#i can visualize how they exist now

[thespacedragons]

Yeah my brain is having Thoughts TM about dimensions so I'm probably going to be annoying for a bit.

But like, we can view the 3rd dimension in the second dimension and we still recognize it as having originated from the 3rd dimension. So would a 4th dimensional being be able to view the 4th dimension in a 3rd dimensional way? How would the 3rd dimension look to a 5th dimensional being? Would a 5th dimensional being see us as one of the many lines they can see?

Why is it easier for me to picture the 5th dimension and 5th dimensional beings than it is for me to picture the 4th dimension and its beings?

Would they remember the timeline before they moved back and started again? Do they have to move backwards at the same rate time moves forward for us or can they manipulate the speed of time both forward and backward as we can manipulate the speed of our movements through the 3rd dimension? Would someone from the 5th dimension have the memories of all of their selves in the parallel timelines or if they meet themself from another timeline is it like meeting a different person altogether? Would that answer influence the one about the 4th dimensional being or would they be answers separate of each other?

I am filled with questions and have no way to get answers and it upsets me, but I also enjoy just the feeling of being curious so I guess I will live knowing I will maybe(?) eventually get answers or maybe not.

[hinamie]

*catboys ur shounen protag*

[greenfiend]

"You're not thinking fourth dimensionally."

Excuse you, I’ve been doing nothing but thinking of the fourth dimension as a Byler. 🤨

I can’t stop thinking about how a wheel represented time freezing around Will. Likely representing a Wheeler.

[opens-up-4-nobody]

...

[that-one-loz-nerd]

Not being good at art is the most frustrating thing in the world

[hauntingblue]

Kaido lore?!

[peapod20001]

I actually do have very complex thoughts about many different things, it’s just a bit challenging to connect the inner voice to the outer voice sometimes </3

[beeapocalypse]

worlds freakiest computer girlfriend who tells u to transition over every single problem faced

[theabstruseone]

I slept in and just woke up, so here's what I've been able to figure out while sipping coffee:

Twitter has officially rebranded to X just a day or two after the move was announced.

The official branding is that a tweet is now called "an X", for which there are too many jokes to make.

The official account is still @twitter because someone else owns @X and they didn't reclaim the username first.

The logo is 𝕏 which is the Unicode character Unicode U+1D54F so the logo cannot be copyrighted and it is highly likely that it cannot be protected as a trademark.

Outside the visual logo, the trademark for the use of the name "X" in social media is held by Meta/Facebook, while the trademark for "X" in finance/commerce is owned by Microsoft.

The rebranding has been stopped in Japan as the term "X Japan" is trademarked by the band X JAPAN.

Elon had workers taking down the "Twitter" name from the side of the building. He did not have any permits to do this. The building owner called the cops who stopped the crew midway through so the sign just says "er".

He still plans to call his streaming and media hosting branch of the company as "Xvideo". Nobody tell him.

This man wants you to give him control over all of your financial information.

Edit to add further developments:

Yes, this is all real. Check the notes and people have pictures. I understand the skepticism because it feels like a joke, but to the best of my knowledge, everything in the above is accurate.

Microsoft also owns the trademark on X for chatting and gaming because, y'know, X-box.

The logo came from a random podcaster who tweeted it at Musk.

The act of sending a tweet is now known as "Xeet". They even added a guide for how to Xeet.

The branding change is inconsistent. Some icons have changed, some have not, and the words "tweet" and "Twitter" are still all over the place on the site.

TweetDeck is currently unaffected and I hope it's because they forgot that it exists again. The complete negligence toward that tool and just leaving it the hell alone is the only thing that makes the site usable (and some of us are stuck on there for work).

This is likely because Musk was forced out of PayPal due to a failed credit line project and because he wanted to rename the site to "X-Paypal" and eventually just to "X".

This became a big deal behind the scenes as Musk paid over $1 million for the domain X.com and wanted to rebrand the company that already had the brand awareness people were using it as a verb to "pay online" (as in "I'll paypal you the money")

X.com is not currently owned by Musk. It is held by a domain registrar (I believe GoDaddy but I'm not entirely sure). Meaning as long as he's hung onto this idea of making X Corp a thing, he couldn't be arsed to pay the $15/year domain renewal.

Bloomberg estimates the rebranding wiped between $4 to $20 billion from the valuation of Twitter due to the loss of brand awareness.

The company was already worth less than half of the $44 billion Musk paid for it in the first place, meaning this may end up a worse deal than when Yahoo bought Tumblr.

One estimation (though this is with a grain of salt) said that Twitter is three months from defaulting on its loans taken out to buy the site. Those loans were secured with Tesla stock. Meaning the bank will seize that stock and, since it won't be enough to pay the debt (since it's worth around 50-75% of what it was at the time of the loan), they can start seizing personal assets of Elon Musk including the Twitter company itself and his interest in SpaceX.

Sesame Street's official accounts mocked the rebranding.

[icarus-suraki]

I don't like wading into Ao3 debates, but I want to give my professional opinion on Ao3 with regard to archives vs. libraries.

I am a professional librarian (MSLS) and I have worked in both archives and public libraries and a lot of the confusion and concern I see surrounding Ao3 is a fundamental misunderstanding of How Archives Work.

An archive is a collection related to a subject. That subject is often a person but sometimes a field or concept or project. And the purpose of an archive is to keep everything. And I mean everything. I was going to say "short of biohazards" but since I know there's a sealed R. Crumb Devil Gal chocolate bar in the UNC Chapel Hill archives, we really do mean everything.

When a collection of materials--which are usually unique and original and can be photos, manuscripts, letters, recordings (audio and/or visual), notes and notebooks, objects, published books, whatever--on and/or from the subject arrive at the archive, they are examined, preserved for longevity, accessioned and cataloged (added to the archive's records), and added to the archive. You measure collections in linear feet. As in, once it's all preserved and boxed and secure, you note how many feet of shelf space it takes up. And some of y'all on Ao3 have a lot of linear feet to your name (and I'm proud of you).

This is an archive: it is designed to preserve the original materials related to a subject. That is its purpose. Archives are how we have the original scroll manuscript of On the Road, for example, or the Lomax recordings of American folksongs, or Tijuana Bibles, or James Joyce's loveletters to Nora.

Now you, a member of the public, can access some archives. Some are easier to access than others. The one I worked in was open to the public; good luck getting into the British Archives without a good reason.

So now apply this to Ao3--which is an archive both in name and in purpose. It is intended to preserve fan-created content long term. And this means everything, whether you personally like the materials or not. It is a repository for as much as possible.

And the "whether you personally like the materials or not" is important, hence why I mentioned Jim's loveletters and Tijuana Bibles in particular. (RIP Jim, you would have loved pegging.)

If it's made by fans and it exists, we should keep it to document the history and progression of fandom. That is the point. We have lost enough materials related to the subject of fans of media and we don't need to lose any more.

The fact of the matter is that Ao3 is only one facet of the OTW, which preserves other fan-related materials (convention booklets and zines, for example). Somehow Ao3, an archive on the subject of fanfiction, has been divorced from the rest of the project, mostly by way of "purity culture" and panic over "dangerous" fiction.

The fact that you can go through an archive and find interesting information is the other side of archives. No, they shouldn't be like the banker's box of old letters stuffed in my closet. Yes, they should be organized and as accessible as is appropriate for the state of the materials.

It's really, really cool to find stuff in an archive, I'm not even going to lie. I have done it before and I will do it again. And yet there are other items in an archive that I might not want or need or be interested in at all--but they're still there. That's the cataloging and accessioning: to keep up with what's there, to stay "on topic" with collecting, and to be able to find things in that archive. Bless the tag wranglers who are doing the cataloging at Ao3.

The pearl clutching seems to come from 1. the creation of "dangerous" fanworks and 2. public access to those "dangerous" fanworks. These are issues of "purity culture" and opinions on censorship and should not involve Ao3.

Ao3, under the umbrella of the OTW, is a documentation and preservation project first and foremost.

[grasshoppergeography]

Hey All,

I've been away for some time, as we've been working really hard on something quite exciting:

let me present to you the world's first ever global ocean drainage basin map that shows all permanent and temporary water flows on the planet.

This is quite big news, as far as I know this has never been done before. There are hundreds of hours of work in it (with the data + manual work as well) and it's quite a relief that they are all finished now.

But what is an ocean drainage basin map, I hear most of you asking? A couple of years ago I tried to find a map that shows which ocean does each of the world's rivers end up in. I was a bit surprised to see there is no map like that, so I just decided I'll make it myself - as usual :) Well, after realizing all the technical difficulties, I wasn't so surprised any more that it didn't exist. So yeah, it was quite a challenge but I am very happy with the result.

In addition to the global map I've created a set of 43 maps for different countries, states and continents, four versions for each: maps with white and black background, and a version for both with coloured oceans (aka polygons). Here's the global map with polygons:

I know from experience that maps can be great conversation starters, and I aim to make maps that are visually striking and can effectively deliver a message. With these ocean drainage basin maps the most important part was to make them easily understandable, so after you have seen one, the others all become effortless to interpret as well. Let me know how I did, I really appreciate any and all kinds of feedback.

Here are a few more from the set, I hope you too learn something new from them. I certainly did, and I am a geographer.

The greatest surprise with Europe is that its biggest river is all grey, as the Volga flows into the Caspian sea, therefore its basin counts as endorheic.

An endorheic basin is one which never reaches the ocean, mostly because it dries out in desert areas or ends up in lakes with no outflow. The biggest endorheic basin is the Caspian’s, but the area of the Great Basin in the US is also a good example of endorheic basins.

I love how the green of the Atlantic Ocean tangles together in the middle.

No, the dividing line is not at Cape Town, unfortunately.

I know these two colours weren’t the best choice for colourblind people and I sincerely apologize for that. I’ve been planning to make colourblind-friendly versions of my maps for ages now – still not sure when I get there, but I want you to know that it’s just moved up on my todo-list. A lot further up.

Minnesota is quite crazy with all that blue, right? Some other US states that are equally mind-blowing: North Dakota, New Mexico, Colorado, Wyoming. You can check them all out here.

Yes, most of the Peruvian waters drain into the Atlantic Ocean. Here are the maps of Peru, if you want to take a closer look.

Asia is amazingly colourful with lots of endorheic basins in the middle areas: deserts, the Himalayas and the Caspian sea are to blame. Also note how the Indonesian islands of Java and Sumatra are divided.

I mentioned earlier that I also made white versions of all maps. Here’s Australia with its vast deserts. If you're wondering about the weird lines in the middle: that’s the Simpson desert with its famous parallel sand dunes.

North America with white background and colourful oceans looks pretty neat, I think.

Finally, I made the drainage basin maps of the individual oceans: The Atlantic, the Arctic, the Indian and the Pacific. The Arctic is my favourite one.

I really hope you like my new maps, and that they will become as popular as my river basin maps. Those have already helped dozens of environmental NGOs to illustrate their important messages all around the world. It would be nice if these maps too could find their purpose.

[inmaki]

gojo showing off your back scratches to geto

( cont from this fic! req, visual ) .

contains: sex talk, desc of back scratches, crack, sugu is called daddy once (as a joke.. right..)

everything was relatively peaceful in suguru's apartment. key word: relatively.

a forgettable yet appreciated sunday afternoon, not a cloud in sight despite the weather forecast predicting downpours of rain. either way, the raven-haired man insouciantly rested across his white couch, reaching the conclusion that today would be a day for self-care, relaxing, and perhaps some meditation.

there was only one thing ruining his peace.

all morning, suguru has been forced to try and ignore the stain a certain someone has left on his couch — a pair of unecessarily expensive yet dirty shoes being the culprit.

despite these attempts, every once in a while his gaze can't help but wander over at the mark — as if it'd poof out of existence if he glared hard enough.

"fuckin' asshole.." he mutters. it was a wonder his relationship with his best friend managed to stay so promising despite all their differences, yet suguru wouldn't have it any other way, even after situations like this.

right when he grumpily turns back to the tv — which was playing some crappy, low budget rom-com — his apartment door is yanked open and suguru swears he nearly jumps out of his seat.

great, was this it? was he about to get robbed, perhaps evicted? and then probably die? forced into the afterlife knowing gojo's shoe-shit was still on his new couch? no that can't—

"i fucked her!"

suguru whips his head towards the apartment door, announcement being disregarded as he nearly groans in agony. speak of the devil.

big blue eyes peak out from under circular sunglasses, one hand already raised in preparation for a dap up while his stupid, big, dirty shoe pushes the door closed behind him. gojo wears a black compression shirt with grey sweats, marching over to his friend with a ginormous grin across his cheeks.

"take your shoes off, now," suguru snaps, nodding to his friend's feet with a frown.

"yeesh... whatever y'say, daddy," the bastard never loses his smile as his hands raise in surrender, kicking them off by the door smoothly. "what's got your panties in a twist?"

geto pinches his nose bridge. "don't call me that," as he continues the scolding, he points to the living room with his free hand. "you got a mystery stain on my couch, satoru. do you know how many youtube videos i watched trying to get this shit off?"

unphased, gojo takes a look at the strangely colored blob against the armrest's leather material and shrugs. "my bad. did you try febreeze?"

"what— no? dude, febreeze is for.." when suguru looks back up to sourly meet his gaze, he could immediately tell the white-haired man was already drifting back into la-la-land, words going in one ear and out the other. "..nevermind. why're you here?"

at the reminder, satoru seemingly brightens, head shooting back up as if he was just told he'd won the lottery.

"oh god, don't make that stupid face—" he pauses. "the fuck are you doing?" suguru might as well say goodbye to his self-care day, because now gojo was stripping in the middle of his living room, shirt thrown haphazardly onto the still-very-much-stained couch.

"just look!" suguru squints as his friend swivels around to face the wall, pushing his bangs away to get a better view of the— oh shit.

it takes the raven-haired man a second to process what he's seeing before shuffling forward, closely examining the achingly red, bulging scratch marks displayed sexily across the latter's back and shoulders. "no way.."

suguru knows the strongest sorcerer well enough to notice how he purposely didn't use reversed cursed technique on these scratches, just so it'd be obvious to anyone that caught a glimpse of what exactly occured. to his further dismay, he can already picture a smug and sweaty gojo walking around their local gym like this, proud simper on his pretty lips as he easily raises a pair of weights in his veiny hands.

a hiss escapes geto's mouth as he runs his finger down a particularly agitated one, knowing exactly how painful they could be after experiencing many hook-ups of his own. even so, satoru only licks his lips, neck craning to the side so he can pride himself in his friend's gobsmacked expression.

"damn, these are deep. you actually hit it?" suguru confirms, raising a celebratory hand.

turning back around, satoru daps him up, a massive smirk now on both their faces. "hell yeah, it was amazing."

it was impossible to predict what gojo would do next after barging through his front door — especially considering how many times he's done so — but this has to be the last thing suguru ever expected.

not that he was complaining — in fact, all of geto's temper and need for relaxation seemingly flew out the window, the feeling of proudness for his best friend overthrowing anything else.

and even if he hated to admit it, the way gojo was so eager to come over and announce his virginity loss to him was more than a little endearing, and dare he say cute.

"that's great, man. congrats." suguru leads him into the kitchen — still shamelessly shirtless — to grab them both a can of beer in celebration. while the white-haired man usually didn't get involved with any form of alcohol, this occasion was most definitely exception-worthy. "you made y/n cum too, right?"

an offended glare is shot his way. "duh, two times."

"huh. surprised you could last."

as suguru pours their drinks into two fragile cups, gojo exhales, not bothered in the slightest by his jab. "dude, same.." he admits dreamily. "she was so fuckin' tight and warm.. and oh— fuck, her moans? heavenly.. 'can't believe i didn't bust after the first minute.."

geto gulps, trying his best to ignore the mental image his brain was producing from his dirty words. you can't blame him — both of you were smoking hot, and he was a simple man.

even now, he could already imagine what you both looked like; panting and moaning, skin-slapping so loud that it echoed through the whole room, how blissed out you'd look as gojo's cock split you in t—

satoru's playful sigh cuts through the tensing air. "who knows sugs, maybe you'll have another kind of stain to worry about next time we're over~"

he's never snapped out of a daydream so quickly. "don't even joke about that."

over the next hour, the two men sat manspread on the stained couch, taking leisure sips while recalling satoru's final moments as a virgin — suguru giving out his secret tips and tricks along the way.

maybe sometime, suguru could offer some.. hands-on learning instead.

mlist! <- sugu.. how could u think abt ur bestie and his gf like that... tsk tsk tsk (if u enjoyed reblogs/comments r appreciated heheh)

© inmaki on tumblr. all rights reserved. do not cross-post, translate, copy in any way, etc.

[cherrypikkins]

@dimiclaudeblaigan asked for a tutorial on how to begin drawing. Good news! If you can draw a funky looking stick man, you have already started!

I think that stick people are a great starting point for artists because of the things you can learn from them that will be important later on.

If you are able to draw a circle and a couple of lines, you can easily put together a stick person.

Congratulations! You have started to draw. :)

A stick person is a very minimal artistic representation of a real life person. It is simple yet recognizable, and is widely used in art, media, and signage.

But what can a stick person teach us about drawing people that look more like… well, people? Lets have a look!

By simply adding a few more lines, we can add a pair of eyes and a mouth. Maybe even a little triangle nose! Or half circles for ears. We can now draw a face, which provides a basis for all sorts of expressions.

These simple additions can allow us to explore the wide range of human emotion and individuality.

This may seem like the basics of the basics. But that is what we want! In order to get to the point where we are able to draw complex, elaborate representations of humans and objects, we will need to start with simple shapes like lines and circles and build our understanding from there.

For instance, lets give our stick person some cool new features, such as hands and feet. I chose little squiggly circles to represent hands, and triangles to represent feet.

We can go a step further and modify the body of the stick person to include shoulders, hips, elbows and knees. These parts of the human body are quite complex in real life But here, all we need to do is add a few simple lines and dots to our stick person.

The lines provide some additional structural elements to our stick person's body, which are the shoulders and the hips. The dots indicate the points of articulation - elbows and knees, the places where the arms and legs bend!

Now we can use our stick person to show us an even wider range of human movement, action, and expression.

Our little drawing of a human being is evolving! All it took was adding a few more lines and shapes here and there.

By elongating some of the existing lines and making the head an oval instead of a circle, we can give our stick person proportions that resemble that of a real life human.

By this point, we have managed to add more complexity to our stick person simply by using our ability to draw lines, circles, and other basic shapes!

These basic ideas are the building blocks that will enable us to create more complex shapes.

The next part may be a considerable step up if you are absolutely new to drawing, but I have decided to include it in order to show you how complex objects like the human body can be built from shapes that are a bit more complex than circles and lines.

For example. Two ovals and a rectangle can be combined to create a cylinder.

Six squares can be combined to create a cube, or a box. Here, each square is distorted slightly depending on which way the cube is facing.

Note that the back faces of the cube and the bottom of the cylinder are hidden. These shapes allow us to visualize that which should not normally visible.

A sphere from all perspectives can be represented by a circle. But we can make it more like a sphere by adding lighting and shadow if we so desire.

Cubes, cylinders, and spheres are examples of 'solid shapes' because they consist of 3 dimensions.

Lets see how these solid shapes can be used to compose the human body.

By stacking three cylindrical objects, we can create a torso. Two spheres have been added to form shoulders, while a smaller cylinder forms the neck.

An arm is an alternating sequence of spheres and cylinders connected together. Note that the hand has been simplified for this example.

We can apply these solid shapes to the rest of the body to give us a more recognizable representation of the human form. It doesn't even have to be perfect. And just like that, our stick figure now has a silhouette that is unmistakably a person!

In the above examples, notice that we kept the stick person at the beginning while building up the shapes and solids around it. This is because the stick person serves as a guide for positioning the body and its various parts -> also known as posing.

You can do the same thing to everyday objects! Here, I drew a wine glass by stacking these three dimensional solid shapes.

The cup and its contents are two ovoid shapes that were cut in half. The stem is a very thin cylinder shape. The base is a cylinder with a slightly wider bottom.

Solid shapes help inform us how objects and parts of the human body may appear from different perspectives.

For example, a sphere can be used to demonstrate how the human head appears when looking up or down, turned to the side, or tilted at an angle.

With these examples, I hope I have managed to convinced you that if you can draw a circle and a couple of lines, you can draw a person! You just have to train your eye to recognize the simple shapes within complex objects. Try it with everyday objects as well! Or even your favourite media! A drawing subject can be as simple or as complex as you envision it to be.

Once you have mastered that, there are many aspects of drawing you can explore from here that may require you to seek additional resources or a fellow artist's advice.

Last of all, remember that drawing is an iterative process. Even if you draw something correct the first time, you will need to draw it again and again to get it right all times! And by making small changes like the ones we explored in this tutorial, your drawings will gradually transform!

I hope what I've demonstrated here are enough to provide the basics of how to get started with drawing objects and people, and also to help refresh more experienced artists. :) Hopefully I didn't go too off topic with what was requested, and let me know if there are any more questions I can answer.

Cheers :3

[4dbeingguide]

11 tips from a master manifestor.

y’all have been loving my first post and it’s really encouraged me to come back. this time i have 11 tips for you! i would’ve really appreciated a post like this when i was a beginner so i’ve decided to make it for those who may also be starting with their journey. actually it doesn’t matter where you are on this road, this is supposed to help everybody, including master manifestors (yes, sometimes doubts cross our minds, we just know how to deal with them)!

there is a lot of repetition as there are some concepts i want to emphasize on. excuse any grammar errors. let’s get straight to it!

stop giving a fuck about the 3D. that is absolute (as in, don’t check it, don’t wait for anything from it, don’t let it get to you). just stop. i have a post over here that will really help you in doing so (and no, it isn’t me cursing at you while ordering you to stop. it’s me having a discussion with you and listening to your doubts while refuting them and i also back it up with scientific sources).

acknowledge that you already are a master manifestor. you’re already where you need to be. don’t let the illusion that is the 3D tell you otherwise!

if you see a piece of manifestation advice that rubs you the wrong way then simply act as if it’s false and doesn’t apply to your reality. you make the rules.

speaking of rules, make yourself some manifesting rules that dictate that manifesting is effortless and instant for you. don’t settle for less.

keep a success story list (and yes, you can put stuff that you’ve assumed that hasn’t appeared in the 3D since the 4D is the only reality) so that you can use it to reaffirm your belief in the law if you ever doubt it.

never seek approval from the 3D for ANYTHING. it is an ILLUSION. your 4D/mind/assumptions are the OBJECTIVE reality. this also applies to the state of waiting and wanting. why do you want to wait for the approval of an illusion? and what are you wanting when it’s already here?

the 3D is not your enemy and it is impossible for the 3D to reject your manifestation. the bitch is inanimate lmao. have you ever walked in front of a mirror and had it tell you “i’m not gonna reflect right now”? i’m sure the answer is no. the 3D works the same way. it EXISTS to reflect our assumptions. that’s its entire purpose. it is nothing but an illusory perception of our 4D. it actually obeys you down to a T. i was gonna say it’s your pet but pets are actually alive and autonomous, the 3D isn’t. the 3D just an inanimate illusion. your business is in the 4D. that’s where you live.

you don’t need a technique. to manifest, all you have to do is assume you have it or enter the state of having it. techniques simply exist to help you do so (that’s why we affirm/visualize/etc. that we have it) but you can do it directly. that doesn’t mean you shouldn’t use them. do what feels most natural to you. do what is the most efficient when it comes to making you fulfilled (not what gives it to you fastest in the 3D. remember, it’s an illusion).

you shouldn’t care if the 3D will give it to you or not. the 3D is an illusion, remember? a simple way to get yourself to put your eyes on the 4D is saying something to the effect of “this 3D/physical world isn’t real/is an illusion, the 4D/mind is the only true reality, i live in the 4D and thus all my affairs are there and not in the 3D and this is what the 4D is saying: (insert manifestation)”. seriously, all your affairs are in the 4D. you’re 4 dimensional.

when doubts persist, reading rants and banging pots and pans might help sometimes but sometimes you just have to sit down with yourself and have an internal dialogue. you’re human (probably 🤔 just in case you’re manifesting otherwise as you read this, and yes it IS possible). hear what your doubts have to say in full (don’t buy it though) and debunk them calmly and civilly.

limits don’t exist. imagination is the only reality. if you can imagine it then it can happen unless you say it can’t.

if you liked this post, make sure to check out my post here!!! in it i elaborate on how to deal with doubts. have an amazing day 🫶

[waffled0g]

Everyone gets “The 90s” look wrong and I hate it

Couple years ago I saw these two board games at the store back to back. Well, not saw them per se, but ya know. Spied them out of the corner of my eye. And for a moment without reading the text, I couldn’t tell you which was which decade at first. Funny. Either they were in a rush to get these out the door or they wanted their throwback trivia game boxes to look uniform. I didn’t think too much of it.

Only, from then on I started seeing it MORE. Every time someone markets a 90s or 80s throwback...

Goddammit they’re identical! What??! How did we let this happen? As a 90s survivor and a designer, this drives me up a wall.

Look, I know I’m late to the party to complain about “the 90s look” when we’re just starting to get sick of the Y2K nostalgia train. But c’mon, the 90s were not The 80s: Part Two™ 

Trust me when I say that we weren’t all wearing neon trapezoids up until the year 2000. The 90s look being peddled is so specific to the tail end of the 80s and an early early part of the 90s - a part of the 90s when it wouldn’t stop being the 80s. This is Memphis design being conflated with the wrong decade.

Keep reading for a long ass graphic design history lesson and pictures of old soda and fast food.

Specifically, the look is Memphis Milano, self-named by the Italian design house Memphis Group. Starting in the early to mid 80s, they made all sorts of furniture, fabrics and sculptures that were like a Piet Mondrian grid painting under heavy radiation. Their whole deal was defying the standards of existing industrial design up to that point on purpose. Chairs had weird arches, bookcases would be in strange alien colors, unusual materials like plastic or elastic were used in place of metal or wood, that sorta thing.

Memphis quickly became the signature look for the decade. You can tell something’s influenced by Memphis design from it’s telltale trademarks:

Clashing, neon colors.

Use of diametric shapes.

Contrasting patterns like zebra print stripes, confetti squiggles and checkerboards.

It wasn’t long before Memphis Milano-inspired design was everywhere in 80s pop culture:

It was a special time, yes.

I was a kindergartener at the tail end of the 80s, so I knew Memphis mostly through the lens of kids media. Toys, clothes, games, tv shows used it like candy colored catnip. Cable channel Nickelodeon more or less adopted the Memphis aesthetic as their signature in-house style and practically built a monument to it at a Florida theme park:

I think this is why folks mistake what decade Memphis is representative of - 90s staples like Nick, Saved By The Bell, Fresh Prince - they all stayed around much longer than the design trend’s expiration date. 

Couple that notion with the fact that companies are slow followers to design trends. Something gets popular and they want to get on the bandwagon? Gotta wait for the ink to dry, gotta wait for the production molds to be made. It would take a few years for them to completely work Memphis outta their system.

Now, this is not to say Memphis is bad! Personally I’m a fan of the aesthetic, if my neon-drenched artwork wasn’t a tip-off already. But it is a trend, and trends never last forever.

So what took the Memphis Milano look down for good? This part’s up for debate, but I personally think it had something to do with this dude:

It’s that grunge music from Seattle that’s so popular with the kids these days dontchaknow.

Once Smells Like Teen Spirit hit in 1991, the Nirvana tone drove the rest of the decade. Clean geometry became weathered, grainy and organic. Bright neon pastels became more bold. Bubblegum pop music sounded fake and manufactured. Attitude and apathy was authentic. Whatever.

Things got grungy. Things got grimy. Olestra was invented.

I think the best way to visualize this transition is how Cherry Coke entered the decade and how it left it:

1992 Memphis on the left, 1998 grunge junkie on the right. Fitting that the 90s would end with a design that looked like Darth Maul’s lungs.

Okay, so what should 90s retro design look like?

Continue on to PART TWO! Spoilers: No VHS filters or vaporwave needed, but maybe bring an antacid.

[lilacstro]

how to manifest with your jupiter sign

this post feels long lost due, I had many asks on this so I will make a post on this one <33

support me on ko-fi :)

Jupiter is a planet of faith, and optimism and abundance. However, you don't really have a planet specifically made for "manifestation", but if you think you had to guess one, I am guessing it would be Jupiter. Even in vedic astrology, people with strong brihaspati or Jupiter are considered lucky. Someone who was reading palms for me and my sister the other day said the first thing we do to see luck through hands is the Jupiter and Venus mount. But Venus is luxury you have in life and Jupiter is the fortune, I hope I am making sense. But otherwise, I have often seen 11th house be associated with manifestation

this post definitely checked my creativity and the methods of manifestations im aware of lmao. I have not taken this from any book but rather its mere observation of the charts I have seen until now, and asked my family to see if it worked for them and it made sense so its again a my theory kinda post lmao. I hope it is able to help y'all too <33 I was refraining from making a post on this one but it had a LOTT of asks so I decided to do it :) Let's gooooooooooo

use a combination of your sign, degree and house to find common grounds<33

Jupiter in:

Aries/1st house: First of all, be precise and extremely clear about what you want. If you need to put the work or you believe in taking inspired actions, please do! I would also suggest concentrating/condensing your energy in your 3rd eye through meditations. Believe in yourself and also, don't jump 10 places. I have often seen people with Jupiter in 1st house have kind of a scattered energy, to put it correctly, not really laidback, not really fierce, and I think this should be fixed. I would suggest people with this placement to work with their chart ruler and Jupiter along to find a best method that could suit them, the best one I feel like suggesting for everyone, is meditation.

Taurus/2nd house: I think people with this placement should definitely use affirmation tapes/affirmations. I would suggest methods that make you feel at peace and calm, and relaxing. Use aura meditations/ocean music before bed and calm yourself down and focus. Speak your desire into existence, using affirmations in front of mirror could be one thing you can do. If possible, make a vision board or buy a small manifestation souvenir suggesting your desire is complete. If possible, write your manifestations on a white sheet and bury them under a plant or soil in your garden.

Gemini/3rd house: Write. Journal your desires, write them down, clearly. If you guys have things like a feng shui crystal turtle, write your desires on a paper and put it under that turtle. I would also suggest using affirmations, to people with this placement, be optimistic and say good things about your manifestation. Use the law of assumption. Listen to subliminals, it may really help as well.

Cancer/4th house: FEEL your manifestation. Use music that makes you feel as if, evokes such emotions you know. Use the moon cycles for manifestation. Have you guys heard of Moon water manifestation? Basically, in a glass put some water and set intentions of your manifestation and put it under the full moon. Next day, drink that water. If you used a bigger bottle, then drink that water every time you set intentions of your manifestations. Use visualization

Leo/5th house: Have fun with your manifestation. Enjoy what you are willing to manifest and feel the vibes coming in. Be confident that yes, it is coming and it would happen. Be creative about your manifestation. Try drawing your desires if you guys enjoy arts. Create beautiful DIYs like creative vision boards while blasting music, or pretty photo frames or phone wallpapers that would suggest completion of your desires. I would also suggest using heart chakra meditations, lifting your spirits up.

Virgo/6th house: Create a manifestation routine. Something that locks you in and also, dont be too fixtated on when will it happen. Create a routine you enjoy and it can be absolutely anything. I however feel like suggesting 369 method, 55X5 method or things like so. One other thing I will say is, don't be afraid of helping someone if your boundaries are not crossed, and you may actually find that you have coincidences that lead you to what you had wanted. I would say, be open minded as well. Release pent up energy in your body time to time. I have often seen people with this placement are already very helping/people like to ask them for help.

Libra/7th house: I would suggest talking about your manifestation, in a journal, to someone you trust or even to yourself in a positive, loving way! Enjoy talking about what you want, talk about it with love, faith and optimism. I would suggest using a sigil, especially near your mirror or when you are getting ready. Use a pretty paper, and make it super cute and to your aesthetic. If its possible, clean and program the ornaments you wear, or even if its a hair tie you wear daily. By program I mean, meditating on it and setting a vibration/energy that corresponds to your manifestation. pretending as if can help too.

Scorpio/8th house: Don't talk about your manifestation until its complete, don't tell much people about it until you are close with them. Use sleep meditations (I would suggest Edward Art's sleep meditations) and please, believe in your manifestation but yourself first, that you can attract what you want. Use the law of attraction. Even though I suggest being on high vibrations, I would still say, let yourself feel your emotions, its important to feel yourself. Don't get too attached, fearful or desperate for what you want. Pray to whoever you believe when you're sleeping. Often seen people with this placement/8th house moons or stelliums have some kind of divine intervention with the things they desire. Be open to change in paths, if it is possible.

Sagittarius/9th house: Be optimistic about your manifestation. Pray if you believe in a higher deity or power. This is a very lucky placement in my opinion and you have the power to achieve whatever you want, just desire it strongly and in a positive way. Use frequency meditations, and if possible. Have faith and patience and don't be in a rush for anything. Use manifestation journals if possible. I feel people with these placements are already quite spiritual or at least aware of such topics. Use affirmations/ religious affirmations if you believe in one.

Capricorn/10th house: Talk about your manifestation, don't lie about what you want when asked, say it if its not violating your boundaries and if not, just say something neutral. I feel people with this placement, often manifest what they show, even if they are trying to be private or pretentious, its just weird. Act as if, and have some confidence. I feel people with this placement appear lucky to people so I would indeed suggest protecting your energy. This placement should also somehow be ready to accept the challenges that will come along when they ask for what they want, because these people often dream big but this placement again feels brings unpredictable things on your path. So, be open and flexible is a suggestion. But be assured, the rewards often exceed expectations!!

Aquarius/11th house: USE PINTREST BOARDS IF YOU DOO. Use subliminals, Create a manifestation journal with affirmations and pictures. Use manifestation meditations. Experiment with your manifestations, let it be, and let it go. Don't obsess about what you're manifesting. Have a positive self talk. Your manifestation is actually likely to appear when you least expect it/don't bother about it much. Random but write yourself messages/emails or success stories as if you achieved what you want, this is a very good placements for strong manifestors imo

Pisces/12th house: Use visualization, SATs coming to me specifically. Sleep in the state of wish fulfilled. Be helathy-delusional, and use crystals if you have one or are willing to use them and even better if you can charge them near ocean. Use water meditation, water-manifestation methods. Have strong faith :)) Use spells and charms. program your crystals and journals.

EXTRA: Jupiter in air signs or degrees: Watch your thoughts and words, speak your desire in existence Jupiter in water signs or degrees: Watch your feelings, feel as if and don't let your feelings consume you eitherways. Beware of extreme delusion and mark a line on reality Jupiter in fire signs or degrees: Watch your actions and impulses, take inspired actions as needed, feel the excitement but don't get reckless or mindlessly impulsive. Know the line between what you feel like doing because of an intuitive nudge, and where you are being stupid or over faithful/risk taking.

btw paid readings are open:)

support me on ko-fi :) that's it. I hope I was able to help and this post brought some clarity. I hope you liked this post. All the best :)) i love you all <33