#i feel like it's a place for opinionated people to act like their opinions are fact a lot of the time

[ghoulfuckersincorporated]

I really don't think there's enough fics involving butt stuff with The Ghoul. He defo strikes me as the type who fingers your asshole while fucking you from behind just to watch you squirm. It's like a dominance thing for him when you've been disobedient, but you'll never admit how much you love being his submissive little slut. Are readers and writers just not into it? Or have I just been looking in the wrong places?

To comment: from what I've seen in the years I've been consuming and writing erotic fan content, stuff that involves anal does, in fact, seem to be weirdly polarizing (depending entirely on the writer and the audience you're publishing to, of course). I'm not entirely sure whether that's due to writers' own personal taste, audience preference, stigma...a combination of factors? It's definitely a phenomenon I've noticed. I also wonder if there isn't just a contingent of folks who have no experience with anal and therefore no interest in it.

Personally, I try to incorporate lots of different tastes and "moves" into my work, and I think the people that subscribe to this blog have come to expect that. Butt stuff is nowhere near the most potentially scarring thing I've exposed y'all to, and will continue to not be. :)

However, at the same time, when I feature actual anal sex in any of my stuff, I try to be at least somewhat tactful and depict is as a realistic sex act, which can be kind of a task sometimes when you're trying to be both erotic and not completely impossible. Poorly written anal scenes both aren't hot and kinda ruin the vibe of the entire work, in my opinion. I think there's a difference between "suspension of reality for sexual fantasy" and "spreading bad sex ed information through fiction". There's certainly a place for pain play/painal type stuff, but there's also a place for the complete opposite. It's a bit intimidating for me when I write it sometimes; maybe some others feel the same, so they don't write it as often compared to other things? Complete conjecture.

To answer your actual ask:

You're absolutely right. That motherfucker absolutely loves making you squirm by giving you pleasure in ways that gross you out. He sees a sliver of his old self in you, himself when he was new to this ghastly world, when he clung desperately to anything that would give him a sense of normalcy. In this, there's a sick thrill for him; he gets to be the one to show you how things really work, his sheltered little vaultie. The world out here is even meaner and more disgusting than you could ever imagine.

He'll prove it.

You aren't inexperienced, but pretty much all of the experience you do have is vanilla, very straightforward sex. Exploration on this topic isn't exactly at the forefront of your mind, either, what with how much of an adjustment period you're having to go through after leaving home for the first time in your life. The stress of it all is what initially drives you into his arms, seeking any form of real comfort you can find from the only companion you have.

The sex is a good stress reliever when he isn't springing things on you. He is rather good for such a hot-and-cold old prick, and he clearly knows it by his demeanor; the way he preens over your crumpled form after he makes you cum so hard you forget how to speak is infuriating. You like fucking him, but you can't let him know just how much. He'd be genuinely insufferable if he found out.

Whether it's your reserved reactions to his obvious smugness, or something else internal, you're unsure, but he quickly begins to push your buttons for bigger and bigger returns. Most of the tricks he pulls you enjoy the feeling of, but the way he watches you to gauge your reaction makes it feel like he's winning, somehow, and it doesn't sit right with you. Doubling down your efforts, you try your hardest to be unshakable.

Unfortunately, the first time he slides his tongue down to tease at your asshole while he's eating you out makes you fold completely.

"That's disgusting!" you huff, wriggling beneath him. Telling him to stop doesn't follow like you want it to; the words get caught in your throat as he pushes the tip of the wriggling muscle into you, his other hand playing softly with your clit as your aching pussy throbs.

"Had my tongue much worse places, believe me." he replies, his eyes burning up at you from between your legs. It's so embarrassing.

However, the next time he's helping you out, before you even realize it, your hips are moving in a pronounced arc, trying your best to will him to slide his tongue further down without having to suffer the indignity of asking for it, of him knowing he's gotten this over on you. It feels amazing and you refuse to beg. Fortunately, he doesn't make you...this time.

When he's finished with you, he doesn't immediately pull away, both of you lying together in a spent puddle of limbs for a breathless moment.

"It's still gross, you know." you say, flat and halfhearted in exhaustion.

"Oh, shut the fuck up." he grunts back, eyes rolling as he pulls himself into an upright sitting position. "I didn't see you whining when you were tryin' to crush my head with your thighs, princess."

"I can't help it! It tickles when you do that!" you argue, indignant and searing hot in the face.

"Oh yeah, kid. I bet it tickles real good. That why you came so hard?" he smirks, leaning back so he can right his clothing, his eyes never leaving yours. You pull yourself up and storm off to the other side of the room to redress, annoyed.

And yes, probably his favorite overall move is to sneak one of his fingers or his thumb into your ass while he fucks you from behind; the shock in your posture, in your voice, along with the tight, hot feeling of your little hole (holes) around him...it's probably for the best that he can't see your face, no matter how badly he wishes he could. He knows he'd cum instantly.

As for you, the feeling is infuriatingly electrifying, right on the line between pleasure and discomfort. His long, nimble digit isn't even all the way inside you, only sunk to just above the second knuckle, but he's quickly working it further and further in, the rest of his hand curling to cup the roundness of your cheek as he supports your hips. The stretch isn't too intrusive, but his skin is so rough in texture that it makes you squirm as he presses on, spit and your other body fluids the only lubrication you're given.

"Fuck, be careful!" you hiss. His only response is a harsh swat to your bare ass with his unoccupied hand, which draws a yelp from your parched throat as he yanks you back even more firmly by the leverage he now has. Your hands scramble for purchase across the sandy desert floor, unable to hold yourself up properly as he hammers away at you with an almost possessed vigor. Quickly, your head falls further down with the force of his movements, sending you sliding forward a few inches.

He doesn't like that.

"Don't fuckin' run from me." he growls, the hand that isn't spearing you wrapping quickly around your shoulder to yank you back again. His hips snap into yours viciously, the pace increasing as he loses his grip on whatever remaining self-control he has. Your battered cunt clenches hard around him at the feeling, at his words, and soon you're both howling out your release as he digs his nails into your thighs, rutting you so hard you fully face-plant into the ground. When it's over, he at least has the courtesy to make sure you didn't bump your head too hard. He does not, however, apologize for the massive bruise on your ass from where he struck you more than once. Typical.

Eventually, you allow him enough control to restrain you, which you know is almost certainly a mistake. However, by now you're addicted to the feeling he gives you when he takes over, when he pushes your boundaries and uses you to sate whatever passion burns inside him. Besides, he's protected and saved you enough times by now to have earned your trust, even if you know that he'll sometimes use it against you for devious reasons.

The rope he always carries doesn't hurt against your skin like you'd feared it would, but he's also quite delicate in how he secures your arms and legs, each limb immobilized and leaving you on your back, completely at his mercy. He spends forever teasing you, worshiping every part of you with his mouth and hands until you're begging, begging for release, begging for him to stretch you.

"It's alright. I'll take care of you." he promises, the tone he uses with you now so much softer than when you met. You feel relief at his words, ready to feel your aching cunt wrap around him, but he doesn't move to expose himself. Instead, he produces a small bottle of what you quickly discover is some sort of neutral oil, which he applies liberally. The feeling of the cool, thin substance running down your folds makes you shiver in the best way, but you're tense when his teasing fingers move from your clit, prodding at your taut ass.

Slowly, he works his middle finger inside you, the sensation more pleasant now that you've become accustomed to it. After a minute or two, he's moving it back and forth freely, adding another dribble of oil before setting the bottle aside, placing his free fingers on your clit. The way he rubs at you as he fucks you with his other hand makes your toes curl, and you get lost in the sensation until you feel his index finger start to prod at you, as well.

"You trust me?" he asks. Your eyes dropping closed, you nod silently.

He's incredibly gentle as he works the second finger in alongside the first, stretching you further than ever before and making your mouth fall open in a silent groan. He watches your face, your body language, closely, trying his best to stay calm and steady as he begins to move his hand once more, the other never stilling on your clit.

The sensation is incredibly overwhelming, a fullness you've never felt before, especially when he eventually adds a third finger. Your body is lit up with sensation and twitching eagerly the entire time, both wanting to pull off of his hand and to plunge yourself down further. When he leans down and seals his lips around your clit, you scream out an orgasm that leaves you trembling against your restraints, which he actually lets you out of before fucking you so hard you literally cannot stand immediately afterwards.

"You're so mean to me, you know. I don't want to like this stuff." you sigh, mostly joking.

"Don't worry, I'll have you begging for my cock in your ass soon." he promises, that wicked glint back in his eye that makes you nervous.

You hide your burning face in his throat as he chuckles at you, the sound of him lighting a cigarette snapping through the air, his other arm wrapped around your waist as you lean against him. Biting your tongue, you hold back the urge to snarkily respond to him.

You know he's right. It's only a matter of time.

[marionvonwolfstadt]

F1 books recommendations — part 1

By no means I'm a book reviewer, but I like to read and I like F1, and there are so many books that one maybe don't know where to start, so perhaps this will help with the decision.

I'll not rate them, just describe the overall vibe, but I'm gonna set them up against each other, so bear that in mind, that's just my opinion. (disclaimer: I read two of those in Polish, so maybe the takeaway was tainted by the translation)

"Unstoppable: The Ultimate Biography of Max Verstappen" by Mark Hughes — It was a great read, you just flow through the pages and eat up every word. It's compelling, it describes Max and his nature so on point sometimes. It gives you insights into new things, even if you are a fan of the (for now) 3-times WDC. The author is in a league of his own, the way he describes racing, it gives such depth (it helped me with my own writing). This book is the expectation of the rule that you shouldn't write about a driver until he retires.

"Charles Leclerc: A Biography" by Adam May-Nicholls — See the above. The way it was published, the big font to make it seem longer, a lot of quotes — too many of them. It's just a nice summary of what happened till the year it was published. It has nice moments, but overall it just doesn't give you an inside to Charlse's head, not like it could have done, it's a nice memoir of people and places in Charlse's life, but if you're a fan, there's not much in it for you, but it's a great introduction still.

"Aussie Grit" by Mark Webber — The infamous one, the must-read for some (like me). It's a really good autobiography. You get an inside view of the world of F1 but it's a book about Mark first and foremost. I enjoyed his storytelling, even if it was with the help of a ghostwriter. It was like sitting by the fire, stars above your head and listening to a compelling, mesmerizing tale, not void of simple human mistakes. It's his and you have to take some things with a grain of salt.

"How To Be An F1 Driver?" by Jenson Button — I know it's not his autobiography, but I need a pair so, deal with it. The book is, I think the longest of those four, but you never feel it. I breezed through it, despite this one not being in my mother's language. It was such an easy and fun read, but not without its depths. It was so true, with so much meat in it. Just… Great. No notes hah. You just get immersed in it, despite the fact that you only read about one experience of many. Jenson entertains you, gets philosophical at times, but it all with the great description of the cars and places and how the F1 circus works, gives you that perfect mix. It's a nice drink that goes down well. I can't wait to read more of his books. (I need to incorporate two quotes from it, because they made me pause, so: "In F1 everything is a selfish act until you stop being a driver, and then it's not.", "I love the fact that they're not making the car beautiful, to make it beautiful, they're making it beautiful because that's how it looks like when you design a car aerodynamically.")

I hope I gave you some direction on what to read first <3 I have plans to read more (Newey's, about Kimi, about Ferrari's history) so, stay tuned for more, I guess?

[utilitycaster]

(you don't need to publish this because a) it's not a question and b) I don't want that maybe you're getting attacked/vagueblogged over it) I just wanted to say, that I originally came to your blog because of your nuanced, deep and really really good Caleb meta and that Imogenfans are missing out big time. I think, if Im/odna fans wouldn't have acted the way they did and talented people hadn't stopped writing meta about them, at least I would have warmed up to the characters way more....

Hi anon,

I hope you don't mind me publishing it anyway just because it's a good opportunity to elaborate on a few rather fanwanky feelings in one brief-ish statement.

I don't really care if people vague me and I think people who don't like being vagued are valid, but people who don't like being vagued, whine about it, and then continue to vague others are, understandably, idiots making the situation worse. Most people who had issues with being vagued re: the above simply stopped writing meta, which is why there's not much of it. Also a lot of what people call vaguing is just meta that disagrees with theirs, to be honest. I mean I do vague, a lot, and I'm very good at it, but I've also written 100% good faith meta about things I was thinking about the narrative without consideration of other peoples' opinions and it was called vaguing because I used aggressive tactics like citing my sources.

I've covered the fact that Imogen was actually treated very similarly to Caleb with the key difference that people who wrote meta about Caleb were treated badly by his haters, whereas people who wrote meta about Imogen were treated badly by her then-supporters who are now mostly defending Ashton and Dorian because Imogen started saying things they don't like and don't want to address. I just want to reiterate that if someone ever says that The Male Characters Played By White Actors Never Receive Hate you should just block them and stop taking them seriously. The hate is obviously not motivated by bigotry against real people, typically (though some criticism of Veth was certainly misogynistic even though Sam is a man, for example) but they still did receive pretty intense hate. It is kind of telling, personally, re a certain lack of backbone that people will bring up the horrible things people said about Liam or Travis or Taliesin in their own defense and then turn around and willingly engage with the people making these accusations they clearly know to be false, but you know. Unsurprising.

I tried to write something longer that really dug into the outline of events but it really comes down to this: a lot of the direct harassment (not vagueing) of meta writers, especially with regards to Imogen or Laudna, occurred during episodes like...20-50 of this campaign, and I think those doing the harassment either thought this would somehow make meta writers go "oh my god you're so right about the thing that you said I should die for not agreeing with, I'm going to write meta for you now" or that this would shut them down but wouldn't make other meta writers say "oh this environment has become hostile", which obviously it would. Coupled with the fact that this is when a lot of meta writers realized the campaign pacing was fucked and the party wasn't clicking in the same way past ones had and it really turned into a case of high risk of unpleasantness for a not really worth it reward for many of the meta writers who were around in earlier campaigns, and that in TURN meant that it's harder to have a good conversation without having existing chats so it's a less pleasant place for new fans. Anyway uh. I think the lesson here is that those C2 meta writers ARE around for Midst and Candela Obscura so it's also kind of a waiting game in the event that there is a future campaign (and if not, they will still be here for Midst/Candela/Possibly Daggerheart or future EXUs); they're just not here to write about Imogen or Laudna because it's not worth the trouble.

[seeminglyseph]

Every now and then I'll see a critique like "they sure just shout their feelings at each other"

And it's like... a shounen fight anime for teenagers.

Which is not to say that the genre is not *capable* of subtly but like. Also, sometimes, when your target audience is teenage boys who are specifically looking for punches, like... sometimes, you put the text in the text on purpose. Sometimes, you consciously choose to have the hero geadbutt the power of friendship into a guy, and they talk about loneliness and fun and leadership.

And also sometimes. Characters don't have the vocabulary to describe their emotions in a way that sounds "valid." Sometimes that's characterization in itself, the lack of vocabulary to describe emotions and motivation. Honestly, it's wild how often people will just take characters at their word when they describe their feelings in a shallow way when like... all the imagery is like... clearly depicting something else. Like, say.... Sometimes, a character just says their bored, but like... literally, all the imagery involved clearly depicts a pretty deep depression or personal crisis. But that character has no words or frame of reference for how to discuss those feelings, so he just says he's bored and lashes out in increasingly erratic ways?

Yeah I might be talking about Wind Breaker again Tomiyama Choji gets done so fucking dirty by people what the fuck is up with so many videos I have seen just fucking going "what he did all this because he was bored???"

Like. No. Did you pay attention??? He lost his purpose, and he lost his way, and none of his friends were willing to stand up to him or stand with him, so even though he was the leader and he had a gang, he was entirely alone. But he didn't have the ability to find what he was missing, or name what he was feeling. So he didn't know how to ask for help.

He's as much a feral child as Sakura and so works as a first arc foil for him, a character who seeks power and leadership without any goals or intentions behind it besides "Freedom." Especially since Choji is shown not fully knowing for himself what freedom is or would represent. But for the types of people who end up in feral street gangs? And for a character that is a foil to Sakura and is also... very speed based in his fighting style. Freedom makes sense for something that Choji would want.

But it seems like a promise he was given without much intention of him receiving it. I don't really think he was supposed to overthrow the boss of his gang and become the leader... though that's some rampant speculation.

I dunno man. I know part of it is like. O ly one season is out, so everyone is still not sure what to think about it. And that's fair. I'm still like... confused about multiple angles of the series. I've read... a decent chunk of the manga, and I'm still like. Pretty curious about how the universe works, honestly. Maybe the fact that I clocked how Choji held his chopsticks and like. Multiple puzzle pieces fell into place because I have been loving the weird little details Wind Breaker will throw in. Either this series tells a very intense story through background details and character designs, or one day, I will be made a very large fool of.

None of this is an organised enough thought to be worth anything but like. I know this is probably not controversial among Wind Breaker *fans*, but like. I keep like... seeing people with this opinion in videos and stuff talking about Wind Breaker that seemed to have not connected and not understood.

Which does make me feel a little like a "you just don't *understand* man." But like. If you really felt like Choji acted the way he acted because he was bored and wanted to have more fun you like... *didn't get it* or were being purposefully disingenuous because you personally disliked the portrayal.

[radioapplerevue]

Hello!!! I was wondering if u had any radioapple headcanons? :)

Hello! I am... very sorry it took this long for me to reply. I saw the ask at work and then closed it to answer later, but once it was closed and out of my view then in my brain's opinion, it promptly ceased to exist.

Anyway my headcanons are a bit malleable depending on the situation/how they got together/the environment they're in/etc. But I'll try and jot down a few.

Alastor picks Lucifer up a lot. I mean look at him, he's tiny. Sometimes Alastor will have conversations with people with Lucifer slung over his shoulders, hanging from the crook of his elbow, or in the occasional princess carry. Alastor enjoys this because he thinks it's embarrassing for Lucifer. Lucifer enjoys this because he gets to be carried (even if he acts like it's embarrassing so Alastor will keep doing it).

Their coming together was slow, and started by them just learning to be in the same room without going for the throat. Eventually it turned into them talking, and then their chairs getting closer, and then Lucifer showing interest in one of Alastor's hobbies -- probably music. Because they are both overenthusiastic weirdos about their personal interests, and while Alastor doesn't share some of Lucifer's (the ducks, the circus, all things fruity and sweet, etc), Lucifer shares quite a few of Alastor's (music, dancing, cooking, disliking television, well tailored clothes, etc).

One of their favorite things to do is just hole up in a room in their respective spots and read. Their tastes in fiction don't always align, but they learn enough about the other's tastes that they can recognize what they might like when they come across it. Lucifer starts bringing Alastor books as gifts, and eventually Alastor starts to reciprocate, but only by leaving books in places that Lucifer is likely to run across them. If Lucifer tries to thank him, he'll disavow all knowledge.

Lucifer enjoys listening to Alastor's radio show.

Alastor enjoys listening to Lucifer sing.

Lucifer, as an angel, existed long before sex and gender were even things. Thus, he doesn't have any particular attachment to either. He's been in one form for ten thousand years because it's the one that Lilith (and later Charlie) knew, but he's fine with shifting it around as he pleases. Regarding sex, Lucifer enjoys it, but doesn't need it. If his partner isn't into it, then neither is he. What he desires isn't sex, but intimacy. He wants to be wanted, in whatever form that takes.

It takes a while before Alastor trusts Lucifer enough to even begin to allow any sort of sexual activities, but he quickly relaxes once it's proven that Lucifer will not only not force anything onto him, but will not expect anything of him, either. Lucifer will be just as happy if the night ends in a cuddle, or even just lying side by side and talking if Alastor's not up for that.

When they do start having sex, though they will play around with different dynamics as it suits them, Alastor tends to prefer letting Lucifer take the lead. Since his interest in sex is most often not the sex and more about being close to Lucifer and enjoying being the source of his pleasure, he doesn't feel any particular inclination to be the one making decisions. Plus, this way Lucifer has to do all the work, and Alastor's the center of attention the entire time. Why would he pass up on that?

Alastor doesn't feel like he's lacking any control when Lucifer leads in bed. There's a heady sort of power that comes from the knowledge that no matter what they're doing, no matter how close Lucifer is to climax, all it takes is one word or one unhappy noise from Alastor and Lucifer will stop completely. And if Alastor says so, then that's it for the night. He's tested it, in the early days when he was still skeptical, and Lucifer never complains, never pushes. (There's safety in this as well as power, but Alastor tries to think about that less.)

Lucifer, for his part, understands how much trust Alastor is showing in him by allowing himself to be that vulnerable. This makes him feel touched, honored, possessive and honestly, very protective. (Angel Dust has learned the hard way by now not to ask for details about how Alastor is in bed -- and it wasn't from Alastor. Lucifer will protect Alastor's vulnerabilities with his life).

I'm thrilled that fandom has run with the "Alastor's shadow is affectionate with Lucifer" idea, because it's one of my favorites. I also believe that his shadow is an extension of his own feelings, particularly the ones he hides behind his buttoned up exterior -- so when things start to get friendlier with Lucifer, the shadow shows Alastor's growing interest before Alastor himself does. And when they do get farther along... well. Good luck reining that thing in. (SHADOW RIGHTS)

When Charlie first found out, she thought it was a prank on their part in order to get them out of bonding exercises.

That's some of them! Hope that'll do!

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me

[natsukishinomiyaswife]

Introducing: Antoine (my OC twisted from Anton Ego ♡)

I'll give him an official bio later, I mainly just wanted to introduce him to everyone lol

Appearance:

He's tall (like… very tall. 6'5/199 cm) and thin, and always walks with his hands behind his back. He has bags under his eyes and wears glasses, with a face that intimidates people. His hair is slicked back and in a tiny ponytail (that sits low on his neck), and he is a member of Octavinelle (so imagine him in the dorm uniform wearing the hat) With the hat on, even though his hair is slicked back, he has a few hairs that stick out from under it (so think like one or two very thin pieces of hair in his face)

About:

He runs a popular blog/Magicam, where he rates/critiques different food spots (restaurants, cafes, fast food joints, coffee shops, etc) that pretty much makes or breaks the business (as his reviews tend to decide their fate, leading to places even reaching out to him to be critiqued knowing that if they get a good review, their business will thrive) What people don't know is the reason why his critiques are so influential is because of his unique magic, where whatever rating he gives the establishment will appear as a number on the front of that businesses building, influencing anyone who enters to have the same opinion as him (his UM only works if they give him permission/agree to it, and pretty much acts like a hex/curse on the building the business resides in. It's kind of like Azul's contracts, except it's a verbal agreement instead of one you have to sign) The businesses think his opinion is so influential due to his blog (unaware that they've been affected by his UM...)

He loves food, but will only eat food he deems "good" (which is why he's so thin) And he is a great critic (due to his love of food) but he also has sensory issues and stuff that affects his judgement (that he doesn't really know about...) He always compares everyone's cooking to his mom's (since in his eyes, she is the best cook in the world. Though that's mainly due to her actually knowing of his issues with certain textures and working around it lol ♡)

Night Raven/Octavinelle:

He is a third year, and due to his blog/magicam, he travels a lot. He usually takes his classes online, so it's always a surprise when he shows back up, and how long he'll be on campus for. He doesn't like Azul, and feels that he should be the Housewarden of Octavinelle instead (and at one point even attempted to take down the Mostro Lounge using his UM, and almost succeeded until my Yuu Lydia "saved the day")

Rats:

He has a pet rat named Little Chef (or Lil Chef, whichever you prefer), and one of his "insults/critiques" is him saying a rat can cook better than you lol ♡ (Little Chef is an amazing cook, much to the disbelief of those around him) Antoine keeps him under his hat when he's wearing his dorm uniform, as it's his favorite napping spot ♡ While he brought Little Chef with him to NRC, he has more rats back home (that's Little Chef's family ♡)

[commanderfreddy]

people are discoursing about the laios and shiro fight bc that was always going to happen but i do hope that wave crests quickly and we can all come to see it as what it is: literally one of the best written fights between two people who are both entirely justified in their actions and acting without any malice or cruelty of all time

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.

[dennisboobs]

i think everyone on sunnytwt needs to be sat down so i can explain to them what basic human empathy is. and then maybe i put them in a blender until they agree to write meta about the characters instead of whether or not charlie day got facial reconstruction surgery.

[torchickentacos]

i feel like commentary youtube has a subsect of videos that come down to 'this could have been a tumblr vent post'

[cathodic-clairvoyant]

You are actually the only person I have seen say anything that makes sense regarding HDWR recently, thank you for your good takes. I love this manga, but it really feels like I’m not reading the same story as most people sometimes

I for the record think that there is a lot (in fact i'd say majority) of interesting discussion about hdwr, even now, (just the other day in the main tag i saw a post that i liked talking about tamaki as a character & her and miwa's relationship and despite the subreddit having a lot of silly posts lately i think a couple months ago around ch. 113's release there were a lot of good comments about MiwaSae and both of their development throughout the story and I think even now there's good discussion about ch. 119 and miwa and tamaki burried in the silly stuff) and in some sense like i feel like the current wave with ch. 119 was always going to happen, it's a very emotionally charged topic that we're seeing how much it hurt a character people tend to like so like i understand being upset by it and having strong opinions about it.

That all being said, the kind of discussion that tends to surround the story of "sae was unfair/toxic to miwa" "tamaki has always been manipulative" "yuria is unfair to sae" are baffling to me because I feel like to get anything out of this story- to not instantly just be frustrated with it- you have to interact with it a little bit on its terms and I think part of that is acknowledging that these characters are more complex than the simple one word "abusive/toxic/manipulative/innocent" labelling and have complex emotions and imperfect reasoning that cause them to make mistakes, be cruel to each other, and do the wrong things. This doesn't excuse the characters' actions but that's not what the story is interested in doing anyway.

And like, I don't think the story is for everyone, I don't think everyone has to want to interact with the story on those terms; which is why while i personally don't agree with the kind of people who say "i had to stop reading when miwa and sae broke up bc it was too sad/too frustrating" and the like, I can at least understand it as just the story has goals that reader doesn't want to engage with, which is completely understandable. Where it confuses me is getting so far through the story and still not choosing to interact with the story on its terms. What are you getting out of this story then??? Does viewing sae as toxic enhance the story for you? Is it a useful way in looking at the narrative?

Especially since I feel like tamifull has attempted to make these characters realistic almost to invite us the reader to examine both ourselves and our relationships as we read. Is How Do We Relationship a useful tool to to analyze yourself or your own relationships with if you flatten the characters into good and bad? Is that a lens you'd want to view your own relationships with? I don't think so. I feel like the only things it could lead to is "i wouldn't make that mistake because I'm not toxic." "i wouldn't find myself in this situation because me and my partner aren't like them." So like. What benefit does viewing these characters in this way give you? You clearly seem to agree with/like the goals of the story if you're still here 100+ chapters later so like. What are you getting out of this?

I dunno. Like i said, I do think there's still a lot of good discussion about hdwr. That's why I still lurk the subreddit and read posts in the main tag. It's just this specific genre of discussion i can't understand especially when it happens with like more recent chapters

[the-busy-ghost]

Warning- this is a very petty post, but I think I'm entitled to at least one petty, pissed-off reaction every time I finish a classic novel that hit harder than I expected so take this as my quota for the year.

Also spoiler warning for a book that came out over a century ago but still, I didn't know the plot going in so don't want to ruin it for anyone else, if you haven't read it shut your eyes. (Also Local Tumblr User Going Wild Over Book Published a Hundred Years Ago That Everybody Else Already Read should probably be categorised as akey part of indigenous tumblr culture at this point).

Anyway I just finished the War of the Worlds and in between studying I've thinking about Themes and Motifs as you do, and idly looking for further analysis. I then accidentally ran into an article called 'A Quiet Place II Succeeds Where the War of the Worlds Failed' and:

Now I haven't seen any of the Quiet Place films, this is not a rant against them and of course everyone is entitled to their own opinions. But re: the ending of The War of the Worlds, I have to ask, did this guy somehow miss, uh, the entire point of the book or am I just utterly insane?

[reinemichele]

I swear I'm trying to type out the thing about my brain but I'm really not sure how much detail I feel comfortable going into... I used to be so open on here, but then uh, I had several big falling outs with friends and a couple of them started stalking me, so I left my blog on queue since 2014 and then stopped posting from 2016 to 2020. The only place I felt comfortable making posts relating to my personal life or mildly dissenting fandom-related posts was on a locked twt account with only 20-40 people on it.

Anyway, I'm Trying

[sonknuxadow]

I believe that IF Silver IS a descendent of Sonic/Shadow/Amy/anyone else, he's a descendent via adoption because the only Sonic character that I accept having kids is Vanilla.

honestly part of the reason im not a fan of the ideas of silver being a descendant of other characters we already know is because i just dont see why its necessary for them to be related ..? idk i just dont think anything that could be gained from him being shadows kid or sonics descendant or whatever is worth losing part of whats already compelling about silver and also making things super confusing. plus none of the pairings of already existing characters people have suggested as silvers bio parents make any sense, usually because its impossible from a timeline perspective but also because theyre always picking characters who would NOT have kids either in general or with the specific people theyre being paired with

[sensitivegoblin]

For those that get their period; does orgasming help?

Maybe it's cus of my pcos but I feel like the periods I m*sterbate through are easier than the ones where I don't (pls feel free to add your two cents!)