ORBSJB AGNI AS A TURTLE DUCK I'm sorry but LIKE HOW CUTE AND then it's like he's this turtleduck in the pond bc depending on how people treat animals, small ones that need help, that's how he knows if they're good and he blesses the ones that treat him kindly and then Zuko and I'm sorry of this sint coherent (I'm a long time fan of your content btw, all the his and the books and omg I wish I could've gotten some)
Azulon looked down. His grandson, along with the turtleduck in his arms, looked up.
“This is Agni,” the boy said. “He says you should stop now.”
QUACK, said the duck. It was a strange red-gold. It was glowing. It was staring at him, even through the flames of the throne.
“Stop what?” humored the Fire Lord.
“The war,” the boy said. “It’s killing too many firebenders. Also his sister has been yelling at him, so we should let the waterbenders go, too, and be nice to them from now on so he can get a good night’s sleep and not have her redirecting comets at him any more. Probably we should leave all the other benders alone too because he’s pretty sure it was the air spirits that made him a flightless duck. He says that’s their sense of humor.”
QUACK, said the turtleduck.
“…Guards,” said Azulon.
This proved to be an ill-advised action.
ALTERNATE TAKE THAT WENT NOWHERE AND ISN'T EDITED HAVE FUN WITH THAT:
There is a Fire Nation child in Hakoda's village. The child has a softly glowing turtleduck in his arms and a quietly oozing wound under his bandage. This is not how Hakoda thought his morning would go.
"What's with the turtleduck?" asks Hakoda's son, who is wrapped around Hakoda's arm and his spear in a way that makes it very hard to instinctively stab at red-clothed things. Hakoda... expected more of them. But the tiny sail boat the kid just ran into Sokka's lumpy watchtower seems to be empty, now that its single feverish passenger has stumbled over. With his duck.
"It's a turtleduck-phoenix," says the Fire Lord's heir, answering exactly none of Hakoda's actual questions. "...You remember?"
"That your hair is going to get worse before it gets better?" says Sokka. "Absolutely."
The Prince scowls. "Then where's Aang?"
"Katara's been looking for him. He's still in the iceberg."
"...The Ember Island Players' iceberg?"
"The Ember Island Players' extremely accurate and well-researched iceberg."
The Fire Prince stares at Hakoda's son. The Fire Prince stares at Hakoda. The Fire Prince flips his duck around to face himself, then starts shaking it. "Give me a less stupid reality."
QUACK, protests the duck, with a burst of accompanying immolation that does nothing to dissuade the prince.
"Sorry, buddy," soothes his son, "you were always in the stupid reality. Remember the frozen frogs?"
Quack, says the duck, as if in confirmation.
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Thinking about mechanic Eddie’s forearms. He’s definitely got some stamina and strength in those things 😏
oh, baby.
you just know after cranking tools all day, his forearms are bulked, muscles flexing beneath the swollen veins straining against the surface of his skin as he takes care of himself in the shower, hot body flushed the same color as what he's pumping in his fist. his strength is shot after work, so his hand trembles when he smacks a wet stroke to the base, catching the irresistible voice of pleasure telling him to keep going keep going and drawing it out, desperate to stay in the peak a little longer. sometimes it's routine—jacking off after work—sometimes he has a specific fantasy in mind, and wants to experience the lengthy scene until his right forearm burns for a break. today is both. thick fog fills the room; steam and hair and sweat sticking to his grimy face. it's been a long, grueling day of dealing with cars and customers. that's what makes the relief that much sweeter when his abs stutter and his shoulders curl with those last few passes, lungs holding onto that final breath until it breaks free in short, filthy huffs. grunting in bursts as his callused fingers slick up in dirty release, and his heart beats louder than the water hitting the tub, and his high buzzes the same intoxicating feeling of accomplishment as if the image in his head of your fucked and filled pussy was realer than his cum washing down the drain.
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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So, here's the thing:
Tango knows that Zedaph is this close to staging an intervention.
He lies against the wiring for Decked Out and stares at the ceiling. He should probably be more concerned about that. Early-season Tango would be concerned about that; a situation getting bad enough that Zedaph, of all people, is ready to stage an intervention is normally a sign it's gotten pretty dang bad. But he's close. He's so close. And it's not like he's worried, not anymore.
He'd been worried, once? Like, he'd been scared, at some point of what the Frozen Citadel was starting to do to him. But now that he's there--
If he's asked, Tango will say it's mutualism, and not elaborate, because if anyone stages enough of an intervention to stop Decked Out from finishing what it's started, he's probably going to scream. He's probably going to always wonder. Worst of all, he won't finish the game on time. So like, so what if it's eating him a little? Or a lot? Or basically completely, given that he's pretty sure the damage is irreversible at this point?
Anyway, it doesn't matter. Start of the season Tango probably would care more, but like, it's mutual. Decked Out gets to eat Tango. Use him as an appropriate game piece. Sometimes as a processor. To do repairs. Whatever. It's important for the whole process. And Tango gets a sick game. Which, for some, sounds like an absurd trade-off, but it's not just the game, okay?
It's not just--
If it were just "I need to let my accidentally very sentient and very large base eat me to finish the game", he might do it? But he wouldn't, like, be actively conspiring to hide the fact that he's starting to be physically incapable of breathing like, normal oxygen and stuff. He wouldn't be conspiring to hide just how literal the shop item allowing you to control the gamemaster is. He wouldn't be trying to hide how close he is to just--being another part of Decked Out. Not being a "Tango" as an individual, but being a part of the machine. Basically a really fancy redstone component.
If it were just "he's really proud and he'd be sad if it took longer", he wouldn't have hung a sheep on the outside of the building to make sure some part of Decked Out knows that Zedaph is its friend, once there isn't a Tango to remind it of that properly. He would have asked Zedaph to actually do that intervention he's planning.
He didn't. He acted like he had several more weeks than he probably did. But it's fine. Decked Out ate the fear, anyway, so he can't feel it, and whatever sense of desire to like, not be redstone component was probably eaten also, and. And.
He's not sure how to describe it in a way that doesn't make him sound insane, but--
It's so close. Decked Out is so close to eating him completely. And that should be terrifying, if that weren't the first thing that got dissolved away, if he hadn't been scared since forever. Maybe, somewhere, there's part of him that is scared. There's a lot of him that knows he should be.
But those moments, the ones he's having more and more, where he forgets he's Tango. Where he forgets he's anything but part of the machine. And he's part of something big, and great, and he has a specific use, and he's aware for all of it but not aware of being himself, and he can feel exactly how he's important to the great machine and he does his job and absolutely everything else fades away entirely and he is the Game Master and even that's not an individual identity it's part of a whole it's part of something beautiful it's part of something so, so alive while not being alive at all and, and then--and then he's not done being eaten yet. And the Tango comes in. The fear, the insecurity, the, the flaws.
And he'd just lie there, and he'd feel it. The almost-just-a-part. The sense of just--being, and not being anyone in particular, but being. The lack of self. He'd feel the voltage from the redstone wires and try to capture it again, and be unable to, not on his own.
Not while he's left as Tango, at least a little bit uneaten.
So. Uh. He told you he didn't know how to describe it without sounding insane. But he'll never forgive himself. Never forgive himself if he doesn't find out what happens when it's done. What it's like to just--be a part of Decked Out and nothing else. What it feels like to give in completely.
Therefore. Zedaph. Intervention. Pretend he's better than he is so Zedaph doesn't do that. It shouldn't be long now. The amount of time he's aware and Tango is--less. The amount of fear is--it's entirely gone now. The amount he thinks "gee beginning of season Tango would say this is a bad plan" is almost zero.
The game is almost ready to open.
If he can just hold out that long, then there won't be anything anyone could do.
They'll be too busy having fun with the game, anyway. With any luck, no one will notice.
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