#heavy is bear. Obviously.

[ruthytwoshakes]

holy freakshow I tototally forgot to show off my new epic fursona deisgng

bask in her glory whyis this image so large

her name is Ruth becuausde my name is awesome and it stands for ruthless unstoppable terrorizing hellspawn . She’s 16 and wants to kill you but she can’t because she has braces and it hurts to bite. She glows in da dark because she’s really cool and her favorite food is caramel apple lollipops.

[maxsix]

Ad Astra: The Theory Of Relativity| An Interstellar Ateez story Part I | Part II | Part III (Words 4727, Warnings: none)

"HONGJOONG!"

Wooyoung's full weight comes crashing into him and Hongjoong catches it tightly in relief. He sees a wall clock out of the corner of his eye and is surprised to learn that they've only been here for a hour. He didn't even realise he could miss his brother this fiercely in such a short amount of time.

"Are you okay-"

"THERE'S A ROBOT HERE." Wooyoung hisses loudly, hands flapping with wild energy he couldn't contain.

CAASI blinks his red light at the mention and stands taller in attention.

"Yes, I know that but did-"

"He built him here! And did you know that this is a whole underground building?! They have tons of computers and I swear there's another drone back there but they totally denied it and didn't let me look but I know what I saw-"

Doctor Park is walking quietly next to them, hands in his pockets, icy demeanour intact but even he cracks a small smile at the ramblings.

Hongjoong catches it curiously, filing it away to process later, before going back to check his brother for any signs of injuries, but apart from a head of messy hair (self inflicted) and clothes in disarray (also self inflicted), he's grateful that Wooyoung seems perfectly fine.

Better than fine actually; buzzing with excitement and seemingly lacking any concern that he's in an underground facility surrounded by military technology and strangers whose intentions were still not clear, though not entirely unkind. It's the type of foolishness that is genetically inherited then nurtured for years by a like-minded older brother.

And it's then that Hongjoong suddenly has an awareness of the Swiss army knife in his pocket. It's still there. They took the map, notebook, his wallet and his own brother but left the knife.

It's another thought to file away for later processing.

Wooyoung continues to list off everything he's seen so far: tunnels, robots, computers, drones and electronics that were far more advanced than the farming tech they were used to. The excitement in his voice gradually crescendoes into shrillness and, as always, had a tendency to carry into every corner of a room, or in this case, a corridor leading to a boardroom.

Through the glass doors there's a large wooden table, around which several people in suits were already sitting and seemingly waiting for their arrival.

Hongjoong pulls his brother closer to his side as they make their approach and Wooyoung moves easily with him. Doctor Park walks half a step ahead, keeping polite distance as he moves comfortably, even in the dark parts of the long corridor. He never once takes his eyes off them and Hongjoong can feel it like a prickly heat on his skin that he wants to scratch off.

The boardroom is familiar, Hongjoong has seen variations of it before: government grey carpet on the floor, dark wood with soundproofing pyramids on the walls, no windows but plenty of harsh overhead lighting designed to prevent laziness, encourage innovative thought and sometimes, to provoke discomfort.

A military grade room.

Wooyoung abruptly ends his ramblings as they enter, instinctively grabbing the back of Hongjoong's jacket when he sees the table of suits; it's a nervous habit he's had since he was a kid and one that only seems to resurface when he can't process a sudden unexpected wave of anxiety.

"Hello Hongjoong."

A familiar voice calls out from behind them and when Hongjoong whips his head around, he's met by an older man leaning heavily on a cane.

"Professor Park?!" Hongjoong stumbles back in shock, seeing but not quite believing what was in front of him.

"Well, you look like you've seen a ghost." The old man chuckles.

"You're......alive?" Hongjoong stutters. "But the court hearing and the trial-"

"-a formality that was eventually overturned." The Professor replies with a mischievous grin. "I was the first astrophysicist with a criminal record but only the second to be threatened with one."

Before Hongjoong could ask any more questions, they're ushered into two empty chairs near the middle while the old professor takes his seat at the head of the table. Doctor Park makes his way towards the other end.

A young man with ashy blond hair clears his throat and leans forward. "Could you please explain how you found this facility."

Hongjoong doesn't know who he is but judging by his young age, being the first to lead the questions and the copious notebooks and folders in front of him, Hongjoong guesses he's the face of public relations and the most level headed one in the room.

"It was by accident. We stumbled on it when-"

An older man with grey hair and a sharp navy blue suit leans forward impatiently. "This is an undisclosed government facility. Nobody stumbles in and nobody stumbles out. So we would appreciate a little more specificity."

Hongjoong shifts in his chair with irritation. He's been interrogated before, he been trained how to handle it, but his nerves and patience are wearing dangerously thin.

"Hongjoong," Professor Park says gently, "Please co-operate with these people."

"I was being specific: it was accidental. We didn't go looking for it." Hongjoong starts begrudgingly, "Look, it's kind of hard to explain. I suspect it might have been an anomaly because it sure as hell didn't feel scientific."

The young blond man nods unfazed and has his pen poised, ready to make notes. "What kind of anomaly?"

"I'm not telling you anything else until we get some guarantees."

The blond looks at him in confusion. "Guarantees?"

Hongjoong moves across to block Wooyoung's ears before whispering, "That we're going to be able to leave here tonight and I don't mean with some fine we can't pay or another criminal record we can't fight."

Wooyoung struggles against his hands like the little shit he is and Hongjoong gives up trying to protect his brother from what he knows is going to be highly classified information.

The blond man looks stumped for a split second, clearly unaccustomed with managing security breaches this egregious, but recovers swiftly.

"Our organisation does not have those kinds of powers or any intention to cause harm."

“So why is your organisation hiding underground in a secret location?”

“We are not hiding Hongjoong,” Professor Park says in bemusement. “You know what this is: this is NASA.”

“NASA?!” Wooyoung squeaks. “You exist?!”

“Yes.” Professor Park nods and smiles at the teenager. “We are what’s left of the theoretical astrophysics division."

"We’re underground for your safety, not ours.” Doctor Park adds helpfully, if not ominously.

With the confirmation verbalised so plainly, Hongjoong feels like he's been punched in the chest. He didn’t want it to be true even if he had suspected it all along: from the sight of the drone, to the coordinates on the floor and CAASI's first appearance, of course everything had pointed towards NASA. Still, Hongjoong didn't want to believe it. The denial had kept him hopeful that his life, and his brother's lives, didn't need to change.

If NASA was dead, then his old dreams and his old life could stay buried too.

But now, with a sinking feeling in his gut, Hongjoong knows they've passed the point of no return.

Across the room Doctor Park is watching him; every twitch, every scowl, every reaction. Hongjoong doesn't know what to make of it.

The impatient navy blue suit speaks again. "Now that you know who we are, you need to explain why you have the co-ordinates to a highly secure and undisclosed government facility circled on your map."

Hongjoong's mind is still swirling with the day's revelations and he pauses to think of an explanation that won't send him on a one way trip to the mental hospital.

"It was gravity." Wooyoung pipes up, causing all the adult to turn towards him. "And a magnetic field ghost who writes in binary codes."

The boardroom appears taken aback, seemingly disbelieving that they were having a serious conversation about national security with a fourteen year old boy.

"A gravitational anomaly?" Professor Park murmurs, sitting back as if recalling something else. "Please elaborate Hongjoong."

“There was an un-piloted Indian fighter drone circling around our crop fields. I should’ve known then that it was drawn to the magnetic field that our home must be built on."

Wooyoung gasps quietly next to him, putting it together for the first time.

“I’m not saying it’s something supernatural but there were binary codes written in dust on the floor of our home. I had to decode it in reverse but that’s where the coordinates came from.”

The navy suit is grinning ear to ear now. “Let me get this straight; the magnetic force in your home led to a dusty binary code on your floor? Which you somehow deciphered into coordinates that you mysteriously had the knowledge to reverse and piece together?”

It sounds even more unbelievable out loud. Hongjoong can’t even blame them for thinking he’s crazy.

Another person speaks from down the table. “The chances of that are-“

“About one in a trillion.” Professor Park replies. “And yet. Here he is.”

“Why didn’t the previous home owner decipher the code then? Or a neighbour? Assuming the magnetic field has been around their location this whole time.”

“A coincidence?”

"Just another unexplained anomaly."

“An accident.”

“Pure random luck.”

The debate is silenced by Professor Park again.

“No. This is Murphy’s Law. Only a person with binary knowledge, half a physics degree, aerospace training and the complete disregard for proprietary law and personal safety could’ve found us the way he did.”

“Aerospace training?" Wooyoung murmurs to himself. "Why does he know that Hongjoong? What does that mean?”

Before he can reassure his brother, Hongjoong is interrupted by the Professor addressing the room again.

“The real question we should ask is if They wanted him to find us.”

“Who are They?”

There are uncomfortable looks exchanged between the other members of the boardroom but Doctor Park doesn’t look at anyone but Hongjoong. It was beginning to get unnerving.

“Professor, with all due respect, this is now classified information.” The blond man says. “In the wrong hands, this could be dangerous.”

“Those aren’t the wrong hands.” The Professor states, pointing at Hongjoong. “Did you not conduct the background security check on him yourself, Yeosang?”

“Yes, I did but it’s my job to remind you that he is not on active duty and might not be aware of the new protocols we now operate under.”

“Oh he is aware of more than he realises.” Professor Park says, getting up now to walk towards the exit. “He knows all about NASA's protocols, don't you Hongjoong?”

“Yes.”

Wooyoung gapes at him as the rest of the room falls silent. Nobody offers any further protest.

“Excellent!" Professor Park exclaims, "Then perhaps we might make use of his lucky accidental knowledge to solve our little problem? Come walk with me Hongjoong."

And with that, the main meeting seems to be done. Several board members exit without much protest, even if there were skeptical looks on their faces.

Wooyoung stays seated at the table, staring at the wood grain patterns.

"My brother-"

Professor Park nods to Yeosang and Doctor Park. "Perhaps Wooyoung would like to meet our other robots? He seems to like old CAASI here."

The fourteen year old lifts his head up then, interest piqued at the promise of more robots. He pauses to look at Hongjoong for permission.

"What kind of robots? Will he be safe there?"

The blond man, Yeosang, nods firmly. "Yes you have my word. They will be service robots."

He doesn't know what makes him do it but Hongjoong looks over to Doctor Park with a clear question in his eyes and is surprised when he gets a nod back in response.

"He will be safe. CAASI will stay with him."

Doctor Park walks over to the robot and whispers some inaudible instructions that causes CAASI to blink his red light in acknowledgement.

"Affirmative."

“Nothing will happen to him here, Hongjoong. We’re scientists, not criminals.” Professor Park reassures, “Besides, CAASI’s protection settings cannot be adjusted by anyone else."

“What does that mean?”

“It means he follows my programming." Doctor Park replies, "He will keep your brother safe.”

“Is he autonomous?”

“Only within the confines of my programming.”

“He's got ex Marine programming too." Hongjoong points out, "Aren't you worried he’ll go rogue?”

“No.”

"Isn't that kind of naïve? I've seen plenty of ex-Military programs malfunction after years of service.”

Doctor Park leads CAASI over to Wooyoung, smiling as the teenager tries to shake hands with the robot, only to realise that the robot doesn't actually have hands.

But the smile slides off the young Doctor's face as he regards Hongjoong again, "CAASI won't malfunction."

"How are you so sure of that?"

“Because I built him.” Comes the cool reply.

Wooyoung looks between the two bickering adults, unsure what to make of it. The tension in the room is only broken when Yeosang clears his throat again and motions for them all to move out of the boardroom.

Just before they temporarily part ways, Hongjoong pulls Wooyoung aside and hugs him tightly. "Do not let them do anything weird to you. Do not agree to anything. Don't tell them anything about us. I mean it! You scream for me if something happens okay? Don't trust anyone here. Got it?"

"Got it!" Wooyoung is nodding as he hugs his brother back before following CAASI and Yeosang into another atrium, presumably where the other robots lived.

"Do not worry about him Hongjoong," Professor Park says with a reassuring pat on the shoulder. "Both CAASI and Yeosang are one and the same; both programmed to follow the rules."

They are walking down another corridor now, one with two very large steel doors at the end.

“Our planet is suffocating Hongjoong. You know this. The air quality has been steadily deteriorating since 2025. The reduction of nitrogen in our soil is killing off the majority of mass produced food crops. Our agriculture colleagues are doing an outstanding job keeping up with the Earth's changes but they can’t do it forever. Eventually there will be an inevitable end point where it will be impossible to modify the chemicals in the soil or adequately filter the air. We need a radical solution.”

“It’s called the Lazarus Mission. Six of our bravest astronauts sent off world to discover a new planet capable of sustaining life.”

“They have enough supplies to make it stretch a decade if they go into hibernation mode. Their on-board computers have been programmed to send regular binary signals back to Earth regarding the viability of their planet. We plan the rescue missions based on the ongoing signs of life.”

Hongjoong shakes his head at the incredible stakes involved. “What if the planets aren’t viable? They just die there?”

“That’s unfortunately where the bravery comes in.” The older man says solenmly. “Tell me Hongjoong, what do you really think of the mission?”

“The Lazarus Mission? With all due respect Professor, it sounds crazy.” Hongjoong says, “I can’t believe you got the funding for it.”

“We were fortunate to secure some private investors before they died of dust-lung, benefactors who believed that the answer to humanity's survival lay amongst the stars. The government ran out of money for this years ago. We haven't been able to recruit enough new blood into the program. This is our last hope.”

“Why did you call it Lazarus then? It’s a bit depressing isn’t it?”

"I named it." Doctor Park replies coldly. “Lazarus came back from the dead.”

“Yeah but he had to die first.” Hongjoong reminds him. "And wait for some miracle to happen."

“It worked didn't it?" The young Doctor counters. "He then went on to live and prosper, free from his sickness. He spawned generations. Or is that all too depressing for you?”

The old Professor sighs and shakes his head. "Seonghwa, please be civil to our guest."

Turning to Hongjoong, he smiles apologetically. "My son isn't used to being challenged like this. You'll have to forgive his enthusiasm on the matter."

Son?

What.

Seeing the shock in Hongjoong’s face, the Professor laughs. “I am sorry I did not have time to introduce you earlier. Seonghwa here only takes after me in the science department. Fortunately for him he takes after his lovely late mother in all other aspects.”

“Father, I don’t think he needs to know this.”

“Of course he does, Seonghwa! How will you be friends if he knows nothing about you?”

Doctor Park, Seonghwa, lets out a small, barely visible, huff. “My autobiography is earned, not given.”

Hongjoong desperately wants to eye roll back and tell the other man that maybe he has no interest in being friends either. That his own trust is also earned, not given.

They stop as they reach the steel doors at the end of the corridor.

"Hongjoong, we cannot proceed further unless you agree to be involved in the mission. NASA protocols, as you know."

Hongjoong thinks of Yunho then, waiting at home and worried about being the last remaining member of their family. He thinks about his brother's graduation in a few months. His eighteenth birthday. Whether or not he'll ever meet the boy on the motorbike. He thinks about Uncle Kyungmoon and Jonghoon and their small community of farming families.

He thinks about Wooyoung losing another father figure.

Maybe this is too much adventure.

“I understand. This all sounds like a very ambitious mission Professor and I wish you all the luck with it but there's nothing I know that could help you.”

Professor Park laughs heartily, the sound echoing loudly off the walls.

“My boy, I think we both know that’s not true hm?”

Hongjoong shakes his head. "That was a long time ago-"

"Perhaps this may change your mind then."

Hongjoong watches, heart thumping in his chest, as the steel doors slowly buzz open, revealing a vast cavernous hangar and what is unmistakably, irrevocably, undeniably, an unfinished space shuttle with its accompanying solid rocket boosters and twin engines.

The wind is knocked out of him and Hongjoong stumbles back speechless.

The shuttle stood nearly sixty meters tall and each single engine spanned five meters in diameter and eight meters in height; the biggest that anyone has ever been ambitious enough to build.

Hongjoong has so many questions he wants to ask but only one that his brain will allow.

“Who’s going to fly that thing?”

The Professor leads them onto a bridge overlooking the shuttle build and Hongjoong can't stop staring at it with a mixture of both fear and awe.

“We’ve been training a team for it in the simulators but we could always use a good instructor with real world experience. We’ve lost so many of our old space program crew in recent years. It’s fortuitous you found us when you did.”

"You didn't even know I still existed an hour ago." Hongjoong points out. "You were always going to go ahead with this mission anyway, what do you really need me for? I barely did an orbit."

"These astronauts have never even left the simulator." The Professor tells him. "There is not enough money or resources for us to do training missions in orbit. We simply cannot waste fuel for training purposes. This is the only chance we have and we have to get it right the first time."

"No pressure then." Hongjoong laughs at the ridiculous scenario. “So you want me to train your new pilots?”

“So to speak, yes.”

“NASA kicked me out of the program before I finished, remember?”

“I do."

"For being a liability with a death wish."

Doctor Park looks over, his graceful eyebrows raised in surprise.

"Yes, I remember." The old Professor sighs, "I was there. It was for your own good. You know that.”

Hongjoong tries not to dwell on the past and chooses to ignore the remark. "How good are your simulators? You're putting a lot of faith into those thing aren't you?"

“When you don't have the luxury of experience, all that's left is faith and training. We simply have no other choice. The past generation of NASA is dying. What's left of the old aerospace crew are either on the Lazarus mission, on their death beds or in their graves. You survived precisely because you were kicked out of training before graduation. I like to think it is fate that brought you here today."

Hongjoong listens, though begins to wonder if the Professor's brilliance is merging with insanity.

"We need a new generation of pilots for the rescue missions Hongjoong, and what good is it to discover new worlds if we have no pilots to take us there?"

“That's another thing you haven’t answered Professor: how did you discover these new worlds? The nearest galaxy is light years away, without solving relativity and time dilation, it would take a lifetime to reach."

The old man turns to his son with a cheeky grin. “Didn’t I tell you he’s the right one?”

“Hm.” The younger Park replies non-commitally.

“We received signals from Saturn's location that indicates the presence of three new potential worlds and several more exo planets that may be be orbiting a new black hole. We believe They sent the signals to Earth."

Hongjoong laughs. “They? What? You have ghosts too? Giving you secret binary messages?”

“What if it came from the same beings that sent you here?”

“A bit of a crazy coincidence isn't it?”

“There are no coincidences in science.” The Professor replies with a smile. "And yet, here you are."

Hongjoong shakes his head at the impossible scenarios presented to him. “The nearest star system is too far. Everyone would be dead by the time they arrived. You need a space elevator going at the speed of light.”

"That's cute." Doctor Park scoffs. “We prefer the scientific term for that: worm hole. And to answer your question, yes we found one near Saturn.”

“Worm holes aren’t a naturally occurring anomaly, they have to be created.”

“Thank you, I am aware of that.”The Doctor smiles smugly. “We think They must have formed it and provided us with the location of its existence. We have sent probes into it, followed by our Lazarus mission astronauts and received at least 3 binary pings back.”

“What is this They you keep referring to? You think some alien Godlike beings are out there helping us save our race?” Hongjoong asks incredulously. “That sounds insane.”

“Well it worked for Lazarus didn’t it?”

“That’s a just story!” Hongjoong says in exasperation, turning towards the Doctor. “Are you seriously suggesting we base a billion dollar once-in-a -lifetime-mission on a story and a few binary pings?”

“Of course not." Doctor Park replies snarkily. "We also jotted an equation down in chalk and pressed a few buttons on a calculator. But as I recall, out of the three of us, only two are astrophysicists. One did not actually finish the training.”

“Seonghwa…”

“No, your son is right Professor." Hongjoong says with a clenched jaw. “I didn’t finish. I am the least qualified here. But you have to admit this sounds crazy to an outsider. Let’s say your shuttle makes it, let’s say your new pilots survive, let’s say your worm hole works, let’s say you discover new worlds, let's say your Lazarus astronauts are alive, how can you transport 7 billion people across space?"

Hongjoong takes the time to look at his old Professor now. They first met when Hongjoong was still a teenager bursting with arrogance and over confidence but lacking any real discipline. He was wild and uncontrollable but always capable. Many hard years have passed them both now, and the once spritely Professor was harshly weathered by time, over burdened with intelligence and weighed down by responsibility.

"You’ve been trying to solve the mass exodus equation for years now Professor. So unless you’ve solved it already, this whole thing is futile isn't it?"

Doctor Park opens his mouth to offer more evidence and data to the contrary but his father silences him with a gentle hand on his arm.

"Your brother's generation will be the first to starve or last to suffocate. The End is inevitable Hongjoong. Whether you believe in our mission or not, no matter how preposterous it sounds to you, don't they deserve our best efforts to save them? We could spend those billions on Earth of course but it would only delay a certain death. Humans were born here but we don’t all have to die here.”

Hongjoong lets out a defeated sigh.

“All we are asking for is some of your flight training skills from the old program." The old man says, motioning to the shuttle in front of them. "We need the knowledge yes, but more than that, we need the bravery and problem solving skills that you were so good at."

"Thought you all said I was a liability?"

"I'll take a liability over the extinction of humankind." The Professor shrugs.

“I’ll have to think about it." Hongjoong shakes his head. "I still have a family.”

“I know. So help save them.”

*

The drive home is filled with Wooyoung's mile-a-minute-situation report (he had the time of his life it seems) but it’s the Professor's words that keep echoing in Hongjoong’s mind:

Your brother's generation will be the first to starve or last to suffocate.

“Hongjoong?”

“Yeah?”

“How come they knew all those things about you?”

Hongjoong shifts uncomfortably in his seat. It's the question he's been waiting for. He knows his brothers were never really told about his past, they were much too young then and he had lived away from home for most of those years.

“I used to be in the military aerospace program for NASA.”

"Oh my god, so it's true?!" Wooyoung stares at him with big round eyes and if he weren't such a little shit, Hongjoong might have called it cute. “So can you fly rocket ships?”

“Yes.”

“Well how come you never told us that?! Was it when you were away?”

“Yeah, you were just a little kid then. Mum and dad were going to tell you when you were older.”

“Have you been into space?”

“Yes.”

“Oh my god!” Wooyoung screeches again. “Why aren’t you doing that now then?"

“It’s complicated. You know that." Hongjoong sighs. "Things don't always go to plan."

The mood suddenly drops in the truck and Hongjoong had been expecting that too.

"I needed to come home and take care of the farm and everything.”

“And us.” Wooyoung adds quietly, deflating in his seat in his seat as the realisation of his brother's history hits him all at once. “Did you have to give it up because of me and Yunho?”

Hongjoong takes in his brother's dejected face and slows the truck to a stop on the side of the road.

“Hey listen, I left the program for a lot of reasons. I don’t regret having you and Yunho. I've never regretted it. None of this is your fault or his. Don’t ever let someone tell you otherwise okay?”

Wooyoung nods but doesn’t make eye contact. “But you could’ve been an astronaut?”

“I could’ve been a lot of things but my job now is important too, it's the most important. I don’t hate my life Wooyoung, I promise."

Wooyoung just shrugs in response and Hongjoong knows that despite what he just said, his brother is letting the guilt take over.

"Things don't always go to plan, I know you know that. Sometimes something worse happens but sometimes something better comes along. I mean, it's because of you that we found those scientists today and they offered me a job training the new pilots in their program. They might even let you could come visit and see the robots again.”

Wooyoung lifts his head in interest.

“Really?”

“Sure.”

That was a minor lie. He hadn’t committed to anything yet and he definitely wasn’t in any position to be making requests to NASA.

“Can I train too?”

Hongjoong laughs as he turns the engine on and manoeuvres the truck back onto the road.

“Sorry kiddo, you're still too young. NASA don’t except fourteen year old gremlins.”

[rocicrew]

THE EXPANSE 6.04 REDOUBT

[thedreadvampy]

The thing is I am definitely not happy or chill in the Immediate Sense lately but I am, big picture, so fucking happy with the person I am.

It's like. My brain was made by and for consistent trauma and since that trauma stopped about 5-7 years ago, it is incredible what the amount of resilience and cleverness and flexibility and thoughtfulness I developed to survive can do when it's not being all spent on surviving. like I had a hundred ton weight on me so I had to get REALLY STRONG to stay in the same place and not get 100% crushed, and when that weight came off I found I can use the strength it used to take to stand up and I can leap tall buildings in a single bound.

I was talking to my mum the other day and she said, "you've got the 'fuck it' energy at 30 that most women don't find until their fifties at least" and I'm like yeah man. Imagine how unstoppable I'll be in 20 years.

[phantomoftheorpheum]

I can't even begin to count how many complaints I've seen online and from people I personally know about The Bear being categorized as a comedy during awards season, literally hundreds of comments being like, "When did anyone ever laugh during The Bear?" and I'm just over here like... Are we not supposed to be laughing during The Bear?

[wife-of-all-dilfs]

beautiful mess | f. odair

masterlist

summary: finnick knows exactly how to comfort you in a moment of insecurity.

pairing: finnick odair x fem!reader

warnings: established relationship, menstruation, fluff, boyfriend!finnick being a cutie patootie, angst, mild hurt/comfort, insecurity, a little overdramatic but it’s cute idc

notes: about to get my period so this is kind of self-indulgent lmao. the number of times I rewrote this is insane. i hope i didn’t disappoint <3

“You know, I think I could pull off one of those long wizard beards,” Finnick said, admiring himself in the bathroom mirror as he shaved down the slight stubble on his jaw. “Those ones that go down to your chest? I could decorate it with little seashells and twine. It’d look hot, don’t you think?”

His playful words didn’t register in your mind.

Frustrated tears threatened to spill as the hairbrush in your hand tugged harshly at the roots of your hair. Nausea was bubbling in your stomach as you stared at your reflection, feeling as though not a single human being in history had ever looked as ugly as you did right now.

“Sweetheart?”

Here you were standing next to a Greek god, meanwhile, your skin was all hot and blotchy, your hair was a tangled mess, and your stomach was aching something awful. Christ, you hated being on your period.

A hard lump was lodged in your throat; you tried to swallow it, but there was no use. Warm tears had already begun to stream down your cheeks. Unable to bear the sight of yourself any longer, you turned away from the mirror. As you reached for the bathroom door handle, a sharp unexpected cramp pierced at your insides, causing your legs to buckle and collapse to the cold tiled floor.

That was the last straw. You just couldn’t hold it in anymore. A disharmony of cries burst from your lips, reverberating around the small room as your shuddering body folded over itself. Curse the Fates for having you been born a girl.

Finnick, now switched to panic mode, quickly dropped to his knees before you, eyes wide and alert.

“Hey, hey!” he said soothingly as his hand moved to rub your back in support, though he wasn’t even sure what he was supporting.

A thousand-and-one distressing thoughts flew through his mind. Had someone died? Were you injured? Were you dying? Obviously, these ideas were a little irrational considering you were just standing next to him a second ago. But seeing the love of his life in pain and not knowing why made him fear the absolute worst.

“Baby, what happened? What’s wrong?”

All you could do was sob in response. You felt pathetic. Stupid, ugly, and pathetic. “How can you—” Another sob left your lips— “stand to look at me?!”

You could feel his hand stop moving which, illogically, made you even more upset.

“What?” he asked quietly. “What do you mean ‘stand to look at you’? Please, sweetheart. Talk to me.”

Finally, you forced yourself to sit up, revealing the tears that streaked your distraught expression. Finnick’s brows scrunched together, almost like he was in pain watching you in such a state of disarray. He tried to think of anything he might’ve done to make you feel this way because, of course, the first thing Finnick Odair would do was blame himself. But nothing came to mind.

Your heavy heart sank—he looked so worried. A part of your brain knew you were overreacting. Justa little bit. It made you feel even more terrible, knowing he was panicked simply because you didn’t like how you looked. Nevertheless….

“I look so ugly!” you cried. “My hair is all knotted, my face is all red and gross, my stomach is cramping, and—and… I’m just a mess!” You buried your face in your hands. “Why are you even with me?”

Shock was an understatement compared to what Finnick felt when those words left your mouth. Never in a million years would he believe someone like you—someone who looked like you—could ever possibly be insecure about their appearance, and now, of all times.

He gently reached out and removed the hands that shielded your face. You attempted to turn away to conceal yourself in shame, in fear that if he got too close, he would discover your flaws and see you the way you saw yourself. But he caught your chin with a single finger and compelled you to meet his gaze.

Yes, your skin was a little red and your eyes were a little bloodshot, but that didn’t mean you looked ugly. In fact, your rosy cheeks glowed with such radiance that the teardrops falling from your crystalline eyes looked like shimmering diamonds. Your lips, which were slightly quivering, were reddened and plump—an alluring contrast to the hue of your skin.

Not that he would say it given the insensitivity and selfishness of admitting such a thought, but he believed you cried quite beautifully.

“Because I don’t think you’re a mess,” Finnick said softly, ironically tucking multiple disordered strands of hair behind your ear. “You’re human, and you don’t need to look or feel perfect all the time. That’s why you’ve got me—I’ll always think the most of you. And when you’re feeling this way, I’ll always remind you so too.”

You tried to allow his compassionate words to seep into your brain, tried to turn his beliefs into your own. However, the storm of emotions inside your mind was refusing to dissipate. The insecurities just wouldn’t subside and Finnick could see it in your glossy eyes.

“Listen to me,” he said, his thumb brushing away a tear that fell across your skin. “Waking up and seeing your gorgeous face next to mine? That’s what gives me the strength to get up every morning. Those imperfections you’re so adamant about? They only make me love you so much more.

I love every part of you. Every so-called flaw, every tangled strand of hair on that pretty little head of yours.” He grinned as he consolingly ran his fingers through your hair which, in his opinion, was perfectly soft and smooth. “You’re my girl and nothing will ever make me want it any other way.”

Hearing his declaration had your heart aching in your chest. Your hand curled around his arm, needing some physical anchor to the reassuring words he spoke. There was nothing but sincerity in his voice, a sure-fire sign that he was telling the truth.

You realised you never had to worry about Finnick finding you unattractive. Though you were a little worried he was partially blind which, unfortunately, represented your own seemingly unshakeable insecurities.

“I wish I could see myself the way you do,” you whispered, voice hoarse from crying.

“I know,” he sighed. “I know, but just give it time. One day you’ll look back and wonder what the hell you were thinking. I mean, you? Ugly? Sweetheart, we might need to get you some glasses.”

You sniffled, lips stretching into a wobbly smile. “You’re an idiot.”

He lifted your hands to his lips, kissing your knuckles. “Only for you,” he quipped in response, wearing a light-hearted smirk on his lips. “Come here.”

He opened his arms, beckoning you to seek solace in his embrace. You scooted closer, sinking into his broad chest as his arms enveloped you. Your legs were folded awkwardly beneath your body and Finnick’s back ached from the lack of support behind him, but neither of you seemed to mind.

What is love without a little suffering?

His hand stroked the length of your hair, curling random strands between his fingers in admiration. Your fingertips danced across his tanned skin, amorously tracing the words ‘I love you’ over and over. You weren’t sure if he even noticed; it didn’t really matter. The sentiment remained true.

You listened to his heart beating centimetres from your ear. Thump. Thump. Thump. And you were grateful it beat for you. You were so, so grateful for Finnick. For his strong arms that soothed you in their embrace. For his lips that released a swarm of butterflies in your stomach with just a quirk of their corners. For his voice that could lift you from the deepest, darkest pit at any given moment.

So, when you whispered, “Thank you,” it was much more than a show of appreciation for his words of reassurance. It was gratitude for his existence. His entire being. For his love which echoed your own.

“Always,” he whispered in return.

Time began to pass but you remained in the same position—holding each other closely, dearly. And then as more minutes passed, rationality began to set in. You were thinking about apologising for your dramatics, but Finnick had other ideas.

“Wait, did you say your stomach’s cramping?” he asked suddenly. You simply nodded. “Are you on your period?”

Your head turned to bury your face against his chest in embarrassment. “Yes,” your voice muffled into his shirt.

Finnick grinned to himself. He didn’t want to play the stereotype card but knowing that detail helped him understand your actions a little better now.

“Well,” he began, gently coaxing you away from his chest so he could look into your eyes. “How about you come sit with me in the kitchen, hm?” He caressed the line of your cheekbone as he spoke. “I’ll cook you some pancakes and then we can both melt into the couch all day. Does that sound good?”

You pretended to think about it for a moment, the hint of a smile tugging at your lips. “Chocolate chip pancakes?”

He made some noise between a chuckle and a scoff. “Of course. Anything else would be a culinary tragedy.”

“Oh, Finnick Odair,” you proclaimed theatrically, winding your arms around his neck as you pulled yourself further against him. “How I love you so.”

In response, his face lit up with a stupidly lovesick grin. This man will be the absolute death of me, you silently swore. You couldn’t help but lean in and press a soft endearing kiss to each dimple that hollowed his cheeks; doing so only made his smile stretch impossibly wider.

The touch of his deft fingertips settled on the sides of your cheeks, holding your face in his hands like it was his most prized possession—technically, you were. His smile never disappeared as he leaned forward, kissing you with such ardent affection that you were afraid your heart might give out from the consuming potency of his adoration.

It tasted like salt, your tears having now dried on your lips. More importantly, it tasted like love. Warm, sweet, syrupy love.

You pulled away, murmuring against his lips, “You would look hot with a wizard beard, by the way."

He chuckled lightly, sustaining the five-second break before returning to your lips to whisper the words, “I knew it.”

[lunaraindrop]

What if Steve did like heavy metal...just didn't know it?

Hear me out. Steve was not very well versed in movies. He said Star Wars had *teddy bears* in it. He obviously liked the movie, just didn't know what the Ewoks were.

Not everybody knows what genres and subgenres are. There are people that hear a song a bunch of times, like it, maybe even sing it under their breath...but have no idea the title, album, or even the artist. They are a casual listener. They just like the song 🤷‍♀️

Now, imagine Eddie "calls Steve Ozzy but he has no idea who that is" Munson and Steve in the Beemer. Some stations are changed. Eddie is in the middle of a heated conversation with one of the kids in the back, when he hears it.

Steve is not only absent-mindedly singing along to a metal song, he is also drumming his fingers on the steering wheel to the beat. When Eddie freaks out and asks how long Steve's been into metal, Steve says, "Wait. *This* is metal?"

That later becomes "their song" 😊

[somerandomdot]

Random Nsfw Halsin Headcanons

Hello I’m just trying something out, if you like it or have a different opinion or would like to share yours you may. Id appreciate if you suggested kinda, anything! Thank you for reading)

Omg I love his eyes in this GIF bro, his puppy eyessss

First off, for some reason this part in my brain just screams that this man has a dry humping kink, or any kinda of just pinning in general.

BIG MAN HANDS ON ME. Sorry, okay his hands are on your waist, shoulder, honestly any part he can grab at. His hands are either on your body or in your hair. He is a handy man.

One hundred percent this man has a breeding kink, I mean obviously… as nature intended

Going back to the pinning thing, I feel like with how large this hunk of a elf is he generally wouldn’t want to use much strength being worried of hurting you.

Honestly I feel like him putting half of his weight on top of you, or pushing himself against you is already crushing enough. So he’d be rather soft and slow at first.

We already know Halsin already is a giver when it comes to head, but one thousand percent he would like the same treatment. But would not really ask for it, so you’d probably have to ask him, since he’d never expect you too, caring about your pleasure and getting off on it.

If he’s on the receiving side of head, I feel like he’d not be the whimper type at all, but just groans, heavy breathing and saying your name/praises while you work on him with your mouth.

This man cannot keep his hips still, he’d be bucking into your mouth every so often, then apologizing for it as you’d gag from the unexpected thrust.

I can imagine this man is, rather large and thick when it comes to his sizing, rather on the more thick around the tip and thinning out to the base.

I feel like he wouldn’t be into heavy kinks, unless you’d ask to try something else/share kinks your with him. I feel like he’d be more into passionate sloppy sex.

His favorite position is either picking you up while he’s standing, your legs around his waist, back against any surface or none at all and his hands on your hips or wrapped around you as he controls the momentum by either thrusting up into you or literally lifting you up and down by your hips or just bear hugging you. (Had too) Or either the classic missionary, legs over his shoulders or around his waist as he thrusts into you as you layback and enjoy it.

Halsin enjoys long sessions rather than short ones, taking his time and edging himself and you. Agonizingly slow soft thrusts to than picking up his pace and roughness for a bit then continuing onto the slow soft ones.

He’d slowdown once you announce that you’re getting close, but if he unsuccessfully edges you as you hit your climax he wouldn’t punish you. If anything he’d make the session last longer enjoying the way you twitch and shudder beneath him or against him.

Eventually when he’s done edging himself and you he’d change his pace to a slow but rough thrusting, while he praises you or either has his head pressed into you neck, occasionally bites and nibbles on your neck and shoulders.

Only time I feel like he’d actually moan or whimper is while he puts it in or while he is comes.

He has, A LOT of ‘ammunition’, honestly feel like he’d come quite a bit, three to four shots. Making a nice cream pie.

Obviously he is an amazing person with aftercare, cleaning you up, helping you get dressed and healing if necessary.

Man’s loves cuddles, no shit he’s a big teddy bear, but due to his protective instincts he’d be holding onto things while he sleep, either it be a random pillow, you or wrapping his arms around himself he always sleeps holding something.

You made it!! Thank you so much, if you have any opinions, suggestions or any advice I’d love to hear it! Enjoy the rest of your morning/afternoon/night!

[queers-gambit]

Silence

prompt: ( requested ) anxiety plays tricks on your mind, making you mistake your boyfriend's stress for anger - at you.

pairing: Carmen 'Carmy' Berzatto x female!reader

fandom masterlist: FX's The Bear

word count: 2.5k+

note: it's short but to the point.

warnings: cursing, hurt and comfort, depiction of mental health: anxiety, slight self-destructive thoughts.

Silence could be a good thing.

Libraries were silent for ample focus. Theaters were silent during the showing. Sometimes, long drives were peacefully silent.

Silence could also be a bad thing.

Demanding an explanation and the silence stretches. The silence before a doctor delivers life-changing news. Asking someone if they're okay and they don't answer.

When your boyfriend, Carmy, had returned from work that evening, he slammed the front door, dropped his backpack, toed out of his shoes, and stormed around the apartment silently. He didn't greet you, didn't offer a kiss, nothing - just breezed past you as if a pile of dirty laundry he's ignored for the past two weeks. You watched him from the kitchen, sipping a glass of wine, worry sprouting in your gut and chest. It was obvious something was bothering him - but couldn't fathom what it was that made him ignore you; to make him not look at you one single time.

It was like you weren't even there with the way he projected his moodiness. Even on his worst days, he always always always greeted you with a kiss; but the lack of affection hallowed your chest into a pit, wondering what you had done to make him avoid you.

Suddenly, the silence was eerily deafening, coiling your stomach and pumping lead through your veins; no TV or radio switched on to fill the void and create passive, background audio. Carmy was obviously upset about something, but the fact that he didn't even look at you made you think he didn't want to talk. This worried you because before dating, you and Camry Berzatto were the best of friends; talking about literally any and everything you could think of. He came to you with every single grievance, every frustration, every slice of drama - so why wouldn't he now?

Unless... Unless you were the cause of his annoyance? The idea made the pit in your chest stretch to your gut - anxiety rapidly spreading, confusion warping rational thought into something darker and self deprecating. The idea of upsetting Carmy - or anyone, for that matter - was enough to bubble nausea and turn your skin clammy. Muscles tensed, eyes darted, and your mind was plagued with every single thing you had said or done in the past 16 hours.

However, your memory couldn't pinpoint any moment you could've upset him; things had been normal and easy-going lately, there being no clear indication you were the culprit of Carmy's anger. However, there didn't need to be anything clear because your mind was fully convinced you were the bad guy now.

After swallowing a gulp of wine, your eyes adverted to give him privacy and begin on dinner; being obvious that his phone was much more important than you right now. Unfortunately, when it came to picking which sauce to dress your meal with, you were forced to slowly enter the living room where your boyfriend had taken refuge.

"Hey, baby?"

"Hmm?"

You tried not to be offended by his lack of verbal acknowledgement, but your intestines flipped and grew heavy. "Uh, just wondering, you want the marinara or Alfredo tonight with the - "

"Doesn't matter, you choose."

"I mean, which would you prefer?"

"I just said it didn't matter," he repeated with a hardening tone, "it's not like it's a difficult decision to make."

You didn't want to make his attitude worse, so you backed off silently and returned to your task. Yes, yes, Carmy was the professional cook between you but that didn't mean he wanted to come home and continue the act. So, you learned a few new recipes to keep meals interesting - a feat your boyfriend didn't seem to appreciate or even recognize most days. Tonight especially.

Tension tangibly filled the apartment the longer the silence stretched. Your mind conjured a hundred questions at once, begging your mouth to run rapidly if it meant getting answers - yet your logic stuck the words in your throat, refusing to let them fly, and even shoving them deep down for your soul to hold.

You poured a second glass of wine, throat thickening with silent emotion. There was always the worry in the back of your mind that Carmy would one day realize you didn't fit into his life and would break up with you. Or that perhaps, his irritation tonight wasn't due to anything you did specifically, but instead, was attested to your normal behavior and quirks - like the want to talk throughout the day.

Blinking the moisture away, you remembered Carmy hadn't answered a single one of your texts the entire day - a normal act for you, but maybe one that now got on your boyfriend's nerves. You dished up dinner, standing in the open kitchen with two plates and feeling silly for the nerves prickling your skin. You barely noticed the slight tremor in your hands. "Dinner's ready, Carm," you alerted, leaving the plates on the kitchen island you normally ate at; distracted by the need to pour a glass of water.

When you turned, your heart stalled in your chest when you noticed his plate missing - locating him in the living room, again, and it being obvious he didn't intend to eat with you. Now you knew for sure, you had indeed done something. So, you gingerly took a seat and tried to take up as little space as possible; shying in on yourself, eating silently and quickly so you could do the dishes right after.

Sure, there was usually the rule that the cook didn't clean, but there was no way you were gonna ask Carmy to do the simple chore; afraid of pushing him over whatever edge he teetered at. After storing any leftovers, you started the dishwasher and retreated to your bedroom with another glass of wine and the intention to get a bath. You felt like a glaring inconvenience all of a sudden, regret inking your blood and reprimanding yourself for being so - so - so... Clingy?

Is that what it was? Did Carmy think you were clingy? Perhaps texting him throughout the day without him ever answering was the final straw of annoyance he felt toppled the haystack. You wanted to apologize and eliminate the tension, but couldn't necessarily understand what you were sorry for; thinking you were simply paying attention to him, being attentive and interested in his everyday life.

Maybe you needed to apologize for being suffocating? Was that it? Your love was suffocating him? Was he feeling pressured by you? Did he think you two too comfortable in this relationship? Was your wall of texts an indication you were more serious than he? Oh, God, was that it - did Carmy think you were getting too serious, too fast?

Granted it'd been a few years of dating, a lifetime of friendship before that - so how much more serious could you get? Why would your attempts of communication rub him the wrong way? How could the pair of you ever manage to fall off from the same page? Make him think you were pushing for something more? Didn't he know he was enough for you? Didn't he appreciate your presence? The want to be closer? Your desire to maintain the friendship your relationship was built off of? The appreciation you had for him? The support you wanted to offer?

You soaked in epsom salt for the better part of half an hour. Draining the tub, drying off, and changing into pajamas were done silently; feeling almost fearful to venture out of the bedroom to return your wine glass to the sink.

So you decided to just get in bed, figuring if Carmy was so angry at you that it resulted in him ignoring you, he wouldn't want to sleep beside you, either. With your thick framed glasses on, you nestled into bed with your newest novel, trying not to let your mind go into overdrive as your need to fix whatever was upsetting Carmy was overwhelming. Yet there was also the nagging idea that trying to fix whatever was 'broken' would've made things worse - again, resulting in you doing nothing and giving Carmy his space.

The silence haunted the apartment like a ghostly presence; leering over your heads, embracing you uncomfortably.

When the bedroom door opened, you masked your surprise and just read the same paragraph three times in a row - distracted by your boyfriend milling around, preparing for bed. Your eyes widened in shock when the bed dipped and shifted, jostling you as Carmy got into bed beside you, but you still didn't look up from your book.

"What're you reading, sweetheart?"

His mood swings often gave you whiplash. You glanced at Carmy, finger holding your place to let you fold the book over and present the title on the cover. You worried that anything you said and did could make this tension fester, so, you remained silent and went back to reading.

"Is it any good?" He pondered, watching your profile. You nodded mutely, lips slowly rolling between your teeth in a show of anxiety Carmy could now recognize. "Hey, hey, you all right, babe?" He asked softly, sounding mildly confused - perhaps even alarmed.

"Yeah, 'course," you mumbled.

"Well, how was work?"

"Fine."

"You sure?"

"Mhm."

There was a brief pause, then Carmy gently pried, "C'mon, baby, what's wrong? Why're you so quiet?" He chuckled gently, "Usually so talkative in the evenings."

You offered him a bewildered look with slightly pinched brows, swallowing nervously and slowly shutting your book to trace the spine mindlessly in an effort to distract yourself. Typically when anxious, your hands needed stimulation, something tangible to do and feel when your mind numbed with nervousness.

With a great deal of bravery, more than you thought was necessary to muster when talking to the person you love, you asked softly, "Are you mad at me, Carm? I mean, did I do something? T-To upset you?"

"Wait, what?" He asked in confusion. "Nah, baby, you didn't do anything, why would you even ask?"

"'Cause you've been ignoring me...?"

He scoffed, "Ah, 'cause I didn't answer your texts?"

"That, and you've been ignoring me in favor of your phone since you got home. Slamming doors, brooding in the living room, didn't eat dinner with me - got a little snappy when I asked what sauce for dinner? Feels like I did something but I don't know what, so I don't know how to fix this."

Carmy sighed, leaning back to the mound of soft and fluffed pillows you had stacked on your shared bed. "Shit," he breathed, huffing a dramatic sigh, "didn't even realize I was doin' all that, baby."

"If you're mad, just tell me what I did - "

"No, no, hey, hey, hey, hey," he rushed, turning on his side to look at you, elbow supporting his weight; clocking the glassiness coating your eyes. "You didn't do anything, baby, I swear. There's nothing for you to fix 'cause you didn't do nothin'. I just - I've been havin' a shit day, didn't realize I was bein' mean to you let alone that you'd take it to heart."

"Kinda hard not to when I'm the only one here."

"No, right, I get that," he sighed. "I'm sorry, baby, I know you get anxious when I shut down like that, but I promise, I'm not mad at you."

"Well, who else would you be mad at? I thought you were annoyed 'cause I was texting you all day. Thought I was, I don't know, being clingy or something since you didn't answer me."

Carmen frowned, "Sweetheart, no, hang on, listen to me. You didn't do anything to upset me, okay? I didn't answer you 'cause I dropped my phone in the sink and it got all glitchy, I couldn't answer you. I tried to fix it when I got home, but I think I fried it - should just get a new one. It was just one of those days that everything went to shit, it all built up, got the better of me."

You nodded, still looking dejected and making a shot of guilt plunge his heart. "You usually talk to me when you're upset," you pointed out softly, "and when you didn't say anything, I thought I was the reason you were upset. Figured you wouldn't talk to me if I did something to cause your attitude."

"No, hey, I'm sorry, c'mere, baby," he opened his arms and curled them around you when you shuffled into his chest. "Shit, I'm really sorry, I didn't even realize what I was doing - but Goddamnit, that's no excuse, though. I don't mean t'take my shit out on you, you don't deserve that."

"I just got a little nervous, maybe let my anxiety get the better of me."

"That's okay," he promised, kissing your forehead, "I can understand why. I was a dickhead, being snappy and ignoring you when all you do is support and love me. I'm real sorry, sweetheart," he sighed against your skin, tightening his arms to keep you cocooned in his warmth. "You know, you can always talk to me - don't gotta shut yourself down and avoid me."

"Do you even hear yourself? Should take your own advice."

"Yeah, I should," he smirked. "Hey, promise I'll do better not to shut down like that."

You nodded in acceptance, wondering softly, "Do you wanna talk about it? Whatever happened today?"

"Uh, nah, you know what? Think I owe you some cuddles, maybe a dessert? You know, to make up for my bullshit attitude."

"You don't have to - "

"I got you all worked up, feels like the least I can do."

With a hum, you smirked, "I won't say no to a slice of cheesecake."

"What baby wants, she gets," he grinned, a hand caressing your cheek to direct your eyes up to his. His thumb swept back and forth under your eye, "Still sorry about today. I didn't mean to be such an oblivious dickhead, I swear."

You nodded, "I know, baby. Just don't shut me out next time. Had me worried when you didn't even kiss me when you got home."

"A heinous crime on my part," Carmy smirked. "Should I remedy that?"

"I'd be offended if you didn't."

He chuckled and pressed his lips to yours in a soothing kiss, hand sliding to the back of your neck. It was a slow and languid kiss, something he took his time in engaging; lips sticking together, moving in-sync, creating chains of saliva when he pushed his tongue against yours. "Yeah," he mumbled, "I'm the dumb fuck who had you thinkin' I didn't want this from you." He pressed another kiss to your waiting lips, "You're intoxicating, baby - always want your kisses. Yeah? Always. The day I don't, take me out back like Old Yeller."

You wanted to voice that he wanted your kisses now until one day, he simply wouldn't - but refrained from doing so because you knew it was just anxiety talking. So, instead, you chuckled at his comment and leaned in to initiate your own kiss.

requesting rules and masterlist

FX's The Bear masterlist

[deluluriddhi]

I JUST WANNA BE SAVED

( LIB? ) synopsis: your Spiderman boyfriend coming through your window at midnight for a little fuck session after saving the city

Pairing: Spiderman&bf!Jake Sim × yn

Contains: smut. Smut. Smut.

W.C: ????

taglist: @high-and-low-all-the-way

Notes: inspired by this post and I took permission from @flwrboi too. Taglist open.

Riddhi speaks: not my best work. Writer's block sucks :(

The clock ticked 3am as you noticed from the corner of your eyes a black figure outside your window. No tension, you know who it is. You were studying on your table next to the window but after seeing that black figure opening the window you turned around.

"oh hey, jak-", you weren't able to finish your sentence before Jake, your boyfriend, or we can say the famous saviour of NYC, Spiderman, engulfed you in a bear hug, burring his face in the crook of your neck.

"is my big baby tired?", you asked in a babying tone while he only nodded in your neck.

Jake Sim, your 2 years boyfriend, is the Spiderman. The crimes in the city, usually late at night, gets him worn out. As kind as you are, you always keep your bedroom window open at night for him to come in through and rest in your arms. You also treat all his wounds while he tells you about the villains.

But sometimes, you let him loose all his stress on your body . Well, today happened to me one of those nights.

"babe...", he whined, leaving small dark hickeys all over your neck. "Was the battle really that frustrating that you need ME ?", you asked while ruffling his hair before watching him look straight in your eyes and tug on your shirt. He searched you eyes deep for your approval, he is a good boyfriend after all. And after he did, a quick smile flashed across his face. He led you to your bed by your hand.

"I promise it will be quick.", he said while helping you undress yourself and himself, "then we can cuddle."

He hovered over you, and started to lightly squeeze your boobs with one hand while his toungue draws circles around your sensitive nipples, earning some hot moans from you, which turned him on more.

One of his hands left your boobs and traveled all the way down to your wet cunt. Rubbing circles around your sensitive cunt, electric currents ran through your back.

After a few minutes of rubbing your clit and rhru furiously...

"tell me baby. Who do you belong to?", he asked speeding up rubbing your puffy clit. You answered with a moan, but it was not enough for him. "words baby.", He said thrusting his fingers in and out again and again. "You...it's...you....daddy...", you managed to speak out those words. "Good girl", he said kissing your neck.

Hot tears ran down your face as Jake mercilessly tortured your wet cunt with his fingers and placed deep hickeys all other your neck, whispering how perfect you are in your ears. He is still in his Spiderman suit only without the face mask. He looks extremely hot with the sweat dripping from his face. The room has now a high and hot tension. Only heavy breaths and the squelching sounds your cunt made were heard.

You felt the knot forming in your lower belly again for the second time this night but Jake obviously knows that. He stopped everything he was doing, making you sit up and make puppy eyes at him. "No I won't.", he said and stopped for a moment, then continued again, "my Spidey senses say there is another crime in the city. I got to go, hun, am sorry!"

He quickly cupped your face and gave you a forehead kiss followed by a warm smile.

You stared at him blankly as he jumped out of the window to save the city again.

[fawnforevergone]

The Ultimate List of Dante References in Hozier's "Unreal Unearth" !!

Hello and welcome to my new-and-updated ultimate compilation of all 'Inferno' references I found in Hozier's new album! If I think of anything else, or if anyone else suggests something, I will be sure to add it, but, for now, enjoy this ridiculously long (you've been warned) list I made!

Since I didn't wanna make a post for every individual song and spam you all, the songs are separated by their respective circles! I hope that organises stuff a bit more :]

Usual disclaimer: I could be wrong about some stuff! I've read 'Inferno' and try to stick to the objective references, but sometimes I let subjective interpretation bleed through. If anyone has any corrections for anything, just lmk!! Okay, cool <3

DESCENT:

"De Selby (Part 1)"

We start the album not in the circles, but instead at the Gates of Hell. One of the main themes of Inferno is darkness, and these first two songs are embodiments of that.

The lyrics mention the idea of this being a "new empty space", suggesting that Hozier is being introduced to the feeling of Inferno through the relationship he's singing about, and, so, we begin the descent.

"The likes of a darkness so deep that God at the start couldn't bear." God is obviously a large theme of Inferno and is, biblically, the creator of light, hence the absence of it in Inferno. In fact, the first three stanzas all reference the heavy darkness of the threshold and its estrangement from God.

The Irish/Gaeilge lyrics roughly translate to: "Although you're bright and light, you arrive to me like night fall. You and I, together. You and I, metamorphized. Although you're bright and light, you arrive to me like night fall. The art of transformation is a dark art." The imagery of light and dark mixing together mimics the idea of walking from the brightness of Earth into the darkness of Inferno.

This entire album appears to be the recounting of a relationship and how it feels like walking through Inferno. Here we see the beginning of this relationship, of Hozier losing himself to the threshold.

"De Selby (Part 2)"

Part one appeared to be the step through the gates, whereas part two seems to be Hozier being enveloped by the threshold. In 'Inferno', Dante says the entrance to Hell is a darkness that no stars could shine in. We hear this shift from Earth to Unearth through the production alone; the weightlessness of part one falling into the heavy grunge of part two.

"Your heart, love, has such darkness, I feel it in the corners of the room." The theme of dark continues, as it will through the entire album, but, this time, Hozier feels it radiating from within his lover rather than the space around them. Though, him saying his lover carries darkness is not an insult. This extra depth to his lover is something more to know, something more to love. This idea actually differs from Dante, who sees the darkness as deceitful.

"I want to be so far from sight and mind." Inferno is a lawless place. He would be far from sight due to the darkness, and far from mind due to the insanity that persists within the circles.

"Let all time slow, let all light go." This lyric shows me that he has been submerged in the threshold. Again, the lack of light, but also the slowing of time. Punishment after death is eternal, something that time has no grasp on. Hozier is willing to let these aspects take a hold of him.

"I'd still know you not being shown you, I'd only need the workin' of my hands." Christianity is a heavy theme of Inferno, and this lyric plays on the proverb 'Idle hands are the devil's workshop', a proverb Hozier also hinted at in his song "No Plan" (from 'Wasteland, Baby!') - "My heart is thrilled by the still of your hand."

Now, though, Hozier's hands aren't idle, instead the opposite, his hands are working as God intended. Drawing us back to that idea we were given at the end of part one, we get the feeling that Hozier is bringing something light/Godly to Inferno, and he and his lover are fusing the ideas of Heaven/Earth and Hell.

FIRST (LIMBO):

"First Time"

We now enter circle number one, 'Limbo'. Limbo is an uneventful circle for those not worthy of punishment but also not fit for Heaven. It is mainly for those who do not believe in God, the unbaptised.

Firstly, to get to circles, Dante and his guide, Virgil, must be chaperoned by the Greek Psychopomp Charon down the river Acheron, and we see that in Hozier's first couple stanzas.

"And the soul - if that's what you'd call it, uneasy ally of the body - felt nameless as a river, undiscovered underground." This appears to be Hozier mentioning the river Acheron, one of the five rivers of the Underworld that surround Hades, and, in 'Inferno', are used to transport the souls of the dead to their respective circles.

"The first time that you kissed me, I drank dry the river Lethe." The river Lethe is another one of the five rivers, and is one that causes anyone who drinks from it to forget everything they know. Hozier is simply saying that kissing this person wiped his mind clean, similar to the end of "De Selby (Part 1)" where he mentions partaking in a transformation.

"Some part of me died / Some part of me came alive the first time that you called me 'Baby'." Relating to the previous quote, souls that drink from the river Lethe usually do so before being reincarnated, so they forget their past life. Hozier seems to experiment with the idea of being reborn by his partner's love for him - an idea prevalent throughout his entire discography.

"To share the space with simple living things, infinitely suffering, but fighting off - like all creation - the absence of itself." This lyric tells us that we should not ignore the privilege of living just out of the fear of dying. This lyric is reminiscent of "All Things End" and the circle of Heresy. Since Limbo is home to those who don't believe in God, the theme of Heresy is a very fitting one.

SECOND (LUST):

"When I was young, I used to guess 'Are there limits to any emptiness?'" The punishment for those in Limbo is to exist eternally with the curse of a hollow, empty feeling meant to represent the lack of God in their lives. This punishment seems referenced in this lyric.

[ i ended up thinking about this song more so if you want even more "first time" content, here ya go: "first time dante references." ]

"Francesca"

Into circle number two, 'Lust', we have the story of Francesca Da Rimini, a woman Dante spoke to during his visit to circle two. Francesca fell in love with her husband's brother, Paolo, and when her husband discovered the affair he murdered them both.

Hozier seems to be singing from the perspective of Francesca/Paolo but throughout the album we see Hozier liken his lover to aspects of Inferno - darkness in "De Selby (Part 2)" or Lucifer in "Unknown / Nth" - so the story of Francesca and Paolo is fitting as another metaphor here.

"Do you think I'd give up? That this might've shook the love from me?" Even in Hell, Paolo and Francesca physically cling onto another. They do not let their death affect their love.

"My life was a storm since I was born. How could I fear any hurricane?" The punishment in Lust is an eternal storm meant to replicate the throws of passionate love - a storm also depicted in the production of the end of this song. Hozier/Francesca/Paolo says that it's impossible for them to care about this punishment when life was already as treacherous as it was.

The whole chorus emphasises the imagery of Francesca and Paolo not being able to let go of each other.

"When the heart would cease, ours never knew peace. What good what it be on the far side of things?" Francesca and Paolo lived their love secretly and anxiously, so what good would peace be in the afterlife when they've already become accustomed to difficulty?

"Heaven is not fit to house a love like you and I." In the opening songs of the album, Hozier describes his lover as darkness, akin to something God cannot bear. Due to the depth of his lover, the mix of light and dark they've made, he believes Heaven would crumble beneath the weight of their relationship. That something as corrupt as Inferno is the only place suitable for them to live.

"I, Carrion (Icarian)"

Still in circle two, Hozier plays on Dante's own metaphor. In Canto 17, Dante refers to his own dread of descending Inferno to the same dread that the 'ill-fated Icarus' must've felt on his fall from the sky.

Hozier twists this, instead comparing his love to the hope Icarus must've felt as he flew towards the sun. He said, during a live show, this song is based on the idea hat Icarus never realised he fell, and woke up dead, too clouded by joy to realise what had happened.

"If the wind turns, if i hit a squall, allow the ground to find its brutal way to me." Again, we mention the storm of circle two. Lust is also said to have treacherous terrain - sharp rocks and jagged stone - that seems to be hinted at in the second half of this lyric.

"While you're as heavy as the world that you hold your hands beneath." This imagery seems reminiscent of the Greek Titan, Atlas, who holds up the Earth on his back. Dante talks about seeing Titans and Biblical Giants at the transition point of circle eight to circle nine, 'Fraud' to 'Treachery', which makes this lyric a sad hint to where Hozier will end up finding his lover; Taking the place of Lucifer in the deepest part of Inferno.

THIRD (GLUTTONY):

"Eat Your Young"

We enter the third circle of Inferno, 'Gluttony'. There are no specific references to Inferno, but the concept of gluttony is apparent. Hozier does what he frequently does throughout this album; He refuses to see the sin as "right or wrong" as Dante so stubbornly implies.

Hozier often divulges in a grey area, a spectrum or sale of severity, when it comes to the sin. Hozier's perspective seems more nuanced than Dante's, seeing sin as layered rather than objectively bad. In this specific song, he displays the different sources of hunger in humans, and where the line should be drawn.

"I'm starvin', darlin', let me put my lips to something, let me wrap my teeth around the world." We start, and reference back to in verse two, a sexual hunger, a harmless passion between two people. This is an innocent side of the sin, not deserving of the punishment of Lust which is to be ripped apart by Cerberus (the three-headed dog from Greek mythology) for all eternity.

However, Hozier moves onto the hunger of politics.

"Pull up the ladder when the flood comes." The government refusing to help the people when the sea levels rise.

"Throw enough rope until the legs have swung." When you don't have a ladder, you use a rope. This lyric plays on the notion of when governments give the impression they are helping, but are only making things worse - a take on the saying 'Give someone enough rope and they'll hang themselves', since what else are they meant to do with it?

"Skinnin' the children for a war drum, puttin' food on the table selling bombs and guns." The hunger for power manifests in war.

"It's quicker and easier to eat your young." Here, Hozier uses the common saying in a more literal sense, saying that if these politicians are hungry enough to destroy the world, they may as well physically eat their young, since it'll have the same effect.

FOURTH (GREED):

"Damage Gets Done"

This song takes place in circle four, 'Greed'! The title of the song alone is already very meaningful. In circle four, the main punishment is that the inhabitants are split into two groups and are forever forced to charged into each other and fight. Dante describes them are being so injured and damaged that they have become 'unrecognisable'.

The song is about greed within the changing of the world. It's about growing up and losing the naivety and innocence you once had, no longer able to ignore the burden of politics and money. Hozier and Brandi sing about the excitement of being young and in love, but, with the rise of inflation, it's hard to exist like that anymore - You need greed to survive.

"Wish I had known it was just our turn being blamed for a world we had no power in." This seems to be a reference to two things. One, the idea that governments blame the people for their own poverty, and Two, the idea of arriving in circle four by no fault of your own. It's not their fault they wanted more money with the world being how it is, but, nevertheless, they're being punished for it.

"I haven't felt it since then. I don't know when the feeling ended, but I know being reckless and young is not how the damage gets done." They talk about the enjoyment of the love they're singing about fading, and how they miss that, but they know that, again, this is not their fault. They know they didn't change, the world did, and they won't take responsibility for their 'sin' when all they did was adapt.

As aforementioned, the inhabitants of the fourth circle suffer extreme injuries, so Hozier saying "I know being reckless and young is not how the damage gets done" is him saying "I know that we are not at fault for being served the punishment of Greed."

FIFTH (WRATH / ANGER):

"Who We Are"

We enter the fifth circle, 'Wrath', where the inhabitants spend their time fighting to stay at the surface of the river Styx, another one of the five rivers of the underworld.

"Falling from you drop by drop." / "To hold me like water." These lyrics obviously give the idea of water, representing the river Styx.

"Or, Christ, hold me like a knife." This lyric comes in quite loudly, Hozier's voice strengthening with it. The subtle blasphemy of "Christ" and the violent imagery of "knife" comes across as a sort of anger. Being held "like a knife" is representative of how those is Wrath must feel - like they are something particularly dangerous, but still desperate to be held.

"We're born at night, so much of our lives is just carving through the dark to get so far." Again, this theme of darkness that is so frequently displayed in Inferno is mentioned again. After this song comes "Son Of Nyx", which Hozier said was the transition into the darker half of the album, and Nyx is the Goddess of the Night. Being "born at night" would make Hozier the son of the night, the son of Nyx. This gives the impression that, if the album is following on chronologically, this is the point where the relationship portrayed in the album begins to fray as Hozier starts to be consumed by the darkness.

"And the hardest part is who we are." Those in the circle of Wrath possess a 'savage self-frustration' that Hozier seems to represent throughout this whole song - A fierce annoyance with the way he and his lover let things go: "We sacrificed, we gave our time to something undefined", "Chasing someone else's dream", Etc.

SIXTH (HERESY):

"Son Of Nyx"

We have no lyrics for this song (though you can hear him faintly saying some things, one of which is him saying "who we are...") but we know it takes place in circle six, 'Heresy'. Heresy is a belief or opinion that is contradictory to religious doctrine, especially Christianity. As aforementioned, Hozier said this track is a transition song meant to replicate a descent into the darker half of the album.

Nyx is a Greek Goddess and is often known as the personification of night. She had many children all representing different things but the title would essentially mean 'The Son Of Night', and, as dissected in the previous song, we can see that Hozier sees himself as reborn into the darkness.

Once again, darkness is a large theme of Inferno, but Hozier saying in circle six that he is the Son of Night is particularly meaningful due to the association of light with God. He has been reborn as something that could not be further from God, something that opposes the idea of God, something of a Heretic.

Nyx was feared and respected by all, including Zeus, and, though I believe there is no reference to her in Inferno, she was described as residing in the dark recesses of the Underworld, which is heavily incorporated into Inferno.

"All Things End"

This song does not have many overt references to circle six but definitely incorporates the idea of heresy. As mentioned, heresy is an idea that contradicts (especially, but not always) Christianity. In this song, Hozier talks about the ephemeral nature of all things, particularly romance.

"When people say that something is forever, either way it ends." Whether it be death or a break-up, God doesn't plan for you to be able to spend eternity with your lover.

"Movin' on in time and taking more from everything that ends." Hozier, however, argues that things still have meaning beyond their end. That, even after moving on, we will remember and learn from the things we have lost.

"Just knowin' that everything will end should not change our plans." Throws back to the idea of the second verse of "First Time". If you avoided something just because it was going to end eventually, you would never achieve anything. That's like refusing to finish a movie just because you don't want to get to the credits.

When this concept of ignoring the end comes to death, we ultimately cross the concept of God. There are many rules people follow in religion, avoiding certain things because they are against 'God's Will'. Although this practice can be kept in moderation, it can quickly become self-imprisoning.

Not living your present life out of fear for an unproven afterlife can be limiting, especially if you dictate who you love due to what supernatural punishment may or may not follow. Hozier sings that we should not let God's plan interfere with what we need from life, allowing ourselves to indulge in love even if it will end - ultimately, Heresy.

SEVENTH (VIOLENCE):

"To Someone From A Warm Climate (Uiscefhuaraithe)"

This song places in circle seven, 'Violence'. Violence is split into three subcategories, or 'rings'; Violence against others, violence against self, and violence against God. I believe this song gives an overview of all three.

With this song, we recognise that the title says "To someone..." and Hozier said this song was a gift to someone who was from a geographical warm climate, but there is also a lot of heat in circle seven.

"A joy, hard learned in winter, was the warming of the bed." Throughout this song, Hozier describes himself as cold, and his lover as warm. The idea of warming the bed is a concept Hozier mentioned in his song "Nobody" (From 'Wasteland, Baby!') where he sings that, if he had a choice between the warm bed of his lover or performing on stage, he'd go home to the bed. Since this song comes after "All Things End" (the break-up song), this call back to "Nobody" could be instead referencing a permanent distance, rather than a temporary one (like the temporary distance in "Nobody").

"And, darlin', all my dreaming has only been put to shame." This could have two meanings. One, Hozier waking from a dream about his lover to find them not here. Or, two, Hozier's expectations of his lover falling short as their relationship has finally fallen through. These expectations could be a form of violence against self, the second ring, as he set himself up for heartbreak.

"And I wish that I could say that the river of my arms have found the ocean. I wish I could say the cold lake water of my heart- Christ, it's boilin' over." As mentioned, Hozier is cold, his lover is warm. His wishes he could find something to to fill the loss of his relationship, but he still feels the heat from his lover in every part of him.

"It's boilin' over." References the river of boiling blood in the first ring, violence against others, Hozier could be talking about the way his partner loved him, how that was almost an act of violence with how hard it is to now let go.

"Butchered Tongue"

This song has less references to 'Inferno', and is more of a commentary on the act of violence itself. Hozier sings of places and cultures lost to the violence of man, and he mourns this deeply.

"To say 'Appalacicola' or 'Hushpukena', like 'Gweebara'. A promise softly sung of somewhere else." This grieving for a time when native land wasn't colonised and culture wasn't violently erased is prevalent throughout the song.

In the second verse, he sings very strongly of the brutal acts inflicted upon Irish rebels by the British forces in the Wexford Rebellion of 1789. As we know, Hozier is from Ireland, and he incorporates both the Irish language and history into this album, and recounting such violent acts for this song feeds into the grieving of what has been lost: "Between what is lost forever and what can still be known."

In the context of 'Inferno', it feels as though Hozier is listing the sort of actions that would land someone within the circle of Violence whilst also appreciating the efforts those above ground take to preserve erased culture. Altogether, the song is a very moving commentary on modern violence.

EIGHTH (FRAUD):

"Anything But"

The eighth circle is 'Fraud', split into ten subcategories that are positioned around the circle in trench-like ditches, known as 'Bolgia'.

"I wanna be loud, so loud, I'm talking seismic," follows up with, "I want to be as soft as a single rock in a rain stick." Who he wants to be fluctuates between moderation and severity. He is changing, unreliable, possibly referring to bolgia one, Panders and Seducers. Seducers tend to 'lead astray', as Hozier's unreliable narration does.

The punishment of bolgia one is to be marched backwards and forwards rapidly whilst being whipped, very much evoking the imagery of a stampede: "If I were a stampede, you wouldn't get a kick." This alludes to the fact that if Hozier were sent to hell for the various sins he commits for his lover, he wouldn't resent them for it at all.

"If I was a riptide, I wouldn't take you out." The second bolgia of Fraud is for Flatterers, 'the act of giving excessive compliments, sometimes for romantic courtship'. Obviously, the song is filled with these compliments.

"I hear He touches your hand and then you fly away together. If I had his job, you'd live forever." The imagery of "fly away" gives the idea of ascending, perhaps to Heaven, as hinted at again by the idea of the longevity of living. Bolgia three is for Simoniacs, those who would sell church roles, offices, or sacred things. This seems to fit with Hozier saying that if he had a divine role, he wouldn't follow protocol, he would allow his lover immortality.

Simoniacs were sinners because they were disobeying God's trust, because the selling of divine roles would lead to corruption in the Church. Hozier is using this hyperbolically, saying that if someone were to sell him the role of God, he would most definitely be a corrupt power.

"I'd lower the world in a flood, or better yet I'd cause a drought." In bolgia four we have Sorcerers. Although Dante used this term in a more logical sense for fraudulent sorcerers - false prophets, fortune tellers, those who lied about the plans of God - Hozier uses the term in a supernatural sense. Sorcerers were punished for trying to interrupt God's prerogative, whereas Hozier is blatantly saying he would summon another flood, usurping God's plan overtly.

"I'm talking seismic." The bridge that leads to bolgia seven was collapsed by the great earthquake and, as we know, seismic activity leads to earthquakes.

"Worry the cliff side top as a wave crashing over." There happens to be a cliff near the entrance of circle eight that a large waterfall plunges over.

"Abstract (Psychopomp)"

This song appears to be the crossover point from circle eight to circle nine that I mentioned when discussing "I, Carrion (Icarian)". Before we get to that, the title itself is significant.

A psychopomp is a chaperon of death; Someone like the Grim Reaper, or Charon from "First Time", or Dante's guide through Inferno, Virgil. Here, Hozier is describing the act of hitting an animal with your car as taking on the role of a psychopomp, whilst also relating this idea to the act of letting a relationship die, leading it from life to death.

In the crossover point from eight to nine, Dante and Virgil stand and look at the large well that leads down to circle nine, 'Treachery'. The Titians and Giants burst out of the well, to big to fit, but their feet stand stubbornly in Treachery. I believe that, at this point in the album, Hozier stands here, too. He's visited all eight circles, and has one last place to go before he leaves Inferno, and ultimately his lover, behind. This song is him realising he has to let his relationship end, he has to act as a psychopomp for his love.

"Sometimes it returns like rain that you've slept through." Circle nine, 'Treachery', is a frozen over lake, aka a memory of water, similar to the residue of rain. With viewing this song as the predecessor to "Unknown / Nth", we can take this as a hint of what's to come.

"The Earth from a distance." Since Inferno is arranged in rings (like a circular staircase), Dante could feasibly look up and still see where he started his journey. The same way Hozier could look up and see where his relationship began, "De Selby (Part 1)", The Gates.

"Streetlights in the dark blue." We have the mix of light and dark again, as mentioned in the opening track, referencing back to Hozier and his partner falling in love.

"Darling, there's a part of me I'm afraid will always be trapped within an abstract of my life." Of course, Hozier is talking about the memory of the animal hit with the car here, but the way this relates to circle nine is beautiful. As we'll properly dissect with "Unknown / Nth", sat within the most central point of circle nine, the deepest part of Inferno, is Lucifer, the fallen angel. Lucifer was thrown down to Hell from Heaven, and found himself trapped in Treachery, his body too big to escape. Dante says that the more he struggles, the more stuck he becomes.

That moment he was struck down to hell is a moment he finds himself forever stuck in, just as Hozier is saying here. In the next song, Hozier relates his lover to Lucifer, but these lyrics are a gorgeous mirroring of Lucifer's experience, and another hint at the final circle we will now head to.

NINTH (TREACHERY):

"Unknown / Nth"

Okay, buckle in.

The ninth circle, 'Treachery', is also one split into subcategories, yet Hozier appears to be singing about the centre. The frozen over lake of Treachery gets more frozen the closer you get to the centre. The inhabitants start half-submerged in ice to fully plastered in it. Throughout Inferno, and the deeper we descend, a soft breeze becomes a strong wind, that, as we reach the centre, we find is caused by the violent flapping of Lucifer's wings. Here he sits, stuck and chewing on Judas, another one of God's biggest betrayers.

After "Abstract (Psychopomp)" Hozier is now exploring the final stage of his relationship. The circles of Hell had mirrored the love he once had, and Treachery is where it shall be buried. He also represents his lover as Lucifer, though not maliciously. In interviews, Hozier spoke about the song being about a heavy betrayal he suffered from someone he truly loved, and likening this to God and Lucifer is just heartbreaking.

"You know the distance never made a difference to me." The song is about knowing someone in their entirety, discovering their best and worst parts. Hozier uses Inferno to talk about the tiresome journey of finally knowing someone. He says he would've made the trip all the same, that he would've walked this far for his lover no matter what.

"I swam a lake of fire, I'd have walked across the floor of any sea." This mirrors the previous lyric, but also references specific parts of Inferno. The are many fires in Inferno, particularly in circle seven, 'Violence'. The sea floor lyric reminds me of the lake of Treachery. Though a surface, not a floor, the lake would still be below any seabed, since Inferno is geographically below the Earth.

"Funny how true colours shine in darkness and in secrecy." You guys are probably sick of hearing me say it but... Darkness is a big theme in Dante's Inferno. It is meant to represent the deceiving nature of humans when light is not being shone. Secrecy is a running thread through 'Inferno', too, as Dante finds many people he thought had done no wrong residing there. Hozier is simply saying how (sarcastically) funny it is that he only truly knows his lover in the remains of their relationship; How he only knows them after seeing them in their cruellest form.

"Where you were held frozen like an angel to me." There are many angel lyrics, but this one specifically references the ice of Treachery. The fallen angel is indicative of Hozier's experience: Seeing someone he regarded highly, even heavenly, falling from that pedestal and turning into something that couldn't be further from God's work.

"You called me angel for the first time, my heart leapt from me. You smile, now, I can see its pieces still stuck in your teeth, and, what's left of it, I listen to it tick. Every tedious beat going unknown as any angel to me." Hozier references his ex-lover chewing on his heart the way Lucifer chews on Judas. He listens to it somehow still ticking, however slowly, and at the end of the song we hear something akin to a heartbeat. The beats are "going unknown as any angel to me" since he can no longer recognise his own heartbeat after it has been mangled by another, and, since he mistook someone alike Lucifer to an angel, the idea of angels must be "unknown" to him.

"Do you know I could break beneath the weight of the goodness, love, I still carry for you? That I'd walk so far just to take the injury of finally knowing you?" We again have this imagery of walking far, referencing the journey of Inferno, and, even though he's aching with the realisation of who his lover truly is, he can't help but be grateful that he does now know them, no matter how painful that may be. That he would do this all again if it meant he at least got to the answer of who they are.

His weak heartbeat follows him through to final track as we begin the Ascent.

ASCENT:

"First Light"

The title is very meaningful for the Ascent. The song references both Dante and Virgil's ascent and the creation of light by God himself. Dante and Virgil leave Inferno through a tunnel that Lucifer left in the Earth as he was thrown down to Hell, and they emerge on the other side of the hemisphere. This song signifies Hozier stepping away from the relationship as he also makes that journey out.

"One bright morning changes all things." Dante is disorientated when he exits Inferno. He'd become so accustomed to the darkness that he asks Virgil, 'How is it that the sun progressed so rapidly from evening to day?' Hozier seems to recognise here that his relationship is no longer fit for him, that the darkness has become too encompassing, just as Dante realises on his ascent.

"The sky set to burst, the gold and the rust, the colour erupts...the sun coming up." Not only does this give the imagery of the birth of light, but it also represents Dante's view on his exit: 'Until...I saw the lovely things the sky above us bears. Now we came out, and once more saw the stars.'

"Like I lived my whole life before the first light." Hozier says that the darkness from his lover was so overbearing that it was hard to believe he'd ever felt light before - that light could not have exists with a darkness this heavy alongside it. It is a call back to "De Selby (Part 1)" - "A darkness so deep that God at the start couldn't bear."

"One bright morning comes. Darkness always finds you either way, it creeps into the corners as the moment fades." He speaks of bringing light to a moment between them, but has it quickly smothered by the darkness inherent in his partner. Another call back, this time to "De Selby (Part 2)" - "And your heart, love, has such darkness, I feel it in the corners of the room."

"After this I'm never going to be the same, and I am never going back again." This lyric is heart-breaking. Hozier states that Inferno has changed him, but he has no wishes to re-enter it. At the beginning of this album, he was begging for the likes of Inferno - "De Selby (Part 2)": "Let all time slow, let all light go." - and now he is desperate to get away from it. In "Francesca", he said, "At the end, I'd tell them, 'Put me back in it.'", yet, now, he's at the end, he's ascended, and he has no desire to go back at all.

He is letting go of his lover because he recognises that this pain was not worth it, that this love was not worth the punishment he received, so he leaves.

---

That was Hozier's Inferno !! I hope this was helpful to some people since it was very fun to make (I'm exhausted) and it's very enlightening to see how these lyrics relate to Inferno (I'm heart-broken) !! Okay, wooooo !! Enjoy !!!

[corroded-hellfire]

Older Eddie freaking out when she tells him she’s pregnant. He gets worried he won’t be able to be there for them in ways he wants to and tries to run. But he sees the ultrasound picture and breaks down and goes back to his girl

Confused older!eddie, you still that dumb boy we all love

Words: 1k

I’m pregnant.

The words run through Eddie’s head again and again as he lies next to your sleeping form. The sound of your soft, slow breathing is the only noise in the trailer, but Eddie can hardly hear it over the beat of his pulse pounding in his ears. 

He’s glad you’re able to sleep because God knows he’s the farthest thing from sleepy. Pregnant. Eddie’s starting to think he can see the word scrawled across the shadowy ceiling he’s been staring at for the past three hours. 

You’ll be 52 when the kid is born, Munson, Eddie thinks to himself. Which means you’ll be 70 when he or she graduates high school. Well, at least 70 if the kid follows in my footsteps when it comes to education. Heaving a quiet sigh, Eddie tilts his head to the side to look at you. He watches the easy rise and fall of your shoulders with each gentle breath. 

There’s a sudden sense of panic climbing up Eddie’s chest and it feels like an iron hand clamps around his throat. You deserve so much more than this, he thinks. You deserve to have someone your own age, who can be there for you longer than I’ll be able to. 

Unable to bear the thought of you having to take care of your child and an aging Eddie, he pushes himself out of the bed and stalks out of the bedroom. 

2:02 am the neon green numbers on the microwave remind Eddie as he steps into the kitchen. He runs his hands through his salt and pepper curls and begins to pace back and forth in the small space. The two of you had never talked about having kids. Obviously, what was between you was serious and you were both in it for the long haul. Maybe one of you should’ve brought up the subject but it was too damn late now, Eddie mused. 

“Jesus,” Eddie says as he rests his hands on the back of a kitchen chair and hangs his head. “People are going to think I’m her dad and the baby’s fucking grandpa.”

The tightness in his chest returns tenfold as he imagines you calmly explaining to people their mistake, like you don’t mind it one bit. But Eddie knows it would bother you after a while and it would ignite embarrassment in him every single time. The same thoughts would spiral around his head that hadn’t been present since the two of you first started going out: she can do better; you’re too old for her; it’s selfish when you’re going to die at least twenty years before her. 

The shame is too much. Eddie’s nails dig into the wood of the chair as his jaw tightens. Before he can think better of it, he heads towards the front door, where his boots are settled next to. He shoves them on and doesn’t bother to tighten or tie the laces. The keys to his truck hang on the hook next to his leather jacket, but the sight of the jacket only reminds him that he isn’t wearing a shirt. 

“Fuck.” Eddie squeezes his eyes shut and pinches the bridge of his nose. If he walks back into the bedroom to grab a shirt, he knows he’ll see you, sleeping there like the beautiful angel you are, and fall into your arms. But leaving is what’s best for you…isn’t it? “Get it together, Munson.”

Taking a deep breath in an attempt to calm down as much as he can, Eddie remembers seeing a sweatshirt hanging on the chair next to the one he was leaning on in the kitchen. It’s an effort to walk across the floorboards of the trailer in such heavy boots without causing a piercing squeak, so Eddie practically tiptoes his way. Calloused fingers snag on the worn gray cotton of the sweatshirt and snatch it up. In his haste, the sleeve of material knocks a few pieces of mail onto the floor.

“Shit,” Eddie mutters. He bends down on creaky knees to pick up the envelopes that bear both your and his names. At the very bottom of the pile, there’s a thinner piece of paper that had gotten mixed in with the mail. 

A slightly trembling hand raises the grainy black-and-white picture to eye level. Even if the lightning weren’t so scarce, the moonlight shining through the window over the sink its only source, Eddie would need to squint to see the image clearly. The small fuzzy bean in the middle of the sonogram has Eddie falling back onto his ass, tears filling his eyes as he stares at the picture of his child. His baby. Your baby. 

Fat tears begin to roll down Eddie’s cheeks and he brings his free hand up to cover his mouth. How could he be so stupid? How could he even consider leaving? Leaving you? Leaving this innocent baby? No, he knows with complete certainty that would be the biggest mistake he’d ever make. So worried about the amount of time that he’d have with you that he was about to throw away the best thing that ever happened to him. And who’s to say someone younger would have more time with you? The next day isn’t promised for anyone, no matter the age.

Eddie puts the sonogram back on the table and is quick to scramble out of his boots, kicking them beneath the chairs to be dealt with in the morning. Both his leather jacket and sweatshirt get tossed on the couch in his haste out of the kitchen, into the hallway, and back down to your shared room. 

When he enters, you’re sleeping on your other side now, so he’s able to see your face. Letting his eyes roam over your beauty, more tears begin to fall. He roughly wipes off his cheeks with his rough palms before climbing into bed with you. Though you look so peaceful asleep and tucked in the blankets, Eddie can’t help but slide in as close to you as possible and wrap you up in his arms. A small, sleepy murmur tumbles from your lips as you snuggle up to your boyfriend.

“Everythin’ ‘kay, Eds?” you mumble as you lift your head and rest it on his bare chest.

Eddie nods as he holds you even tighter against his body. 

“Mhmm, sweetheart.” He presses a kiss to the top of your head, a smile breaking through at the way you cling to him. “Everything’s great.”

[talesofsonicasura]

To Save A DogDay

I couldn't help but write this after seeing the constant dedication of saving the giant toy doggo. So here's something to assist you guys in the effort. I've done some research(even though Google was being an ass) and took a look at this particular post by @dafloof

First off, DogDay is surprisingly big despite being cut in half. If I have to compare his size then think of those giant plushies you win from a theme park or carnival game. Thus the only possible carry for the average person to safely escort him is bridal or hanging off like a koala on the side due to the grab pack. He might be able to shrink himself to a more manageable size if DogDay is similar to CatNap in body structure.

Although that doesn't mean the task is impossible outside of adrenaline. DogDay may be big you got to think about his possible weight. Bigger Bodies are still toys with the Smiling Critters being plushies. How much of him is stuffing and not organs?

The necessary body parts for him to still be alive are the lungs, heart, brain, stomach, and some sort of skeletal structure. Here's a weight chart for the average human. (Although these might be smaller if harvested back as a child than an adult.)

Stomach: 2-4 pounds/lbs

Brain- 2.5 pounds/lbs

Heart- 0.25 pounds/lbs

Lungs- 1.8 pounds/lbs

Human Skeleton- 15-25 pounds/lbs

Average weight here 21.05 - 31.05 lbs. His arm bones might be reinforced similar to the Prototype but they still wouldn't be that heavy. For carrying in your arms, 35- 55 lbs is what the the untrained person can hold. Body weight contributes to how much someone can carry with a 139 lbs untrained woman being able to deadlift around 74 lbs. For men it is 125 lbs for 148 lbs.

Adrenaline can help contribute to this as there have been feats done by people in dangerous situations. One example being a human mother fighting off a polar bear to protect her kids or someone moving a car by themselves to get free. We can do insane things when it comes to survival.

There's also the mental side to this. Our brains actually diminish the perception of how strong we are by 40%. If you carry something you love or cherish like a person, then they can weigh less just from that viewpoint. Sometimes thinking like the Little Engine That Could will make a difference.

Now I am not forgetting the dangerous little critters. There are ways to deal with them and have enough time to bring DogDay along. In his cell, there are two ports they can crawl out of. Blocking these whether by flares or stuffing them with nearby items can do the trick.

Second is bribery. We aren't restricted to the environment like in the game and throughout the facility there are intact vending machines. The toys obviously need to eat but seem unable get into the machines. YOU CAN.

Break the glass and stockpile as much snacks as possible. Finding bags or boxes to carry them wouldn't be hard. Offer these to the little Critters in exchange for DogDay. You can open one bag for further incentive as the chance to get a special treat is something no one will be able to resist.

DogDay might be able to drag himself so breaking the chains with the Grab Pack or a different tool is possible. They are probably rusty thus easier to break. It will obviously hurt for DogDay to drag his body so stealing something like a cushion from CatNap's hideyhole could ease the pain.

Should that not be the case then other options are available. Considering Playcare is a fun house, you might be able to find scooterboards or a platform cart to carry him. If not then a makeshift sled to pull DogDay about is the next best move.

Now there's actually another escape route. A duck ride that you couldn't access in the game due to bugs. I think Mob was planning for a chase down there as it is fully fleshed out with puzzles and an environment.

DogDay can hold onto the boat while you solve the puzzles to get out. For those who hadn't chosen bribery then flares will keep pursuing Little Critters away. Maybe set a fire as you escape since there's plenty of items to make a molotov cocktail if crafty enough.

I suggest finding some walkie talkies as someone needs to look after DogDay. The area under the statue can be a possible safe spot but being able to contact Kissy Missy and Poppy will better the chances of his recovery than just survival. Both know the factory's inner works enough to remain hidden so they might know where to find supplies. A possible ally with valuable info can sway them to help.

There is also the option of coming back to Playcare. DogDay might still be alive as you can hear his muffled cries during the chase. He might be worse for wear due to the little menaces piloting him like a bootleg Megazord. Walkie talkies can help you page Kissy Missy to help with escorting the Bigger Body safely.

It is possible to save DogDay if you are smart or crafty enough to use the environment. The factory offers a lot of potential options to help with that. Do know that you can turn a simple water gun into a flamethrower.

Why follow the rules of the game when there are ways to break them?

[dmitriene]

THOUGHTS ABOUT SIMON SERVING YOU BREAKFAST IN THE MORNING.

cw: fluff, comfort, slighty suggestive, established relationship, female anatomy, hints on sex, kisses, marks, soft and kind of domestic simon, maybe ooc simon like always, domestic aesthetic. pairing: bf simon ghost riley x gf fem reader

✎ 𝘮𝘢𝘪𝘯 𝘮𝘢𝘴𝘵𝘦𝘳𝘭𝘪𝘴𝘵. 𝘲𝘶𝘪𝘥𝘦𝘭𝘪𝘯𝘦𝘴. 𝘢𝘰3. ˑ༄

the warmth and softness of the clean sheets feels incredibly comforting and tenderly against your slightly aching, limp body as you turn over slowly on the spacious bed, without having to deal with the heavy pile of muscles and soft large body in the process, realizing that simon is not next to you.

you don’t have time to open your eyes as the muffled sounds of dishes crashing against each other can be heard behind the slightly ajar door, before they knock on a dull surface, accompanied by the rustle of soft slippers on the parquet, obviously by the sounds simon is in the kitchen, but what has he been doing there since the morning is definitely wasn't very clear to you, considering that he likes to sleep longer.

missions are tiring, so he spends most of his time in bed or on the sofa next to you, dozing, leaning on you, hugging you, putting his head on your knees, whatever, but next to you and in deep sleep, just like a bear, and you got used to it, but now you was definitely interested in finding out what he was doing there, especially with such awkward noises.

rising slowly, you allow the blanket slide down your body smoothly, falling to your stomach area as you stretch upward, warming up your aching muscles and exposing your body to the slight coolness and dim light of the morning, illuminating a scattering of hickeys and bites on your skin, fanning your bare chest and allowing your nipples, tormented last night by simon's teeth and tongue, harden in contrast to the slight cold, and at least, unlike last night, you are much cleaner and with no sticky feeling between your legs.

you straighten your slightly rumpled, disheveled hair, lifting and tugging the blanket so that you can throw it over your shoulders, shuddering and covered in a scattering of goosebumps, about to throw your legs over the edge of the bed and frowning slightly when there is a slight pain in your lower back when the door suddenly swings open with a small knock, and there are simon forming in the aisle, and more precisely, the first to enter is a wooden tray with colorful filling, and only a little later a light mop of hair scattered to the side on the top of his head.

simon opens his deep, brown eyes in slight surprise, fluttering his light eyelashes and looking you up and down with a small hungry squint, emitting a deep, contented chest purr, slightly lowering his hands with a wooden tray, allowing you to catch your eye on the fact that he is dressed in nothing but low slung pajama pants, just enough to show off his bare, muscular chest and the faintest formation of blond hair running towards his slightly soft stomach and hiding behind his waistband, it seems like you are definitely alike with simon in the fact tbhat no matter how much time you spend together, each of you look at each other with insatiable hunger.

— “did i woke you up, lovie?„

his voice comes out in a light, worried croak, causing your eyes to leave his body and return to his face, he walks towards you, allowing you to finally see the contents of the tray and understand what he’s been doing in the kitchen since the morning, fresh breakfast for two, chopped fruits and vegetables, a plate with sweetish pastries and buns, as well as a mug of tea, beautifully placed on a wooden surface, teasing with delicious aromas, from which a smile creeps on your lips on its own before you murmur affectionately

— “nuh uh, you didn't.. is this for us? a breakfast in bed, huh?„

simon smiles meekly, his thin lips stretch into a warm smile as he places the tray on the bed as carefully as possible, and he is covered with a small reddish blush, from the tips of his ears to his cheeks, a completely unusual emotion for him, but one that he shows you with great confidence, before than to purr from the depths of his throat, leaning in front of you to touch your cheek with his lips in a fleeting kiss

— “wonted to make you something nice, love„

such a seemingly sweet act can’t help but make you break into a bright smile on your face, looking at him with a sparkle in your eyes, turning your head to the side to meet his lips with yours instead of your cheek, wrapping your arms around his neck hastily to pull him along with you, forcing him to press his knees into the bed and bend over you, resting his hands on the mattress, before your naked flesh is revealed to him, minimally covered by the blanket, but literally crying out for his touch and attention

— “darling, breakfas'.. it's going to be cold„

simon mutters relatively tensely, somehow pitifully, he really tried hard to prepare something pleasant for you, but he can’t resist the bright temptation, leaning closer to your body to catch the notes of the smell of your body, pressing his nose into the curve of your neck and passing his slightly dry lips over the marks left by him, connecting them together like constellations, leaving a tickling feeling on your bare skin and a comfortable warmth after, before suddenly wrapping his arms around you and lifting you above the bed.

you let out a surprised squeak, practically kicking your legs as simon gently lifts you up, simultaneously managing to wrap you in a blanket like a tortilla, and press you against his wide bare chest, sitting you on his lotus shaped legs before he moves the tray a little closer to him, extremely carefully, and immediately reaches out to prick the presented eggs onto a fork, holding them out to your lips and pronouncing in an almost commanding voice

— “come on, ea' up„

a giggle escapes your lips before you obediently part your lips and catch the tip of the fork in your mouth, chewing a piece of fried egg and humming contentedly, swallowing and immediately arching your neck to seize the moment and peck simon on the tip of his lip, silently thanking him before mutter directly into his lips

— “thank you, si, it's really tasty„

simon swallows practically hungrily, narrowing his eyes and flexing his arms around your waist, holding you tightly in place as he rolls his head to the side before tilting his face to softly kiss your lips, letting you literally melt into the kiss as he unexpectedly bites them, very carefully, but still slightly tingling, because of which you immediately pull away with a sincerely dissatisfied sound, softly spanking his bare chest, and he just chuckles, immediately kissing the top of your head and purring into your skin

— “that's wha' you ge' for slying while eating, sweethear'„

[titaniasfairy]

stepbro!sammy who manipulates you into sleeping with him to “help your cramps”!!! except he’s way too rough and it doesn’t help

thirza blessing us with a filthy ask today…

18+ MDNI

just a reminder that you are responsible for the media you consume! if you don’t like it, DON’T FUCKING READ IT! anyways bear🐻 presents..

cw: PERIOD SEX! STEPCEST! fem!reader, dom!sam, coercion kinda so slight dub-con, creampie, oral (fem receiving), cum-eating.

“cmon, lemme help! i read it in an article once.”

you roll your eyes as your step-brother continues to pester you about trying to help with your period cramps. sam sits next to you on your bed while you lie on your back, clearly struggling with your ailments.

“sam i’m not going to fuck you just because you think it’ll help with my cramps.”

you huff out in frustration at his naïve horniness, knowing he’s just trying to get inside you. despite this, he persists.

“i know it’ll help! you’ll enjoy it too..”

“will not! it’ll be all wet and messy- not to mention gross! we’d have to lay a towel down.”

sam groans out and throws his head back, obviously annoyed with your refusal to his lust-filled proposal.

“oh please, it’s not like the sex we usually have isn’t messy already.”

your jaw drops at his disgusting (but true) statement, trying to deny that the two of you have had sex before. he’s your step-brother after all!

“n-no! i don’t know what you’re talking about.”

sam chuckles at your half-witted attempt of a lie while you try and avert your gaze from the growing bulge in his jeans.

“i think you do, sweetie. i know you haven’t forgotten about the other night..”

his dirty whispers fill your head up with images of your mouth around sam’s cock, his hands in your hair as he face fucks you rough. the night ended with your mascara smeared and your swollen lips covered in your step-brother’s milky seed.

while you were lost in thought, sam slipped next to you, his warm breath hitting your ear and leaving you flushed.

“now you remember, don’t you? cmon baby, let your big brother make you feel better.”

only a few minutes later were you bent over on all fours, sam’s thick cock ramming into you from behind. the blood spilling from your entrance served as lube for him, making each thrust let out a wet squelching noise.

he pounded into you hard and rough, leaving no room for the ‘relief’ he promised. the tip of sam’s cock kissed your cervix and forced its way into you, causing you to let out squeals of pain and pleasure.

sam’s hand was placed where your ass met your lower back, pushing you back and forth on his cock to help him thrust inside you. his other hand was tangled in your hair, using it as a handle for him.

“sweet jesus. look at you taking your brother’s cock so well. my cock looks so good covered in your blood, baby.”

you let out whimpers of protest in response, seemingly begging him to slow down or be a little more gentle, but you’re only met with maniacal chuckles in response.

sam’s hand weaves out of your hair to hold the back of your head, pushing it down into the mattress and effectively silencing you so his groans and smacking skin are the sounds left in the bedroom.

with every thrust into you, your step-brother’s heavy balls smack your sensitive clit, sending shivers through your fucked-out body. looking down at the bloody mess only turned sam on more, leaving him staring down at his cock slamming in and out of your tight cunt. the sight makes his balls tighten and his cock throb, bringing him closer and closer to his peak.

“holy fuck i’m gonna cum in this tight pussy.”

sam moans out loud and slaps your ass, marking his territory. he gives you three or four hard thrusts and spills his load into you in thick ropes of cum, leaving you spent beneath him without an orgasm yet.

before your disappointment can fulling fester, sam is pulling out of your cunt and bending down to face your pussy. he places both hands on your ass cheeks and dives face first into your cunt, slurping and sucking out his own cum.

you’re left speechless, only able to let out wanton moans and squeals of absolute bliss as your step-brother eats you out like a man starved. with each flick and touch of his blood-covered tongue you’re pulled closer to the edge of your orgasm.

“sammy i’m gonna cum! oh my god-”

sam’s hands grip your ass harder and your toes curl as your orgasm comes over you in a large wave, leaving you shaking and spasming against his tongue. sam continues to slurp and lick his way through your climax till you’re completely slumped against the mattress below you.

while you’re trying to catch your breath, huffing and puffing on all fours, sam stands up and wipes his blood and cum covered mouth with the back of his hand.

“so are those cramps gone yet?”

ty for the ask <3

taglist <inbox me if you wanna be added!> : @zapernz @mortalheartache @geekforhorror @bunnylovesani

[gremlingottoosilly]

werebear!price getting extra adamant on feeding you as winter approaches. Gotta stock up before hibernation.

I bet he’d enjoy an extra sleepy pet if he went pet shopping

One of the main reasons he picked you in the human pet shop is because you proceeded to sleep through whatever he was doing. Price isn't the most subtle being in this building - he is heavy and imposing, even if his human form, and he by no means is trying to make himself smaller. It doesn't bother little sleepy you - not even when your cellmates are pushing and screaming, either trying to get away or as close to a possible ticket to freedom as possible. You were...sleepy. Always tired and exhausted, you're no match to his boys - especially to Soap's bursts of energy and Gaz's desire to hunt for his mate through the woods. They still adore you, obviously, they love to tease and to make you scared of them, but you eventually fall into this sleepy hazy state, and now you belong to your big bear. Fully. Price makes sure to bring you the best blankets he could find - he digs up scales and weight you before the hibernation starts because he is scared of you being starved back in the shop, that you need to take on a bit more kilos until you can be safely tucked away under his arm. He loves to just make you hang out in his office, you're chained to the floor on a warm, fuzzy carpet - you're so sleepy when you just lay next to his thigh, snoring softly, a warm blanket draped over your shoulders. He doesn't keep you on his lap because he wants to be able to go out of the room without disturbing sleepy little you - you're always so weak and pathetic after you wake up, your poor attempts at hiding from your new life aren't working because you wake up and it's the same people, all over again. You wake up and you're still his pet...so you just fall asleep again.