Having read a fair amount of Poirot as of late (the first two novels and most of the short stories in Poirot Investigates), the thing I’ve overwhelmingly come away with is that Poirot and Hastings both are and aren’t what pop culture would have you think that Holmes and Watson are like.
Poirot is outwardly conceited, thinking the best of his own abilities while deriding those of the people around him. Hastings especially falls victim to this, being teased for “not seeing” and manipulated more than once as Poirot withholds the facts, and being resentful of Poirot’s arrogance while also being unduly arrogant himself - nearly every single one of his own proud deductions turns out to be intensely wrong, and he is also prone to foolish or reckless acts in the name of trying to score one off Poirot. Holmes and Watson, on the other hand, certainly have their faults, but their relationship is not so tempestuous, and Holmes is kinder and Watson less foolish than is often presumed by those who have not read the canon. Holmes, while possessed of some immodesty, never flaunts his intelligence so dramatically as Poirot does, and Watson is largely faithful and amazed by Holmes’s deductive capacity, and though occasionally annoyed is almost never resentful.
However, what I like about Poirot and Hastings is the way in which they aren’t like Holmes and Watson as painted with the pop cultural brush - namely that, like the original Holmes and Watson, Poirot and Hastings are unquestionably fond of each other. Their tiffs and petty spats are always contrasted with their affection, if not shot through with it in the first place. Poirot may speak ill of Hastings’s intelligence, but it is shown multiple times that he does not genuinely want to hurt his feelings, and he always asks Hastings to come with him on his cases - not because Hastings always provides any material aid, but because Hastings is his friend. Hastings may tease Poirot and think condescendingly of his mannerisms, but his laughter is always fond, and he admires him and desires his praise and respect just as much as he worries for him and wants to help him in potential times of need. Most importantly, despite their arguments and many differences (age, culture, temperament, just to name a few) they remain steadfastly together (with many year living voluntarily under the same roof!) and ultimately both wish and facilitate each other’s happiness.
They are more difficult than their Doyle-penned forbears, but for that there is no less love.
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you know what, I actually will talk about this because it's bothering me. The issue with focussing so heavily on syd and carmy's potential for a romantic relationship isn't that there's something inherently unintellectual about romance or whatever, it's that a lot of people seem incapable of doing that without immediately flattening the story and ignoring or intentionally misreading any and all nuance for the sake of that romance. Every scene suddenly becomes about how it impacts their relationship, every analysis is done through a romantic lens, every frame or line of dialogue becomes about finding some easter egg or hint that "proves" these people should start dating. Their dynamic is absolutely a fundamental part of this show, but if you can only see it as a will-they-won't-they, you miss so much of what the story is actually trying to say with these two.
There are good versions of this story where their relationship is romantic and there are good versions of this story where it isn't, but as soon as you decide them being together is "the point," you lose the ability to actually judge the story for what it is, not what you want it to be.
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"Among their complaints [in 1460, the Yorkists] specifically blamed the earls of Wiltshire and Shrewsbury and Viscount Beaumont for ‘stirring’ the king [Henry VI] to hold a parliament at Coventry that would attaint them and for keeping them from the king’s presence and likely mercy, asserting that this was done against [the king's] will. To this they added the charge that these evil counselors were also tyrannizing other true men* without the king’s knowledge. Such claims of malfeasance obliquely raised the question of Henry’s fitness as a king, for how could he be deemed competent if such things happened without his knowledge and against his wishes? They also tied in rumors circulating somewhat earlier in the southern counties and likely to have originated in Calais that Henry was really ‘good and gracious Lord to the [Yorkists] since, it was alleged, he had not known of or assented to their attainders. On 11 June the king was compelled to issue a proclamation stating that they were indeed traitors and that assertions to the contrary were to be ignored."
- Helen Maurer, "Margaret of Anjou: "Queenship and Power in Late Medieval England"
Three things that we can surmise from this:
We know where the "Henry was an innocent helpless king being controlled and manipulated by his Evil™ advisors" rhetoric came from**.
The Yorkists were deliberately trying to downplay Henry VI's actual role and involvement in politics and the Wars of the Roses. They cast him as a "statue of a king", blamed all royal policies and decisions on others*** (claiming that Henry wasn't even aware of them), and framed themselves as righteous and misunderstood counselors who remained loyal to the crown. We should keep this in mind when we look at chronicles' comments of Henry's alleged passivity and the so-called "role reversal" between him and Queen Margaret.
Henry VI's actual agency and involvement is nevertheless proven by his own actions. We know what he thought of the Yorkists, and we know he took the effort to publicly counter their claims through a proclamation of his own. That speaks louder than the politically motivated narrative of his enemies, don't you think?
*There was some truth to these criticisms. For example, Wiltshire (ie: one of the men named in the pamphlet) was reportedly involved in a horrible situation in June which included hangings and imprisonments for tax resistance in Newbury. The best propagandists always contain a degree of truth, etc.
**I've seen some theories on why Margaret of Anjou wasn't mentioned in these pamphlets alongside the others even though she was clearly being vilified during that time as well, and honestly, I think those speculations are mostly unnecessary. Margaret was absent because it was regarded as very unseemly to target queens in such an officially public manner. We see a similar situation a decade later: Elizabeth Woodville was vilified and her whole family - popularly and administratively known as "the queen's kin" - was disparaged in Warwick and Clarence's pamphlets. This would have inevitably associated her with their official complaints far more than Margaret had been, but she was also not directly mentioned. It was simply not considered appropriate.
***This narrative was begun by the Duke of York & Warwick and was - demonstrably - already widespread by the end of 1460. When Edward IV came to power, there seems to have been a slight shift in how he spoke of Henry (he referred to Henry as their "great enemy and adversary"; his envoys were clearly willing to acknowledge Henry's role in Lancastrian resistance to Yorkist rule; etc), but he nevertheless continued the former narrative for the most part. I think this was because 1) it was already well-established and widespread by his father, and 2) downplaying Henry's authority would have served to emphasize Edward's own kingship, which was probably advantageous for a usurper whose deposed rival was still alive and out of reach. In some sense, the Lancastrians did the same thing with their own propaganda across the 1460s, which was clearly not as effective in terms of garnering support and is too long to get into right now, but was still very relevant when it came to emphasizing their own right to the throne while disparaging the Yorkists' claim.
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What are mimes biggest weakness?
Mentioned in one of the previous ask's tags, darkness and freezing temperatures.
Being in areas completely devoid of light put them in a weakened state. Night time can render them a little weaker, but because of the stars and the (remaining fragments) of the moon, they're not left entirely vulnerable. Being stuck underground or in a room with no access to light, though, can be enough to make it so they cannot muster up the energy needed to transform into their puppet form.
They are slower and don't see as well in the dark, and many of them tend to become more paranoid and upset as well. They've just finished fighting an eons-long war against manifest darkness, so they're justified in their aversion.
Cold temperatures make them uncomfortable. Their hemolymph is more complex than water, and freezes at a lower temperature than 0°C/32°F, but its viscosity increases the colder it gets, and the more dense and less fluid it becomes, the harder it is for their vessel to function. Once their hemolymph solidifies, they cannot move their body or limbs, or swap forms, and cannot do much of anything besides use their eyes until they thaw.
Additionally Shadows or Specters, their now-extinct counterpart post-Fault, would be another weakness. Were they to exist in the physical realm, they could bypass a mime's vessel's shell and attack their lifesource (hemolymph) directly, eating away at it and eventually killing them.
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i feel like for the rest of my life i will be walking around totally normal and then periodically, i will be absolutely brained with a metaphorical anvil falling off the side of a building that represents the absolute bafflement i have towards modern adaptations of sherlock holmes and their treatment of irene adler. bbc's most recent adaptation in particular.
im so sorry. please repeat. she was stupid u say??? and i'm sorry, IN LOVE with him u say??????
i'm a feminist so i think women are capable of being in love and also of being stupid. they can do anything they put their minds to ofc ❤️. but this is too far even for me.
it's just that i can't understand why you would choose to write a narrative that is more mysoginistic than the source material when the source material was written in 1891.
was it intentional? did they somehow not pick up on the implications? was it random?
i can't fathom it. it keeps me awake.
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like its never happened to me before so i guess that adds to me being crazy irritated but it really is so horrid when a character you like has most of their content just be about a specific ship. especially in this case where its a fucking disgusting missread of a relationship at that. may you all explode
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