntfindquiet]

if you were their new management what would you do? If you had full control over their next comeback (when everyone's feeling better ❤️‍🩹) what would your plan be?

My answer is long. 🙈

You best be sure we’re getting a statement!! It’ll go something like this:

A long, overdue statement.

First of all, we’d like to thank the fans for your continued support. We know communication has been poor and we sincerely apologize for all the frustration, inconvenience, and financial burden these cancellations have caused. We’ll try our best to minimize them and to inform you as soon as possible, but please keep in mind that we’re human and the risk of falling ill is always there. We prioritize the health and safety of the band and crew to ensure that we can keep playing for you for a long time.

As you already know, we have some new faces in the band. Johnny Bond and Bob Hall have decided to part ways with the band in 2021. Bondy was in the band for 7 years and Bob for 11 years. They’ve been a huge part of the band and we are sad to see them go. However, they’re both still making music so please support them and give their music a listen.

You’re all probably wondering what’s next. We’ve since made a new album we’d like you all to hear and we have some live dates planned. Please stay tuned for more news.

This is all planning/prep before the next single is actually released. Ideally the next single will have a proper music video made. I’ll try to have the band in it but if not possible, I’ll hire actors or use new clips and not old ones. 😆 I also want to schedule an in-person interview with Steve Lamacq (I think he’s back). I’d like for them to talk about the album and for Van to walk through each song. I’ll probably release this interview a week after the album is out to give people time to listen to it. And ofc, Steve Lamacq will have the special privilege of being one of the first to hear the album. 🙂 I’ll also schedule a radio interview with Jack Saunders so Van can promote the new album and tour dates. This will be released after the new single is out.

Fast-forward to Nov/Dec. I suck at teasing new singles but I’m also done with the teasing! 😂 I’ll probably have them post a mysterious date on Monday and on Friday of the same week, we’ll just drop the next single, music video and all with no warning. 😆 After you’ve had the weekend to digest it, I’ll release that interview with Jack Saunders on Monday. We’ll start promoting the tours that’ll happen before the stadium dates and get tickets selling for that. We’ll announce the dates all at once (no slow dripping dates 😆) and support acts will be announced ASAP so fans can listen to their music beforehand. A photographer/videographer will be hired to follow them on tour and to provide content. I’ll have the entirety of one of the stadium shows filmed and available to watch for free.

When 3-4 weeks has passed, we’ll release the second single. I forgot to mention we’ll have a proper music video for that too and it’s the same thing where a date will be posted on Monday and the single will be out on Friday. The Monday after that, we’ll announce the album release date which is preferably before the tour starts but I realize the timeline might be tight. 😬 I want all shows here on out to have new songs played. The setlist will be reworked to include Showtime, the two new singles, and 2-5 more songs from the album.

All while that is happening, I’m going to hire an artist to re-design their merch. We’ll announce more tour dates and hopefully do some TV/radio appearances as well. And hopefully the band will agree to a photo shoot. 😁 Communication will be improved. And going back to Bondy and Bob’s departure, I’d personally like to thank them for what they’ve done for the band, even if it’s just sending them a quick message. I’ll keep it simple and be transparent about it with the band of course!

Thanks for the ask! This was fun to write out. If you were their new manager, what would your plan be?

[useless-catalanfacts]

The Catalan indie pop band Ginestà released a new album last month and since then I haven't stopped listening to it. I've been trying to decide which song from it to translate, but there's too many that I love so I've decided I'll translate 3 of them.

If I had to choose, I think this one is my favourite song from the album: De tot el món. Here are the lyrics in Catalan and the translation to English:

Quasi rebenta la nau que m'ha portat fins aquí He atravessat l'univers, he decidit ser feliç I ara que arribo per viure a un planeta, torno a creure en el futur Perquè d'entrada apuntava a decebre'm i de cop has aparegut

The rocket that took me all the way here almost exploded I have crossed the universe, and I've chosen to be happy And now that I got here to live on a planet, I once again believe in the future Because, at the beginning, it looked like it was going to disappoint me, and suddenly you have showed up.

Tornada: De tot el món el que més m'agrada és que també hi visquis tu Ni els estels ni els mites, d'altres llocs on no hi ets El que més m'agrada és que també hi visquis tu Ni els estels ni els mites, d'altres llocs on no hi ets

Chrorus: Out of the whole world, what I like the most is that you live here, too. Neither the stars nor the myths from other places where you aren't. What I like the most is that you live here, too. Neither the stars nor the myths from other places where you aren't.

He vist tres mil horitzons, m'he vist la por dins del pit He conegut el present, he conegut l'infinit I ara que arribo per viure al planeta, torno a creure en el futur Perquè d'entrada apuntava a decebre'm i de cop has aparegut

I've seen a thousand horizons, I've seen the fear inside the chest I've known the present, I've known the infinite And now that I got here to live on a planet, I once again believe in the future Because, at the beginning, it looked like it was going to disappoint me, and suddenly you have showed up.

Repeat chorus

I si hem de tornar a començar serà quan tot exploti Potser res és com era abans ni gira igual Qui sap si quedarà bonic, o si tenim a prop la fi No em fa por el futur

And if we have to start over, it will be when everything bursts Maybe nothing is as it used to be nor does it turn around the same way Who knows if it will look pretty, or if we're near the end I'm not scared of the future.

Repeat chorus