its prosecutor jiang wanyin!!!! oh fuck!!! / gifs + au rambling below the cut / follow for more mdzs x aa crossover stuff :3
all the gifs i made (poses traced off franziska):
hes so similar to franziska when you think about it. theyre both deeply insecure tsundere adoptive younger sibling of successful main characters. who carry whips. something something edgeworth choosing death and wwx actually dying also
his share code is HWFEFF if you wanna use him in a trial! you can't share backgrounds but heres the scenery from the donghua i used.
the easiest way to put custom stuff into objection.lol is to send it in discord and then use the link from opening it in your browser :)
a whole lot of AU stuff
the art im making is for if mdzs was an ace attorney game, playing from WWX's POV to solve various mysteries/cases over the course of the plot. so this scene would be from turnabout goddess, which would loosely cover the dafan mountain mystery.
cases include:
Turnabout Revenge (Mo Manor, quick introductory first case)
Turnabout Goddess (Dafan mountain, the good times flashback)
Turnabout Saber (the man-eating castle (omg hiii nhs))
The Blind Turnabout (Yi City arc)
Turnabout Deviation (the Koi Tower conference, Empathy on NMJ ala turnabout memories or beginnings. opening cutscene is his qi deviation)
The Blood-Soaked Turnabout (second Burial Mounds siege, flashbacks: Xuanwu, Sunshot, YLLZ, Nightless City massacre)
Turnabout Lotus Seeds (testimony about JGY, tree scene, golden core reveal, bathtub scene. opening cutscene could be JGS' death but that would make it canon rather than ambiguous)
Turnabout Confession (Guanyin temple)
the problem with splitting novel!mdzs into turnabouts is that flashbacks are a huge chunk of the book but they don't have mysteries/ cases to solve so they've gotta be lumped together with present day stuff. imo? many of the flashbacks would likely have to be abridged so they could be retold ala DL-6, SL-9, or the fourth grade incident, where characters talk about it over some pieces of art. this is really difficult when theres a metric ton of unspoken, complex, and signifcant history between every character lmao
there's not as much of a problem with the cql timeline but i have not finished it. so.
the opening cutscenes in ace attorney always show the murder and/or the murderer plotting. the first cutscene of the game would be MXY summoning WWX, muttering about getting revenge on his family (it would also be good for him to mention the yllz being dead because that's how the novel starts.) cut to WWX's POV as he wakes up covered in blood and the investigation segment begins.
for investigations of monsters (goddess, saber, etc) the cutscene would be a scene of some poor throwaway cultivator getting their shit wrecked.
it would be cool to make a breakdown for JGY but again I need to review that scene cause I don't know who I'd base him on. maybe Vasquez or Dahlia.
tell me your thoughts!! i'm working off of a mdzs summary/ skimming the novel because i don't remember it too well so if i get anything wrong please yell at me
Jin Ling's sprites & Nie Huaisang's sprites / masterpost
It doesn't need to be perfect it just needs to be done it doesn't need to be perfect it just needs to be done it doesn't need to be perfect it just needs to be done
What are your opinions on our Lord and Savior Gywn?
He didn't save SHIT!! He took the perfectly (?) functioning humanity and ruined it! Look at it, it got Hollowing!!
Okay, I am making the 'Marika is a MILF Gwyn' jokes here and there, but 1) Marika is a bit more of a straight up cold and mean person, all things considered 2) Yet she still has enough nuance, and a lot of her actions might be written on reasonable fears and 3) Gwyn is even MORE nuanced than Marika, from what I have concluded so far! Laurence is a similar kind of sinner too. Comparison of the characters that share a trope is helpful for my thought process, so bear with me a little! With Marika I see a more direct disdain and fear before the very nature of life, cyclic and treacherous, uncontrollable, being meant to perish one day but with new life sprouting from it, and thus doing lovely things like shunning Crucible-related lifeforms. With Laurence, we have enough evidence so far that beasthood was not created by Healing Church but something already lingering in the human code after Pthumerians and Loran, so ambition to seize and control it it was risky but understandable!
But with Gwyn, we are confirmed that human nature itself is dark, undesirable an terrifying, as well as how he sorta had the chance to see it 'in action' during uniting with humans to take war on dragons. And also in Dark Souls the cyclic nature of Ages is just a fact, and it would make sense that should Age of Dark come, he and his family would be the first to go as beings of Light. It is a combination of things: his kind being in true danger and not just "risking to lose power", the treacherourness of how political allyship simply works (your today's ally country against the common enemy could tomorrow ally with someone else to start the war on YOU) and simply the not-so-metaphorical horrors of the Dark itself! is not a speculation, the dangers are RIGHT here!
Gwyn messed the natural order of humanity in a way that I personally dislike and express it on multiple occasions: trying to get rid of what's barbaric and dangerous yet natural and not accepting that there is no light without shadow, or life without death. But I also feel sympathetic because he had a legit reason to fear the darkness within men. In is not as much philosophical but a literal concept in Dark Souls lore. He acted out of fear, backed up with a precedent, and it brought the ruin to himself and everyone else. Writing this I'd say he sorta falls for the type of a person I can only like in fiction but resent in reality. I guess I don't need to explain what kind of people this is, paranoid "but for a valid reason", being "preventive" with their drastic measures.. Good intentions path to hell self-fulfilling prophesy blablabla. His specieism doesn't help his case in the slighest. Ironically, all extremely human behavior of him!
(LOL thank you based Goldmask as usual xddd) At the same time, he is not entirely corrupt with the power he seized and used to strip humanity of what was natural for them; he, in the end, committed to what he believed was better for everyone and sacrificed HIMSELF too. I can respect the cunning and machiavellian person who, in the end, is above the vanity of a 'savior' and can give themselves too, not only others. He also did share his power with some humans, showing that he can take kinda benevolent choices even with those he fears. Yeah, part of calculated risk could be there; dude gave the city and his daughter to the Pygmy to, again, preemptively avoid some animosity. But in the case with the four kings, did he HAVE to? Or Seath for that matter, who is a dragon, another species he doesn't like?
I find it hard to detect 'truly' corrupt people in Soulsborne setting in general, and yeah we can fiddle with 'nuanced character' and 'everyone is morally grey' forever and never discover THE big bad we'd love to hate. But, out of those big bads, I think he deserves the benefit of being seen as a way more nuanced character than the corrupt leader the most! It is the case where he should not have done anything, but also should not have NOT done anything.. Soulsborne is eager with placing characters in a position and knowledge where every choice is wrong and they just pick a poison for themselves (and everyone else xd). Jokes about "haha people in power moment" are still mostly jokes for me. He is sympathetic in a way not like I think I'd have done the same (let's be real, I revel in darkness gfjjghk) but in a way where I understand too much to feel negative 🤔
something something foils moving in opposite directions Goku's always happy to seek and fight stronger opponents because he spent most of his life being the strongest guy in the room and Vegeta wants to be the strongest/is always exhausted to find stronger opponents because he spent most of his life having to navigate his survival around the whims of the strongest guy in the universe room and so Goku has a foundation of safety and stability and so spends his time craving challenge and adventure and Vegeta has a foundation of challenge and adventure and spends his time craving safety and stability and the overlaid section of their venn diagram is that the only way they know how acquire and maintain those things is through battle
god i love glass onion so much and everything about it. major spoilers ahead.
like let's talk about the characters. i love that they're all pieces of shit. interesting, well-written, clear pieces of shit. they are even called shitheads. and like. the "disruptors" are all clearly painted as self-serving rich bitches (haha get it?) who only care about money and their public image and are willing to stab (or shoot) people in the back for it, but even some of the side characters are morally gray.
whiskey, for example? no, she isn't as alt-right as duke nor isshe as misogynistic, but she still went along with it in his streams and helped duke. and the reason she was dating him in the first place was for her own money and public image. sure, not as bad as duke or the others, but she's not entirely pure.
even peg is still self-serving. she did agree with helen, and she tried to reel in birdie's ignorance, but even that was just her doing her job. she literally begged miles not to make birdie release the statement because she was worried about her own image. now, clearly she's not nearly as bad as any of the others, but how much of that is because she's morally superior and how much of it is because of her position? if she were a celebrity billionaire like the rest of them instead of an assistant, would she act the same?
the only characters that aren't focused on money and public image are the ones who aren't public figures. especially helen- benoit is world-famous, but helen is just a third-grade teacher who wants to avenge her twin sister. the lesson here is of course, power and fame corrupt. every character that gains fame and money are obsessed with keeping it, by any means necessary.
and to show this so thoroughly that it seeps into every detail of the movie, that i could spend hours writing about? goddamn that's a fantastic movie. it's a glass onion- you can see its core, but around it are a lot of layers that are harder to pick out. i could watch this movie fifteen times and still not get all the nuance, and that is what makes a good movie great in my opinion.
Me> [struggling to unravel a very annoying UI bug]
My brain, entirely unprompted> H E Y. IF JAHEIRA HAD USED SOME MORE MINOR VERSION OF THAT RITE OF THE TIMELESS BODY ON RASAAD TO EXTEND HIS LIFESPAN, IT WOULD RESOLVE THE MORE FINICKY TIMELINE ISSUES ABOUT RION BEING THEIR KID.
Me> ...ok? I didn't ask right now but thank you for working that out I guess.
Here's the tentative outline of the TSG paper, as okayed by the professor whom I've been discussing the project with:
intro to the trend of recent adaptations/retellings reframing TSG as a story about grief
an assertion that the book is really about healing from childhood e m o t i o n a l n e g l e c t (CEN) (my thesis?)
defining CEN and distinguishing it from traditional grief
an analysis of CEN in the text
how this interacts with what these adaptations/retellings are doing
conclusion about the importance of the text’s depiction of CEN and why it’s worth acknowledging/exploring
It's a relief to pin this down and be able to go into this with some kind of focus. I've already got a start on the first paragraph. I'm trying a method of drafting by just constructing the basic argument and then working in all the evidence and research later. My college papers tended to take forever to write because I drafted them with Finished Perfection in mind for each sentence, which is stressful and easy to get bogged down with. We'll see how it works. The paper needs to be completed by October, probably the end of the month at the very latest, but I'd like to get it finished in enough time to fully polish and not have to stress about a tight deadline.
I can do this. Probably. It's been a few years but I might still have it in me.
What do you think of the punk!steve trend? I'm like on the fence because on one hand I think he genuinely thinks the like polos and stuff are like cool so I can't see him changing his style like that but on the other hand punk steve hot
i definitely see why people like it (ur right he is hot) but tbh it’s not my thing at all. i like preppy steve and also can’t really see him doing a complete change like that 🥸
i also personally like the dichotomy of this preppy rich boy defying everyone’s expectations and being so kind and sweet and fiercely protective to the point of being a bit… brutally violent.
and honestly? the polos are sexy. the polos are so sexy. the slutty little chest hair peeking out of the unbuttoned collar? the plain blue levi’s? the plain mf blue levi’s that hide Nothing? sexy. sexy. sexy. i want to put him in my mouth. i want to put him in my mouth like he is a piece of polly pocket clothing
there's a certain quality the harmonies of like... early to mid 2000s alt rock has. which i am obsessed with... like i wanna do that. i NEED to figure out how to write harmonies that sound like that
Too bad RTD's entire filmography is crazy biphobic. Man don't give a fck about bi representation.
while i have only actually watched doctor who and casanova and this video essay i feel kind of pretty safe dying on the hill that he does care a lot about queer rep (bi rep included) he's just, like.. unhinged about it. refuses to make it palatable. i think it's fair to say that the rep he makes doesn't resonate with every bi person or can perpetuate biphobic stereotypes but i think it's also fair to say that he did a lot for pioneering it in the first place. i never watched torchwood but if every main character's kissing a guy and a girl on screen there then like, i do think this is something that matters to him
It is a "Head empty, one thought" kinda day. And that one thought that has me thinking all day is Bucky calling himself "The Asset" in Sidereal from girlbookwrm and verbalatte.
Like I just finished the fic, loved it, but I cant stop thinking about how Bucky kept calling himself The Asset in the beginning. The way chapter two starts with: 'The Asset has no soulmark, as far as it is aware. Soulmarks are for the living, after all.' And that is some of the most heartbreaking shit ever. Like all I can think about is how Bucky really just became a weapon, an object, to be used for all those years till the point he himself doesn't even believe he is a living being anymore. How he talks about himself like HYDRA talks about him, how he starts to use their words and with talking in a thirth-person way also making his actions not his, because in the end all those missions were done by The Asset not by Bucky. Ye no this thought will be haunting my brain for next few days.
At this point the only reason I still have to think that Fross is not a trans man in any way shape or form is that if he had picked his own name he simply wouldn't have named himself Fross
Despite all appearances otherwise, I'm still (like barely) alive. I'm actually all caught up with the anime right now and there is just so much I've been needing to scream into the electronic void talk about. (I've even got screenshots/gifs for most of it, it's just a matter of finding a time when work doesn't drain every inch of my health by the end of day.)
But I didn't stop by to complain! No, I just wanted to share a minor clip from one of the more recent episodes. Nothing big or spoilery or anything, promise. It's just this small, otherwise unimportant, entirely missable scene....
You know, the one with Zoro being so unbelievably sexy that I haven't once stopped thinking about it in DAYS.
Just look at him! That smirk! (Are they sure Enma is the sharpest blade because that smile could cut right through a Mihawk's cold, haki infused heart.) Actually, you don't even have to look at him, that voice alone is easily more powerful than Gears 1 through 3 (and hey, I won't claim it could take on the god-like powers of Gear 4, we don't really have enough material to judge. Oh, here's an idea! Let's put them both in front of Law, see which one destroys him faster. I don't care if Gear 4 is Buggy-Bunny-But-The-Rock, The Rock still has to wind up his punches. But that look directed right at you? The devastation is likely immediate and irreversible.)
Like, the way he starts out almost defeated, the gravity and soberness in that initial "No" as he turns to face this seemingly unbeatable force. He's put the weight of Luffy's dream and the promise he's made to his captain on winning this battle, and taken along with how serious and direct he's been with Franky so far it helps create an expectation we're going to see that determined, unemotional, unbending Zoro from Thriller Bark or his battle with Kaido. He'll probably say something somehow very self centered while appearing selfless with that grave steeliness he gets when he's resolved against all odds like, "No, I have to do this alone" or "No, what good am I as a swordsman if I can't do this for my crew and our captain?" or if he wanted to go with the typical overly dramatic swordsman tone: "No, Luffy is trusting me - to defeat this man, and make him king of the pirates!" And we'd all swoon because even though Luffy's default introduction/greeting/phrase to yell out regardless of the circumstances is, "My name is Luffy D Monkey and I'm going to be the king of the pirates!" when it's someone else saying it, fans get all emotional. Especially if it's one of the core characters who has a reputation as being more mature or is typically more reserved and private or is, I don't know, someone who tends not to waste his breath correcting stupid people who are being stupid because what does Zoro he care what these nobodies think, Zoro he knows with unshakeable certainty that what Luffy says is true and has enough confidence in both his captain and his own abilities that other's opinions aren't worth addressing.
And even though Zoro turning all seriousness and focused marks some amazing moments in battles, the way that at the last second he is staring straight ahead at this natural disaster level foe and that smile just cuts across his face, completely slicing through that more serious mask Zoro sometimes wears to reveal that bloodlust and pure unadulterated love of the challenge is so absolutely gorgeous and perfect and satisfying.
Like, yeah, of course I love when Zoro gets all Business-Only, For-My-Crew-Name-And-Captain and just doesn't back down or lose focus because he understands this is something he has to do and only he can take on this fight. It fills me with so many, many emotions all of which Zoro is doggedly ignoring because it's all about The Fight but in my heart I know it's because he feels so much for his friends that he's decided that this is his role on the crew to act as both attack and guard dog and take/deal the hits they can't. Beautiful.
But man, oh, man, can anything beat when Zoro goes full "fucking brat who thought learning to hold a katana between his teeth and stumbling his way through a handful of forgettable bounties meant that when the worldwide champion, a warlord, a man so unmatched he's become bored of the very art he master just happened to be passing by he immediately thought to himself, yeah, I'm MORE than ready to kick this asshole off his throne. Hell, just last week I was stabbed and nearly killed by some shitty clown but look how that turned out. I can take on anyone, this bastard included. For fuck's sake he's only got one sword. Fucking amateur."? And whose sole reaction to having his chest sliced in half was, "yo, captain, if you've got a fucking problem with me being fucking UNSTOPPABLE speak up while you can because after this, it's all kicking ass all the time."?
Like, man, you are one cocky little idiot. Never change.