i can fix him your honour *smacks him with the oc-ification hammer*
anyway. enjoy the babygirl-ification of aaron lycan. more stuff below the cut.
i love the idea of aaron. like, some guy whos hellbent on revenge learning to live and love outside of it?? and he finds not only love but a new home in someone else searching for the same thing after they've both lost so much??? UGH ITS SO GOOD. and then jesson fucking. fumbled it. SO BAD. im still mad abt it almost like. ten yrs later (how tf is diaries this old i swear it was still airing like last yr). so uh. ive tried to go in n fix him. i swear. but in the process a Lot of his backstory n stuff has been overhauled and im sorry to all the canon aaron truthers but the way that jesson handled his arc n stuff was God Awful and i hate it. so uh. yeah.
aaron shows up in ashes, ashes way earlier than he does in canon diaries - hes following the high priest's trail, and when he catches wind of him travelling to phoenix drop to officiate a wedding and track down his supposedly dead brother, he follows the rumours and shows up right after alexis is cursed. he forms a sort of truce with aph (although garroth is hesitant to trust him, given that he wants to murder his younger brother n garroth still believes that zane can be saved) and fucks off again until they meet up again when aph n co are snooping around pikoro trying to find lord luke so that she can sign a trade deal with him - aaron's (rightfully) convinced that zane has something to do with luke's disappearance, and once all that tomfoolery is settled, he decides to return to phoenix drop with aphmau, believing that the impending war will offer the best opportunity for him to finally kill zane.
as we all know, though, this... really doesn't go to plan. they get trapped in irene's cathedral - which is more of a labyrinth with religious imagery plastered everywhere - and it isn't aaron who lands the killing blow on his mortal enemy, but rather garroth, who gets possessed by esmund's relic. then, when they manage to escape thanks to zoey, ten years have passed and the cathedra of irene (the religious organisation that zane was in charge of as high priest) has all but collapsed. up until this point, all aaron has really been living for is destroying the cathedra, and with his job already done for him by the passage of time, he's now sort of... lost, is the best way i can really describe it. he decides to stick around in phoenix drop - although he doesn't really want to admit it, the people are nice, he's become friends with garroth and katelyn, and it's a safe place for him to stay while he figures out his next moves. it also doesn't help that aph keeps roping him into her adventures (although he secretly enjoys having something to do).
it's through these new connections that he learns to start opening up about his past; how he was raised as the heir to the lordship of a hunting town up north named falconclaw, how the cathedra ordered its destruction and the murder of all its people due to them allegedly being descended from shad, the destroyer, how he came back from a hunting trip to find all his family and friends dead, how the grief manifested in a long-dormant magick that causes anything he lays eyes on to disintegrate, only to be controlled by an enchanted blindfold given to him by a passing elf who took pity on him. over time, he learns to control his magick, leading to him starting to leave his blindfold off - a sort of symbol of his willingness to trust in others, and to trust himself around others. most of this is me wanting his fuckass bandanna to have some sort of meaning behind it outside of "uwu edgy man with edgy outfit" but uh yeah. idk.
anyway, after a while he decides to stick around permanently right before the gang heads to gal'ruk to track down carin valkrum, an ex-juror who went missing decades prior, who katelyn is convinced knows of the whereabouts of the keeper's relic.
which means an outfit change. i tried to make his second winter outfit noticeably lighter than his first one, but still incorporating his trademark reds and browns. there isn't too much else to say abt this outfit? i dont think?? like there isnt a ton of lore stuff tied up in it except "oh hes going to a cold place lol". uhh i guess i could mention that he has a fucked up knee from a hunting accident when he was younger, hence the wrapped up knee?? idk. also he has a lil brooch w a falcon claw on it as a sort of homage to falconclaw. and his fucked up eyes r a reference to his eyes being fucked up in mys. yeah. idk.
uhh casual outfit. i like to think that he asked laurance for help w finding something to wear that wasnt super casual for more formal events (like the monthly potluck dinners that phoenix drop holds for everyone to celebrate the new moon) bc garroth is fucking useless when it comes to clothes n katelyn isnt that much better so laurance, having grown up in meteli surrounded by pirates, threw a billowy white button down at him n told him to go ham. i think laurance also lowkey influences aaron to get the falcon tattoo at some point - i dont think he loses the brooch, but since its so obviously a reference to his birthplace in ru'aun and could potentially get him and the rest of the gang hurt or even killed once they decide to travel to tu'la, he decides to get the kārearea tattooed over his heart as an homage to his family. anyway, it's in tu'la where he learns that he isn't the only survivor of falconclaw as he had previously thought: the werewolf pack that he'd grown up alongside (blaze, dottie, maria, rylan, and daniel) are still alive and well, as is melissa, although she's been cursed w what will later become known as the "ultima" curse due to her striking a deal with the demon warlock in an attempt to restore falconclaw. anyway, it's pretty emotional, esp since both sides have long thought the other to be suuuper dead. the scars on aaron's forearm are from when he n blaze got into a tussle as kids.
and finally, his destroyer form! after katelyn finally kills ivy n recovers shad's relic, there's a lot of debate as to what to do with it; some folks think its best to find it a host, others want to try and destroy it, and others want to simply lock it away in a pocket dimensino or something to keep it safe. eventually, aaron decides that, in order to protect the family he's created and the family he's rediscovered, it's probably best for him to take on the mantle of the destroyer of the second war of the magi, especially once it's revealed that the aaron of the first war (shad) cleaved his soul in two once he began to get corrupted by the influence of the void - the half that was corrupted would become the shadow lord, whereas the uncorrupted half would go onto reincarnate like the other souls of the divine warriors (excluding irene). i'm still fiddling around w how the second war of the magi ends, but my thinking as of right now is that the first war ended with irene burning away her first physical form to seal the shadow lord in the nether, the second war (mcd) ending w the restoration n reunification of shads soul n the divine warriors sealing away most magicks as a temporary stopgap against the spread of the void, and the third war (mys) being the war in which the void is finally defeated.
and finally some headshots. i personally headcanon aaron as being autistic as fuck n being the kind of autistic where he isn't super expressive (sorta like garroth), although a little less stern. speaking of, i really wanted him n garroth to be sort of foils for each other: namely, where aaron was raised to only ever see lordship as a privilege, garroth was raised in an environment that led him to believe that lordship was only ever a burden. anyway, they're best mates n i will die on this hill. yeah i know that in the first war esmund n shad didnt like each other that much (as an understatement) but something something healing the wrongs of the past with each reincarnation cycle something something they're best friends now and you can't stop me. also he and aph do end up together but it takes sooo fucking long, like those two are the most awkward motherfuckers this side of ru'aun and it takes longer for them to confess than it does for garroth and laurance to confess and thats Saying Something. like. c'mon. it was stupidly out of character for this wet noodle of a man to hook up w aph in the middle of s2. tell me that u don't know how to write ur characters without telling me that u don't know how to write ur characters n all that jazz.
anyway. gumboot rambles once again. its 2am at the time of posting this n i need to go sleep so uh. yeah. dante or travis is up next mostly bc aph has like thirteen outfit changes before s3 n im dreading drawing them all so yeah.
feel free to ask any questions or anything!! :D
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arc 4/season 2 of re:zero really did have a bunch of sets of siblings with lots of focus on them. it seemed to be a bit of a recurring theme for the season. family bonds as a whole were really important, especially where the backstory was concerned, but in contrast to that, the sibling relationships seemed to be about moving each other forward. in different ways though...
like, you have frederica and garfiel. they're estranged half-siblings, but frederica still obviously cares so much about her little brother. the reason she left was because she wanted to make a place for him and the rest of the people in the sanctuary in the outside world. garfiel was stuck inside the past, fearing the outside world for what happened to their mother. but when he finally faces his trial again, it's the memory of his sister that gives him the motivation to move forward.
similarly, in emilia's second trial, it's her conversation with archi that enables her to face the present for what it is. even though trial archi seemed to be pushing her towards the world of the trial itself, that's exactly what reinforces her will. with her memory of the real archi, she calls him "big brother" for the first time, and she thanks him for always being worried about her. the sad thing is, unlike all of the other sibling duos, archi has already been dead for a long time. but even then, like we saw in the first trial, he gave his life because he wanted emilia to keep moving forward.
and in otto's backstory too... he spent most of his childhood completely unable to interact with the world around him. the constant noise was too overwhelming, to the point that he couldn't actually hear anything else. he had no way to understand or communicate his feelings. and though his parents did their best to understand him, he was still stuck in this state. it wasn't until oslo decided to teach him how to write that he was finally able to express himself. despite the fact that it was harder for otto than other kids, he finally managed his first real message to his family, "thank you for everything." and with that, he cried for the first time since was born, and was able to move forward again.
even the antagonists this arc are siblings. meili and elsa dont get as much focus into their relationship as the others (not for this arc at least), but one very obvious development is that elsa has someone she cares about. elsa "bowl hunter" granhiert, a serial killer/assassin/vampire who takes great pleasure in watching people die, and tearing out their organs, has a person she cares about. this is a humanizing trait for her, and that's on purpose. loving meili literally makes her "more" human. someone that she's also willing to give up her life for. and later on, in arc 6, we see just how much elsa's death impacted meili and how she hasn't been able to move forward since that day.
this theme is even more noticeable in the negatives too. in rem and ram's case, who have already been set up as a matching set all the way back in arc 2. they're identical twins, they've loved each other literally since they were born. ram awoke her powers as a newborn just to save her crying sister. they share a deep and powerful bond. but... what the hell happens when that goes away? because rem had her name and memories eaten, ram forgets she ever had a sister. her character digresses, her entire world is now centered on roswaal, she's more devoted to him than she was before. without her sister, ram moves backwards.
and of course, there's the sibling duo that this entire season centers around- subaru and beatrice. i've talked before about how subaru's relationship with echidna and roswaal is like a foil for his relationship with his actual parents. subaru has been raised living in the shadow of his father, but his actual dad never once forced him into it- he encourages his son to stand on his own and be his own person. roswaal is the opposite, he corners subaru in an attempt to make him a mini roswaal. subaru's mother was always watched him closely, but never made his choices for him. echidna is the opposite, where she wants to manipulate and control subaru's every action to satiate her own goals and desires.
but echidna is also beatrice's actual mother, which places beatrice in the role of subaru's sister in his fucked up found family echidna had created. but beatrice and subaru were never forced together, they chose each other. beatrice was left alone in a library for 400 years, abandoned by her mother and left to wait for a person who would never truly come (who never truly existed). she has been stuck for so long, unable to break her chains. but the action that finally does free her from this stasis is when subaru asks her to choose him. the only way for them to escape this "family" and move forward was for them to choose each other.
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*cracks knuckles* well if I'm gonna work on my OCs and now that someone's reminded me how actually tragic Echo is
Let's talk about Jasmine and her relationship with Echo
I feel like they would get really close if they ever met. I think Julien would tell Echo about her in a way he wouldn't tell Zane because he was scared Zane would tell others someday. Echo won't ever leave the lighthouse, so he can't tell anyone. He would know about Julien's other child, but he would figure it's Zane, the one he replaced. When they meet, once they figured out they were related, I think Echo would realize and want to tell Jasmine what he knows. Julien wanted to know her but couldn't. He left her because it's what was best for her. I think Echo would want to imagine Julien left him for those kinds of reasons too.
I think they would bond over being abandoned by Julien. Jasmine before she was born, Echo long after. I think they'd each envy each other, in a way. They both resent him (even if they won't admit it), but Jasmine resents him never being there. Echo resents him being there so much, only to leave him. Echo would fill in the gaps for Jasmine on who he was, while Echo is more eager to hear about the life Jasmine lived in the wide world, especially on her own.
I think they'd have a super close bond, I think they should visit Jasmine's home and have a snowball fight, I think she should take him to Borg Industries and watch Echo go starry eyed at all the cool technology, I think Jasmine would help replace his rusted gears and wires with ones that won't deteriorate as easily, i think she'd teach him how to garden and befriend animals and i think echo would be so thrilled to get away from the sea
I think if Echo and Jasmine ever got to meet, they'd find a comfort in each other and a confidant about some of their issues that no one else could provide
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And the only solution was to stand and fight
And my body was bruised and I was set alight
- only if for a night; florence + the machine
In my experience, Esther Armstrong was always valiantly independent, determined, fiercely loyal and if anything, could exude a hint of Joan of Arc when times were a fair bit desperate. She had a glowing grin that radiated in any room she was in; anyone who was anyone always seemed to mention that about her. She was always kind when I was with her one-on-one, withholding a realm of wisdom and knowledge on such situations that many people did not have time to ponder about. She found the little things among whatever rumblings the papers discussed, and she used that to her strengths and would headline papers for weeks there after. Because that was Esther; she told you the story as if it were your own son or daughter on the other side of the world. She wanted you to be able to feel what someone you loved was going through, in a way where you were not only comforted, but equally being put at a humbled peace for the time being. Just like herself; humbled in her own respects, bringing upon comfort and content, and her warm, glowing grin.
- Cameron Farley, in his article, Conversations with Esther Armstrong (1945)
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