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mellifiedprincess · 4 months

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When you started dating Matt, he realized very quickly how deeply you felt things. And what he meant by that is, you sometimes had feelings so strong about something you would end up an emotional mess.

For most people something like that would be quite overwhelming, but not for you. You embraced it.

You found the way you cared so much or thought so much about something to be one of many charming characteristics about yourself.

And sometimes even funny.

Matt couldn’t count how many times he has walked in on you with tears streaming down your cute little face for such bizarre reasons. One time it was because you couldn’t find your favorite nail polish.

Another time it was because you saw an old picture of your mom’s favorite pet growing up. You had never even met the cat and you were crying over it.

“But I just know we would have been best friends!” Was your argument of why you were so emotional over the animal. Matt could only roll his eyes affectionately and cradle your head against his chest.

Yes, he thought it was one of the most ridiculous things to cry about, but he loved you and thought it was endearing only because it was you.

He knew during your “episodes” there wasn’t much he could offer besides the comfort of his presence.

Fast forward to today.

You were minding your business, scrolling through tiktok while the boys were doing who knows what, when a sweet edit of Matt pops up on your fyp.

Of course you watched it. As soon as you saw Matt’s cute little grin, you were sucked in. The transition from him laughing, to him dancing, makes the smile on your face grow even more. He was so cute, it actually hurt your heart and you needed to see his face right then and there.

Tears started running down your face as you walk from the room you share with Matt, to the kitchen, eyes immediately landing on just the person you were looking for.

He was standing in the middle of the room, reading something on his phone not noticing the frazzled state you were in. He didn’t even notice you were there until he felt your arms wrap around his waist and face press into his back.

“Hi baby.” He quietly greets as one of his hands instinctively drop down to grab one of yours, his thumb rubbing softly against the back of your hand. And just the gentleness of his actions is enough to make you squeeze your eyes shut, causing more tears to run out. “You’re so cute Matty!”

At the sound of your watery voice he’s concerned, but then he registers what you said and knows this is one of your episodes. Though still concerned, because he hates when you cry, he is relieved it’s not something too serious.

He moves to pull you in front of him before taking your arms to wrap themselves back around his waist. Matt then quickly wipes at your waterline, trying to stop your tears.

“Why are you crying sweetheart?”

“Because!” You pause and bury your face in his chest and you feel his hand begin to run through your messy hair.

“I just- I love you so much! I feel like my heart melts every time I look at your cute little face.” You cry out, words muffled by his shirt. And if you were to look up right now, you would see a very amused grin on your boyfriend’s face.

“Is that right? The same thing happens to me when I look at you, so glad we’re on the same page.” There’s a lightness to his words, but genuinely meaning them.

You both are silent for a few moments. Matt just holding you tightly against his body, making sure you knew he was there. “I saw this really cute edit of you on tiktok and it just made me really happy. I needed to see your face immediately.”

“You wanna show me the edit?” You perk up instantly at his question, a giddy feeling flooding through your body. “In a minute, Matty. I just need you to keep holding me like this.”

“Okay angel. I got you.” Matt rests his cheek on top of your head and starts to slowly sway you both back and forth. His words settle into the silence surrounding you two and you get another rush of emotions spread throughout your chest.

And unbeknownst to you, Matt had the same rush of emotions spread throughout his chest. He felt so fucking lucky to have someone who loved him as much as you did.

The moment between you two was short lived when you hear another set of footsteps walking downstairs, and then the silence is once again broken by Nicks voice.

“Ugh, serious situation or one of her episodes?” Matt cuts his eyes over to Nick, making the older sibling throw his hands up in a defensive manner. “What? I love my bestie, but she could give Mantis (guardians of the galaxy) a run for her money.”

“Shut the fuck up. We were having a moment here.” Matt states and you pull away from his body, looking at Nick with a soft smile. “Stop yelling at him. It’s okay Nick, it’s just another one of my silly little moments.” You laugh and start pulling Matt’s sleeve, walking towards your bedroom.

Matt sits on the edge of the bed, not wasting anytime in pulling you down into his lap and wrapping his arms back around you.

“Do I really seem more emotional than Mantis?” Your question only makes your boyfriend laugh, answering your question without saying anything.

“It doesn’t matter, sweetheart. Everyone loves your little episodes. It’s almost refreshing in a sense because of how innocent it makes you seem. You just have such a big heart things make you so happy sometimes, you can’t help but cry.”

His small rant makes you squeeze your eyes shut from more tears and you place kisses all over his face, before landing one on his lips.

“Do you really mean that?”

“Of course I do! And I mean it when I say I wouldn’t change anything about you for the world.”

A thought passes through your mind and a small laugh escapes your mouth. “I wouldn’t change anything about you either, not even the weird thing your pinky does when you drink something.”

“Oh great, now I’m getting bullied by the internet and my girlfriend.”

the edit that inspired this:

FULL CREDIT TO @nllzharry on tiktok!

#sturniolo fanfic #matt sturniolo #matt sturniolo fluff #matt sturniolo x reader #matthew sturniolo

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romor · 4 months

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I'm starting to think people don't understand that adaptations have to be different. Did netflix have the same amount of time as Book 1 to work with? Technically yes, but 20 episodes is for sure more than 8 so they didn't.

If you are constantly comparing it to the original and upset about the changes. Then for sure the netflix adaptation is not for you.

I've seen some bad adaptations over the years, for example my favorite book is Inkheart. Even the 2010 Avatar movie is a better adaptation than Inkheart's.

Conclusion it's a pretty good series, if you like the original, if you can watch it without constantly comparing it to the original you will enjoy it more.

Editing to add to this since so many have said something.

Inkheart is not a horrible movie, but it is a bad adaptation. Fantastic cast, with no loyalty to the source material.

There is a difference between adapting a story, and remaking it. This is literally being referred to as the netflix adaptation, so clearly it's not a remake. Because it is an adaptation, changes are expected. It would be stupid to expect a copy and paste story.

The changes make sense, because if you want book 2, and only have 8 episodes to work, you have to make a lot happen. The original show has clear start and end points for the events that occur (aka you know that start of the episode and the end). That's fine, when you have 20 episodes to work with, each 20 minutes. That doesn't work with 8 episodes each 1 hour (or about an hour). It doesn't translate to smooth storytelling. A lot of important things occur in book 1, but let's not forget that book 1 is also more episodic vs the rest of the series. In fact don't we often say "it gets better," about the book 1? What I am saying, a lot has to happen in the first season to set up not just season 2, but season 3. They did really good making sure those events happened.

I don't mind the mixing of plot because they didn't have much of a choice if they wanted a cohesive plot. I would also like to add I'm so glad the removed the northern air temple episode's setting. Never felt right with me.

I'm not saying don't compare them because it's impossible not to. I'm saying that if you are constantly going to be thinking of everything they changed, if you think the original series is so perfect. So unflawed, that how dare they even try. If you are going to be watching it already offended that they decided to even touch it. This adaptation is not for you.

If you were like me and wished that fire did in fact burn everytime it touched someone. If you are like me and thought the original series was too light-hearted for its plot. Then you will enjoy it. It's a fun adaptation, that keeps as loyal to its source material as it can be.

Yes I have my issues with it, but that doesn't mean it wasn't a fun watch.

#natla #atla #avatar the last airbender

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misty-caligula · 1 year

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Okay this is gonna be long, but I’ve got a lot of ground to cover so please bear with me. In a real way, this is my series thesis.

I’ve said before, many times now (like a cycle) that for me the most important scene is ep 1 act 1 scene 1. There’s something There that I have been struggling to see clearly, struggling to articulate, and s2e9 really finally gave me the last pieces for it.

I think that Pit Girl is the point of the entire story. But not in the way that I thought going in. I feel like I’m rambling, so I’m going to try to structure my thoughts.

Imagine you’re a new viewer. You haven’t watched yj start to finish 30 times, you’ve never even buzzed before. You turn on the tv and the FIRST thing that happens is you see ... brutality. A half dressed girl chased through the freezing woods, murdered without a chance. They drag her through the snow, string her up, pour her blood on the ground. Hack her into unrecognisable chunks. Sit around in scary outfits and rip at her, with a huge focus on the teeth, as horror music plays. Then, Misty takes off her mask, puts on her glasses, and does the worst possible thing. She smiles. Directly at you.

Again, forget everything you know and go on vibes. You’re seeing the teens pre-crash, and you’re seeing them in the third timeline, fully formed, with horror motifs and covered in fur. You’d be mistaken for thinking that you were seeing start and end. Except that... we know, and you know, that Pit Girl is the middle. These monsters somehow came back from this. How? When they’re so so so far gone?

Hence the show. I know I’m not breaking new ground here, but bear with me. I’m going somewhere.

(Edit: Readmore added because honestly, LONG post)

You’d be forgiven, fresh-faced new viewer, for thinking you were watching some kind of gross-out slasher. But what happens in S1? Restraint. Laura Lee, the first non-crash victim dies at the end of episode eight. Jackie end of ep 10. (For the sake of this thesis we’re going to be almost exclusively focused on the teens.)

And yet there’s this tonal shift, It’s like ... inevitability. Like watching a crack in a window that’s very slowly spreading. Everything is steadily Getting Worse. The weather is slowly getting colder, the days are getting darker, food’s getting scarcer, life is getting harder. But so much of this difficulty is coming from external events and pressure. Yes, cracks start to show in the internal relationship dynamics, of course, but if food was plentiful, if shrooms were less so, if the weather were better, then they could probably work out a very long term stable situation. Sadly for them, things are not stable, and the pressure is building.

Then Jackie dies and the glass gets a really big break.

It’s worth mentioning at this moment that Jackie at any time could’ve come the fuck inside. Safety and warmth and even love were available to her. All it would’ve required was for her not to be the centre of the world. To make actual goddamn concessions and join the team. Which is why she couldn’t possibly make that choice, because she had to be invited, she had to be apologised to, she had to be accommodated. She couldn’t see the rest of the ‘jackets as being people who just like her were in a really shitty situation. She saw them as being external, as being in cahoots against her, as being part of some Thing that she wasn’t in on. She couldn’t let go of the society they’d left, and she preferred to die. Which sure is a choice...

Keep all of that in mind though. We’re taught to blame Shauna for Jackie’s choices. Let’s stop with that. Jackie chose not to assimilate, she looked around the cabin at the team eating the bear and praying to the wilderness and instead of just paying lip service to fit in, like Tai, she decided to put her foot down and make a Thing of it. She decided that being Right was more important than being Included.

Seriously, keep that in mind, we’re coming back to it. Cycles, you know...

Season 2, everyone’s hungry and hey we have this spare Jackie lying around. And we joke like “ha, you gonna eat that?” Only...

No. They WEREN’T going to eat her.

Really think about that for a second. They put her in the meat shed. With the bear. Think about what that does, psychologically. Linguistically. The meat shed is made to store food. The bear has a word: carcass. Day after day after week after month they carve progressively more pathetic chunks from it, subsisting on what little it offers. In the EXACT same room, sitting right there is Jackie. Her body has a different name. Corpse. With many different connotations. At NO point does ANY of them raise the fact that they’ve taken their friend and added her to their meat stockpile.

Because they haven’t. Instead, they’ve added a new sub-room. The meat shed is now also a morgue. And nobody ever once had to say it. They got it. We got it. You got it. And while they starved and their bodies BEGGED for food, Jackie’s corpse lay there, frozen and fresh, and stubbornly refused to become a carcass, because they wouldn’t let it. They knew that there were more important things than meat, even when they were starving.

The bacchanal was a mistake. A literal error. It simply wasn’t planned, wasn’t meant to go down that way. Maybe if they HAD considered that route earlier and had a discussion about it they’d have been prepared, psychologically, maybe if they weren’t so starved. Who knows. But in the middle of the night they were offered a way out, and they took it.

But Shauna took it first.

Even in their state, even faced with an ideal roasted feast infront of them, they waited until Shauna said it was okay. Because Jackie was Shauna’s friend, and they knew that she was still a person. That this was still a corpse first. It was Shauna who was able to give them permission to survive. To turn a friend into a meal. It was not their place to take that step. To shoulder that guilt. So Shauna did it for them.

The next day they’re devastated. The heavy reality sets in, now the hunger is settled. And Jackie’s carcass is far too real, they can’t change her back into a corpse. Nat tries, bless her heart. But Tai’s screaming reaction at having eaten Jackie’s face is only an externalisation of the grief and horror and agony they’re all going through.

And after Jackie they starve again. Hope and heat and light dwindles further. Every single day they all take another step towards death. That’s what starvation is, it’s the same thing as dying, you die a little bit every day until you can’t die anymore.

Kristen falls. Misty doesn’t even consider that she might bring her back as meat. If she had’ve, she might think, maybe she’d be considered like ... heroic. It doesn’t even occur to her. She’s not going to LET those bitches eat her one and only friend, and she goes out of her way to protect her.

Shauna has her horror show birth. And, no matter WHAT the context is, she produces.... meat. In the most awful, brutal way. And while the fandom made so many jokes and stuff, the reality is that yes... at least to an extent there was real nutrients there. And it was never once even brought up as an option, by these desperate, starving girls.

When Coach tries to kill himself, here’s a ready source of willing meat. And Misty uses it as a threat to stop him. But it’s hollow, she’s just putting on fake fangs to try to keep him safe. She’s not actually that vicious thing that she’s pretending to be, just like she’s not actually homophobic.

When Lottie tells Misty to eat her if she dies, Misty fights her on it. Lottie has to insist. Then when she tells the rest of the team, they are so overwhelmed with the selflessness of the gesture that it inspires them to twist it into their first hunt. That’s what it takes. The hunt is an act of self-sacrifice and love.

And so we get to the hunt. The proto-pit-girl, we’ve come full circle and we start to learn all these answers to questions posed in act 1 scene 1. And they’re not the answers that were assumed.

How do they get to the point of eating each other? They sacrifice themselves willingly, for the sake of each other’s survival.

Why do they hunt the way they do? Because Shauna just can’t stand to murder a friend in cold blood, a friend she cares for and has no reason to hate.

Why the spike pit? Because it keeps the blood off their hands. Because it lets them blame It and preserve a tiny fragment of their innocence.

Why the weird symbols? The ritual itself? Because they need SOMETHING to hold onto, to make it all make sense.

Why so brutal? Is it? We THINK it’s brutal. It’s certainly bloody. But Pit Girl dies almost instantly. Her pain is over fast. She doesn’t have a good time going into it, obviously, none of them want to die. But she chose to run, she could’ve taken the knife instead. And the spike trap was efficient. Yes they drag her through the snow and string her up, but it’s mechanical and just part of the process and she’s dead already. Her pain is over fast, it’s not sadistic.

Why do they chop her up into chunks like that? Because nobody wants to eat her face. Because nobody wants to struggle with her humanity, they want her to look just like any other meat. So that they might be having deer or bear or ... friend. They’re eating because they are biological machines that need to eat, that NEED death to survive. They didn’t ask to be made the way they are, and they’re doing their best to cope. Shauna, probably blindly, takes on that responsibility, to transform their friend into unrecognisable meat to change a corpse into a carcass. She takes that pain for them, holds that sin for them, out of love. So they can eat, so they can survive.

What’s with the creepy horror masks? During the ritual they can’t handle being themselves. They create alternate versions of themselves to hold what must be done. The masks aren’t there to scare anyone, because there IS NO AUDIENCE. The masks are there to hide behind. That’s why Misty takes hers off at the end of the scene. The ritual is over and they can go back to being people again.

Why is Misty fucking Quigley in charge? Because she CAN be. Because she’s strong enough. If Lott/Nat/The AQ is the goddess/queen, Misty is the priestess/handmaiden, tasked with actually carrying out her orders. She interprets the queens words when she’s too weak, she provides counsel when she needs it, she tells the team what they need to hear in the moment, she gives out the micromanagement. Misty’s the power behind the throne, because when she says she’ll do something she fucking follows through. No matter the cost. And what the team NEEDS, whether they choose to admit it or not, is a backbone.

So...

They bring home Javi. The music uses a reference that’s never been done before. It uses the spiritual powerballad that was playing when Laura Lee tried to fly away. It builds the expectation of Great Things, of big, potent ...

And then it just stops. As the girls are faced with the reality of what’s laying on the table. The cold, blue corpse of a soft child who never hurt anyone. No matter what they do, no matter how hard they try they just cannot make him a carcass. But they have made the choice already, and if they turn back now it’s not like it’ll bring him back. They’ll just be starving and regretful as he rots.

So Shauna, blind and shaking, does the best she can. And when she brings in the meat, she - of all people - understands EXACTLY what Travis is going through. She knows what he needs. Because she’s been here. With Jackie. So she brings him Javi’s heart. His core. His love. His soul.

(She doesn’t bring him Javi’s head. She cuts that off and puts it aside so nobody has to eat his face... Some things are worth more than pure nutritional survival.)

And Travis, god bless him, does the only thing he can do left to respect Javi. He takes his heart, and he bites it, raw and bloody.

It hurts him to do so. It disgusts him so much, but he manages not to throw up. It disgusts the girls too, but they watch on, horrified. And that’s the POINT. Travis makes sure that before they do this, before they do what they have to... that they all remember this is Javi, this is human, this is a person. And he preserves the horror. For all their sakes. And only then, after he’s given his blessing, after he’s done his human acts, do these starving, ravenous girls allow themselves to reach for their food.

S1E1. Act 1, scene 1. We do not know who Pit Girl is. We do not know the exact circumstances that get us there. But we do know where we started now. What the original meaning is behind each of these little things. And it’s not brutality, not barbarism. It’s love. It’s not lord of the flies, a bunch of monstrous human-shaped creatures giving in to their primal nature and predating on each other. It’s a team of terrified people desperately clutching at their own humanity as hard as they can. Trying SO hard not to let that glass break, to not become the thing that the framing of act 1 scene 1 tried so VERY hard to convince us they were. Context changes everything.

And the proof is in the pudding. After they eat Jackie the shock explodes throughout the cabin. The atmosphere is thick, and horrific. Now with Javi, reduced to simple meat, carefully and lovingly seperated from what made him human, so they can grieve him while they sate their natural needs, the mood post-eating is calm and soft and warm and loving. For once they’re all together, with grateful full stomachs and in a time of peace and plenty. They’ve done the impossible and maintained their humanity and love for each other and their respect for Javi in a nearly impossible situation.

*takes a deep breath*

Which brings us to THIS asshole.

Right from the start, Jackie is only kind of part of the team. She’s the team captain, put up there by Coach Martinez, but not because she’s the best of them but because she can maybe wrangle them into doing better. And they KNOW that she’s not really one of them. They plot around her, and just don’t bring her in on it. They put up with her, more than loving her, she’s just kind of forced upon them. But she does her best, to try to maintain some semblance of order, giving pep talks and the like.

Wait, Jackie? I mean coach. My bad.

Anyway, so Jackie has one friend, Shauna. She SEEMS popular, and everyone talks to her, but Shauna’s the only one who actually likes her. And Shauna’s her connection point to the team. She’s got one foot on each side, and is torn as to where her real loyalties lie.

Sorry I’m talking about Jackie again.... weird.

In S1E9/10 Shauna finally chooses the team, for real. And Jackie tries to pull her back away, but Shauna puts her foot down. No way, she counters, I’m ON the team, you’re the odd one out. Why don’t YOU leave, Jackie? Jackie looks around at the burgeoning cult, she thinks “Look at these evil monstrous bitches, and now Shauna’s one of them TOO?” And instead of finding a compromise, instead of doing introspection, instead of anything like that, Jackie goes and freezes to death because it turns out that sheer rage won’t keep you warm in sub zero temperatures. Because no matter what happens, Jackie’s Right and it’s more important to her to be Right than Included. If she’s not in charge than why is she even THERE?

Hold on, I see my mistake. Let me backtrack.

Right from the start, Coach is only kind of part of the team. He’s trying to hide from his real life, from Paul and the complexities of being genuine in society by taking on the job of coaching the ‘jackets. And they KNOW that he’s not really one of them. He’s just the guy they have to listen to, because society put him there. But he tries his best, giving pep talks and the like.

So Coach has one friend, Natalie. He SEEMS popular, and everyone talks to him, but Nat’s the only one who actually likes him. (Ignore Misty, a schoolgirl comphet crush is not the same thing). And Nat’s his connection point to the team. She’s got one foot on each side, and is torn to where her real loyalties lie. Sometimes she’s on the bench with Coach, complaining about the state of things. Sometimes she’s in the thick of it with them all, and Coach is nowhere to be found.

In S2E9, Nat finally chooses the team, for real. And Coach tries to pull her back, but Nat puts her foot down. No way, she counters, I’m ON the team, I’m worse than them, you’re the odd one out. Go, save yourself, you don’t belong in this place. Coach looks at a table covered in blood and gore, at Nat’s face, at the rest of the team pledging fealty to her. And instead of looking for context, or looking for compromise, or even remotely trying to understand what he’s looking at he thinks

Look at these evil monstrous bitches. They’re eating each other. They’ve all gone mad. They’ve even gotten Nat now. There’s no hope for them, there’s no hope for anyone out here.

And he decides that they’re corrupt. That the way you deal with that is fire. And he’s wrong.

(I have a theory that he’s gone and jumped off the cliff, that he set the fire to clear the corruption, and now like Jackie, unable to live in this situation any longer, he’s decided to die himself. I’d not be surprised to find him in s3e1 that way)

Jackie was a frustrating, difficult person. Because no matter how things went she just COULDN’T let go of the fact that she was trying to fit a mold that just didn’t suit her. She was raised with super high expectations, when she was really just kind of mid. And that’s fine, honestly, most people ARE mid, that’s why it’s mid. But she refused to see that those around her were shedding their social pressures, were adapting to the wilderness. They weren’t having a good time, they weren’t hunting and foraging because they were out there, camping for fun. Nobody wanted to be there. They were just trying not to complain about it, because they were all in the same boat.

Coach is similar. He simply won’t adapt. Refuses to. I mean this is a guy who’s STILL trying to live in the closet when there’s open lesbians making out in public around him. Who thinks of others as inherently monstrous when he himself, as a gay man, should know better. Because that’s what trying to fit your society-assigned role does to you.

It’s no accident that he and Jackie both spend a long time in the woods and neither of them can do something as basic as start a fucking campfire. Javi, a little kid, survived for MONTHS on his own in that cave. Coach couldn’t make it a day alone. Jackie couldn’t get through a night. They both rely so heavily on the team without ever once recognising it. Because SOMEONE was keeping the fires going. They both just ... refused to engage.

And just like Jackie can’t see that they’re not having fun out there in the woods, on the knifes edge of survival, Coach can’t see that they’re not having fun when they are so desperate they feel it’s warranted to sacrifice one of their own. He always thought of them as monsters, and he just sees what he expects to: a bunch of stupid useless teenage girls, finally doing what he always expected they would.

At any point... At ANY point he could’ve come in from the cold. He could’ve just accepted reality as they have. He could’ve taken some meat and accepted the price, as they have, joined them in their GRIEF about it, shared their humanity, and survived. Just as Jackie could’ve come in from the cold, and become part of the whole. But instead, they sit in the cold, consumed by their bitter hate, and decide that no, it’s everyone ELSE who’s wrong.

And who emerges from the burning cabin? A bunch of scared kids. Shauna, the FIRST cannibal, who saves Jackie’s prom dress before anything else. Travis, who grabs Javi’s wolf. Nat who grabs the ammunition - that they NEVER use on each other - because if they lost that they’d get SERIOUSLY desperate. And they protect each other, they make sure everyone makes it out. These supposed monsters who are so far gone they don’t even care about eating each other go out of their way to save each other, not just themselves.

Because Coach is wrong. Just like Jackie was wrong. Just like WE were wrong, in s1e1. Which brings me to my actual point.

This question is asked so many times in S1 it’s almost a mantra. And the ‘jackets’ oath of silence really builds up that it must’ve been something REALLY bad, right? But S2E9 has really made me recognise that fundamentally... Act 1 Scene 1 is entirely what everyone who asks this question is expecting.

Imagine they DID know what really happened out there. With that bloodthirsty fucking look in their eyes...

They’re not looking for an answer. They’re looking for a story. For an exciting spooky nightmare they didn’t take part in, so they can get a shiver and a thrill they didn’t earn.

They’re not looking for a love story. They’re not looking to hear how HARD these scared, tragic, broken people fought to hold onto their morals and their humanity and their sanity even against their own survival. They’re not interested in Shauna blinding herself just to try to stop her hands from shaking. They’re not looking to hear about Travis choking down the blood of his brother just to make sure that he can really FEEL it. So he can share the guilt, and never ever pretend like it’s Just Meat. The look in his eye when he can’t think of any good response to Van’s arguments that he needs to let Javi save him. What they want is...

They don’t want the context. And if the ‘jackets ever did try to tell anybody what actually DID happen out there, all they would see is ... Episode 1, Act 1, Scene 1. A bunch of monsters. Eating each other. Just like Jackie. Just like Coach. Just like we did, on first glance.

I’ve been saying this whole time that Yellowjackets is doing something really special. That it’s letting us see behind the curtain, that while everyone’s asking this big question, “what really happened?”, we’re the ones who get to know. Because it can’t be told. It can’t be spoken. It can only be seen. Experienced. I think that S2 has finally finished the first major arc in the teen timeline, that we now have the context to understand what comes next. And I do believe that it will get messy, it will devolve. Into fighting and screaming and battles. It’s tragic, but it looks like that’s the downward spiral, spiraling. As Travis and Nat deal with the guilt of what they did with Javi for each other. As Shauna and Nat butt heads and people pick sides. As Misty Mistys. As resources get even more desperate now their shelter is gone. As potentially new people (hikers? other cabin people?) get brought into conflict with them (I believe the cabin is a smoke signal, personally).

But don’t ever forget that we got here with love. Expect that the downward spiral will be lubricated with toxic, broken, codependant, self-destructive love as well. Watch them love each other to death... they’ve already begun.

#yellowjackets #spoilers #theories #Long post #no really long post

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totallyhextra · 8 months

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People? In MY computer?? It's more likely than you think!

The following is a fanvertisment and is not connected to the show. ****Yet.*** *Also yes, this is the fourth time I'm posting this because TUMBLR WONT LET ME EDIT SPELLING MISTAKES!

ANYWAY,

Once upon a time, back in 1987, Dire Straits put out this music video for “Money for Nothing”, which, as you know, was a song about wanting my MTV.

youtube

The video was made by two guys (Gavin Blair and Ian Pearson) on a very moody computer. After the video went out, these two guys went to a pub:

Ian: “Hey, we should make a whole show like this!”

Gavin: “Dude, making three minutes almost killed us.”

And so it was decided!🎉

The two guys were joined by two other guys (Phil Mitchell and John Grace) and created the Hub, which then became Mainframe Entertainment. They got even more people, and then they all holed up in this hotel.

They were mad lads with a dream: a whole cgi animated show, and they made it happen a whole year before Toy Story!

Behold! ReBoot!

(Yes that fever dream was real)

Now before I get any of this:

Let me lay this down. If you can’t with the animation of the first season because it was CUTTING EDGE IN 1994, you can close your eyes and listen to it. ReBoot wasn’t just a CGI gimmick. The characters are fully developed, the voice actors are peerless, the plot is sharp, and there’s so many easter eggs that you’ll never find them all.

Never

(And yes the episode "Bad Bob" was the actual catalyst for Fury Road. Look it up)

ReBoot is about what life is like in a computer (in the 90s, because it was the 90s) called Mainframe (because of course it is). People are sprites, the guys that look like 1s and 0s are binomes (which represent 1s and 0s). Bad guys are viruses, and the good guy is a Guardian named Bob, who is a certified cinnamon roll.

In the first season the eps are light and self-contained, mainly because there was constant friction between the Mainframe studios and the Board of Standards and Practices.

They still got away with some pretty dark stuff, like Megabyte (virus) making Enzo (the kid) watch his dog get sliced open (dog got away, obviously) , Dot (sprite) have a hallucinatory breakdown, and the fridge horror of realizing the thousands of worm things (nulls) that plunged off a bridge to their death were actually people.

And Hex's (virus

best girl) scary face single-handedly traumatized an entire generation. 🙂

But busting through a window was a no go, because WhAt If tHe cHiLdReN dID iT tOo?

Anyway, halfway through the second season, ABC cut them loose, so they were like, fuck it, we’re going to start going hard. The story shifted from episodic to arcs and things start to get serious.

Third season the show moved to YTV in Canada, which gave no fucks about shielding the innocent children.

So it got DARK

How dark?

The UK refused to show the entire season, so the audience there had to wait until pirated copies made it across the pond to see how it ended.

Also by 1997, the animation was gorgeous. (Best example of third season animation I could think of that didn't have spoilers)

youtube

The show was green-lit for a fourth season on Cartoon Network, but halfway through production Warner Bros took over and the same fucking thing happened.

Because Mainframe was halfway done, they decided not to scrap all of it, but knowing they wouldn't be able to finish it correctly, Mainframe stripped anything that would hint at Season Four's true ending, then left what remained on a cliff-hanger of angst.

FOR 22 YEARS

(It's also why the last four eps of season four seem to make no sense)

And so it was.

Other crap happened, the soul left Mainframe, and its animated corpse spat out “The Guardian Code” in 2018.

But never say die! The year is (almost) 2024, 30 years later. ReBoot shall rise from the dead, because here come the documentary!!

youtube

Do you dare see what you’ve been missing?

What the (UK) government doesn’t want you to know??

Then come on down to ReBoot!

We got:

Magnificent bastards with sexy voices!

youtube

(Tony Jay at his best)

Kickass women who could probably crush your head with their thighs and you’d enjoy it!

Innuendos in a kid's show!

youtube

💗 This adorable cinnamon roll!! 💗

Insane third season glow-ups!

YOUR NEW GOD

These guys!

(Gay roller-skating binome is my boi. I named him Jerry)

Nonstop cultural refs (You'll never find them all. Never.)

(There are literally videos dedicated to trying)

So many computer puns!

Body Horror!

Existential Crisis!

HAVE I MENTIONED YOUR NEW GOD?

youtube

This is it, folks! The real thing, the gem hidden in the moose-filled forests of Canadia!🌲🌲🌲

Take a trip inside a mid-90’s computer!

See the World Wide Web! (omg):

Witness the original purple Gamecubes that randomly fall from the sky when the owner of the computer (OUR GOOD LORD THE USER) wants to play a game. If it lands on people and they lose, they dissolve into mindless energy leeches, fated to tormented by their former bretheren for all of eternity.

Just like in real life! 🙃

So watch the eps! They on YouTube!

youtube

I think they're on Pluto, Hulu, Sling, and Tubi too! Also DVDs for people who have the patience to wait for them!

WATCH! BELIEVE! SUFFER THE SOUL-CRUSHING RAGE OF THE SEASON 4 CLIFF-HANGER!* (come on, its fun!)*

HYPE THE DOC!

The more people hype, the better the chances of actually getting it finished.

NOW SHARE THIS WITH EVERYONE!

And now I will leave you with this screenshot from the ep "Painted Windows", where dicks can clearly be seen drawn upon the wall behind the fleeing anthropomorphized television.

(PS: If you heard the clown pic at the top of the page in your head, you're welcome)

IMPORTANT UPDATE

This message is now approved by Gavin Blair! He's an awesome guy. Show him some love on TWITTER (fuck you musk) at @TheRealMrSweary Also, if you want to share this with non-tumblr friends, here is my attempt at a webpage version:

theseventhstarprojects.com/REBOOT.html

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slightlyobsessedwitheverything · 2 months

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a breakdown of tommy kinard’s past appearances

so. like many of you, i’ve been getting a little bit tired of seeing the same “wait wasn’t tommy a racist/homophobe? why do we like him now?” posts for the last few weeks. so i wanted to do a small breakdown of every time he has previously appeared on screen, along with his action and inaction regarding the casual bigotry of the 118 under captain gerrard.

this is gunna be a long one boys so, strap in lol

season 3 episode 12: chim begins

i’m going to go in chronological order here rather than episodic order just for character development’s sake

tommy’s first appearance in this episode is about 11 minutes in, after the first commercial break. the current 118 are sitting down to dinner when chim arrives. tommy spots him and asks, “hey eli, you forget to tip the delivery guy?” i would say this could be a genuine question based on the fact that chim’s in his civvies, but he’s got his go bag that says “FIREFIGHTER” on his shoulder so. seems like he’s just being a smartass.

(*edit: it’s been pointed out to me that considering they had ordered chinese food, this could have been an instance of casual racism, and i am inclined to agree)

he’s not seen much during chim’s montage of just doin’ shit around the firehouse, until the point where the 118 come back covered in mud. tommy spots chim and asks him, “you still here?” again, just kind of general dickishness. not really anything to write home about.

a small kind of background tommy moment we get after chim’s montage is right as the team is returning from a call, and chim tries to tell them about the older couple who he helped earlier in the day.

tommy: what about that burger place?

gerrard: tommy, you know i hate that place

chim: hey guys, weirdest thing happened today… *he is ignored*

gerrard: hey, wasn’t your girlfriend supposed to come and cook us dinner?

tommy: uh, next tuesday.

gerrard: promise?

tommy: uh— uh, yes. yeah, i will promise…

now. i’m going to leave that up to interpretation, however i have opinions regarding that bit going forward. but! that’s ultimately not what this post is about, so perhaps another time.

the next scene is a pretty major one. chim is getting ready in the locker room, and tries to strike up a conversation with tommy when he walks in to gather some things (deodorant, toothbrush, soap it seems like, none of these details matter i just think they’re fun).

chim repeatedly tried to get tommy to open up to him about the things he likes, saying “tell me what your thing is and i’ll make it mine.” though, tommy just ignores him. we see a close up of him closing his eyes and sighing in exasperation.

chim asks, “…you just really don’t like me much, do you?” and tommy, for the first time, responds to chim’s questions with, “if i thought about you at all, honestly, i probably wouldn’t.” and he leaves.

later, after eli recruits chim to be a paramedic, they have a conversation regarding what he witnessed in the locker room between chim and tommy. eli tells him that it’s not personal, and that “in this job, friends die. funerals are held. they’re not going to just give you their friendship until you earn their respect. they’re not just protecting you, they’re protecting themselves.” and this ultimately makes sense with what we saw in tommy in that earlier scene. he didn’t really seem annoyed or upset at chim’s insistence to get to know him, just apprehensive mostly. he wasn’t cruel to him, and he hasn’t been. just… kind of a dick.

in the fire truck, on the way to the barn burner, tommy is sitting next to him and looks over at chim, as chim seems to be exhibiting signs of nervousness (this is his first real call as a firefighter after all)

(however, this is a moment where chim’s reality and his past start to bleed into each other so i am not sure how accurate this is to the moment.)

we don’t get much in the next scene aside from tommy’s presence at kevin’s funeral. when chim is ringing the bell, tommy is behind him and briefly looks toward chim, likely noticing how chim is attempting to hold himself together.

the next major scene is the call at the shopping mall, where there was some sort of structural collapse. based on the symptoms of the people that were in the mall, chim assumes there is a gas leak, which gerrard waves off. he calls for tommy over the radio, and receives no response.

chim has a realization that they’re dealing with a methane leak, and runs inside the mall to retrieve tommy.

just as the building explodes, chim runs out with tommy over his shoulder. though in this scene “tommy” is clearly a dummy prop and it is so fucking funny once you notice how floppy it is.

then we get probably the greatest scene in all of 911 where chim is in the waiting room waiting for news on tommy and reality starts to bleed into the flashback while “exit music (for a film)” by radiohead plays . it has pretty much nothing to do with this post i just wanted to say how much i LOVE this scene. anyway.

the penultimate scene of the episode starts off with chim in the locker room tucking in his shirt. tommy walks in and, with no preamble, says, “love actually, monster trucks, craft beer.”

chim realizes that this is a response to their last locker room interaction. he asks tommy how his head is feeling, tommy replies, “still fat, but clearer. you saved my life. thank you.” and shakes chimney’s hand, before pulling him into a hug. this is where their friendship begins.

in this episode, i didn’t notice anything that could really be construed as bigotry (see edit*), he was just kind of a dick at first and most of that can boil down to him being closed off and not wanting to open up before there’s a level of respect there.

(though, keep in mind i am white so there is a definite possibility that i could have missed something more racially motivated, however i didn't see anything glaring)

season 3 episode 9: hen begins

tommy’s first appearance (ever) is about 13 and a half minutes into the episode when captain gerrard introduces the team to their new “diversity hire” (after greeting her himself with a few blatantly misogynistic comments)

when tommy first sees hen, he smiles and asks “who’s this?”

when gerrard calls her a “diversity hire,” the smile leaves tommy’s face and he looks back at gerrard with somewhat of a blank expression, contrasted with sal deluca’s disbelieving smirk and comment of “for real?”

chimney then defends hen, gerrard walks away after saying they’re screwed. tommy once again looks between hen and gerrard before ultimately following him away from the railing.

it is not clear what exactly his reaction to hen joining the team actually is at that moment, whether he wanted to speak up like chim or express disdain like sal, as he remained silent.

at dinner, tommy asks sal what he and his girlfriend did the night previous, where the movie “twilight” comes up. sal makes a comment about kristen stewart being hot, and hen joins in thinking she found something in common with these guys to talk about, but sal ignores her and she walks away. (i think the writers may have genuinely forgotten kstew was only 17 in that movie but that’s neither here nor there)

tommy chimes in saying he “doesn’t get that” and that she’s “too brooding” for him, to which sal responds, “maybe you’re more of a team jacob kind of guy.”

tommy says he has no idea what that means, and chim clarifies that sal is insinuating that he’s gay.

sal laughs at this and at tommy’s reaction, and tommy jokingly blows him a kiss, smiles, and goes back to his food.

(here is a gifset of the scene)

chim then invites hen into the conversation by asking where she’s from. when he tells her he assumed she was an east coaster and that it was a compliment, tommy replies with “new york bitchiness is a compliment?” (score 1 for the misogyny bucket)

chim calls him out, and he just kind of huffs and looks at gerrard, but ultimately moves on.

tommy doesn’t really say or do much else in this scene besides sit silently while gerrard is sexist towards hen and hen stands her ground. in the end, sal looks toward tommy and nods his head in the direction of the kitchen. they both get up and leave the table.

nothing of note happens in the mudslide scene with tommy, most of the conflict is between hen and gerrard. the scene where gerrard makes her man behind as well. tommy is in the background and sees this happen, but says nothing. though, i also need to add that in these moments, chim does not say anything either.

the next scene tommy is in is when hen makes her announcement to the team about how she is not going anywhere.

i once again want to point out the difference in tommy vs sal in this scene. sal has his hands on his hips and his lips tight in a somewhat annoyed looking fashion, and he looks to the side where tommy is to gauge his reaction.

whereas tommy, has his arms folded and is looking down at the floor at first, before looking up towards hen. and while gerrard and chim have their arms crossed as well, i want to point out that tommy is holding one arm while the other sits around his waist. he looks a bit sheepish if i’m being honest, like he knows they’re about to be scolded.

when hen says for them to “see me as i see you, as a proud member of this department,” tommy turns to look behind him and makes eye contact with chim.

now, there’s not a whole lot i can glean from this interaction as is, but as we know from “chim begins,” tommy trusts chim so it’s possible he wants to get chim’s opinion. he seems to do this a lot i’ve noticed, looking between the people around him to gauge their reactions to what is going on.

nothing much of note for the car accident scene, HOWEVER. in the scene immediately after, sal and tommy address hen directly for the first time to give her some praise for her call on that scene. sal tells her “nice work yesterday,” and tommy tells her that they would have found the other car eventually, but eventually would have been too late.

hen states she “just got lucky,” to which sal responds, “screw that. you’re good,” and both he and tommy shake hen’s hand. tommy even gives her a light smack on the shoulder as he walks away and hen absolutely BEAMS.

then of course, hen is told that gerrard was removed from his position because his conduct was reported and “more than a few of your fellow firefighters have your back.” we know chim is absolutely one of them, and i can infer that based on tommy and sal’s reactions to hen’s speech and their interaction with her just before this scene, it is very likely they are as well.

in this episode, there were definitely some more moments of blatant bigotry in this episode, but other than the “new york bitchiness” line, tommy doesn’t really directly contribute to any of it. he seems to be more of a follower, constantly gauging how others feel and just playing along. complicity is still an issue of it’s own, do not get me wrong, but considering i keep seeing people say he made racist/homophobic comments, i feel like its a reasonable thing to point out.

season 3 episode 16: bobby begins again

tommy’s final on screen appearance begins with hen taking bets on how long the new captain will last. tommy asks hen to put him down for 4 weeks on credit, and they (hen, tommy, sal, and chim) banter a little. they all seem to have a pretty good relationship with each other at this point.

bobby pops out of the firetruck and places his own bet on himself, and tommy just kind of looks sheepish since they got called out.

to be real, tommy doesn’t do a whole lot in this episode either. most of the conflict is between bobby and sal. most of what we see is him in the background silently judging bobby’s lack of LA knowledge along with hen and chim. he does have some silly little moments during the chicken chase though.

(here's a great gifset of that scene)

bobby calls out to sal to talk to him after the restaurant fire, and sal keeps walking but tommy stops and waits, looking between bobby and sal.

sal says, “you’re a piece of work. you come in here with your nose in the air and your eyes looking down–” tommy interrupts sal and tells him to stop.

sal keeps digging into bobby, and tommy in the background, looks to chim and hen and shakes his head, seemingly telling them not to get in the middle of it.

sal says he has the skill to lead the 118, bobby retorts with, “but not the temperament.” sal then drops his bag and stomps toward bobby so he can get in his face. tommy moves to go after him, but chim gets between sal and bobby before anything can happen.

bobby fires sal, and tommy is just standing there with the rest of his team wondering what the hell happened.

we then have the bar scene! chim, hen, and tommy hanging out at the bar before bobby ends up joining them.

they have a good time and show off their scars to each other. tommy quotes fight club, chim laughs, bobby leaves to solve the arson.

(again, here's another gifset)

at the end we see a bit more of the team together, bobby starting to cook for them, and finally the scene of chim and hen popping out of the ambulance with balloons and a cake for tommy as he transfers to the 217. they all seem to be fairly close at this point.

(another gifset for good measure)

and other than chim calling on him for a water drop in 2x14, that’s about it until he returns in season 7.

in conclusion

to me, it seems like tommy is a bit of a follower and tends to just go along with what the people around him are doing, ESPECIALLY under gerrard. captain gerrard fostered a really toxic work environment and its no wonder others like sal were never really called out on their shit. and tommy mostly seemed to follow sal’s lead or stay quiet.

“chimney begins” takes place around 2006-ish, “hen begins” around 2008, and “bobby begins again” takes place around 2017 i believe. and between 2006 and 2024, based on what we see, its easy to see that tommy has indeed grown and changed many of his attitudes, especially when in a healthier work environment. now can we please stop acting like he’s this irredeemable piece of shit and see him for what he really is: a flawed person who grows and learns from others, like every other character on this show.

#this is not a tommy hater post this is just me going through everything he has said and done on screen so far #tommy kinard #911 #911 abc #911 on abc #9 1 1 #character analysis

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cinematic-phosphenes · 2 months

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Major Shōgun Ep. 9 spoilers:

Yabushige truly gives meaning to the term 'rat bastard'. Toranaga factored his inevitable betrayal into his plans, and Yabushige STILL somehow managed to spring a surprise betrayal. If it wasn't so horrible, it would be impressive how two-faced the man manages to be.

So, about Mariko .... (I'm actually glad I randomly got spoiled the day before seeing this episode and was prepared otherwise I would not have survived what happened to her.)

My take ... Mariko's death was 'pointless' in the same way Nagakado's death was pointless. Nagakado died a senseless death that failed to accomplish anything, but then Toranaga gave his son's death meaning and honour by thanking Nagakado for dying to earn him some time. Mariko blocking the door with her own body served nothing in the sense that it wouldn't prevent Ishido's men from getting in nor did it change the fate of anyone else in that room. But by choosing to sacrifice herself like that and die at the hands of Ishido's agents, Mariko derailed Ishido's plan to take her captive and ensured she'd become a martyr to Toranaga's cause. Mariko not only fulfilled Toranaga's plan, she exceeded it.

Mariko's mission was to get the hostages freed or die trying and in so doing force Ishido to dishonour himself by openly revealing his hand instead of keeping up the facade that he's not keeping anyone against their will. Mariko did both: got the hostages freed and died a martyr to the cause. (Yes, Ishido may choose to turn around and keep the hostages anyway instead of releasing them as agreed, but in doing so he'll only dishonour himself further and lose more support.)

When Toranaga gets to Osaka, he'll have the moral highground and the support of the other samurai families who didn't want Mariko to die like that and who now see Ishido for what he really is. (Also, when the time comes, I think the Christian Regents will now be prepared to turn against Ishido.)

And Mariko got what she'd wanted all along: dying with honour in response to what happened to her family. Her death was meaningful. She served her duty like her father told her to. And she got to spend her last night being at peace and experiencing something like happiness with John.

Buntaro dishonoured her for so many years by keeping her alive for selfish reasons and when he finally offered her the release of death, it was also for selfish reasons. Buntaro was only willing to allow her to finally die because HE wanted to die then and wouldn't be affected by her death since he'd be gone too. Buntaro ordered Mariko to stay alive. John asked Mariko to stay alive many times, and when she ultimately wouldn't change her mind, he not only accepted and respected her decision, he honoured it by offering to second her. Mariko died knowing John finally understood. He finally got it.

Mariko died, and now she is finally free.

EDIT to add:

She died calling herself Akechi Mariko instead of Toda Mariko. She disavowed her husband and her unwanted marriage with her last words. She was truly freeing herself!!!

#shogun #shōgun #shogun spoilers #shogunedit #toda mariko #lady mariko #anna sawai #give her all the awards!!!#new patron saint unlocked #our lady mariko #but i'm still sad as fuck #crying like omi #may have to write fanfic to console myself #*meine

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weirdly-specific-but-ok · 4 months

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post-s2. good omens mascot here, coping unhealthily.

This is the first proper post I'm writing since the audio breakdown, good thing I queued a POTC one last week, I suppose. Yes I slept through the entire day today, missed the theatre workshop I was supposed to attend and may or may not be listening to A Nightingale Sang in Berkeley Square on loop. Have an update on my coping because my social life and family are both Tumblr now:

Every song is about them now. A lot were before, but now every single one. Even an old Hindi song from a 1900s Indian military movie that I have not watched, by the way. But the lyrics (thank you Google translate) are: Everybody wants a handful of the sky, everybody searches for a handful of the sky, there is a world waiting to be hugged to the chest, the moon is a fair full of stars, but this heart is still lonely. And of course that makes me think of Crowley as the starmaker. Ow.

I made the very intelligent decision to rewatch the first three episodes of season 2, knowing what the Job minisode and the Edinburgh minisode do to me. I'll be here clutching Crowley, well, hugging him close to the chest, just like that song... ah, fuck, here we go again.

I listened to you all and am drinking a lot of water, since my tear ducts were emptied yesterday and now I'm unable to cry. I also ate too much chocolate.

I searched for sad Aziracrow edits and watched them. Don't look at me. I'm in a hell of my own creation.

I used too many emotions last night and now I feel hollow and achy. Maybe I should cope with humour and write the summaries.

Or maybe that will backfire and I will be filled with horrifying levels of emotion.

I slept. A lot. Many hours. Lots sleep.

So. Well. You know. Adopted child of divorce. You were all right, this is exactly like dealing with a breakup or divorce, but much more painful.

Someone please, please, please stop me from clicking the Crowley whump tag to find fanfiction.

I remember my initial Good Omens posts. I remember calling the fandom sad, desperate, queer and masochistic, and also pointing out how you all blame Neil and then sit and make headcanons that are a hundred times worse than canon.

I was so right. Look at me now, sad, desperate, queer and masochistic, making headcanons that are a hundred times worse than canon.

Wahoo.

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berrybaps · 1 month

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Oc introduction time! Again :3

Meet iris! :D✨💕

More info after the cut!

°Information i have of her as of now✨

Iris is 26 years old!

She works at pigsy's noodles! helps with cleaning and even cook the noodles as well, maybe also bake a few of her desserts for costumers to help with pigsy's business!

Yes, just like lian, she has a skill for baking as well

Although being a good baker, she actually doesn't like sweets that much, she likes her food a bit more salty

Her favorite food are just any noodles (y'know where that started)

Actually more timid and soft spoken than lian, she only speaks when necessary

Iris wants to build a bakery of her own but due to the events that has been happening at the recent seasons, SHE CANNOT ☝️

Acts like a big sister to the traffic light trio :3

She's half filipino half chinese!

Lives in an apartment near pigsy's noodle shop

Iris started obtaining the abilities of a red panda demon as soon as she puts on that neck accessory that was given to her by her grandmother.

Unlike lian who can control her emotions very well, iris cannot! She's very emotional so it was harder for her to deal with her newly found abilities.

As you can see from the ref sheets, her original hair color is reddish brown!

Some likes and dislikes✨

Likes

I already did state this but she LOVES noodles, it might even be considered an addicti—

She likes to draw too, not as much as baking though

Probably loves listening to songs from Alex G—

She loves collecting anything pink that catches her eyes, so as soon as you come in her apartment, prepare to feast your eyes upon many pink trinkets and plushies she has—

Dislikes

She HATES being compared, she used to be compared to a lot of kids back in her childhood so the hatred feeling of being compared to has stuck to her til she was an adult—

Probably dislikes loud places. with her newly found abilities her hearing became more sensitive.

She dislikes cutting her hair, she will trim it if it gets ridiculously long though!

FINALLY got to post her as well, Iris is the main oc i have that are involved with the lmk gang so it would be fun to figure out how she'll fit in on every episodes of the seasons :3, I'll have to post more ocs in the future hopefully YES I HAVE MORE!!

Bonus : Lmk Edits of her! (She looks a little different from these cause these are old ☝️)

#digital art #lego monkey kid oc #lego monkie kid #lmk #lmk oc #lmk oc art #drawing #artists on tumblr #lmk fandom #lmk oc; Iris

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chirpsythismorning · 10 months

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Welcome to a series I'm calling:

Yes, that scene did foreshadow Mike's monologue was disingenuous

Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.

The Bingham's Beautiful Performance

First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.

Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.

Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.

This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.

The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).

A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.

Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...

Will. Will is the director

Director Will: GET THAT RADIO OUT OF MY SHOT!

Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...

genuine...

#byler #stranger things #byler theory #the binghams #what really gets me is that the script for the monologue implies it did work #but this scene (along with many other scenes throughout the show) make a nod to the fact that it couldn't have possibly worked #by making a literal play by play of it being a performance with a fucking director giving commentary in the background #later the scene outright uses the word genuine to describe suzie's dad (who parallels mike)#and therefore makes the connection to mikes monologue being disingenuous #mike's monologue could be disingenuous for a layer of reasons #but it is disingenuous for the simple fact that it only happened because of will #there are several scenes in the show that make fun of this concept of mike's monologue not working #some in s3 with one in particular from that season being a little too on the nose #but also more moments throughout s4 that also poke fun at it #to be continued

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carigm · 5 months

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MAJOR POTENTIAL SPOILERS/LEAKS REGARDING S5 (WARNING)

Last Spring/Summer, a semi popular fandom account on Twitter got sent some leaks about S5, focused on the first half of the season. At this time, many fandom accounts were receiving supposed leaks, so our attention was a bit scattered and we didn’t focus on any of them too much. A popular leak account on Twitter (unrelated to ST) also mentioned that they had gotten the first half of S5 leaked, and that this source is “never wrong”. Now, it is hard to tell if these leaks are the same as the ones that the specific fandom account I’m talking about received, but something to keep in mind. Her leaks were given to her by a person named James (which I assume is a fake name). These leaks were also posted on Reddit, last year, by her (the person in the fandom that got the leaks from James) but some major things were omitted in that post. I’m gonna leave a link here in case you guys want to read the discussion.

I’m sharing these leaks with you because some things from them are kinda lining up with what we’re seeing from S5 production. Keep in mind that these could be fake/wrong, and James himself said he didn’t have info on the last couple of scripts.

According to James, Mike dies in Ep. 3. I’m adding more screenshots later for more context, but the gist of these leaks is that Mike bites it, mlvn never breakup nor do they get a resolution, and Byler is left up to interpretation but never really happens. (I don’t really need to get into how shitty this all is writing wise)

Let’s go over the things these leaks might have potentially gotten right, according to what we know so far.

1. James said that the time jump would occur in ep. 1, after an establishing scene where S4 left off. He said the time jump would place us in late 1987/early 1988. He also mentioned there would be a series of flashbacks showcasing stuff from before the time jump. The dates he gave do seem to be accurate, and David Harbour had a shaved head right before they went into filming, which could imply pre time jump scenes.

2. According to him, after Mike dies, they find a letter he had been writing. Some of us were theorizing Finn had a letter in his back pocket in those rooftop pics. Could’ve also been Finn’s script and he just stuck it there (who knows).

3. He said that Joyce gets badly injured in ep.3, and since there’s speculation Winona was seen filming at the hospital, some people think that means she was taken there because of her injury. It’s important to notice that Natalia, Cara, and Finn were also supposedly seen filming at the hospital, and that the production called for many extras for nurses and paramedics. So whatever they’re filming at the hospital, it might be bigger than Joyce getting injured in her leg. Let’s remember Max is at the hospital too. I’m not 100% sold on this part of the leaks.

4. Today it was revealed that they’re setting up to film at Stone Mountain. (This is where they filmed UD scenes for S4)

Apparently production might have purple tentacles out already. (UD vines?)

Cara Buono mentioned, in that video shared by Ross Duffer, that she was filming stuff from Ep.2. This was around 2 days ago.

The people that know about the leaks think this is where Mike dies in ep. 3. Here’s some further context:

Here’s some stuff he said about mlvn:

Which is just….meh, because like I said, it doesn’t look like him and El ever breakup before his supposed death. Plus Byler never gets any resolution.

Now some things that might disprove the leaks (I’m trying to be impartial here)

1. These leaks mentioned Argyle a couple of times, saying he has a hero moment at some point. Eduardo made it sound like he’s not coming back to the show, but tbh he could just be lying. He’s listed for ep.2 on IMDb (and yes I know anyone with an account can edit that site)

2. These leaks say that Mike is very insufferable for the 3 episodes he’s alive, basically lashing out at everyone, specially El, and just overall behaving like an asshole. I really didn’t get that from the ElMike rooftop scene, in fact he seemed very gentle with her. People that know about these leaks think that the rooftop scene is Mike maybe apologizing to El and them having a heart to heart, right before he dies (no comment).

All in all, if Mike is dying this early, I’m sure we’ll know soon enough. The rest of the cast is gonna be filming for like a year, and Finn will be done in like two weeks 💀

I also hope there’s more leaks soon (on Reddit) so that we might compare them to these and see wtf is up.

I know someone is gonna inevitably ask why leaks would be out almost a whole year before they started filming when we usually get them during filming or post production, but I’ve been told these leaks happened around the time the writer’s strike began, which is when they were originally gonna start filming. I was also told other shows had issues with leaks around that same time.

I don’t want to get too much into the truly awful writing we’re facing if these are real but…First, I believe it’s a total disservice to Mike’s character. One of your mains since S1 and you don’t even offer him the option of dying towards the end of the season? Even fucking Eddie got that. Two, it seems like a very easy cop out for not having to make Byler canon. Let’s just have neither ship be endgame and that way we don’t get queerbaiting allegations. It also stands in a zone too close to torture porn for my liking, because sure let’s kill the character two of the most traumatized characters in the history of TV love most. And yes, it’s also a disservice to El and Will’s characters. And lastly, if that supposed letter vaguely alludes Mike having some sort of sexuality problems (we don’t know atp) it is pretty fucked up they just killed him off like that. Sure let’s not explore any of that, but give a half assed explanation via letter ex machina. This is looking like Supernatural finale levels of bad to me.

Another point, I distinctly remember the Duffers saying, after S4, that they could never kill off a character like Mike because it would be too painful, and that ST would cease to be ST and lose its identity. They didn’t want to be like GOT. I sincerely hope they actually meant this and were not trying to be cheeky or whatever the fuck.

It would be genuinely insane, and quite frankly, a highlight of their lack of writing abilities.

I hope the leaks are wrong, but I felt like it was necessary to warn everyone just in case. I know I’m not watching something this awful.

#byler #stranger things #st5 spoilers #st5 leaks #mike wheeler #mileven

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island-in-the-shadows · 15 days

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Truly, my sympathies to people watching IWTV and are getting tired/bored of different perspectives. I'm not bored or even remotely tired.

Interviews by their very nature are perspective based. The story has this specific framing. As did the first book. They added to it with Armand now being an active participant and Daniel being more seasoned at interviewing. I understand how Armand's very edited and hyperbolic take on events that Book Lestat describes in The Vampire Lestat rubs people the wrong way. I do think that one could argue the way Lestat writes his own autobiography is the objective truth (note Armand in his book does not contradict Lestat). However, sorry to say, there is never an objective truth. The truth is always subjective.

I was raised by a whole family of lawyers and if I learned anything is that you can spin things in any way, but an objective truth will never exist. Not in crime, not in person to person storytelling, not in fictional storytelling. Hell, viewers seeing the SAME show CANNOT come to a consensus. Why? Because we all put our thoughts, experiences, and feelings to it. That's all perspective.

We see Louis give Armand a kiss in bed. Some think aw domestic and cute. Some think Louis is deliberately withholding and rewarding Armand for good behaviour. Some saw the act they put on in E2 as some version of truth and domesticity and some think it's only an act. Some think Dreamstat is actual Lestat out there somewhere and some think it's Louis' conscience.

Yes, the narrative will confirm one thought or another on some things but not all of them. They're deliberately left up to interpretation. Something btw, Lestat urges the reader to do in TVL when he does not go into details about his time with Louis and Claudia. And part of that has to do with perspective.

We could have a straightforward narrative with no corrections and no perspectives. But would that be as interesting as seeing how minds that far exceed our own twist and bend and interpret events? Would it be as interesting as seeing a vampire who tells himself a story so that he can carry on living despite being miserable? Would it be as interesting as this vampire who tells himself a story get pushback on what he's saying by someone who notices errors and inconsistencies? Would it be an interview at all? Or would it be, as Daniel put it in the very first episode, "a fever dream told to an idiot."

If you want a straightforward non-challenging version of the story, the 1994 movie exists. It's not perfect and a lot of details are missing, but there's only one, unchallenged perspective to it. And even then...how many people didn't (want to) see the queerness in it?

TL;DR I get being frustrated or tired or bored by the way the show is trying to tell the story, but at least it's doing something a little different and not word for word.

#interview with the vampire #amc iwtv #it doesn't have to be everyone's cup of tea #i just find it really interesting that a bunch of people want a more basic form of storytelling #i don't agree with every choice made but they're doing something different and i appreciate it #and i don't mean different as in revolutionary #i mean different for this specific source #and even then #marius tells his own story #pandora tells hers #armand tells his #daniel tells a very specific part of his life to lestat #as does jesse #maharet tells us the origins of akasha and that's written down as fucking mental hearsay because lestat wasn't there when she told the stor #like i get that yeah it's lestat's story etc but there's other stories too and who tells them is always additionally fascinating #because i say tell their story but a lot is narrated to someone else #please don't flame me this is just my opinion #i know im probably in the minority

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deoidesign · 5 months

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if i may ask, is it difficult at all to re-edit/organize the comic pages from the webtoon format to fit the graphic novel format?

on another note, I'm so happy that your kickstarter was funded!!! I love time and time again, im so excited to see this all happen <3

I'll just turn this ask into something of a guide for the process! Because yes, it is difficult, but there are also many ways I have been preparing from the beginning for this very situation to make things easier for me!

I've worked in both print and scroll in the past, and have done this transition once before for a short story, so I already had familiarity both with my goals for print, and struggles with the transition!

How I prepared from the beginning for this transition:

1: My panels are 2500 pixels wide, so they can span my page (which is 8.3x5.8 inches) at 350 DPI (which is print quality)

2: My layers are organized: Text, FX, Foreground, Characters, Background

3: I draw one very large (twice as big as any panel would be, minimum) background for my major locations, as well as drawing furniture assets in isolation. This not only saves me time when making my actual episodes, but it also offers me INCREDIBLE flexibility when making this transition to print.

These 3 things let me pull the character art to the page by itself, scale it up or down to fit my panel, and then fill in the background behind the character.

So, I read the scroll version, decide how many and which panels I want on the page for the pacing (I also keep page spreads and page turns in mind while I am doing this), and then I pull those panels over from the scroll version to the page.

Then, I make the panel borders/page layout that I want, fit the character art into it, paste in the backgrounds, do any art editing that I need, add FX, and then re-do the text!

Sometimes I do need to draw parts that are missing (shoulders or elbows getting cut off is an extremely common one) and sometimes I need to adjust facial expressions, cut panels, or rearrange panels to make things read more clearly. Since it's my comic already, I know how to do these things while maintaining the original intent, but if I were working with someone else's comic I would need to work closely with them to know what can and can't be cut.

(original panel vs an expanded version)

Another common issue is that VERY tall panels will inevitably lose a lot of information when they’re turned to pages. Identify the purpose of the panel (pacing, showing a lot of detail, etc) and then replicate that with your page layout.

examples (in order) are: scene transition, being overwhelmed, suspense, and establishing shot. All of these were a single panel in the scroll version!

Another issue when converting pages is that panel order is a lot less straightforward than when starting from print format. Conversational back and forth that's fine in scroll often messes up the flow of reading in a page (characters facing out, not looking at eachother from panel to panel, etc) and so some creative solutions are necessary to keeping the reading order.

For the first page I had to delete and rearrange some panels, and in the second the dialogue bubbles guide us to read this page in a circle. (dialogue guides through a lot of my pages lol)

And the last really common issue that pops up is that height differences can be really difficult. Usually in print this is solved with clever angles, but I’ve already drawn everything. So, I’ll either resort to vertical shaped panels, panel pop-outs, or editing a character up or down to fit into the panel.

(examples in order)

So, yes, it is difficult! But I have a lot of experience with both formats, and having prepared for this from the beginning I've been able to make the transition a LOT more smoothly than I otherwise could have.

I hope this helps!

And, thank you about the kickstarter! I'm extremely excited I'll be able to print these, the proofs I've received so far look just absolutely stunning and I'm so so so excited to get to send them to people!!!

Obligatory self promo, if you want to see the kickstarter page and get these four books for yourself, then you can check it out here ^^ It's been funded, so at this point we're just reaching stretch goals and placing orders!

#asks #anon #art tips #comic tips #web comics #comic books #comic advice #also this is just my own experience obviously everyone works differently and I cant promise this will work for you too #but doing things this way I've been able to finish about an episode (15 pages or so) every day #so it's been extremely swift (though also of course a ton of work)#thank you past me for making this so easy!!!#it'd easily take 5x as long without the prep I did!!!

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