If you thought bodyguard!Floyd would be insufferable with ido!darling, imagine gravure model!darling then absbdbjfjfj
Omg gravure model darling with stalker fan Jade…… gross, slimy, creepy Jade with his gross, slimy, creepy views!!!! >_< he closely follows the magazine in which you’re often featured, buying two copies of each new issue (one to frame as a precious collectible) and the other meant to sustain…damages (i.e. cum stains, sweat, drool, other bodily fluids). He’s found your social media and he also follows that, going through your posts and printing out each tasteful image to string up on his walls.
He’s even bought a few of the swimsuits and lingerie you’ve modeled, and when he fucks into his hand or the onahole (which he pretends is you) he imagines peeling those skimpy outfits from off of your pretty body with skilled fingers. You would look so lovely beneath him, skin hot with desire and arousal, chest heaving with hitched breaths and moans, hands curled into the bedsheets, when he traces his fingertips up your thighs, prying them apart to get a proper look at your pussy. Thoughts of you burying your hands in teal locks to hold him there while he eats you out always send him tipping over the edge. It’s a terrible shame it’s only a fantasy. Oh, the things he’d do if you were really here with him…
Lately, ever since he’s started cyber-stalking and obsessing over you, Jade’s wanted to get into photography. He buys the best camera, but then he also gets a vintage one just for the sake of aesthetics. It would be nice to develop these photos the old way: in a dark room where he must be precise and careful with handling every fragile photograph. Jade photographs a lot of nature, often things he comes across on his walks and hikes. Mushrooms. Trees. Leaves. Flowers. Unique stones or moss growing contrary. He photographs insects: a line of ants leading to an anthill, butterflies swarming blossoms, a caterpillar coming free from its cocoon. He likes the familiar weight of a camera in his hands. He likes being the one behind the lens, peering through at what’s seen with the camera, as if the world that lies beyond it is merely a portrait someone’s painted.
He wants to learn where you live, the places you frequent, what building the company you’re signed to works out of so that he may hopefully have a chance to capture candid photographs of you—things that no one but him will ever see. Intimate sides he will preserve within a picture.
Jade photographs potential locations deep within the forest. He captures the stages of death in permanence: the horrified countenance of your lover when they realize he’s holding a knife in his hand, the aftermath of a brutal slaughter, the perfectly, methodically dismembered corpse with all of its parts packaged in plastic and aligned in a grave dug deep, the mound of soil that soon covers the evidence, and the beautifully rare flowers or tree saplings he plants directly above the body.
Jade develops these photos in the makeshift dark room in his apartment. They’re well-done, but that’s how all of his work is. Eerily flawless. Recently, he learned where you live. It took some digging and lots of patience, but he’s good at uncovering forbidden things. When the time comes to take you, he’ll have to bring his camera along. He’d love to see what expressions he can photograph when he catches you by surprise. And he anticipates every photo will be far better than any of the previous ones he’s taken. After all, they’ll contain you and the raw, beautiful emotions you’ll show him. That’s something he’ll never be able to find in the average magazine.
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So my brother and I have a sort of HTTYD World War II AU (it’s mainly our original characters, but Hiccup, Tuffnut, and Skulder are in there), and I just had to share a snippet we came up with tonight; we made the comment of how Hiccup and the Joneses wouldn’t smoke, but Stoick would, and Gobber? Well, he’d smoke like a fiend! He’d never be seen without a cigarette in his mouth:
Hiccup one day (sometime after the war ended), staring at Gobber:
Gobber: “What?”
Hiccup: “… how do you still have teeth? And lungs?”
Gobber: “Smokin’s good for the lungs! You know what I say: a pack a day keeps the doctor away!”
Hiccup, scoffing: “More like a pack a day calls the doctor…”
Gobber: “Oh, you’ve been spending too much time around those Jones boys.”
Stoick: “Their uncle was always the same way. Why, in the Great War-“
Hiccup, softly: “World War I…”
Stoick: “GREAT WAR, we were in the trenches one day, and every time I broke out a smoke, I’d feel his eyes on me. And sure enough, I look over and there he is. Staring at me, and I say ah! What’s it to you? And he says ‘you keep smoking them and it ain’t gonna be Germans that kill ya.’ So I told him it’s gonna be ripe old age! You know what he did? *clutches his chest and gasps* and then says ‘gonna be them smokes!”
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I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?
There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).
Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).
Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.
There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.
There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.
And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.
They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.
What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.
Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.
Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).
I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”
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Oh so I can finally text to you too. Hi there! You know, anonymous Pride Trooper and all (account still doesn't work so I waited until I can do this). Plus I was gone for two weeks since... Alright I'll keep it short. April Fools' was the most chaotic day we had. So just wanted to ask, What actually do you think about Pride Troopers? If you want to know what went down over there I will tell you (if you want to) but maybe next time.
PS: Yeah Jiren is still mad at you because of the joke about his dead parents. Also it is nice to meet Yamcha
I don’t have any particular respect for your lot, especially not considering that you brought a God of Destruction to a tournament populated otherwise by mortals. Had I known we could employ such underhanded tactics, I wouldn’t have wasted that energy I stole from the Ninth on my little test for Goku… a shame. We’d have seen then just who made the better candidate.
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my favorite thing about revolver ocelot in mgsv is like he’s Way too well adjusted and normal and helpful. like he bridged the gap between dweeby annoying little blonde twink and insane old queen by having a period in his 40s where he tried to be normal so hard and well. clearly it didn’t work
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