TW: discussion of something approximating suicidal tendencies but with the usual crack programming of this blog
“Ah, High General Windu”, says Fox, pleasantly. “So we meet again.”
High General Windu raises an unimpressed eyebrow at him, Fox thinks, though it’s getting hard to tell with all the blood rushing to his head. “If I let you go, will you try to throw yourself out of another window?”
Fox makes a vague shrugging motion - or tries to, anyways. It’s hard to tell where any of his limbs are going, hanging upside down in the air as he is. “I am willing to discuss terms.” A bridge will do just fine.
Impossibly, the High General’s eyebrows climb even further up his forehead. “A compromise, then, esteemed Commander.” And so, he righths Fox the head way up in the air, but leaves him floating just above the ground, at which point several painted shells come skidding around the corner followed by billowing robes and screeches.
“WHAT”, says Kote, calmly, “THE BANTHA-KARKED, FORCE-LOVING KRIFF, FOX.”
“You’ll short out your helmet mic”, Fox advises him, sagely. Fondly, he thinks back to decimating his own on only his second time in the newly-christened official Coruscant Guard Scream Closet. He’d just received the comm about the Zillo Beast being transported to 000, and made sure to take his bucket off thereafter to improve the quality of his closet time.
High General Windu’s face does something complicated between sympathy and constipation.
Because the Galaxy doesn’t hate Fox enough already and Cody wasn’t enough on his own, Wolffe elbows his way through their batch to plant himself in front of him, shoulders squared and shaking with repressed rage. “If you try that again, dickhead”, he begins, in a low growl that quite frankly sounds more cringe that intimidating, “I’m going to resurrect you and then kill you again.”
“Ah, Wolffe”, Plo Koon says, in his deep, shivery timbre, “Remember our conversations about effective conflict resolution and communication of needs?”
Wolffe’s eyes narrow at Fox, because all non-Guard are sweet summer children who walk around buckets off on 000 like absolute lunatics. Fox prays they never have to find out why that’s a bad idea. “I feel”, his ori’vod presses out between clenched teeth, “that if you make me watch you throw yourself out of another window, I’m going to jump after you and strangle you on the way down, you little bitch.”
“That’s fair”, says Fox, and watches High General Kenobi bury his face in his hands. Wolffe twitches in place and makes an aborted groaning noise, the hypocrite.
“Excuse me, High Marshall Commander Fox, but I fail to see what’s so dire about this situation that the Jedi High Council and your brothers cannot help you solve”, says Windu, the only sane one left on this Force-forsaken bloated corpse of a planet. Behind the gaggle of Jedi and ori’vode already gathered in front of Fox, the rest of them come veering around the corner in a commotion that’s quite frankly embarrassing. High General Yoda is mounted on Skywalker’s back like he’s a race-Eopie, which is Fox’ only consolation.
He got up this morning at 0300, bleary-eyed and with a pounding headache as always, and all was right in the world. And then Fox got called into the Jedi High Council’s chambers and was ceremoniously informed that in the wake of Chancellor Palpatine’s unfortunate demise (hah), and through the emergency state of the Senate, as well as several invented promotions foisted on Fox to make the delegation of any and all paperwork less shady, he was now next in the chain of command and-
Well, Fox is the acting Chancellor, in short.
Haha, he had said, and been meet with several seconds of silence, until it got both awkward and exceedingly painful. Wait, he’d said. You’re kriffing serious.
Kriffing serious, we are, had said High General Yoda, and thus Fox launched himself out the first best window with a maniacal cackle of, you’ll have to catch me first!
And catch him, High General Windu sure did.
“The will of the Force this is”, Yoda interrupts Fox’ train of thought. He scans him thoughtfully from beneath his wizened brow, and hems to himself. “Shake things up, this will. Determine the fate of the Galaxy, this shall. A feeling, I have, that a good Chancellor you will make. A better one, hmmm.”
“That’d be high praise, if not for the fact that a dead lemming would make for a better Chancellor than the last one”, says Fox, drawing and indignant gasp from Skywalker. He doesn’t bother with either that or the green goblin’s cackle, lost in the deep sense of resignation that settles over his shoulders like a suffocating blanket.
“Alright, then, get me Thorn on the comm. As my first act in office, I’m firing all the Jedi. No offense, but you’re kind of a disaster. Then, someone get me to the Chancellor’s office, I’m calling Dooku to let him know the war’s off. And please get me Judicial, they’ll be up all night working on my datafolders - I’m having the Senate arrested.”
“Who - is - arresting - “, Bly pants, hands on his knees from where he’s just come sprinting around the corner with his Jedi.
Underneath his bucket, Fox smiles a smile that’s all teeth. “The Senate”, he says, sweetly, wondering if he’s just imagined the shiver that’s gone through the room. “I’m suing the Senate, and taking them all into temporary custody for abuse of sentient rights.”
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i told y’all. i told y’all i was gonna go crazy over this post made by @gummy-goat-galaxy
full disclosure i drew literally all of this before looking into the details of the AU so this is 70% my interpretation of his original post but i need to explain my thought process so. here’s the post explaining the details of the actual AU!!! and below is what my brain made up on the spot
ok so belos finds tiny child luz and is like “fuck everyone. this is mine now” and treats her like a goddamn princess. to him, she is a Gift From God to remind him to stay on his Righteous Path. an innocent little girl who is just so bubbly and always tries to see the good in everything, including him. she is a reminder of how Pure and Good humanity is, and seeing as though she’s the literal only human he’s had any contact with besides caleb in 400 fucking years, he is never letting the demon realm corrupt her like it did to him.
she’s basically his Lamb and he the Shepherd, and because he’s so desperate to keep her “““pure”““ he strictly keeps her within the castle and even then not all of the castle is available to her. he keeps her contact with witches to an absolute bare minimum.
he entrusts her protection specifically to hunter, despite the fact he’s only 2 years older. his reasoning is “caleb did a pretty good job raising me so this’ll be fine probably.” when belos himself cannot keep an eye on her, it’s hunter’s job. luz and hunter end up being raised in a sorta similar situation to catra & adora from she-ra but they are actually siblings and not just best friends.
(if u havent seen she-ra, basically its their abusive caretaker creating a golden child + scapegoat dynamic, where one kid can do absolutely no wrong (which doesnt mean they cant still be abused/manipulated!!) while the other kid is blamed for literally everything that goes wrong. the caretaker also regularly pits them against each other to encourage competition & keep the all power in the caretaker’s hands.)
similar to catra & adora, the whole competition thing doesnt really work. luz is just too damn kind and too damn good for hunter to ever resent her, and she’s all he really has. because hunter is the scapegoat, he grows wise to belos’s manipulations WAY sooner. it’s easier to figure out when you’re being mistreated when you literally watch ur guardian treating ur sibling so much better than how they treat u.
unfortunately, because luz cannot help but see the good in absolutely everyone and can be empathetic to a fault, she doesnt realize belos’s game until she ends up sneaking out of the castle. she actually really loves belos and is thankful for him taking her in for a long time. she calls him uncle like hunter, despite belos nudging her towards seeing him as a father bcus he sees her as a pseudo-daughter. (but luz remembers her dad, and has no desire to replace him with someone else no matter how much she cares for belos)
belos does love & adore luz, he would do almost anything to keep her happy and “innocent” and “pure”, but not to the extent that he could still end up redeemed. he still manipulates & subtly emotionally abuses her to keep her in line, but it’s only when she sneaks out and meets eda the owl lady does she start getting clued into this. and once luz learns what belos has done to hunter it’s all fucking over.
hunter loves luz. she is his sister and always will be. but while he’s stuck to belos because of his duties as golden guard, she sees how green the grass is on the other side and doesn’t even hesitate to hop over there. watching her slowly grow more and more distant while she keeps sneaking out to visit with her new friends (eda, king, willow, gus, amity, etc.) is one of the most painful things hunter has had to deal with.
he feels betrayed at first, as if luz is replacing him with other people who arent broken like he is, and when luz actually leaves for good- belos lies to the public and says she was kidnapped- hunter is the one who leads the hunt to find her and bring her back home safely. when they confront each other, luz tries to do her whole dramatic speech about how wrong belos is and how he’s been lying their whole lives, but hunter already knows. the only reason he stayed was for luz, but she couldnt even stay from him? it fuckin hurts man.
they end up on opposite sides for a minute. hunter gains no satisfaction from trying to ruin this new life she’s found for herself but goddamnit, he has a job to do. he cant just defect. and then he defects after watching belos try to kill luz because she’s let herself become corrupted by the witches.
thats about all my brain got for this so far. TL;DR basically just listen to the “first time in forever” and “mother knows best reprise” and “broken crown” by mumford & sons and thats pretty much the gist of it.
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Tis a niche of its own
Sorry there is only two female characters, I kinda pulled these off the top of my head and probably missed a ton of other candidates. Reblog with an addition if you have one!
Edit: I forgot to make this poll a week long! Once this poll ends I'll remake it with new additions depending on the results (the characters with the fewest results will be replaced with suggested characters from the notes so be sure to suggest some!) in the meantime tho plz reblog to increase sample size
This follows my own definition of what "Comic Relief" means: A character that is used as a conduit for comedy in a piece of media
Through character studies I have determined that there are 5 types of comic relief: the Character Relief, the Audience Relief, the Tone Shifter, the Butt of the Joke, and the Slapstick. Characters that identify as "Comic Relief" usually fall into one or more of these categories
Further explanation under the cut
The Character Relief refers to a character who actively makes jokes to be funny in-universe through conscious humor. Examples from this poll would be Sans and Rayla, who go out of their way to make their friends laugh
The Audience Relief refers to a character who makes the audience laugh regardless of their impact on the story. Examples from this poll would be Lapis and Gus, who are often involved in comedic bits meant for audience entertainment that aren't acknowledged by the narrative as anything unprecedented
The Tone Shifter refers to a character who makes jokes to relieve tension and shift the tone of a scene, either consciously or unconsciously. Examples from this poll would be Jay and Leo, as they both consciously make jokes about grim situations to help their friends or family feel better. Additionally, Jay would do this unconsciously before his trauma made him start doing it on purpose
The Butt of the Joke refers to a character who is made fun of by other characters in-universe, whether endearingly or not. Examples from this poll would be Dewey and Lance, who are often met with insults whenever they do something wrong or silly. The insults are usually meant to be endearing and comedic, but they can still feed into the character's possible inferiority complex. This also applies whenever a villain hits them with a sick burn*
The Slapstick refers to a character who is made fun of by the narrative and the audience like a punching bag. Examples from this poll would be Sokka and Yusuke, who are sometimes put in troubling and awkward situations as a gag for the audience's entertainment alone. These gags are not fun for the characters yet delightful to watch
Most comic relief characters can be characterized as multiples of these. For example, Jar-Jar from Star Wars is both Slapstick and Audience Relief, and even if you don't find his jokes funny that doesn't change the fact that they were written with your entertainment in mind
If you're curious how a "The Narrative's Favorite (derogatory)" character would fit into this chart, they're likely both a Butt of the Joke and a Slapstick character, making their life absolute hell. To be honest, MK from Monkie Kid is an example of a character who fits all 5 categories, but he isn't blue so he isn't in this poll
*Ok if you've ever seen Phineas and Ferb Mission Marvel let me just say MODOK is a total Butt of the Joke and my favorite line in that special is when a TV announcer calls him a "Giant Chicken Egg with a Face" and I just had to mention that omg
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