#he was willing to talk to her

[ficsinhistory]

Okay, I was thinking and... why the hell did Miguel not want Gwen in Spider Society?

You might say, "It's because she was involved in the collider crash, thus linked to Miles who he considers the original anomaly. Besides clearly having strong ties to him."

But you know who else was involved with Collider and has a significant connection to Miles?

Peter B. Parker! The man was Miles' mentor for God's sake!

And not only was he in the Society, he seemed to be a kind of close(?) of Miguel and be recruited at the beginning of the Society without any problems and was apparently after the events of ITSV.

And don't even say it's because Gwen is a minor because Margo appears in his elite team photo from the beginning along with Jess until. Doesn't seem like age is an issue for him.

So I ask again, what is it that Miguel has so much against Gwen that he had to see her father want to shoot her to accept her?

Why was he so angry and intransigent with her? Being so paranoid as to be watching her 24/7?

Does Miguel judge Gwen's connection to Miles stronger than Peter and Miles? If yes, why?

I think there's something else there.

[l1-b1]

This song and lloyd… ourgh my heart hurts

[chirpsythismorning]

Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!

[gay-jesus-probably]

Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.

First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.

And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.

And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.

Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.

Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.

TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.

...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.

There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.

[llamahearted]

just a conversation I think milly and wolfwood would have, had they been given the time or space for it

[crosshairslongasslegs]

“tantiss, isn’t a place i ever wanted to go back to”

the fact he will do anything to rescue his sister, even if that’s going back to the place that gave him his trauma

[fruitbythefoot7]

will loves mike the way mike wants to be loved 

[justafewsmallsteps]

Currently crying in a corner because I remembered that Inuyasha visited the well at least every three days.

And I don’t think he was waiting for Kagome to “come back”

As much as he was waiting/trying to see if the well would open for him

So he could go to her

Because he chose her. Because he thinks they were born for each other. Because since she has people who love her in her era, maybe that’s where she belongs

But he truly believes that he belongs with her, wherever and whenever.

[botanicallyinclinednerd]

Cool As I Think I Am Reprise kills me for a lot of reasons, but something that has been especially heart breaking for me is Pete's line of "One of us is in love, it doesn't take a detective." One of us is in love. It wouldn't have taken much for the line to be "The two of us are in love, it doesn't take a detective." It doesn't disrupt the flow of the lyrics. Which means that this is how Pete feels. He thinks only one of them is in love here, and considering his whole thing in this song is convincing Steph to kill him so she (and the rest of the world) will live, and those are not the actions of someone who isn't in love, he's talking about himself. Which makes me think that he doesn't think she loves him back. He thinks he's the only one in love here. Sure, he's what she wants the most, but that doesn't mean she loves him. He just knows that he loves her, and he's willing to die to save her, even if she doesn't love him back (which she does).

[wavesoutbeingtossed]

I know it’s been talked about ad nauseam, but I think one of the things that got lost in the discourse about TTPD and the muses and whatnot is how one of, if not the core trigger points of the album is the yearning for commitment and perhaps even more poignantly, motherhood.

The reason she was so susceptible to falling for the “conman’s get love quick schemes” is because she was grieving that imagined life with the person she had long assumed would be the one to give her that. What has been beyond clear in several albums, let alone interviews etc, is that those plans for building a family were very much real and top of mind for years, and she kept holding on and shifting her world in service of making that happen. And when whatever happened happened that pulled that rug out from under her, it left her bereft not just for the relationship that had once been her world but also the imagined family she had been hoping for and sticking out the hard times for.

And that’s likely why she was swayed by and trusting of the promises of someone who knew her history and knew how unmooring that loss was to her. It may have been partially about the person himself or lust or whatever, but the core issue was the pain of giving up the dream, and sublimating that dream into this new opportunity in front of her, because she was so desperate to hold onto the last scraps of that imagined life she wanted so badly. (And I don’t mean desperate as in pathetic or negative, I mean as in fighting within the last ounce of energy and hope she had.) It wasn’t rational and it wasn’t love, it was grief, not just for a relationship but even more so for the family it represented.

So to me the core issue of TTPD isn’t just the Joe vs. Matty or whoever of it all: it’s Taylor and her yearning. She wanted a family badly and a life that was theirs and was processing losing that in all kinds of ways. It’s all over the album in overt and subtle lyrics. It may not have been grieving a literal death but I’d bet it felt pretty darn close.

And I’d also bet that’s why we’re seeing… what we’re seeing now.

(I have so many more thoughts about womanhood and motherhood on TTPD but that is another post being worked on piecemeal in my drafts… this is just a little Saturday morning post-zoomies reflection)

[maskyartist]

more Crystal Clay AU (au by the fantastic @warning-heckmouth) thoughts once again cause my brainworms wont stop just listen hear me out-

Clay's smart as hell, he basically forced himself to be a nerd post-band breakup so like...picture with me,,,Clay pitting Velvet and Veneer against each other,,,straining their relationship by just sewing those liiiiil seeds of doubt anytime they're alone with him,,,,or just bringing up "totally real" things they said to make em look like liars

after all. hes the fun one. the dumb silly fun one! Who's gonna think he's got the capacity to lie?

im just sayin Clay's gotta have a mean streak somewhere in that heart of his that "Hm. John" that MEANT SOMETHING-

[emblazons]

WARNING: FFVII spoilers + ship talk—scroll if you want to skip, because I am simply commentating my own gaming experience & not trying to start a war in the comments

-

It’s the way I’m DESPERATELY trying to play FFVII with an openness to Cloud and Aerith because I know it means so much to so many people—and yet even when I go to YouTube and watch alt versions of mandatory scenes I cannot fathom how people are missing the subtext of “Aerith knows and acknowledges Tifa is so much more than Cloud’s friend even as she wants his attention because she doesn’t know if he’s really himself, has been extremely lonely since Zack left + knows somewhere she’s going to die for herself” ☠️

Like I am 3000% for FF ships that have a lot of groundwork but aren’t primary canon, because Square is notorious for building true chemistry between people who are not ever canonically romantic (hello Phoenixflare) but…it’s getting kind of absurd to see how many people are denying the subtext of Aerith as secondary to Tifa solely because they love their ship.

Perfect example: the scene where Aerith goes up on the Nebelheim water tower (a place wholly and entirely tied to Cloud and Tifa’s ongoing relatonship) and asks Cloud about his town…only for us to get this:

As someone who just consumes media generally…the whole subtext of the scene is clearly that Aerith trying to 1) pull Cloud’s actual memories up from the mind muck he’s going through (something she and Tifa both do repeatedly) and 2) remind Cloud of the side of him that inherently has always had a whole ass crush on his childhood best friend to help jog his memory.

Sure, it reads as a cute moment between them if you want that…but if you’re paying attention to the purpose of the scene itself and what’s being said (verbally and subtextually)…it’s astronomically clear this is a Cloud x Tifa recognition delivered to the audience through a Cloud/Aerith moment…and this happens repeatedly ☠️

And then…immediately after having her be upset that she doesn’t have someone the way Cloud has Tifa, and asking to be alone? I…I just. Like it’s so hard to be here in the middle of a war about “optional scenes” when shit that happens to everyone happens just like this 😭

[carnivalcarriondiscarded]

what was frank and wally's reaction to poppy waking up in the lights out au :3

i've been imagining that she wakes up While wally is bringing everyone back to the storeroom after a play. i bet there was a long moment of shocked staring before poppy started panicking...

[fellhellion]

so fucking mentally ill about the way miguel isn’t surprised by conchata striking him but doesn’t know how to react when she touches him gently….

[winepresswrath]

Armand's simpering little "and I never have" has taken on new dimensions for me. Technicality king and also I think very in keeping with his whole malign fairy creature deal. You can tell him not to hurt the bae, but you should really specify what "hurt" entails. Is chopping someone's hands off really hurting them? If they have annoyed you very much I mean.

-questions Armand might pose to Lestat that inspire him to leave the country

[the-judicial-assistants-notebook]

oh yeah i hate this btw. lmao: