#i havent watched a show in years what do i do

[inanimate-insanity-fan2]

ii 16 spoilers!! its true!!!!

alright fellas, this is gonna be a long one, so strap in. let me preface this by saying i havent watched the episode since it came out, so im bound to miss some things in this analysis/breakdown/crazed ramblings of a madman. my headcanons also might leak into this a lil. sorry bout that NOW ONTO THE FUN!!!!! now, we all know the trauma we faced watching this episode. but lets talk about the funny characters trauma!! staring MePhone, since he's my favorite guy. First of all, I don't believe MePhone was aware of the fact that he created the contestants. As much as i hate the corn man, he was right that MePhone needed to hear that too. MePhone treats them like real people. Moments of vulnerability always come through with him (mainly in season 3) and he actively considers what the contestants during these. Even if he goes into denial afterwards most of the time. Examples; the entire volcano episode, the bridge episode (2nd half), season 3 finale, some rare moments in season 2 that are scattered about. I don't think he'd do that if he didn't believe the contestants were real, y'know? He sees the contestants as real people that he can form relationships with, no matter how reluctant he is to do so. He wasn't aware of their creation. SOO!!!! That leads me to my next point. This get's into headcanony territory, so bear with me. Or don't. I believe that MePhone created them sometime when he first got to the island, maybe in that intermediate period when he deleted his memories. We can see that he shut down right after he pressed delete, and maybe in his subconscious state he could've generated them. It would explain why he didn't remember. I don't believe he created them before he deleted his memories, as he was still in shock and didn't really seem capable of purposefully planning out an entire cast right there and then. He would also remember doing so after he got his memories back in that same episode. Anytime after he woke up wouldn't make sense either, as he would remember that too. I see him creating them in that unconscious state as a sort of unintentional coping mechanism. The only thing that brought him comfort during stressful situations, the reality shows he watched, being brought to life by his subconscious. this does not explain him being chris mclean in season 1. this mystery will take years to solve. perhaps future generations will still question this grand, unknowable decision by the eldritch horror known as adam i am sorry for whoever read through all of this

[kittyqueersfishnships]

So hi uhm. ♡ watched Hazbin Hotel to try and self harm. And ♡ ended up loving it so. New hyper fixation. Help. Please.

[qiinamii]

i wouldn't have met you

[relaxxattack]

it's always really funny to see people debating about the ethics of supporting doof/perry like i'm sorry to tell you this but they are already canonically dating. they don't need your approval 😭

[kolomo]

@animangacreators challenge 3: alphabet challenge ↳ a ⋆ anohana: the flower we saw that day (2011)

"Along with the passing seasons, the flowers that bloom near the street change. I wonder what the name of the flower was that bloomed that one season? It was small, and fluttered slowly. It hurt when I touched it. When I put my nose up to it, it had the slight scent of somewhere sunny. But that scent is slowly fading away. We're all growing up. But that flower is probably still blooming somewhere. Yup. And as for us... that flower has so many wishes."

[alastyr-not-alastair]

Lonely prince

[nightjarring]

Actually listening to the ASOIAF books has made me start to think that people who treat this series as the ultimate example of Bad Gross Male Fantasy Writing might actually just be stupid.

Idk how you read these without taking note of the fact these books are explicitly about people who are othered by the incredibly harsh, rigid society they live in. The vast majority of the perspective characters are disadvantaged in some way, most of them are either physically disabled, women, or otherwise socially outcast, or some combination of those things. The books so far are an incredibly detailed exploration of the intersection of privelage and disenfranchisement and I am actually annoyed at all the people giving writing advice who bust these out as the ultimate What Not To Do bad icky no-no series.

[scattered-winter]

its wild just realizing how much people have done and experienced and how prepared they are for what's to come when i am . very much not . lmao

[carcarrot]

this time last year i was probably sitting in the kitchen while my dad started making an early dinner of chicken bolognese trying not to get too nervous about the concert i'd be going to in a few hours

[ourstarscollided]

You’re welcome to explain your answer in the tags!

[em-b-sides]

I think about that tiktok trend where you like paint your partners eye color on your nails or make a bracelet or something with the color a lot actually

[triglycercule]

guys i havent written since may (for killer's birthday) but stupid silly swapinverse has been on my mind for a little bit and i threw together this silly (he has a panic attack and throws up) little short draft 4 swapinverse horror!!

-

“hah… ah… oh god… no, no, nonono…”

he ran. sprinted through the forest like a frightened deer, his demeanor that of prey, although his previous actions aligned more of a predator. panting and shaking, his mind cycled through countless variations of how to react to what just happened, what he just did.

how should he react? how could he react? it was impossible to tell for him in the panicked state. and as the trees in snowdin slowly began to surround him (but weren't they always doing that?), paranoia couldn't run anymore. he was surrounded, he was blocked off, he couldn't escape. not from horrortale, not from snowdin, not from the dusty graveyard he had just left it, and not from the blood smeared across his mouth.

“no, i- what did, what did i do? paps, snowdin, even-undick, no, it-”

paranoia’s incoherent rambles brought his hands to wander across his face, tugging at the massive hole in his skull spanning majority of the left side of his head. picking at the chipped bone didn't help, it never did, but a nervous habit was unbreakable, and he was more than nervous in this moment. in fact, quite terrified. everything was terrifying. he was terrifying. and as the slightest hint of red blood touched his sleeve, the once red, now magenta eye quickly locked onto it, and he couldn't hold it back anymore.

“fuck- oh god, no, aliza-!”

falling to his knees, a disgustingly gorey mess of red, pink, and black spilled from his mouth. sounds of retching and hurling were all that filled the empty forest, and paranoia couldn't bear to look down and see the mess he’d made. the mess he’s caused. wasted food, he would've said. but that statement normally only applied to others. he never imagined using it on himself. choking on his spit and certainly not his blood, tears fell from his eye, joining the vomit and blood seeping into the snow. strange. paranoia didn't think he had enough magic to even shed tears anymore. just for the bare necessities. he managed to surprise even himself, after all this time.

but could it be could be considered surprise, or rather terror? he fit up to his name, certainly horrified at his own actions. forcing out as much of the grossness he could that he’d just consumed, paranoia couldn't help but look down at what he’d done.

red. a lot of red. too much red. he’d never been queasy before, never. he had to adapt to it, being the one to hunt down humans that ran or sneak up on those when times got desperate. there was no time or need to be queasy at what he even considered his job before. a duty he had to do.

but now, there was too much red. far too much red. and he didn't know why, although he totally knew, but paranoia couldn't stomach it. he just threw his guts out (shouldn't they be aliza’s guts, or no?), and here he was, wanting to throw up until his SOUL shattered. his SOUL cycled through those strange 4 shapes, unsure of which to settle on. he couldn't blame it. paranoia himself was unsure of what was even going on anymore. he wanted to run, but was frozen. he wanted to scream, but didn't know who at.

everything was contradicting. everything was going on, and not enough was given for paranoia to understand how to deal with it. and with a muttered curse, he flopped on his side onto the somehow dry snow, losing consciousness in the haze of fear now intermingled with his SOUL.

-

ik theres probably grammar mistakes i wrote this on my phone,,,, but like idk. had idea for a little moment in paranoia's lore and i sure as hell didn't wanna draw it so i wrote it as an easier media! god this is so much easier compared to drawing idk why i dont do this more often (because youre lazy silly!) anyways swapinverse silly i love swapinverse. i've only thrown up like never so i dont know if this works. also never had a panic attack (i think) and AGAIN i dont know if this is accurate but whatever i dont write to be good i write for expressing my ideas. like everything i do

[broke-on-books]

☕

The live action Scooby-Doo movies?

I did not see this ask until RIGHT now (first time on desktop since crab day, second time since Nov 5 2020 [which was DOUBLY experience since I got my phone taken the same day]) so I'm going to assume this ask got eaten on mobile because tumblr, HOWEVER you poked a bear with this ask anon (as I'm sure you knew when asking) SO without further ado: my Scooby Doo live action opinions

So when you say 'live action Scooby-Doo movies' I'm assuming you're talking about the James Gunn films, starting with Scooby-Doo (2002) followed by Scooby-Doo 2: Monsters Unleashed, just due to like, generally popularity and also the fact that I have actually seen those films. However shoot another ask if you wanted me to include Curse of the Lake Monster in this (because I will if anyone cares and turn this into a live-action scooby dissertation, i'd just need to like. watch the movie first) But anyways where I'm going with this is that this post is about the Gunn movies aka the ones with SMG, Freddie Prinze Jr., Linda Cardellini, and ofc our #1 man, Matthew Lilliard.

Okay so my take on these movies is... complicated. I wouldn't say it's as complicated as my feelings towards SDMI, because I watched the live actions way less as a kid and generally care less about them, but still no matter how much shit I throw at these two movies there are parts that I generally like (even love) that stops me from totally condemning them wholesale. Like the fact that these movies are FUNNY! There's so many moments from this duology that are just beyond iconic "like, that's one of my favorite names!" the whole thing with Scooby in the dress at the airport, ET. CETERA (like I can go on!)

The Gunn movies are genuinely SO fun and I can 100% see and understand how they've stood so well in the public view as a representation of Scooby. HOWEVER, this is where you start to see my problems with them. For the general American, (because that is the audience I'm familiar with) ESPECIALLY millennials and younger, who happen to make up the majority of both people on this site AND people I talk about Scooby with in real life, these movies, and the elements they introduced as "quintessential scooby tropes" are the base of their understanding of the Scooby franchise, along with likely some miscellaneous WAY episodes and maybe SDMI.

Which is where I get pissed off. In the pushing of the narrative of "breaking away" from the Scooby norm, Gunn basically invents (aka totally makes up) an idea of what classic era Scooby was like, cementing an idea of classic Scooby into the public mind that is totally disingenuous and just straight up false. For example, in attempting to portray Daphne as having taken strides to be seen more seriously in solving mysteries and defending herself, it pushes the narrative that in the classic era she WASN'T taken seriously, and only existed as a damsel-in-distress prop of a character, which is just not true??? Like yes, Daphne is clumsy, that's a part of her character, and her friends (because, fun fact, the gang ARE friends) joke about it sometimes because that's what friends DO. Framing that in some kind of sexist "that's all she does" lens is just total bull, especially as gang members fall into secret passageways/get lost etc. in WAY ALL THE DAMN TIME because that's how the plot functions! Like are we calling Velma ditzy for losing her glasses every other episode? Of course not, and Fred falls into passageways all the time, not to MENTION Shaggy and Scooby and all they get up to. Also one last thing on the topic of Daphne, like this idea of her mystery solving skills not being respected by the gang is just so supremely bullshit it amazes me sometimes, especially when she was the LEADER (or leader adjacent) through pretty much all of her appearances in the 1980s [Not that James Gunn could look at '80s era Scooby without spitting on it, but I digress]

AND THIS IS JUST DAPHNE! Like the perceptions pushed towards Fred (and Velma, but mostly Fred) through these movies are just as bad! Like okay, with Fred---In these movies Fred is just an asshole. I hate Gunn Movies!Fred. I mean yeah he can be funny but it's almost always so mean! Almost nothing makes me madder than a mean Fred by the way. If he's putting other gang members down (even halfway, like with his whole "dorky chicks like you turn me on too" line, which... ew) then to me something has gone very, very, VERY, wrong in your basic understanding of Frederick Herman Jones as a character. Like he's the cheerleader! He puts himself in between his friends and danger! He loves nets, and traps, and Elvis impressions, and wrestling, and the trapeze, and cars, and most of all he LOVES sharing the things he loves with his friends! (Sometimes to a bit of an extreme. No one wants to hear about your net facts, Fred) And the live action movies just don't understand that at all. And I know there's maybe something to say I suppose in that some of those aspects of his characterization hadn't been "established yet" by the time "Scooby-Doo" came out in 2002. But it's there if you look. For Fred Jones, being the leader means being the caretaker, (he's the Mom friend what can I say) and any version where he's cruel and arrogant and just DOESN'T CARE about his friends in the way he's shown to in the Gunn movies is just so far from Fred to me it's not even funny. And what makes it even worse for me is that this (or at least something similar) is the idea of Fred that has really spread to the popular culture. Just the "leader", the jock that makes the rules, the one that [insert X adaptation here] finally gave a personality and made interesting (something that has been said more times than I can count for pretty much every gang member, save Shaggy and Scooby).

And I haven't even touched on Velma, and how they gave her a bit of a early 2000s smart superiority girl complex against Daphne, plus the whole makeover thing and etc. etc. The Gunn Movies are pretty much what would happen if you took someone who hadn't seen Scooby since they were 7 years old (and honestly had a pretty negative outlook against it then) and tried to "fix" it, only his memory was so bad he just made up problems (and threw in a good helping of early 2000s style sexism with it) convincing pretty much the entirety of the popular culture that said problems exist and that Gunn was absolutely brilliant for fixing them (and then bringing up said "problems" whenever anyone wants to talk about Scooby) and this entire rant has been without even fucking MENTIONING what is probably the reason you, anonymous tumblr user sent this ask in the first place, to I, Swishy "Scrappy Doo Redemption Arc" Broke-on-books (dot tumblr dot com), which is his HIGHLY SUCESSFUL and utterly sadistic character assassination of my number one man, Scrappy Doo.

And I am going to try my damnedest here not to get totally into my highly passionate opinions over what James Gunn did to Scrappy in the first of his Scooby movies and how thoroughly it has pissed me the fuck off because I have been writing this post for over an hour now and if we start to really get into my feelings on this topic it will certainly be a couple of hours more but like. That Fucking Bitch. I give James Gunn personally a solid eighty-five percent of the blame for making my life as a Scrappy Doo fan UTTERLY unbearable with this stupid fucking movie alone, and just his Scrappy crimes would honestly be enough for me to say that I hate this movie, not even considering the numerous Scooby crimes I've been talking about here for the past million paragraphs, but the part about this movie that makes me the MOST mad the most pissed off is that it's actually a good fucking movie. James Gunn wrote two hilarious and entertaining movies that have become beloved in the popular culture for their successes in that arena, while at the same time pissing all over the core themes and messages of the franchise of which it was based, that of friendship.

TLDR; The Live Action Scooby Doo movies (written by James Gunn) are highly entertaining and fun pieces of media to watch, and are widely loved by the general public and looked at with fondness and nostalgia because of that. However, as a hardcore Scooby Doo fan (writing that phrase sounds so ridiculous but oh well) the existence of these movies and their impact on the popular culture can be extremely frustrating (despite any personal nostalgia said fan may have) due to their spreading of a misinformed picture of what "typical Scooby Doo" looks like. This picture is especially frustrating due to the fabrication or exaggeration of problems present in classic Scooby (such as sexism in regards to the girls), as well as giving more ammunition to other problems in Scooby fandom (such as oversexualization, and sexualization in general, which no one wants to see in regards to their children's cartoons, like HONESTLY.) Discussions of sexism and sexualization in Scooby (both of which ARE present and are issues, although not at their worst in WAY) can often lead to an overlooking of the issues that are very present and clear in WAY and have continued since then with far too little resistance (I'm 100% talking about the racism here) HOWEVER that topic deserves at least a dozen posts of its own that I am no way informed or qualified enough to even begin to think about writing. The Gunn Movies are frustrating to many longtime Scooby fans because of these reasons, but for me, and fellow Scrappy Doo fans there is also the added aspect of the demonization of Scrappy Doo in the live action movies and the affects that has had on the popular culture as well, making it uniquely inhospitable to like or enjoy the character of Scrappy. End post.

[tamaharu]

okay thats interesting! in the SF try-outs during the song "legally blonde" she sings about how she cant be legally blonde, while in the official version AND THE DEMO she sings about letting her be legally blonde. which means that at some point they changed the lyrics around, and then changed them back! laurence o'keefe.... nell benjamin.... what occurs in your twisted minds

[tommygettingwrittenoff]

i just saw someone use the "you don't find it son, you make it" for bt and. i took psychic damage

[lohstandfound]

ignore this.

learning to shut up when i dont have anything new to say to the discussions my mutuals are having about the treatment of the female characters in this show and fandom

even though ive just gone ahead and rambled in the tags a bunch of bullshit