#i am so delusional about this show

[trobed1989]

happy shibuya incident eve anniversary to those who celebrate

[hauntingofhouses]

(concept art of young taigen - source ; art credit: @abigaillarson)

i cannot get over this concept art of young taigen. god.

just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!

he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.

taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.

because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?

we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.

but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.

and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.

because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.

because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.

and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.

the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.

and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.

it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.

everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.

it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."

the words follow him, and he follows the words.

as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."

what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.

[suguwu]

when aventurine masturbates—which he doesn't do often—he doesn't really think of anything. he just gets himself off with quick, almost perfunctory strokes. a means to an end.

then he meets you.

he still doesn't get himself off often, but there's a difference the next time he does. suddenly, you drift through his mind, and his strokes slow to something a little sweeter, a little more luxurious. he leans into the pleasure; lets it spark beneath his skin, kindling to flames. it's only for a moment, just a breath of indulgence, before he banishes the thought.

the time after that, though, he thinks of your tongue, wet and pink as it peeks out between your lips. he pushes into his own touch, his back arcing like a cathedral nave of muscle and bone. imagines that the pad of his thumb, wet with pre-cum, is the tip of your tongue lapping at his slit.

he cums hard.

after, he leans back into the opulence of his bed and stares at the ceiling. there's still pleasure dancing along his nerves, the quiet reverberation of a plucked string. he thinks of you curled up next to him, sweat glimmering on your skin like ocean spray, and rolls over with a groan.

you're going to ruin him.

[blvsbl]

in other news i'm still not over this

[buckera]

it will never not be fascinating when i see takes like "that doesn't make sense, they are just reading into everything" and then scroll down and directly in the next post op is heavily reading into something else that objectively doesn't make sense lmao

[skateboardtotheheart]

"Chris calls Helena and Ramon" this and "Eddie realizes he needs his parents' help and calls them" that

MAYBE the joke's on us and they go full fanfic mode and it's actually that NO ONE called them, they just randomly showed up with no notice at the least opportune moment and now Eddie has to try and manage the situation with Christopher while also dealing with his parents getting involved!!

[iliveinarainbow]

little do the people in my life know that no matter what is going on around me i am constantly thinking about that one reddit post about merlin

“it’s all inevitable and all his fault”

forever haunted bc how could you say something so true and yet so heart wrenching and expect me to not think about that for the rest of my life

[dirtytransmasc]

(modern got hc)

Theon let's Rickon play games on his phone just about whenever he wants and secretly loves scrolling through all of the terrible photos/videos the kid takes (even if it takes up all his storage).

[angy-grrr]

okay I’m annoying yk that and I know that.

I love to see what non bkdk shippers think will happen with the manga, bc this way I can learn and see things outside of my special interest for the chapters. And I was reading some interpretations of Ochako being weird in 425.

Some people are right here expecting izuku to go and support her. Some people saw him being this sad, yet only could think about him worrying about Ochako’s feelings over her fight, not Izuku’s fight. they think this will lead to a beautiful confession, in which she cries how she couldn’t save himiko, that izuku noticed, and that he’ll call her his hero and they’ll kiss. And I can’t help but feel like this is bc he is the boy. Because he is the boy in that ship, he is the one that supports, not gets supported. When I was reading those little scenarios, I thought they would explain deku would cry with her about his own fight and bond over it, or something like that. But no… they believe deku’s strange reactions come from being worried over Ochako only. and it’s so sad, to see how gender expectations are being pushed like that in something as simple as a “what I want to happen in the manga” scenario. It’s sad how people think this is how it should work, when actually that would make me even sadder -as I said, for the most part I didn’t care about that ship, I accepted it as inevitable, but this isn’t fair. Romance irl is not perfect, but in a story for this to be a resolution when the character who hasn’t talked about his feeling keeps not talking about them and just supports her before confessing…

Even hetero relationships should have some balance, right?

EDIT:

someone brought up bkdk lmao. They explained how the confession from ochako could get answered: happy ending is izuku loving her back, bad ending is him saying he likes katsuki, and medium ending him liking mei. I can’t even lmao.

another person argued deli just has shown a brotherly bond with him (weird) and that he only thought of him at that dinner with the Im too blessed, and the last time he followed him was in season 1. people need to learn how to read, and connect the dots, literally. No matter how you see their relationship in canon as platonic or romantic (or queer platonic), it’s clear their bond is strong and that Izuku depends on katsuki as much as katsuki depends on izuku on emotional levels -izuku losing control over and over and over again with him, AFO explaining he is the closest to midoriya, katsuki going towards him no matter how injured he is, looking for each other and the time stops, etc.

this is just canon. There’s no arguing about it. Idk why intimate bonds between two male characters means they are like brothers. Is it bc if they are not related, there’s no way to not see it as gay?/gen but also /s

[theworldswecantsee]

Idk idk something about the line "wolves are actually great parents!" and Hunter becoming obsessed with them and the whole show being about found family and everyone finding a place to belong

[dennisboobs]

im gonna let you guys in on a little secret.

the more macden shippers shit on other pairings, the more multishippers like me will move towards their secondary and/or tertiary pairings. if i can't go into the charden tag without seeing a post intentionally tagged with multiple ships and trying to spark discourse between them by saying people who ship "rarepairs" are stupid and delusional, first of all, that's an instant fucking block, but like. I'm not going to feel like talking about macdennis when it feels like there's such an obnoxious pressure on you to fall into line and accept the widely preached and accepted fanon canon.

I love macden too. and I would post about and enjoy it a lot more if y'all didn't make it feel like we had to pick a side. just because you prefer the big popular ship, that doesn't make you smarter, or more correct than anyone who ships charden or charmac, it just means you have different preferences. i think macden has the biggest chance of being an actual couple on the show, and obviously mac and dennis are both gay and queer respectively, but if i want to ship charden, why can't i do that too? fandom is supposed to be fun, and it's supposed to be enjoyable, i don't want to have to fight to prove that this ship that i personally see working and enjoy the dynamics of is a "valid ship" when i am fully aware that they're not going to be canon that's kind of the point, and why i prefer it. and for the love of god... if you hc a pairing as platonic, that is perfectly fine. that's how i see charmac myself, but that is your view and your problem, not the shippers'. just block the tag so you don't have to see it if it bothers you that much.

and i don't like several of the other common rarepairs, but have any of you ever seen me talking shit on charmac or chardee shippers? no. stay in your lane and let people live. i'm sick of seeing people acting superior over a fucking it's always sunny in philadelphia ship.

[nicoscheer]

17 Oct '23

3Arena

Dublin, Republic of Ireland

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A post shared by Miles Kane (@mileskane)

Miles during the monkeys gig this pic is from 505 where Alex kept on looking over

He was literally pointing up at the mirrorball at looking up at it for like a solid 10 seconds after come closer

Don’t forget who you are it was so magical (also that turtle plushie behind him 🫠🫠)

Alright crazy things that happened (the ones I can currently recall and in now specific order):

-Nathan dropping his pick and Miles laughing at him

- Liam’s drum kit wasn’t fixed up correctly so his hi hat (I think) like turner 90 degrees and a stage hand had to rush and try and fix it during a song and before the next one miles just jammed out a bit and improvised to give the guy more time to properly fix it

-Miles pointing and looking up at the mirrorball for like solid 10 seconds after come closer

- seeing those chairs and music stands in the back knowing we’re gonna get strings

-after singing the last line of fluorescent adolescent “remember when you used to be a rascal” and then fucking pointing and staring at Miles who was standing to the left side of the stage (which also explains why Alex was suddenly so fond of the left side (also during I wanna be yours I sometimes had to play find Alex cause he was just casually chilling at the very edge of the left stage side like mate at this point just walk down to him )instead of right as usual to jam with Jamie right where the stairs led up to the stage so he was the first one to greet the guys once they went off before the encore and after the show(to smother Alex in a big hug))and watched their set and asking “do you remember?” Before himself answering like 2 seconds latter with “I remember” but like in such a small sad voice that it nearly broke me

Like here’s the entire performance you can hear and see it at 3:13 (I’ve only got the little I remember snippet cause I was screaming my head off)

- when Alex said “let’s hear it for Miles Kane” (some say he said wonderful after we screamed our throat raw) somewhere three quarters through the set we all exploded before realizing he was just thanking him for opening and then played fluorescent adolescent where at the end (check point above) he asked miles if he remembered when he used to be a rascal (and like the fact that Miles was in the band the rascal and Alex wrote Fluorescent with his ex Johanna Bennett around the time when him and Miles started becoming close friends)

- during body paint not Alex singing “and if you’re thinking of me I’m probably thinking of you” while adamantly pointing towards Miles

- I didn’t think it possible to get I wanna be yours x star treatment cause they did it the night before In Belfast but when that little shit said “I don’t wanna be hers I wanna be yours” I certainly lost my shit

-experiencing 505 with the mirrorball and strings

I wanna be yours x star treatment

Body paint

There’d better be a mirrorball

Why’d you only call me when you’re high

Teddy picker ; Alex said teddy is back before the song 🫶🏽🫶🏽🥹

Coup de grace

Never taking me alive

Body paint

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https://www.instagram.com/p/CyjKMnhtgj_/?igshid=MzRlODBiNWFlZA==

Blurry Miles in Dublin

[flowerygn]

i need to be cheesy for a moment

[starmist]

A lowkey follow up on my last post on s2:

I also don't buy the justification of her personality change is attributed to her amnesic years or the choice of letting go of her revenge (she already did that, it was a very big plot point in s1). Its true to the story, but in terms of writing, it doesn't make sense.

Like YES i GET IT, she had amnesia and lived as a different person but when characters get amnesia in dramas, (bc we have to remember these were conscious choices made by writers) they always retain some traits and hallmarks of they're original personalities. The point of that is to make the character familiar but different.

In the first three episodes of s2 we definitely had that with JBY; she schemes, can never not be doing something, even is a bit manipulative, most of all she does not ever take things lying down. Constantly breaking out, trying to find a new groom, the wraith attack, and even the events at the Unanimous Assembly are good examples of this (and there are definitely more).

Unfortunately, these traits almost entirely disappear from episode 4 forward. I can still see a few, like her keeping busy with Songrim and her tendency to glare and threaten. But these traits are so significantly played down that they are barely even there whereas her new personality is front and centre. She doesn't really do much either, while she was reasonable for 80% of the plot in s1 (but honestly nothing much actually happens in terms of plot so i'll let this slide.)

Now this is where people are going to tell me I don't understand the show. I GENUINELY believe that Mudeok/Naksu are not the same character as JBY. It's the same soul and the same person, I'm not disagreeing with that. What I mean is narratively, contextually, these are separate characters.

What is leading me to this conclusion? Episode 4. The entire episode is about Mudeok's/Nasku's ghost, ends with her figuratively dying and Jang Uk stating that Naksu is gone from the world.

The audience and Jang Uk are in the same place, missing Mudeok/Naksu, unable to let go of her and focus her new character bc we (Uk and the audience) are waiting for her to comeback. So when Uk "kills" her, the narrative is telling us that the character we had in s1 is dead and won't be coming back.

I also think this is reinforced by Jang Uk stating that the reason he like her was not bc of the memories confusing them (i.e. it was never about who she was in past) it's simply that he likes her so much. Of course I know about the whole thing with the jade, but like i said it’s the same person/soul as a brand new character.

A good explicit example of this is Mudeok and Yul's goodbye in episode 19, where she states that she is not who he met all those years ago, that girl no longer exists in this world, only in his memories now. Even Yul says in episode 20 that the person he like was not Mudeok. It is the same soul but a different person.

Just like JBY is the same person but a different character. These are not mutually exclusive things in fiction.

I also want to add that she doesn’t actually get her og body back, she’s still much shorter. So if this is the same character, then the “natural progression of the story” would have resulted in a body more similar to her og one rather than Naksu and Mudeok Frankensteined together. And while I understand that part of the reason they kept her short is bc of GYJ height, but a throwaway line saying something like as time goes on the body would look more and more like her og one. That takes into account the height problem and a decent enough explanation as to why her physique is different.

But we don’t get that. We get a character that has a polar opposite personality, few recognizable traits, and a body that’s neither here nor there. Everything about this is screaming that we are meant to take her as a different character altogether.

(I don’t want to hear jack about she’s happy/gave up revenge/without Jin mu’s damage. That’s not a good enough explanation for the major changes in her character. And again I want to emphasize this that this is fiction and these are conscious choices the writers made. There is a reason why her body, personality, and story is like this.)

All media has emotional and informational cues. Things that are not directly stated but are used as a subtle way of conveying information, directing the audiences emotions, and foreshadowing plot points. Cues can be explicit, (are relatively obvious and direct no room to doubt, the audience is told/shown something) or implicit (suggested or hinted at; mostly through camera angles, music, and dialogue). Implicit cues are all about reading in between the lines, used to convey deeper meanings and themes; implying but never stating.

So when we apply that to when Jang Uk "kills her", mourns her, and moves on to JBY it is a cue for the audience to do the same and a narrative statement that this is different story from what we are used to, that we will not be getting the same things from her as we did is S1.

There is no more Naksu or Mudeok, that character died at the bottom of the lake. Not even her memories turn her back to the character from s1. She’s dead and Jin Buyeon/Cho Yeong is the new FL)

(Side note: I think part of the reason they did this was bc of the change in actress. GYJ trying to emulate JSM as Mudeok/Naksu would constantly be compared and probably hated on. The solution: make a new character with a completely different personality and figuratively kill off the original one therefore there are different expectations, in terms of acting. This is not at all a dig at GYJ, she’s the only reason I watched to the end even, it’s simply that the showrunners & actors were in a difficult position and this lessened the flame war & allowed a rookie to transition into/take over a veteran actress’ character.)

[raplinesmoon]

projecting a fic concept that will never actually be realized by me but it just needs to be out in the world:

I started rewatching The Originals (aka the superior spin-off to The Vampire Diaries) right before the New Year hit and now I just can’t stop imagining a Bangtan version of the show with Kim Line as the Original Vampires?!

Like Namjoon as Klaus trying to find his path in life, what he’s meant for, and so desperately seeking love he has never felt? (also yes to Dad!Namjoon)

Seokjin as Elijah, the trustworthy, noble older brother who’s made it his life’s purpose to ensure the happiness and prosperity of his family?

Taehyung as Rebekah, aka always at the mercy and in the shadow of the two older siblings, when all he wants is to start a life and find a love of his own?

And while we’re at it, let’s just cast OT7 in this lol (not 100% sure if they all fit these roles perfectly):

Jungkook as Marcel, the protégée with Namjoon as his mentor.

Hoseok as Kol, the sunshine of the Mikaelson family.

Jimin as Davina, who has more power than he knows what to do with.

Yoongi as Camille, bartender and the voice of reason

[jackredfieldwasmyjacob]

why do i keep falling in love am i in a dating sim themed around archaeology or what