#hes evil and i hate him but also love hating him

[a-fangirltrash]

"Ford treated Fiddleford so bad!!" As if him treating Fidds like shit wasn't directly a product of being constantly gaslighted and abused by Bill.

I'm genuinely getting tired of people flaming Ford, but in a serious tone. Like people are acting like he's a toxic selfish man that used to put Fidd down... and... no he never did???

Ford ADMIRED Fiddleford, he TRUSTED his friend for what he described as "the project of his life" and Ford, being the most prideful man in the world, decided to ask for help because he knew how CAPABLE Fiddleford was.

When Fiddleford arrived Ford let him know how thankful he was that he was there with him, the man even took a bath and made sure to make him feel like he was at home. Ford even remembered his favorite bean brand?

When Fidd got traumatized by the gremoblin, Ford TRIED to help with what he knew. He tried to help him meditate, took days off for him, decided that they could go out and have some good time. Be mindful that this might've been the total OPPOSITE of what Bill wanted, and he still did for his friend sanity. Bill would make Ford work like CRAZY.

Also, for him it wasn't "putting him in danger!!" For him it was sharing adventures with his friend! Just like hi did with *cofcofSTANLEYcofcof*. That's love language all around.

Fiddleford could abandon the project anytime, but he didn't because he liked being there. And Ford is NOT the guilty one for Fidds creatinf the gun :/ it's nor his fault that fidd interpreted "using his creativity" in that way. Ford NEVER approved that gun.

Also, Ford noticed that RUBIK THING, HE APPREACITE HIM SO MUCH HE KNEW HIS HABITS. AND GOT CONCERNED RIGHT AHEAD.

"B-but he free Frilliam!" The portal was close, did you all READ how much gaslighted Ford was at that point? He didn't free it because "ugh i don't care about this shitty axolotl" but because Bill started to freak out and yell at him to get rid of it. Ford wrote "A friend" with a heart in the title??? Wdym he didn't appreciate it aaaagh

If Stanley took the diaries (i don't like this universe because...stanley:() he WOULD have looked for Fiddleford, they'd have made the Institute of Oddology, he'd have shared his success... with the man that helped him the most.

TBOB SPOILERS AHEAD

He got sad when Fiddleford told him he was gonna get back home to spent time with his family, he PLANNED holidays with him. Even if he DIDN'T like holidays.

He took a day off just to make him happy after his atrocious christmas party, he USED RESOURCES that as you know ford is the most practical mam in the world JUST to decorate the portal as a tree and make Fiddleford happy.

And that atuff of "h-he doesn't appreaciated Fiddleford gifts!" IS SO DUMB OMG, he wore the gloves in the snow and was incredibly thankful about them. When BILL that dumbass triangle pretty much LACERATED his hands, he used Fiddleford gloves as a way to hide those scars, and in a sense, probably to comfort himself because he was ALONE.

I think that was the reason of Fiddleford fast forgiveness, not only because he's a sweet heart, but because after fighting with Bill i think he noticed how BIG was the monster torturing his "partner".

And after all of this i'm not trying to excuse Ford treating him poorly and not listening to him in time

BUT FORD IS NOT A PERFECT VICTIM

Even if i believe he wasn't "the" (at least only) reason of Fiddleford becoming crazy, i know it could have been better for him and he could have avoided so much trauma. But can we please stop seeing Ford as a selfish, evil mad scientist and start seing him as a victim... of a terribly abusive relationship that checks in for all types of domestic abuse... please!!! Ford is not a perfect VICTIM Can we blame Bill!!!

All this rant is because there's certain ship... which i kinda like, but i just HATE HATE HATE the interpretation and how much they put Ford as a villian on it omg

Edit: fixed the use of word narcissism, since it might've been ableist! Replaced with words that actually relate to what i intended to say, instead of referencing a personality disorder

[laughingfcx]

(please/don't) call me baby

soundtrack <3

pairing: tetsurou kuroo x f. reader

content: fluff, crack humor, kuroo acts like a loser virgin LOL, way too many pet names, it girl energy reader !!!

warnings: swearing, like one sexual joke, ooc

word count: 1k

for the lovely @chososcamgirl <33 i've had sm fun in your w this idea !!!

you call everyone pet names. it's kind of your thing now, really. everyone, from yaku (darling!), to kenma (sweetheart!) to lev (angel!). that is, everyone except kuroo. to you, kuroo is kuroo. occasionally tetsurou, if he's lucky, but mostly he is just kuroo.

he doesn't mind it, he swears. he doesn't even care! or he wouldn't, but he also unfortunately happens to be head-over-heels in love with you. how embarrassing. and he's totally not jealous of the other guys.

which leads him to his current situation. his head tips back over the back of his chair as he runs one hand through his hair. "y/n, do you hate me?"

"no, why?" your answer is sharp and fast from the desk next to his.

oh, shit. now it's awkward.

"because, like... you don't call me any of your stupid cute names or anything," he explains sheepishly.

you sit up straight, lips curving up into a beautiful, evil smile. "you wanna be called pet names, kuroo?"

he flushes, shakes his head. "naaah, just asking."

you don't seem to believe him, head tilted to one side as you regard him curiously. and then you're getting up and making your way towards him, bending down to get on his level, and he thinks he might spontaneously combust in his pants. your fingers dance across the broad expanse of his chest, and your eyes are like a predator's, stalking its prey. his breath hitches as he waits for you to speak; when you finally do, he thinks he might have be going insane.

"whatever you say, baby," you purr, and holy fuck, kuroo is so ready to get down on his knees for you or bark like a dog or do whatever the fuck you want right now. he is pathetically down bad for you — it's embarrassing, and like you can read his mind, you just have to go and make it worse.

you twirl his tie around your fingers, careful and calculated, and for a split second, he imagines being pulled up by it, letting you kiss him in this empty classroom, just like that. and oh, apparently you're satisfied with how much you've messed him up right now, because suddenly you're back at your desk, and he's watching you fix your skirt with a beet red face and even redder ears.

today, for whatever reason, you're taking longer than usual to pack up when class ends, so he takes the opportunity to extricate himself from this terrible, terrible situation that he's created for himself. but when he's finally halfway out the door, someone calls his name.

"kuroo," you call after him, sickeningly sweet voice pulling him back to you. "baby, don't say you're leaving without me!"

his knees give way.

"you haven't forgotten my offer, though, right?" what a perfect gentleman, walking you home like this. he's even limiting his strides so you can keep up with ease.

"what offer, baby?" you hum distractedly, eyes glued to your phone. manicured fingers fly across it as you text someone, and you only look up when he chokes unceremoniously.

"you okay—"

"yes! i'm fine!" he yelps before you can say another word — or rather, one very specific word — and looks away to hide his reddening face. "as i was saying—"

"yes, b—"

"stop talking! i mean, let me speak!"

you frown, surprised at the way he won't let you get in a word edgewise. "okay, weirdo. go on?"

"the manager position is still open," he huffs. he's still embarrassingly red; his heart has not yet calmed down. “if you want.”

"mm, i don't know, baby, i'll have to think about it."

he will die. or he will run into oncoming traffic and die. this is so unfair, it's torture—

"thanks for walking me back, baby, i'll see ya."

he trips and falls on his face. "fuck— i mean, see you later!"

"you seem awfully happy today," kenma observes. "did something happen?"

"what? no, why?" he splutters. splotches of red begin to appear on his face, and kenma smirks.

"sure."

"say, kenma."

"what?" he sounds annoyed even though he's the one who started this conversation.

"how do you deal with y/n's nicknames?"

"what d'you mean? they're okay."

silence. kuroo rolls this new piece of information over in his mind. "so... you don't feel like exploding or dying every time she calls you, like, baby or something?"

kenma looks confused. "no? i think that's called a crush, kuro. also you know she said she thinks that's too romantic for her friends, so no, 'cause she doesn't even call any of us that— are you okay?"

"kenma."

"what?"

"shut up."

kuroo is pretty. it's not an unknown fact, and you, having known him for several years at this point, are no stranger to it either. with sly honey-brown eyes and bedhead that he manages to make look good in a way that you just cannot fathom, he is — in short — just your type. this is also where you shamefully admit that yes, even his derisive remarks and general air of disdain when it comes to his opponents is very attractive indeed. not to mention his biceps— actually, let's not go there.

but biceps or not, he has been driving you insane as of late. and now, it's apparent that you're finally getting to return the favour. you're not stupid; you've been noticing his reactions to the nickname from the start. and it's almost satisfying to be able to toy with him the way he's — unintentionally — been doing with you. maybe he'll even catch the hints you've been dropping if he's lucky.

meanwhile, it's taken kuroo exactly one hour and twenty-three minutes to desensitize himself to (the thought) of your voice. anyways, it's not like he'll see you any time soon, so it's okay. first there's volleyball practice, then he'll go straight to bed.

kuroo hates himself — it's like everything he does comes back to bite him in the ass. or rather, in the lungs this time, question mark. because as he struggles to breathe properly, you're waving at him from across the gymnasium in a very oversized NEKOMA jacket.

"i thought about it it!" you yell. "i'll be temporarily managing the team!"

maybe he should quit.

author's note :: whenever i'm describing kuroo i swear i start typing w one hand😭😭 reader's pov was NAWT necessary to the story i just wanted to salivate over him ok.

also this is going to be a series so like :) that's why there's nothing major here really

[blueishspace]

Looped Sun 14

Loop #427

Tango: Jimmy!?

Jimmy: Rancher!?

Pearl: Oh wow, they look adorable.

Scott: Yeah...

Pearl: ...who shit in your coffe today Scott?

Scott: What!? Uh??

Pearl: Why are you being weird about it?

Scott: Excuse you, I'm not.

Pearl: Uh huh.

Scott: I'm not... lying.

Pearl: Huh, if you're sure.

Scott: ...

Pearl: Listen Scott, I don't care if you are jealous but don't let it become a problem.

Loop #429

Scott: Pearl, Pearl I fucked up.

Pearl: What's wrong!?! What happened.

Scott: I let it become a problem.

Pearl: ... What did you do.

Scott: I ... Poured water into Decked out 3.

Pearl: YOU DID WHAT!?

Scott: I didn't mean to but I just so ... tempting.

Pearl: Do you know how much time Tango has put in on it!?!

Scott: I know!

Pearl: That was multiple loops of work

Scott: I ...know.

Pearl: ...

Scott: I'm ...sorry.

Pearl: Listen Scott, you are one of my closest friends but that was really fucked up.

Scott: I don't know why I did that... I didn't think that-

Pearl: You didn't think at all mate... Why did you come here?

Scott: ... I'm going to tell Tango.

Pearl: ... And? Why tell me?

Scott: I... don't know. I guess I wanted to know what do to. And now I do.

Loop #430

Tango: ...

Scott: ...

Tango: So?

Scott: I dropped water in Decked out 3.

Tango: ...That's it? Scar does that like 5 times a week, It's annoying but accidents happen-

Scott: It wasn't an accident.

Tango: What do you mean?

Scott: It wasn't an accident, I did it on purpose.

Tango: But why would you do that?

Scott: I... don't know. I didn't think.

Tango: ... Are you sorry?

Scott: I am.

Tango: Are you willing to help fix it?

Scott: Yes.

Tango: Then, a truce?

Scott: Truce?

Tango: I think I know why you did that, so truce, for Jimmy's sake at the very least.

Scott: Alright, truce. For Jimmy.

Loop #433

Grian hated yhs loops with a passion, he really did. Taurtis was an enabler at best most of the time and Sam... Yeah. Accidentally going sun titan mode and being mistaken as Amateratsu was new... To be fair there was much that he wanted to avoid so all things considered this was actually a pretty ok loop. Still getting worshipped always felt unconfortable...very unconfortable.

Loop #438

The Narrator: You are on a path in the woods and at the end of that path is a cabin and in the basement of that cabin is a watcher. You are here to slay it, it will be the end of the world if you don't.

Mumbo: ...

The Narrator: Hello? ...

Mumbo: I feel like this is a meta joke of some kind.

Loop #441

Tango: Let me guess, Scott?

Scott: Tango?

Tango: Is it so obvious?

Scott: Your villain name is literally fireburn.

Tango: Listen, creativity is hard ok?

Scott: So, guess fire powers?

Tango: Fireficating, yes.

Scott: Sooo, why the visit?

Tango: Jimmy is a hero in this loop.

Scott: Oh? I have to see this.

Loop #443

Scar: Ok, what if I also went insane this time.

Pearl: Uh?

Scar: I could be uh... Scarlet Scar!

Pearl: I hate the fact it's an alliteration.

Scar: Oh, it could be so fun!

Pearl: Hmm... I have an idea.

Pearl: Prepare for trouble!

Scar: And make it double!

Pearl: To protect the world from devastation.

Scar: To unite all people within our nations.

Pearl: To denounce the evils of truth and love.

Scar: To extend our reaches to the stars above!

Pearl: Pearl!

Scar: Scar!

Pearl: Team Scarlet blas off at the speed of light.

Scar: Surrender now or prepare to fight.

Tilly: woof woof woof woof! (Woof, that's right!)

Loop #446

Tango: Being a gem is... Weird.

Scott: Comes with being a being of light. Pearl told me about it but it is a lot weird when actually in it.

Tango: So you are a uh...

Scott: Sapphire, guess you are a carnelian.

Tango: Yeah... overcooked too.

Scott: Ouch. Jimmy is a lapis lazuli this time around.

Tango: That's the water one, right?

Scott: Yeah. I can being you to him. You could say sapphires are good runners.

Tango: Jimmy is so bored lately, I don't get it.

Scott: It's part of the loops, happens to me to. Sometimes we feel a little numb.

Tango: We should do something interesting but I don't know what.

Scott: Actually I have an idea.

Scott: Jimmy!

Jimmy: Scott, Tango, what's going on?

Tango: We have someone we would like you to meet!

Jimmy: Oh uh...sure...?

Scott was actually pretty light Tango had to admit, it only took a twirl and and a dip and they were both engulfed by light.

Jimmy: U-uh!... H-hi? Y-you look great! I mean good I mean nice.

???: Oh don't be shy, you look great good nice too.

Jimmy: A-ah!?? Uh??

The fusion didn't last that long considering the tension still present between the two but Jimmy's glowing face was worth it.

Prev Next First

[colduncrustable]

the martin antis working so hard to make waves is so funny. like, you are very much allowed to like/dislike any character you please! but making it your whole personality or acting like you’re cooler for it is a little bit silly. you are not morally or intellectually superior for hating on a fiction character.

not to mention all of the characters in tma are very nuanced and complicated, just like real people (!), and erasing all of that to serve a certain narrative is a complete disservice to the entire body of work. jon and martin’s relationship was never meant to be easy, they first and foremost worked closely together as boss/employee, and in a workplace that was actively putting them in dangerous and horrible situations. the whole point is that they’re both super fucked up but they have each other anyway. they both have flaws, they both have gone through a great deal both with and without each other, but they found love anyway. the idea that the dynamic change in s5 is due to martin just being this villain is so wild? like he’s not a doormat anymore but he also loves jon so fiercely and stands by him over and over again?

jon hated him, jon ignored him, was verbally horrible to him again and again, literally sent him on a dangerous investigation and said if anyone had to die might as well be him, jon accused him of murder, screamed at him, jon was on the run, jon died. martin was his number one defender through everything, even when honestly? he didn’t do a lot to prove he deserved it. but martin was strong in his loyalty and did his best to be a supporter anyway. he picked up extra work, he thought of him kindly when no one else did, he mourned him, and he put himself directly in the line of fire for jon. for everyone, yes, but especially for jon, he says that. because after everything, protecting jon is still his number one priority.

it’s so important to his character that he isn’t s1 martin anymore—that he learns to be a real person who has thoughts and feelings and a backbone. jon wanted that, and does it not say something that they don’t work out until martin learns to have a little bite? there’s a difference between being a real complicated traumatized human person, and just straight up being evil, or an asshole. jon had to learn how to be a lot of softer things but martin had to learn how to square his shoulders and stick out his chin. they had different arcs, and that doesn’t make either of them inherently evil or bad. it makes them real and not perfect and very multilayered, yeah.

martin didn’t handle every choice or action perfectly, he made a lot of mistakes, and he never claims to be the best person ever. but jon also fucked up, a lot. it isn’t a competition or a comparison, that’s really not how that works. but they work because of their flaws. that’s a big part of them fitting together. martin represented the humanity they were saving, with all his good and bad. jon was well beyond that, and while that doesn’t inherently compromise his character, it does mean he’s viewed in a much different light.

(meaning i think jon’s sins are seen very very different to martin’s.) (to be clear i think both deserve to be looked at critically, but hating either of them devoutly seems sort of silly.)

i’m not sure how you can listen to tma and all the ways it dissects and reflects on humanity and turn around and run blogs or make posts in the fandom about how you hate one of the main characters for being all of that.

jon never would’ve made it through without martin, even if martin wasn’t the key to everything, he was the reason to push through and not give up. martin is why jon didn’t go full monster mode, why he held onto who he was and his humanity, even with the whole ‘kill bill’ thing. martin gave him a reason to keep going, to try, to care so deeply. obviously there were other factors but jon says it himself, martin you are my reason.

if you can’t handle the fact that martin isn’t a grade a soft boy by the end of the show that’s a lot more about you than it is about him. he grew and maybe not always for the better but he could be a real person for jon instead of some kind of mirror or blank slate to be reflected on. i genuinely don’t understand how he can be misunderstood so deeply.

they’re both fucked up ! and if they are alive Somewhere Else you bet your ass they’re having long talks and going to therapy and fighting and making up and pacing the floors and figuring it all out together. it isn’t clean or easy or necessarily enjoyable all the time, but humanity isn’t either, love isn’t either. they went through unimaginable trauma, and expecting either of them to be holding it together any better than they already are is wild. context, it’s important. but let’s not turn multi-dimensional characters into flat one word answers.

it’s very human to like and dislike, love and hate based off of bias and experiences and perspective. but also opinion does not make fact. everything is relative, everything is subjective, everything everything everything. it’s an open discussion yada yada idk i’m just screaming into the wall about all the nonsense.

and beyond all of that, discourse is so useless. criticism and constructive conversations are really really important but discourse is pointless! oh you ship these people? well that inherently threatens my ship! oh you like this character that i hate? well that makes me feel invalid for hating them. like what you like, hate what you hate, have your feelings. but if you post shit on the internet you will get people who disagree, sorry, that’s how it is. partaking in little arguments over who is right or wrong when it doesn’t actually have to do with anything harmful or unhealthy makes no sense though. posting on the internet about all the hate you have in your heart when the world is already so full of it doesn’t actually do anything but add more bad to an already very large pile of bad.

things can be discussions not arguments sometimes, i promise. it’s not always tooth and nail, and let’s not forget, most of it is over things that never need to be fought over.

[fantaatix]

a stolitz post? in the year of our lord??

warning this is genuinely a long ass post

okay so sometime last month i was watching 3bskyen’s JLMW reaction (really tells you how long i’ve actually been cooking this post), and he was talking about color theory or something but what caught my attention was that he was paused on THIS frame:

he said something about the red/blue contrast throughout the music video; red being symbolic of blitz (the moon) and blue being symbolic of stolas (the ocean (?)) and it got me thinking, i wonder what the gold might symbolize? because this definitely isn’t the first time we’ve seen the color gold in reference to stolitz. first think back to truth seekers, there’s gold in quite a few places

golden rails, golden feathers, golden shackles; this is why i say gold and not yellow. at first i thought it might be symbolic of the power imbalance, but that’d be too easy.

quite the selection of objects, isn’t it? rails imply safety but can also be restricting, the feathers seem harmless but then turn into shackles…possibly reminiscent of the nature the book deal and the role it actually played in blitz’s mind about his relationship with stolas.

but there’s one more thing i left out; the golden dust

...okay...don't laugh...

first time i saw this scene in truth seekers i was immediately reminded of shrek ever after

AND I’M NOT COMPARING BLITZ TO RUMPELSTILTSKIN, i’m not trying to imply they stole from shrek ever after, THAT'D be a stretch. if anything blitz is better compared to shrek himself, but i'm not gonna write about that because i Don't Want To

but if i’m remembering correctly, that movie revolved around the theme of taking good things for granted, like your partner and your friends, which aligns pretty well with how blitz’s bad trip ends:

“i believe your subconscious is trying to tell you that you simply cannot fathom proper intimacy, but also craves it as well. it’s rather unfortunate, sir, considering it’s often how you treat those who stand by you, such as myself. are you worried i may have enough of it one day, as well?”

"you cannot fathom proper intimacy."

blitz doesn’t know how to be close to other people–i don’t think he understands the relationship he has with any of the people in his life.

we still don’t truly know blitz’s full belief on love and we can only deduce it from his actions; he says monogamy is boring but then goes on to stalk his monogamous employees, on their anniversary no less, bringing along his own singular date...

he focuses on the sex in his relationships because that’s what he’s good at; he finds sex less complicated than romance... and then struggles to get his asmodean crystal to open a portal because he can’t get it off.

he has this recurring pattern where the title of “best friend” eventually turns into something else, often unrequited...

“...my first ever friend!”

he didn't expect stolas' intimate attraction to him. stolas made the connection and it succeeded in making blitz feel guilty about stealing the book; that was why he stayed the night. blitz isn't used to not being rejected, even though he has a record of relationships that stopped once the Evil Four Letter Word came up. when he goes into a relationship, blitz has learned to not expect it to evolve past sex. love has negative connotations to him.

the worst part is we don’t know for certain WHY any of this is, or if it can even be chalked down to a singular thing

yeah, his mom died in a fire blitz caused, his best friend/crush lost his limbs in a fire blitz caused, he’s been treated as property since a young age; you can makes all kinds of correlations between these events and how they might have affected him later in life but as it stands now, we have no concrete answers other than the conclusion that blitz hates himself and has commitment issues.

but back onto that “taking things for granted” tidbit–subconsciously, he knows relationships can be good, but he feels he has to give up a lot of freedom in order to maintain one of his own.

also note how blitz is desperately crawling up the staircase, feathers kind of just hitting him haphazardly as he does so, as opposed to trip!moxxie who takes a few steps up after picking up a feather of his own volition. he knows moxxie’s relationship is more stable than any relationship he’s ever had, and yet:

“stop fucking talking, all of you!”

cue the gold dust.

now, i'm not saying the book deal was a good thing. in fact, it kind of reinforced the power imbalance between blitz and stolas. i'm saying that from blitz's perspective, it was a safeguard. any feelings he might have had for stolas before could be dismissed, and he does exactly that one episode prior;

"it's a transactional fucking, you see..."

what i think he does take for granted is the advice “moxxie” gives to him, his attempts to reach out in a meaningful manner, kind of like stolas’ attempts to reach out. he ignores them both; he’s too deep into his own denial.

also, STAIRCASES IN THIS FUCKING SHOW.

why do these fruity little men think so low of themselves and so highly of others??

i guess that's a bit of a rhetorical question, we all know the answer, but. wait. hold on a sec

ohhhh.

OOOHHHH, that's what this post was gonna be about!

i fucking GOT all of you, you thought i could go a post without talking about him you're WRONG and should feel SILLY.

so this was the OTHER thing i realised when watching 3bskyen's JLMW reaction: it follows the same theme as moxxie's bad trip!

JLMW vs. moxxie's bad trip

in helluva boss, we're used to seeing staircases being symbolic of a difference in power or importance, or a staircase to heaven, or a highly anticipated event going wrong *cough cough ozzie's cough full moon cough cough*

however, i think in the context of moxxie’s bad trip and JLMW, it can also be attributed to emotional distance. like stolas, moxxie's also looking for an emotional intimacy/understanding between him and blitz (he spends his whole trip actively trying to get on the same level as him for crying out loud).

this could also fit into blitz's bad trip; he's trying to get on the same level as stolas, but feels like even if he ever did, he'd still be inherently worthless. a "play thing".

he doesn’t know why anyone would want him for anything else, but he’s clearly not all about the hierarchy.

they need to get on the same level as each other emotionally; they need to break the power dynamic, and thats why the book deal had to go.

the difference in the symbolism is that while blitz has a straight and narrow path to trip!stolas, moxxie’s path to trip!blitz is this winding, unguarded staircase. he almost falls off.

now, compared to both of those, stolas’ path is a fucking stroll. albeit an emotionally damaging stroll, but it takes less physical strength.

conclusion; stairs are symbolic of a difference in power, but gold is symbolic of something else.

and there is a power dynamic between moxxie and blitz. it's not like stolas and blitz's dynamic, it's an artificial imbalance; blitz is the boss, moxxie is the employee. and moxxie has his own inferiority complex, which i think plays a role in it too.

the imbalance between stolas and blitz is kind of, unfortunately, inherited. but it's not impossible to manage. of course, stolas doesn't care about where blitz is on the hierarchy, he doesn't care about the hierarchy period. but it's still there. blitz cares because it affects him.

"you will be technically under his jurisdiction, but..."

this was problem one. stolas unintentionally demonstrating his power over blitz. "surprise, i technically made you someone else's property! please love me!" i'm exaggerating but this is definitely not the kind of thing you spring on your partner; they needed to talk about this beforehand, but according to stolas:

"no need for an arrangement, it can just be him and me!"

sigh. the many different ways this night could've gone

this is enough to trigger blitz's fight or flight. he wants to be with stolas, but he doesn't want the freedom to choose to be with him, which is problem two:

because blitz's belief of love is so inherently fucked up,

what are the chances that the very thing stolas gave to blitz to reaffirm his free will was just interpreted as another shackle?

blitz doesn't do commitment; stolas doesn't say "i love you", he doesn't need to. if you love something, you let it go, and if it comes back then it's yours--which happens in the very next episode.

blitz is the first person to mention love.

but if they want to love each other, they have to be equals, which was why the book deal had to go. they can't hold each other to these super high standards because that'd just set themselves up for disappointment. they have to be on the same level.

tldr: they're two sides of the same coin. literally!

color theory for dummies, a brief intermission

fun fact: i actually didn’t learn color theory in an art class, but in a textiles class. we love american education. but anyways, i’m gonna ask you to draw your attention specifically to the complementary colors.

we start the chorus of JLMW in a purpley sort of place, which then shifts into gold, and then into the red/blue contrast.

except red and blue aren’t complete opposites, they’re both primary colors.

if they wanted complete opposites, they could’ve used red and green, or blue and orange, which are admittedly uglier combinations but the point is that stolitz aren’t complete opposites.

however, purple and yellow, or gold, ARE complete opposites; they’re complementary colors. if purple is implied to be symbolic of stolitz together, then could gold imply stolitz apart?

well…no. i think that’s the wrong angle. if they wanted that contrast, they could have left the gold out entirely, because red and blue separate is stolitz apart.

so how are we supposed to deduce what the gold is actually symbolic of? because no, i don’t actually think it’s an extended shrek 4 reference. that kind of exclusively pertains to blitz’s trip.

listening to the lyrics in the gold part;

This unspoken contract

A deed we forged for mutual gain

If that's all this was when you're not here

What is this rooted pain?

I don't care that you're of lower station

Or primed to sate my dark temptations

Why can't you understand? Let me explain

And I'm terrified as I cry

To make these feelings true

What's left for me and my broken heart

If I cannot have you?

a direct mention of the book deal…and another mention of the power imbalance…so i realize am starting to sound insane, but please hear me out.

i think the main theme of helluva boss IS learning to love in spite of damages and traumas and insecurities–not ignoring either of those, but learning to work around them or possibly heal those parts of yourself so you can love someone else effectively. learning from mistakes.

so what if the gold is symbolic of the simple desire of a mutual understanding? or a meaningful connection with someone else?

tying it all back together somehow

both moxxie and stolas want to connect with blitz (in different ways), but for stolas, that means severing possibly the only thing connecting them thus far (the book). for moxxie, that means climbing the staircase and possibly being pushed even further away.

moxxie also has this high opinion of blitz despite all his obvious (and not so obvious) flaws. i think it's partially because of his own inferiority complex, but to him, blitz is the phantom--his scar becomes the mask he hides behind. he knows blitz puts on this loud, crude personality to hide his cracks and keep others away, and has a scarily accurate portrayal of him in his mind.

moxxie wants to be on the same level as blitz, and he knows it's possible to get there, because he's a damaged character himself and he gets it. he's just yet to take the actual first step.

stolas, even in his own imagination, doesn't think it's possible to be emotionally intimate until the deal is broken. he could reach for blitz, but blitz wouldn't reach back. he's not looking. not to mention the literal celestial view he has of blitz in his head.

while stolas can see blitz's damage, he can't fully comprehend it yet, partially because blitz won't give him the chance and partially because stolas isn't damaged in the same way he is. they both had deadbeat dads, but they adapted in different ways.

that's just the way trauma works, you adapt to deal with it, and then have to unadapt those unhealthy coping mechanisms once you're finally safe. it just takes a while for people to realize they're actually safe, and these fruitcakes are no exception.

conclusion? uhh, i don't know, i guess i don't really have one. just. enough with the discourse about these bitches i guess??? just give them each some time, change takes more than two seasons.

i guess i could compare the way the songs are set up but this was supposed to be out like two days ago and it's already 11:45 so. maybe some other time, maybe in a post about moxxie's Interesting taste in musicals

was unfortunately unable to finish the mox vs. fizz masterpost this month but we'll see sometime in the coming months, maybe sometime after the next helluva short comes out. been a bit too busy with school and other social things to have time writing these long asf posts about my skrimblos

okay goodnight o/

[aria-greenhoodie]

Hey guys did you know I have a gravity falls oc. They’re definitely not wish fulfillment self insert material don’t worry about it. Don’t even worry about it, man.

Click for Quality! Silly backstory stuff below the cut ↓

- They’re a little cartoon creature from a pocket universe! They’re an immortal creature like Bill, but way less powerful.

- They actually used to work at the theraprism, but went crazy and had a mid-immortality crisis leading to a manic crime-spree. During this turbulent time, they also developed their love for “projects.”

- A “project” to them is basically becoming obsessed with a person they find interesting and getting closer to them by any means necessary in order to study them like a bug. This isn’t romantic, and it isn’t even friendship, but instead a secret third evil thing.

- When they have a project going on, they’ll devote most of their time and energy to the person(s) involved, and they typically seem very content while doing so. Once a project stops interesting them, or if a project is cut short by outside forces (death if the person, sudden change of heart from the person, being caught and dragged to the theraprism, etc) they become restless, easily irritated, and sometimes mildly violent. Their little projects are basically the only thing that keeps them sane.

- Doesn’t really do “friends.” Used to, but it always ended poorly. Prefers their projects; if they loose interest, they can just leave!

- Had a mentor-apprentice type relationship with the Axolotl before their mental decline. Is now VERY conflicted about him; doesn’t like the disappointment in his eyes when he looks at them.

- Was Bill’s Roommate for a time. Was absolutely FASCINATED by Bill’s fucked up mentality. Instantly became one of their favorite projects.

- Bill HATED them like crazy. They would not stop talking to them and had an uncanny ability to make him open up about things he did NOT want to open up about.

- Lost access to Bill after the TBOB incident, since he was moved to solitary confinement.

- Did not take the sudden cancellation of their project well. Ended up breaking out of the Theraprism shortly after.

- Ended up in Gravity Falls by sheer coincidence. Immediately took a liking to the place for its weirdness (felt at home).

- Met the Pines family and became ENRAPTURED with Stanley. Started off just seeing him as a project, but eventually came to view him as something closer to a friend (or perhaps more :3).

- Mabel and them are BESTIES. Mabel loves to treat them like a little dress up doll and they love to model all of Mabel’s mini fashion creations. They also respect her chaos.

- Has a huge respect for Dipper’s curiosity. Has gladly acted as a test subject for him so he can be like Ford and research weird creatures.

- Ford does NOT trust their ass. They eventually form an (somewhat uneasy but otherwise amicable) alliance as time goes on, but Ford never fully bonds with them. He’s been burned by a chaotic multi-dimensional immortal criminal before, he doesn’t want to do that again. Curly gets it. They heard how Bill treated him from Bill’s own mouth (eye?) and have no plans to play copy-cat.

- Stan didn’t like them at first. They reminded him too much of Bill, and acted far too chummy with him specifically far too fast.

- Eventually the two grew closer, realized they had a lot in common (both criminals familiar with the grift, both have a tiny bit of a flair for showmanship, both have similar senses of humor, etc.) and became friendlier.

- The Axolotl knows where they are and is monitoring them closely. They don’t know he’s doing this. He plans to keep it that way.

[a-secret-bolton-vampire]

CW: Rape, incest, CSA

This is actually not a strictly A Song of Ice and Fire post here, but it overlaps in some ways so I figured I'd write this.

Anyone who has not read the web serials Worm or Ward and wishes to avoid spoilers, don't read this post:

Disclaimer out of the way, I've found striking parallels between fandom reaction for both A Song of Ice and Fire and Parahumans regarding how characters who survived sexual abuse view their abusers, in a dangerously disturbing way.

For this I'm going to specifically be using the examples of Aeron and Theon Greyjoy from A Song of Ice and Fire to compare and contrast to Victoria Dallon in Ward. All three were psychologically and sexually tormented by their abusers during the course of the series. Theon is a young adult by the time Ramsay gets his hands on him, but Aeron and Victoria were both children when they were molested by family members so they will be the main two characters to compare.

In the case of Euron and Aeron, there are a (sadly very vocal) minority who are ready to dismiss Euron's danger to others by specifically using Aeron's abuse against him. Sure, Euron is evil and horrifically abused him and Urrigon when they were children, and it is understandable that Aeron would be mortified of Euron. After all, he tries to warn people about Euron repeatedly, only for his attempts to stop him to all fail.

The response by this section of the fandom to claims of Euron being built up as a major threat are essentially that Aeron's trauma is in the way of his ability to perceive Euron objectively. Is Euron actually as dangerous as Aeron claims? You can say the same for Theon and Ramsay. After all, Theon is half-mad warning Stannis about Ramsay, and Stannis is bringing some Rational Realness to the forefront by saying "what do I have to fear him for?"

Since GRRM is never releasing another A Song of Ice and Fire book it's hard to say what he intends but he could definitely intend for this to be the case. That said, there is a story featuring a similar character that is completed. Ward!

Victoria Dallon's sister, Amy, is a cape with healing abilities, though as the series progresses we know that healing is just the tip of the iceberg; she can change the biological makeup of living things. Amy is adopted, and has never felt any love from anyone other than Victoria. Amy develops deep romantic love for her sister, however, and then begins a series of bad decisions that just serve to deepen her already deep mental breakdown.

Amy proceeds to; alter Victoria's brain chemistry to give her compulsive romantic thoughts about her, then following healing Victoria after a battle, she spends several days alone with her, during which she repeatedly rapes her, erases her memories of said rapes, until her mental health deteriorates even further and she is unable to use her power properly and turns Victoria into the Wretch: a mass of flesh and limbs and heads, rather than anything actually human.

Then Victoria spends 2 years in a mental institution, stuck in a body she hates, all the while fighting the compulsions Amy left in place. When she finally returns Victoria to normal at the end of Worm, it is actually against her will and not because she had a change of heart or got more confident.

Then we get to Ward, where Victoria is the main POV. As is very obvious, Victoria is struggling with extremely intense PTSD, mentioning Amy is enough to trigger a dissociative flashback, and she wants absolutely nothing to do with her anymore: and fucking rightfully so.

Victoria also warns people about Amy. She warns her therapist to try to reach out to Amy before she hurts someone else, she warns literally anyone who will listen about Amy and what she might end up doing. We may not know what it is that Ramsay and Euron end up doing, but we do know what Amy does.

She refuses all help and doubles down on bad decisions, enslaves people with her powers, later imprisons and torments and touches Victoria again against her will, and becomes the dictatorial monster in charge of an entire planet. Victoria's warnings prove to be extremely prophetic and extremely real.

Now lets get into some discourse shall we?

Despite Amy being a rapist who rapes her sister, enslaves others via mind control, and literally never once improving as a person or acknowledging that her actions even caused harm, there are still those who think Amy isn't at fault. Some might find this post, but I don't really care. Amy is at fault for things Amy did. Victoria is not at fault for hugging her sister like a normal human being when Amy is upset, Amy didn't do her a favour healing her because then she just raped her and then really couldn't fix her back to a human body, and Amy isn't absolved of these sins because she healed a lot of people.

Essentially, Victoria is sometimes blamed for being raped by her sister, the rapist, despite Amy canonically being a manipulative lying liar rapist.

Okay so that doesn't seem to related to what the fandom says with Euron and Ramsay, right? After all, we don't really blame Aeron for being molested and Theon for also being sexually tortured and abused by Ramsay, do we? There are factors as to why that is (mostly that Aeron and Theon are men and Victoria is a woman; if you don't buy this argument look at people who say Cersei deserved to be sexually assaulted by Robert or try to use "the times" as an excuse to overlook Daenerys also being raped by Drogo) but there is an overlap here.

Amy being able to get away with that she did only to go on and hurt so many other people is a meta-commentary on the way survivors of sexual abuse are disbelieved or blamed for what happened to them. Naturally, those real like abusers end up going to abuse other people too. Fuck, even in the fandom, Victoria is still fucking blamed for things that she had absolutely no choice in the matter.

Which leads back to Theon and Aeron. Yes, trauma impacts the way you remember traumatic events, and that means objectivity can get lost at times. It can for Victoria and Theon and Aeron. But that trauma, the dissociation, memory problems, all of these together, are there for a reason. And that's because someone came along, ruined another persons life for their own pleasure and satisfaction, and then got away with it.

Victoria warned the world about what Amy would do, and she was unfortunately correct. Theon and Aeron warned others about Ramsay and Euron. Survivors should be believed, and not be dismissed. After all, it isn't our fault that we got abused. People may hear things about Euron or Amy or Ramsay, but the people who truly know who they are---what they are capable of, what they are actually like---are the people they abused.

So yeah, it's kinda fucking lame when I hear someone go "Stannis gonna prove Theon wrong with facts and logic" as if he doesn't, I don't know, have insight into Ramsay's psychology in ways Stannis doesn't. Same with Euron. Same with Amy.

Also fucking read Ward it hurts as intensely as it kicks ass.

[weepingtalecowboy]

Four meets the colors

I decided to be absolutely evil so here you go fanfic prompt :

What if four was never capable to combine into link but they didn’t even get the opportunity to take turns because everyone controls different body parts and they have to coordinate absolutely everything together and pulling the four sword back just to be four people again isn’t something they can just do

They learned to live with it but no matter how hard they try to make it look naturally

they still move in a way that feels wrong even when they are trying hard to cooperate

Their feet have slight delay

their hands have trouble gripping stuff in a way that looks naturally and one hand might grip the wrong side of a box ending with nearly dropping it

Their face can show different and several emotions at once and they can sometimes be heard mumbling to themself

And because of that they are perceived as unsettling or unstable by their own village

Their father couldn’t truly understand or accept them because link his child essentially died and they know it no matter how hard he tries to hide it

Their grandpa is getting older and even though he grieved his grandson he still wanted to accept them and when he is gone they would only have Zelda left

And she spends most her time in the castle ruling Hyrule

Shadow is not coming back ever again

And because of that spend as much time as they can on blacksmithing to not have to worry about things

But when linked universe happens they meet a version of them that has everything they could possibly want

Like their own bodies and lives

Shadow is still alive

The village doesn’t fear them

Vio,Blue , Red and Green all get to go by their own names

And four has to go by link

It’s genuinely paining them because it just doesn’t seem fair

Main while the colors hate how four is looking at him

Because they used to think that link would understand and support their decision to stay apart

But obviously link feels to good about himself as the perfect and superior hero of the four sword

And they all start hating him for it because it means that their decision wasn’t approved by the one person it mattered from the most

The chain feels the tension but doesn’t really know how to fix it so they separate both

And when they all get to four’s Hyrule they feel ashamed of how bad they are viewed by their own village

Because the colors are loved but they are not

So they tell them that when they put the sword back they never became one

The colors feel absolutely horrified when they realize the implications

Because four's existence sounds like their worst nightmare

And it makes them feel sick

That a version of them could be so screwed over by their own existence

And shadow isn’t even with them

And their dad doesn’t even want them to exist

Man and they thought they had it rough

Four gets to meet shadow and has a mental breakdown over it

Shadow is also very disturbed by the situation

Also they keep four there is no way hylia can stop them (it still is extremely weird when they interact with their counterparts because they like don’t always have the same expressions )

but also four is all fucked up like red is delusional (he was doing his own thing the entire adventure in the manga), blue has an obsession with keeping things under control(getting frozen and swallowed by a host is not fun) (which is why he is so obsessed with cleaning because it gives him a way to control the environment ) , Vio is depressed about shadow,green has a hero complex (he is link if you delete all personality traits except hero)

Yeah that won’t be fun

The colors have it easy in comparison

[droidders]

Transformers One review

I'll start off with a non spoiler review.

First of all, amazing voice acting especially from Chris Hemsworth and Brian Tyree!! I didnt think Chris would be able to do a good orion/optimus voice but boy was I WRONG. They did amazing. Scarlett Johansson's voice for Elita was an amazing pick and keagan michael for bee's voice is also good.

Stellar voice acting with so much emotion!!

The animation is amazing. And the way they showed the world of cybertron is amazing. The world building in this movie is so good, i seriously feel like cybertron is a real planet with real creatures with its own rules, history, culture. They made the planet feel so alive, its insane.

All the characters were likeable, i was really vouching for all of them to succeed in their goals. The movie knows when to be funny and when to be serious, and it can get REALLY serious when it needs to be. The movie talks about real world problems and reflects it so well.

THE TRAILERS DID NOT DO THE MOVIE JUSTICE.

The trailers really made it look like a kids power ranger type of movie. The trailers gave it a vibe of:

"Bumblebee, you go left! D-16, you go right! And Elita.. well, you just be elita."

When the actual movie really wasnt. I kept my hopes low cause the trailers weren't really hyping me up that much and i didnt expect much from the movie overall but holy moly my expectations were blown away. The movie does have its flaws like any movie but yeah. This genuinely feels like the spiderverse of transformers. Truly amazing.

Overall 9.8/10, amazing job to everyone who worked on this movie, YOU COOKED!!!

I highly reccommend watching it in cinemas. Its worth it, just trust me on this!!!

Waiter! Waiter! I'd like a trilogy of transformers movies that are as good as this!

Id also like to add that this movie is the best transformers movie. And you dont have to be an insane transformers fan like me to like the movie, nor do you have to watch any other transformer movie to understand it. Its a great standalone movie. Its a movie great for both new and old transformer fans and people who are just looking for a good movie to watch.

GO WATCH IT NOW.

Now onto the spoiler review

I said all that i wanted to say about the overall movie in the non spoiler review. Here, I'll talk about the actual characters and story.

THIS IS CINEMA HOLY MOLY.

I had to resist screaming in theaters especially the part where Orion and D16 went to that thruster thing to get a better view of the Iacon 5000 and d16 is all like: "You did all this for me?"

AAAGWGSFEGWGSGDGDHHYDTST

The character development with D16 slowly turning into the monster that is megatron is BEAUTIFUL.

The movie writes d16 in a way that makes us NOT want him to turn evil which makes him slowly turning into megatron and betraying orion all the more heartbreaking. CHARACTER DEVELOPMENT.

Seriously, his descension into evil makes me wanna cry. His unbridled rage towards Sentinel portrayed through the voice acting is just WOW. You can really feel his anger through his voice.

The way his eyes change as the movie progresses is just great. They did great writing him, deep down I really wanted him to be redeemed and for him to NOT turn into a brute like sentinel even though I knew it was inevitable. Some transformations are good, useful even, but in the case of Megatron it was a terrifying transformation thats unfortunately permanent.

Sentinel prime, as much as I hate him he is still such a great character. I hate him so much I love him. THE SCENE WHERE HE WAS BEGGING D16 TO NOT KILL HIM SENT CHILLS. You can feel the amount of fear in his voice. It was a striking contrast to his confident demeanor, his ruthlessness as a 'leader', and he who is the literal killer of the Primes,

to see him BEG for his life truly shows how terrifying D16 is.

ORION PAX AKA THE GLORIOUS OPTIMUS PRIME.

A wonderful and entertaining main character. THE SCENE WHERE HE JUMPS OUT OF THE PIT AS OPTIMUS PRIME??? Holy moly that was so badass. AND THE LINE WHERE HE SAYS:

"We could've built the future together."

GOD IT MAKES ME WANNA CRY.

The expression he made when he saw D16 being absolutely BRUTAL to Starscream as he realizes that his friend is slowly transforming into someone evil is gut-wrenching.

And throughout the first part of the movie he was this reckless character who did stupid things, he had hope and determination unlike anyone. It made me question 'How could this guy possibly turn out to be the strong leader that Optimus is?'

But during that scene where he talked to the other miners and led the High Guard to sentinel made me 100% sure that yeah, this guy definitely can be a great leader. And the way he gave the miners a CHOICE to join him or not. That is PRIME.

Elita was a straight up girlboss. I love how they didn't make her just another love interest for Orion or made her just this girl who was a good fighter. She was sassy, witty, and a hard worker. I almost feel bad for her getting demoted and having to deal with the mess that is Orion, D16 and Bee. But anyways, shes an amazing character, really likeable personality who is way more than just a bot who's a good fighter (which was the impression i unfortunately got from the trailers)

Her pep talk with Orion was both funny and beautiful. She knows how to break someone down with her words and build them back up to be stronger. I loved her. Not to mention her design looks gorgeous??? Probably my fav elita design of all time.

At first I found Bee a strange addition to the movie and I was scared they were gonna make him an annoying character but thank god he really wasnt! He was a great comic relief character who had a lot of funny lines. He adds so much silliness into a serious movie and not in a bad way.

He knew when to be serious and the gravity of the situation with Sentinel being a terrible, corrupt leader. I loved the portrayal of him as this almost crazy guy whos been stuck being alone talking to inanimate objects in a place where all he does is burn trash all day (makes sense as to why he talks so much).

A really good character, thank primus they didnt make him annoying or overbearing.

Lastly, Cybertron itself. THE WORLD BUILDING IS SO GOOD. It's environment, its people (or bots?) make the planet feel so real. All of these cool mechanisms with the road and trains, the landscape during the train scene with the vapor wave-esque sun is just gorgeous. Such a beautiful portrayal of Cybertron that I love.

I personally dont think the movie NEEDS a sequel since the rest of the transformers just takes place after this, but if they make another movie thats as good as this, Im not complaining. If they do make a new movie though, I'll guess that it probably has something to do with the Quintessons or something idk.

Its a really beautiful take on Megatron and Optimus' backstory. And though there are many takes on it like how megatron was a gladiator and not a miner, etc,

This is still probably my favorite take on their story, its a really interesting portrayal of them and their fallout.

Anyways thats the end of my yap, honorable mentions to the music, it helped the immersion of the movie, and its really good.

Do note that Ive only seen it once, i might've gotten some stuff wrong but ill be looking to watch it again somehow in the future. My review may be subject to change but yeah.

Buh-bye!!

[top-faye]

I kind of don't want to compare Wan to Ek cause Wan's love for Pleng is actual love vs. Ek's "love" for Wan being just pure possessive obsession. He doesn't care for Wan in the same way that Wan does for Pleng, but I do feel like both of them have similar levels of obsessive love for their targets of affection and I think in a lot of ways the novel kind of has Ek serve as a foil to Wan.

More spoilery novel thoughts below the cut.

When Ek threatened Wan and Pleng with a gun, Wan was extremely nonchalant about the whole thing ... like disturbingly chill in how she stood against him and did not seem afraid of the gun at all. And that was because that Wan argued that she knew without a doubt that because Ek loved her, that he'd never hurt her like that.

Ek's "love" for Wan is monstrously evil and possessive—he married Wan despite knowing that she didn't love him and he raped her when she wouldn't have sex with him—but Wan seems to understand him and his feelings well enough to know that he wouldn't actually kill her. And that instead, he would try to kill himself to hurt her and her relationship in another way.

That's utterly deranged thinking, but it's thinking that Wan understood immediately, which was why she reacted quickly and was able to change the trajectory of the bullet when she intervened.

I really hate to say it, but Wan and Ek are actually extremely similar in a lot of ways. As fucking deranged it is to marry a man in the hopes of seeing your true love who you haven't seen in over ten years at the wedding ... it is also fucking deranged to marry a woman you supposedly love when you know her sole reason for marrying you is so that she can see the person she really loves. I wonder if part of the reason that Wan remained by Ek's side for so long wasn't only because Pleng had picked him, but because a part of her felt a little bit understood by him.

He does constantly dismiss Wan and Pleng's feelings towards each other and their relationship with one another, of course. He is still, after all, a homophobic violent misogynist who views the lesbian relationship between the two as "non-threatening" up until the end of the novel when he realizes that Wan was genuinely incapable of ever loving him.

But he was also probably the only person in Wan's life who could even begin to understand the pain that Wan was going through. In the special chapters, Wan mentions that he offered her comfort and hope about the idea of Pleng returning. He dismisses the relationship because they're both women, but simultaneously, he understands the depth and intensity of it.

And I think Wan was partly able to tolerate his feelings towards her for so long, because she felt understood by him in a sense and because she might have felt she understood him.

She loved Pleng enough to want to remain only a friend for the rest of their lives. She only became emboldened in her feelings and flirting when she realized that Pleng felt the same way towards her. I think maybe, initially, she thought that Ek's feelings towards her were the same. That he loved her enough to be satisfied with a friendship. That he loved her enough to want to care and protect her, but of course that wasn't the case.

Because the similarities between Ek and Wan are fairly surface level when it comes down to it, because while both are obsessive, possessive, and ultimately toxic, Ek cares more about having Wan than he does about Wan's safety and well-being.

Ek tried to kill himself in order to hurt Wan. Which directly contrasts against Pleng and Wan. In the novel, Pleng mentions contemplating suicide in the past but she doesn't act on it for fear that Wan would learn of it and it would hurt her, lead to her own death. And at the end of the novel when it seems like Wan is on the verge of killing herself—as implied in a note that she left for Pleng to spitefully hurt her (Wan's love is more "pure" than Ek's, but both still have malicious streaks)—but while she considers it, she ultimately decides to not kill herself because she wouldn't want to hurt Pleng like that.

Ek's love for Wan foils Wan's love for Pleng in this sense, because it demonstrates that while Wan is selfish, obsessive, possessive, and deranged that she is still a caring and loving partner and that ultimately her love for Pleng is fueled by a genuine love for all of Pleng whereas Ek only loved Wan as a possession to be owned and only loved the parts of her that were palpable to him.

[celestiarambles]

hi welcome once again to celestia trying to defend cc women for the nth time

i don’t understand why some ppl hate asal. apparently she… *checks notes* betrayed jack?

(this trope is referring to jack in cc tropes)

and how did she “betray” jack apparently?

1. she killed a man (oh no! the most heinous crime in cc!)

2. she kept a lot of secrets from jack

3. and she broke up with jack

apparently asal’s an evil person for… doing her job?

she didn’t kill a man just because she wanted to. mossad ORDERED AN HIT ON THAT MAN and tasked asal to do it. she didn’t get away with it because she’s “evil”, she got away with it because mossad had an agreement with the international court. and while jack was upset for a bit, EVEN HE UNDERSTOOD what asal did and forgave her. she is shown to value her job at mossad very much and she’s been doing this for a while now, she wouldn’t go “but what will jack think about this?” every time mossad orders her to eliminate a target

‘she didn’t love or even care about jack!’ SHE DID, THAT’S WHY SHE KEPT SECRETS FROM HIM!! it’s why she prefers to separate her work from her personal life. and eventually she found out about ripley and mossad’s involvement in sombra and initially thought the whole bureau was involved (esp since she implied she knew about the whole mole situation even before the bureau found out about it!)

and that’s what caused the downfall of their relationship. because a.) jack was immature at the time and he didn’t respect asal’s wishes to stop interfering with her work, b.) because she started to distrust jack and the bureau, and c.) because she didn’t want jack or the people jack cared about to get hurt with her knowledge of the mole. AND ALL OF THOSE REASONS WERE TOTALLY VALID!!

their relationship on s3 still ended on amicable terms anyways, so i don’t understand why some people hate asal and treat her like a criminal when she was just doing her job

ALSO ALSO bonus: while searching for the above trope i found this listed on asal’s page and i was like HUH???

how tf is asal dumb. she’s literally one of the smartest characters in cc, hell she was SO AHEAD OF EVERYONE to the point that she knew the existence of the bureau mole, who the mole was, and ripley and mossad’s involvement with sombra. also, she knows enough chemistry to the point she managed to poison jack just enough to incapacitate him but not kill him. WDYM JACK KNOWS MORE SCIENCE THAN SHE DOES???

tldr: the hate on asal is wild. SHE DID NOTHING WRONG!!

[pillow-anime-talk]

Hii, congrats on 4K followers! May I request 54 nsfw + Louis from Moriarty the Patriot with she/her pronouns? It can be enemies with benefits/or to lovers type of thing. Thank you :)

# tags: scenario; enemies with benefits; kinda pwp; little bit of romance; mostly drama; nsfw

warnings: mention of sex and sexual activities, quickie, no condom, no kisses, no after care, cigarettes after sex

includes: female reader ft. louis james moriarty {mtp}

author’s note: thank you too! sorry for waiting so long :(

54. “I’ll kill you next time.”

You and the Moriarty brothers had been fighting anonymously for a very long time. You were an elusive woman with a cunning gaze, a passion for firearms, and the only creature you loved more than life was your cat – Lucius, a black and white stray soul that you found three years ago outside a brothel. You lived modestly, although from robberies, frauds and thefts you had quite a large sum of money saved up; however, for years you had dreamed of moving to another country, hence your frugal and organized approach to spending money. However, you did not spare pounds on your cat, that was an exception to the rule.

Although you and the three brothers had had a quiet war between them and you for years, and although they saw you as an enemy, they never had enough evidence that you were responsible for the aforementioned robberies or bankruptcies of high-ranking people or their businesses. And even if the youngest of the three brothers was incredibly close to you, so close that he was fucking you on your couch, he still couldn’t get confirmation from you that you were responsible for these situations.

Louis was a handsome, calm and composed man, and he was also a great cook and had high personal culture and respect for women or the elderly. Nevertheless, your nature didn’t allow itself even an ounce of feeling towards him, much less confirmation of his and his two brothers’ thoughts. You were like two opposite poles that, if combined, could cause a disaster. At this moment, however, thoughts about your differences were muffled by the sound of bodies bouncing against each other, your moans and the sighs of the man with light blond hair.

“You’re really beautiful when you’re not robbing banks.” He murmured in your ear, and you only rolled your eyes, squeezing his bare shoulder.

“I’ve never robbed a bank, idiot.” You answered falsely, with a hint of irony in your voice, to which Louis only laughed. “What? I’m telling the truth.”

“Sure.” His movements were quick, a bit sloppy, although you wouldn’t argue saying that he was the best lover you’ve ever had. Although he gave you indescribable pleasure, deep down you hated him as much as he hated the other side of you, which was evil incarnate, a cheater and manipulator. That’s why your sex was based only on a quickie, a few exchanges of words, sometimes a cigarette lit together, but nothing more. No kisses, no hugs, no questions if it hurt and if it was good.

When you changed positions and you were on top, Louis only suck your nipples and bite them with his white teeth. Your body went through a dozen shivers per minute. The couch under you was wet, and your bodies were sweaty. Heavy breathing interspersed with orgasm ended this meeting. Tired and with cum leaking from your pussy, you reached for a cigarette and a black lighter. Louis put his clothes on without a word, then turned to you in the doorway.

“I’ll catch you next time, Y/N.” He smiled and leave after a moment.

“I’ll kill you next time.” You replied, blowing out the choking smoke from your lungs.

The truth was, he would never catch you red-handed, nor did you ever intend to kill him. After all, you wouldn’t last longer than three days without each other, because that was your limit when it came to sexual abstinence.

[probably-a-plant-thing]

[lilithofpenandbook]

Seriously how can M*r*uders stans like random Slytherins (who tf are Evan Rosier, Pandora (is that Luna's mum and why tf is she Evan Rosier's twin in half of these), and I don't even want to discuss Regulus) and make them Actually Misunderstood Good People Who Were Forced Down That Path when at least one of them *coughreguluscough* was obsessed with Voldemort

And then turn around and make Snape an awful person?

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.