#i am really sad about it

[knave-of-flowers]

i just started reading witch hat atelier, so apologies if this isn’t accurate, but…

this man

is literally just a combination of this man

and this one.

also, these two things are the same.

[xandrikart]

Happy belated Father's Day to Chetney Pock O'Pea! The father of Orym? Scanlan?? Fjord??? He is someone's father for sure.

[child-of-dreamworks-animation]

Trying to connect the dots of what actually happened in Puss in Boots 2: Nine Lives and 40 Thieves based on all the concept art I saw on the Internet. It such a shame that this story never made to the big screen. I just love every aspect of the concept art under development around probably 2013/2014?

DreamWorks should have given that story a go at least, not go into waste... It's such a pity. *I am literally crying and begging*

I knew it was probably del Toro's idea of setting the story in Arabic world, (such an exotic locale, typical of Toro) but it's ok for the audience, we would love the scene where Puss actually performs the bullfighting as seen in the concept art. Just... what a waste of story, if it hasn't been for nothing...

[thekricks0krickass]

no because if I was Annabeth and had been made to think love was conditional and this guy who I started crushing on after he killed a monster when she offered to help him if he betrayed us and then kill another monster with the previous monster's head admitted that he thought we could never be friends but then tricked me into sacrificing himself and told me it wasn't weird that I hugged him after he came back alive and asked me to go watch a movie with him and then again proceeded to sacrifice his life for me, I would just simply pass away.

Like props to her, no wonder Percy called her the strongest demigod of their generation.

[thebonejunky]

it fills me with such righteous anger thinking about harrow going to The Mithraeum and seeing God indulge in all of the things she has been deprived of/deprived herself of all her life- in order to worship HIM. seeing him and the other lyctors have feasts while even tea is too flavorful for her. seeing them have gross old people orgies while she had probably never been hugged in her entire life before Gideon. seeing them do jackshit all day while she did nothing but pray and study. telling her she is but a baby- despite the fact that she has experienced the worst of horrors(at the hands of the religion they created) and posseses more necromantic power than all of them. her fellow saints taking advantage of her schizophrenia for their own agendas, and never giving her the time of day otherwise, not even pity when she is lying on the ground with her gut ripped open and innards strewn about. god saying she is like a daughter to him- and her throwing herself down onto broken glass because she is so overcome by guilt at the idea of being a daughter- of being given anything, of having anything, of having love or affection, of being something to somebody, of existing- and god having the audacity to say such a thing after failing to raise her. god not understanding her, god's lack of omnipresence, the saint's lack of kindness or holiness of any capacity. harrow, having grown up in nothing but dark black halls and clothes- and The Mithraeum being nothing but pearly white. harrow, who dedicated her life to an empty religion and a god who does not care and is not qualified. harrow, who only had ONE thing(Gideon) that ever made her happy, and having that one thing taken away from her by this god. so much avoidable grief and abuse forced onto her. and the fact that she has been forced to continue this cycle of grief and abuse as well by having had continuously hurt her only friend and being turned into a lyctor against her will. harrow begging god to ask the saint of duty to stop trying to brutally murder her, and god telling her to get a hobby? devastating. truly the most tragic character of all time

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[cozylittleartblog]

here comes the boy ~ hello boy ✨

cleaned up a couple of the vash doodles i did while learning to draw him :)

[drdemonprince]

people who are obsessed with passing are gonna be the death of our community i swear

[sweet-allien]

If I keep reading comments from people comparing Logan and Colapinto I swear I'm going to stop being a friendly blog and I'm going to be one of the most fucking aggressive blogs.

To begin with, they did not have the same car, LOGAN DIDN'T EVEN HAVE THE SAME CAR AS ALEX and let's not forget that JV was not the one who saw that spark in Logan, he never saw him as a possible driver for Williams or as someone to accompany Alex, the the one who saw that potential in Logan was Jost Capito, not James. Not to mention all those derogatory comments from journalists towards Logan for being American (I really don't understand why that was a problem).

Colapinto has the support of both the Argentines and his own fans and James himself. Logan didn't really have a support network like Franco's, which, realistically, added to the pressure of being in one of the most competitive sports, is not exactly the most favorable for a person's self-esteem and confidence.

Logan was not only compared to Alex, his teammate with more experience in both F1 and Williams, but also to Oscar, Oscar, who drives a McLaren, who probably had more experience regarding F1 cars, Oscar, that always stood out in the rest of the categories and that has Mark Webber as support.

There's really no way to compare Logan and Franco, firstly, because they're both completely different, and secondly, because they were never on equal footing.

[shalom-iamcominghome]

"We need more diverse queer representation!"

You cannot even handle queer jews.

[weregonnabecoolbeans]

Julian Blackthorn’s constant awareness of his siblings is both so heartwarming and so heartbreaking to read

[stromblessed]

Mizu's spectacles, and the levels of her disguise

In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.

Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.

I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!

Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.

In my view, this was pointed out in episode 1:

I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."

Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.

I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.

This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.

There's the little girl who looks at Mizu and then hides on the way into Kyoto:

When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!

By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.

It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:

(Zatoichi reference, anyone?)

If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.

Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:

Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:

No wonder Mizu gets mad after this, lol

So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.

And yet no one spots that she's female.

Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.

Let me explain.

She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.

But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:

I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."

Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.

Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.

One detail that proved this to me is after the Four Fangs fight:

Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)

And Taigen is right there, but he doesn't give a shit:

Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.

Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol

There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:

After all, Swordfather can't bear to listen to Mizu confess to being a woman.

So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.

May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.

Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."

[alish-artie]

Super Mario RPG is inspiring me !~

I was sad when I learned I accidentally skipped Booster's fight…

But I mean, the cake one was pretty funny so it’s okay-

[konohamaru-sensei]

ah. it hurts

[rotomicity]

TGCF art from 2021 which were very experimental and very much something out of my comfort zone but am still so satisfied with

(gonna ramble more under the cut 👉 )

My main inspiration for these were definitely classic storybook illustration styles and the watercolor-like illustrations included inside the tgcf books which depict hualian's daily slice of life routines as seen below

I wanted to capture that feeling of warmth i got from reading but i also went with the storybook look because their relationship (and by extension broad strokes of the entire plot) really did feel like something out of actual myth or legend; i'm chinese indonesian and was raised surrounded by chinese culture + values so tgcf felt VERY familiar to me, it threw me back to my childhood reading or listening to tales about chinese deities, i'd say the storybook image definitely came into my mind pretty quickly bc of this

I find this style somewhat hard to replicate now but if i could or have the time to, i really want to continue the 'companion pieces to chapter titles ' concept i did with the last 2 pieces (which are of the same chapter title but i was just indecisive 😭😭), i even had 3 more planned based on my favorite titles before burning out back then

[annabelle--cane]

say it with me everybody: personal health is completely immaterial to morality, including mental health. leading a mentally unhealthy lifestyle (or what you perceive as a mentally unhealthy lifestyle) does not a bad person make. no one has to socialize, exercise, have healthy coping mechanisms, or lead (what you perceive as) a fulfilling life with fulfilling hobbies in the same way that no one has to go to the doctor to get a broken bone reset. both of those types of management of personal health are likely to be beneficial to the individual, but they are in no way moral requirements or debts owed to society. they do not actually say anything about a person's principles, personality, or actions towards others. additionally, people know themselves and their own situations better than you do. maybe a person judges that the physical and financial toll of going to the doctor outweigh the benefit of getting their bone reset, maybe a person just does not have the capacity to develop healthy coping mechanisms at this point in their life, and yes, maybe a person feels like they are totally fulfilled by "media based" hobbies alone and would feel no difference in their life if they picked up a loom. just like. let people be sick without accusing them of being representative of the lazy, degenerated state of modern society.