#i also find performance in the show so interesting

[utilitycaster]

I'm curious about your judgement of the success of the various format experimentations in Campaign 3. If you feel like saying a bit more, I'd be interested to hear your thoughts on which are the most and least successful, and why.

Sure! So as I said earlier today, I think a big problem is that the format experimentation and the moon plot are directly at odds. Pulling off the moon plot, with all the NPCs from past campaigns and payoff of various canonical setups requires a pretty firm hand on what the current canon is, and also really did require a firmer hand in the character creation than there was. On the other hand, the point of experimentation is to let other people play in the space and introduce their ideas. This comes together in what I have referred to in the past as "Not Now." Like, the Crown Keepers showing up just as the party was grappling with FCG's death? Not bad as a concept, but Not Now. Abubakar playing Corellon? Incredible performance, but the fact that he was given free rein in a plot that's already shedding viewers left and right for its lack of direction? Not Now.

On an individual level:

I think EXU Prime either needed to be fully standalone, or Matt needed to provide a slightly more rigid direction to Aabria and therefore really couldn't play Dariax. If it's going to get woven into the main plot of Campaign 3 it needs to set that up (including giving Liam and Ashley a heads up beforehand). My personal vote would be for the former, to allow Aabria to tell her own story without it having to serve like 20 different functions, but what's done is done. If I recall, Liam and Ashley had the option to play different characters for Campaign 3 and I do wonder what would happen if they had decided differently, because you could still have Dorian pop up as a guest but I wonder if the Crown Keepers would have shown up in the same way.

Similarly, as stated, the general concept of the Crown Keepers interlude during the campaign as a means to bring in Dorian? I'm not opposed, though I think this is by far the hardest thing to coordinate generally and for a plot as demanding as Campaign 3 probably not a great idea. But it's hard to judge because the timing was truly the worst timing possible given the events of episode 91, and even delaying by like an episode or two would have at least solved that to the point that I don't understand why they didn't just...do that. (and, just to head off this particularly stupid argument at the pass, this would not have in any way affected Sam's ability to take time off for cancer treatment; it would have just shifted things around, and a lot of this experimentation was planned WELL in advance). [sidebar: I haven't listened to the WBN interlude yet but I do have thoughts because I think interludes from different GMs can be done, but the premise of Campaign 3 is particularly hostile towards them unless the main GM has a very heavy hand in their creation or unless they are light on things relevant to the core plot and mostly for the purpose of worldbuilding a la Song of the Lorelei.]

Solstice split was excellent and I think it's because it was not actually anything you wouldn't see in how people frequently play D&D at home. You have a few players who won't be available for a few sessions in a row? Great, find a reason to split the party, bring some other guest players in, and run some side quests!

Downfall was great because it was diagetic. It was a story within a story that Bells Hells was seeing and responding to, and because it took place so long ago with such specific characters, while it may bleed into how Laura, Taliesin, or Ashley feel in game (impossible to prevent, people bring their own feelings to the table), Matt still has room to decide how the Raven Queen, Wildmother, or Everlight feel a thousand years later. I also feel this had the most direction from Matt, which the other things really needed.

As said, bringing in Abubakar to DM as Corellon is something that again, this plot simply doesn't handle well. It makes for a fantastic scene, but within the 107-and-counting episodes of this story, giving the reins to someone else after you finally have a clear plan and letting them throw another curveball is a terrible idea narratively. I think this again would be fine in a story with a looser plot.

Echoes of the Solstice and presumably the upcoming Vox Machina Malleus Key/Mighty Nein Weave Mind concept is again pretty good. This also fits into things that D&D home games have been doing forever - run a one shot or mini campaign following different characters but DM-ed by the same person that have an impact on the current plot but aren't too closely interwoven. Basically this is like the solstice split in concept.

Essentially: I think playing around with the format within a campaign but having the same GM is pretty easy to do. Once you introduce other GMs acting within the world concurrently (rather than as a story with a foregone conclusion a la Downfall, or for that matter Calamity) you need to be extremely careful if you are trying to tell a specific story with a lot of moving parts, as Matt is with Campaign 3. It's one thing to improvise based on things your players do or say; it's another to do so based on improv by a major NPC or someone doing extensive worldbuilding mid-game that you now need to incorporate. This wouldn't be an issue in a more sandbox-style game; Campaign 2 might have been able to withstand it more gracefully, though I'm still not sure. But Campaign 3 was the wrong place to do it. Again, it's trying to converge in some places and diverge in the others and as a result it's just kind of flopping around in place.

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[mrs-stans]

Sebastian Stan Talks Career Interests And His ‘A Different Man’ Film

By Jeff Conway

Sure, you likely know him for his many Marvel film appearances as Bucky Barnes, but actor Sebastian Stan has often taken “the road less traveled” when it comes to his career, having built quite the unique repertoire of memorable performances in far less conventional films.

That observation has arguably never been more visible than with his involvement in the new A24 film, A Different Man. Written & directed by Aaron Schimberg and co-starring Adam Pearson and Renate Reinsve, it tells the story of Edward (Stan), an aspiring actor who undergoes a breakthrough medical procedure to transform his facial appearance, but soon regrets his decision when he becomes obsessed with reclaiming what he has lost.

I sat down with Stan, Pearson and Schimberg to uncover the origin and the creative thought process that went into this new project, which is now playing in select theaters in New York and Los Angeles - nationwide come October 4. For filmmaker Schimberg, this purposefully uncomfortable narrative and the overall project hits rather close to home.

Schimberg said, “I mean, for me, it’s sort of a personal story. I have cleft palate and it’s just sort of me thinking about how it’s affected me in my life and others’ perception of me and my perception about myself. My previous film [Chained for Life] also dealt with the subject in some ways, so that’s sort of what I am always thinking about when I am starting to write a film. I was also thinking about Adam because I had worked with him previously and he played a shy character in Chained for Life, my last film, and he’s not shy at all - and yet, people I think sort of thought that he was playing himself in my movie because they sort of assumed that he must be shy. So, I was inspired to write something that was closer to who he is - taken to a comical extreme, maybe, and I wanted him to show off his range, but I also just wanted to work with him again, so these were some of the starting points.”

Pearson, a British actor with neurofibromatosis, which is a rare genetic disorder that typically causes benign tumors of the nerves and growths in other parts of the body, went on to share what it was about A Different Man and his Oswald character that most intrigued him to want to make this his next film.

“Well, I enjoyed working with Aaron the first time, so when he said, ‘Would you consider working with me again?’ Straight away, I was like, Ding Ding! Round two - let’s rock and roll. Then the script - all the words have weight. There’s very little wasted motion in the script. The end result of the film is quite challenging and holds up a mirror to an audience. I’ve never been a fan of hand-holding or sugar-coating. I think audiences can be a lot smarter than we often give them credit for. A good film will change what you think for a couple of days, but a great film will change how you think for the rest of your life. We’re certainly trying, at least, to be in the great film business.”

With Stan not only acting in A Different Man but also an executive producer, I wondered how he has perhaps noticed his interests and priorities towards the stories that matter most to him as a professional and human being evolving as time goes on.

Stan said, “Well, you get a little older and the questions get a little scarier. A few years ago, I just decided to kind of just be a little bit more aggressive about finding specific work that was interesting and different and kind of challenging for me than what I was getting to do. Eventually, you find yourself in conversations that are in the development of certain things and that might lead to a producing kind of aspect. I think in this [A Different Man] situation, I was involved before A24 came on, which never really happens for me. Not only because of obviously how I felt about the story and so on, I felt really brought in by Aaron and [producer] Vanessa [McDonnell] into their journey with this film and like what they were wanting to do. So, I felt a much bigger attachment than I usually do as an actor in a way.”

When it came time to film A Different Man, Stan recalls the production not having much time, which he actually found to be helpful within his producer role “because when you’re involved in some capacity beyond acting, sometimes you can kind of go, Hey, let’s continue shooting or something. You can help add more to the making of it in some capacity and that was big for us, given our time - that we didn’t have a lot of time.”

In fact, during one particular scene in the film, Stan remembers while everybody else was wrapping up the production trucks for the night, he decided to head out on the streets of New York City with his A Different Man director of photography Wyatt Garfield and Schimberg to grab additional footage. “I just kind of took one of his other little cameras and then we started going up and down Columbus Avenue. It was Friday night and we just got all these shots. Maybe you don’t always get to do that, so that was helpful.”

As I began to conclude my conversation with these three gentlemen, I wondered what Pearson and Stan would say to their A Different Man characters, Oswald and Edward, after seeing their stories play out on-screen and understanding their wants out of life.

Pearson said, “I’d be like to Oswald, Maybe turn it down a little bit. Be nicer to [Stan’s character Edward] because he might not say it, but he loves you and he needs you right now.”

As for the message Stan would tell Edward, he said, “Listen to me! I’m here - I’m telling you. I don’t know how I feel about this. Just hear me out.”

He then added: “It’s very interesting because we all have these moments in life, big or small, where you make a decision or you even say something because you’re with other people or you’re supposed to say something the right way, but you know your reaction in the moment or the decision you’re making is not what your gut is like really telling you. Then, you feel kind of like you’ve abandoned yourself, but then you just quickly deny that - that can kind of like spiral down. We’ve all kind of not owned certain things in the moment and that’s sort of what happens. He kind of drowns out that voice.”

[salmoncakepls]

...🦌?

[j-esbian]

i lost the post but i saw someone talking about how some of y’all act like being weird is a choice and like. YEAHHHHHHH.

that’s fine, it might be for you. but i just live like this and don’t know any other way. like yeah i’ve worked customer service, i can do innocuous small talk, but anything beyond that, i don’t understand what i’m missing. and it’s frustrating to see the tonal disconnect especially from people who are like “uwu embrace weirdness!!” where they’re like. dressing quirky and talking about bugs and listening to obscure music and eschewing small talk to ask Deep Questions on the first date and unlearning their tendency to not infodump. and generally have an idea of what Weirdness is supposed to look like. idk man some of us wake up and get out of bed and can’t figure out why the rest of their coworkers chitchat with each other but when they join the conversation it dies.

weirdness is value neutral. let’s stop trying to turn it into a badge because quite frankly, it’s not a choice for everyone. it’s fucking exhausting to never be on the same wavelength as other people and they’re going to react the way they do and label you the way they will without any conscious actions on your end. it’s difficult to talk about this without feeling like you’ll be dismissed as immature, a teenager whining “no one understands me” but the thing is. sometimes you don’t grow out of feeling alone and different, and there’s no good way to talk about it without feeling like people will think you’re just fishing for pity.

[arabela25]

Non-qualifiers of semi-final 1

Dance (Our Own Party), The Busker - Malta 🇲🇹

Aijā, Sudden Lights - Latvia 🇱🇻

We Are One, Wild Youth - Ireland 🇮🇪

Tell Me, TuralTuranX - Azerbaijan 🇦🇿

Burning Daylight, Mia Nicolai & Dion Cooper - The Netherlands 🇳🇱

[musical-chick-13]

Once again: the so-called "General Fandom History," in terms of which things get held up as Iconic™ or Well-Done™ or Worth Analyzing™ has disproportionately focused on (cis, abled) white men. Some of us would like to not have everything be focused on this one demographic and would, in fact, love to not constantly hear--implicitly or explicitly--how stories about people like us are inherently less interesting or less worthy of telling.

"Remember your history," WE KNOW THE HISTORY. AND WE WANT TO MOVE ON.

[13eyond13]

.

[youremyonlyhope]

I'm not a "new musical theatre style music" person. Never have been.

Even when I was doing voice lessons, I'd steer towards the golden age or jazzy musical theatre songs. My voice teacher would have to drag me kicking and screaming towards adding anything new musical theatre to my repertoire. For a while, the most modern song in my book was I Know The Truth from Aida, and I wouldn't count that as new musical theatre style since I mean more the Pasek&Paul or Joe Iconis type.

And now I have an audition coming up for a small production of a show in that style and I'm supposed to sing a song in a similar style. And I'm looking at all my sheet music like... let me do some Cole Porter... or Gershwin... at least Sondheim please...

[dragons-and-yellow-roses]

Tonight I'm going to try to go to a trans and nonbinary support group, tomorrow I'm going to go to an open mic night, gonna try to make some friends, plant some roots, shit like that. Wish me luck?

[britneyshakespeare]

In my last personal post I told a story in the tags about a friend I've made in the past several months who used to be friends with a bunch of casually racist cishet white guys and whatnot. I mentioned how she sent me a message the other night about how she really feels like she trusts me and can be herself around me and how good that feels. But that post was about casual racism more than friendship so here's a positive post about friendship. God I just love meeting people and hanging out with them and doing cool things and introducing each other to cool new places. I love emotionally bonding through the gradual reveal of different layers of the self. I love having my set of interests, while they also have their own, but there's a good amount of thematic overlap and exchange and lending each other books and recommending movies and talking about them and stuff. I love when you haven't even known someone long but you can just feel a strong common sympathy there and like you're going to be friends for a long time. Like sometimes it comes out of nowhere when you really don't expect it and aren't looking for it but you're just speaking to someone you just met and shortly into it you're like "!!!!" inside your head because it's like. Wow. I could talk to this person forever. We could just shoot the shit on whatever topic and it would be a good time. Love that all so much.

[misstycloud]

[Yandere.Rich man x ballerina reader]

(I don’t actually know much about ballet so forgive me if things are incorrect!)

—————

Rich. Yandere who was pestered by his friend and his wife to join them at the opera house and enjoy a performance. The couple had asked him numerous times before but he’d always declined. He was a workaholic and didn’t have any other commitments, so there was no need to break his routine. Although he would never admit it to anyone- he barely does to himself- he often find himself imagining a different life; one where he had a wife to welcome him home every evening. Perhaps a few children too. There was no sound besides himself and the staff in his home, it would be so very nice to hear the noise of running feet and happy chatter echo through the empty halls.

Rich. Yandere who is lonely above all else. His family is dead and he has next to no friends- the only one he has is married and devote all his time to keep him company. He knows that he doesn’t have the best track-record of being the kindest person in the world, and he might not be the friendliest or the most out-going, still, doesn’t he deserve some love too?

Rich. Yandere who eventually give into his friends demand and goes with them to the opera. As they took their seats- the expensive and best ones, of course- his friends wife babble on about her favourite dancer. They were regulars there and had seen many performances. He simply sighed and leaned back into his seat, waiting for the show to begin. He could only hope that it’ll be somewhat enjoyable since he doesn’t like wasting his time.

Rich. Yandere who was prepared for it to be a dreadful 3 hours, rubbing his eyes and suffering from lack of blood-flow in his legs. Oh how wrong he was. Instantly his gaze zoomed into you as soon as you stepped forward from behind the curtain. You were so beautiful and you moved your body gracefully to the music. It was magical. While he knew close to nothing about ballet, he knew that the point of it were for the women to look like they’re floating, and it’s exactly what you were doing.

Rich. Yandere who is instantly enamoured with you. As someone who’s never felt love this was all a brand new experience for him. He asked his friend and his wife if they knew who you were, since they frequent the opera so much. And turns out the wife did know who you were; you were her favourite after all. Rich. Yandere was never close with her or particularly liked her even, but he had to give it to her: she has excellent taste in performers.

Rich. Yandere who starts looking up information regarding you. It’s be your name, age, background, family, where you went to school and where you live. Everything. He also begins donating a lot of money to the opera house. In a short amount of time he’s become their nr.1 funder. The managers and owners are ecstatic at the news! They ask why he’s so generous and he simply answers that he loves culture and thinks it’s important it doesn’t disappear. Then, they wonder if there is anything they can do for him return, to which he smiles in response.

“Well, I do suppose there is one dancer I would be delighted to meet in person.”

Rich. Yandere who you feel uncomfortable around. He is so strange. You were just a normal ballerina, a dancer, no better or worse than anyone before your time. That’s why you can’t fathom the interest this wealthy man has taken in you. You two came form completely different worlds! But what can you do when your bosses not-so-gently urge you to see this man alone? You dont have any other skills and can’t apply to another job if you get fired.

Rich. Yandere who is determined to make you fall for him the way he has fallen for you. He’ll take care of you, love you and protect you. You don’t have to worry about a thing. He will do anything for his love.

“Don’t be scared, just keep on dancing, my little dancer.”

[trinkerichi]

The Amazing Toybox Circus!

A storybook - Part 1

Once upon a time, there was a very old toy shop.

An unremarkable sort of place with very few visitors. The shelves were lined with antique curiosities which had collected dust over the years.

Among these, atop a colorful wooden toy chest, was a simple kaleidoscope. It was inscribed with a strange design of teeth and eyes, and a poem about a magical circus.

...

Now, one might imagine the type of person would walk into such a place. Perhaps someone who has worked far too hard. Someone who feels unsatisfied with the tedium of every day life, and who longs for an escape into the fantastical world of imagination that playthings can inspire. This sort of person might look through a kaleidoscope and dream, just for a moment, of a new life filled with bright color, of fun and adventure.

This was the sort of person who suddenly woke up on the floor, surrounded by darkness and extremely confused.

Feeling dizzy and thoughts hazy, she righted herself and began to wander. A soft jingling noise followed her with every step, though she paid it no mind. There were more pressing issues at the moment.

She strained her mind trying to remember how she could have possibly ended up here. She clearly remembered entering a toy shop, but her thoughts beyond this were blank besides a vivid image of swirling colors. Red and blue spirals. All she knew at the moment was that she felt terribly afraid, and very very small.

Timidly, she called out-

"HELLO, MY NEWEST SUPERSTAR!"

An enormous wooden ventriloquist dummy suddenly burst from the shadows. His painted eyes gleamed, one blue, one green. His wooden teeth chattered as he loomed overhead. He pulled a white balloon on a string, which sported an equally large toothy grin.

The sight was positively terrifying.

"Welcome to the amazing toybox circus!"

"The ... the toybox what?" She squeaked in response.

"Why, the toybox circus of course! You're sure to have a grand time, my dear! " She was suddenly lifted up to meet his unsettling wooden gaze.

"My name is Caine! I'm your ringmaster," he continued at an unnecessarily loud volume.

"My dear, you've entered a wonderful world of whimsy and adventure, where anything can happen! Soon you'll meet your new friends and we shall put on a show!"

He spun her around before setting her down on the floor again.

The girl was speechless. Be part of a circus? Led by a talking puppet? Surely this was all a strange dream!

"I'm sorry, sir," she eventually said, somehow managing to speak politely considering the circumstances. "But I really must be getting home! If you'd kindly show me the way-"

"Oh but you simply must stay for the performance, my dear! I've prepared all sorts of activities that are sure to delight! Oh the audience will love you! You shall be the star attraction!"

The puppet was very insistent. At a loss, the girl considered her options were either to continue wandering the darkness or to trust this "ringmaster". Now she was an intelligent young lady, but she was also a curious sort. After all, curiosity was what brought her here in the first place, and curiosity compelled her to see what would happen next...

So despite better judgement, she finally said -

Hesitant but hopeful. Perhaps this would be interesting? At the very least, she could play along until finding a way out of this strange place, out of the toyshop and back home. Or until she woke up, as this was likely a dream after all.

"At any rate, this may be fun," she hoped out loud.

Something cackled from atop a large shelf. The silhouette was that of a rabbit, but with a wide yellow grin.

"Heh HEH! You'll soon see, little clown," he said, before hopping out of sight.

What an odd place this was...

----part 2 coming soon!

[desireangel]

Dark Cherry | Aemond Targaryen

Part One (potentially ??? xoxo - indecision)

Summary: after months of a marriage that hardly harbours the passion that you'd dreamed about, you stumble across the reason for your husband's indifference and decide enough is enough. Aemond will learn just exactly what he's been missing out on.

Pairing: Aemond Targaryen x fem!reader and also some Aemond x some random girly pop who could be impliedly understood as ms Alys ;o

Word Count: 3.3k

Warnings: smut - mdni 18+!!! infidelity, kinda angsty? second-hand smut? reader is a cheeky voyeur, oral (m receiving), talk of sex, masturbation, bad words, very little dialogue, I wrote this in 2 hours and it is barely edited so it may be shite. guys. please tell me if I've missed a warning, luv u xoxo

Author's note: here's a wee smth while I get my head around part 2 of Infernal Desires! the idea I had for this fic was for a multi-part but idk depends on how we're feeling so there will potentially be a part 2 ;D. kisses!!!! <3

Masterlist!

Whatever pretence was in play, you would be the first to admit that you were tired of it. A loveless marriage was nothing less than what you had expected–a union that was entirely for show and born from the political motives of your families. It was only expected.

You tried to convince yourself that you were content with such an arrangement. It suited your ambitions, meant that you could be left alone to do as you please while quenching the thirst to make your family proud. 

Somehow, despite your hesitance and despite your husband’s ignorance toward you, the one thing that you knew you would never truly hold had become your greatest wish. 

The reality was such that you found yourself longing for affection.

Preferably-of course-your husband’s affection. 

Between the forced smiles put on for expectant eyes, the brush of your shoulders whenever you sat next to each other at the dining hall and the gentle caresses at the small of your back until his touch was hurriedly removed once you were again behind closed doors, you had grown an incessant, consuming desire for the prince you were married to. 

Aemond was a man of great beauty and strength. While many had chastised his singular eye and told tales of his ruthless temper, Aemond had grown to be well respected and the object of many lustful gazes.

Eight months had passed since Aemond became your husband and you, his wife. Eight months of tense silences, lonely nights in a bed you had expected to share and eight months of nothing but false affections that were nothing but a performance.

You had considered yourself a romantic right until you felt the loneliness and realities of this marriage. Your naive desires to feel the throes and excitement of love that you read about were subject to a rude awakening the moment you became disgustingly aware of your husbands lack of it. 

Aside from the night of your wedding, Aemond seemed to avoid your bed as if it would burn his skin. Until two months ago, when you had pushed aside the sting on your pride and all but demanded he spare some time for you. 

Friends had warned you that it was hardly special. But if he was kind enough, as few of their husbands were from time to time, he would give you a chance to experience some of the pleasures of your body.

Aemond was hardly a passionate lover, it had seemed. With instruction to simply lift your skirt, he had you laying with your hips at the foot of the bed where he silently and effortlessly fucked his seed into your womb. It had not yet borne fruit despite his fortnightly visits. 

It was never enough. Your body had eventually begun to crave more. In a very raw and unmistakably physical need to find the release it had been denied for so long. Despite Aemond’s assurance on the first nights of your marriage that neither of you were to have any interest in whores or paramours, words and whispers of the prince’s capabilities had picked up over recent weeks and you came to understand that if only Aemond had wanted to, he could give you exactly what your body desired.

Even if you had the same freedoms as men when it came to taking on lovers outside of your marriage, you couldn’t. Admittedly, you’d developed a taste for luxury - a taste only for your husband. Or at least, the fantasy version of Aemond that you had concocted within your head. 

And when your hand made its way between your thighs in the small hours that followed restless nights, the only thoughts that existed in your mind were those of him. Of all the things you had hoped Aemond would guide you to discover about your bodies. Of all the things that you had read about in the books you’d sneak out to find. 

Sometimes, you wondered if Aemond thought of you while he touched himself. The idea of it often crossed your mind and you had since convinced yourself that you had been driven insane. 

Realistically, you knew that the arrangement you had with Aemond was out of necessity. Nothing more. But you were much like him in certain ways - hungry for what you know you deserve, relentless and cunning. But you had little patience left. 

The moment you had decided to make your worth known to your husband wasn’t one you could place a finger on. It was a gradual thing - as you had gently started shifting your attention past the lovers in your books who no longer calmed your lustful needs. 

You wanted him more fiercely than you had wanted for anything in your lifetime.  

So you gently lowered the neckline of your dresses to highlighted the bump of your collarbone, had your maids do your hair so that it framed your face perfectly while accentuating the shape of your neck. You had soon foregone the paler tones your mother had you wear, colours that announced your purity and innocence. The colours that you wore were deeper, richer and more sultry against the tone of your skin. 

With difficult ignorance of the nervous, shy and pious girl your parents had raised for such a match, you forced yourself to seek out Aemond’s gaze with an extra glint in your eyes. You let your once hesitant touches linger with a newfound confidence that stole your breath away whenever Aemond would escort you to and from the dining hall. On the days Aemond would spare time to walk you through the gardens, you made an effort to speak of more than just the weather. 

At times, you felt uneasy about the act you were putting on. Were the prospect of his affections so important to you that you forced yourself to act so differently? In your mind, being a seductress was never so dishonourable as many made it seem but you had hoped this act would pay off in a matter of a few weeks. 

Your impatience becomes painful when you have every other desire at your beck and call. 

But you were mistaken. If anything, Aemond’s indifference had only grown. And at each hardened glance from your head to toe, at each moment in which he continued to ignore you or look past you, your resolve weakened.  

Aemond could not have found you unattractive - this much you knew as a fact. You knew from the way he used to look at you with a gentle fire in his eye and made sure that your every other need had been taken care of. From the way he clenched his jaw in restraint when you would lay back for him, how his grip on your hips and your thighs left marks on your skin as he fucked into you - even if there was little more than a duty being performed. After all, he was still just a man. 

So despite the fact that your efforts were shaping up to be of no use, you didn’t give up. You started taking breakfast in your chambers, requesting Aemond to join you when he was available, dressed in your softest, prettiest nightgowns instead of having dressed up already. 

You made a show of it, unashamed and brazen. Almost surprisingly, Aemond enjoyed the dark cherry more than you could have hoped. There were subtle changes in the way his eye would linger over the dip of your neck, the way his wordless gaze would follow the deep red that would stain and spill from your lips as you bit into a cherry from the bowl of fruit that you shared.

Your conversations have always been comfortable. Aemond may be a brooding, arrogant hardass sometimes but he was always respectful and kind to his you in the time you shared together as husband and wife. But now he would falter, his words getting caught as he watched you gently sucking off the juice of a cherry from your fingers, humming gently as you glance at him with false nonchalance mixed with your best bedroom eyes. 

And it did drive him insane. Aemond had never seen this side of you, much unlike the quiet, prudish woman he had married. But then again, had he ever truly known you? Either way, you had caught the amusement in his gaze and the way he challenged you wordlessly with a shift of his hips and gentle smirk.

Much to your disappointment, little else changed. Nearly three weeks had passed and Aemond had given you little more than those lingering looks and a few stolen breaths. He had at once withdrawn and become increasingly lacklustre, and when you had even tried asking him about his training with Ser Cole, you received no more than curt, blunt answers at each try. 

It had become too much by the time you had retired to your chambers alone once again. The day had been long and uneventful, Helaena had been by your side for most of it which had been nice but you were in no mood to fake an interest in sifting through the performative duties of a princess. 

In all honesty, it was frustrating. You were starting to wear thin on the constant nagging of absolutely everyone about your lack of a child. It has been almost a year and you have failed to perform your duty as a wife, almost a year and you have not missed a single cycle, almost a year and you haven’t blessed the prince with an heir. 

Because, as a lady whose name you hadn’t cared enough to remember had not-so-gently uttered to you over her dreadful playing of a stringed instrument; what was the point of being his wife if you didn’t bed him well enough to carry his child? 

You had, in truth, been distracted. And the idea of carrying the child of a man who only paid you the necessary courtesies out of politeness and good manners made you feel ill. 

Queen Alicent, although you could tell she was inclined to agree with the lady, had placed a gentle yet firm hand on your bicep to calm the anger that had clearly taken you over. With a glare at the loose-lipped woman, you quickly picked up the handkerchief you’d been attempting to embroider and excused yourself. 

If anyone had noticed your absence from the evening meal, which the Queen had always insisted upon eating together, nobody bothered to say anything. 

Over an hour had passed, tossing around in your bed and your eyes stinging from embarrassment. Why was Aemond so averse to you? Why would he stare at you as if you set his blood on fire in one moment and then glance straight past you in the next? What had you done that convinced him so strongly that you were not even worth trying to be familiar with? 

The gods had surely intended to punish you for something in a past life if they were so adamant to trap you in a marriage with a man who would much rather be anywhere other than with you. 

You may as well be strangers to each other. 

The ache of your anger led you straight out of your own chambers and towards his. You spared Ser Tunsley, the knight standing at your door, a harsh glare and snapped at him to give you your privacy otherwise you’d have him stripped of his cloak. He was a timid one, you noticed, and with a nod he stood back, his eyes staring straight past your shoulder in an attempt not to stare at the thin nightgown that clung to your skin. 

It was an outrageous hour and you were of half a mind in your frustration to thank the gods for the empty hallways. In fact, you noticed the lack of an armoured man at the door to Aemond’s chambers and wondered if maybe the prince was elsewhere. 

You stepped towards the door, curiosity peaked at the sound of shifting, followed by some voices and you hesitated. Frowning, you ran through what you would say if Aemond opened the door - there was nothing that would make sense. 

As you stepped closer to the door, a soft light spilled out and you noticed that it was, in fact, just barely ajar. 

It was unlike Aemond to leave his door open and you were certain he would question you sneaking around the hallways in the small hours, dressed only in underclothes. But you ignored the rational voice at the back of your mind and took silent steps so close to the door that it would be cowardly to back out now. 

You couldn’t hear the voices anymore, ears ringing as you held your breath and gently nudged the door while muttering a silent prayer that it wouldn’t make a sound. 

Shock first. Then fear, anger, desire and an all consuming jealousy as you took a moment to understand what you were seeing.  

Aemond was resting at the end of his bed, naked and resting his weight lazily on one arm, his free hand tangled in the dark hair of a slender woman, just as bare as him, kneeling at his feet and moving her head in an up and down motion. Aemond guided her movements with a firm hand, his head tipped back gently. 

He wasn’t wearing his eyepatch. You’d never seen him without it–he never let you. His eye was firmly shut and you caught the glint of the sapphire in place of the other that was stolen from him. The movements of his chest were heavy and you could hear him panting gently, lips gently parted. 

You were unable to tear your eyes off of Aemond. He looked more beautiful than you had ever seen him, under the golden hue of the lamps, his body lean and chiselled–each curve and muscle glowing under the lights. You could see his pleasure, in his expression, the tinting of his skin and the way he roughly tugged at the mystery woman’s hair. A couple strands of his own hair, usually pulled away from his face, fell forward and the flush of his cheeks were starkly pink against the silver of his hair. He let out a breathy groan, murmuring something you couldn’t quite hear as he opened his eye, dark with lust, and gazed down at the woman that was hunched over his lap. The lewd sounds of her mouth on him almost made you gasp and you thanked the gods that Aemond could not see you. Because you could not move if you tried. 

You couldn’t see anything other than the back of her head, and you were glad of it. Because you knew that seeing her face would have been too much and staying hidden and quiet would have been ten times more difficult. Despite the pressure between your thighs, the uncomfortable slick that you felt against your small clothes and the heat that rushed through you from head to toe, you glared viciously at the back of her head. 

Aemond’s breathing stuttered, a string of curses falling carelessly from his lips while he watched the woman as if he were entirely enchanted by her. Despite the fact that you couldn’t really see what she was doing, so expertly that had him in such a state, the entire thing felt obscene. And you could hear her muffled moans, the wetness and her light gagging when Aemond tightened his hold on her hair and thrusted upwards.

Your cheeks burned and your blood felt like lava coursing through your veins. The intensity of your want for him–as he was right now–made you dizzy and you drew in sharp breaths, careful not to make a sound. Because if he turned his head slightly to the left, just for a second, he would see you. You didn’t want to know the consequences. But nothing  that existed among all of the realm could force you to turn around and leave. 

Aemond’s groans were quiet and deep but they grew slightly louder than before, his breath catching as you could see him grow closer to his peak. Your thighs trembled as you pressed them together, barely thinking about how you would be able to escape after he was done–when he would surely see you watching unashamedly. 

The sounds that Aemond was making sent shockwaves straight to your wetness and as you could see his entire body grow visibly tense, hips jerking as his groans turned strained amongst grunts and whispers of just like that and fuck and—a name. 

It was your name. 

You couldn’t help but gasp, clenching around nothing, squeezing and rubbing your thighs together to try and relieve the throbbing of your clit. The woman faltered, much to your satisfaction, and she pulled her head back from him. You couldn’t see past her but her hands remained as they were, biceps moving gently as she continued to touch him. 

“Aemond-” you winced as she said his name, no bother for formality. Her voice was slightly husky and it remained sultry and smooth. “I’m not-”

Your husband’s jaw ticked, squeezing his eye shut and pushing her head down towards his hips again. “I know. Fuck–” he grunted, roughly pushing her further down, cursing as she gagged. She hummed around him. 

Suddenly, the desire in your veins became secondary to the jealousy that burned your lungs and the betrayal that caught in your throat. You knew men were not faithful creatures, and even though part of you had known Aemond had been no different–not with how you have heard the servants speak on a couple occasions–but foolishly, you had hoped that he had been a man of his word. Another naive part of you truly did believe him when he said he would have no other woman. 

Whatever she was doing, however she was doing it and no matter that it was your name that fell from his lips, Aemond was enjoying it. He was praising her–telling her she was his, telling her she was doing so well and letting himself get lost in the pleasure she was giving him. 

It was painful to watch and you cursed your body for yearning so badly for reprieve. You’d become soaked, thighs slick from where you’d dripped down. But you would be damned if you gave in and as Aemond’s hips started jerking, his strained grunts becoming desperate as he chased the peak he was nearing, you pushed yourself away from the door and ran back towards your own chambers. 

The entire scene had seared itself into your brain and you trembled as you shut yourself away in your bedchambers, ignoring whatever questions Ser Tunsley had been asking you. 

Who was that woman? You couldn’t make sense of all the questions that flooded your brain. The emotions that fought for dominance. How had they met? Was she a whore? 

Did they see you? 

Your mind replayed the way he’d groaned your name, unable to help yourself from whimpering at the memory. It didn’t make any sense. Aemond was clearly thinking about you yet he had never so much as spared you more than a heated look - he had never even given you a kiss. 

Aemond had never been so comfortable with you. Not the way he was with her. The way he let her say his name–free of his title, like she was his equal. You had only addressed him without title once, on the night of your wedding. 

You laughed. How silly this all was. 

Despite your arousal, and regardless of your hurt, you were angry. 

How dare he? Did he think so little of you? 

Did he love her? Is that why he never tried for you? 

It was infuriating. And there was little you could do about it. But nonetheless, you saw an opportunity through the tears you scolded yourself for shedding over a man who never gave you what you deserved. 

Aemond would regret it. And he’d learn that his wife was the only woman who could give him what he needs. But for now, you let yourself grieve the Aemond you had led yourself to believe was real. The man who held your hand in his and told you that while he couldn’t be the husband you wanted, he would never disrespect you so much as to let another woman into his bed. 

[sirianasims]

Psssst! Hey! Yes, you! We need to talk about clubs:

Using the Clubs for Immersive Gameplay

Of all the systems that Sims 4 has, the club feature is probably one of my favourites (Restaurants are a close second, but they're not why we're here today!) Clubs are one of the easiest ways to increase your immersion when you play and make the random townies that show up on community lots just a tiny bit less random.

The Basics

Often, people are mostly concerned with the groups their active sims are in. You might already have a club to keep track of your sims' closest friends, study group, or baby daddies, we don't judge here.

Clubs are also a great way to automate what you want your sim to be doing with less micromanaging, but for immersion, we're actually more interested in clubs for the sims you don't (or rarely) play.

WTF are the neighbours doing?

Most of the pre-made clubs are kinda meh. I prefer to add my own so I can make my community lots just a bit more lively and make sure people's activities make just a tiny bit of sense because the autonomy in this game is not great. These are just for inspiration based on clubs I often add to my own game:

A group of teens who meet at the retail clothing store to try on clothes and gossip about Nancy's nose job or whatever.

A local bowling league (complete with uniforms) who meet and bowl - just don't fuck with The Jesus.

An HOA of Karens who meet at the park to clean, raise property values, and be mean to people.

Geeks and gamers who meet at the local arcade to awkwardly flirt over pizza.

Comedians who meet at the local comedy club - you can even use the club doors to make a VIP backroom only for the performers.

Sports teams - such as a basket team who meets at a local basket court, or a swim team who meets at the local pool (you can even give them tiny matching speedos!)

Scouts! The scout feature is cute but it's a rabbit hole, boo! But you can make a Scouts club, complete with uniforms, and have them show up in parks where they can do various activities and work on their badges. Add a teen or two to supervise the younglings, their parents will be so proud, aww.

A sorority or fraternity in university who meet up at the local bar in matching varsity jackets to make all the other students feel inferior.

A group of old ladies who meet at the park to knit or cross-stitch and brag about the accomplishments of their descendants.

A "business" club, usually CEOs, lawyers and such, who meet in fancy bars to hold important business meetings and probably commit white-collar crimes, so predictable.

If you have a sim with an office/work from home job and you'd like to pretend they actually go to work, you can make an office building and a group of "coworkers" who'll show up to drink coffee, chat, and work on computers next to them in the office. It'll even simulate rotating desk assignments for an instant capitalist hellscape!

The possibilities are endless, and I find the club feature really useful to add little interesting scenarios to the background of my gameplay.

Thanks to SQOTD for inspiring this!

📩 Simblr question of the day: according to you, what are the most underutilized gameplay features in the sims games you played, dlc included? - @simblr-question-of-the-day

[writingoddess1125]

The old men of One Piece finding out they have a child with you.

Shanks, Buggy, Mihawk X FemReader

Healthy mix of Angst and Fluff.

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Part 2

Buggy

"You two get your asses down now!" You yelled, trying to stop the two blue haired boys from destroying the restaurant further. Your two identical twins sons where only 11 years old but they were trouble- Double Trouble as everyone called them. Benny and Danny, who had given themselves the Nicknames of Bee and Dee- cause of course they did.

It wasnt just their dramatic tendencies, destructive nature or lack of volume control that made them silkar to a know pirate but also their appearance Who was non other then- Buggy the Clown. While they did lack the trademarked rounded red nose. They did get almost everything else- Long nlue locks, watercolor eyes and that crooked smile of theirs- it really wasn't fair how your genes didn't even have a chance-

It hasn't exactly been your best of moments when you conceived your children- Having been a performer on the famous pirate ship you ended up sleeping with your Captian one night on his Silly Throne. A few weeks later you started to feel unwell and realized you had been pregnant. In a moment of panic you fled the ship the next time it docked- Running from your Crew and Captian to never be seen again.

Once realizing you were on your own. You did what you could to make a living- opening a flashy little restaurant and using it to raise your two trouble makers. Dee running past you with a giggle snapped you from your thoughts, frowning as you set down your customers order infront of them before following the boy.

"Mom Mom! Look!" Bee yelled as he stood on one of the tables pointing out the window of the restaurant at the open ocean, Dee taking his place next to his twin. You walked closer to see what your son was looking at, the fog being thick that night as you tried to focus on what he was seeing.

Squinting your eyes you finally saw it- a Ship. As your eyes focused you saw the Jolly Roger and gasped, Ice feeling like it ran through your vain. You grabbed the boys quickly and backed away from the window. As if on cue the alarms set to alert that pirates had arrived. The sounds of canons hitting the town soon peirced through the alarms and the whole town erupted in chaos. You rush from the windows to the back of your restaurant.

Rushing down the stairs you knew Buggy and the crew would level the town to ashes. The best place to hid being the cellar, while it was small it would hopefully keep you and your boys safe. "Mom what's happening!?" Dee cried as he did his best to keep up with your fast pace. You didn't bother responding as you rushed to the old underground cellar lifting the rug and opened its little door.

"Mom I don't want to go down there!" Bee cried as you lowered him in the cellar first, Dee following soon after as you tried to sooth them.

"I know I know my loves, But do as I say- Stay quiet and-"

You paused as you heard the sound of crashing from out in the dining room followed by screams. Quickly you climbed in with your boys and lowered the wooden door of the cellar above you and frantically tried to place the rug so it fell onto it before plunging you and your sons in darkness.

You sat there shaking, holding your boys close to your chest as you heard the sound of someone walking towards you. Your hands shaking as you held them closer, feeling the moisture of your sons tears soaking into your dress.

You heard the sound of footsteps starting to search the room above you. Previously looking for valuables or anything interesting-

"Captian! I found the liquor!" The voice above you called out, Clearly grabbing the cases of rum that sat in the room above. Heavier footsteps followed into the room, hearing the cackle that made your skin stand up on end.

"Grab it all and whatever people you can find! We have a show tonight afterall!" You heard Buggy voice sound. The crew mate clearly rushing out with the cases while Buggy remained. You heard him turn through the room, ready to leave before his heavy steps landed on the cellar door above you it's old wood groaning at the weight. Your eyes widened as you realized you'd been caught, Without time to react the door was ripped open and you couldn't help but release a scream.

Buggy- In his hands you see his signature blades as he grinned down in the cellar. Reaching down and grabbing you by the hair and yanking you out-

"A new audience memeber!- wait" He raised an eyebrow as he held you up higher by your hair and looked over your crying face. His eyes looking over your face. "I know you... (Y/N)?" He asked questionably before his eyes shot to see a flash of blue dart at him and kick him as another one came to try and pull you from his grasp.

"Let her go!" "LEAVE OUR MAMA ALONE!" Your boys desperately screamed as they weakly tried to attack the man holding you. Buggy dropping you quickly as he stared down at the three of you, You quickly pulling the boys away from him and behind you.

A awkward silence following this as Buggy released a shaky breath before laughing loudly. A insane laugh that had him doubled over, before looking at you again with crazed eyes. A few crew members coming into the room after hearing their Captian laugh, especially at the sight of you, their former crewmate and two boys that looked like their Captian.

"Freaks, Take these three and lock them in my personal Quarters. We got a family reunion!"

Shanks

"Mommy I have Missy Luc-ia ready!" You heard your daughter call out. Setting out the freshly frosted cupcake, onto the countertop, that she was just barely taller then. Smiling down at the bright face before you- She may be only 4 but she was the sweetest girl.

"Thank you Vivian. Can you grab the order list for Mommy?" You ask, getting an exaggerated nod and running off. Her mess of bright red hair bouncing with each step. A little clone of her dad, The famed Shanks 'Red Hair' a former fling of yours.

It had been a nice little relationship you two shared, him coming by every other week to meet with you when his ship restocked. Buying random pastries you knew he bought to get close to you, always complimenting your Baking skills and sweetness. Which ended up to many passionate nights both in your own bed and on Shanks ship. The last time you met, Shanks told you he had to go for a while and didn't know if he's return. Tears shed as you watched him set sail- having the feeling you'd never see him again.

As if the gods had sympathy for you or wanted to use you as a cruel joke you fell pregnant. Giving birth to your daughter who ended up being a Shanks part 2. A giggly and happy baby with unique red hair, while she was a perfect mix of the two of you in terms of face she inherited Shank's smile, hair and eye shape.

As you packed the poorly frosted cupcake that your daughter had made. Ignoring the fingerprints in its frosting- you hit it in the back of the fridge you'd never tell her you couldn't sell it since she had eaten part of her work and replaced it with the true finishes product to be delivered.

As you finished your packing you heard the bell of your bakery door chime.

"Welcome to the Sweet treats bakery, how can I help yo-" the words froze to your lips as you saw Shanks. Eyes wide at seeing him again, it was clear he had delt with some serious wear and tear by how the world seemed to settle on his shoulders a bit more.

"(Y/N) long time no see" He said softly as he stared at you, mentally still trying to process what you were seeing. He stepped forward, Looking ready to explain himself away before the sound of tiny footsteps drew him in- Seeing the little girl holding a notepad with all your orders and running to you. Out of muscle memory you scooped your daughter and placed her on your hip, she smiled at you and held the order book out to you again which you gingerly took.

"Here you go Mommy!" She chimed, Looking at you as she noted your shocked face. Her gaze following the now shocked man, He looked like a breeze could knock him down as he stared at her then you then her again.

"Shes mine isn't she?" Shanks asked, his eyes never leaving the little girl on your hip. Vivian looking at Shank's then you confused at what was taking place. Before you could respond however it seemed Shank's answered his own question. Laughing loudly in utter joy and jumping forward towards you, scaling the countertop like it wasn't even there and crashed his lips against yours happily.

"Ha! I'm a Dad!!" He cheered, Taking his one arm around you and starting to spin you and Vivian who at first was scared. But hearing the giggles from the man started to as well- the two even laughed the same which made the Red Haired man even happier.

"Y-Yes Shanks. She is yours...This is Vivian" You said softly, watching Shanks lean in close to view his daughter. It was like he had found the most amazing treasure in the world and it shone in his eyes.

"Vivian, Such a beautiful name for the most beautiful girl in the world" He said in awe, earning a shy smile from Vivian.

"Vi, This is... this is your Daddy" You say softly, watching Vivian look up at you then back at Shanks. Hesitant at first before holding out her arms tk him, taking the opportunity he scooped her up in his single arm and held her close. Tears welling up in his eyes as he looked at her delicate face, her chubby little fingers touching his face and looking over him.

"You're my Daddy?" She asked innocently. A smile breaking over Shanks face as he nodded and held her close, tears pouring down his face.

"That's right baby girl- I'm your Daddy"

Mihawk

It had been 16 long years since you had laid eyes on Mihawk- a simple one night stand that had long consequences that followed. Your son, your beautiful baby boy who you named Alucare.

It had been at a bar, the two of you drinking and simply talking. Before one thing lead to another in the alleyway next to the bar- You truthfully cringed at the thought of how embarrassing it was to be undone by a few nice words, a charming warlord and some drinks.

"Mother, which one did you want?" Your son asked, snapping you from your thoughts pointing to the fishmongers selection, his emotionless face like a carbon copy of his father's.

Truthfully he looked too much like his damn father- same yellow eyes, black hair, very tall form, stoic face the only thing missing was the facial hair Which you thanked The Gods for since you didn't think you could stare at your one night stands face forever. Alucare did have some differences, he had your nose as well as kept his hair longer. The thick spicy locks hitting the center of his back which you helped him care for. But truthfully that was really it-

You also knew that other people would star long at your boy, a few times Marines having come up to see your son when he was walking to school or going to the market. He knew who his father was, having Marines who had seen him in battle tell him as much. However he never seemed to care, just giving them a frosty look that made them back away before leaving. Whenever you'd brought up the topic of His father he often would sit quietly for a few moments before saying he wasn't interested in such a conversation which you respected.

"Hmm, that one is fresher-" You say sweetly as your boy grabs the fish and plops it in the basket, Handing the merchant the berries.

Always the gentleman he would take your arm in his as the two of you walked. He would hold the heavier baskets and give you only bread or a small bag of fruit. He was too kind as a child, you felt bad at times at how his eyes seemed to know the struggles you had faced when he was born and tried to help you out now that he was older besides your persistence.

"Alucare, I heard from your teachers yoh got very high marks again. Do you want to celebrate? Maybe a nice dinner is in order? Or-"

"It's just a test Mother. No need for so much trouble" He said softly, giving a hint of a smile at his words. You chuckled at him and shook your head. Stubborn too.

You felt your son stop midstep- Glancing up at him as his face turned to stone before your eyes.

"Honey?" You call to him, before following his gaze at what had caught his attention. Across the market a dark figure stood, You immediately felt your heart drop to your stomach as you knew instantly who it was- Mihawk standing there with the same stoic expression as Alucare but his eyes seemed to be a bit wider. Most likely the closest to shock that could come over his face-

You tugged slightly to turn back, not wanting to create a accidental scene but your son clearly had other plans. Instead starting to walk again, His arm still holding yours as he kept his gaze at Mihawk. You expected Alucare to stop infront of Mihawk- a blowup or something but. No.

Alucare just walked past Mihawk- Like he wasn't even there. His face staying forward as no words passed. As you continued to walk you turned to look behind you where you saw Mihawk, he seemed to stagger on his feet like someone had finally peirced him with a blade.. but it seemed to be a invisible one to his heart.