#he's so irrelevant

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[cassandracain52]

And people say Jason doesn’t think of Tim as his brother smh

[kaiju-krew]

he didn't stand a chance <3

original/inspo!!

[legallybindinggecko]

Spock’s vague animosity towards chapel in tos is so much funnier now in the context of their snw relationship. Like he’s so real for that. If my girlfriend broke up with me in a very public musical number and got both my friend and my enemy to sing backup for her I’d be mad about it forever too. she’s like “I’m still in love with you” and he’s just. “hey remember that time ten years ago you did an elaborate dance in the ship’s bar to tell me that is was over between us. fuck you.”

[bakudekublogblog]

the way katsuki just IS izuku's first love drives me nutty. like he just had a big ole crush on him with his huge-ass heart eyes and he chased him around with maximum puppy-love smitten energy

[triona-tribblescore]

What can you say~ Hes got class >;)

[aalghul]

Thinking about Jason's outward expression of emotions. He tends to only get angry as a response to perceived injustice (the same way Bruce, Dick and most of the others do). But unlike some other characters, Jason rarely every gets wound up in it, nor does he get angry even when he sees injustice if the situation doesn't call for it. Some characters get angry first and then manage their response to whatever's more appropriate, but my interpretation has always been than Jason doesn't need to because he doesn't often begin with the rage. It's not a default, instinctual response for him in most situations. It seems to be that he becomes angry when there is a perpetrator (and specifically, of a crime that hurt people with less power than the perpetrator has, in some way) towards whom he can direct that righteous anger (righteous as in the cause is his drive for justice. I'm not discussing the rightfulness right now). Can he hurt the man who was about to hurt a woman enough that he doesn't dare to try imposing his power over another woman again? Can he do something, anything to stop a serial rapist who has already caused the suicide of at least one woman? But he doesn't possess the sort of blinding anger that could become a driving motivator for his actions outside of someone in front of him to punish. He doesn't need the anger (mostly because he will instead fixate on the crime without rage to fuel him).

The notable exception to this being his behaviour preceding his death (which is explicitly referred to as atypical for Jason by both Bruce and Alfred. The whole reason he's forced to take a break from Robin is because that anger is so unusual for Jason that Bruce and Alfred are worried about Jason's mental wellbeing).

We see in Lost Days that Jason’s default state has become (to the concern of Talia and Ra’s) seemingly unfeeling, and he shows signs of a persistent flat affect throughout Lost Days, with exceptions for when he sees injustice (which is responsive, as compared to the aloofness he uses as a constant state of defence -> see: his and Talia’s conversation after he killed for the first time, Talia being glad that his sense of empathy and justice were able to overcome his general coldness). Jason's aloofness was entirely a conscious defence, but at times he was consciously exercising it (his reaction to Tim in front of Talia vs alone).

We see him cry for himself a few times, which tends to be how Jason first reacts to what hurts him deeply. Then there's his cold hatred for Bruce, which can be taken as anger in the face of heartbreak and perceived betrayal. But that anger never goes very far: Jason couldn't even make himself blow up the batmobile. In the end, it's Jason's belief that he hates Bruce and must make demands of Bruce to force him to redeem himself in Jason's esteem that fuels him. Because Jason wants Bruce to redeem himself, even if it's unlikely that he will.

All throughout Lost Days and UTRH, Jason uses teasing/biting humour in a very Robin manner to direct attention to whatever he pleases, whether that be pulling attention away from vulnerabilities or drawing attention to distortions of the truth. This habit returns to Jason strongly around times when he breaks out of his apathetic state (when he’s killing people who hurt others, pretty much), but the undertones of coldness and derision even with that humour don’t leave. We can see in this habit especially how Jason's become a distortion of who he was as Robin. He's still witty and he still teases people and you can hear the humour in his voice. But now he's using that wit to say cruel things to Batman, deceiving him constantly, and his voice no longer has a youthful kindness to it.

One of the most Helena-esque character traits that Jason’s picked up (in fanon and reboot canon) is anger as an initial defence and reaction, actually. It’s nearly the opposite of Jason’s pre-flashpoint defensive state but is essential to Helena’s. It’s actually not surprising that this happened (even ignoring reboot kicking Jason’s character into a closet and superimposing much of Helena onto him) because of how DC pushed “angry” as Jason’s defining trait, and how fans have believed it for so long. It seems almost natural for a misconception this severe to happen, even in the face of evidence to the contrary, because every action of Jason’s is misconstrued as proof for an angry temperament.

[swedenis-h]

Phoenix Tatooine day trip Goes Wrong™️ (X)

This is a little idea where Luke needs something (don’t ask me what) that he can only get on tatooine, so dinluke adventure ensues. The plan is to get there and leave ASAP, but then nostalgia hits and he needs to hit every shop and place he used to as a kid. But you know, “college kids comes back to hometown” syndrome hits and he realizes he’s changed too much. Think of how the holiday season doesn’t feel the same anymore now that you’re an adult, same feeling. AND YES ITS ALSO DUNLUKE BECAUSE I WANT THEM TO KISS AND TALK ABOUT THEIR FEELINGS AND ALSO KISS.

Heres some extras 🫡

[sillyguy-supreme]

what i'm getting from the reactions to book 9.5 is that this is all of us right now

[aardvaark]

i was thinking about how i wished leverage had a birthday episode for some of the characters cause that would be sweet, but then i realised something and basically…. okay here’s my thoughts in quotes form, just for fun

hardison: so when’s your birthday? i could plan something for us and the team to do and-

parker: i dont know

hardison: you don’t know… your own birthday?

parker: no, how would i know? pshh, cmon, you’re telling me you remember EXACTLY when you were born? watch this - hey, eliot, do you know your exact birth date?

eliot, innocently passing by, who was canonically anonymously dropped off at a hospital as an infant: no, how would i know?

parker: that’s what i said!

hardison: excuse me?? what is going on right now

sophie, walking into the apartment: whats wrong?

hardison: parker and eliot- well, okay, when’s your birthday? i just have to prove something.

sophie: …….july 12th

hardison: why did you pause? wait, is that your birthday or sophie devereaux’s birthday?

sophie: ………… (guilty silence)

parker: see, no one knows their real birthday! haha you’re so weird sometimes, hardison

hardison:

hardison: what the fuck guys

[aroaceleovaldez]

Something something Jason feeling like he doesn't quite fit as "Greek" or "Roman" as a metaphor for bisexuality, particularly the semi-canonical bi-coding in his half of experiences during the Cupid scene and how Favonius and Cupid speak to him in parallel to the scenes confirming Nico is gay.

Something something the camps as metaphors for traditionally acceptable forms of relationships and Nico living as a rogue outside of them, rejecting expectation (ergo in himself representing a metaphor of queer identity and living outside of boxes and defined/usually hetero-allonormative/binary ideas of what love/relationships should look like) versus Jason struggling with the expectation to conform to a label and even discussing with Nico both of them remaining at CHB together.

Something something the inverse of Jason shifting away from the camps after he breaks up with Piper, feeling lost and unable to find a place between the camps as he begins to explore his queer identity properly for the first time versus Nico only remaining at CHB because he has entered a relationship. In this essay I will-

[thatscarletflycatcher]

It has probably been said before, but in It's a Wonderful Life, part of George's regret is a sense of guilt about what Mary could have had had she not married him; that she is in it because she loves him so much, and so she endures the life they have. And yet when we get to the reality where George never existed, Mary is a librarian. There's this contrast between the casinos and the cabarets and such (all exploitative and fraudulent ways of preying on desperate poor people) that populate Pottersville, and Mary, in this timeline, choosing the one job that remains a community oriented, free, helpful service. She married George because she loved him, yes, but also because his convictions about doing good for his community were also hers all along, and would have been even if he had not existed. She doesn't endure the life they have out of sheer abnegation, but embraces it out of conviction.

[ladyluscinia]

Art Donaldson competition-brained inferiority complex so fascinating. It is not enough to become the ultimate malewife to a beautiful woman that will direct his career, pet him like a dog, give him orders, and presumably call him a good boy during sex. No. He needs to bring another guy into their bedroom on a permanent basis so that he can have reoccurring confirmation that his wife thinks he gives better head 🤣

[sammygender]

wrt prev post and sam’s original ‘fed demon blood by azazel as a baby’ arc like. actually that was the most insane thing to see depicted on my television especially when it seemed like no one else i knew or followed was talking about it. it felt so explicit and yet it was sooo deep in metaphor. she walked in on us. sammy, you’re my favourite. god it must be terrible to know something happened but that you’ll never be able to remember it or tell anyone about it. never be able to rip it out or scrub it clean. so azazel could get into my nursery and- bleed in my mouth? because i wasn’t clean. these trials - they’re purifying me. anyway. augh

[iwritenarrativesandstuff]

When discussing or analyzing Dazai, one thing I hope you will keep in mind when reading anything I write about him is that from my perspective, he is always, always both.

What do I mean by this? Well, I find there tends to be a general split among people who hold the opinion that "he's a manipulator and will always be manipulative" and "he's doing his best to be good and helpful and live up to Oda's last wishes for him", of which, neither is completely right - because he is both. But even among the people who hold to this dual-nature interpretation, I find that his individual actions and motivations still tend to be thought of in a dichotomous manner - is it manipulative, or genuine?

Again, I think it's always both.

Dazai has a very pragmatic view on a lot of things - he is always looking for the usefulness of things and people so that the situation turns out in his favour. He's incredibly adept at this, and his prediction and placement and careful reveals are all manipulation tactics to get his allies and enemies doing exactly what he needs them to. I don't think anyone can contest this since we see it over and over in the series.

But that's not all there is to it. He's not solely manipulative and he does, to some extent, sympathize with others - I think there are several instances of this in the series, but I want to stress that this has been apparent since Chapter 1!

For context, Dazai is recalling what Atsushi said to him a few minutes earlier, but it's very interesting that it should be this specific part of the conversation. He could've flashed back to the part where Atsushi said he had nowhere to go; no money, no food - he is about to trick him into joining, after all, and this is the key piece he uses to basically force Atsushi into the Agency. But instead it's Atsushi's self-deprecation that catches his attention, and it really does, because even during the conversation, he turns to look at him after he says this with an odd expression.

You could say that this makes Atsushi easier to manipulate, if that's your angle, but that can't be solely it, because in the later conversation with Hirotsu, we know Dazai was planning to bring Atsushi into the Agency and set him up as one half of the new Double Black the moment he met him. The panel shown there is the riverbank, set much earlier in the day than this scene. He was already planning to pair him with Akutagawa since he figured out he was the tiger, so what's with this reaction?

Well. Sometimes the simplest explanation is the best.

He manipulated Atsushi into joining with the intention of utilizing him in his future plans. He also helped him and gave him a place to belong, and importantly, he likes this kid! It's both.

I think much of it might be that his brain just kinda works way too fast - he's such a natural at crafting these elaborate plots and seeing how things connect and gathering useful people like resources that it's practically automatic - though this is not a great means when you're trying to be a kinder person. There's an omake, I believe, that has him saying "I like using my head for justice", i.e. using these underhanded means to act for the better. Not great, but those are the kind of gifts he has. He's way more suited to exploitation, but is choosing to use these tactics to save people now, which is quite reminiscent of what he tells Kyouka. Kyouka's talents lie in killing people - when what you're good at isn't who you want to be, what do you do? Well, I expect you use what you have, even if it's not ideal.

Now, about the current situation with Sigma - I think he definitely likes him, and is intrigued by him and his situation. We did get a little thought bubble where the guy amusedly compares him to Atsushi, and you can't tell me he doesn't care about Atsushi (listen to the onsen drama cd, or read 55 Minutes if you somehow don't believe me). But also, it's undeniable that Sigma is in a very vulnerable position of being homeless and having had no one be genuinely kind to him before. His trust is very easy to earn, and with the latest chapter, Dazai has now saved his life multiple times. There is, as always, a practical purpose he needs him for. And I have to be somewhat amused because Dazai is quite literally telling Sigma everything he ever wanted and needed to hear. It's a brilliant means of quickly endearing himself to Sigma - but I don't think that's all it is.

Look. The most honest moments we get in this series from Dazai are, interestingly for an expert manipulator, when people are at their most vulnerable. In spite of every pointlessly cruel act he inflicted on Akutagawa, his first meeting with him was open and transparent; much like the orphanage director, it seems he thought this treatment would make him strong and adaptable (he's wrong but that's not the point of this). He cuts Kyouka off in irritation and says "don't give me that" when she implies that she would fail the entrance exam. He tells Atsushi it's normal to cry after losing a father figure and to feel however you feel, even if that person caused you nothing but incredible pain and cannot be forgiven. He refuses to entertain Sigma's assumptions that Dazai sees himself as a superior being to him.

Selective honesty can also be utilized to great effect; Mori does this, and undoubtedly it serves this purpose for Dazai too. But I want to stress that I do sincerely believe this is all still honesty from him. Manipulation, or genuine?

Both. It's both.

[emdotcom]

The Mario movie thing is so funny to me. Here, look at this:

Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold

Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.

(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films

Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk

They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.

Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll

There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy

Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house

Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies

Trailer comes out.

People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%

Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.

But with your help, we can make him being depressed after media backlash reality!

Lol, &, may I say, lmao.