#i can relate and that’s why i wish to explore it

[phoenixkaptain]

I think it’s interesting the scenes that they chose to mirror from the original trilogy.

I think it’s interesting how many of those scenes go from being Luke and Darth Vader to Padme and Anakin.

The idea of it is clear. Padme was the reason Anakin ultimately joined the Dark Side, but she was also the only thing keeping him from falling completely. Luke plays a similar role, in that he is the thing that draws Vader out of the Dark Side. The role Padme played, albeit differently.

An example of this is Vader asking Luke to kill Palpatine with him and rule the galaxy by his side. Anakin does the same with Padme, on Mustafar, where he tells her that they can kill Palpatine and rule the galaxy together.

Luke and Padme actually react to this offer rather similarly, if you think about it. Luke just found out the Darth Vader is his father and he’s scared and he doesn’t know what’s going on. Padme just found out that her husband is Darth Vader and she’s scared and she doesn’t know what’s going on. They both refuse, of course, but the mirroring is still there, and I like it a lot.

Of course there’s the mirroring in which Padme believes that Anakin is good even on her deathbed, and Luke believes that Darth Vader is still good even while Darth Vader is being very convincingly not good. Padme’s faith in him kept Anakin grounded until Obi-Wan snuck onto her ship and showed up at the least good time ever. Luke’s faith in Anakin is what ultimately led to Anakin fulfilling his destiny and destroying the Sith. It’s nice.

But, there’s also a mirror of the scene where Palpatine is using Force Lightning on Luke. He uses it on Mace Windu, and Palpatine is in Luke’s role of being hurt, but it differs a lot. Palpatine complains a lot and keeps mentioning how old and frail he is. Luke just kind of asks for help. And there’s Vader and Anakin, watching this happen and torn in both scenarios until he snaps.

It’s interesting that they mirrored this scene in this way. It’s a good way of showing that Anakin views Mace Windu and the Jedi as the villains, the same way he later views Palpatine in the same position. And both scenes end in Anakin betraying someone. Betraying the Jedi, then betraying the Sith. It’s fascinating, the visual storytelling here. In my opinion.

Of course, Luke mostly mirrors Anakin, but I appreciate that he mirrors Padme as well. Leia is the same way. Neither of them copies one parent entirely, they act as a mix of both, which is more realistic and more interesting. It’s fun to see how Luke and Leia are similar to their parents.

Apart of the mirroring that’s interesting to me is the loneliness. Anakin is surrounded by Jedi, but feels entirely alone. Luke is entirely alone and is, when you think about it, the entirety of the Jedi and therefore surrounded by it (go with it). The way their loneliness mirrors each other is interesting, because Luke seems to get stronger from it. Anakin gets nervous and fearful and doesn’t trust anyone, but Luke just seems to be calm.

And that’s really the difference between Luke and Anakin, isn’t it? Anakin reacts by lashing out, while Luke mostly reacts by remaining calm.

When Anakin finds out his mom died, he killed an entire camp. When Luke found out Owen and Beru died, he just went quiet. Luke reacts to sadness more like Padme, where he gets quiet instead of angry, and I like that a lot.

Anyway, long story short, I love narrative mirroring and I love parents and children being similar and I love Luke Skywalker. Not in that order.

[sfaghetti]

for me every shipp in nana relates back to nanahachi. NobuHachi? he was a way for Nana and Hachi to be w each other without Nana committing to the relationship fully. Takumi? Hachi dated him to be closer to Nana + self harm + get rid of her sexual thoughts of Nana. NanaRen? he supported Nana's love for Hachi and used it in their relationship

[jonnywaistcoat]

What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?

And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?

This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.

My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.

Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.

And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.

And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.

I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.

As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.

Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.

So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.

Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.

[marvelouslizzie]

Same Lonely Night

summary: Your roommate Bucky Barnes hears you pleasure yourself and moan something he never thought he would be into. That forces him to face his feelings for you.

pairing: Bucky Barnes x Female Reader

word count: 2.6K

warnings: 18+, masturbation, fantasies, daddy kink, no mention of y/n

A/N: This is the second part of A Lonely Night. This time we are seeing Bucky's POV and what comes next. You don't have to read that part to understand what's going on but if you want to, you can find it on my blog/masterlist. I planned this as a 3-part story and I hope I'll maintain my inspiration and motivation to write the last part. Wish me luck!

Thank you so much @notafunkiller for beta-reading and editing. You are the best!

All work is mine, please do not repost or translate without my permission.

Read more tag starts after the second paragraph of the story.

Bucky’s head is resting on the shower wall while the water is running down. His flesh hand is still wrapped around his cock, but he doesn’t move it. Taking a couple of deep breaths, he’s trying to calm himself down. 

He really had no intention to listen to you. He was just watching the news mindlessly, but his enhanced hearing turned into a curse the moment he heard you taking a sharp breath. He couldn’t help but focus on the noises you made. That’s when he started to hear the way you were touching yourself. Every stroke, every rub, every muffled moan… 

He knew what you were doing was private and he had no right listening to it, but he couldn’t stop. He just couldn’t. How could he? You were so needy and subby. Even in your fantasy, you were begging. He wondered what you were imagining. Who were you begging? Your crush? Maybe you have been seeing someone.

That thought had never occurred to him before. You were always in your element, working, chilling at home, doing whatever you enjoyed in your spare time, and occasionally going out with your friends. You never brought someone home. Not yet at least. So he never questioned if you were seeing someone or not. Even if there was someone, he wouldn’t know, and that thought suddenly hurts him.

“Oh fuck, oh fuck.” Your moans bring him back to reality. If you are seeing someone why are you so needy? Are you just that greedy or has it been that long? He’s certainly hoping for the latter. That’s something he can relate to, and it's probably been much longer for him. That’s why he can’t stop listening. That’s why his cock is painfully hard. Normally he would just remove himself from the house, and give you some space instead of creeping like this.

“Oh please, fuck me.” He would do anything to be able to do that. Anything. Just to be in that room with you, taking his time exploring your body and satisfying your needs. Even just the thought of it drives him crazy. “Fuck me, daddy, please.” 

That surprises him on so many levels. He never thought you would be into that. You look pretty innocent. He wouldn’t assume you would have such dirty fantasies. Fucking an old man… Are you into older men or is it just a little fantasy you are playing? Maybe you are seeing someone old. Maybe that’s why your mind goes there. He doesn’t know. He has no idea what’s going on in your private life, and every word that comes out of your mouth confuses him even more. It creates more problems, but the biggest one is, when he heard daddy, his dick twitched with excitement. So it makes him question himself, too. Is he into younger women or is it because you were the one saying it? The latter somehow seems more likely. Yet all of that doesn’t change the fact that he’s listening to you and getting hard just because of it. 

“Yes, yes, yes. Right there.” He hears how your head falls onto the pillow while your whole body is shaking, and how much you are enjoying it. He knows this is his cue. He should just remove himself from the living room so he won’t get caught with a hard-on. He doesn’t miss a beat. Quickly, he turns the TV off and runs to the bathroom. 

That’s how he ended up here, head pressed against the cold shower tiles, thinking about the way you said daddy over and over again. He is trying really hard not to give in, but his cock is aching with need. A part of him thinks he should just give in. It’s not such a big deal. Everyone masturbates. You just did. Three fucking times! That thought makes him groan. If you can come three times just by masturbating,how many times could he make you come? 

So it’s not even a conscious decision when he starts to stroke himself when he starts thinking about making you come. He can’t stop himself from imagining how you would look under him or on top of him. It doesn’t matter which position. He just wants to feel you. Your moans are echoing in his head while he caresses the top of cock. Just one stroke and it makes him tremble. He can’t remember the last time he felt this turned on. He can’t remember the last time his whole body heated up like this, just at the thought of someone. But you aren’t just anybody. You are you.

Maybe it’s because it has been ages since he had sex. Perhaps it’s because of his growing crush on you. He tried to control those feelings, thinking he was too old for you. He thought you would never look in his direction. Why would you? You are intelligent, beautiful and so cute. Like all these qualities aren’t enough, you are always so thoughtful. You always ask if he wants your leftovers, or if he needs help with anything. He knows he wakes you up at night sometimes. His nightmares are loud, but you never complained. Not once. You always let him watch the news even though you would rather watch something else. You even lent some books to him. They were in such good condition he couldn't believe his eyes. It was like reading a brand-new book. So yeah, he really tried to act like it was nothing but a silly crush, but after hearing the way you moan daddy he can’t stop himself anymore. It was as if you awakened something inside him.

He doesn’t know what to do. Should he take his time or just get over with it? He keeps his fingers loose, stroking himself up and down slowly while his head still rests on the tiles. Even with minimal effort, it feels so good. He gently cups his balls, massaging them and imagining you are the one doing it. You are the one touching the most intimate parts of his body. You are the one ready to satisfy his growing need.

“Oh fuck.” A moan escapes his lips. The shower is running and you don’t have a super hearing like him, so he knows he’s safe. Still, it feels like it’s something he shouldn’t be doing. He shouldn’t be touching himself. He shouldn’t be moaning like this, yet you are so beautiful and needy… He already wanted you before hearing how you sound in bed, but now he wants you even more. He wants to be the one to bring you pleasure. He wants to be the one that satisfies all your needs so much that you would never need to touch yourself. Unless it’s to tease him.

He’s feeling guilty. So fucking guilty, but there’s no way he could stop now. Imagining you does something to him. There’s this primal need in his abdomen, building up.

His fingers tighten around his cock, moving faster than before, and he presses his lips together, trying not to make a sound. He keeps rubbing on that one sensitive part of his cock and finally, he starts coming with a choke. He keeps stroking himself, thinking it will be over soon, but it doesn’t end. There’s so much come that it surprises him. His hands continue pumping and his come paints the bathroom tiles immediately. He takes a deep breath when he’s done, trying to collect himself.

It feels like his head is spinning. He had been masturbating for quite some time, but he doesn’t remember the last time it felt this good. He opens his eyes, trying to ground himself, and all that shame he feels comes rushing in while looking at the mess he made. He groans loudly and then reaches for the showerhead. It doesn’t take long for him to clean the shower and then himself with the thought of you is still on the back of his mind. He is soaping himself, scrubbing, and then rinsing while trying to convince himself that it isn’t a big deal. It’s just masturbation. It’s normal.

Of course, he knows how normal it is. It’s like breathing, eating, or drinking water. His body needs it so he gave in, but listening to you and touching himself while thinking about you… That’s where he crossed the line. He knows it, yet he can’t bring himself to wish he never heard you. He might be a creep or a pervert, it doesn’t matter. Your voice, the way you sound while coming, and the way you touch yourself are stacked in his memory forever. It’s something no one can take away from him.

Sighing, he steps out of the shower. Drying himself doesn’t take too long. When he steps into the living room, all that welcomes him is silence. You are still in your bedroom, God knows doing what. The TV is off, and nothing seems to have moved since he ran to the bathroom. So he’s safe. You haven’t heard or suspected anything.

Quietly, he goes back to his room, finds something to put on and just looks in the mirror. Is he really too old for you or is that all in his mind? He doesn’t look older than 35, but that doesn’t change when he was born.

What if you are into that, though? What if you really like older guys? That would change everything, wouldn’t it? You would like that he’s older than you. Maybe you would even call him daddy, just like you did in your fantasy. That thought makes the blood rush back to his cock, making him feel the arousal running through his veins once again. Like he didn’t masturbate in the shower a couple of minutes ago. 

He knows his anatomy by now. He knows he’s able to get hard again pretty quickly thanks to the super soldier serum, but he hasn’t been this horny for a long time. Especially not because of the thought of someone, but the thought of you calling him daddy… 

Jesus… It makes him so hard!

Sighing, he drops his whole weight on the bed and closes his eyes, fighting the urge to touch himself again. It’s for the best if he stops thinking about you and focuses on something else, isn’t it? He tries to think of something, anything that could take his mind off of you, but nothing, absolutely nothing is more interesting. Nothing he tries to focus on lasts. His mind goes running back to you, imagining how you would look the moment he would push himself inside you. How your mouth would open, how you would throw your head back, and how wonderful it would feel.

That thought does it. It breaks his resistance. All the effort he put into not touching himself again goes out of the window, especially once he imagines you saying “Harder, please, daddy, I need it harder.” His hand goes under his boxers, slowly toying with his cock. It feels like he didn’t touch himself today, and the need is even stronger now. After a couple of strokes, he realizes he can’t move his hand properly like this, so he pushes down his shorts and boxers at the same, creating some space for movement. 

He looks down at his cock, already oozing with precum. His flesh hand moves on top of the head and smears it all the way down, making it easier for him to play with himself. He sets a steady rhythm, testing what feels right, but his precum isn’t enough to make it enjoyable. That’s when he reaches for his nightstand and takes out the bottle of lube. His metal hand works fast, opening the bottle and putting a generous amount on hisnhand, before he puts it back and starts to touch himself. 

Now it feels much better. His hand works seamlessly from the top to the bottom, repeating the same movement a couple of times. He tries to get lost in his fantasies but something feels off. He isn’t sure what it is because what he’s doing is enjoyable. Something is not enough. Maybe he should work faster. So that’s what he tries. His hand starts to move faster on his cock, but that’s not helping. 

He’s pretty sure this is what his body wants especially because he’s still rock hard. Should he be more gentle and take his sweet time? That doesn’t seem to work, either. Does he need a tighter grip? Maybe, but he can’t do more with his flesh hand. He glances at his metal hand for the first time since he started. He never used it to pleasure himself before. The flesh looked and seemed more appealing than metal, yet right now it’s not enough.

There’s a first time for everything.

He reaches for the lube once again. This time he uses his flesh hand and pours some on his metal one as he tries to convince himself that this is not a bad idea.

He goes right back into touching himself, just with his metal hand this time. It feels different, really different, and surprisingly okay. It doesn’t feel as warm. The texture is completely different yet it somehow works. His fingers start to work faster, his thumb brushing over the head and, thanks to the lube, it starts to feel much better than he ever expected. His reluctance slowly fades away and he decides to test how fast he can move his metal hand and how much his cock can actually take it. As he paces up, pleasure starts to build so unexpectedly. He takes a deep breath but keeps moving his hand. His head is now thrown back while with the flesh hand, he cups his balls, gently massaging them.

“Oh god…”

He doesn’t realize that he's just said that out loud. He just keeps working on himself, letting his whole body relax under that pleasure. He really didn’t intend to focus on you this time, but here you are again, in his mind. The image of you on top of him… You with all your charm and cuteness, touching him, making him feel this good while he takes your nipples into his mouth and sucks them until you can’t take it anymore. It drives you crazy, so you beg him to fuck you. Just like you begged while touching yourself.

“Please, please, please… I really need it, please…”

He can hear it so clearly like you are here and really begging him. There’s nothing he wouldn’t do to make that really happen.

“Anything you want, doll.”

His fingers move like they have a mind of their own. He knows he should slow down a little, make this one last a bit longer because it feels amazing, but his metal hand isn’t listening to him.

“Oh fuck, fuck.” 

He knows he’s about to come. He can feel it. It’s right there, just a few strokes away. He loses his damn mind imagining you under him, split open, and getting railed by him. God, that would feel so fucking good! You looking at him with those big beautiful eyes and begging him for more… Then your name slips out of his lips like it’s the most natural thing to say at that moment. 

Right when he’s about to come, a loud noise comes from the living room. Like something has just got shattered into pieces. His eyes fly open. He grabs his shorts and puts them on quickly, tucking his freaking erection away, and opens his door to see you standing there with an oversized T-shirt on. The glass you were probably holding is on the ground, but you don’t seem to care about that. You are looking at him with wide eyes and an open mouth.

Shit! She heard me.

[terrythemerry]

I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.

So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.

(Spoilers below)

King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.

When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.

It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.

However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.

This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.

When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.

Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.

After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.

Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.

When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.

His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.

Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.

The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.

Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.

Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.

Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.

I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.

Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.

[lost-on-an-ocean-of-books]

Calling all fanfiction Readers it's time to have your say.

Hi Fanfiction Readers

My name is Tamsin and I am a PhD student, fellow lurker and fanfiction reader. I am conducting a study into the role that fanfiction plays in the lives of those fans who read fanfiction as part of their everyday lives. Does your search history include the tags related to found family, irondad or batbad for example, then I am interested in talking to you. If you would like to take part in discussions around these tags with a fellow reader and lurkers of these tags within A03 please message me. 

Taking part in this research is a chance for you to share your own experience of fanfiction and what it means to you, while also highlighting that lurkers do still have a voice and an important part to play within fandom research. 

Below the cut is more information about this study and what it involves. Please read this if you would like more information before getting in touch. If you are unable to take part please can you reblog this post or share it to anyone you feel might wish to take part. 

Why have I been chosen?

I have deliberately chosen lurkers within fanfiction communities as the messages they take from and their reasons for reading fanfiction are under researched. Although you may not be a lurker in all fandoms you are involved in, the fact that you are a lurker within any fanfiction spaces make you the ideal candidate from this exploration into lurkers and their relationships with fanfiction, fanfictions online spaces and fandom communities. 

I would also like to emphasise that I require all participants to be over the age of 18 to take part in this study. If you are under 18 please let me know now. 

What does taking part mean?

By agreeing to take part in this study you are agreeing to record a diary of your fanfiction use and reasons for this usage within a discord chat. There is no limit for entries and I ask that the minimum response is once every two weeks. However, this project is aiming to work around your life and commitments and if you do miss a couple of weeks do not panic. Just start sending entries or replying to prompts again when you are able to. If I have not heard from you in a month I will send a message which will read:

Hi. I hope you are doing well. I am just sending a message to check in and to double check if you wish to continue taking part in the study. If you are happy to still take part please send any form of response to this message. 

It is important to note that this response can be as limited as simply sending an emoji. If I do not receive a response after two weeks I will stop attempting to contact you. However this is not seen as a full withdrawal from the study and you are able to return at any time. I will also still use the discussions we have already had as part of my thesis. If you would like to withdraw fully from the study please let me or my supervisors know, with the process of how to do this explained below. 

These entries can take the form of voice notes, written responses and memes or tiktoks. Every two weeks I shall send a prompt to the chat that hosts the diary entries, these are intended to get you thinking about certain topics and do not have to be answered directly or even at all if the questions make you uncomfortable or touch on something you are unwilling to share. At the end of every month I will arrange a touch base interview (over google meet) which will last about an hour. This will be a chance to discuss anything that you find easier to discuss face to face, to review some of your diary entries and for me to answer any question you may have. While I will aim to have these interviews a month apart I do understand that life may get in the way. I am more than happy to be flexible and move interviews around or push them back/bring them forward depending on your schedules. 

[st-hedge]

I said a while ago that for totk’s one anniversary I would write a weird little review of the game in which I throw roses at it while simultaneously slandering it. So I made an attempt which is very abbreviated

Disclaimer: I’m not telling u how u should feel about totk or what’s the right way to feel about it, I’m just trying to make sense of why the game frustrates me and putting it into words. It’s completely fine if u disagree with me, I’m not pitching an argument but just putting words on paper

Totk is one of the best games I’ve ever had the opportunity to play. The mechanics, the music, the designs, the revised world of hyrule, makes me want to curl up on the floor and cry. It is stunning and done with so much love. Where botw had lacked, totk has improved and gone above and beyond. It had frustrated me that botw only allowed us to explore the ground surface, but botw was an exploration into open world games which allowed for totk to happen. The caves, the boats, the islands, and the depths add so much to already such a vast world. I only wish there was also diving but beggars can’t be choosers beh

Although it still doesn’t make too much sense to me why all weapons are suddenly corrupted, I do love the new weapons system. I love how it gives more variety to explore. Materials which previously sat unused in the inventory are now key and nothing feels like a waste to collect. Even rupees have found another use. I’m not the biggest fan of the zonai devices but the addition feels like a love letter to the creativity of the fan base and it feels at place. They help to traverse an otherwise huge and intimidating world. But at times I feel like they give too much leverage and break down too many boundaries and leave little to solve and explore. What im basically saying is fuck the rockets.

I feel that totk doesn’t have enough progress boundaries that make u pause and explore what u have at hand. I found myself just pushing and pushing, forgetting and leaving behind areas I barely touched. It felt too easy getting into the sky and returning to the islands and they lost some of their mystery to me. I think this would have been a great opportunity to reintroduce the loftwings from skyward sword. I’ve talked before about how much this would make sense for totk. The loftwings could be a means to cross boundaries and explore new territories, but it takes time to catch and tame one as a companion. But like horses they should have their limits, presenting new boundaries u need to overcome again

Where the totk’s hyrule begins to confuse and disappoint me goes hand in hand with my main issue (confusion?) with the game. Although botw felt incomplete (the world was a little sparse and one dimensional), the story was comprehensive and clear. Meanwhile, totk has a complete and lively world but it doesn’t have a story to carry

Totk’s story doesn’t have an identity I can grasp and understand. It’s like it doesn’t know what it wants to tell the player, what story it wants to direct them to. On one hand, it seems to want us to know about the origins of hyrule and the mysterious landmarks and characters that are permanent fixtures in this world (castle, ruins, dragons) but at the same time it suddenly wants to do a retelling of OoT and about the sages and these secret stones. But the game never completes any of these stories. Maybe it wants to tell us these stories through the environment, but there is just not enough embedded into the world to grasp and tie together into a narrative. Which is ironic considering how big the world is

We begin to be told the story of the dragons, we suddenly understand how they came to be (the secret stones). But we are never told about the events of their creation (an act of desperation, like Zelda’s) and we are never close to understanding them. Then we are told about the sages, but meeting them tells us nothing new. No new cutscenes, no new items or lore directly related to them. The new sages are found, but didn’t we just discover the divine beasts with them? Suddenly another layer of importance is added to them which makes the ties between legacy and the current sages muddier. I wish there had been focus on them creating their own legacy instead

I think totk could’ve had a very interesting story to tell if it chose what it wants to focus on. Maybe the secret stones were introduced just as a way for Zelda to become a dragon? I dunno

There are so many new places that feel like fantastic opportunities for moments of pause and to uncover lore, unearth memories. But instead they’re brisk puzzles or empty sites. Like the graveyard underneath the desert, the forge islands, the factories, and the fucking poe statues. Tell me as much as u want that I can’t read environmental story telling, but I’ll just keep saying there’s nothing to read into cuz the game doesn’t know what it wants to say. There’s no thread to follow in the way there was with, for example, the graveyard at the spirit temple in OoT. We could’ve been just left with a strange well and a graveyard and told to figure it out, but a thread is laid down that these are the skeletons in the royal family’s closet.

Totk does have amazing moments, like Zelda meeting her ancestors and giving up her identity to become a living legend to revive the master sword, the discovery of the ancient temples, the story of the zonai and their origins. But these are just pieces with many loose ends around them that go nowhere. Even Ganon is left as a loose end where there was so much opportunity to say something worth saying. He seems comically evil with bogstandard bah I want to rule the world lines. If u want to make a case for evil for the sake of evil, u can at least show me a character repeatedly making horrible choices which lead them to the current predicament. Just like totk’s hyrule, he is lovingly designed but he tells absolutely no story

If the reason behind the lack of story is that the devs/writers wanted us to make our own story out of this, then I think this is a case where it was a poor choice. The fans can make theories, hcs, pick up pieces and make AUs, but we also love the stories told by the games and it’s what inspires us to uncover more stories (hey wanna talk about tp and why we hear Malon’s song at night, or what’s up with the empty desert)

I’d love to see totk from the perspective of someone who had never played or known botw. Did it really help to remove any traces of sheikah tech besides the labs and the guardian limbs in the towers. Although the zonai devices and the sheikah tech are from different time periods, totk was a perfect opportunity to marry the two elements together. The shrines and the divine beasts could’ve collapsed into the depths, but instead they have just vanished like erased history

Totk’s story doesn’t have an identity in the same way botw’s does. Even though botw’s hyrule was much smaller and emptier, we found stories there cuz we knew what that game was trying to tell us. If totk is about making sacrifices, then this message feels obsolete by the end. U should make sacrifices, but u will only be happy again if it all goes back to exactly how it was before

As happy and sweet the ending is, it made all the worry and sadness I felt seem pointless cuz of course everything would reset back to the norm cuz how else would this game have a happy ending. What was there to worry about. Yeah so what that Zelda became a dragon losing herself, she was just asleep the entire time and effortlessly she becomes her normal self. So what that link lost his sword arm, of course he would miraculously get it back even though it took him 100 years to recover from a mortal wound. No trace of the things they withstood and lost, no mark, nothing.

I loved the final battle and spectacle of the dragons struggling against each other in the sky. The battle went from the deepest depths to the highest reaches of the sky and I thought it was perfect. But once again how the story concluded and the logic behind it me made me feel like I was chewing on sand and the idyllic ending just made me look about in confusion

TLDR; totk is an amazing game with a stunning world that lacks a comprehensive story to tell

I hoped that I would get a better understanding why I’m so frustrated by totk, but instead I just feel even more confused by it and I think that’s just how I’ll have to leave it

[taylortruther]

I actually agree with you 100% on all long-term relationship breakups being pretty much the same. When you've loved someone for so long, it means they're also part of your routines, part of your comfort, part of your home and part of your family. Their family becomes your family, their friends become your friends, their hopes and aspirations become things you care about as well as their struggles. The reasons why the rs starts falling apart aren't as simple as one or both parties no longer "being in love", but rather a combination of issues: career ambitions intolerable to the relationship for various reasons, incompatibility of personalities or of extended families, growth at different paces, the goals and wishes agreed at the start of the rs changing with time, loss of trust and connection, etc. I thought of this the other day when an anon mentioned the movie Blue Valentine, and I think the reason why that film feels so realistic (and devastating) is because all long term relationships slowly desintegrate in similar manners to what happens to the couple in the movie. And piggybacking off the discourse we had on The Alcott, it's quite desperating and frustrating to slowly realize that things that once were profoundly sacred have come to feel like a curse; you no longer feel like you're choosing everyday to be with this person out of love, but rather that you're emprisioned to them.

What we know about TTPD department so far makes me think this will be explored but not in the way many fans seem to be expecting (not you guys lol but I have seen ppl that expect the songs to be sassy, petty, and accusatory). Instead, I think we will see her show and deconstruct all the ways she fought for it to work, compromising, committing, twisting herself into a pretzel, and making herself smaller, not because he was "forcing her" like some fans think but rather from her own decision bc that's just how much she loved him. Which is even more devasting if you think of it: she locked herself away, tried to dim her shine, beared emotional burdens alone because of her own conviction and desire to make things work, not as a result of him "making her" do all of that. So imo one of the reasons this album will be particularly devastating is bc we will learn in a very raw manner just how much she loved this man and how much she was willing to give up for him, and how much regret she probably has about things she did for him that at the time felt like a no-brainer but in hindsight seem ridiculous (which is a very common thing for everyone bc that's simply what you do when you love someone; love isn't usually rational). And this will undoubtedly be very relatable for ppl who have been in ltrs that ended bc, as you say, most of them end in the same way and most of us realize how much we actually sacrificed for it only after the fact.

i agree!!! also, we know taylor never does anything by halves. we know love is basically a religion of drug to her. we know she felt that he believed in her and loved her for her at a time when she felt she was distinctly unlovable. we know she fought hard to deal with her baggage. we know she was reflecting on fame, how fickle it is, and why she wanted it so badly (miss americana doc, mirrorball, midnight rain, to name a few.) we can look at midnights to see the things that were haunting her and they were things like: dealing with fame, choosing the hard way, reckoning with loss of self, wanting to protect love that felt fragile, blocking out noise, the empowerment and loneliness of relying on oneself. midnights feels like a very honest and logical progression past folkmore, which discussed those topics as well as infidelity, taking up space, confronting depression and pain and other sticky human desires. ttpd feels like it will further touch on these complicated and sticky and dark topics, with the added "bonus" of the specter of a breakup, and the breakup itself, haunting them. anyone whose ever lost a part of themselves to try and save a relationship of any kind will understand, i think. love is a beast that way.

[leoserblog]

Ok this might be an unpopular opinion but someones gotta say it...

Cassandra is a better Casey Jones than Casey Jr

Ive gotta be honest... i think casey jr is a kinda mid and i dont particularly think all the fanfare about him is warranted LOL

I want to note real quick that i dont DISLIKE him! He is a good character who only got as much development that a 2 hour movie could give him, and he filled and satisfied the role he needed to play in the movie, but the way the fandom latched onto him over the og casey... kinda makes me raise a brow

(Essay/rant about the prioritization of casey jr vs og casey under the cut :P)

Fandom spaces love a traumatized boy from the future, and believe me i do too! But the amount of attention given to casey jr after being revealed as casey is a wild amount compared to the amount of attention the original casey gets. Maybe its just me getting into rottmnt after the movie aired, but this seems a little baised?

Not only that, but the amount of... idk the best way i can think to describe it is infantilization of casey jrs character isnt helping my opinion of him. It feels like most content surrounding him babify him and reduce him only to his trauma post movie. I understand that it can be interesting to explore his trauma now that he no longer lives in the literal apocalypse, but it feels strange to see him reduced to someone who cant get around on his own and lives with the turtles when the original pitch for the movies ending has him leave to explore the world, which i feel is very appropriate for him and wish they had kept it in

In the movie when april shows us where the og casey has been and what shes been doing throughout the film, it tells us that casey is friends april which in theory, shouldve also shown us that she and the turtles are friends to some degree as well and should already have her place established within the group as this generations casey jones

However the final shot of the movie is a group shot of the family+casey jr, which subtlety implies that he's the new casey instead, and that this is the main cast moving forward (should it move forward *sob*). While both caseys being considered in the main cast could be true, it does strike me as a little odd that this was the final direction the rot team decided on for the official ending versus the scrapped ending, especially because it complicates the pre-established canon. It wouldve been one thing if our og casey was a different character, but that isnt the case.. y... (<_<)

Casey jr is an interesting character though! And i can understand why he appeals to fans, especially as his character post movie is fun to expand on aswell as developing his past involved with future versions of the main5, but one (me lol) could argue that the og casey is just as interesting of a character to delve into as she was involved, when you boil it down, a cult most of her life, and that concept, as well as the guilt she could hold for working with the foot and releasing the shredder, ontop of trying to befriend and gain the turtles and aprils trust are also intriguing concepts that could be explored, yet finding content that mentions her at all beyond her relation to casey jr is scarce

It feels as though shes been reduced to a background character within the fandom despite being a reoccuring character for the entire show.

For the two seasons of rottmnt that we did get, we are shown just what kind of character casey is and her possible dynamics with the turtles+april. Shes passionate and powerful and beyond determined to prove her worth and reach her goals. Shes also playful and reckless, a side that fits well with the main cast and their humor and, if the show was given more time, couldve developed naturally as the newest addition to the family as most caseys are. I could also argue that her characterization fits that of previous caseys more than casey jrs does (though i will admit that considering the plot of the movie, i cant positively say what hed be like outside of life or death scenarios, but i also cant imagine hes going to make a 180 in personality without it feeling jarring and ooc)

Now, i wont ignore the fact that her arc was cut horribly short and her involvement in the movie was quite literally a brief mention, both of which definitely play into how under appreciated she is. But at the same time it almost feels like everyone, including the show runners, have willingly pushed her aside for this new boy version to fill the role of casey jones. Hell, even when you look up rottmnt casey jones, cassandra barely shows up. Its casey jr which further proves my point

Idk, TLDR im pretty disappointed that despite being a consistent character for the entire show, no one seems to write or acknowledge her and if she is mentioned, its only relevant to push forward casey jrs character development or a brief cameo. As much as i do love casey jr (i can feel like hes mid and i can like him!) it seems like most people forget about the original casey, or favor casey jr in her place and she deserves more love and credit than shes given!

[max1461]

only tangentially related but sometimes I wonder if survivorship bias makes us view modern art as less than older art, that time and cultural memory acts as a natural bullshit filter, that actually people were just as vapid and pretentious back then, but none of the vapid and pretentious work had enough cultural value stick around to be examined now

I think it's partly this, but it's partly something else.

This is probably gonna piss a lot of people off, but I think in a particular sense, contemporary art is just... straightforwardly more advanced than older art. I know, I know, but hear me out: I don't mean that as a value judgement. What I mean is like...

Ok, take math as an example. Math started out talking about things that everybody's heard of: triangles, circles, whole numbers. But as those concepts were better understood, they got abstracted more and more. Symmetries of shapes where abstracted to symmetry groups, numbers abstracted to rings and fields, eventually it was all abstracted to category theory, and so on. And now if you look at major research topics in modern math, things like e.g. the Langlands program, as a non-expert, it often looks like a bunch of fucking nonsense about bullshit objects that don't have anything to do with the real world! But even though I don't understand the Langlands program itself, I know enough math to understand why all the levels of abstraction that I have understood are meaningful and valuable, and I can see why going even further would be too. And math is useful enough that the results often speak for themselves.

So I think contemporary art is much like this. If you read contemporary art theory, you will immediately see that it is all very meta. Art used to be made about very concrete things—people and nice looking vistas and so on—that anyone could understand. And then theorists came along and built up frameworks for thinking about art, because they wanted to understand why that art worked, why it was powerful and emotive. And then new, avant-garde artist came along and made art about the frameworks, pushing at their edge-cases or exploring their unintuitive implications. And then new frameworks were built up to understand that art, rinse and repeat. This account is, as I understand it, a little bit ahistorical—the building and the pushing of frameworks was often simultaneous and often not clearly articulated. Although, frankly, the same could be said for the history of math. But in retrospect I think a pretty undeniable picture emerges.

So, to put it bluntly, I think one of the reasons so much contemporary art looks vapid is that it isn't for you. It's about things you've never heard of, in the same way that category theory is about spaces and morphisms, and explaining that to someone who's never heard of groups or topological spaces is basically impossible. And I think there are some differences—art is obviously, you know, totally vibes based in a way that math isn't. If a big wire sculpture with styrofoam cups on it or whatever doesn't speak to you then it doesn't speak to you, no one can defend it on "objective" grounds. And art isn't useful in the way that math is, so it doesn't demonstrate its validity to people who don't get it in any way. But what I wish people understood is that there are people, who know a bunch of art theory and art history, who that wire sculpture with styrofoam cups on it does speak to. It makes them go "oh, I love how it plays off of X and contrasts with Y" etc. etc. And that isn't going to happen for you because, like, you don't know what X or Y even are! But that doesn't make it valueless, it just makes it insular. Which, you know, contemporary art really is! I think there are a lot of contemporary artists who claim to not be doing what I just described, who claim to be making art "for everybody", but I think if you read their artist statements and stuff it often becomes pretty clear that this is not the case. And this is a valid criticism of contemporary art! But "vapid" is mostly not.

Pretentious, definitely. It's pretentious as fuck.

[lovelyyandereaddictionpoint]

Can I have a Yan genderbend of Maleficent? Or the very least in a yandere pletonic relationship with them?

Yandere Genderbend Maleficent x Reader

You couldn’t believe you used to admire your family’s ignorance. You internally screamed as you listened to your family further embarrass themselves. They were so deluded by your great-grandfather’s pact, they had become set in the avarice founded from it. 

Long ago your great-grandfather had done the impossible. Defeating the fae army and even reclaiming the fallen land before establishing a functional militia there. Earning those honor-driven fae’s respect made your kingdom one to be praised in legend and stories to come. Some suspected you were a puppet state, and others wondered if you had a secret item that had the fae yielding to you. But you knew the truth. You were the only one who actually devoted time to the archives and private libraries. Actually yearning to know the truth. What you found was a successful mission to show the value of humanity. Your great-grandfather had befriended the young fae responsible for the war and somehow convinced him to explore the intricacies of the kingdom. The kingdom was filled with joy and a general consensus to be good. It sounded like paradise. The letters proved that the great fae thought precisely the same which is why he raised no alarm when he grew close with the prince–your grandfather. This relationship would be scandalous, judging by the letters both were torn between letting them be together. The fae was madly in love easily sharing his devotions with his friend, only for the king to show concern. For he knew his child and believed it would lead to their doom. As the king aged his authority was no longer uncontested and it was easy for his nobles to offer his throne in reward for control of the fae.  It wasn’t long before your grandfather returned wings in hand and was crowned as the greatest king to be. It wouldn’t be until that same fae returned to curse your mother that the situation would intensify. The story would tell of the princess cursed to sleep through her own pregnancy and the future king that would slay the dragon that was that revenge-stricken fae. 

They thought the body had faded because they had won. They were wrong. 

“Oh, King of Fae can’t bygones be bygones?! After all your family and ours were great friends.”

You cringed as the green magic seemed to flare up once again. You bit your tongue, for the time being, your parents were completely oblivious to the friendly relations you continued to nurture with various fae.  

“Yeah! What more do you want?! At this rate your just going to keep coming back to scam us or something.”

Your foolish brother piped in. Of course, he wouldn’t be aware of the true nature of the king before him. Nor of the power he possessed. You were lucky he hadn’t sucked the life out of everyone in this room.

“...I need proof of your loyalty to me. Something prized by your people.” Eyes hauntingly green roamed the room before landing on the oldest prince. “Someone precious.”

“Oh heavens! No, please!” Your mother cried leaning into your father who was visibly sweating.

“I’d rather die than give my son to you! Surely there is a gem or item you’d wish from us.”

The fae glowered. “No. Anything I want I can have. Anything I want I can take. Besides you, humans are hardly grasping what I want! Give me your prize!”

Prince Phil opened his mouth in a plea before being interrupted by the clicking of his younger sibling's heels. Poised and focused they easily attracted the attention of everyone in the room. Servants, guards and the royal family alike watched as the youngest royal came closer to the towering fae. If it weren’t for the situation he would have turned up his nose, the little parasite had done nothing but ruin his right to the throne. Not in the official light–his parents had always loved him more: they told him so themselves. But among the guards, the people, the servants, and even assassins had no stronger loyalty than to them. An embarrassment to the one birthed to wear it. He couldn’t stand (Y/n)! 

Nonetheless, he watched as they bowed, practically on their knees to the fae distastefully dragging their cape on the ground. A shameful appearance for someone of royal blood; no matter how despicable. 

They spoke, “Forgive us, my King. They are unaware of your history with the rulers of this kingdom and in no way are a reflection of the people who revere your existence.”

The green glow that had been permeating off the horned guest seemed to lessen as he watched blankly at (Y/n)’s plea. I could hear the scoldings they no doubt would receive, not to mention the punishments. What would it be? No more horse riding? Banned from the kitchen? Restricted from traveling? Oh, the possibilities were endless…

The fae didn’t speak which allowed (Y/n) to speak once again. 

“I fear that my family has not much to spare…but if you’d be willing I offer myself to you.”

“(Y/n)! Speak no more!” Father called with more worry than I expected. But they continued looking into the monster’s glowing eyes as if to manipulate him as they had done with so many others.

“If you’d be willing your Grace, let me be your prize!” Tilting his head he seemed to consider before looking at father who had looked away. His lips opened to speak before another interruption occurred. 

“(Y/n) please don’t do this!” 

“Master please consider!”

“We’ll go!”

“Yes! Please you mustn’t this kingdom needs ya!”

Many of the lowly servants dropped to their knees calling out from behind the guards who were hardly doing anything to restrain them. Sneering I had half a mind to strike them now but I wasn’t a fool; decorum was important even for the company of a monster.

(Y/n) seemed to falter before continuing to bow to the creature, who tilted his head once more and smiled in amusement.

“I was worried I was being offered a worthless prize…” Withdrawing a clawed hand from his robe he lifted their chin and trembling lips. Smiling devilishly as that green fire around him flared. 

“But I realize this is the fabled Shadow Dove, the silent pacifist between our peoples. Continuing to keep the…altruism within your kingdom.” 

Father made a grumbled murmur from his beard and Mother looked just as surprised as me. I paid no mind as he made (Y/n) rise with a pull of their hand. He moved around them to step closer to our thrones. I drew my sword ignoring the shaking as I pointed in his direction. He looked to me, monstrous eyes keeping me at a distance he turned to look at father and mother smiling with that horrifying display of teeth. Staff in hand the green flare seemed to spout from the staff in a frightening display. 

“I prophesy that when I take your Dove, your kingdom will crumble. From within its own walls your rule will end! From those ashes, I will take your kingdom and the last of your blood will be mine. ” He scoffed as mother shook intensely before mumbling something to himself…”That is if it survives from my own.” 

With a slapping gust of wind and a pull of his robe; the only evidence that he was here was the singed marks against the carpet. 

____________________________________________________________

As expected, the moment Maleficent left your mother broke into tears attracting the attention of your father and brother. Allowing you to leave quickly; as you were sure the anger behind their fear was bubbling. No doubt they’d somehow take it out on you, even as you were solely responsible for their lives. 

“Oh, Master!” 

“Do ya really h’ve ta go?”

“Will ya visit?” 

Running into the arms of your family you let your shoulders sag. You let your worry show as you confided in them. To think the only people in the castle who were least literate were more aware of how much the monarchy relied on them than the actual people in power. You prepared yourself accordingly, sending letters to nobles, trade partners, and allies. Disclosing all the information so they knew where your country was at. You fiddled with your plume as you debated reporting Maleficent’s prophecy. 

*Tap Tap*

You eyed past your pile of papers at the door. Seeing no one you continued to work

*Tap Tap*

You looked up again, with more vigor. You needed to focus on the good of your kingdom.

*Tap Tap*

“Alright, alright. I’m coming “ You began your search of the room looking frantically for the cause. Only to find it past your reflection in the window. You opened it letting the crow with something in its feet fly into your office. 

“Well hello there.” 

You carefully stroke the corvid as you unwrap the delivery. It was a letter and a vial filled with a liquid that seemed to change color under the light of the fire. 

Dearest (Y/n),

In preparation for our marriage, I have sent to you an elixir. It is to ensure good health as the days count down before I come to retrieve you. I am willing to let you do what you will before I collect you. If there should be any circumstances that lead to you not drinking the elixir or otherwise damaging my prize I will speed that process up, with extreme prejudice. 

–Maleficent

You eyed said elixir with great suspicion but after flashing a look of question to the—shrugging(?) crow, you downed it. Hacking at the burn that ran from your mouth to your esophagus you staggered onto your office couch. Scratching at the cushions you tried to refrain from screaming at the pain. It felt like your blood was boiling; thankfully your body felt the same and allowed you to fall into pain-numbing sleep. 

The crow tilted its head, watching with beady eyes at the shivering human on the couch. Seeing that the human was still breathing the crow set to take off before being interrupted. Harsh knocking led before the door swung open to reveal a man dressed in royal robes. His hand rested on the hilt of his sword as he stepped towards the couch. He seemed to hesitate before shakily withdrawing the sword from its scabbard, raising it above your sleeping head.

“CAW!”

The corvid call startled the wielder, fearfully returning the sword to its resting place. He looked at the bird with a scoff, making moves to scare it away before stalking out of your office. Seeing as the letter was delivered and its receiver followed instructions, the crow flew away returning to its master. 

The following morning, you continued to work having a vague recollection of the delivery. You pressed on, working diligently to organize the kingdom’s assets as best as you could. You held your face in your hands having finally sent your signature on a national ordinance. Preparing for your complete absence was harder than you thought. With the news of your engagement, the people were in a panic: riots, spreading hysteria, and massive scales of evacuation. Thousands of letters from allies and nobles alike begging to go to war instead of your marriage. It was too much for one person to take, especially if you were not nearly as experienced as a certain king should be. Speaking of the failures+ royal family they haven’t made an effort to speak to you. You couldn’t decide whether it was because they blamed you or were finally accepting how little they did on their own. 

“Your highness…your parents invited you to dinner?” Your maid spoke unassuredly, if he was befuddled by the notion of inviting someone you live with to eat or that they reached out at all you couldn’t tell. Nonetheless, you accepted, making quick work of the remaining paperwork so that you could finally breathe. Savoring the cobblestone walls you had grown with: cried upon, slept on, dragged your fingers along. Doing the same in your adulthood you fought your tears as you realized how much you’d missed your home and the people maintaining it. 

Arriving at the dining hall the king, queen, and their son was already seated digging into their food refusing to pause to acknowledge your entry. You sat at the farthest place setting with nothing on the plate your internally groaned. This was going to be a blood bath. A maid hurried to your side with foods you didn’t like silently apologizing; you deduced this was on purpose as you deadpanned to your family. With nothing but the cacophonous consumption to fill the echoing chamber of the dining hall. Only when you heard the clinking of silverware and the loud sucking of fingers that it seemed they were done. 

“Are you not hungry? Are you so fickle that you won’t eat before we drink?” The king jovially chuckled as he wiped his greasy fingers on the vestigial robes your forefathers had worn before. In his laughing, the queen joined in. Phil did not. Instead, he diligently stared at his glass, staying still as he let a maid pour the red wine. You did not join in their laughter even as everyone’s glass was filled, including yours. You eyed the glass suspiciously even as they were already helping themselves to sip. 

-DoN’T dRink ThIS-

Whatever that was, you agreed refusing to so much as touch the glass. 

The king coughed for attention, raising his refilled glass as he gestured towards you. “Now we toast to the new beginnings that come with the relations beyond!” 

The queen clapped to her husband before downing what had to be her third glass, the king downed him, but Phil did not. He seemed to be glaring at the glass as he violently swished the liquid in his glass. 

You still didn’t touch your glass even as their contented expressions transformed into nervous looks. Eyes darting from your glass to one another king and queen visibly began to sweat and shift in their seats. 

“Uhm (Y/n) dear why don’t you join us for our toast?” The queen nervously chuckled. 

“I don’t want to.”

“M-maybe you just don’t want to eat on an empty stomach. Serv-”

“No, I just do not want to drink this.”

In a nervously shared eye contact your parents turned toward you as they fruitlessly pleaded that you drink the wine. All the more reason to believe something was amiss. They continued their desperate pleas as you stood to leave. 

“I excuse myself. I have other matters to attend to-”

“No, you don’t!” Phil exclaimed springing from his chair, drawing his sword out, and pointing it at you. You faltered in your route looking to the exit where the guards were posted to see the queen barring the doors. Moving backward with the blade’s tip pointed toward you stopped when you felt the coolness of the wall.

“You’ve sunk your poisoned talons into this kingdom and I’m taking you out of it!” Phil screamed but you screamed right back.

“You idiot! Do you realize if you harm a single hair on my head this kingdom is doomed?! Maybe that wouldn’t have been the case if you had any semblance of the state of the kingdom!”

Your explanation seemed to make him hesitate only for him to come even closer letting the frigidness of the flat side of the blade sit on your neck. You could see the sweat on his brow and your parents working to hold the door. Fearing it is your last opportunity you looked to the narrow windows that showed the faraway lights of the town below and that crow who was sat with another message around its foot. You snapped back to attention as Phil screamed once more.

“Aaagh! Y-you couldn’t just have drunk the wine, you just had to do this…But I’ll DO IT! FOR MY KINGDOM!” 

He swiped the blade across your neck before swiping again at your chest. You fell to the floor as you held the parts that burned with searing pain, writhing as you felt more blood rush over your hands. Worried you’d be succumbing to your death you let yourself silently cry as you lost the strength to hold your arms up. Your vision was spotty. All you could hear was the deafened pounding against the door, Phil’s crying, the comfort that followed from the queen…your mother

“W-what is that?! What is this?! Witchcraft?” 

The blade was pointed at what would have been your corpse if it weren’t for your blood turning into a silver color and receding back into your body. The wounds you had began to close before stopping as you slumped to the ground. The royal family waited in silence as they watched you lay there. Still and unmoving they came closer to poke at your body hoping that you would remain so. But before they could do so the castle began to shake, windows shattered, and a storm surged outside. Hair and capes whipping in the wind it only took a flash of green lightning for the fae king had arrived.

“To think it took only three dolts to further your kingdom’s destruction; humans continue to amaze me.” 

Maleficent spoke candidly before carefully pulling you up into his arms. Phil foolishly stuck his sword out towards the fae. 

“So what are you going to do, huh?! Burn me with fire for hurting your precious little prize?!”

He shook as Malleus turned towards him staring him down with that intimidating glare and flare of magic. 

“Hahaha!”

He laughed flashing his elongated fangs and letting Phil and the family sigh. 

“No. Thanks to my productivity they’re not dead,” there was a breath of relief. One that was short-lived,” but your town will though and by tomorrow everyone will know why. Adieu.” 

Nodding his head to the staff and guard that had broken through the doors and pointed accusatorially at the royal family as they watched Maleficent teleport away; beginning the disruption that would spur the prophecy they’d been given.

______________________________________________________________

When you awoke you felt an ache all throughout your body, making your awakening a slow mission. Looking around you weren’t in your home, instead, you were in a darker place with walls of stone and torches of green fire. Barely tilting your head, you laid eyes on that crow kirking its head in your direction before flying off. You had the urge to follow struggling to move with your achy legs and IV pumping something silver into your veins. Unplugging it as you hobbled out of your room, you relied on the cold feeling of your bare feet against the floor to wake you up as you followed the waiting crow. 

It felt like you were walking a maze blindly following the corvid as he led you through the barren hallways. Finally sitting still he cawed on a rootlike perch that sat alongside the grand thorned throne in which Maleficent sat with legs spread open in attire much more relaxed than his usual cape. You stared inawe curious if you were dreaming.

“Come Dove. Sit with me. You have destroyed your first kingdom; here we bask in the glory of our immense superiority.”

“B-but I’m nothing but spoils from that destruction…if I should be so bold.”

He smiled. A smile of amusement as you retained your demeanor even in something as simple as your night cloth. 

“Sit, (Y/n). I have already found you worthy of this honor. You are mine after all.”

You bowed before stepping up the stairs to his throne and letting yourself sit upon the leg of the fae King. Trying to still your heart as his hand wraps around your waist and pulls you close to cast a spell on a hovering ball of water.

“Now my Dove, let us watch their prophecy become reality.”

[wielderofmysteries]

Self-Made Man: Jace Beleren and Representation for Transgender Men in MTG

INTRO:

A few days before I started writing this, I received a message on Tumblr asking me to talk about my personal interpretation of Jace Beleren as a trans man. Not an unusual request, since Jace Beleren is my favorite character and I mention that I think he's trans all the time. I thought my response would be easy to write, but I started typing and couldn't stop. I realized I couldn't keep it short and simple. My thoughts grew into something much bigger, and much more meaningful to me. (Word count: ~9260)

In this post, I'll explore my analysis of Jace Beleren as a transgender man, why I think it enriches Jace as a character, and how it relates to the topic of transgender representation in Magic.

Disclaimer 1: As far as I know, WOTC and the authors who wrote Jace's lore did not originally set out with the intention of portraying a transgender character in Jace. Everything I'm presenting as evidence that Jace is trans is just part of my analysis. The purpose of this post is not to prove that Jace was always intended to be trans, but to show how my personal interpretation of Jace as a trans man is inspired by and supported by the text.

Disclaimer 2: All transgender people are different and have unique lives and feelings and experiences, so the things I say in this post won't apply to every single trans person. The examples I give here are mainly based on my own experience, as well as those of other trans men I know personally.

(General content warning for discussions of bullying and transphobia.)

PART 1: ORIGINS

There's an inherent transness about Jace Beleren.

Insecurity is one of Jace's most visible and defining traits. From Origins to Ixalan, his long-term character arc is all about his struggle to let go of his insecurities in order to become a better version of himself. There are parallels to the experiences of transgender men in the way those insecurities came about, how he expresses them, and how he eventually overcomes them.

It's easy to see why Jace would be insecure. As a telepath, he can hear all the negative thoughts other people have about him.

=========

Sure enough, there was his father, sitting at the kitchen table, frowning. Gav Beleren, grubby and balding, regarded Jace with little more than weariness.

I wish he was normal.

His father’s thoughts traced a familiar path.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

Lack-witted idiot.

A big lug shoved past him from behind.

Jace couldn’t help but agree with the sentiment.

I swear, that Beleren kid…

[Jace's Origin: Absent Minds - Kelly Digges]

=========

There’s the freak.

The biting thought was the only warning Jace got.

He scrambled to his feet and spun, but he was too late. Three of his schoolmates stood between him and the access hatch.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

Jace's own father, despite caring for his son and wanting a better life for him, felt little warmth for him. He wished Jace were "normal" and often became frustrated with him. Jace was a victim of brutal bullying that started in early childhood and continued all through his school years. Even complete strangers disliked Jace, and they made it known.

It was difficult for Jace to tell which thoughts were or weren't his own. Jace's constant awareness of others disliking him caused him to internalize that negativity, and as a result, he developed a sense of insecurity at an early age.

Jace's insecurity manifests as self-hatred, feelings of inadequacy, and discomfort in his body and physical appearance. I think his insecurities manifested in these specific ways because one of his most significant personal struggles was gender dysphoria. In an R&D video about Jace's story in Origins, Kelly Digges spoke about Jace's insecurity, and unintentionally gave the most transgender-sounding response possible.

=========

"Not everybody likes Jace. They see the arrogant self-assured kid wearing the hoodie, and something about that doesn't sit well with them. But I think you've got to have sympathy for the guy. I mean, imagine being a teenager with all the awkwardness that comes with that, and actually knowing that the person behind you thinks your hair looks stupid! You'd put on a hood too!"

[Kelly Digges - Magic: The Gathering - Inside R&D Magic Origins: Jace]

=========

The thing is, I don't have to imagine that situation. That was literally my lived experience as a trans teenager.

I had known I was trans since I was very little, but I didn't decide to start living life as an openly transgender boy until I was 13 years old– right before I started high school. The day before my freshman orientation, my mom took me to a hair salon and I asked the stylist to give me a typical boy's haircut. My hair was waist-length, and the stylist was shocked that a 'girl' could ask her to cut off that much hair. She was scared to ruin my appearance by making me "look like a boy" (even though that's exactly what I wanted.)

My freshman photo was the ugliest school picture I've ever taken. My friends jokingly called me 'Gohan' (from Dragon Ball Z). I started wearing jackets with my hood up, even though I never liked to before, and I wore hats despite it being against the school dress code. I knew other people thought my hair looked stupid, and I knew this without having telepathic abilities like Jace.

But my troubles didn't start with that haircut. Long before I started openly living as a boy, I was told I was a 'tomboy' and that I didn't act like other little girls did. Even in early childhood, I was very aware of the fact that some people hated me for who I was and how I expressed myself. I was just like Jace in that way– knowing who was judging me; knowing they didn't respect me; and knowing that in their eyes I was ugly, a weirdo, or worse.

I had always known I was different, and Jace had always known he was different, too. But it's not for the reason you would think. People mistreated Jace long before anyone knew or even began to suspect his true nature as a telepath. Nobody knew Jace was a mage, but everyone knew something was weird about him. There was something outwardly unusual about Jace that people noticed and thought was strange and undesirable.

Something interesting I noticed while re-reading Jace's origin story is that he appears to be wearing girls' clothing in the art. He and the girl, Jill, are both wearing the same long tunic / dress and shawl; while the two other boys are wearing vests and tucked-in shirts.

I know that wasn't necessarily the intention with this art, but it got me thinking about other aspects of Jace's origin story that just felt trans to me.

Interestingly, nobody in Jace's origin story actually calls him "Jace" except for his mother, the only person who truly loved and accepted him for who he was; and Alhammarret, another telepath and therefore the only person who could see Jace the way Jace saw himself. Everyone else refers to him as "Beleren" or "that Beleren kid" or "freak". His own dad doesn't call him anything at all.

It reminded me of the way my family never got into the habit of calling me my chosen name, even after I came out. They would call me my childhood nickname, "BooBoo", to avoid saying my chosen name or my birth name. To them, I was boyish enough it was weird to call me a girl's name, but not loved or respected enough to be called what I wanted.

Being a trans teenager is hard. It's hard to control your style when you're dependent on your parents to buy clothing. It's hard to control your identity when other people constantly call you the wrong name. And it's pretty much impossible to control your body.

Puberty is a source of insecurity for all teenagers, but it's the ultimate hell for trans teenagers. When the effects of hormones become visible and you see how your body has changed compared to your peers, the difference can be emotionally devastating.

While puberty made me wider and heavier; my male friends, who were going through the other puberty, got taller and more muscular. They got bigger and stronger every year while I was doomed to stay 5'0 (152cm) forever. It felt like I could never catch up– they looked the way I wanted to without even trying. Sure, I could pass for a boy, but they were going to grow up to be men. It infuriated me.

Similarly, Jace's lack of stereotypically masculine physical characteristics was a major source of self-hatred.

=========

“Hey, Beleren,” said the largest of the three, his booming voice overpowering the wind. His name was Tuck. At fourteen, he was a year older than Jace, a head taller, and built like a loading dock.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

How small he looked, hanging desperately above the crackling stream of mana. How vulnerable he looked. He hated it.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

Jace's male peers are described as being significantly taller and more muscular than him. This difference in size and strength made it easy for other boys to bully and physically abuse Jace, which caused him to associate their masculinity with the power they held over him. In Jace's mind, being a victim meant he was weak, and being weak meant he was less of a man. Hating yourself for things you can't control is extraordinarily painful.

When Jace discovered his true nature as a telepath, he realized it was the one way he held power over others. He tried to feel tougher and more masculine by emulating the way his bullies demonstrated their power over him– through intimidation, cruelty, and threats of violence.

=========

He looked Tuck in the eyes. “And if you harm my family, I’ll take your mind apart, one squalid little memory at a time.”

Tuck flinched.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

Having grown up without any positive male role models in his life, Jace's idea of masculinity was primarily influenced by the mistreatment he endured. He simply imitated what he saw and he didn't have the emotional support or life experience needed to grow out of that mindset.

As a young trans man reading Jace's origin story, I found the way he resented his bullies and retaliated against them to be very relatable. It's scary how easily gender dysphoria can turn into toxic masculinity. When you need to try a million times harder than your cisgender peers to be acknowledged as a man, taking masculinity to a harmful extreme can seem like the logical thing to do, especially if you're a younger trans man.

Despite expressing myself exactly the same as any other little boy would (wearing the same clothes, liking the same cartoons, playing the same sports), I was bullied by both kids and adults for daring to think I could be a boy. Once, when I was 8 years old, I stepped up to bat for my Little League baseball team. When the announcer said my feminine name and everyone noticed the long hair sticking out from underneath my helmet, the opposing team's volunteer coaches (the fathers of kids my age!) shouted from their dugout: "There's no way they'll win! They have a girl on their team!" Their players laughed and cheered in response.

That absolutely broke me. Their words taught me that being myself wasn't enough. And if being the same as other boys wasn't enough, then I needed to be more than them. I intentionally became a bully. Picking every fight I could was my way of proving I was more masculine than people thought.

Intentional toxic masculinity in pursuit of gender-affirmation is a very common experience for young trans men. Jace and my younger self acted the way we did because we were trying to mask our insecurity. We wanted to kill the weakness we saw in ourselves, so we lashed out in an attempt to feel stronger than the people who hurt us.

Starting middle school let me get away from most of the people who bullied me. It was the fresh start I needed to stop being such a terror. But a clean slate wouldn't prove to be so helpful for young Jace.

PART 2: PLANESWALKER

At age 15, Jace's Planeswalker spark ignited. He arrived on Ravnica with no memories of his life on Vryn. 

In theory, Jace's amnesia would have allowed him to start becoming the person he wanted to be, but he couldn't begin to heal because the scars on his subconscious mind were immediately opened. Being lost and alone made Jace feel vulnerable– the feeling he hated most.

=========

Came out of nowhere. Some poor Izzet experimental subject, probably.

He scrambled to his feet. People were staring at him. He looked as bad as he felt, sweaty and pale and filthy. He pulled his scarf up around his face and dashed to the side of the road.

I’m not an experimental subject. I’m…I’m…

I’m in trouble.

Fine. Table that.

He walked as fast as he could without seeming to hurry. He reached out, carefully, into the minds around him. It was a cacophony, a mad tangle of voices, and half of them weren’t even human.

Vagrant. Thief. Poor kid. Wretch.

His headache was getting worse.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

On Ravnica, Jace had no idea where he was or who he was, and he was suddenly surrounded by more people than he'd ever been near before. After losing the ability to control his telepathy, he was overwhelmed with their thoughts. He didn't know any of the people around him, but he knew they thought he was strange and pitiful.

When Jace noticed people staring at him, he hid his face with his scarf and ran away from them. Jace's first instinctual concern was not that he was possibly in danger, but that people were perceiving him in a way that made him feel embarrassed about himself. Even without memories of being bullied, a part of Jace's mind was still constantly worried about his appearance.

Jace's anxiety in public reminded me of the extreme paranoia I suffered from as a trans teenager. Being seen and perceived was so unbearable to me that I went to extremes to avoid people. I'd stay home or hide whenever possible, and sometimes I became so anxious I would literally run away if I noticed someone looking at me. I've gotten a lot better in the past few years, but I still worry when I'm out in public. I often notice strangers staring at me, and I hate knowing when people are questioning my gender. In certain situations, I'm even worried that someone might hurt me if they notice I'm trans. When you're trans and you've been bullied, just being perceived is dangerous.

That initial experience on Ravnica did instant damage to his self esteem. Jace's discomfort in his body and physical appearance was such a pressing issue that he immediately sought gender-affirming body modifications.

=========

The Jace in front of her was pathetically young.

[...]

The teenage Jace seated in the chair had the look about him of someone who wanted to disappear and wish someone more imposing into his place. His outfit was disheveled, the cut of it unfamiliar. Vraska sensed in the fabric of the memory that this version of Jace had arrived in Ravnica for the first time only days before.

The Gruul shaman's hand was glowing brilliant white. "This your first?" he grunted.

It took Jace a moment too long to answer. "Yes," he said timidly.

Vraska couldn't help but smile at this memory. He was the wimpiest teenager she had ever seen—no wonder he wanted a cool tattoo.

[...]

The shaman leaned over the teenager and drew a line with his finger down Jace's cheek, leaving a brilliant white tattoo in its place. He continued on his chin and arm, and Vraska watched as the shaman diligently painted a braver face on the nervous teenager's own.

[The Flood - Alison Luhrs]

=========

Tattoos probably aren't the first thing that comes to mind when you think of gender-affirming body modifications, but that was the purpose they served for Jace. Getting tattoos made him feel braver and more grown up, and they made him look cooler and more intimidating to others. All of these were stereotypically masculine traits he desired in the way he presented himself.

In addition to the way they changed him outwardly, Jace's tattoos were a personal declaration of his identity. His tattoos were drawn from one of the few things he could remember after arriving on Ravnica: a set of mysterious shapes and symbols. He didn't know what meaning they held, if any at all, but he decided that they were important to him because they were his.The decision to have them permanently inked on his skin gave him a sense of control and ownership over his body and appearance, which is one of the most important aspects of forming an identity as a trans person.

In his young adult years on Ravnica, Jace made a living as a criminal extorting the rich and famous. For the first time in his life, he could afford to choose his own wardrobe instead of depending on a guardian to provide clothes for him. Jace used this opportunity to exercise more control over his appearance, having clothing designed and tailored specifically to his desires.

The patterns Jace had tattooed on his body would be incorporated into his signature blue cloak. Jace's cloak is the most iconic element of his visual design, and it's important to this interpretation of his character because it's his dysphoria hoodie.

A dysphoria hoodie is a hooded clothing item intended to relieve gender dysphoria by obscuring the shape of a person's body. They're oversized, loose, and usually black or another dark color. Wearing a dysphoria hoodie hides a person's body from others' judging eyes, and allows them to forget about the parts of their body that they don't like.

It's undeniable that Jace's cloak fits this description perfectly.

Jace was extremely attached to his blue cloak. It didn't matter how hot the weather was, or how dirty or damaged his cloak had gotten– he always wore it anyway. And judging by the fact that he canonically had numerous duplicates made, he didn't want to ever stop wearing it. The ability to look and feel mysterious was very comforting to him.

Jace tried to hide his insecurities for as long as he could, but as he grew into adulthood, his problems would grow and change with him.

The novel Agents of Artifice follows Jace's life on Ravnica from ages 19 to 22. Growing up meant the gender role Jace desired to fill evolved from 'boy' to 'man', but Jace had no positive male role models or examples in this formative time.

As Jace's employer and teacher, Tezzeret forced him to use his powers for violence by psychologically abusing him. Tezzeret had an explosive temper and brutally tortured Jace when he failed assignments or hesitated to comply.

Jace's best friend / partner, Kallist Rhoka, showed a sense of entitlement after the two met Liliana Vess. Kallist felt like Liliana owed him attention and sex, despite the fact that she wasn't interested in him because she was already dating Jace.

=========

“You’re a hypocrite, Jace. It’s fine. My own fault, really. I should’ve known better than to take you at your word, when it came to getting something you wanted—the one thing I might’ve found to make this damned place a little better!”

“She was never yours!” Jace shot to his feet, fists clenched. “Never!”

“Because you wouldn’t give us the chance!” Kallist shot back. “It’s not enough that you took away everything I had?”

“Took away … Damn it, Kallist, I saved your life!”

[Agents of Artifice - Ari Marmell]

=========

Kallist wasn't the only man who felt this way. Throughout the book, several complete strangers made it clear that they thought Jace was inferior and undeserving of Liliana's affection, and that Liliana should be with them instead. Other men openly insulted Jace because they didn't see him as a "real man".

=========

“I couldn’t help but notice,” he slurred in a voice heavy with beer, “that you finally sent your scrawny friend packing. That mean you interested in spending some time with a real man?”

[Agents of Artifice - Ari Marmell]

=========

At that point in his life, Jace was still surrounded by men who had very toxic expressions of masculinity, but unlike his teenage self, he had no desire to imitate them. Jace feared and resisted Tezzeret's violent teachings, he disapproved of Kallist's misogyny towards Liliana, and he avoided confrontation with the random strangers who threatened him.

I think Jace's distaste for their attitudes and behaviors shows that his insecurity is truly gender dysphoria and not just toxic masculinity. If Jace disapproved of their toxic masculinity and didn't want to express himself that way, why would he care if he wasn't a "real man" to them? Why did he still feel incomplete as a man? What does being a man mean to Jace Beleren?

Jace wanted to do all the things typically expected of adult men. He wanted to be self-reliant, to be a protector and leader to others. He made himself a protector and financial provider to his romantic partners. He wanted to protect Ravnica and accepted his duty as the Living Guildpact when the role was magically forced upon him. He worked with the Gatewatch to defend other planes and invited them to live in his home. Despite all his efforts, nobody seemed to see that Jace was trying his best.

One of the most common difficulties trans men experience is being infantilized because they're perceived as younger. Trans men often look younger than their cisgender male peers of the same age due to the difference in hormones. Less testosterone means trans men tend to be shorter, less muscular, and have less body hair (not accounting for individual genetic factors).

When trans men lack stereotypically masculine physical characteristics, especially those associated with age and maturity, such as facial hair, they don't get treated with the same respect as other men. (For example, adult trans men are often referred to as 'boys' no matter how old they actually are.)

When Jace's appearance is described in stories, his lack of stereotypically masculine physical characteristics is always noted. He's always described as being smaller and less muscular than other men, and it's repeatedly remarked upon that he's unable to grow a beard.

=========

Rulan was clad much like Jace himself, though he preferred deep reds and purples to Jace’s unrelenting blue and black. And unlike Jace, Rulan boasted a full, tidily trimmed beard.

[Agents of Artifice - Ari Marmell]

=========

She cast a critical eye up and down his form. Firm, fit, alert, hair combed. She mentally called bull on it. "You can drop the glamour, dear. No one cares."

He sighed, and shimmered as his illusion dropped. There was the real Jace; paler, hair rumpled, eyes sunken from late nights, and his chin tinted by the adorable peach fuzz that almost counted as a someday-maybe beard.

[Homesick - Chris L'Etoile]

=========

The text shows that Jace experienced infantilization as a trans man. His sparse facial hair is enough to visibly darken his face, but it's referred to as "adorable peach fuzz" rather than a more mature-sounding alternative. In the story Catching Up, Liliana tells Jace that him looking older is "an unambiguous compliment."

=========

"You look older," she said.

"I'm not sure how to take that."

"At your age, dear, it's an unambiguous compliment." She cocked her head. "Have you started combing your hair?"

He smoothed his hair self-consciously, just for a moment, then withdrew his hand. He had, in fact, started combing it. Not that his hair was any of her business. He scowled.

[Catching Up - Kelly Digges]

=========

This aspect of Jace's trans experience caused him to be disrespected in several areas of his adult life. As an adult navigating dating and relationships, people saw him as unattractive and less desirable. As the Living Guildpact, people saw him as unqualified and irresponsible. As a member of the Gatewatch, people saw him as weak and incapable of leadership. Because he was infantilized as a trans man, he was perceived as inherently less masculine, less competent, and less mature. This negative perception reinforced his feelings of inadequacy.

For this reason, Jace was more self-conscious about his appearance as an adult than he'd ever been as a youth. In order for people to treat him with more respect, Jace found it necessary to hide his body with his cloak and to change his appearance with illusions. Jace felt the need to 'pass', and thought being himself was unsatisfactory, especially after he met Gideon.

Meeting Gideon was a major turning point in Jace's emotional development as a trans man.

Gideon was a great example of stereotypical but positive masculinity. He was self-reliant but not afraid to ask for help. He was a leader but tried to uplift others. He fought as a defender, not an aggressor.

Jace saw Gideon as an upstanding person and a good friend. For the first time in his life, Jace had a positive male role model to look up to. It made him furious.

=========

"I'd rather stand," said Gideon.

Jace stood up. It was an error. He still had to crane his neck to look Gideon in the eye, and now the size difference between them was glaringly obvious. He hated feeling small. Hated it.

[Catching Up - Kelly Digges]

=========

Gideon made Jace feel hopelessly insecure about himself.

He was everything Jace wanted to be, and seemed to be perfect in all the ways Jace wasn't. Gideon was super tall while Jace was average height. Gideon was athletic and muscular while Jace was thin and out-of-shape. Gideon was charismatic and a natural leader while people tended to automatically distrust Jace.

Jace both admired and envied Gideon. He tried his best to emulate Gideon's positive qualities, but found it difficult because it was clear to himself and others that it didn't come naturally to him. Jace's presence just didn't inspire others or make them feel safe like Gideon's presence did.

=========

What would Gideon say?

Jace smiled. Of course.

"For Zendikar," he said, raising one fist in the air. It felt thin to him, lacking Gideon's armored fist, his baritone war cry, his iron conviction.

[Brink of Extinction - Kelly Digges]

=========

"Vanity?" she said. "That's not like you."

He raked a hand back through his hair, which did nothing to calm its random angles. "I should be at my best for team meetings. Project leadership. Confidence. The idea that I know what the hell I'm doing. And why am I telling you this?" He looked annoyed at himself.

She raised one ivory shoulder in a careless shrug. "Who else knows you well enough to understand?"

[Homesick - Chris L'Etoile]

=========

Seeing the differences between himself and Gideon aggravated his gender dysphoria and reinforced all the manifestations of his insecurity– self-hatred, feelings of inadequacy, and discomfort in his body and physical appearance.

In his time with the Gatewatch, Jace's vision of masculinity had changed to be much more positive, but he was still miserable because he kept measuring his self-worth against an ideal he couldn't seem to reach.

This stage in socially transitioning is emotionally difficult for trans people. It takes time and effort to overcome.

PART 3: CASTAWAY

At age 26, after the Gatewatch's defeat on Amonkhet, Jace involuntarily planeswalked to Ixalan. He awoke on a tropical island with no recollection of who he was or where he came from.

For the second time in his life, Jace had complete amnesia. Just like when he sparked at age 15, his insecurities lingered despite being unable to remember what caused them. He hallucinated illusions of people from his past life, and his subconscious mind projected his insecurities through them.

=========

"You've really done it this time, haven't you?"

This vision appeared whenever the man was struggling at a task.

His shoulders were broad, and his olive skin had a sheen of sweat underneath the shine of his armor. The hallucination was looking over the man's shoulder as he tried to carve a fishing hook.

"Listen, you aren't really suited to this task. Let me handle it." The vision's voice was gruff but friendly.

It came off as condescending.

The man was annoyed.

"I can do it myself."

The hallucination sighed. "You and I both know you're not suited to this. Let me handle it, you go philosophize on the other end of the beach."

"I said I can do it myself." The man let his irritation reach his voice.

"No, you can't. I call the shots and execute, you stand to the side. That's how this works."

The man responded by throwing his hook at the hallucination. It went straight through the figure's eye and landed behind him on the sand.

[Jace, Alone - Alison Luhrs]

=========

An illusion of Gideon represented Jace's frustration due to low confidence in his skills and abilities. No one ever seemed to think Jace was good enough. His intellect, social skills, and physical dexterity were all constantly questioned throughout his entire life. As a result, Jace never got the chance to prove to the people around him what he was truly capable of.

On Useless Island, Jace was utterly alone and could rely only on himself. Jace succeeded in teaching himself to hunt, fish, and build in order to survive. He was not inept at stereotypically masculine tasks, as people had believed him to be. Over time, he grew a thick beard and gained a significant amount of muscle mass.

=========

"You look terrible," purred a voice from above.

The man moved his hands. An illusion of a woman stood above him. She had raven hair, tired eyes, and a disdainful expression. Her arms were gloved in violet satin and crossed in front of her.

"The muscles are a nice change, but you look awful with facial hair." Her lips curled in a disdainful sneer.

The man shook his head, tears building in the corner of his eyes.

"I don't know who you are."

"Of course you don't, boy."

She looked him over. "You didn't know who I was then, and you don't now. Hard to build trust when neither of us trusts each other."

The man decided to stop caring that this illusion wasn't real. He desperately needed someone to talk to.

"Who was I, before here?"

"You weren't who you thought you were, that's for sure. No one else saw through you, but I did. You were never a leader or a detective or a scholar; you were a frightened child playing pretend."

The man swallowed a lump in his throat.

"You can fool the rest of the world with your magic and illusions, but you could never fool me."

The man wanted to sob. Wanted to go back and sleep. Wanted to starve until all of this went away.

[Jace, Alone - Alison Luhrs]

=========

An illusion of Liliana represented Jace's gender dysphoria and impostor syndrome.

Despite everything he had achieved so far on Useless Island, his subconscious mind still held feelings of self-doubt. Part of Jace's mind wondered whether or not he was ever truly suited to being a man, telling himself he "looks terrible" and "awful with facial hair". Again, Jace's maturity and experience are denied when the illusion infantilizes him by calling him a "boy" and "a frightened child playing pretend". This vision was an expression of Jace's fear that he was inherently unfit for masculinity and the roles he wanted to fill as a man.

Unlike the first time Jace had amnesia, though, there were no real people around to reinforce his insecurities. Being alone meant Jace had no one to compare himself to. This gave him the opportunity to truly have faith in himself. Rather than trying to copy someone else's example of masculinity, he was creating his own.

=========

The man opened his eyes, and saw a vision of himself standing on top of the water in front of him.

The image had a blank expression on its face, but was otherwise identical to the man himself, standing calmly—impossibly—on the surface of the water.

The man's jaw fell open in shock.

The illusion appeared solid as flesh, and its detail was astonishingly accurate. The man was amused he did not remember his name but remembered the exact details of his own body: muscles toned, stubble on its face, blistered sunburn on its bare shoulders. He even saw its scars—his scars—the little bookmarks of a life well-lived.

[Jace, Alone - Alison Luhrs]

=========

All the effort he had taken to change himself showed outwardly on his body, and it was very gender-affirming. He was happy to see his muscles and facial hair and sunburn. I don't know how else to say this, but Jace being proud of "his scars" just has super transgender connotations. When Jace saw his scars, he appreciated them as proof of his ability to change and adapt– proof of his survival.

One of the most meaningful and symbolic moments in Jace's story is his decision to leave Useless Island. He built a raft and sailed away, uncertain of his future but determined and unafraid. Among the items he packed for his journey was his old blue cloak, unaware of the meaning it previously held for him. Jace encountered a storm soon after leaving, and all the items he brought with him were lost or destroyed, including his cloak. But he wasn't upset. He didn't miss it. To the Jace of Useless Island, it was nothing more than a piece of fabric. The Jace of Useless Island was comfortable in his body, and had no need for a dysphoria hoodie to hide from himself or anyone else. By letting his cloak be destroyed, Jace let go of his insecurities.

Vraska found Jace washed up on a rocky island and accepted him into her pirate crew. Jace was eager to help, using his tinkering ability to fix telescopes and compasses. He also used his illusion magic to make The Belligerent invisible during a raid, and even fought vampires with the crew.

People need to have loved ones in their lives who make them feel accepted and respected. It's absolutely critical for a person's emotional health, and especially for trans people, whose close support networks are often insufficiently small or entirely absent. When you feel ashamed of yourself because you're constantly being criticized, when you live in fear of the world around you because you're hated, it's difficult even to simply exist. Having just one person who truly makes you feel safe makes a world of difference.

This is why it was so important that Vraska, the only person on Ixalan who knew Jace before his amnesia, didn't judge him based on his past. She didn't try to tell Jace who he used to be or who he should be. The crew of The Belligerent allowed Jace to be himself, and they cared about the qualities he had, not the ones he lacked. This key difference in how people treated Jace on Ixalan is what allowed him to thrive.

In The Flood, Jace fell down a waterfall and hit his head on a rock. The injury triggered a reversal of his amnesia. After Jace got his memories back, he reflected on the difference between his past and present selves.

=========

"I wouldn't have had the strength to climb this a year ago," Jace said with a little bit of pride. "Or if I did, I probably would have passed out halfway up."

"You weren't that out of shape when I last saw you," Vraska teased.

"You're ignoring how often I used to use illusions to make myself look like I was in shape."

Her brows shot up. "Seriously?"

"Oh yeah," Jace acknowledged. His expression was unguarded, eyes still red from emotion, a lighthearted tilt to his lips. Unapologetically human. He grinned. "I used to be a coward."

He let Not anymore hang unspoken in the air between them, and Vraska caught his smile as he turned to ascend the golden staircase toward Orazca, one strong step after another.

[The Flood - Alison Luhrs]

=========

The old Jace was always being compared to others. That Jace hated himself because he could only see himself as an inferior version of other men. He wanted to hide because he felt like he would never be enough. He wanted to be anyone but Jace.

The new Jace unlearned that mindset. He realized the only 'right' way to be a man was to try to be the best Jace he could be. Having room to improve meant he had the opportunity to find joy in growing and changing. He was proud of himself for taking control of his identity and putting in all the effort necessary to transition. On Ixalan, Jace cultivated the strongest body he ever had. That new body made him braver and more confident than ever before. And that new confidence made him happier than he'd ever felt in his entire life.

The resolution of Jace's arc came from his transition. All his life, Jace had wanted people to understand and accept his true self. For people to see his true self, he needed to be able to show them. Jace was able to start healing from his trauma on Ixalan because for the first time in his life, he felt like it was safe and good to be himself, so he lost his fear of judgment and embarrassment. Through that acceptance, he learned to be himself, and to love himself, and to love his transness. On Ixalan, Jace finally became the man he wanted to be.

=========

Jace looked down at himself.

The tan was real. The scrapes, the newly callused hands, the muscles (the muscles!) were all his. Jace felt proud of his body for the first time in his life. He must not lose track of it now.

[Wool Over the Eyes - Alison Luhrs]

=========

PART 4: DEEP BLUE

Jace being a transgender man is not just a headcanon to me. It's a textual interpretation that I believe adds meaning to the story and enriches Jace as a character.

My interpretation of Jace as a trans man is rooted in the way his personal philosophy guides him as a Blue character.

Blue's central theme is "Perfection through knowledge." Blue sees the world and everything in it as a blank slate waiting to be transformed. With the right knowledge, all possibilities can become reality. Jace's expression of "Perfection through knowledge" is his journey to become a better person by understanding himself.

=========

Jace chose his words carefully.

"Existence is adaptation to changing circumstances. The self is an accumulation of what one has learned from those changing circumstances . . . Our agency gives us the means to alter our own path. You are who you decide to be. And who you will become depends only on how you choose to adapt."

[Something Else Entirely - Alison Luhrs]

=========

Jace's personal philosophy as a Blue character is "You are who you choose to be''. He believes that people are defined by the choices they make with their free will, and rejects the idea that the self has immutable qualities. To Jace, there is no pre-determined path or destiny for him to follow. Rather, he continually seeks to cultivate his own identity through change. 

In my interpretation of Jace as a trans man, Jace holds these beliefs because they're lessons he's had to learn in order to overcome his struggles and accept himself.

As a Blue character, Jace's core struggle is his desire to understand himself. Jace's life has been a constant quest to figure out who he is. Above all, Jace's thirst for knowledge is a need to understand his potential and his place in the Multiverse.

=========

Jace.

My name is Jace Beleren.

So there was something in there, waiting for him to dig it out.

And who is Jace Beleren? Is he a good man? Is he kind?

He willed away the shape and sat, alone, farther from home than he’d even known was possible.

He’d have to wait and see.

[Jace's Origin: Absent Minds - Kelly Digges]

=========

Having lost so much of his life to amnesia, Jace has often been unsure of who he is or who he should be.

I've always seen the divide in Jace's life caused by his amnesia as a parallel to the 'before' and 'after' periods in my life as a trans person.

When I decided to start openly living as a trans boy in high school, it was like I was being haunted by my own ghost. I didn't know who I was or how to act anymore because everyone around me seemed to see and speak to a version of myself that no longer existed. But I hadn't died, I was just different. I wanted people to see that I was alive and well. I wanted to make myself feel real again.

Like Jace, I was a teenage boy with no past. I needed to rebuild myself, and I had to start from scratch. I wasn't sure what to do with myself, but the one thing I was sure of was that I couldn't look back. I didn't want to. And neither did Jace.

Jace is known for his love of investigation, puzzles, and research, but his past seems to be the one thing he's not curious about. While he does occasionally wonder what his life used to be like, he's never shown a desire to return to that past. He's never put any time or energy into re-discovering old memories or trying to restore some previous state.

When Jace asks himself, "Who am I?", he's not asking who he was before. He's asking who he can be. What matters to Jace is not who you were, but who you can become.

The past is unimportant to Jace, and this belief gives him strength. He expressed this on Ixalan when he vowed the illusions of his past would no longer bother him.

=========

"No more involuntary illusions!" he said, and something in the back of his mind rung with magical affirmation. It would not happen again.

He had control over his mind. He was the wielder of his talents.

[...]

Then a thought occurred to the man.

"Who I was doesn't matter . . . because I get to learn who I am now."

Saying it out loud made it feel real.

"Whoever I was is irrelevant, for I will become whoever I want to become."

He believed that with all his heart.

The man realized what he must do.

He was going to prove to himself that he deserved to live.

The man got to work.

[Jace, Alone - Alison Luhrs]

=========

Jace understood that in order to progress, he had to keep moving forward. Letting go of the past is what allowed Jace to live in the present and to have hope for his future.

This aspect of Jace's philosophy is also an important aspect of trans acceptance. Many trans people struggle with making the decision to transition because they fear it's too late. They may feel that way because of their age, because of their circumstances in life, or because other people will remember them differently. But Jace believes that the person you were yesterday doesn't have to be the person you are today, or will be tomorrow. When you understand this, you understand that it is never too late for anyone to change.

It's in our nature as thinking, feeling beings to want to explore and discover new things about ourselves, but transphobes want us to repress our curiosity. My whole life, I've had to fight back against people who disrespect my identity and want me to submit to their idea of who I should be. Jace shares this experience.

=========

Baan regarded him coolly. "You were bullied as a child."

Jace coughed on his first mouthful of food and struggled to swallow. "I, uh, don't remember my childhood." A dozen unvoiced thoughts flickered behind his eyes.

The Kaladeshi raised his brows. "One need not consciously recollect an event to fall into habitual behaviors determined by the experience. It is not inconceivable that one could forget their entire life. I would safely wager that were that the case, the subject would still tend to make similar lapses of judgement, and would be drawn to associate with the same sorts of people." He waved a hand, the swish of an ox's tail dismissing flies. "The nature of mortals is not so malleable as some would naively suppose. A person of religious inclination will always find something greater than themselves to place their faith in. A criminal will forever remain a criminal."

Jace put his fork down. "That's a very...deterministic point of view, Minister."

[Homesick - Chris L'Etoile]

=========

Dovin Baan expressed beliefs about identity and human nature similar to those of the transphobes I've dealt with. People like them think, "You were born a certain way and you will always be that way. You will never be anything else. No matter what you do, you can never truly change."

But Jace lives in defiance of that idea. Jace knows he's capable of change because he actively chose to become someone new. What he once was, he no longer is. Jace's disagreement with Dovin Baan isn't just a difference in opinion; it's a defense of his existence. When transphobes deny our identities, they deny our reality.

If Dovin believes our identities are set in stone, Jace believes we each hold a sculptor's tools. Whether or not you will change is your choice. But you alone have the power to make that choice, and no one can take that away from you.

=========

She sighed. "I don't know how the Golgari will see me when I return."

Jace shrugged. "You get to decide how they see you."

She looked at him with uncertainty. Jace continued. "How we engage with the world is dependent on how we present ourselves to it. We are continuously adjusting to change because if we fail to change, we fail to survive. By nature of you surviving the hell you did, you have changed into someone wiser than before. By nature of you commanding this ship, you've transformed yourself into the leader you always knew you could be.

"What makes you you isn't your circumstance or your past, but the choices you make in the future. Your ability to learn and adapt is what makes you who you are today, and that is what dictates who you will continue to become."

[Something Else Entirely - Alison Luhrs]

=========

Jace's focus on adaptation and self-improvement reminds me of the theory of gender euphoria; the idea that gender identity is defined by positive feelings and what feels right to a person, not negative feelings and what feels wrong (gender dysphoria). You can't be happy if you only focus on things that cause you discomfort and pain. You need to find things that give you comfort and bring joy to your life.

As a teenager, Jace hated himself for his weakness. He felt like being tough would make him more masculine. But when he grew up and gained more life experience and new role models, he realized that was no longer what he wanted. It may take some time to figure out what you want, and you may even find that what you want will change, but the end goal will always be to become the best version of you.

This process of trial-and-error is integral to Jace's philosophy.

We ourselves must constantly change in order to survive in an ever-changing world. Jace believes we are defined by the lessons we choose to absorb from these experiences. Every time you change, you have the opportunity to learn something new about yourself. You have the opportunity to see how you've become stronger and see what inspires you to live. That is adaptation. That is growth.

Even if you feel like you're not where you want to be yet, in Jace's eyes, you have already proven your identity just by choosing to walk that path. You can't just wish to love yourself. You have to choose to see yourself as someone worthy of love.

Jace wants us to see and appreciate ourselves for who we are and who we want to be, not what we aren't. You're a glass half full, not a glass half empty. Your potential is infinite, not wasted. If you learn to see yourself this way, it's easier to be a happier, more authentic self.

Jace's philosophy is what makes his character development a beautifully resonant trans story worthy of being true trans representation in my eyes.

=========

In that moment, Jace noticed a change within himself. The Jace of Zendikar and Innistrad and Ravnica had a nervous energy about him, persistently bored and disastrously introspective, constantly aware of the chasm of absent memory that was always on his mind's horizon. The Jace without a past was present, alert, comfortable no matter the circumstance and ready to face whatever might come his way. He remembered what it was like to be both, but recognized how much more natural it was to be the latter. In the span of a moment, Jace was surprised at himself, and then realized his earnestness of late, of Ixalan, was not manufactured, nor was his mindfulness something he could only access in a state of amnesia. That was who he had always been. He had just forgotten.

[Glimpse the Far Side of the Sun - Alison Luhrs]

=========

PART 5: REPRESENTATION FOR TRANS MEN IN MAGIC

If that all seems like an excessive amount of explaining for why I believe Jace is trans, that's because it is.

My interpretation of Jace as a trans man means so much to me because there is no actual representation for trans men in Magic. Which is, frankly, really wack.

In 2015, Magic's first ever transgender character, a trans woman named Alesha, was introduced in the beloved Khans of Tarkir story, "The Truth of Names."

In 2018, a nonbinary elf Legend named Hallar was printed in Dominaria.

In 2020, a nonbinary human Legend named Alharu was printed in Commander Legends.

The introduction of trans characters in Magic really ramped up in 2021. Kaldheim introduced an angel who uses Xe/Xer pronouns in the story Know Which Way the Wind Blows; as well as Niko Aris, Magic's first nonbinary Planeswalker. Strixhaven introduced Dean Nassari of Prismari College, a nonbinary efreet Legend. And Strixhaven: A Curriculum of Chaos, the set's accompanying Dungeons & Dragons book, introduced a nonbinary loxodon NPC named Bhedum 'Rampart' Soovij, and a human NPC named Nora Ann Wu, a transgender girl who counsels other transgender students at Strixhaven. The Innistrad: Midnight Hunt story His Eyes, All of Them featured an elderly transgender woman named Malynn.

Early 2022 saw the printing of another nonbinary character, an elf chef named Rocco, in Streets of New Capenna. And a nonbinary soldier named Myrel was printed in The Brothers' War.

Seven years after the introduction of Alesha, Magic acknowledged that trans men exist for the first time ever in May 2022, when the 'Pride Across the Multiverse' Secret Lair Drop was announced, just a few days after I began writing this article. 

This Secret Lair Drop had eight cards featuring art, all by LGBTQ+ artists, that showcase the strength of the LGBTQ+ community in the Magic Multiverse. This celebration of diversity was beautiful, heartwarming, and inspiring in its entirety. Notably, it also featured two trans men in its art. In the new art for "Bearscape'', one of the men is depicted with scars from top surgery (gender-affirming surgery to flatten his chest). And in the new art for "Alesha, Who Smiles at Death", Alesha reaches out to support a young transgender man wearing a chest binder.

As a transgender man myself, I'd been waiting forever to see representation for trans men in Magic. I was happy… and then I wasn't. Two nameless transgender men with no lore appearing in the art for a Secret Lair Drop is just not meaningful representation.

The first named trans man to ever appear on a Magic card was Klement, a tiefling introduced in the summer 2022 set, Alchemy Horizons: Baldur's Gate. Don't get me wrong, I like Klement a lot– he's a very cute character and I'm glad he exists. But it's frustrating that he doesn't even exist in the Magic Multiverse because he's a Baldur's Gate character, and you can't actually own a real Klement card because he's a digital Alchemy card exclusive to Magic Arena.

Now that we're in early 2023, Magic is set to have been around for 30 years without ever featuring a named trans man character on a printed card or in a story.

Trans men have remained painfully invisible in popular media, even as the mainstream has gotten a lot better about representing a wide variety of people in the past few years. Magic in particular has done a very good job of increasing representation for marginalized groups. Magic clearly isn't afraid of including trans characters, which is why the lack of representation for trans men is so disappointing and so baffling to me.

Not having any representation for trans men in Magic hurts because meaningful representation for marginalized groups helps tremendously to promote inclusion in the community. Magic has a wonderful community and I feel like its members genuinely try to welcome all kinds of people, but others can't learn to become more accepting of you if they don't even know you exist.

When people talk about making the community welcoming for people of marginalized genders, trans men are often forgotten and left out of the conversation. When I see people discussing matters of marginalized genders in the community, they don't acknowledge that trans men are just as affected by gender discrimination as other marginalized genders. And I often see people (even other trans people) use the phrase "women and nonbinary" when talking about creating safe community spaces, seemingly not realizing that phrase categorically excludes trans men.

If the intention is to be inclusive, I don't know why we'd be excluded. It hurts to think that people say these things because they either don't know we exist or actually don't want to be friends with us.

I'm genuinely glad I've seen so many other trans people and allies connect with each other through the Magic fandom. But it's sad to not feel that same sense of solidarity and friendship. When I talk with other trans men in the Magic fandom, we're often lamenting the fact that there are no canon characters or prominent Magic creators / community members who are trans men. We have nothing to celebrate.

I think Magic's story and characters should reflect its diverse fanbase. The trans men in the Magic community deserve to have our stories told. Not only so others will understand our struggles, but so they can learn to share our joy. I want to show others who I am, and that I'm happy to be me.

Jace's character shows that people are receptive to these stories, and that in some cases, we have secretly been there all along. I'm just hoping for the day we can step proudly into the spotlight.

[happypuffy]

THE ART OF LOVING

For many years I have been on the quest for a piece of literature that would describe love to me. and as a lover of love I can finally say that I have found the closest description of love while relating it to important themes that evoke critical thinking. At first, I had a fair anxiety about finding this book to be nothing but a cliché self-help book that has a rather repetitive fashion and does not present new ideas to the question of "What essentially is love, and how can it be practiced?"

Erich Fromm succeeded in opening my mind up to the importance and the indispensability of self-discipline, of facing the harsh reality of things, and the way present socio-economic structures have affected our views on relationships. He proceeds to define the current human experience as an alienation of Man from his true essence; prioritizing pleasure that not only does not fulfill Man but empties him and leaves him shallow. On page 68, he states "Man's happiness today consists of 'having fun'. Having fun lies in the satisfaction of consuming and 'taking in' commodities, sights, food, drinks, cigarettes, people, lectures, books, movies - all are consumed, swallowed. The world is one great object for our appetite, a big apple, a big bottle, a big breast; we are the sucklers, the eternally expectant ones, the hopeful ones - and the eternally disappointed ones." We can sense bits of Aldous Huxley's Brave New World in that quote as it can be correlated to how society, especially consumer culture, has allowed us to take in pleasures in life that aren’t that essential to our 'raison d'être' or meaning to life. Everything has become so accessible, it has been taken for granted. Additionally, capitalist society has turned love into a profitable project rather than a fundamental human and universal experience that needn’t be marketed.

The author has also debunked many myths about what a successful marriage can be based on and what it can consist of. "One of the most significant expressions of love, and especially of marriage with this alienated structure, is the idea of the 'team'," he writes. Marriage is an institution that has recently fallen victim to doubt and questioning by society. Is marriage the legitimate manifestation of love? Is it the last reachable goal in people's relationships? Why is it unsuccessful then? Questions with possible answers that Fromm has explored in his 3rd chapter (Love and Its Disintegration in Contemporary Western Society).

Furthermore, the discussion gets stretched to a very interesting and rather crucial point of any conversation or analysis; God's place within the topic of love. In the chapter 'The Theory of Love', Erich Fromm goes into all possible kinds of love, and the part called 'Love of God' is the most intriguing. The author writes about the religious and spiritual aspects of the phenomenon of love. Summoning Taoism, Man's relation to God, and so on. "Thus paradoxical logic leads to the conclusion that the love of God is neither the knowledge of God in thought, nor the thought of one's love of God, but the act of experiencing the oneness with God."

Overall, 'The Art of Loving' has imprinted its ideas and sentences in my brain like tattoos. It gave me incitement to take control over my life and my relationships; to exercise love in its purest form and wish nothing in return, and to practice the art of living as well as the art of loving.

[aetheternity]

What ruins the mood during sex

A/N: {I remember writing one of these posts for AOT like three years ago. How times have changed.} Ok so like when I was writing Venti and Xiao's I felt a weird sense of Deja Vu like I'd somehow read a scenario like this in someone else's work but I can't tell if it's a real genuine feeling I should look into further or if it's some kind of random emotion based on this prompt which has been done to death as it is. But if someone tells me that someone else wrote this prompt with those two and created the same scenario I would look into it.

A/N 2: Ok so like I took my sweet time posting this because I wanted to see if I'd manage to come up with an idea for Kazuha, Albedo and Scaramouche but I could not. So if you want to know why they're not here that's why. (Yes this is a repost)

Characters: Aether, Cyno, Heizou, Tighnari, Venti, Xiao

Disclaimer: Adult situations, MDNI.

Cyno: In, a quickie turned accidental creampie.

He's got such a nice pace going. Your arms wrapped around his neck, legs tangled around his waist. Eyes fluttering shut as he slams your hips into the desk beneath you.

"Cy, are you gonna cum?"

He hums a quick reply, hips stuttering forward.

Your eyes nearly pop out of their sockets, "Wait! Cyno not inside!"

He manages to pull out but not before he'd already stained your clenching walls and a couple drops along your ass. "Since when do you want me to pull out?" He groans, eyes narrowing at the cum drenching the desk beneath you.

"Ugh! I just.. didn't want to walk around like this all day! I won't be able to shower till night fall.." You sigh in frustration. Spreading your legs wider to see the damage. "I guess I should've warned you sooner but I thought about it too late."

He simply grunts, "I will help you clean up as much as possible."



Aether: In, which one of us didn't lock the door?

He's got your hips from behind. A rather long moan cresting off his lips as he gets sucked in as deeply as he can go. Your own eyes rolling to the skies as you pull him in, pressing your hips back into his with vigor.

That is until the door creaks open suddenly, Paimon's voice loudly calling. Luckily Aether was far quicker he launched a pillow at full speed taking Paimon out fast enough for him to slam the door shut.

"Not now Paimon!" He screamed over her protests.

Meanwhile you'd already taken to the floor. Stripping the blanket from the bed as you tried and failed to hide your laughter.

Aether on the other hand looks less than amused.



Xiao: In, on the edge of glory.

You'd been teaching Xiao little things about mortal sexual relations. Not so much for testing purposes simply because he'd asked. Most of the things you'd talked about got you one of two reactions: A blank stare or a disappointed eye roll. Though as much as you wanted to properly ask, you decided against questioning Xiao's sexual exploration. For at least the time being.

At some point however Xiao had slid a book in front of you. The page already flipped to a section about edging. Now your mind probably shouldn't have immediately jumped to shock followed by an internal battle over your Xiao Xiao reading a book but-

"I wish to try this out.." He mumbled, staring off into space as he spoke.

"Of course."

Seeing as you'd done at least this much before: Getting him hard and then getting him close to cumming had been fairly easy. His breaths short and heavy as you worked him up just enough to perfectly edge him. That is until you started to work him up again only for his sensitivity to win out. His body crumbling as he covered his chest and your hand with his load.

You giggle a little at how easily, he quells at even your softest touches. Which of course was logical. He hadn't exactly done this with anyone else before.

"Aw Xiao.." You peered up at him completely endeared. Your heart fluttering so hard when you saw the way his eyes were squeezed shut and the bright red adorning his cheeks. "Xiao! It's ok! don't make that face honey it's ok."

He weakly grumbles but you just continue your praise, pressing kisses into the crook of his neck and along each of his shoulders. "We can try again, I promise."



Heizou: In, injuries may occur.

The way you've got his cock sliding between your lips, so slowly, so perfectly it makes him weak. He presses your head deeper, pushing you a little faster with soft words of encouragement.

On a particular stroke you manage to press deeper than you'd ever done before. Enough to kiss his pelvic bone. The feeling so intense Heizou's leg jolts, hard enough that his foot comes in contact with your stomach.

"Man alive! I'm sorry!" He pulls your face back, straightening up to check you for discomfort. "Are you ok?" His thumb softly massages your cheek.

"It's fine Shika." You simply grin. "It was good to know you were feeling good."

"Ugh, but that still couldn't have felt great.. Allow me to make it up to you somehow."

"What do you have in mind?"

Safe to say that moment had been ruined but perhaps the "moment" wasn't.



Tighnari: In, maybe you should've just left it there..

He's barely had a moment to sneak away all day and boy does he need it with the way you've been teasing him. He's nearly reached his limit and is about to shove you against the closest tree when a small window of opportunity arises.

The rookie forest rangers have a lunch break.. and that means so does he.

He slides into you so eagerly the second he gets you alone. Bracing your hips against his desk as he pounds you so unabashedly. Little giggles and moans falling off your lips. That is until a tube of some mysterious powder rolls its way off the desk, cracking as it collides with the floor.

"Shit.." Without hesitation Tighnari pulls out yanking the tube up from where it'd dropped. Unfortunately too quickly as his head immediately slams into the table's end. So quickly and so roughly it clattered around with you atop it.

"Oh archons, are you ok?!" You slide off the desk basically dropping onto the floor beside him. Tighnari's whine surprisingly loud as he rubs the back of his head just below his ear.

"I'll be fine but agh.. ow!"

Safe to say you two should probably finish later.



Venti: In, bless you??

You cup his face, devouring any and every moan he musters as they fill your open lips. His face scrunches up and you prepare for that all too familiar full body shudder he always does when he cums.

"Almost there, Love, so close." You coo

He lets out a little noise of confusion, nose twitching and before you can even begin to question it you're immediately covered in snot and spit. A surprise that's just as soon followed by him pumping you full of cum.

"Oh wow!" He chuckles "I'm so so sorry darling, I didn't realize I still had any sneezes left from my earlier performance at the Cats Tail ehe~"

"Venti.."

"I'm still so very sorry.."

"Run."

[millytherat]

Reading through @badaziraphaletakes inspired me to make a post about reasons:

Why people tend to choose Crowley of Aziraphale, and, consequently, think Aziraphale is bad

This might be a long post, i'll cover some topics and i might get all over the place at some point! But please be patient! Can i get into it?

Inversion of values

When first watching Good Omens, you might expect a strong inversion of values, that Heaven is bad and Hell is good, angels are the oppresors and demons the victims

It is mostly religiously (religious trauma) motivated, aka "christianity is a fucking bullshit" motivated, to expect seeing the ones who calls themselfs good (Heaven, who we interpret as Christian religious figures) be actually bad (wich, in real life, they tend to be) and, the ones they cast out as evil and sinful (Hell, wich we interpret in this case as anyone the church calls sinful, like the queer comunity) to be good and innocent and just different, it makes us feel emphatic for them, even seeing that they are, indeed, bad

I believe some people just dont want to accept it, they want to believe the angels are inherently bad and the demons just questioned their bad ways

But they arent, if anything ALL angels and demons are naturally good and innocent, "oh but Gabriel!" He was naturally good, we saw it, the same with Michael and Uriel too, they're all just tainted by the strong grip Heaven demands for them to have; in episode 1 season 2, we see both Crowley (as starmaker) and Aziraphale being totally innocent and adorable, they're good by nature, no one in the story is actually evil

When this inversion of values we wish for isnt fulfilled, it might cause an annoyance, i know a lot of people who dont accept it, and just make it up because... well is expected!

Queerness

This was originally taken from a post of "Bad Aziraphale Takes"

Crowley is "more queer" than Aziraphale, at least thats how people see it as, in fics too, how many times Crowley gender is explored, with pronouns and labels and identities? While the more i saw for Aziraphale was a vulva or they/them pronouns, and never in a human au! Aziraphale is depicted and seem as a cisgender male

I have seem even people saying Aziraphale have internalized homophobia! I- how??

Found them! @theelastword made an ask on the "bad Aziraphale takes" blog that inspired this bit <3 thank you love

Need for a villain and favorites

As we saw, people that hate Aziraphale choose to see Heaven as evil, as the villain, and that is also followed by many people who dont hate Aziraphale! Well, might i say that... we dont have a real villain in Good Omens? The angels arent evil for wishing to follow what they believe to be God's plan, nor for deminishing humanity- but i'm getting ahead of myself here!

The need to see Heaven as inhetently bad, the big bad villain, makes people see Aziraphale, going back there "freely", hurting Crowley's feelings, saying Hell/demons are the bad guys (wich they ARE?? There is not an inversion of values!) As him being evil, as him going to the side of the villain instesd of choosing Crowley, going back to CROWLEY'S abusers, not his, not theirs, Crowley

I do believe humans have a natural need to have favorites, when you're a kid is always "wich caracther of this cartoon am i?" and later is always "wich do i relate to more? Wich do i like more?", and people choose Crowley for all those reasons above and probally some personal ones too

So! As a small conclusion:

People choose to prefer Crowley, they choose to see Crowley as better because he's a "good demon", he's the victim that fell from Heaven and hates Hell, he's the queer caracther, he's kind and genuine and helps Aziraphale and have a car he loves

Because of the idea that Aziraphale is: A) opposite to Crowley; B) an Angel! (The abusers! The bad guys! The evil!); C) a BAD angel for that matter, he's selfish and mundane and comes across as rude to Crowley (because he acts so fucking autistic too!); people tend to DISLIKE Aziraphale, small simple minded people, but people nonetheless

I know the whole post is a bit over the place, it might sound confusing here and there, but i really wanted to put all this together to try and understand why people hate Aziraphale

I though maybe this can give a small input on why people think like that, it sures helps me to understand how they think that and what they mean by their terrible takes! I guess is mostly them being naive

Oh! You know how in the 2000's the media was demonizing femininity by having blond, pink, feminine villains in their high school romances? How we, to this day, tend to see feminine girls as fake, vulgar, naive, etc? How most teen girls go through a "not like other girls phase" because of that?

Same principle! Is the same reason for why they see Heaven and Aziraphale as evil

I hope someone can appreciate this lil silly thoughs put together <3

[stationintern]

Hello all!

This month was, truly, a beautiful month for me reading-wise. The birds were chirping, I found smut that made me sweat, and I revisited some old favorites. Let's jump right in. I am so excited to share these with you. (Hence why I am posting this a day early.)

Strap in!

Dwelling On Dreams by @the-sinking-ship for H/D Big Bang 2021, 135k, E

I reread this fic this month, and it was just as delicious as I remembered. There are aspects of this fic that felt burned into my memory, so it came as a shock to me when I realized that the last time I'd read this fic was over a year ago. Everything about it feels so vivid. Harry's magic, his raw sexual energy. Draco's ability to make me scream at my phone and throw a mini temper-tantrum. I love flashbacks, and this fic has them in abundance. If you're looking for a thick read with complex characters and an interesting case to solve, look no further!

Hear Me Out by @rainstormradish for @dronarryfest 2024, 5.2k, E

I am pleased to announce that I have officially bought my ticket and jumped on the Dronarry train. You've all convinced me. This fic, in particular, is what really got the ball rolling. This was... immaculate. When I said I found smut that made me sweat, I MEANT IT. I had to, like, physically reconnect with my limbs after I read this. A bit of fake dating to start you off, and it only gets better from there.

The Way You Say My Name by InnerLilith 5.3k, E

Ya'll ever just bark at your phone? Sometimes, a girl just wants to read about Harry Potter going absolutely bonkers over Draco Malfoy calling him sweet little names. Very hot, very important to me.

Please hold. Your call is very important to us./Bloodlust and Bureaucracy by @goblinmatriarch 5k, T/8.5k E

DOUBLE FEATURE! I love the smell of wizarding bureaucracy in the morning. What a little world you have built! Authors who can create a new little piece of the wizarding world to explore mean the world to me. Very interesting in regards to how the medical system in the wizarding world relates to its real-world counterparts. Also, some biting action. Very smart, very hot.

Crossed Wires by @skeptiquewrites 11k, E

Critics are raving. "Literally ripping up the wallpaper in my home," says one reviewer. "Gnawing at the bars of my enclosure," says another. Bureaucracy lovers win forever and ever. Also, Draco gets to wear many suits. Harry Potter the reluctant politician. I couldn't have wished for more.

Our Objective Remains Unchanged by @citrusses 46k, E

BOATS, REPRESSION, MORE BOATS, EDGING (for sports purposes), EVEN MORE REPRESSION, AND WILL YOU BELIEVE ME IF I SAY THERE'S MORE BOATS. I don't know how you've done it, but you've managed to parallel the epic highs and lows of college rowing with the literal wizarding war. If that isn't talent, I don't know what is babe.

Truth or Dare? by @lettersbyelise 3.4k, E

There is truly nothing more intimate than jerking off your childhood rival while a party goes on around you. THAT, my friends, is the key to post-war, inter-house unity.

Borrowed Time by @the-starryknight for @dronarryfest 2024, 7.6k, E

Oh this was fire. What do you know about body swapping threesomes? Would you like to know more? Yes. Yes, you would.

Alrighty, I think that's all for now, folks. Very thankful to be in a fandom with so so so many talented people. You all blow my mind. Here's to another month of fantastic fiction!

See ya!

XX, Moon