#how are these videos even allowed

[sarroora]

Dude yeah, being accused of using AI - especially as a creative - must be the worst insult you could throw at someone.

[front-facing-pokemon]

[thoughtsofananon]

Could we get an avoid? You choose which flavor

help there’s been a shadow guy rotating in my mind constantly for (checks the date) FIVE MONTHS.

I exploded in the tags

[t4t4tclethian]

every time i see a post describing scott as “defying the Watchers” i kill another hostage. btw.

[dereks-unrelenting-heart]

I just started watching Escape From The Vault, but the [STRICTLY NON-CANON] character lore for these guys is already insane

[babymorte]

if you’re not liking my photos you better not be liking anyone else’s

[godsoopsiewoopsie]

POV: Will Wood has an asthma attack while trying to talk about to many things at once and then skadoodles (?)

my mum bugged me into posting this

(it’ll probably rot in my drafts for ages)

(also i’m not sending the live stream to anyone so don’t ask. find it on youtube or tiktok or something idk i bet those guys probably have it somewhere)

[lycanwlf]

i feel like i could write a book on my hatred for the idea that "women always suck at __" because literally 99% of the time its because they were never given the opportunity to learn that skill. girls are pushed out of so many spaces when theyre young and taught "this isn't FOR you" and for some damn reason people find it insane that a lot of women aren't found in those fields when they're older.

[the-hwaelweg]

So the good news is I wrote 1.5k words last night. The bad news it was not on the fic I teased you all with 😅

[xbuster]

Saw another “autism is when you like video game” post but this was even worse because it was about Isaac and there are few games I can think of that would be better at making an autistic upset

[hollowsart]

I wish so bad that people would stop putting traumatizing and horrifying imagery in their thumbnails on youtube. clickbait should be stuff that makes you WANT to click it, not stuff that gives you actual nightmares and triggers your phobias and junk, like.. even if the imagery isn't actually real, it's still abhorrent and shouldn't even be allowed in the first place.

the title alone for this one video should be fine, but like. they did NOT need to have THAT in the thumbnail. this is just another reason for me to hate that side of the internet.

I literally struggle to find ANY good scary content to listen to or watch because people refuse to be decent human beings when making their videos.

[hotwaterandmilk]

I'm still not well so this isn't going to be articulate, but I wanted to say something anyway.

In the wake of Grease: Rise of the Pink Ladies (amongst other titles) being purged from streaming I've seen countless posts saying "This is terrible, we need to stop this practice -- they might purge a good show next!" and yeah, for sure a lot of titles being impacted by streaming purges/lack of physical media/a decline in archiving right now aren't going to be remembered for changing the world.

However, I think it is vital that we fight to preserve these titles for their own sake not just because "What if next time it's something we actually like?!" There is value is preserving things widely regarded as "bad" not just because I have firm beliefs about the absurdity of taste, but because who gives a shit if something is deemed "good?" Actual human people put their time and energy into realising these artistic visions. Even if the results are arguably not "good" or "popular", should the efforts of these artists be lost to the sands of time? No, no they fucking shouldn't.

I share a lot of art on this blog from titles very few people consider culturally important or valuabe. However, I don't look at the things I collect & share like that. Even some of the most objectively absurd titles I own are still pieces of art that were developed, published, and consumed by humans in the real world. Whether they've turned out to be broadly memorable or not is irrelevant because they existed and that in itself makes them worthy of preservation so that others can choose to familiarise themselves with them long after the original creative team is gone.

So yes, we should all be trying to preserve the media that's important to us and not let corporations try to stamp out every trace of a financial (though not necessarily artistic) misstep. However, it shouldn't take the threat of something we, personally, like being taken away to stir us into giving a shit.

Even the demise of less admired works should concern us and make us start to burn copies of Grease: Rise of the Pink Ladies because it might not mean anything to you or I right now, but to some kid in 20 years it could be a seminal experience that leads them to follow their dreams. Or it could become a cult classic that people reflect on at watch parties years in the future. Or it could continue to be a footnote in the history of television that nobody really cares about.

Ultimately I don't think it matters what level of value we arbitrarily assign to media now or in the future, we should be trying to preserve as much of it as possible so that generations from now people can enjoy the option of engaging with these titles should they so wish.

[s4intjust]

okay sweeney todd was insane. i had NO idea they could make it THAT good. we were sitting like right in front of stage and apparently we were allowed to take photos and videos so i have some songs captured and we have a whole audio recording. they sang SO good and everything was so cool. they translated it really well and kept certain things i was afraid were going to be cut and did good job with a little priest (i was worried about it the most). and i really really loved this production. oh my god

[yeonban]

I've been watching tons of videos of speeches from serial killers, cult leaders, (confirmed) psychopaths etc today and Tobias does plenty of the subtle things they do, from tone and phrasing to body language. It makes it x100 scarier for me to then look at how Tobias has made every single person he's come across like him to some degree or another, sometimes simply by existing and other times by tailoring his manipulation strategies to their psyche

[metanarrates]

watched a majora's mask analysis earlier today with my fiancee. my verdict is that I actually really enjoyed the op's interpretations, but that I wished that they talked more about mm's literal level and what one can get from it, rather than talking about those events as if they are strictly metaphor. yes, of course the metaphorical layer of the game is rich to dig into, but it's also such an open-ended and surreal game that it's difficult to nail down every single distinct metaphor that can be derived from its events. which is why I consider it necessary to discuss the way the literal layer presents itself and what sort of motifs and ideas exist there as a baseline before you begin looking at it as metaphor

[repurposedmeatlocker]

I gotta make a post about this. It will drive me insane otherwise. But I really REALLY like the way in which Beavis and Butt-Head incorporates the music video commentary segments within the context of the actual show.

On one hand, it is indeed a way for musicians and creators to be promoted, albeit in a satirical and tongue-in-cheek way, through the banter of two ignorant fifteen year old boys. But this does not mean these segments are floating around unrelated. Actually, the commentary segments are completely intwined within the world of the show. They are not just used as opportunities to make pop-culture references and trash the musicians, but as a jumping-off point for Beavis and Butt-Head to get into off-topic tangents. Ranging from simple questions to sparse recollections of their home-life. I can't say this definitely since I haven't exactly been keeping track, but it appears to me that most of the sparse information out there about their moms and family come from statements made during these segments. Then there are also all those moments during music videos where they aren't even paying attention to what is on-screen and instead are doing stuff like looking at magazines, trying to cook, fighting, falling asleep, etc.

This all is such an odd yet interesting window into their lives, and how much it revolves around their television. I don't think this is unintentional at all. The characters are first introduced in the pilot, as being parked in front of their TV getting off on a woman advertising exercise equipment. Mike Judge is indeed making some kind of commentary here regarding the modern dependence on TV and cable television (especially in the context of the 90s when the show came out). At the same time though, I don't feel like this is a completely mind-numbing experience in the case of Beavis and Butt-Head. In fact, I find their interaction with the programs on television extremely "active" whether it be actually constructing opinions about what they are watching (even if it rarely is more complex than 'this rules' or 'this sucks'), or deciding to do something based off of seeing it advertised or talked about on TV. When you think about it, most of the plots of the show use the television as a catalyst for the episode's plot, which just ties the TV to the show as a whole even more.