#hes so pretty I can't stand it

[ryllen]

I wanted to reblog that one text post that said imagine waking up to sebek and his hair is down and he is looking so handsome just like his newest appearance on book 7

and i just bumped to this video and was like "Ffshds what if he SURPrisINGLY wa kes up EXA CT LY like thi s fsjdsd? ? "

[burnt-venus]

It's his angry expression for me

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[altraviolet]

my crews!

MTMTE crew

LL crew

TEG crew 😜

[project-sekai-facts]

The play that Saki and Tsukasa watch as children in the WonderlandsxShowtime main story digest animation directly references The Greatest Showman (2017).

[respectthepetty]

I'm glad Up gets to play a character totally different than Gene from Lovely Writer. I went from wanted to protect him from everything, to wanting to fight him now in My Stand-In.

In Club Sapan Fine 2, he actually played a two-timing asshole who tried to gaslight his girlfriend into believing that she had done him wrong and needed to change.

He was The Worst™.

And in the last moments of Catch Me Baby, which featured Great from Wandee Goodday and Net and James from Bed Friend, Up's character becomes a relationship juggler in which he helps men maintain several extramarital affairs without getting caught.

He played in a short film with PP Krit that was also an ad, where they were brothers with beef, but that beef was completely because Up's character was kind of a jerk.

He was also kinda of jerk in the ad he did with First.

Then, of course, there is Step by Step.

Where he played the slightly self-adsorbed boyfriend.

So I feel like Up has been leaving little bread crumbs for production companies to cast him as an asshole.

He wanted to make sure he wasn't typecast as a kind introvert. No! He wanted to be typecast as a pretty prick.

I appreciate the dedication because it has lead us to here.

I'm so glad he is playing this toxicito.

[silverwhittlingknife]

How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?

Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.

Jack and Tim’s relationship is Complicated (TM)...

Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis

“I could tell the truth.  But I don’t.” - Robin 66

...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.

And I think that’s great.

Below the cut:

Shorter version - key points about Jack

Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)

Final thoughts

Shorter version - key points about Jack:

He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.

But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.

He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.

And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 

...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.

The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)

Very long version:

(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)

Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.

My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.

I have a gentler take and a harsher one which I switch between as the spirit moves me. xD

My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)

Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.

This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:

Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 

Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 

Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 

Tim the computer geek with the sports-obsessed dad (this one’s just canon);

etc. etc.  

The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.

And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.

I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...

...but also he ends up lying more and more.

(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)

Other Reasons Why I Like The "Secret Extracurricular" Interpretation

(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)

Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.

And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  

Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?

Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.

My Harsher Take

Jack never hits his son.  But his temper is a big deal.

In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  

This is bad behavior!  It is Not Good!  

And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.

Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.

More Disorganized Thoughts on Jack Drake

Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.

This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.

The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.

Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.

Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.

For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.

I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.

If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).

[kenobion]

Andrew Garfield for W Magazine

[worshipfulmercy]

i have so many thoughts about his gender and how he's kind of textually a woman and/or abinary (read tags if interested)

[maegalkarven]

The thing what kills me what it's not even OOC for the team to work with Gortash. You can canonically do that.

Wyll and Karlach don't even leave the party if you do that, you don't even have to make a roll to convince them.

You can either abandon Ravengard or save him BEHING GORTASH'S BACK after you've already killed Orin and solidified your pact and he went to the Morphic Pool. Like this is legit the thing I did in one on my playthroughs.

He canonically only attacks you if you attack him first, give him the stones (proving yourself to be weak) or if you went to a place he Explicitly told you Not To Go.

He calls you before you enter the Iron Throne and tells you not to do that. It's a direct warning and pretty much the only line you can't cross. You can destroy Steel Watch Foundry and STILL he offers an alliance.

(Fr how desperate is he for an ally??? Hello?? @ Mr Bane's Chosen, I don't think Bane approves???? You got this whole tyranny thing a lil wrong???)

His downfall is HIMSELF; if he did not go for that dumb stones grab he'd survive, but also he KNOWS they're going to fail in confronting the Brain, he pretty much states it in the convo next to a Morphic Pool, but he still pushes to try it, to meet the downfall on his terms.

I'm pretty sure it would be possible to convince him the Elder Brain needs to be destroyed because it became uncontrollable and is too much of a threat now (the things you can't control should be destroyed, yadda yadda, survival is a strong instinct and would win against thirst for power bc power is a means of survival too and power can be achieved elsewhere, meanwhile in death he is sentenced to Bane's wrath)

All the possible scenarios where his death by Netherbrain's command does not happen cloud my mind and I suffer. They could have had it all! Even Good!tav/Durge could have a Good Ending(hero of Forgotten Realms) and alliance with Gortash.

We could have had it all!!!

[lalalychee]

📷: ichabod

[tswwwit]

I know Bill's the big bad demon everyone is afraid of and he will protect his husband at all costs (when no one's looking), but I think it's also worth mentioning that Dipper, even being the dorky, squishy human that he is, also cares about his dumb demon hubby and wants to keep him safe, even if it annoys Bill, and really, he doesn't need protecting the way Dipper does. He isn't going to puff out his chest and get in someone's face like some macho man, but I think Dipper knee-jerk reaction when Bill's in "danger" isn't to just shrug because he's an all-powerful demon who can handle it. If a blast that could level a whole town was aimed at Bill's head (for him, this just means a bad hair day and a new body), Dipper's immediate impulse is to push him out of the way or defend him against whatever wants to kill his familiar. Because he's not thinking "Bill could literally end this match in .3 seconds." He's thinking "if you touch even one hair on that asshole's head, I'm going to knock yours clean off your shoulders." I don't know what the point even is in this post, just that Dipper is this nerdy, unassuming guy who ends up being viciously protective under the right conditions. Like I think Dipper pulls off the bloody and vengeful look SO well that Bill immediately melts and just lets him handle the situation, even though it's not really Dipper's fight to begin with. He's beating the guy to a pulp with zero reserve, and Bill's off to the side swooning and twirling his hair over his man for getting his hands dirty for him.

It's true! While Bill's not the type to enjoy being underestimated, he has to admit! Seeing his adorable husband all riled up on his behalf is a hell of a sight.

The thing is, Dipper's a good guy! He can't help but put himself in danger over others. Even when all reason and logic say that Bill would be absolutely fine if he got his head exploded or a shiv in his kidney, Dipper's instinct is to fully and immediately get in the way of that. To, in fact, be protective.

Mostly this is only evident when Dipper has to stand up to Ford. Yes, yes, Bill's a vile horrible monstrosity, but he didn't do that particular thing you're accusing him of. Watching him stand up to his uncle is a particular treat!

For bigger threats, though - Well. Bill's gonna be absolutely fine, no matter what happens, thank you very much. But he's definitely not opposed to seeing some guy who was about to literally stab him in the back get a few of his teeth knocked out.

[ashematashe]

This man is going to be the death of me one of these days, I swear

So one of my autistic special interests is finding headcanon singing voices for my favorite characters. One night I was talking with my friend @thatvixenchick about a voice for Chisaki, and ended on Andy's voice! So, I absolutely had to draw Chisaki in the same pose as one of Andy's promo shots for The Shadow Side!!

References: Pose and outfit: Andy Biersack Phoenix tattoo: Baradim Tattoo Dragon tattoo: joe_scartletrose on instagram

[e-adlirez]

Just looked on the older books for refs of Thea and

Boi Curse of the Cheese Pyramid is insane

It literally starts with G heading to work on time at 9, but William comes in like "BOI YOU'RE SPENDING TOO MUCH MONEY ON THE GAZETTE YOU HAVE TO CUT DOWN THE BUDGET" (Imagine this screamed directly into Geronimo's ear)

Obviously William's definition of "cut down the budget" is this

TW: Spoilers for Curse of the Cheese Pyramid, William behavior, do not click on if you don't want a spike in blood pressure

If you choose to turn away now, the following fume was just an intermission for finding this picture lmao

He pawned over everything (and I mean EVERYTHING) in Geronimo's office, from his desk to his armchair to his carpet to his book collection to his art collection, and replaced it all with a single plastic chair and desk ("All you need in an office is a desk and chair!")

He fired ALL THE STAFF and decided that only family members will be working for the paper (because family members don't need to be paid as much probably (if at all) when working for a family business-- they all share their finances with each other, anyway maybe (it's not clear what their salaries are gonna be (wanna bet G is paid minimum wage while Thea is paid 50% of the Gazette's monthly expenses after this clean sweep))). The only person spared from the firing spree was Shif T. Paws, the Gazette's sales manager, who apparently offered to work there for free.

He delegates all the work of the Gazette to four people-- G does all the office work (taking calls, building maintenance, writing, editing, printing, clientele stuff), Thea does all the interviews and field work stuff, Trap does all the cooking, and Benjamin is "William's personal assistant". Lord knows what that last position means for little Benji. (Okay reading ahead Benjamin seems fine, but he does say that William is "a bit pushy".)

He sends G out on a work holiday thing and he overworks the crap out of everyone, to the point where even Thea is sick of William's senile old-fashioned ass, and it seems that the Gazette was also going downhill because of this mouse furry ripoff Daniel Dancer. (To give a preview of what he did in the working perspective, he basically had Trap work seven days a week)

He was planning to have staff give use old newspaper instead of toilet paper (T&B expenses), make a 30-second time mechanism for the restrooms (to maximize manpower efficiency and possible humiliation for anyone going number 2), and was considering cutting all electricity to the building and just have staff work on typewriters "just like the old days".

This man's senile ass--

[seaofreverie]

Success, my dad told me today that he listened to Flood at work, and TWICE at that. Could it be that the TMBG propaganda is also working at last

[vampireassistant]

as much as i love alexander skarsgard and matthew mcconaughey theres just smth about them that doesn't convey the same level of sinisterness in their roles as the og portrayal of randall flagg does: