#how do I undo

[spock-smokes-weed]

my cat just deleted my last post fml

[bri-does-art]

I know it's like the penultimate day of mermay but--

Guess whose wrist is beginning to get better :))

[aslyran]

Yunmeng shuangjie feels

[demigods-posts]

me personally. i wouldn't have gone after all the olympians at once. you're biting off more than you can chew here. all you would need to do is take each olympian out one by one. and then convince demigods that once enough people stop believing in a diety, that diety ceases to exist. which is not a lie. and you could use the death of pan to back yourself up. sure, you'd be in it for the long haul. but chess isn't meant to be a quick game.

[bunnieswithknives]

Oh I have to ask. In your Things That Crawl AU, what does Lyle think. I could see him having similar reactions to Hellen's. We know that even if it wasn't healthy, Lyle was the one who knew Sam the most, longer then anyone else, his constant stalking means he knew what Sam was like and they may have even actually worked together. I personally just can't see Lyle accepting this "New" Sam but I could be totally wrong, I'd love to here about Lyle in your au.

Oh yeah Lyle absolutely does not accept the new Sam

My first thought was that Lyle does what he always does when the going gets tough, and that's try to steal Sam's soul. I don't really like that idea though... cause either it works as both a cop-out and definitive answer to Sam's state of mind, or it doesn't and that's still an answer of some kind, which I don't want.

The alternative is really dependent on the extent of the powers I wanna give Visitor!Sam(? Idk if this is what I wanna call it but we're going with it for now) and how fucked up I want that to go.

POV: The benevolent god has an audio processing disorder and no idea what a human looks like

[gamergirlcrustacean]

that was not supposed to be onymous.

i like Regular Flavor toothpaste. not a question

are you eating it ? this is a question

[sevastiel]

More assorted homework break Warframe doodles.

Trying to get about 8 ish hours of work that shoulda taken place over the semester done in 2 ish more days, due to medical/mental shit messing my whole deal over. Unfortunately for me, its several hundred pose reference drawings done with a short time limit, and every start and every stop takes energy outa me so I can only go for about 10 minutes before I need a break. Within that break? I give myself 2 minutes, doodle something, another 2 minutes, doodle something more, etc etc until I'm feeling relaxed enough to focus again.

This whole page is just this afternoon, there may be more tomorrow :D

Ft. @sovenderegn ‘s totally normal Ilias :3

[poorly-drawn-mdzs]

Wardrobe Woes

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[rizzanon]

omg its the trio !!

this is so stupid

FML 😭

[craigseyeliner]

Pete my good friend Pete

[lovesickeros]

popping in randomly after almost an entire month just to talk non stop about the tsaritsa again everyone sit down.

specifically just thinking about the implications of tsaritsa's ideals originally being about love + the abandonment of those ideals to complete her goal of, presumably, destroying Celestia or whatever she's cooking up. to the point even her people don't love her and I probably don't even remember a time her ideals were of love. now it's all just ice and snow and cold.

which makes romantic fics w her even funnier because she's purposely removed this part of herself and suddenly reader walks into teyvat like they own the place (they do) and I can only imagine her reaction. angry, probably. because why you? what are you doing to her that's caused her hundreds of years of strict adherence to rejecting "love" both from others and to others to just. collapse. absolute shattering of her world and you probably don't even know it bc if nothing else she's good at hiding it. a lot of denial. tries to pick you apart and see what's makes you so different.

and oh she just hates it. she loathes it.

basically one sided enemies to lover trope because she can't stand you for a while but if you stick around she starts warming up to you and it makes it WORSE. so much worse. tries to distance herself but your just everywhere and it gets on her nerves because why does she love you? she isn't capable of love, not anymore. she thought she was.

g-d forbid one of the harbingers or PIERRO notices she'd never live it down. might even consider the implications of just killing you (she doesnt). worse if you know about it and act like a brat she will lose her damn mind

just the tsaritsa being an absolutely horrible mess internally.

[saintofsacrilege]

andreil is a case study on why show-not-tell is so effective in writing relationships because no (canon) couple has EVER had this strong of a hold on me

[the-way-astray]

fitz in dark blue and gold, alden in red, royal purple, and silver, della in pink, orange, and bronze, and biana in sky blue, teal, peach, and muted purple. actually. and alvar dead in a ditch somewhere

[pinayelf]

also I will say I know a lot of the reasoning for CCs not having body sliders is because it'll be harder as they have to adjust all the armor to it

and correct me bc I'm not a game designer or in the field but...just do it? especially if you're a triple a game and you have the budget and time to do it

why can't companies make time to adjust armor and clothing to fat bodies? (rhetorical I know it's bc of fatphobia)

God forbid fat people exist in a high fantasy setting 😭

its 2025 lol.

[dykedvonte]

I think it says something that you got to see everyone’s dead body and were forced to be a participant to Curly’s torture at the hands of Jimmy but we don’t get to see him dead.

You don’t get to see the satisfaction of seeing the true cause of all the pain everyone went through get a single consequence and it’s so hollow. You don’t get a panning shot of his body, you don’t get splatter to show you it was messy. It just happens and then you’re just left there with all the remnants of what happened and unable to do anything because it’s over. It’s done and you don’t get to do anything about. It’s how Curly feels about what he didn’t do. It’s how you feel as you pilot Jimmy and can do nothing to stop him.

It’s how those affected by people like Jimmy feel after it’s all done. Seen some sort of due process or justice after every painful little thing. It doesn’t feel like enough after every, cause maybe it wasn’t enough. Or rather, it wasn’t done soon enough.

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.