#i hate apocalypse episodes

[anothersmallfeat]

Xmen 97 season one finale spoilers:

It's a credit to this show that I did not spend the whole episode going "EMPs don't work like that. It's a pulse, one and done. Magneto is no longer sending out pulses, he can not simply reverse that shit. "Professor" Charles didn't major in electricity and this thing Storm said about the planet being in magnetic distress makes no sense. Just commit to the bit, you want to go hard than commit to the consequences! Hey it would be interesting!"

I have an issue like that every episode but it rule of cools its way out most of the time. But yeah I did not forget that your show makes no sense.

I kind of want an AU were in season 2 and 3 humanity doesn't have technology to square up to mutants. The lasers with stun are out so people start picking up old regular guns. Inevitably some mutants would have also died in the global emp, not just non mutants. Mutants and humans working alongside each other is the fastest way to rebuild and stabilize society. Magnetos "declaration of war" as the show likes to put it, could be reframed into the thing that saves Charles vision of unification.

But noooooo. Apocalypse arc.

[lokiiied]

i haven’t seen any gifsets of this scene yet, so i bring you more shitty screencaps but this moment felt like it was important me ?

loki walking past sylvie with mobius AGAIN with zero hesitation. (two eps in a row) hmm what does it mean.

(this time loki leaves first and mobius stays behind to look at ravonna, before following after loki - a parallel to last episode with loki & sylvie. and the second time they mirrored those dynamics in this episode! interesting.)

[actual-changeling]

This post is something that can actually be so personal and no I am not done talking about it. There's a whole concept behind it and the fucking hair ties are just one way of channeling it but oh boy is it a good one. This works so well with the hair braiding too and i cannot think about it to much or i will spontaneously combust, but I had to so I hope you enjoy the result of it.

-

Joel has a hair tie on his wrist because Ellie forgets to take a spare and when the first one breaks or she loses it somehow, he can offer it to her before her hair becomes an annoyance.

He has one because she gives it to him sometimes when they're laying on the couch and her ponytail makes resting her head on a pillow or against his chest uncomfortable. At times she also takes it out simply because her scalp is especially sensitive that day and the constant pull becomes painful after a while. There's always another one in his jacket pocket, too, so when Ellie asks him for braids afterward or allows him to do her hair he isn't limited to simpler styles.

It starts with hair ties in Jackson but there are months of different acts preceding it.

Joel carried whatever he could for her, taking more than necessary sometimes because the slim line of her shoulders being weighed down by her backpack made his heart ache even when he couldn't admit it to himself back then, not at first at least. There are water bottles, sweatshirts she cannot quite fit into hers that day, all of their food, whatever first aid materials he can find, even a spare bar of soap.

Then he starts carrying hair ties once they get to Jackson and suddenly he needs to keep a brush on him, too, and with the brush comes a comb and with the comb comes a hat and with the hat comes a homemade creme he traded for since her hands are uncomfortably dry sometimes (she never said so but he knows her), and after that what started as a small piece of twisted fabric turns into him carry a bag around that is filled with everything his brain thinks Ellie might require at some point. Sure, maybe he is being a little bit overprotective and maybe Tommy jokes about getting him a purse several times, but he can offer her sunscreen and a bottle of water during summer, he gives her gloves and a scarf in winter when she doesn't remember to put them on before leaving, there's always one of her books in a side pocket, too, and as soon as he finds her a new one, her Walkman gets an especially safe place in his bag.

And yes, he fusses over her a little bit too much, maybe even to the point of being smothering sometimes (she always tells him to back off when that happens and he does without complaint), but Ellie grew up utterly alone and without someone to look after her for fourteen years, she deserves to know what it is like to be cared about by someone. Whatever she asks for, whatever she needs, he gives it to her even when she could walk home and come back with the thing in question in less than ten minutes. There's always a snack, a spare sweatshirt in case she gets cold, space for the one she takes off when she gets too warm, a small sketchbook and a pencil both as a distraction and so she can draw whenever she feels like it.

No one pays any attention to it, and while Tommy softly teases him about it from time to time, the smile that blooms on Ellie's face when he quietly gives her something she needs based on nothing but hardwired instincts before the words leave her mouth tells him everything he needs to know.

Joel might not be good with words, but he continues to carry a bag and hands her little pieces of his love time and time again, hoping she can put the puzzle together, hoping she knows.

Ellie does the same, hoping Joel notices it, hoping he knows what it means, that with every time she tells him to rest, every cup of coffee on his nightstand, every night spent in his bed when she wakes to the mere suggestion of a nightmare and brushes them away before they can settle so she can put herself in their place instead, every trashy action movie she borrows from the library for their weekly movie night, every handmade guitar pick she gifts him, every single gesture she does not have to do but does regardless because she wants to, she is saying I love you, too.

They notice, they care, they willing hand over carefully chosen parts of themselves and the puzzle they piece together is one and the same, because paying attention to things is how they show love and it is oh so easy when there is nothing to look at but each other.

[ghostlyheart]

good luck, jane!

[stylishanachronism]

If anyone has fiction podcast recs that are not about the main cast being mean to each other I am all ears

[emmiewlw]

Always keeping an eye out for a girl w a tattered baseball cap STOP im crying what do you mean clem found aj without having to kill anyone and got back to Richmond in a week and lived out the rest of her days there remember

so true bestie and then all the ericsons kids showed up to hang out and javi taught everyone to play baseball and everyone was happy!!!!

[metallatch]

the fifth season of tmnt 2012 is not canon.

the creators of the show have stated that none of it actually happened in the original timeline.

how the fck do you create an entire final season and just casually say It Didn’t Happen?

[nomaishuttle]

u guys cant judge me for anything i say after the first two sentences of this post are we clear. ok good. So ive been watching spn famously and there was one episode where theyre like you know. doing spn things.but supermassive black hole came on in the background and me and hal (im watching with hal obv) both shot up it was awesome

[glompcat]

Episode 3 of The Last of Us was amazing.

[avvidstarion]

Honestly tma should’ve ended after season four like I feel like SEEING the fear apocalypse made it super underwhelming

[crazynerdandproud]

Ruby is one of if not the best bad guys in the show. Like, try as much as you want it’s impossible to hate her. She worked hard, she was dedicated, she went deep undercover with virtually no one knowing she was actually under cover. I just. Yeah, she is iconic and deserves to be queen of hell.

[i-like-writing-stuff]

the other five [ five hargreeves x reader ]

request: Hello! This is my first time desperately requesting a fic because the new season is SO bad 😭 Can you write a fic where the reader finds out about everything that happened between Five & Lila and then she gets taken away by one of the Fives at the deli and promising her that he’ll treat her better than OG Five (You can also add a part where OG Five finds out about this and lives to regret it)

a/n: AU where everything in that trash season was the same, except when five made the first jump in s1 he made it in his 32 yr old body bc i will not have y/n pull a zach justice (lmao)

even if lila did 😭😭

anyways basically everyone is the same age

i like to think of the five that comforts y/n as the five that explained everything to five in the last episode because that one literally felt like the five we were supposed to get, the five that was there all the first three seasons

sorry i cant stop trashing this season you guys 😭 i’m just so disappointed

summary: after breaking up with five, you make up with… well, five

part two

“Leave me alone, Five!” You yelled in despair, pushing the man before you away, “Actually, first take me back home, you psycho! I have nothing to say to you!”

“Y/N, please, just hear me out!” Five tried to reason with you, as if anything he would say could make your heart glue itself back.

You were standing in the subway station after Five had blinked himself and you away from the family- or what was left of it, watching him at loss of words. You didn’t recognize the man before your eyes, as much as you tried. You didn’t even have time to gather all your thoughts since there was yet another impending apocalypse on its way, so your mind was completely all over the place.

Five Hargreeves was not the same Five Hargreeves you fell in love with all those years ago. He was not the same man who had stolen your heart and made you feel like you were the most precious person in the world. He wasn’t your partner anymore, he wasn’t your lover. Your boyfriend wasn’t there. You looked at this person and there was a stranger, acting as if he was the same who had hugged you, held your hand, kissed you all those many times. You were questioning everything about him now.

“Take me back!” You yelled again, ignoring his same pleas, curling your hand in a fist, “I’m this fucking close to making you ash!”

As your pure anger got the best of you, you were ready to let your powers take over for a second. Obviously you weren’t actually going to hurt him, no matter how much you wanted him to feel your pain, at least physically.

You met him six years ago, during the first time you tried to stop the apocalypse. You were also one of the extraordinary kids, but luckily enough, Reginald Hargreeves didn’t manage to adopt you- more so, purchase you. You only met Five not long after he managed to time travel back to his family in 2019 after spending all those decades by himself. Before you knew it, you were dragged into the Hargreeves family and your relationship soon after developed.

Your six year relationship that was so merry a few hours ago. Now it was crumbled, trashed.

What hurt was that it was six years only to you. Five managed to block himself seven years away from you, only in the presence of Lila.

“This is so fucking stupid,” You scoffed, fighting back the tears in your eyes, “It’s fucking over! Do you want me to spell it out for you?!”

“I want you to listen!” Five didn’t give up on arguing, “I thought I’d never see you again!”

“You didn’t want to see me again!” You screamed, wailing your hands in the air, “Fucking save it- It’s over! I don’t want to ever see you again if we survive this apocalypse! You ruined our relationship, you ruined your brother’s marriage, family! For fucking Lila!”

You hated him absolutely. The mere thought of his infidelity, of the nerve to act as if he still loved you, it was all despicable.

You grew to love all of your boyfriend’s siblings, and also your nieces and nephews, even if you and Five were not yet married. You planned to be a part of the family officially, but still wanted to focus on your careers, you wanted to adjust yourself to your old life, back to your origins.

“Y/N, please!” He tried to step, towards you, but you started stepping away.

Thoughtlessly, because of all your anger, you just walked towards the first train approaching you, fully intending to be away from him at whatever cost.

“If you don’t want to take me back, I’ll fucking find my own way!” You hopped onto the train, watching as he tried to catch up with you.

But he was too late.

In hindsight, maybe it was not the smartest idea, but you were just so devastated nothing made sense to you anymore. You spent the past six years thinking that you are set for the rest of your life, now that the world wasn’t ending anymore. You reconnected with your family, you built a career for yourself and were living happily with Five, you had literally just finished settling yourself in the new house you bought together. You couldn’t understand how he could do this to you.

You couldn’t understand how Lila could betray your friendship either, especially Diego and their kids.

You tried to make it make sense, be reasonable- it was only a few hours to you, but they were lost in this subway system for seven years.

But then again, Five was lost in the future 45 years by himself and he didn’t give up on trying to return to his family once.

Now he did, he gave up on trying to return to you.

That’s definitely another aspect that stung.

“Fucking piece of shit,” You mumbled, as the train approached its first station, “How do I fucking get out of here?”

You stumbled out of the sub, taking in your surroundings. It was yet another crumbled down station, but if you were to be at least a tiny bit fair, it was maybe a bit better kept. You looked around curiously, trying to figure out where to go from now on. Your fire-based superpowers were totally useless in this situation, so you hated to admit that you were in a bit of a pickle.

You rolled your eyes, as Five rounded the corner and stopped in his tracks, watching you with widened eyes.

“You again?” You sighed angrily, “Take me back or get out of my sight, Five.”

Five raised his brows, putting his hands in his pockets curiously. He didn’t say a word yet, as a small smile tugged at the corner of his lips. He slowly stepped towards you, not taking his eyes off you once. For a split second, you stopped as well, sending that something was up.

You took in his features, trying to make sense of what was going on, realizing that he didn’t have a coat on him. He was wearing the exact three piece suit an black tie, he was wearing the same silver watch on his left hand, but he didn’t have his coat on.

“Y/N,” He smiled, stopping in front of you, “I never thought I’d see you again, more so here.”

“What the fuck is going on?” You calmly asked, over-analyzing the man before you.

His smile didn’t drop. It was a genuine one, a smile you hadn’t seen in a while. Things between you and Five were okay a few hours ago, but he hadn’t watched you with this look since you first met. His eyes were sincere, taking in every single feature of yours, traveling all over your body.

“I take it your Five danced the devil’s tango with Lila,” He sighed deeply, raising a hand to gently brush away your tears.

When did you even start crying?

Your mind was scrambled all over the place, but at that exact moment you couldn’t say another word. You just melted into his touch, feeling warmth. It really hadn’t been that long since Five touched you, but this touch felt different. His hand rested on your cheek, as his thumb caressed you lightly. His touch was so intoxicatingly sweet, sending shivers down your spine.

“I’m so sorry I’m a literal shitface in some other timelines,” He lightly shook his head, “I’m so sorry.”

“What is going on?” You asked once again, calmer this time.

For whatever reason, you relaxed in an instant. You couldn’t tell if it was because of his gentle touch or simply his presence. Ironic, since just ten minutes ago you were ready to set him on fire.

“Come with me, my love,” Five said, grabbing your hand in his, “I’ll explain everything.”

You didn’t fight his touch, locking your fingers with his. None of you said a word, as you watched you hands fit so perfectly in one another. How could your relationship be over when you were so good together?

You followed Five through the subway station, rounding the same corner he appeared from. You watched as he turned his head to give you a reassuring smile, lightly squeezing your hand in comfort.

After a few more steps and going down a couple of stairs, you widened your eyes seeing a literal deli tucked away in this godforsaken out of order subway system. The headlights above the front entrance were lit up, writing Max’s Delicatessen. You saw inside a huddle of people as you entered, gathering everyone’s attention.

When they all turned to look at you, you literally couldn’t tell whether you or the huddle of people was more shocked.

They were all Fives.

There was music playing inside, as the deli was full of different versions of your boyfriend, whether they were customers sitting at the tables, drinking coffee or having a meal, reading the newspaper or having a chat. There were also other Fives working around, waiting tables or cooking in the back.

Nonetheless, they all stopped to look at you.

“Yeah, yeah, Y/N is here, carry on, you guys,” The Five that was holding your hand waved the others off with his free hand, “She needs a moment, stop being creeps.”

“I can’t tell if this is a dream come true or my worst nightmare,” You said, looking around the deli, as Five guided you towards an empty booth.

You sat down as the other picked up again whatever they were doing, still watching you with the corner of their eyes. Five took a seat in front of you, still holding onto your hand on top of the table, using his other hand to rub small circles on your skin.

“I am not the Five that dragged you here, in case you didn’t tell yet,” Five managed to say, “But I’m pretty sure that you did, since I know you’re smarter than he gives you credit for.”

“He did mention that this subway system is the knot to multiple timelines,” You sighed, as Waiter Five set down two cups of steaming coffee on the table.

You watched him curiously, as he looked yet again exactly like Five, wearing just a white shirt with the sleeves rolled up, with a black tie, pantsuit pants and a server apron around the waist. He smiled at you warmly, setting down two small packs of sugar and a creamer.

“I’m sorry, my love, we don’t have any Irish Capuccinos around here, since you’re the first Y/N to set foot in here,” He apologetically smiled, “I can only get you a shot of whiskey, if you’d like.”

Of course they all knew your favorite coffee.

“Make it a bottle,” You said, cracking a smile for the first time, causing him to chuckle, before walking away to attend to your order.

“I can’t begin to explain how much I missed your smile, darling,” The Five before you said, as you turned back to him, “The Handler got to the Y/N in my timeline,” He added, as sadness took over his eyes, “I missed you so much.”

“I can’t understand how you’re the same Five that fell in love with Lila,” You said, before quickly adding, “I mean- technically, you’re not, but still.”

“Everyone around here is a different version of me, from a different timeline,” He said, “I’m one of the many that didn’t go down that road.”

“Thank you, I guess,” You laughed, making him smile again.

What a sweet smile it was.

“When I lost you, I was a total wreck,” He confessed, as you couldn’t help but place your other hand on top of his, “I love you so much, Y/N, I could never hurt you like that no matter what. This is all such a fucked up turn of events, but when I saw you coming out of that train, my mind froze.”

“I love you too, Five,” You said, “But I need to wrap my head around what is going on- Everything is insane, I mean I’m right now in the middle of yet another apocalypse, I just found out that you love Lila and there’s just so fucking many of you.”

“I know, my love, I know,” Five nodded, “I wouldn’t dare to ask you accept everything so fast, I know it’s a lot to take in.”

“Can you just… hold me?” You asked, watching as he didn’t waste another second and got up to slide ne t yo you in the booth.

Wrapping one arm around your shoulders to pull you into his chest, he used his other one to caress your hair. You nuzzled your face into his shirt, taking in his scent, as you felt a wave of certitude wash over you. Five held you tightly into his arms, embracing you after years of your absence. He was grateful to have you in his arms once again.

And he was not about to let go anytime soon.

“I’ll always hold you, my love,” Five muttered, peppering small kisses in your hair.

The Five from your timeline watched from behind the window as you took comfort in his arms, but not exactly his arms.

This was only the beginning of his lifelong regret.

[yourfavoritehouseplant]

I watched James Somerton's final video, and all I got was this 6 page document

As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.

The TLDR (is this too long to be a TLDR?)

The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.

He makes a “haha this show is so weird right guys” joke 10 different times

He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good

He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”

He sees the sexual abuse as “not to be taken literally”

Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5

The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person. 

He says Dios gets his powers by “deflowering women”

He calls Akio, known child predator, a chaotic bisexual

Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom

His final point is that Utena was the real prince all along

There are no citations

Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.

Part 1: Intro

This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:

0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.

1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido

4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)

As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime

Part 2: Part 1

(At least I know I’m not funny, unlike James Somerton)

Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01

Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40

6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga. 

7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.

9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)

9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons

10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom. 

He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done. 

11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.

13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.

14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)

Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.

14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women

16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.

Part 3: Part 2

17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me. 

The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?

You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.

Part 4: Part 3

Here’s where the reading falls apart folks

At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World. 

This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical

This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.

I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.

24:36: Shiori slander, for those who care

After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him. 

28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)

This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase

And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.

Part 5: Part 4

Thank god this part is short. Much like Dios’ on-screen presence.

32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.

Just to be a pedant, this is pretty explicitly disproven in the show

Confusingly, both earlier and later he will address these two as the same character. 

33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?

Part 6: Part 5

This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.

38:30 The part where he states that Dios gets his powers from deflowering women.

38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”. 

38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance”  THE ASSAULT IS ABOUT AKIO NOW???

39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.

Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.

At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand

Part 7: Part 6

42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami

46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince

48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim

Part 8: Part 7

54:01: His concluding point is that Utena was the real prince all along. 

In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.

[beanpodz]

There were so many things I liked in S4 of TUA but Jesus Christ I kind of hated so much.

The end felt so rushed (probably due to less episodes). They didn’t expand enough on any resentment created by Alison and it seemed to be forgiven fairly quickly. Five not being affected by being back in the apocalypse even though season 1 him seemed extremely traumatized by it.

Speaking of five: WHAT THE FUCK WAS THAT ALL ABOUT!? They introduced the whole relationship so far into the final season. It had no time to breath or feel organic to the characters. It seemed like everything about Five and Lila’s storylines this season was leading up to this but was this romance really something needed in a show about the family itself? Why do a plot line that created friction between them like that? Diego was literally mad at Five in his final moments! WTF! Also you’re trying to tell me five, THE SAME GUY WHOSE WHOLE LIFE REVOLVED AROUND GETTING BACK TO HIS FAMILY, would not do everything in his power to get back to them? He spent 40 YEARS trying to get back. I could rant on this for hours. They really said Aidens of age now let’s have him make out with someone.

Ray not being there was insane. Five has never trusted an employer in his life but sure he didn’t know anything about the CIA being filled with cult members I guess. The introduction of Jennifer I understand was needed for plot reasons but it’s another forced romance and didn’t allow for enough cool fight scenes (this point is personal lol), and the ending scene was cute but it made no sense timeline wise for all of these people to just be chilling in the same year together.

It didn’t leave me satisfied. It left a pit in my stomach which I usually like in a show but this time it wasn’t earned. I loved the siblings bonding. I loved Dad Diego. I loved Angsty Claire. I liked Jean and Gene. I loved the five mind deli. I loved “little Greek guy” and Luther being a hot spaceman dancer. But God so much of this series was lacking and I wish it could have left us with something more than it did. But IDK it’s 6 in the morning and I just binged it. Maybe I’m just tired.

[hmmm-shesucks]

Once the foxes become more comfortable with each other, they begin to nag. Mostly little things, usually humorous things. They nag on Nicky for being too forward sometimes. They nag on Neil for his horrible life habits. They nag on Dan for her mother henning. They nag on Kevin for everything. It's fun, it's what families do. They all just pick on each other for fun.

It takes a little longer for them to feel comfortable nagging Andrew though, which, is understandable, but one of the first things they start picking on him for is his lack of communication in general. He NEVER talks. They just want him to participate sometimes.

Renee and Neil find this funny because Andrew talks A LOT just not around the foxes. He's not comfortable.

See, Andrew is fucking weird. Everyone knows this, but the foxes think he's weird in a “mysterious, murder you in your sleep, was totally the kid everyone thought was going to shoot up the school” kind of weird.

Andrew is not that kind of weird. He's a different breed entirely. He plans out how he'd survive the apocalypse, any of them. He is constantly fighting back the most wild intrusive thoughts. He is 24/7 existential crisis. His head is a wild fucking place.

But he is trying. Making progress. Trying to be more open and approachable, as Bee says. So he talks. Out Loud.

And the foxes hate him.

In the most monotonous voice ever

“Do you ever feel like your bones are dirty? Like, I could totally strip my meat suit and just give my ribs a good bleaching.”

“If that light fell out of the ceiling it would kill at least three of you and seriously injure the rest of us.”

“Nothing is stopping me from buying five ice cream flavors at once, but I'm learning self-control and Bee would be disappointed.”

“Currently having a manic episode. Should I A.) call Bee, tell her I'm not doing too great, and talk about my symptoms and how to best cope? B.) find the nearest mall and spend every dime I have in less than thirty minutes. Or C.) go apeshit and try to fight anyone and everyone who looks at me in a less-than-kind way. Children included.

*stage whisper* there's a secret fourth option but I'm saving it for later ;) (pronounced Semicolon left facing open parentheses. Yes he says this out loud)”

disappears for less than five minutes and comes back with three furrbies and a corndog, one that is obviously not from the mall's food court.

He's so fucking weird. Like, weirder than Neil, and it's awful (so good dude, the foxes eat it up)

And it's not the manic Andrew on meds. It's just Andrew. He's still Andrew. He's still quiet most of the time and he is still grumpy and apathetic, but he's also comfortable enoughto just blurt random shit out and have fun watching everyone figure out how to respond. He's found safety in his new family and he can openly be who he is without fear of judgment or rejection. He's happy in a way he's never felt nor ever thought he'd get to experience. He's just Andrew.

[justhereforthemeta]

Romantic expectations and the story we didn't see: A magic trick hiding in plain sight

Here's a hopeful meta for all my fellow celestial brainrot sufferers out there. Cheers! :)

This idea started as a dead end, trying to track the movements of Crowley’s sideburns/tattoo because I thought time travel shenanigans were afoot. I had to abandon that theory when it was pointed out that David was simultaneously filming as the sideburns-having Fourteenth Doctor, and in-universe Crowley can do whatever he wants with his facial hair whenever he feels like it. But hey - null findings are still findings!

On the bright side, pausing the show to make notations in a spreadsheet forced me to slow down and notice other changes I'd overlooked the first time around: acting choices, costuming choices, references to book lore. And possibly a few surreptitious flicks of the wrist, in places where we’re meant to be focused on the magician’s other hand.

@amuseoffyre and @ineffablefood had a great exchange recently about romance and “the significance of misdirection and three-in-one (magic) tricks” throughout the show. I suspect Neil has done something brilliant with the audience’s long-standing expectations (since the 1990s, really) for the love story between Crowley and Aziraphale to develop. And while it is a wonderful story indeed, playing to this expectation lets Neil distract his audience from the blink-and-you'll-miss-them seeds he's planting for the final chapter.

Continued below the cut...

Let’s start at the beginning of Episode 2. First, context: In the previous installment, Crowley stormed out of the bookshop, was whisked away to Hell by Beelzebub where he learns about the Book of Life threat to Aziraphale’s existence, then returned to the bookshop to dance a little apology dance and hide Gabriel with an unintentionally massive joint miracle. In S2E2, we and Shax catch up with Crowley as he's snoozing in the Bentley.

Shax: “You’re in trouble”

A. J. Crowley, cool as a cucumber: “Obviously. Former demon, hated by Heaven, loathed by Hell. How will our hero cope?”

Interesting! Sarcastic? Yes, absolutely; but that’s also a good 4500 years and an averted apocalypse away from “I’m a demon. I lie,” wouldn’t you say? Someone is sounding a whole lot less depressed and aimless and navel-gazey (do snakes have navels?), and a whole lot more like he’s got a project to focus on, since his "what's the point?" ruminations on the park bench in E1.

And of course we all noticed the costume change right away. Hello, black turtleneck. Feeling cute today, thought I’d cover up my graceful long neck? That sounds unlikely. Let’s put a pin in this one.

There’s also an interesting acting choice going on here. Crowley speaks to Shax in a funny, drawling, too-cool-for-you voice that we haven’t heard in a while. Specifically, not since 1967. If you go back and give the S1E3 scene in the Dirty Donkey a listen, you’ll hear it (and if you know of another instance of it that I've missed, please let me know!). In S2E2, he keeps up this odd voice (if anybody knows what kind of affect this is supposed to be, please do tell!) throughout this dialogue with Shax, except for the brief moment when she first surprises him about the joint miracle having been detected.

1967 was a fun year. Crowley masterminded a heist! And seemed like he was having a ball doing it, right up until his little caper was called off after Aziraphale brought him the thermos of holy water. Crowley spoke to his co-conspirators in that same funny, very 60’s-caper-film voice. He wore a hip 60’s turtleneck. He bought petrol for the only time ever, so he could get those sweet James Bond bullet hole decals for his car (per the book, seen on the Bentley in the show).

Those James Bond bullet hole decals would of course have been part of a promotion for this 1967 release, which you just know our film-enjoying demon went to see in the theater:

Starring this suave, be-turtlenecked guy:

And now - begging your forgiveness - a brief rant.

There are a number of posts out there that refer to Crowley’s S2E2 turtleneck as a flirtatious sartorial choice - actually, ‘slutty’ seems to be the favored accusation. There are even a few posts floating around commenting on how sweet it is that Crowley swaps out his slutty, kinky, throw-me-over-your-desk-and-take-me turtleneck for a more dressy and appropriate collared shirt specifically to attend Aziraphale’s Jane Austen ball. 

Now this is all in good fun, and Crowley does indeed look fantastic here, and I do love a good fangirling sesh as much as the next person. However, fandom’s collective tendency to interpret what we are seeing on the screen through the lens of romantic expectation can, at times, give rise to a kind of blinkered enthusiasm that obscures the original text in a haze that is part Mandela Effect, part unrestrained horniness, and part in-group code talking and identity reinforcement.

Respectfully, Crowley’s black turtleneck does not appear at all in S2E5: The Ball. In fact, it never appears again after the end of S2E2.

For Someone’s sake, let’s collectively pull our heads out of the romantic fog/gutter for a moment and focus on what we are actually seeing in the book and on the screen. For Crowley, this is an uncharacteristic within-period costume change. There is a surreptitious flick of the wrist happening here, out in broad daylight, and we are all missing it.

So here’s a thing. Aziraphale appears to have settled comfortably into life on Earth, his neighborhood, his books, using Crowley as an outlet for sharing his good deeds that he would once have reported to Heaven. Meanwhile, at first glance, Crowley appears stuck in a rut. There he slouches on a park bench with Shax in S2E1: a guy who lives in his car, stagnantly clinging to old familiar habits, mulling over the pointlessness of it all.

Setting aside the bit about living in the Bentley (I’m going to attribute this to well-documented issues between him and Aziraphale, discussed in many other excellent metas, and move on), Crowley has at least two very good, proactive reasons for maintaining his contact with Hell through Shax. First and foremost, it’s a source of information he can use to keep ahead of potential threats to Aziraphale and himself.

But also, I would posit…he kinda likes it.

Recall that book GO was first conceived as a parody, with Aziraphale and Crowley as spy-against-spy (but not really) field operatives in an ages-old cold war between Heaven and Hell. Their entire book dynamic is rooted in the trope of two opposing agents who have been in the field for so long that they now have more in common with each other than with their respective head offices. Their St. James’s Park meetings among other spies and ministers trading secrets are a sendup of what was once a well-known Cold War-era cliché. 

Our contemporary Crowley still likes slick outfits and hellaciously expensive watches and high-performing vintage cars and pens that write underwater while looking like they could break the speed limit. He coaches Shax on how to blend in as a demon on Earth, and he helpfully redirects the wayward contact looking for the Azerbaijani sector chief. He loves improvising and getting away with shenanigans under the institutional radar. And boy golly was he impressed with Jane Austen: master spy, brandy smuggler, and mastermind of the 1810 Clerkenwell Diamond Robbery. 

And if you look at it a certain way, for as long as Crowley has considered himself to be on “[his] own side” - going at least as far back as Job - he could almost think of himself as a sort of double agent. It’s actually a very romantic sort of notion, befitting our hopeless romantic of a (professedly former) demon; but it’s romantic in a very different way than we, the audience, have been primed to watch for.

In other words, in a very “on my own side” kind of way, Crowley really gets a kick out of being a spy. Or at least, dressing up and accessorizing as one, and moonlighting as a good-doing double agent when he can get away with it. And also being a plotting criminal mastermind. Two sides of a coin, really. Just look at Jane Austen.

My point is: No, Crowley did not wait around for Shax to come find him in a turtleneck so that he could go flirt with Aziraphale later. He’ll flirt with Aziraphale no matter what. No, this:

is actually this:

Much like the one he wears to the Dirty Donkey in 1967: 

whilst holy water heist-plotting. Here's a clearer shot with gratuitous Bentley, because I love them:

…and which he'll wear again, with appropriate camouflage, while infiltrating Heaven in S2E6:

That is the 1967 planning a HEIST turtleneck for committing ESPIONAGE and STEALING THINGS in. Because turtlenecks are what modern human master spies wear to get their hands dirty - after all, he saw it in a movie once. 

Crowley dons his tactical turtleneck sometime during the first major break in the action (which doesn't happen until after the joint miracle to hide Gabriel) after he learns about the threat the Book of Life poses to Aziraphale. Loverboy started mentally preparing himself to go after that book immediately upon learning that it was in play as a genuine threat. 

Now let’s pick up at the S2E2 Dirty Donkey scene, reading the story from this angle. Of course, Crowley enables Aziraphale’s delusions about Heaven by hiding information from him, and does not disclose the Book of Life threat when they meet again. They go into the pub, Aziraphale shamelessly paws Crowley’s chest like the seductive Bond Girl he is, and Crowley gets to act all smooth and suave and intimidating as he chases off the interloping Mr. Brown (or Mr. Collins for the Pride & Prejudice fans, take your pick).

Ergo, theory: beginning in S2E2, Crowley is already thinking of himself as a Jane Austen/James Bond action hero (“How will our hero cope?”), psyching himself up to rescue Aziraphale by getting his spy game on and stealing the Book of Life.

Now, watch closely...This is where Aziraphale and Crowley brainstorm their plans to solve the problem they both know about: getting Maggie and Nina to fall in love and thereby get Heaven off their backs. Crowley’s vavoom plan is drawn from yet another movie (“Get humans wet and staring into each other’s eyes - vavoom, sorted. I saw it in a Richard Curtis film.”). But Crowley also implicitly shares his solution to the problem he hasn’t told Aziraphale about. And true to form, Crowley’s Jane Austen solution isn’t the same as Aziraphale’s Jane Austen solution. 

Two solutions that fail by the end of Season 2, and a secret third one that might still work...and there's our magic trick of three.

‘“I’m lost. Am I doing a rainstorm?” Yes, babe. And a heist, too - just not until season three. Can I get a wahoo!? 

I won’t spend time on A Companion to Owls during this meta, except to note that in all three minisodes, we get to watch stories that involve Crowley acting as a double agent on “his/their own side” - successfully making Hell and Heaven think he’s fulfilling their will while saving Job’s goats and children; failing to fool Hell when he does a good deed in Edinburgh; and of course, collaborating with Aziraphale whilst evading detection as an infernal turncoat during the Blitz.

(Because this is getting long, I'll also skip over Crowley's interrogation of Jim in this episode - I'll probably come back to that in another meta. But interrogating is a rather spy-ish thing to do.)

When we catch up with Crowley again later, he’s already slipped out of the bookshop, having left Aziraphale to his biblical reverie about Job. He saunters snakily down Whickber Street as usual, but with a very pointed and swift glance over his shoulder (see pic above). This demon is up to something - possibly something we didn’t get to see, something that may have happened offscreen while he stepped out. In any case, knowing there’ve been unfriendly angels in the neighborhood that morning, he’s rightly concerned about being spied on.

From this point until the beginning of episode six, there isn’t a whole lot of opportunity for Crowley to make any next moves. He babysits the bookshop, during which time he manages to wring some crucial information out of Jim; he follows his Crowley’s Angel around like a puppy, and downs a bottle of red like a good old fashioned lovesick boy once that’s been pointed out to him. If any plotting or scheming is underway, this occult being is keeping stumm for now.

This has been a long one, so I’ll wrap up with Crowley’s infiltration of Heaven with Muriel. The turtleneck disguise works (Archer fans, be vindicated!) long enough to gather some information that will be crucial not just to the denouement of S2, but also to Crowley’s journey in S3 (previous post on Crowley's Fall, Saraqael, and memory wiping). And Aziraphale gets to enjoy that view exactly zero times. The point isn’t oh, a turtleneck! How flirty! So cunty! So cute! Y’all. Everything matters. The costume change was a deliberate choice. In-universe, Crowley’s decision to wear his special spy turtleneck for spying in is a signal that he is out doing spy things, even as we watch.

In sum: Beginning in S2E2 and continuing through the end of the season, Aziraphale and Crowley are actively living out the scripts of two parallel, concurrent, and completely different Jane Austen stories. But you and I, dear fellow audience member, we came here for a comedy with a hefty jigger of romance, and that’s what Neil gave us to focus on. And right up until the Final 15, that was the only story we saw.

Meanwhile, Special Agent A. J. Crowley doesn’t have time to mope around at the end of S2E6. He’s kicked down, but he’s not out. He's got a Book of Life to steal, a very serious bone to pick with a certain memory-wiping angel, and his Angel and the world to save. 

“‘Heigh ho,’ said [romantic, optimist, former demon, hero, master spy] Anthony Crowley, and just drove anyway.”