#the way the characters react to it

[metanarrates]

watched a majora's mask analysis earlier today with my fiancee. my verdict is that I actually really enjoyed the op's interpretations, but that I wished that they talked more about mm's literal level and what one can get from it, rather than talking about those events as if they are strictly metaphor. yes, of course the metaphorical layer of the game is rich to dig into, but it's also such an open-ended and surreal game that it's difficult to nail down every single distinct metaphor that can be derived from its events. which is why I consider it necessary to discuss the way the literal layer presents itself and what sort of motifs and ideas exist there as a baseline before you begin looking at it as metaphor

[incoherentchanting]

this shit is so funny

[mohntilyet]

i have to be so real. sometimes you have to outright not give a shit what the author thinks. i’m not saying to disregard how a character is portrayed and give into fanon characterisations but sometimes i will see fans be like “(head writer) omggg do you think this character is a good person?” “how would this character react if xyz happened?” as though that’s not a question you can and have to answer for yourself.! any character can contain multitudes and if you keep limiting your perception of them solely on word of god its not fun for the writer or even yourself anymore. THINK FOR YOURSELF. INVENT NEW WAYS TO FUCK YOUR FAVORITE CHARACTERS OVER

[flowersforthemachines]

Ghilan'nains's comments about Rook's romances at the Crossroads (and their reactions)

No romance

Elgar'nan: But surely the knowledge you gained… Ghilan'nain: My champions offered themselves willingly. More works of precision laid low before finding their full potential! Elgar'nan: You will have new subjects, in recompense. Whatever you wish. Ghilan'nain: Rook's companions seek to fight as one. Combining their traits into a single form would be edifying. Elgar'nan: Inspired. Consider it done. Rook: Ignore them. We're taking these bastards down before they ever get the chance.

Bellara romance

Ghilan'nain: Rook's foolish tinkerer toys with our old works. Let her be flesh-bonded into a Sentinel's armor. Bellara: Rook. She means…

Davrin romance

Ghilan'nain: Rook's dearest Warden. He is half blighted already. I would see if I could make him crave griffon flesh. Davrin: Let her try.

Emmrich romance

Ghilan'nain: Rook's necromancer. An excellent subject to test how long one could go back and forth between life and death. Emmrich: Don't listen to her, dearest. It won't come to that.

Harding romance

Ghilan'nain: Rook's Titan pretender? There are many things I could do with one so tied to the stone. Harding: She's not saying what I think she's saying, is she? She probably is.

Lucanis romance

Ghilan'nain: Rook's assassin. His flesh could be given true wings. And a face that better suits one who carries a demon. Lucanis: She is welcome to try.

Neve romance

Ghilan'nain: Rook's delver of the truth. A mage who would provide me with both blood and ice from her veins. Neve: Rook. She means…

Taash romance

Ghilan'nain: Rook's fire-breather. I would see if there is enough dragon blood in their veins to begin a new Archdemon. Taash: She can try.

Final line (all romances)

Rook: If they touch you, death will be the least of their problems.

My DAVG Extracted Audio Masterlist

[vampire-in-the-corner]

i need to think about AMC Armand for a minute. About his passivity. I find it frustrating as a viewer, but I’m also deeply compelled by it. His most infuriating trait is what makes him so interesting. When he says “I could not prevent it,” I don’t think that he sees that as a lie. It’s not the truth, but I think he believes it. He’s so powerful and could at so many points take agency in the narrative, yet he chooses inaction. He lets Lestat destroy the cult, lets the Paris coven hold the trial, lets Louis kill them after, lets Daniel uncover the truth. He accepts whatever happens to him and makes it his life regardless of whether or not it’s what he wanted.

Claudia is a foil to this nature. She’s not the most powerful, but she always takes an active role in her own story. She makes her own choices even when they put her at risk. It’s why I don’t think the two of them ever could have gotten along; their natures are inherently opposed to one another. Even their similarities drive them apart—they both hate the reflections of themselves that they see in one another because of how their mirror reacts to trauma.

[drawsmaddy]

[ID: A digital illustration of Jonathan Sims and Martin Blackwood from The Magnus Archives. Jon is a thin British Indian man with long dark hair streaked with grey and Martin is a taller fat white man with short, curly, light brown hair. Jon is smiling as Martin kisses him on the cheek. Behind the main drawing are various sketches and doodles and some writing. There are portrait sketches of Jon and Martin (the drawing of Martin has "Martin!!!" written next to it), a drawing of Jon looking sad with "I miss Martin" written beside it, doodles of a cup of tea, eyes, a tape recorder, and a heart, and text reading "gouge your eyes out with me babygirl" and in quotation marks "I just need him to be okay, I just do". End description.]

I relistened to season 4 of TMA while I was working on kofi doodles this week so fair warning I might be finally back on my Magnus Archives bullshit

[ticcitavvi]

i will never forgive them for not focusing more on Snotlout in this scene

[blaithnne]

Remember this post where I talked about how funny Host!Vic’s gender neutrality is? Well now it’s even funnier because this episode seemingly confirmed something I have suspected to be true for a while now, which is that fictional Vic Michealis SOMEHOW DIDNT REALISE THEYRE BI?????

[lunar-wandering]

"yandere evil cycle Clara" this "yandere evil cycle Clara" that, yes i agree, its drawn very well and is very Aesthetic and im so excited to see where this is going but i have a Question-

why is Iruma blushing through most of this chapter-

either Clara's subtly put a charm spell on him (though wouldn't it affect Azz too in that case?) or, he's somehow kinda into this.

i know the first option is more likely but the idea of Iruma thinking the evil cycles are hot is so fucking funny. could you imagine.

[anistarrose]

TBH the Wonderland twins could've gotten over all their unspoken narrative-haunting grief about their third dead sibling really easily if they'd just ever met Magic Brian. They would've loved Magic Brian and he would've loved them. New brother unlocked (evil German edition this time which honestly to them is an upgrade)

[op-dumpstertruck]

I AM IN PAIN! Please tell me that Sanji gets hugs from Zoro and the crew when they finally get to him?

I think Sanji would be overwhelmed by the grouphug that is he really, really deserves, even if he himself can't realise or verbalise it right now. But there needed to be a Zoro hug!

[blighted-lights]

the way that ravage clearly loves and idolizes megatron genuinely makes me ill you have no idea. like this is someone who clearly still adores megatron despite being betrayed by him. and on the other side, the way megatron interacts with ravage in this entire scene is so,,, he's tired. he isn't at all what ravage idolizes and he knows that. he doesn't know what he is anymore but he's not the valiant savior ravage needs and wants him to be, and he Knows it.

ravage is clinging to a version of megatron that no longer exists (or maybe never did in the first place, and only existed in ravage's mind) and megatron no longer has anything to cling to so he rejects his past completely. these two make me ill.

[shorlinesorrows]

here is ur daily reminder that Kevin Day leaving the cult that raised him was never selfish

thx send post x

[revvethasmythh]

Reminded again, as I periodically am, that there's a fair number of people in the fandom that think of Nott the Brave and Veth Brenatto as two different characters, and not fundamentally the same woman. In the absolute literal sense, this is false: Nott the Brave, returned to the body of her choice and using her real name once again, is absolutely precisely the same person she was before Caleb cast Transmogrification on her. This is, incidentally, one of her main sources of angst towards the end of the campaign! A part of Nott must have both feared (and, in some ways, hoped) that when she was changed back into a halfling, she would also be a different person. That the person she became traveling with the Nein would be an easy identity to shed, which she may have hoped for because it would be easier to fit herself back into her home life with Yeza and Luc--and because it would be easier to say goodbye to the Nein if that were the case. And she feared it because she liked this person she became, no matter how transgressive society would label her for it. And she loved the Nein and didn't want those feelings to be altered.

But she didn't change. Veth Brenatto is Nott the Brave and Nott the Brave is Veth Brenatto. This was always the point. That's why it's an anagram. It's just that when she's Veth Brenatto again, she is much more focused on the why of what she's doing. Why am I still with the Nein? Why am I still adventuring? Why do I have this reticence to return home to my family? Why don't I long for that quiet, domestic life the way I once did? Her emotional journey becomes intensely personal, sometimes subtly/quietly told, and wholly about what kind of future she wants for herself and how her choice could affect those around her. Her two families become anchor points pulling her in different directions and she has to deal with that. Which is a different story than what she was telling when she was still Nott the Brave. Nott's story was much simpler--I am a goblin and I hate it and I would like to be a halfling again. I would like to be able to be with my family again. It's straightforward and it's achieved! But that's not where it ends, because she still needs to figure out a real, functional future for herself once her goal has been achieved.

All this to say, I think when people say they prefer Nott over Veth, it's important to remember that you are reacting to a certain story arc for the character, not an entirely different character. It may also pay to ask yourselves why you think they're so different. Was "Nott" funnier than "Veth" to you? Does her ability to serve as comic relief fundamentally change whether you like her or not? Did you appreciate "Nott's" themes more than "Veth's"? Or did you even notice the themes being explored in Veth's later game at all?

[iicaru2]

so you know how when redeemed durge rejects bhaal withers shows up and basically tells their dad to fuck off because thats his kid now. i have a lot of thoughts about the dark urge and all of them are emotionally devastating but anyway. do you guys think astarion saw that and felt some horrible kind of numb, resigned jealousy because years ago he desperately prayed to every one of the gods to free him from cazador and got no answer— then this bhaalspawn haunted by the narrative turns up and Fucking Jergal intervenes just to save their life and flips both ao and bhaal the bird at the same time. because ive been thinking about that ever since my durge run and i need to inflict that pain on everybody else now.

[molathesunfish]

more of this one i'm quite fond of her