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#i can not control what these hands do!
ew-selfish-art · 1 year
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Dp x Dc AU: Bruce has a 'if you can't beat them, join them' mentality about the tabloids claiming he adopts too many kids- Developing foster homes that are paid for through the Wayne inheritance, personally vetted by the Bats, they're the leaders in the space for child health outcomes and family placement. Insert Danny.
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Bruce has too much wealth, too many rumors and not enough reach into the abhorrent foster homes around Gotham to improve them. Tim ends up being the one to suggest it- He's the one who buys up their real estate for their safe houses after all- and Bruce is more than ready to pull the metaphorical trigger to get new clean welcoming spaces, Bat-background checked fosters and a new era of adoption in Gotham underway.
He's lobbied the state and the federal government for reforms of course, but this is a project he can micromanage. He spends time with every kid that comes through, talks with all the families that want to adopt and makes sure that these miniature homes are provided only the very best. Alfred personally hires all the staff, and with Barbara more than happy to help relocate the unhoused children she spots while they patrol, the project is a glowing success.
Occasionally, spots in their houses fill up, and those are the weeks were Cass takes on the Cowl of Batman- Bruce Wayne will personally invite a child in need to his home. He always has one of his kids present (they rotate on a pre-determined schedule) and he does his best to try and get them to understand that they deserve the world, have all the potential that anyone else has and can achieve a bright future. That he will personally aid them in their ambitions.
PR goes crazy for it of course, but Bruce and all of his children know its genuine. Almost too genuine, because a betting pool 'WILL THEY BE ADOPTED' regularly circulates between the siblings and the entire JL when someone spends time at the manor. And not just the black-haired, Blue-eyed kids get picked as favored outcomes- but obviously the running joke gets passed around.
It's a Thursday night when Bruce gets the call that the houses have once again filled up, and that there is a child in need of a home. The social worker (he knows her as Marsha and he has flowers planned to be sent on her birthday next week, like he does for all of his employees) (Say micromanaged one more time) explains that the kid is a bit cagey but has opened up with some humor. She explains that he has a few strange... mannerisms. She's not sure what to make of him, a non-gothamite for sure but something is, well, distinctly 'not from around here' about his energy.
Danny arrives at the house, meets Duke and Alfred, and by the time Bruce meets him at the dinner table it seems as though Marsha had it all wrong. This kid was laughing, he was teasing, he was totally playing along like he'd gone through nothing. Bruce is glad he's in high spirits but its just so... so different from all the other children he's taken in.
Bruce re-focuses on the conversation when Duke mentions something flashing, and its the first time that Danny goes quiet. Entirely still.
"...you noticed that?" Danny quietly asks, a bit of disbelief in his tone.
"You don't have a flashlight on or something do you? It was super bright whatever it is that you had in your hand a second ago?" Duke tries to sound chill but he's looking very much not chill. Bruce saw nothing, and that puts him further on edge.
"Look... I uh, I've been though... I've been through a lot lately. And the last lab I was in kind of, messed with me. I'm normally much better at dealing with it all, I promise." Danny sounds nervous, and the room seems to chill.
"Ah shoot, sorry." Danny notices something and frantically apologizes.
"Sorry for what Danny? You've done nothing wrong but I am worried about you- You said you were in a lab?" Bruce is desperately trying to calm him down while not slipping into Batman interrogation mode.
"Uh, yeah, like a lot of labs. It should get warmer in a second, its just cause I startled, I promise."
"You're a meta." Duke speaks softly and with hope in his voice- Danny is looking between them with wide eyes filled with fear.
"I mean I don't technically have the gene-"
"Danny, have you told any of your case workers where you were? Do any authorities know what you've been through?" Bruce needs to know, desperately, that who ever gave this young boy super powers is brought to justice. Danny goes quiet.
"I'm really sorry." He says softly, but he doesn't leave them.
Duke and Bruce try to ask a few more questions but the silence that meets them declares the conversation over, even with Duke admitting he himself is a meta. Danny didn't even look up from his plate. They watch a movie after dinner, and Danny seems to get back to the smile-y happy guy he had been before dinner.
Each of the bat-fam have their own interactions with Danny- And even if they're getting along amazingly, Danny won't open up. He doesn't open up to his provided therapist. Doesn't talk to Alfred. No one knows what's up.
So when Marsha calls Bruce back explaining they now have a spot for Danny and he can move out of the Manor... Bruce replies that he'd like to get started on Adoption paperwork, so long as Danny is fine with it.
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Turns out, Danny is fine with it. he's both the newest Wayne and their newest case. (And godamnit, his new family is going to avenge him. If only he'd let them try.)
Danny figures out that Duke= Signal early on because of that dinner, and if he's going to keep his parents out of jail, he needs to be as close to the investigation as possible. He knows that he shouldn't protect the Fentons, but he feels the upset in his core at the thought of letting them befall any harm. He has to protect them. Has to protect Jazz and her hiding spot as a mole within their lab. Has to.
Even if it meant lying to his new family who loves him, and who he loves in equal return. Even if it means lying to The Bats.
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Tabloids go crazy about the black-haired blue-eyed thing of course, but no poll was ever taken by the batfam or the JL who know the whole story.
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abby-howard · 2 days
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You deadlift? What's your PB?
My current max is 250 pounds! Gotta catch up to Tony, he's at 300 now 😤
Also someone else asked about how deadlifting doesn't kill my back, and the answer is that weightlifting with proper form is good for back pain >:]
Strengthening your stabilizer muscles is so good for your bones and posture! It doesn't mean accidents don't happen, as we will all decay in time, but it definitely helps me draw all day and night without crumbling into dust 👌
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reineydraws · 4 months
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i have this fic series i'm still working on where mihawk sort of becomes rayleigh's kid and spends ages 11-17ish on the oro jackson.
shanks and buggy imprint on him (bugs considers him a sort of older brother figure/sparring inspiration and shanks has a crush that eventually turns into full-blown love) and this is how i imagine they're like on the day mihawk sets off on his own haha.
#fic recs#dracule mihawk#akataka#mishanks#buggy#buggy the clown#shanks#akagami no shanks#red haired shanks#one piece#one piece fanart#op fanart#clearly my workaround to 'i should be working on my deadlines instead of doodling mishanks' is to finger-draw on my phone instead#on the plus side i'll never be tempted to go and fully render what was supposed to be a sketch#on the minus side i'm wondering if drawing with my finger takes up the same amount of time anyways.........#smh#anyways in this au i have this part planned where after shankd and buggy get into a fight over the chop chop#shanks comes crying to mihawk all devastated and annoyed and mihawk who is 16 and absolutely doesnt want to deal with a crying 12 year old#decides to fix things himself by showing buggy the pros of his devil fruit via forceful and incredibly harrowing sparring session LOL.#makes him see right away how much of a boon it is to never be able to get cut by a blade. it turns into an actually fun sesh#'cuz mihawk starts enjoying the challenge and the creativity and control and buggy starts wielding his knives in flying hands.#ends with mihawk berating him on how he treats his brother and how mihawk never wants to have to deal with shanks like that again#and also lowkey encouraging buggy by saying he's a resourceful kid and he's got people if he cant do things himself.#at this point in time shanks kind of wants mihawk to be his knight in shining armour so he's happy to hear what mihawk did#but mihawk is Fully Over bunking with two 12 year olds. ray please can he just set out on his own now. he's done it before. come on.#he is not a babysitter!!!!!!#tho these fics will focus mostly on hawk & ray jsyk#i digress
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hazel2468 · 11 months
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"UWU op defends Israel UWU"-
Have I not made it clear enough what I think of the Israeli government? Have I not made it clear enough that what infuriates me the MOST about all of this shit going on is that neither government gives a damn and civilians will CONTINUE to die because Hamas and Netanyahu are cranking that war machine for their own benefit? Have I not made it clear that I think what the Israeli government is doing is fucking horrific, a war crime, murder, a violation of human rights?
Why do I even need to MAKE that clear? Why is it that you can talk about LITERALLY anything else, any other country, and people don't rush to fucking accuse you of personally supporting the government when you discuss the wrongs committed against a people, but the SECOND you're a Jew you have to justify your stance about Israel?
Why is it that I cannot even be angry about the slaughter of MY FUCKING PEOPLE. Innocents. Civilians. Fucking CHILDREN. The slaughter of the Palestinian people. Innocents. Civilians. FUCKING CHILDREN.
Without one of you absolute fucking monsters deciding to slap some shit on an unrelated post about how "uwu op defends an apartheid state just ignore that"? Do you have to make it part of EVERYTHING I do? Do you consider everything I put out there tainted somehow because I don't support your joy, your cheering, your unrestrained GLEE at the murder of Jews? Do I need to publish a fucking thesis on my stance on Israel, Palestine, and their respective governments like a fucking disclaimer any time I want to talk about myself, my oppression, my experience as a Jew, or a disabled person, or a queer person, because you fuckers cannot for five seconds be NORMAL about Jews?
To decide to slap something about Israel and Palestine on a post I made about MY oppression, about how people will oppress you no matter who you actually are- it all depends who they think you are. It's a bit ironic, isn't it? Doesn't QUITE fit, but it's funny that someone would read that post, agree with it, and then think "Ah yes, THIS is the place to put some tags about how OP, a Jew who has been reeling for the last couple of weeks about the violence, who has been checking on their Israeli friends every day to make sure they aren't fucking dead, who is dealing with vicious antisemitism from people who they thought were friends, who watched as the people claiming to be progressive supporters of human rights on this hellsite and others OVERWHELMINGLY reply to the murder of their people with good they deserved it fuck you, is CLEARLY a defender of an apartheid state and that makes them a bad person because something something I don't know what nuance tastes like and I am a bigoted ass."
I am TIRED.
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sandu-zidian · 8 months
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An Uncontainable Sacrifice
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puppyeared · 3 months
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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hydrachea · 7 months
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I can't stop thinking about Blade saying gifts are unfamiliar.
And I can't stop thinking about Kafka and Silver Wolf, hearing that, and making it a mission to bring him gifts whenever they travel somewhere for their script - even if he's there with them. About the confusion in his eyes when they steal buy something and turn right around to hand it to him.
About his room starting out completely empty except for the bare minimum necessities, a few spare clothes and what he needs to take care his Shard Sword, but filling up with little trinkets and gifts over time. Clothes and jewelry and perfume from Kafka and posters, figures and plushies from Silver Wolf. About them also bringing food back, expensive specialties swiped from a restaurant and the weirdest option they could spot in a lone vending machine, a category of gifts that doesn't leave anything behind (except the photos they both take of the three of them eating together, or of the faces he makes when Silver Wolf manages to trick him into trying a suspicious snack while he's distracted with polishing his weapon).
About Kafka spending hours finding clothes and jewelry she thinks would suit him, because that's her love language. She gets him makeup too, refusing to let his good looks go to waste. She knows he can't put it on himself, they both do, and he doesn't care for his appearance enough otherwise - but he'll let her do his makeup for him anyway, because she enjoys it, and because he finds it soothing.
About Silver Wolf also buying him clothes, but the ones she gets aren't his style at all, and just barely his size. She gets them for him, but just so she can steal them right back - her love language is quality time, and she fills Blade's room with gifts she can borrow along with a moment of his day. It still counts as a gift, she insists, practically swimming in an oversized jacket she swiped from his closet.
About how in another life, Yingxing gave gifts to the people he loved and in this one, Blade receives them from those who love him.
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marimeeko · 3 months
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One fear: the BkDk hospital scene is all we get for postwar bkdk content(where it's focused on them)
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st4rstudent · 4 months
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stubborn
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no text ver
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the thing i love about bill cipher is that even after i've learned all of this stuff about him, seen him at the most vulnerable he'll ever get, seen him at his most innocent, i still can't give a flying fuck about trying to justify his actions. yes he's traumatized, yes he was twisted into what we know today, and while it gives a semblance of context to why he did what he did, it doesn't matter. he still ruined ford's life. he still drove and baited multiple humans to suicide. he still tormented every human he saw as his ticket out of the consequences of his own actions. he still took delight in his actions. he was willing to commit genocide for fuck's sake!!! (freezing all of the humans into statues). trying to explain away what he did does not get rid of what he did, but it certainly puts it in perspective. you won't be catching me being a bill apologist any time soon <3
#gravity falls#bill cipher#the book of bill#pleaseeee dont kill me guys#also if anyone tries to twist this and apply it to ford i WILL be setting myself on fire#because like. i've seen many people hate on him because of what he did objectively#but the difference between ford and bill is that ford did not LIKE it. let me break down things ford has done @ stan that ppl dont like:#1: he was the favorite child hands down (not ford's fault. he was a kid. he was shoved into the role by his father)#2: considering leaving stan behind for west coast tec (which we dont even know was his intention. what if he wanted to bring stan with him?#what if he was going to ultimately turn the offer down? what if he went and still kept touch anyway? speaking as a guy who grew up#gifted in a poor neighborhood; college is your TICKET outta there. you'd do anything to do so--BACK ON TRACK)#3: didnt defend stan when he was being kicked out (he thought stan sabotaged his and his fams ticket out of poverty. of COURSE he's pissed!#also he was 17. of COURSE in the moment he wasnt going to take his scrawy ass and stand up to his 6'6 abusive ass of a father. would YOU?#4: told stan to take the journal (ford was on the brink of death and insanity. all he had left was STAN to trust. it also wasnt him saying#to have stan stay away from him forever--it was just to take the JOURNAL somewhere. he NEVER said he COULDNT come back!#do you REALLy think that FORD could have explained all that properly when he has beeen TORTURED FOR WEEKS ON END? I DIDNT THINK SO!#anyways. the point is that everything the fandom uses to villanize ford is in fact a result of circumstances outside of his control#and while you can argue that bill is the same; compare the damage they have done. consider how their trauma impacted them as people.#think about how bill took his trauma out on everyone around him. about how even now he still feels no remorse in that prison.#think about how ford tried to FIX his mistakes. think about how he is human; how he acted in spite of his misery#think about what that fucking triangle did to that six-fingered old man.#....okay! that was a lot. lets hope no one sees this!!
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askblueandviolet · 5 months
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Are you real are any of us real what if we are all characters of a story someone wrote and have no free will what if the story teller sees our pain as character development what if you have no choice but to fall in love
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MASTER POST
Asks Start 💙💜
Previous 💙💜
Next 💙💜
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cutter-kirby · 2 months
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one of my favorite things to come out of the book of bill is all of the bill possessing ford content. like both in canon and in fanworks. bipper did something irrevocable to me back in 2014 but ciphord/bord is such a unique clusterfuck of possession horror and it haunts me.
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KILL!!!!!!!!!
#my post#this is so mean. why did i make this#but also....... the gun is in your hands now#i'll admit that it's my fault for putting the gun in your hand... however i've no say in what you choose to do with it#will you pull the trigger and accept whatever happens from now on? will you give yourself into the role forced upon you?#no one will know anything if you don't say anything. there will be no consequences or repercussions to this choice#but you will know. and you will need to live with that knowledge for the rest of your life#a gun not fired is like an itch not stratched#in the end i have no control over what you do... but free will is a funny thing#the brain is very susceptible to suggestion... everything we see and experience will remain with us in some way#if that's the case then how much control do we really have in our lives? how do we separate what we really want vs what we're told to want?#things like hunger... desire... they're all things the body asks for. but are they things that we truly want?#or are they merely a mechanism built into us for the sake of survival?#everything blends into everything. your past actions will inform your current actions. you're the only one who's ever lived your life#you're the only one who will ever live your life#little variables and experiences we all share... but the order varies greatly from person to person. everything is just a series of events#the way i see the world is different than the way you see it regardless of how similar they are#what choice will you make now? and how does it differ from the choice you would've made a week ago? a month? a year? does it differ at all?#does free will truly exist? i think it does... but not in the way most people think it exists#you and i... we might differ on that thought. or we might not.#regardless of whatever i've been rambling about right now... refusing to make a choice is still a choice you make. life is ironic like that#does one of them really have to go? that's for you to decide now#i've merely chosen to put the gun in your hand. to make you aware of the possibilities#so i hope you realize what power your choices have#dca fandom#daycare attendant#yeah sometimes i just say things that i think are deep but they're really not#i hope the choices i make have an effect on others. even if it's just one person...#if i can make even just one person think about something they wouldn't have normally thought about then isn't that a win?#life is a series of choices... ''it'd be great if you could see a figure of light by the time you die'' ♡
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hi. here's a little over 5k words for the modern human au! entirely unedited, as usual! you'd think this is a full oneshot... ha... no... i actually have some warnings for this one - hospitals, panic attacks, major character injury / discussion of death / clinical description of injury.
in short, my writing comfort zone <3
~
The dial tone plays, and Barnaby looks down at his phone. Call ended stares back at him under Wally’s cheerful profile picture.
“He hung up on me,” Barnaby states. His lips twist and he tosses the phone onto the couch with a snarl of, “That little bastard.”
“Hey now,” Howdy says sharply, frowning at him. “That’s our friend you’re talking about.”
“Like he doesn’t deserve it! All I do is be supportive, understanding, and worry about his damn well being. And then he goes and acts like my very much well-founded concern is an attack!”
Howdy’s frown softens as he watches Barnaby pace, gesturing wildly.
“I love that RV. Maybe not as much as Wally, obviously, but it pains me that it needs to go. And it does need to go! Thing’s becoming a damn deathtrap.” Barnaby pushes his hair back and huffs. He glances at Howdy. “Right? I’m making the right call, here?”
“Of course you are,” Howdy says. “But-”
Barnaby cuts him off. “I tried to be nice about it. I tried to warm him up to the idea of retiring Home, yaknow? And what does he do instead of handling it - he revs up the tin can and runs. Home shouldn’t be started, let alone driven. It’s dangerous.”
It’s extremely dangerous. Wally is skilled at driving it, but no amount of skill will save him if it breaks in the middle of the freeway. What if the engine catches fire? What if a tire pops, or comes loose? Home is old, and wasn’t made to crumple in a crash. Barnaby doesn’t even know if the airbag still works. It’s not safe. 
The thought of Wally bringing Home hurtling down the freeway at ten at night in a - quite honestly - not great mental state turns Barnaby’s stomach. 
“I just wanted him to come back so we could talk about it,” Barnaby says. “I let him keep worming his way out of a serious conversation and now - now he’s -”
“Running away,” Howdy finishes. The point of his pen taps a rhythm against his notepad. 
Barnaby jabs a finger at him. “Exactly. One tough, necessary decision and he turns tail. This isn’t gonna go away if he skips town! Not to mention how he isn’t giving a thought to how this might affect the rest of us.”
“Especially you.”
Barnaby throws his hands up with an indignant look. “Now not only do I have to hunt him down-”
“That would be a we scenario, Barn.”
“But we,” Barnaby concedes, “gotta try to knock some sense into that thick skull ‘a his, and drag him back home - kicking and screaming if we hafta.” 
Howdy’s pen taps faster. “What if he doesn’t want to come back?”
“What if he-” Barnaby stops short and stares at him, wide eyed. 
That’s not. 
That wouldn’t happen, right? Wally would come back in the end. He wouldn’t decide to up and leave entirely, would he? He is in Home… all the essentials he needs are in that RV. Barnaby sits down heavily on Howdy’s threadbare couch. “What if he doesn’t want to come back.”
Wally would have to come back to clear out his studio - he’d never abandon his art. Then they’d have to go through everything inside the house and see what he wants to take, since not all of it is Barnaby’s. A lot of it is shared, so they might have to bargain on who gets what. 
Then they’d all have to watch Wally get into his motorhome and drive away. Possibly for good. 
Barnaby would be alone in that big house with Welcome, knowing that his closest companion is out of his life. Living somewhere else. It's sickening. 
“I’m sure it won’t come to that, Barn,” Howdy says, watching him with furrowed brows and a deep frown - if Barnaby were feeling like himself, he’d crack a joke about him emulating Frank. “I can confidently say that Wally loves you more than that old RV.”
Barnaby snorts. “You sure about that?”
“Unflinchingly. Believe you me, he’s going to wallow for a day or so, and then Home will come rumbling back down your driveway like it never left.”
“I wish I could have your faith,” Barnaby mumbles. He exhales and picks up his phone. No missed calls, no messages. “Maybe if I call him and ask him to just come back, no strings attached, he will.”
“That’s the spirit! Save the talk for another day - tell you what, I’ll help you corrall him so he can’t escape the conversation. I’ll tie him to a chair and bar the door if needed!”
“Good luck with that. Kid’s slippery.” Still, Barnaby hits call again. It rings only a couple of times before a robotic automated message states the caller as unavailable. Barnaby doesn’t enjoy being upset with Wally. However, it feels like his blood is simmering, and the wall is starting to look like great target practice for his phone. He grits his teeth. “He turned off his phone.”
From the corner of his eye he sees Howdy’s eyebrows shoot up as the man turns back to his paperwork. He exhales a controlled breath and writes something down. “I have to say, I’ve never known him to be such a-”
“Pain in the neck?” Barnaby offers.
Howdy clicks his tongue. “You said it, not me.”
“Yeah, well, he’s full of surprises.” Barnaby lets out a frustrated huff. He’s half tempted to run Wally down right now, but he wouldn’t even know where to start. There’s only one freeway out of town, but it goes both ways, and it branches. Wally would have hit one of those branches by now, and who knows which he took. North, south, east, west. Deeper into the woods, or towards the city? To the coast? Somewhere else entirely?
He has to face the facts - there’s nothing to do. He just has to wait until Wally pulls his head out of his ass and realizes how stupid and insensitive he’s being. Those are two words Barnaby would never normally use to describe Wally, but after tonight? They seem fitting. 
Barnaby can’t even muster up guilt for thinking such harsh things. He tried to be nice. He was patient. He’s always kept a lid on it whenever Wally frustrated him, which doesn’t happen often, but it does happen. And what does he get for caring? For being tactful and careful about a shitty situation? 
Avoidance, a shove, and a cut call. Wally left Barnaby’s been left to stew in his own anger and worry. Right now, he’s inclined to lock up that worry in a tiny box in the back of his mind. 
Barnaby pushes himself up with a grumbled, “I’m makin’ some coffee, want some?”
“If you’re offering then I will not decline.”
Barnaby pretends not to feel Howdy’s eyes following him to the apartment’s tiny kitchen. It’s hell to maneuver around in, and the frustration of bumping into something every five seconds only makes Barnaby’s mood worse. By the time the coffee is brewing, he’s ready to punch the cabinets. He won’t, but he wants to. He’d regret it immediately, but he stares at the chipped paint and fantasizes. 
The coffee machine breaks after brewing a whopping single mug. Barnaby stares at it for a long moment, and tallies up the consequences of taking a hammer to it. In the end, he just clenches his fists for a long moment and counts to ten. He takes the mug and sets it in front of Howdy, then goes to the window to brood. Thankfully Howdy is too reabsorbed in his work to notice beyond a mumbled thanks.
For the next hour, Barnaby’s thoughts are entirely composed of Wally. Different scenarios of what might happen next, how Barnaby might handle those situations without shaking Wally for doing something so needlessly reckless, and cruel daydreams of setting Home on fire. Barnaby wants to feel bad about that. He doesn’t. That damn RV has caused two different rifts between Barnaby and Wally - and Barnaby was the one to fix both of them, because both times Wally just left. 
He gets it. He really does - for a time Home was all that Wally had. It’s been with him since Wally was thirteen, and if the thought of retiring it to a dump makes Barnaby sad, he can only imagine how much it distresses Wally. Well, he can do more than make an educated guess. Wally practically told him tonight, if not with words than with actions.
Still. They’re adults - Wally is older than him, if only by a handful of months. When does Barnaby ever ask something of him? When does Barnaby ever push? Why can’t Wally see that Home is becoming a liability, and why won’t he listen? Barnaby can’t make it make sense. 
Wally has always been more inclined to avoid conflict, but this is too far. Barnaby swears, when he tracks Wally down he’s going wring that scrawny little-
His phone is ringing. 
Barnaby lunges for it, relief dousing his anger. He picks it up, ready to give Wally a piece of his mind and then beg him to come back-
“It’s an unknown number,” he says, shoulders slumping. Of course it’s an unknown number. Wally wouldn’t change on a dime and decide to be considerate for once. He exchanges an exasperated look with Howdy and declines. He goes to set the phone down - the number calls back.
“That’s one determined scammer,” Howdy says. He leans back in his chair and holds out a hand. “I’ll deal with ‘em.”
Barnaby is all too happy to hand it over. Let the poor sap on the other end of the line deal with a master swindler. 
“Howdy-hi, how can I help?” Howdy starts with a mischievous grin thrown Barnaby’s way? He leans back in the chair and hums. “Who, may I query, is asking?”
All at once, the ease drains out of Howdy and he stops fidgeting. He sits up, already looking at Barnaby with a paled expression that has something cold slithering down Barnaby’s spine. Something is wrong.
“He’s right here.” Howdy holds out the phone. His throat works uselessly for a moment before he plainly states the obvious, “It’s for you.”
Barnaby takes it, his mouth abruptly dry. Howdy is already up and moving - grabbing his coat, his keys. “Hello?”
“Is this Barnaby Beagle?” a professional feminine voice asks, tinny through the phone.
“B. Beagle, yeah.”
The woman introduces herself as the nearest city’s hospital, and Barnaby’s heart drops through the floor. She asks him to confirm that he’s Wally Darling’s emergency contact. He confirms, his voice sounding distant to his own ears. Howdy takes his arm and gestures to his shoes by the door, spurring Barnaby into motion.
“Is he okay?” Barnaby manages to say. He puts the wrong shoe on the wrong foot and almost curses aloud as he switches it. 
“Mr. Darling was involved in an automobile accident,” is all the hospital employee says. “He was brought in a few minutes ago.”
Barnaby steadies himself against the doorjamb, choking on a whispered, “Oh, god.” 
Keys jingle as Howdy opens the door and pulls Barnaby through, then locks the door behind them.
“But is he okay?” Barnaby asks again as they hurry down the short hallway to the stairs. 
“I’m not at liberty to disclose that information at present.”
It’s bad. It has to be bad if they won’t say anything over the phone. He must be silent for too long, because Howdy takes the phone, tells her they’ll be there soon, and hangs up. He tucks the phone into Barnaby’s pocket before opening the door to the store’s back lot. 
The frigid air slaps the shock out of Barnaby, and sensation comes flooding back in. He grabs the keys out of Howdy’s hand and strides to the car with long, powerful strides that would leave anyone shorter than Howdy in the dust.
“Are you sure-”
“I’m driving,” Barnaby growls, cutting Howdy off.
Howdy makes a disapproving noise, but relents. They get in and Barnaby adjusts his seat with harsh movements, jabs the key into the ignition because Howdy’s car is a dated hunk of junk, and peels out of the parking space before Howdy even has his seatbelt all the way on. 
Howdy clings to the ceiling handle as the car tears down the mostly empty street, going at least ten miles over the speed limit. Barnaby doesn’t know exactly where the hospital is, but he knows how to get to the city. They can figure it out from there. Several people honk as Barnaby brings them flying onto the freeway. 
“Holy Marilyn marmalade!” Howdy screeches as they narrowly avoid side-swiping a minivan. 
Barnaby ignores him and cuts off a pickup to get into the right lane for the interchange. Howdy whispers a string of something high pitched and strained and clings to the handle with both hands. 
It takes him a moment to parse out the constant ramble as, “-pull over pull over pull over pull over-” Two honks and a squeal of tires as Barnaby almost causes an accident, and Howdy yells in a louder and deeper tone than Barnaby has ever heard from him, “PULL OVER!”
Barnaby clenches his jaw and cuts across the carpool lane’s double whites. It only takes a moment to reach the shoulder. Howdy leaps out of the passenger seat as soon as the car stops, marches to Barnaby’s side, and wrenches the door open.
“Out,” he snaps, breathing hard. “Barnaby, I swear to all things priceless, get out. “
Barnaby meets his steely gaze for all of a second before unbuckling and getting out. Cars whip by. Howdy huffs at him and slips into the driver’s seat, muttering about recklessness and disasters and if you would wait to try and kill us until we’re right outside the hospital, if only to save us the ambulance fee-
When Barnaby gets into the passenger seat, Howdy waits for him to buckle in with fingertips drumming on the steering wheel. He merges onto the freeway smoothly and carefully. They go slower than the speed Barnaby had them flying down the asphalt at, and it makes something deeply impatient itch in him, but it’s safer. 
“I know you’re upset,” Howdy says, eyes still fixed on the road, “and I know that you’re scared. But what in hell’s bells was that, Barn?”
Barnaby side eyes him and grimaces, folding his arms. “I don’t know. I’m sorry - I shouldn’t have put you in danger like that.”
“You put yourself in danger too, you know.” Howdy sighs and relaxes his grip on the steering wheel. “We’re of no use to Wally if we get ourselves in a crash. What would he say?”
“Whatever he’d say would be hypocritical,” Barnaby says before he can think better of it.
Howdy glances sharply at him. “What is that supposed to mean?”
“He..” Barnaby’s voice fails on him, and he swallows hard. “He was in an accident.”
Howdy is silent for a full few seconds before he exhales a thin, pained sound. “Oh, Walls…”
He must not know what else to say, which is good and well, because Barnaby doesn’t either. A long few minutes pass of silence. Headlights of passing cars on the other side of the freeway flash over them before plunging back into darkness. The dials on the dash glow. The check engine light is on. They’ll need to get gas in order to make it home. 
“I’m sure it’s not as bad as you’re thinking,” Howdy says. He’s tapping the steering wheel again. “It’s likely just a few scrapes and bruises, at worst a broken bone. Nothing Wally can’t handle, and certainly nothing to be concerned over.”
Barnaby can’t bring himself to agree. Maybe… maybe if Wally was driving slowly… but that wouldn’t matter if someone crashed into him with enough force. Home is a large, sturdy vehicle, but it isn’t invulnerable. Wally certainly isn’t.
Without the distraction of driving, all Barnaby can think about is the what ifs. Yeah, what if he’s only a little bit hurt, but what if it’s worse? All of the worst images Barnaby can think of roll through his mind like a messed up movie reel.
Wally dead on the scene, caught in a hunk of twisted metal. 
Wally, choking on his own blood in an ambulance, dying en route to the hospital.
Wally flatlining on a metal table. 
Wally’s small body covered with a sheet-
“Almost there,” Howdy says, slowing at a stoplight. It bathes them both in red. Barnaby didn’t notice when they got off the freeway. 
Barnaby squeezes his eyes shut and presses his forehead to the cold window. After a moment, a slender hand rests on his thigh and squeezes. It’s such a small, stupid thing, but Barnaby breathes a little easier. 
Despite the drive down the freeway feeling like it took hours, the drive through city streets to the hospital passes in a blink. Before Barnaby knows it the car is spiraling up to an upper floor of the parking garage. The floor is mostly empty - Howdy pulls into a spot right by glass double doors. 
Barnaby gets out a split seconds before Howdy, staring at the pristine white walls just inside the doors. In a moment he’ll find out if it’s not that bad, or if he’s about to have the worst night of his life. He’s been to a hospital twice. The last time was for Howdy, but he went with the knowledge that it was only a precaution. The other time was for Mama’s health scare. 
That had been terrifying. The waiting, the wondering, the too-bright hallways and the staff’s rigid smiles. It ended well, but it had still been horrible, and hospitals took center stage in some of his recurring nightmares. Barnaby never wanted to see another loved one in a hospital bed again.
Looks like he doesn’t have a choice. 
Howdy comes around from the driver’s side and lays a hand on Barnaby’s shoulder. “If you need a moment to-”
“Nah,” Barnaby says, his voice rough. He nods and adjusts his sleeves. “Better rip the bandaid off.”
They go into the sterile maze. The bright overhead lights dazzle Barnaby’s eyes after being in the dim parking garage, and he grimaces at the strong odor of antiseptic and floor polish. Howdy makes a beeline for the nearest receptionist and talks to her in rushed, low tones. 
Barnaby shuffles after him, rubbing his shaking hands together and eyeing every person in scrubs that walks past. Something beeps somewhere. He thinks he hears someone crying. This is a place without color, art, or happiness. 
“This way,” Howdy says, walking past him and tilting his head at the elevator. Barnaby follows, feeling like a lost puppy dropped at the side of the road. 
A nurse gets into the elevator with them and politely smiles before staring at the floor counter and pretending they don’t exist. It’s fine with Barnaby. If he has to make small talk right now, he might actually snap. The man’s pink scrubs are almost an eyesore in the harsh lighting. 
The elevator dings, and they all get out on the same floor. Howdy reads door plaques and wall signs like a hawk, his head turning on a swivel as he reads everything at lightning speed. Barnaby nearly has to jog to keep up with his hurried pace. 
Howdy changes direction without warning and heads straight for a door at the end of a short offshoot hallway. Barnaby reads the sign next to the door.
[can’t remember if it’s icu or the other thing, research later]
It’s bad.
The waiting room is small - longer than it is wide, and there’s a woman sleeping in a chair in the corner. It looks nicer than the emergency room, or where Barnaby waited to see his mama. The benches have colorful cushions, and the walls are a pastel green instead of white. There’s an abstract geometric painting on the wall next to the woman. 
Barnaby slowly takes a seat on stiff cushions, watching Howdy talk to the receptionist from afar. He nods and pats the counter before joining Barnaby. He sits close enough that their legs press together.
“Someone will get us up to speed as soon as there’s news,” Howdy says. “I tried to pry some more out of him, but he wouldn’t give up another word.”
Barnaby nods, staring down at his hands. His nail polish is already chipping, despite Julie painting them only last weekend. Barnaby picks at the bright red on his pinkie until Howdy pulls his hand away and enfolds it in both of his own. 
When Howdy takes a deep breath, Barnaby finds himself mimicking him. Their gazes meet - Howdy’s is unflinching, and steady. He smiles and runs his thumb over Barnaby’s knuckles, soothing the nervous trembling, and Barnaby is struck by how darn grateful he is to have Howdy with him. 
If he had to do all of this alone… Barnaby doesn’t think he could. Either he’d have gotten himself into a crash to join Wally, or he would still be sitting in his car, staring at the hospital doors. He doesn’t have the courage. But Howdy does, and Barnaby loves him for it. 
For once, Howdy lets the time pass in silence, though after a long stretch of indeterminable time he gets up to pace. The bench cushions are high quality, but they start to feel uncomfortable. Barnaby doesn’t dare go for a walk. At least they’re not the usual waiting room chairs - he’d rather stand than try to fit into those plastic, narrow things. 
At some point the woman in the corner wakes up. She startles seeing two strangers in the room with her, but quickly ignores them. Barely a few minutes pass before she leaves, mumbling something about coffee. She doesn’t come back. Barnaby spends a while wondering why - did she go home, or wait somewhere else, or did she receive news in the halls?
Howdy sits down again and starts typing furiously on his phone. When Barnaby gives him a curious nudge, he quietly explains that he’s texting the group chat. Barnaby feels a twinge of guilt at that. He completely forgot to let everyone know that there’s a… situation. Who knows if any of them will see it until morning. 
Message sent, Howdy gets up to pace some more. His rhythmic gait gives Barnaby something to focus on, seeing as the clock on the wall is silent, and the receptionist seems to be sleeping. Barnaby could probably pass time on his own phone, but every second spent distracted is a second he might miss someone coming to tell them…
What? Tell them what, exactly? That Wally is okay? That he can receive visitors? 
That he didn’t make it?
The door opens, startling Barnaby to his feet. Howdy scurries over from the far side of the room and rests a steadying hand on Barnaby’s lower back. A woman clad in blue scrubs enters, reading something on a clipboard. There are shadows under her eyes, and she looks beyond exhausted. Barnaby can sympathize.
“Mr. Beagle?” the doctor asks, looking between them. When Barnaby nods, she smiles thinly, gaze flicking briefly to Howdy. “Hi. I’m Dr. Allen. Before I disclose any sensitive information, I’d like to confirm what your relation to the patient is.”
The question gives Barnaby pause. He’s always had a difficult time putting his and Wally’s relationship into simple terms, because it’s anything but. Wally is his best friend, his dearest companion, the man he lives with and can’t imagine being without. 
“He’s my partner,” Barnaby settles on, because it’s a good umbrella term. Partner can mean a lot of things, and people don’t usually pry for specifics. “We’re as good as family.”
Dr. Allen writes something down on her clipboard. “No worries, I’m not going to kick you out if you’re not - you’re his emergency contact for a reason, after all. It’s just basic information that I’d like to have on hand.”
“Course - so how is he?” Barnaby cuts straight to the chase. He’s not in the mood for niceties. 
“Well, Mr. Darling is certainly giving us a run for our money,” Allen sighs. “He’s not out of the woods yet, but I believe he’s gotten through the worst of it.”
“He’ll make it?”
Allen offers another tight lipped smile. “We’re doing our best.”
Barnaby has seen enough hospital dramas to know that we’re doing our best means no promises, prepare for the worst. Howdy must feel the tension gripping him like a vice, because his hand slips from Barnaby’s back to his hand. 
“What are his injuries, if I may?” Howdy asks. 
“I’m not sure-”
“Please. We’d rather know than wonder.” 
Allen looks between them and sighs again. She flips a page on her clipboard. “Unfortunately, there was a bit of time between the crash and when emergency services were called. Between blood loss and the near-freezing temperatures, Mr. Darling developed mild hypothermia.”
Wally was dying, cold and alone in the wreckage of his home for who knows how long before anyone came to help. Barnaby sways in place, and Howdy helps him sit down on a bench instead of the floor. Allen looks apprehensive.
“Keep going,” Barnaby rasps. He needs to know.
Allen doesn’t look happy about it, but she continues. “Mr. Darling also suffered several low-grade lacerations from shrapnel, some fractured ribs, a compound fracture in his left tibia, and currently unidentified damage to his right hand and lower arm.”
Barnaby swallows a mournful sound. That’s fine, it’s fine. Broken bones heal - Wally will be painting again in no time. 
“He also developed an intracranial hematoma. It’s been treated, but we won’t know the extent of the damage until Mr. Darling wakes up.”
“What is that?” Howdy asks before Barnaby can figure out how to speak again. “Intracranial hematoma - tell me if I’m wrong, but that sounds like a head injury.”
“It is - in layman’s terms, it’s a brain bleed. Head trauma can cause bleeding inside the skull, which puts pressure on the brain. We caught it as quickly as feasibly possible, which should raise his chance of a full recovery.” Allen flips the clipped page back into place. “There may still be lesser complications and injuries we haven’t been able to diagnose or address yet. I’ll be forward with you - this is one of the worst crash cases I’ve seen in some time. Mr. Darling was lucky to be found alive.”
Allen goes on to offer platitudes that Wally is a fighter, and easily answers the flood of questions Howdy has about the mentioned injuries. It all sounds distant. Underwater. The room is too small and the air is stale - are the vents working? Is there a window they can open?
In a blink - and yet the conversation lasts ages - Allen promises to come back with more information as soon as she has it. She smiles one last time and leaves. 
“Barn?” Howdy sounds muffled. “Barn, are you alright?”
What kind of question is that? Of course Barnaby isn’t alright - his best friend is dying, likely on this very floor. There’s a chance he’s already dead. Barnaby might have already lost him, he just doesn’t know it yet. 
Mr. Darling was lucky to be found alive. 
One of the worst crash cases I’ve seen in some time. 
Mild hypothermia - brain bleed - lacerations - fractures.
Lesser complications and injuries we haven’t been able to diagnose or address yet.
We’re doing our best.
“He hung up on me, the little bastard-”
Barnaby is up and out the door before he registers moving. He staggers down the hallways in a blur, everything swirling together into a mess of sight and sound as his lungs struggle to get a full breath. He bypasses the elevator and takes the stairs down to the level they parked on. 
The cold air does nothing to help him breathe. Barnaby chokes on it as he leans against the rough wall grasping at his chest. Howdy is there immediately - he must have been on Barnaby’s heels the whole time. 
“Talk to me, Barn,” Howdy pleads, a hand on the back of his neck and the other over the one Barnaby has on his chest. “What is it - you’re not having a heart attack, are you? Tell me you aren’t, I can’t handle that right now.”
Barnaby doesn’t know. Maybe? He feels like he is. He can’t breathe. He tries to say so, but the ragged gasps his breathing has devolved into doesn’t allow it. Howdy must know something he doesn’t, because he doesn’t run to get a doctor.
“How can I help?” he asks instead.
“Don’t - don’t - know,” Barnaby wheezes. 
“Okay, alright, don’t worry, Barn, I’m here, I’m not going anywhere. Let’s try, ah - what were the steps? I didn’t exactly write them down, though in hindsight I should’ve - that’s not the point! It was… what a time to take after Eddie’s memory-”
It shouldn’t be helping, but Howdy’s constant stream of words grabs Barnaby’s attention. He manages to inhale nearly a full breath before it stutters back out and he’s struggling again.
“Breathing!” Howdy says. “Yes, that was it - Barnaby, I need you to focus on me. Copy my breathing.”
He sucks in a slow, dramatic breath through his nose and exhales just as slowly through his mouth. Barnaby catches on and tries to mimic him, but-
“Can’t, I ca-an’t,” Barnaby says. His chest hurts. 
Howdy presses their foreheads together. “Yes, you can. Come now, Barn, in… out. Simplest thing in the world.”
It doesn’t feel simple, but Barnaby tries. It feels like forever before he manages a full inhale. He butchers the exhale, but Howdy praises the minor win before launching right back into measured breathing. 
Barnaby finally manages a slow inhale and exhale, and suddenly it feels like the pressure filling his chest has vanished. He slumps against the wall, worn out. He puts his hand over Howdy’s mouth in the middle of another dramatic demonstration.
“You’re alright now?” Howdy says, peeling his hand off. Barnaby nods, and Howdy leans next to him with a whoosh. “Thank the stock market - I was starting to get light headed.”
It takes another few minutes for them to catch their breath. Barnaby straightens enough to rest his head on Howdy’s shoulder, breathing in his cheap cologne and homemade laundry detergent. Howdy cups the back of his neck and massages the tense muscle there. 
“This will all turn out okay,” Howdy promises. “Wally is stubborn - I think we both know that well enough. By this time tomorrow we’ll be moving forward.”
Barnaby wants to be that optimistic, but this is real life. For all they know, moving forward means making funeral arrangements. His breathing stutters and he forces it to even out before he can start hyperventilating again. 
A car pulls into a parking space with a gravelly sound. Barnaby pays it no mind until Howdy makes a surprised noise - Barnaby looks up, and his stomach churns.
Frank, Eddie, and Julie are all getting out of Frank’s car. They’re all in various states of dishevelment. Frank’s hair is a mess, and he has what looks like Eddie’s company jacket thrown on over his pajamas. Eddie is in little more than a shirt that says male? lol, more like mail! and boxers - he’s even wearing slippers instead of shoes, and his hair flops over his forehead in soft tufts. Julie’s hair is still in curlers, and though she’s wearing shoes, she’s in a too-long shirt over sweats that don’t belong to her. They’re paint-stained. 
They rush across the parking lot, all worried faces and tired eyes. They’re already asking what happened, is Wally okay, Sally is getting Poppy, they should be here soon, has there been any news-
Barnaby lunges at the nearest trash can and vomits.
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odessastone · 9 months
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My favorite part of writing Lifeweaver is playing up his usual silly goofy funney guy act, then throwing in a “his family hasn’t talked to him in 10 years” or “every day he grapples with the knowledge that he could be killed at any moment and his creation used to usher in an ecological dystopia the likes of which we’ve never seen before”
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bacchuschucklefuck · 2 months
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Just found your class swap au and I have absolutely fallen in love! I'd love to hear basically everything about it! Especially like what subclasses they might be!
Also the art is so so so good!!! They're all so expressive!!! Ahhhhh!!! I'm just here screaming as I look at they over and over again!!!
thank you I'm glad ur enjoying ur time here! we don't got everything in place yet (bc that requires like, writing lol) but I do have some ideas of subclasses if that's what ur looking for here. riz I'm thinking college of whispers -> college of lore, gorgug's domain of peace -> domain of twilight, fabian I think starts out as phantom rogue and then swashbuckling rogue + some levels in ranger? kristen I think starts out with wild magic idk if she'd move away from that. maybe lunar sorcery? fig is currently either path of the giant or totem warrior but I imagine she will also pick up at least two more classes (paladin definitely one of them which lol. lmao). adaine I'm thinking battlesmith -> armorer + some levels in fighter. that's about it for now
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