#he never gets 2 sleep

[5qu1dink]

i forgot about this cute lil drawing <333333

[ruporas]

good mornings throughout the travel

[ID: Two comics of Vash and Wolfwood from Trigun Maximum. The second is underneath the read more.

The first is in four panels and follows Vash and Wolfwood through hotel rooms. First, Vash and Wolfwood exit adjacent rooms, and Wolfwood has sparkles floating around him as he exclaims, “Rise and shine! Ready to go?” Vash frowns, displeased, and says, Urk— Good morning to you too.”

Next, they’re in a room with two beds. Wolfwood is awake and fully dressed. He’s sitting on the bed and smoking, back turned away from the viewer and he says, “Wake up already, sleepyhead.” Vash sits up with his eyes still closed and yawns before saying good morning. After that, they’re sharing a bed, and Wolfwood gets up and says, “Morning, sunshine. Time to get up.” His body shadows Vash from the sunlight. Vash is still lying down with a blanket draped over him as he mumbles good morning.

Finally, they’re embracing in bed, both shirtless. Sunlight shines on them, but their contact allows their shadows to drape over their faces. Vash smiles, kisses the top of Wolfwood’s head, and says, “Good morning, Wolfwood.” Wolfwood sleepily says, “Mph, g’morning, needle-noggin’,” snuggling into on Vash’s shoulder. End ID] ID CREDIT

TRIMAX Vol. 10 Spoilers under read more // bonus comic

[ID: The bonus comic starts with Vash asleep in bed, fully clothed with his hair half-black. Someone says “Good morning,” and Vash says, “Morning, Wolf—w...” He trails off as Livio, holding a plate of food, stares with abject shock.

Livio says, “I’m sorry.” Vash, smiling but sweating, says, “No, it’s my bad...” Livio repeats, “I’m sorry.” Vash says, “Geez, stop apologizing,” and cuts off Livio’s “I—” with a “Good morning, Livio.” Livio quietly mumbles, “... Good morning...”

Vash sits up from the couch he was sleeping on and looks down, thinking, “... That’s right. I won’t wake up to you anymore... I have to get used to that...” End ID]

[starry-bi-sky]

realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards

*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then

[moongothic]

WAIT WAIT WAIT HOLD THE FUCKING PHONE

So normally we only get fullblown, extended and dedicated flashbacks for heroic characters in One Piece, the characters who we're meant to root for. The literal only TRUE exception we've had to this rule was Big Mom's flashback. Even fucking Doflamingo's flashback was tied to Law and Rosinante's

So the fact that we haven't gotten a single fucking GLIMPSE at Crocodile's backstory is?!?

Like sure, we haven't gotten like a Moria flashback, but you know, he literally told us all we needed to know himself, AND we got to see glimpses of him in the Wano flashbacks. Arlong didn't get a flashback of his own, but he did get to cameo in Fisher Tiger's flashback. And Rob Fucking Lucci got a flashback that was 6 whooping panels long

BUT CROCODILE?? Not only do we know almost Fuck All about his story, but also have never gotten as much as a glimpse at it? But his backstory has been HINTED and TEASED at multiple times??

GUYS. FELLAS

Like. I am SURE the "Full Backstories for Heroes Only" rule is going to get broken again, but with Imu and Blackbeard already there just BEGGING to have their beans spilled, can we even be sure Sir Fucking Crocodile is somehow going to become A Villain So Dangerous To The Narrative that he ALSO should also recieve a Full Fucking Backstory?? For his Nefarious Schemes?? AT THIS POINT??

Y'all

I think it's more likely Oda's been saving up Croc's backstory because it might just completely recontextualize his entire character

[charliespringsdimples]

Nils: Pick someone on your level. One of us ;) ;)

Wille: Sorry, I’m into socialism actually.

[feuer-bluete]

No, listen this is so important to me.

When we kidnap Kieran he is of course tied to the tree. When he is finally freed he sleeps somewhere close to the horses.

When the gang moves to Clemen's Point, he is more relaxed in camp but still sleeps outside the camp, sitting against a tree, again close to the horses.

When the gang moves to Shady Bell, and Tilly is not rescued yet so Mary Beth is sitting in this spot, Kieran does not sleep at all, and instead he just stands next to Javier's tent staring into the night.

Once Tilly is rescued and all the girls, save Ms Grimshaw sleep inside, Kieran, finally, feels comfortable enough to sleep inside the circle of waggons, among the gang.

[even-disco-baby]

CINDY THE SKULL — “Evening, officers. It’s a bit late to be skulking about, don’t you think?” Though she’s lounging around the coal room door as languidly as ever, her pale eyes ringed with coal dust seem to bore a hole in your skull.

YOU — “I’m looking for a place to sleep.”

CINDY THE SKULL — She lifts an eyebrow at you and Kim. “Did the cafeteria man finally decide he wasn’t interested in keeping a pigsty?”

YOU — “No, Kim is still staying there. I just can’t pay my bill.”

KIM KITSURAGI — The lieutenant clears his throat slightly. “Let’s not give people the impression that officers of the RCM make a habit of dodging their tabs, detective.”

CINDY THE SKULL — She glances at Kim, lips pursing just slightly.

EMPATHY — His little comment irritated her. Curious.

CINDY THE SKULL — “Tough luck, officer.” She shrugs, the faux fur collar of her coat brushing her cheeks. “There’s a perfectly good garbage bin in the courtyard. It’s got a lovely view. Real prime real estate.”

YOU — “I know. Garte said I could sleep there, but I’d rather find somewhere else.”

CINDY THE SKULL — She blinks her coal-smeared eyes at you. Then, she turns to the lieutenant. “Is he joking?”

KIM KITSURAGI — “No,” he says drily. “He is not. If you know of any… more *comfortable* places to sleep, we would be much obliged.”

CINDY THE SKULL — She stares openly at the two of you, as if in disbelief.

COMPOSURE — The absurdity of your plight has nearly broken right through her veneer of youthful detachment.

CINDY THE SKULL — “Maybe I’m the one who should be a detective. I can solve your little case for you right now.” She points to the lieutenant. “Your room.”

KIM KITSURAGI — His face is solid stone. “No.”

ESPIRIT DE CORPS — There are so many reasons why he does *not* want to do that. He has neither the time nor any desire to share them with Cindy. Or with you, for that matter.

-1 MORALE

CINDY THE SKULL — She whistles softly. “Damn. Must be true what they say about pigs and cannibalism.”

KIM KITSURAGI — The lieutenant does not rise to her bait.

EMPATHY — But there is something playing at the downturned corners of his mouth and the furrow of his brow. Something like guilt.

YOU — “What about the coal room, Cindy?”

CINDY THE SKULL — She outright laughs at you. “Fuck no! You want in my room, get a warrant, piggo!”

LOGIC — While drug possession is not a crime in Revachol, it doesn’t stop most cops from confiscating substances from vulnerable civilians for their own personal use. Including yourself, most likely.

ELECTROCHEMISTRY — Hey, good idea! Cindy’s an artsy type, she’s probably got all kinds of shit to get her creative juices flowing.

PAIN THRESHOLD — And to get her through the cold and the hunger and the cruelty.

VOLITION — No. Don’t make things any worse than they already are.

YOU — “But then… where do I go?”

CINDY THE SKULL — She shrugs again. “It’s not my problem, is it? Ask your partner, here. Or maybe you should take a hint and go back home to the farm.”

YOU — “I don’t know if I have a home… I think I lost it.”

KIM KITSURAGI — The lieutenant’s frown deepens. He stares down at his boots rather than meet your or Cindy’s eye.

CINDY THE SKULL — A long, almost uncomfortable silence. Her eyes are hardening as they take you in— you and your bloodshot eyes, your slightly labored breathing, your clothes that are certainly too thin to keep you warm tonight.

EMPATHY — She feels sorry for you, and she resents herself for it.

CINDY THE SKULL — She lets out a long sigh, closing her eyes and shaking her head. “All right, piggy. Just quit looking at me all pitiful… You saw the foreclosed apartment in the hall, right? If you wait for the cleaning lady to go to sleep, and you don’t stay long, it’s not a bad place. Better than the trash, anyway.”

REACTION SPEED — She seems to regret it as soon as the words leave her mouth. She’s not thrilled at the idea of trusting your honor not to rat out or even arrest your fellow squatters. But it’s too late now.

SUGGESTION — Wait. Is it really that simple? What if she expects something in return for the information? Or she could be setting a trap for you!

YOU — “Hang on. What’s the catch?”

CINDY THE SKULL — A wry smile breaks out across her face. It almost looks pained. “No catch, officer. I’m no snitch. Nor a pig.”

RHETORIC — You’ve insulted her more deeply than she cares to let on. She helped you because she knows your struggles intimately. Struggles that have claimed the lives of people she cared about. But now you’ve reminded her of the difference between you: she calls you pig because you sold your humanity for the power to strip others of their own.

EMPATHY — She’s sad. She was born sad and she will die sad. You are the one making her sad.

YOU — “Hey, Cindy?”

CINDY THE SKULL — “What?”

“I’m sorry. Thank you for helping me.”

“You shouldn’t judge me. We’re the same. We do what it takes to survive. You have the Skulls, I have the RCM.”

“Can’t we just get along?”

“I’ll pay you back somehow. I’ll make things right.”

“I don’t want to be this kind of animal anymore.”

KIM KITSURAGI — The lieutenant looks up at you, startled. Concerned, even. He almost looks as though he wants to say something, but nothing comes to him. He just stares at you, at a loss.

CINDY THE SKULL — She levels you with a steady gaze. Even without the coal dust, her eyes would look sunken into her wan face. If it weren’t for the roundness still clinging to her cheeks, she would have lost nearly all trace of her youth by now.

“I don’t think you even understand what kind of animal you are,” she says coolly.

ENCYCLOPEDIA — Homo sapien.

CONCEPTUALIZATION — A tiny, violent ape.

AUTHORITY — Predator.

HALF LIGHT — Prey.

VOLITION — You’re a human, Harry. Nothing more or less.

INLAND EMPIRE — The saddest and cruelest animal of them all.

[sheltershock]

Sasha is absolutely a “do what I say, not as I do” type of person. In the exact same day he’d lecture Raz about getting enough sleep, citing memorized research and journals that kids his age should be getting a suggested 10 hours of sleep each day. And encouraging him that when he gets older he’ll only have to sleep about seven, so he’ll have more time in the day eventually.

And then hours later, he’d turn to Milla and go “it’s suggested that adults sleep 7 hours day…. which would make sleep a suggestion-“

“Sasha, please, don’t do this again.”

”But if you actually think about it, I get more time in the day and I can multitask on testing the results of that study of how long a human can stay up-“

“Sasha.”

[bookrat]

Pretty sure my little man has a case of abundism affecting the marble tabby coat under all those white splotches

[painted-bees]

reading through your hinote tags it was interesting to learn that Raf still likes preforming and even misses playing large shows, but avoids getting sucked back into it. As an adult, you'd think he could just return to preforming on his own terms and play any stage he wants. Does a fear of success keeps him away from it? Sorry if this was already explained somewhere and I missed it.

Sssorta haha! He doesn't want to gain too much traction and attract media attention, because it'll inevitably liken his current career/his current self to his past...And almost none of the things he had said about himself, very few of the views he presented in interviews and such, none of it was really him, what he believed, what he liked, or how he, himself, wanted to be perceived. He likes playing the character on stage, but hates the notion of that character following him and being projected onto him in day to day life. On one hand, he doesn't want random people to see him and know him accurately--which is why the stage persona is so great. But on the other hand, the media personality his mother curated is too far removed from his own tastes and sensibilities, that it feels like an ill-fitting skin and makes him physically uncomfortable to be identified as and associated with it. Increased visibility as a performer would kinda force him to contend with that in a way he really would rather not. It's not worth it for him. AND he does not want to attract his family's attention. He doesn't want them contacting him about his career. He wants to be as tiny and invisible to them as possible.

Secondly, and more acutely, though--his symptoms after a show--any show--really suck. He gets nervous leading up to a performance, but it's usually perfectly manageable. He's normally in relatively good spirits about it. Then on stage, he gets a nice little thrill and the feeling of "man, yeah! I need to let myself do this more often!" But then, once the show is over, he's in the backstage bathroom vomiting, and spends the next week struggling to recover from a depressed hangover with 0 motivation, energy, or excitement for anything. He hasn't...figured out how to avoid this extremely consistent pattern. It's weird, because he feels fine during the performance, even if there's a break in between or some such. But as soon as it's properly over, the nerves hit him hard--and once the anxiety passes, he's just an exhausted, deflated, apathetic husk with a very, very low mood about it. That's what kinda keeps him off the stage, and prevents him from doing shows on any kind of consistent basis. He can only really commit to doing them if he's feeling really good about things--and if he can afford the inevitable "crash" week that always follows. If that were less of an ailment for him, he might be more inclined to at least humor the idea of reinventing his persona and returning to musical performance on a more serious/professional/consistent basis. Alas.

[theotherrichardpapen]

...because any moment may be our last. everything is more beautiful because we're doomed.

[river-of-wine]

So true Molly O'Shea I too would rather sit head in my hands on the floor of a rotting house than sleep next to Dutch van der Linde

[vole-mon-amour]

James got Jamie drunk and got him raped. He forced Jamie to have sex with an adult when Jamie was (and probably the day he turned) 14. James has been beating Jamie for years. James has been abusing Jamie mentally as well, being the cause of Jamie's depression, self-consciousness and many other issues. James has probably been beating up Georgie, too, until she had the means to get out.

There's a huge difference between recognizing your bad behavior (being a jerk and a bully for funsies—which isn't great, too, but it's redeemable, especially since Jamie was basically abused into this behavior) and changing for the better and throwing an abused kid back into his abuser's arms that gave him such severe PTSD that some encounters give him very painful flashbacks. He doesn't even remember his first sexual encounter bc it was so bad that he blocked it out, but he for sure will be triggered again if something like the auction in s1 happens again. Jamie was raped, and by an adult at that, when he was just a teen.

Even if James changes for the better in the future, he already ruined Jamie's life in the ways that Jamie will never be able to fix. Never, no matter how hard he tries and works on himself and goes to therapy. It's the horror that will always stay with him. It's the things that will haunt him in nightmares on his worst days and stop him from falling back asleep.

It doesn't matter if James becomes dad of the year (unironically) and finds a wife that he'll genuinely love and cherish and never show any toxic behavior for the rest of his life (which probably won't happen, I can almost guarantee you that). He will always be a wife beater and child abuser. So when you go on a rant about protecting James and how he's only human, at least remember and admit what he did.

Jamie deserves BETTER and I'll stay on this hill. 'It's been a while'? It should stay that way. Ted never should have told him to forgive him and Jamie should have never reached out to his abuser, let alone visit him in rehab and act like it's all fine and at least 21 years of the abuse didn't happen.

Because it absolutely did.

[wheelercore]

Suuuuuuch a fan of Nancy's hair actually being naturally curly idc if she actually had straight hair for the first two seasons. She was actually straightening it during that time. Nancy told me herself.

[ta-bajna-cerna-okybaca]

Now that I finally got to play TWST diasomnia chapter 1 myself, I'm gonna need everyone who said Malleus was a baby throwing a tantrum for no reason to pay me 2000 dollars each

[feuer-bluete]

The hard thing about a second play through of rdr2 is that I know what will happen and have to make such hard decisions as:

do I save Jack as fast as possible, even tho I know he is generally okay where he is right now

or

do I let Kieran live a few more happy days