Thinking again about the darknesses that lurk underneath the surface of Sense and Sensibility (I have talked before about how Edward despite being the eldest is subjected to what we can argue is emotional and financial abuse by his family for years, and how the Dashwood women are disinherited on a whim of their great uncle), and this time specifically about the Brandons.
We get so little about them, and what we do get about them is all bad:
This lady was one of my nearest relations, an orphan from her infancy, and under the guardianship of my father... At seventeen she was lost to me for ever. She was married—married against her inclination to my brother. Her fortune was large, and our family estate much encumbered. And this, I fear, is all that can be said for the conduct of one, who was at once her uncle and guardian. My brother did not deserve her; he did not even love her... I have never told you how this was brought on. We were within a few hours of eloping together for Scotland. The treachery, or the folly, of my cousin’s maid betrayed us. I was banished to the house of a relation far distant, and she was allowed no liberty, no society, no amusement, till my father’s point was gained... My brother had no regard for her; his pleasures were not what they ought to have been, and from the first he treated her unkindly.
Mr Brandon Sr is shown to us as being a greedy man, a bad administrator of his estate, and a cruel father. His first son seems cut of the same cloth, and his pleasures were not what they ought to have been is one of the most, if not the most sinister line between all the Austen novels. But there's more about him!:
Her legal allowance was not adequate to her fortune, nor sufficient for her comfortable maintenance, and I learnt from my brother that the power of receiving it had been made over some months before to another person. He imagined, and calmly could he imagine it, that her extravagance, and consequent distress, had obliged her to dispose of it for some immediate relief.
The Brandons were married for two years; the colonel returns to England and starts looking for her 3 years later. Young Eliza was then a 3 year old toddler. We are obliquely told that Brandon cut all ties with his brother:
It was a valued, a precious trust to me; and gladly would I have discharged it in the strictest sense, by watching over her education myself, had the nature of our situations allowed it; but I had no family, no home; and my little Eliza was therefore placed at school. I saw her there whenever I could, and after the death of my brother, (which happened about five years ago, and which left to me the possession of the family property,) she visited me at Delaford.
Eliza is now 17, so the eldest brother died when she was 14, which is 16 years after his marriage with the older Eliza. In that period of time, he managed to squander the whole of her fortune, and put the estate in debt again, as we are told earlier on by Mrs Jennings:
Poor man! I am afraid his circumstances may be bad. The estate at Delaford was never reckoned more than two thousand a year, and his brother left everything sadly involved. I do think he must have been sent for about money matters, for what else can it be? I wonder whether it is so. I would give anything to know the truth of it. Perhaps it is about Miss Williams and, by the bye, I dare say it is, because he looked so conscious when I mentioned her. May be she is ill in town; nothing in the world more likely, for I have a notion she is always rather sickly. I would lay any wager it is about Miss Williams. It is not so very likely he should be distressed in his circumstances now, for he is a very prudent man, and to be sure must have cleared the estate by this time. I wonder what it can be! May be his sister is worse at Avignon, and has sent for him over. His setting off in such a hurry seems very like it. Well, I wish him out of all his trouble with all my heart, and a good wife into the bargain.”
We know the Bennets, with five daughters, and without a saving mindset, still manage to live very comfortably with 2000 a year, and if they had had any mind to save money, they could have provided all five of them with decent dowries/money enough to keep them out of poverty when their father died if they were single. It is clearly not that the money isn't enough, or that Delaford is an unproductive estate; in fact, it is described to us as almost paradisiac:
Delaford is a nice place, I can tell you; exactly what I call a nice old fashioned place, full of comforts and conveniences; quite shut in with great garden walls that are covered with the best fruit-trees in the country; and such a mulberry tree in one corner! Lord! how Charlotte and I did stuff the only time we were there! Then, there is a dove-cote, some delightful stew-ponds, and a very pretty canal; and every thing, in short, that one could wish for; and, moreover, it is close to the church, and only a quarter of a mile from the turnpike-road, so ’tis never dull, for if you only go and sit up in an old yew arbour behind the house, you may see all the carriages that pass along. Oh! ’tis a nice place! A butcher hard by in the village, and the parsonage-house within a stone’s throw. To my fancy, a thousand times prettier than Barton Park, where they are forced to send three miles for their meat, and have not a neighbour nearer than your mother.
One interesting character, though forgotten because only mentioned in passing, is the Brandon sister. On one of the quotes above we get that she's in Avignon for her health, and we know her husband is wealthy (and probably abroad with her) because it is his estate that the planned picnic is for:
A party was formed this evening for going on the following day to see a very fine place about twelve miles from Barton, belonging to a brother-in-law of Colonel Brandon, without whose interest it could not be seen, as the proprietor, who was then abroad, had left strict orders on that head. The grounds were declared to be highly beautiful, and Sir John, who was particularly warm in their praise, might be allowed to be a tolerable judge, for he had formed parties to visit them, at least, twice every summer for the last ten years. They contained a noble piece of water; a sail on which was to form a great part of the morning’s amusement; cold provisions were to be taken, open carriages only to be employed, and every thing conducted in the usual style of a complete party of pleasure.
It is implied that Brandon and his BIL are in very good terms (and we know he's not afraid of cutting ties with bad relatives), and one can safely guess that at the very least he cares enough about his wife as to have her travel for her health. Another guess can be made about her getting married about 10 years before the events of the book. Whether she lived at home before that, or was at school or somewhere else, it isn't said.
But this way you can feel there's a parallel in a way, between the Brandons and the Tilneys: a greedy, cruel father, a son that follows on his steps, and a younger brother and sister managing the toxicity as best they can. Talking about this with @bad-at-names-and-faces, she brought up the idea that in that scheme, Cathy would be Eliza (if it wasn't her not being an orphan, or a rich heiress, and how that connects with Austen's line about Cathy not being born to be a heroine at the beginning of Northanger Abbey). Certainly part of it is the romantic gothicness of the Brandon backstory, united with NA's commentary on Gothic tropes, but to me it drove home with even greater force how such a situation would break a man; losing Cathy that way would have definitely broken Tilney, and if we had met him 14 years down the line, would he have appeared to the unacquainted much different than Brandon appeared to the Dashwood sisters?
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[Cat, to Brienne:]"And Arya, well . . . Ned's visitors would oft mistake her for a stableboy if they rode into the yard unannounced. [...]" -Catelyn VII, aCoK
ok, this is another thing that makes me feel like i'm taking crazy pills bc i never see it talked about with all the implications behind it. so if anyone is more versed in androgynous medievalish clothing, feel free to correct me here, but my thinking is if unannounced visitors mistook arya for a stableboy, would that not mean she was wearing boyish riding garb, trousers and all? bc if she was running around with messy hair and a dirty gown, wouldn't she more likely be seen as a female servant? if my reading is not wildly offbase that does not jibe with the idea of arya being terrorized all day by both septa mordane and her mother to be more ladylike. rather, this limited freedom to be mistaken for a servant could suggest that pragmatic catelyn was picking her battles with arya too, not forcing her to always appear prim and proper on days when they were not expecting any guests to see her. catelyn "despaired of ever making a lady of" arya, though neither she nor ned could abandon the goal, which could mean a more measured approach, not exhausting herself by going after arya for every unladylike move she made, especially when she was still a prepubescent child. the quote above starts a paragraph which ends with catelyn feeling "as though a giant hand were squeezing her chest" after saying she thought arya was dead like bran and rickon, after no word of her since ned's arrest. in that context of grief, i think all her words about arya should be read as coming with bittersweet fondness, just being honest about their problems, not sugarcoating any of it.
but let's compare catelyn's trials with arya, including her often running around looking like a stableboy, to arya's interactions with lady smallwood, somehow seen as an even better mother-figure than her own mother, whom arya found easier to comply with bc of her kinder manner. first of all, lady smallwood's efforts to make arya ladylike included two baths and two dresses in one day after arya and gendry ruined the first dress, before finally giving her boy's riding clothes to leave in. i would argue a full second bath was unneeded when they could have just washed the dirt off her face and hands, and, furthermore, that both the dresses were an impractical waste when she knew arya would be riding back out with the outlaws and could not look a highborn lady when doing so. idt pragmatic catelyn would have gone to all that trouble just to make arya look ladylike for a few hours when there were no other ladies around. as for the claim that arya found it easier to comply with her? no, that's just flat-out demonstrably false. the text says she was "forced" into a tub and "they insisted" she wear girl's clothes. what room did she have to refuse as a hostage in a stranger's castle? she certainly felt no compunction about fighting gendry in the acorn dress she'd been forced into, and only felt bad about it afterward when lady smallwood talked about her dead son.
now, let's move on to the only canon quotes we have from cat to/about arya in arya's pov.
"Sansa's work is as pretty as she is," Septa Mordane told their lady mother once. "She has such fine, delicate hands." When Lady Catelyn had asked about Arya, the septa had sniffed. "Arya has the hands of a blacksmith." -Arya I, aGoT
Her father had hunted boar in the wolfswood with Robb and Jon. Once he even took Bran, but never Arya, even though she was older. Septa Mordane said boar hunting was not for ladies, and Mother only promised that when she was older she might have her own hawk. -Arya V, aCoK
Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. -The Blind Girl(/Arya I), aDwD
in the first quote we don't know catelyn's reaction to septa mordane's rude disapproval of arya, certainly not if she agreed with it. what we do know is she was not interested in only hearing endless praise of sansa and wanted to hear if arya had made any progress. although admittedly that was a vain hope, which ignored arya's true strengths and the possibility that she could never master and enjoy needlework the way catelyn did.
the second quote better shows the difference between arya's mother and her septa. catelyn does not criticize arya for wanting to hunt boar nor dismiss her interest. instead she tries to mollify arya and accomodate her desire with the promise of a future hunting hawk. that this was a promise, not just an idle thought, suggests this would have happened in due time and could have been a bonding activity for them if the plot hadn't intervened.
the third quote is definitely a backhanded compliment and doubly unhelpful in comparison to sansa, but at least it shows catelyn did not think one of her own daughters was ugly. she thought both were pretty even tho sansa was the more admired as traditionally beautiful, and she thought arya's looks were held back by her messy hair and clothes. (useful to remember for those fans who like to keep track of how many characters called arya pretty vs. how many call her ugly.)
yes, it is a bad sign that arya genuinely wondered if her mother would want her back, dirtier than ever in her disguise as a peasant boy. their relationship definitely had faults which the adult parent must bear responsibility for. but we must remember that arya also worried if robb would pay a ransom for her, and was most ashamed about the people she'd killed, and couldn't bear the thought of ned knowing all she'd done. and we must keep in mind that even ned never openly gainsaid septa mordane on-page either, and that arya desperately wanted to renunite with her mother and felt confident gendry could stay with her if she vouched for him with her mother. that confidence would seem completely unwarranted if their mother/daughter relationship was as utterly bad as some fans make out.
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