#i had a vision & i wanted to execute it

[kinnporsche]

#KPAPPRECIATION ⇢ Week 4: Favorite Romantic Relationship

I’m the one you love, and I’m the one who loves you.

— Salma Deera, Icarus in Interview Part II.

[necrobratz]

hii ok super quick concept doodle… ignore baby’s design its rough asf she is not designed yet USHDIHSJD

ive been thinking abt ennard bc i think the concept of something malicious pretending to be ur completely normal little sister(even if it technically is her) is scary ASF!!!! if anyone wants to know more abt ennard in my au feel free to ask :P

[pzyii]

So if you need to be mean be mean to me

I can take it and put it inside of me

I don't smoke by mitski

[mercifullymad]

i finally got around to watching "in the flesh" after years of knowing i would love the show if i watched it & i was RIGHT! it revolves around my favorite trope of all time ("person who wants to die cannot die") except makes it better ("person who wanted to die + succeeded in dying is brought back to life against their will").... so many good implications to play with: when kieren is angry that he specifically asked to be cremated but was buried & thus revived due to his wishes not being followed; also when he's called an optimist & he responds "i'm not an optimist, i killed myself"! everything about the show is soooo good. obviously the undead-ness is a metaphor for queerness but as ppl have pointed out it doesn't really work on account of they did in fact kill people....undeadness as a metaphor for madness works much better, what with the poor/harmful/hurtful decisions you can make due to being mad; also the discussions that configure "treatment" and the "treatment center" as a threat; the understanding that the medical system is a threat to see + sees you as inhuman + will justify its torture of you as "in your best interest" + kieren's family's willingness to trust the entire medical system over the testimony of their son even though it makes them uneasy bc of their unwavering belief in the benevolence of "treatment" & the "expertise" of medical professionals + simon's scenes of him being tortured in a medical facility, initially giving his consent but it not being respected when he revokes it + his torture scenes literally including electroshock therapy + the endless threats of being labelled "non-complaint," which would get you sent back to the treatment center.....if i was watching this show when it aired in 2013 i would have killed with my mad liberationist takes

[gayymomgod]

you forget yourself, saga.

[tsunael]

WoL Think Thonkers

#1 Where is your Warrior of Light from? What was their home like growing up and what set them out on their journey?

Tsuna was born sometime in 1545, 7 years before the fall of Doma. Once she was old enough, she often helped her mother in the shop due to her father being away on sea voyages more often than not.

Her mother was kind but strict-- guilty of imparting onto her child the ideals of her people who shunned the outside world, and avoided conflict at all cost. Tsuna grew up on her bedtime stories of the world beneath the waves, and of the Ruby Prince-- a half-Au Ra man who was born without scales. Their village in Yanxia was fond of her mother, and helped her raise her only child.

When Doma fell, and the Court was dissolved, its servants and the surrounding villagers were displaced or taken as conscripts.

Left without a mother, and her father missing, Tsuna was smuggled into Kugane by a family friend where she would be taken in by an Okiya inside the Sanjo Hanamachi as a perceived orphan. For thirteen years she trained as a maiko, and graduated at twenty.

She threw it all away after being asked to entertain a couple of Garlean soldiers from the embassy. Sometime during the evening, she received her first Echo-- flashing back to the day her mother was taken away. The same soldier who broke into their village home was sitting next to her.

She killed him in a crime of passion. The second life she took was self-defense. The crime forced her to flee or face persecution, (not to mention the political implications of a citizen of the neutral facing Kugane committing a crime against the embassy) and so she fled onto the first boat that would take her-- to Eorzea.

[akkivee]

read a tweet that kinda went along the lines of ‘oh!! so nb’s source of bonding is battling together and mcd’s is sitting around looking pretty together, i see!!’ and lmao

[crossbackpoke-check]

Dysprosium, Mary Soon Lee

dysprosium, AN 66, is a silvery-white rare earth metal. its name is derived from the greek dysprositos, meaning “hard to get at”, owing to the difficulty in separating and isolating this rare earth element. dysprosium is used to measure neutron flux, to fuel reactors, and to activate phosphors. terfenol-d is a magnetorestrictive alloy, meaning that it changes shape when a magnetic field is applied, and is used to manufacture underwater acoustic systems.

jason “robo” robertson, dallas stars #21 for @simmyfrobby’s nhl periodic table poems <3

[shinakazami1]

SHINA!!! I’ll try to avoid using terms I’ve used before because I feel like that would give me away immediately BUT.

Goodness. Where do I even START?? You are so incredibly cool and such a kind and sweet person to talk to??? You always ALWAYS have something nice to say it seems, and you do not hesitate to say those things. I’ve seen you pop off with so many random in depth compliments to people that absolutely make their days. Oftentimes it’s after people post a work of theirs, but I’ve also plenty of times seen it (and received it) without any prior warning, and it absolutely warms my heart to see it.

You have so many absolutely bonkers ideas, but like, in the fun way! All of your aus and designs are extremely creative, and you execute them perfectly. Sometimes, things don’t look like they should work as an au, but you tie everything in so tightly and make sure it does, and it’s always a delightful surprise to see. It’s so fun to read your writing, as it’s got a genre of ideas that are so different from the norm but work so well the way you execute it.

And good god. Your ART. You manage to plant (ha) an image directly from your brain and onto the page in a way I’ve seen NOBODY ELSE do before. Seeing your speedpaints only serves to baffle me more on how you manage to do this— You seem to have exactly an idea of what you want to see and visualize it in its entirety before you even start the drawing, and then you transfer it directly onto the page. With nothing but the LASSO FILL TOOL sometimes. No sketch???? Huh???????? My mind is still utterly blown on how you manage to pull that off, but you DO, and it always turns into an absolutely stunning piece. It always looks like you know exactly how to make colors and lighting work in tandem with each other, and know what colors you’re wanting before you start. I am forever wondering how you’ve managed to get such a good grasp on it!

All in all, I think this even undersells a bit how cool you are, cause I doubt I could put it really properly into words. I look up to you as an artist, and you forever inspire me with the things you do. Keep it up, my guy, it’s so so wonderful to see

.

[padfootastic]

friends, it’s here. a fic i’ve wanted to write for a long time and which has gone through some ups and downs. it’s jily & qpp prongsfoot, social media au. fun, lighthearted, completely uncomplicated. a little incomplete for my tastes but needed to be finished lest it never leave my drafts. big thank u to ash for acting as a sounding board on this (even if my pea brain decided to do it’s own thing in the end)

x

One man - James Potter.

Two wives - Lily Potter & Sirius Black.

Who’ll win?

-

Youtube channel Godric’s Hollow is hosting a Wife Wars to decide once and for all who takes the spot of James’ premier wife.

Lily Evans is competitive, ruthless, and here to stay. She also has the advantage of having a ring on her finger.

Sirius Black is calm & confident. He knows he’s got this in the bag—there’s no other option, of course.

What happens when an unstoppable force meets an immovable object? The one in the middle gets squished. (Happily)

[pinkfey]

was going to say this yesterday but lord forgive me all of a sudden i think max and warren are cute ://

[dragonji]

being a student is always going so well until it Isn't .

[diamondseaside]

i was watching the bts of taylor directing the atw short film and her brain is so BIG i’m amazed

[weaselle]

i want to talk about real life villains

Not someone who mugs you, or kills someone while driving drunk, those are just criminals. I mean VILLAINS.

Not like trump or musk, who are... cartoonishly evil. And not sexy villains, not grandiose villains, not even satisfyingly two dimensional villains it is easy to hate unconditionally. The real villains.

I had a client who was a retired executive for one of the big oil companies, i think it was Shell or Chevron. Had a home just outside of San Francisco that was wall to wall floor to ceiling full of expensive art. Literally. I once accidentally knocked a painting off the wall because it was hanging at knee height at the corner of the stairs, and it had a little brass plaque on it, and i looked up the name of the artist and it was Monet's apprentice and son-in-law, who was apparently also a famous painter. He had an original Andy Warhol, which should have been a prize piece for anyone to showcase -- it was hanging in the bathroom. I swear to god this guy was using a Chihuly (famous glass sculptor) as a fruit bowl. And he was like, "idk my wife was the one who liked art"

I was intrigued by this guy, because in the circles i run this dude is The Enemy. right? Wealthy oil executive? But as my client, he was... like a sweet grandpa. A poor widower, a nice old man, anyone who knew him would have called him a sweetheart. He had a slightly bewildered air, a sort of gentle bumbling nature.

And the fact that he was both of these things, a Sweet Little Old Man and The Enemy, at the same time, seemed important and fascinating to me.

He reminded me of some antagonist from fiction, but i couldn't put my finger on who. And when i did it all made sense.

John Hammond.

probably one of the most realistic bad guys ever written.

If you've only ever seen the movie, this will need some explaining.

Michael Crichton wrote Jurassic Park in 1990, and i read it shortly thereafter. In the movie, the dinosaurs are the antagonists, which imo erases 50% of the point of the story.

book spoilers below.

In the book, John Hammond is the villain but it takes the reader like half the book to figure that out. Just like my client, John is a sweet old man who wants lovely things for people. He's a very sympathetic character. But as the book progresses, you start to see something about him.

He has an idea, and he's sure it's a good one. When someone else dies in pursuit of his dream, he doesn't think anything of it. When other people turn out to care about that, he brings in experts to evaluate the safety of his idea, and when they quickly tell him his idea is dangerous and needs to be put on hold, he ignores his own experts that he himself hired, because they are telling him that he is wrong, and he is sure he is right.

In his mind, he's a visionary, and nobody understands his vision. He is surrounded by naysayers. Several things have proven too difficult to do the best and safest way, so he has cut corners and taken shortcuts so he can keep moving forward with his plans, but he's sure it's fine. He refuses to hear any word of caution, because he believes he is being cautious enough, and he knows best, even though he has no background in any of the sciences or professions involved. He sends his own grandchildren out into a life-threatening situation because he is willfully ignorant of the danger he is creating.

THIS is like the real villains of the world. He doesn't want anyone to die. Far from it, he only wants good things for people! He's a sweet old man who loves his grandchildren. But he has money and power and refuses to hear that what he is doing is dangerous for everyone, even his own family.

I think he's possibly one of the most important villains ever written in popular fiction.

In the book, he is killed by a pack of the smallest, cutest, "least dangerous" dinosaurs, because a big part of why we read fiction is to see the villains face thematic justice. But like a cigarette CEO dying of lung cancer, his death does not stop his creation from spreading out into the world to continue to endanger everyone else.

I think it is really important to see and understand this kind of villainy in fiction, so you can recognize it in real life.

Sweetheart of a grandfather. Wanted the best for everyone. Right up until what was best for everyone inconvenienced the pursuit of his own interests.

And my client was like that too. His wife had died, and his dog was now the love of his life, and she was this little old dog with silky hair in a hair cut that left long wispy bits on her lower legs. Certain plant materials were easily entangled in this hair and impossible to get out without pulling her hair which clearly hurt her. When i suggested he ask his groomer to trim her lower leg hair short to avoid this, he refused, saying he really liked her usual hair cut.

I emphasized that she was in pain after every walk due to the plant debris getting caught in her leg hair, and a simple trim could put an end to her daily painful removal of it, and he just frowned like i'd recommended he take a bath in pig shit and said "But she'll be ugly" and refused to talk about it anymore.

Sweet old man though. Everyone loved him.

[anisespice]

“ accidents happen ” || tokyo rev.

cont.

synopsis: in which they discover you had their child and kept it from them all these years later.

pairing: bonten x fem!reader [ mikey, ran, sanzu ]

warnings: mature content ahead. MDI. mature language, crude humor, angst (if you squint really hard), deadbeat!bonten (unintentionally), not proof-read so there may be errors lol and i think that’s it :))

notes: i just want the drama >:) may make more parts, and even extend said headcannons into longer fics in the future, but wanted to post something quick for mother’s day. hope you enjoy!

When you disappeared off the face of the earth, MIKEY had never been the same. One fight. One argument that spiraled out of control, and you were just gone...

He had people looking for you for about a couple years, the trail ran cold after a while and he had half a mind to think you were dead. Up until he got intel of your whereabouts one morning during a meeting.

That man got up and left immediately.

He wasn’t accompanied with any of his men, only because he didn’t want to draw any unwanted attention in the broad daylight. Sure, him wearing a black hood, ball cap, and mask in a park didn’t really help him look inconspicuous but it at least concealed his identity enough for him to blend in. Mikey sat on a bench for a good forty minutes, anxious, making anyone who passed him shiver from his intense aura alone; even birds walked around him. After almost an hour of waiting, he began to feel frustrated. Perhaps, the intel was false. Just as he went to stand, already conjuring up ways to have Sanzu execute the idiot who wasted his time, he heard it.

Your voice. Seizing him, like a siren’s call.

His eyes were alert, darting around until they landed on your figure, spotlighted by the sun, like an angel descending from the heavens. You looked good, healthy. That was good. An array of emotions fought for their turn in Mikey’s heart—Relief, distress, anger, nostalgia. He couldn’t just pick one, especially when it came to you. As he watched from his spot, doing his best to not seem suspicious, he clocked the people you were approaching with excitement, your peppy stride as you waved at, what he presumed, to be mother and daughter.

However, his entire world turned upside down when the little girl extended out her arms towards you, and said “Mama!”

“Hello, my darling.~” You cooed, taking her into your awaiting arms from the woman, embracing the toddler tightly. “Mama missed you so much.”

“Missed you, mama!” was the child’s reply, followed by her giggles.

A bucket of cold water would’ve been better than this. Watching you converse with who he now assumes to be the babysitter, Mikey felt faint. Vision blurring, head pounding, heart clenching. You…you…no. There’s no way. You wouldn’t have moved on…you couldn’t have, not like this, not from him. You loved him, didn’t you? You still love him, didn’t you?

How could you…how could you?

Before he knew it, he started to follow you around. From the park, to the store, all the way back to your apartment. He already phoned some of the executives to start working in on the babysitter, and anyone else in your new found circle for information. He wanted answers. He needed them.

By the time you began fixing dinner, with your daughter laid down for a nap, you receive a knock at your door. Who could that be at this hour?

RAN was chilling outside the rendezvous spot for something the boss and a few other execs were participating in, having a smoke, minding his business, up until he sees a little girl with pigtails wearing a school uniform approaching, standing before him and just…staring. She barely came up to his thighs, could've been no older than seven. She was practically staring into his soul with bright lavender eyes that scarily reminded him of Rin’s when he was that age.

He stared back, head tilted as he blew out the smoke from the corner of his mouth. The hell was a kid doing on this side of town?

Then, after an uncomfortable staring contest, the little girl points at his cigarette. “My ma says those things are bad for you.”

Ran raised a brow, “Does she now?”

“Mmhm! She says it makes people unhappy.”

He offered a thoughtful nod, an amused grin spreading across his face. “Mm. Do I look unhappy?”

The girl looked at Ran for a minute, eyes squinted. Eventually, she shook her head. “No. But, ma also says people who are always unhappy get better at hiding it.”

Ran’s grin faltered. Her unwavering stare started to unnerve him, especially after hearing such a heavy statement come from such a small package.

After a brief moment of silence, he chuckled softly, taking one last drag of his cigarette before flicking it away. He exhaled. “Smart woman.”

The little girl beamed, “Mmhm! My ma knows a lot of stuff.”

“Tsk. But not ‘Stranger Danger’, apparently.”

She tilted her head, curious. “Huh?”

“You shouldn’t be wandering around by yourself, let alone approaching someone you don’t know. ‘s not safe. Especially for nosy little girls who stick their noses in other people’s business. Your ma never taught you that?”

The little girl rolled her eyes, hands on her hips. “Duh. Of course she did. Everyone knows that rule,” she exasperated. Ran snorted, but yielded when she squinted at him, pointing as she sassed. “And I do so know you, so you’re not a stranger.”

This time, Ran couldn’t help the incredulous laugh. “Oh, you know me, huh? That’s not good. ‘m supposed to keep a low profile. Say, you ain’t a cop are you?” He teased, earning another eye roll.

“No. Too small to be a cop, dummy.”

“Oh, pardon me, I didn’t notice. Where do you know me from, then?”

The little girl pointed over to the building..where the executives were having their meeting. She beamed, “Ma’s works in there. On important people days she can’t get me from school, so she tells me to come straight here, and to not talk to the purple man that stands near the building. She says you’re mean.”

Ran smirked, then gave a half-hearted shrug.

“She also says you’re my pa. But, I never believed her. You’re too old.”

Ran’s smirk dropped.

Whether more from the first comment or the last, you decide. But, one thing was for certain: he needed another cigarette.

SANZU cackled watching some guy struggle to round up a couple of rowdy twins at the convenience store. One was knocking shit off the shelves while the other ran circles around the guy. It was what he needed for his bitch of a hangover, a good laugh to distract from the ache in his skull.

However, he wasn’t laughing for long when you came around the corner of the isle, holding a few items with a smile on your face that soon faded once you saw the scene unfolding before you; the pinkette thought he was still tripping balls. Blinking a few times to allow any after effects of the drugs to clear up, when you didn’t disappear he used his long legs to swiftly yeet behind one of the shelves, peering around it like some paranoid stalker. The last time you had spoken, you had threatened to castrate him with your teeth if you ever saw him again.

And he’d be damned if he tried your bluff.

He watched in awe as you straightened those twins up quick. If he didn’t know any better, he would’ve thought they were trained to obey you, and only you. Any other authority be damned. While the guy was putting all the stuff back on the shelves, sweaty and out of breath, you gently reprimanded them for causing trouble. You still made that cute pouty face you always did whenever you were mad at him…

“What did we talk about earlier? Hm? Mr. Satoru was very kind to help mama today, you know. You two promised me you’d be on your best behavior for him.”

Sanzu gagged. This was the rebound you let nut in you? This huffy moron who can’t handle a couple of ankle biters, this was your king? He had half a mind to just gut the guy to put him out of his misery from that pathetic display from earlier, alone. He couldn’t imagine how difficult it must be back home. He remembers when he was that age—Rowdy, reckless, the Antichrist. Adorable, but deadly. God bless that poor bastard’s soul.

Wait…Mister? Not…dad?

The first twin whined, stomping their feet. “He’s too boringggg!”

Come to think of it…if Sanzu squinted…the longer he looked at the little family…he swore the more he saw the resemblance of himself in the tiny gremlins. From the hair, to the eyes, all the way down to the mannerisms…Hang on. When had been the last time you two fucked? Three…no, was it four years ago?

The second twin huffed, pointing at the man. “Yeah! And he’s jus’ being nice so that he can sleep in your bed, mama!”

You flushed, nervously chuckling as you looked around to make sure no one heard. Sanzu ducked behind a bag of chips, now nothing but eyes peeking through the gaps of food on the shelf.

So…that loser’s not the father? Then…could that mean..?

“He’s mama’s boyfriend, remember? He’s allowed to do that. And he’ll be around for a while, so I want you two to be nice, okay?”

“…okay, mama.” They grumbled.

Sanzu almost popped a blood vessel, fist clenched around a bag of Lays and nearly busting it. He chuckled darkly, “Oh. We’ll see about that.”

© 2024-2025 anisespice ッ all rights reserved.

likes, comments & reblogs much appreciated!

[dduane]

I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)