Story Idea: Part-Time God
Imagine a very unassuming guy (of any ethnicity or nationality) who goes to work, pays his taxes, complains about the price of gas, food, and rent (etc.), things any regular person would do. But he is in fact an ancient Eurasian thunder god who, when called upon, battles drought-bringing water-serpents in the clouds. His glowing ethereal form is that of a giant, bearded man with a horned helmet and ancient, golden attire. He wields either a stone mace or a forked thunder weapon that showers lightning bolts across the heavens.
This dual nature is not a case of a deity being cursed to forget their divine origins like the Hindu monkey god Hanuman. Nor is it a case of a god being punished to live as a mortal like Marvel's silver age Thor. Perhaps the protagonist's father, the king of the gods, is aloof and disconnected from the human world. Therefore, our hero takes it upon himself to live among Man in order to stay grounded and to better understand their day to day struggles in an ever-changing world.
It's important to note that he is NOT a superhero. This god does not use his power to deter crime. It is only used in battling water-serpents, which ensures the survival of mankind by routing droughts that would otherwise destroy all the world's crops. Basically, if he doesn't perform his holy duty, the world will starve. It's best to think of the narrative in terms of ancient religion and the importance of the harvest to agrarian societies.
The meat of the story would be the strange juxtaposition between his mortal and immortal lives. There would be a clean divide between both, with episodes focusing on the tedium of his daily human activities and the explosive action of his divine battles. But occasionally these lives would bleed into each other; for instance, an injury born from his heaven-shaking combat, could be explained away as some embarrassing accident, like rolling an ankle or tripping up the stairs. Or, a human friend or coworker might notice his sour deminer after a drama-filled argument about the merits of mankind with his father in heaven.
If anyone asks, yes, this is a self-insert. I was bored while waiting for a doctor's appointment. I was wondering what it would be like to have a concurrent second life free of aging and illness, one where I could soar through the clouds and test my divine strength by battling ancient foes.
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Review and Analysis of “Hanu Man”: Intelligent, Self-Aware and, Ambitious Writing Compensates For What CGI Lacks in This Origin Story
The film stars Teja Sajja, Vinay Rai, Varalaxmi Sarathkumar and Amritha Aiyar in pivotal roles.
A superhero film becomes a success if it has visually stunning super set pieces. However, it becomes a super success if these super set pieces are complemented by other moments of the screenplay. Prasanth Varma’s “Hanu Man” is an anti-thesis of this theory. Here, the film is a success because of the…
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Ramayama- the Indian epic some of you know. But did you know of the Ramakien?
It's the Thai national epic which is their version of the Ramayama. It was Thai King Rama VI who traced back the inspirations of the Ramakien to:
Ramayana, the Vishnu Purana, and Hanuman Nataka but how did an Indian epic come to be shaped into a Thai national epic as well?
Simply put? Buddhism.
The more complicated answer? Buddhism but through missionaries after a long history of Indianized states already made it easy to spread parts of Indian culture, stories/myths, and obviously Buddhism.
What is an Indianized state? Well, some were parts of the Indochinese peninsula known as Funan (Phu Nam - Vietnam), Champa, and more (seriously, a lot more).
TLDR, Southeast and Western Asian lands that had heavy Indian influences and or rulers at one time.
Why/how? Well, interestingly, there are Chinese books that have myths/stories of this. The Book of Liang is the most popular source, and some of its stories are reiterated in Indian and Southeast Asian folkore/stories.
They are very beautiful and cool stories but the reality as argued by historians?
Likely Indian merchants seeking wider wealth (migrating through/over the Oceanic silk road routes) into parts of South East Asia who eventually shared stories/treatises and more of Indian political statecraft, eventually leading some merchants into positions of power, rulers marrying across countries to gain/strengthen power, so on. Eventually, voila. Indianized parts of the nearby world bearing Sanskrit inscriptions, Vedic/Hindu statues, and more.
A DNA sample taken from Funan from this time period shows an individual a lot of South Asian DNA admixture approximating 50 percent. The site is what is today known as Cambodia. Note: the sample dates to that time as when the individual lived, not that the sample was collected then. Now, this tradition continued of course over time. Asia was pretty well interconnected.
India and China have a rich tradition (documented) of trade of all sorts including, political craft/statecraft, ruling, censuses, well-being of people, religion/culture, philosophy, arts, and more.
So, dialed up over time, this same Indianization is what's influenced (in part, not wholly) Thailand (as it has a great deal of Chinese influence) as well. But for the purposes of the Ramakien, in the logical sense, this is likely what happened to bring the story of Ramayama, the Buddhist as well as Vedic cultural traditions found there or what evolved from them, such as the worship and reverence of/for Hanuman including him being involved in Muay Thai (note, not credited with/creating it) but he is often depicted in imagery, has a technique named after him, and regarded by many as the ultimate Thai boxer (within the culture) for the traits of the sport he embodies.
Now full circle back to Ramakien. There are some central differences, obviously given that it's more rooted in Buddhism and its tenants than the Vedic epics focused on Dharma (cosmic order/duty) vs. a Buddhist lens of living. Some of the characters are similar (not the same) and serve similar roles with name and slight changes, of course. Not to mention the history and traditions of the Jatka tales spread by Buddhism into the area over time evolved as performed by locals on stage and other venues to be more Thai, feature Thai topography and landmarks and takes.
And this is a light history on the Ramakien's coming to being and some of why there are 300 (yes 300) versions of Ramayama in the world. And, how Indianization happened in parts of the world and its effects. Which all circles back to how stories are traded, evolve and are coopted, adapted, shaped to serve/entertain the cultures they are presented/ended up in.
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