#i have no real connections or friends

[humbleanger]

wishing it was all different but also not having the means or the bravery to change anything

[beybuniki]

AU where Deku stays quirkless and he enrolls in UA's support department, he and bakugo befriend each other because they take the same train to school & Deku approaches him because they're both batfam fans :) they bond over common interest which also inspires them to work togetherrrrrr

[qtubbo]

Tubbo’s list of 100 women:

for any confusion theres a name 100 women challenge going on right now and this was Tubbo’s attempt…

And finally his reaction to the end

[yumenari]

Guys did you know today is the birthday of the loml (and their snake familiar)

[captainmaxatx]

I feel like we are all sleeping on the fan fiction potential given to us from Deadpool and Wolverine using their bodies to make a circuit with matter and anti-matter

Who knows what that could do to a person, you could write a fic where that caused anything your heart could think up.

[nerdy-hyperfixations]

It's funny because to me Ford's "perfect universe" (the one in the journals where Stanley blindly did what he told him to do with the journals and he tweeked the portal to cut out Bill's nightmare realm and got rich and famous) contains the worst version of himself. And I don't know if he'll ever realize that.

[tempestmothstorm]

Ok since Monika still has her admin powers in the side stories you think she could just discover them accidentally or use them without realizing

Anyways au where Monika and friends discover her admin powers but dont know about the wider context of what it means. So they just go around thinking Monika has magic and try practicing with a bunch of silly fun shenanigans because they figure it’s some chosen one bloodline stuff and not like. A product of their reality being a constricted digital science experiment.

This au will not end well

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[courtney-deserved-better]

telling myself i can't start another tdwt rewrite but dear god do i want to write one focusing on alejandro and courtney in this weird situationship thats a lot more nuanced than just alejandro manipulating courtney and her falling for it. like theyre best friends they dont trust each other theyre the same person they dont know anything about the other one theres a mutual attraction theyre pining for other people theyre codependent they dont care about each other theyre platonic soulmates like i just want to do a deep dive into how messy that relationship couldve been building off of their friendship that exists in my head except the line between romantic and platonic is so fucking blurred they have no idea what they are to the other person

[hexxter]

Ok but what if Ephemer’s and Player’s hearts are like literally connected (really really literally)

Maybe like, small pieces of each other heart being traded, or i guess other magical ways

So if the theory of Sora being the third reincarnation of the player.. (even tho I don’t like this theory cause both deserves to have their heart, specifically Sora with his heart hotel moments)

Maybe thats how Ephemer soul showed up in KH3? Cause the connection to player that stayed within Sora, this theory pretty common right?

And if thats works one way, could also go the other way no?

Ephemer summoning the Player’s soul with the hearts connection. Maybe even unintentionally, suddenly poof the player is there as a ghost!

Sounds like interesting angst. Maybe thats would be also like.. why the player took pretty long to reincarnated to missing link area cause Ephemer was still around so Player’s soul tied up to his heart.

[talaofthevalley]

I have no clue why they didn't make Amity more akin to a rival character instead of a bully. Because it would have solved A Lot of problems in regards to Amity and Willow, and Lumity becoming a thing.

The thing is that Lumity feels Super Weird at the start when Luz is trying to befriend Amity long before the girl shows any remorse for bullying Willow and making up for it. And it's not something easily brushed off when Amity is introduced being condescending and a dick to Willow. The bullying isn't something of the past, it's still going on.

Willow comes off as an afterthought in this dynamic, when she's the one who's been wronged by Amity the most. Their arc never feels like it resolves itself either, it just kinda peeters out.

If you've watched Little Witch Academia, Diana is who I think Amity should have emulated more. Diana is the top student at the school, she's stern and no-nonsense, a bit stuck-up, she comes from a prestigious family, she gets in conflict with the protagnoist, Akko, not because of bullying but because they have very different personalities and butt heads because of it. Akko considers Diana her rival, but this is one-sided on her part.

Willow and Amity could still have been friends in the past, but Amity instead pointedly ignores Willow's existence after their friendship has ended. She doesn't call out her friends for bullying Willow(that would make it seem like she cares) but she doesn't participate or encourage it. She's still not a good person, she still has to apologise to Willow, but changing their relationship from 'active bullying' to 'pretending Willow doesn't exist' would do a lot going forward for them I think. Still terrible, but more palatable in my eyes.

[cheekblush]

took myself on a little shopping trip yesterday in the city where i used to study in hopes of lifting my spirits but by the end of the day i felt so disheartened. wandering the same streets 10 years later and not much has changed. i’m still the same lonely unlovable girl.

[oldbutchdaniel]

of course there are a million and one things that go wrong in the "man on fire" fight. it's miscommunication city over there. but truly the real downturn of the fight is when stede starts being mean about ed's fish and admits outright that he only ever complimented it in the first place to make ed feel good about himself. the thing is that it was obvious to the viewer that's what's happening; ed is not a fisherman and he caught one teeny tiny fish after an entire day of fishing. it would probably be obvious to ed too, and were he in a better place in general that wouldn't be a bad thing. because that's what you do in relationships! it was also incredibly charming for stede to be animatedly invested in ed's story regardless of the fact that the fish isn't impressive — he just fucked up severely by throwing that truth back in ed's face.

it's a crux of their relationship in the same way ed's investment in the treasure hunt in "this is happening" is. like, the treasure hunt is silly, the map is not real, the experience is just tramping around in nature all day for nothing, and ed truly dgaf. the main thing lucius tells him is that if he doesn't give into the silly and have a fun time with stede their relationship just straight up will not go anywhere because this is stede showing ed how much he likes him. so ed decides he's going to have a good time for stede. everyone's happy. their romantic relationship builds.

they're both relationship turning points, one that succeeds and one that fails, and they're both from the same source (which is the source of all their relationship conflict): stede thinks that ed needs adventure and that he, as ed's friend and partner, should be the rugged adventurer type to keep ed's interest. meanwhile, ed just wants to chill out forever.

i also think it's significant that as a father, man of whimsy, etc stede has always probably been more naturally good at responding to bids for connection — he's just the first to turn it around and throw it back when his feelings get hurt. but ed, whose character arc has in many ways been about opening himself up to whimsy, had to learn to respond positively in First Serious Gay Relationship 101 (taught by Lucius Spriggs). but it's very clearly a meaningful perk of being in a relationship to him, so to have such a new and good thing ripped away from him is literally thee fatal blow of the whole thing. he says "if you're not taking my fishing seriously, fine" and then walks away for good. my man was right ...... it is everything about fishing!!!!

[wildstar25]

What physical part(s) of Arsay does her partners find the most attractive! Is it the same for all partners or does it differ between them?

(also optional bonus ask of what part(s) of/about Arsay generally do they love the most, physical or not!)

Meanwhile, if you were to ask the same of Arsay:

[hajihiko]

That is generally sad because having parents who aren't really abusive or emotionally straining yet- they don't really feel like people who LOVE you? I guess? Like- Hajime's parents were probably just normal everyday parents like Makotos but, I'm just spit Ballin here, they're less optimistic than Makotos parents, who in contrast, always bonded with their children and loved them right off the bat.

You can feel like a stranger in your family, and that sucks. It's no one's direct fault and no one can point to any huge grievance, which makes it hard to pinpoint, which means you never get the Comfort Of Family or the Tools of Dealing With Abusive Parents- you just. Manage.

[fatehbaz]

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