#i just actually enjoy anatomy sketches

[appystruda]

just some anatomy sketchies

[sam-violet]

chillin in the hot springs 🌱

+ a closeup

[mysandwichranaway]

[rey-mazing]

Working on my Obey Me boys designs :> Still deciding how to draw curls for Mammon (the bald one 💀)/Simeon/Raph/Dia and just generally deciding how to draw Beel. Once I'm comfy enough to do some more digital art I'll make the details clearer

[punkitt-is-here]

How did you learn to draw fat bodies but still keep it cartoony? I love how you draw different types of bodies and make them all seem normal instead of certain body types sticking out like a sore thumb next to others. I struggle to draw fat bodies without it looking weird with the rest of my art. Do you have a specific tutorial you followed or something?

This is a really good question! I'm glad you like my depictions of different body types, i worked really hard to get better at that so im happy folks enjoy em!! I didn't actually learn from a book or tutorial, it was mostly looking at fat bodies IRL and learning to incorporate those features onto what I already drew. As it turns out, we're all human, so if you understand the anatomy enough to draw a skinny person, you have the tools to understand the anatomy of a fat person.

So, like, here, this is my sketch of someone with a very average build. If I were to draw a fat body, I would still use all the basic principles I use here. One mistake I think folks run into is "isolating" parts, which can lead to things like this

which isn't necessarily bad, but if its not what you're going for, the issue is pretty apparent. Weight affects ALL of the body, not just the stomach or the face or the limbs. If you think about how that weight affects everything in tandem then you can start drawing fat bodies that work more in your style.

for this, this is the same quick sketch using the same pose and principles as the first one. but! I allowed the weight to be distributed across the body. Notice how the legs, belly, arms, etc all got thicker? The key to drawing fat bodies and making them look like they fit is allowing that weight to affect everything. without it, it just looks like you're adding on features to someone rather than considering everything at once.

my other tip is: don't be scared! things like fat arms or chins or bellies or stretch lines are not something that's bad to depict. if you want to draw fat bodies, you gotta not be scared to draw things the way they are. someone having a fat body is not bad, and you drawing that fat body is not bad either. Experiment! To me, art is about representing ideas, and the only way to get better is to experiment with how you represent those ideas. I'm by no means an expert, and I think you can also get a ton done by looking for resources aside from me, but I hope this helps, and have fun!!

[hansoeii]

Several things: -LOVE your art, it’s amazing! Especially the one with Crowley and Aziraphale under the umbrella - which software do you use? Your art always look SO gorgeous (cheeky quote from GO right there lol) - how did you get so good at drawing?And thank you for encouraging other people to keep drawing and being so kind as I sometimes can’t help but compare my sketches to others and feel silly, but I guess it’s just a learning curve… Thank you so much for bringing your art to the world!😊

Thank you so much!!

I use Clip Studio Paint for drawing and Photoshop for small adjustments!

2. Haha thanks! Honestly...it's the hyperfixations. I managed to improve a lot in just a year because I've been drawing SO much cos there's so many shows and movies I became obsessed with that I wanted to create art for. So by drawing a lot I just naturally improved. For example these two Illustrations are just a year apart:

I actually didn't actively try to improve, it's been a while since I did proper studies (I just don't really have the time for it between freelancing and art school), it just happened.

But I can absoluetly recommend going on YouTube and look for some art tutorials if you actively want to start improving! There's some channels that helped me so much back then:

moderndayjames

Incredible shape language and super insightful tutorials on all kinds of topics! I learned so much from him.

Ahmed Aldoori

So many awesome tutorials on so many different areas of art. Love it.

Marco Bucci

Incredible tutorials on color theory and understanding how color works in general! Learned SO much from him!

Sinix Design

The OG tutorials I began learning from. I watched his videos religiously as a teen. I adore his painterly style and adopted it in some way, haha.

Ethan Becker

This dude sometimes drops these tiny art tips that just completely blow my mind and that I adopt immedietly. He's super entertaining but also such a great teacher.

And I can also recommend checking out this book by James Gurney if you want to get better at colors!

And for anatomy I highly recommend the Morpho books!

But improvement doesn't only come from drawing a lot. A lot of the time I don't draw for a while and just study the world and artists around me and suddenly I improved when I get back to drawing. Don't ever overwork yourself to the point that you don't enjoy what you do anymore. Take breaks and listen to your body!

I learned to try and not compare myself to other artists, which helped a lot. Through conventions and social media I made so many lovely artist friends and realized how we're all struggling in a very similar way. A lot of us don't even really know what we're doing most of the time, haha. But we help each other out, it's such a wonderful community. I think when you're not actively part of the community it tends to feel like other, more successful artists are some kind of art gods that have perfected the craft and never struggle. But believe me, all the artists you admire go through rough times all. the. time. Sometimes what they do feels easy and natural, other times (more often than not) it feels like you have to try and learn how to walk all over again and you start to doubt your abilities. I personally go through that so many times.

So what I'm trying to say is that instead of comparing yourself to the artists you admire, learn from them instead. Ask questions, befriend fellow artists, study the artists you enjoy and just have fun with it!

And finally I thought it would be fun to share some of my horrendous Johnlock fanart from a decade ago for some motivation:

I hope my answer didn't overwhelm you, but I thoight it would be nice to give a more detailed answer!

Have a wonderful day and keep drawing! :)

[loverofpiggies]

IT’S POWER, EVERYONE!!!

Check out my etsy shop

If you want to see how I made this piece, check out the extended stuff below!

Okay, the story behind this piece is nuts, but. I’ve known I’ve needed to work on improving my art for a while, so as you can tell from all the newest pieces, I’ve been trying to push myself. It started like this:

This was actually the fourth sketch I made. I knew I wanted Power to be looking down at us (you know, what she does with everyone), and I wanted to have her swinging a blood scythe in one way or another. I set up composition lines, but the more I looked at the sketch, the more frustrated I got. I finally just had to accept my anatomy and my 3d understanding of the body is very much lacking, and If I wanted to improve I had to work on something.

I watched a bunch of tutorial videos, and decided to try out the 3D model in Clip Studio paint. It didn’t take too long to learn how to manipulate the model, and I came up with this:

From here, I decided to do my quick sketch with Power

While I was experimenting with Clip studio’s art stuff, I decided to try playing around with their new “Shade Assist”. I figured it could give me some more ideas to make my shadows feel more ‘real’ or have me look at my art in a different way. Once I finished the lineart, got the color in there, and drew in Meowy, this is what I tried.

I really loved how the ‘evening’ mode of shade assist looked, even after playing around with my own colors, but I liked how it gave her a slightly more ‘yellow’ tone, and how the shadows were actually just lavender and light pink. So I took those colors, and worked on the shadows.

From there, I made the background layer. I used one of the Clip Studio gradient pre-sets, the ‘evening’ one, and painted a texture on top of it to have it match more with the textured painting style I went with. I added blood splatters, and ‘rectangles’ in the background, just to have more things visually going on.

On top of all of that, I added another layer on top of Power herself, with a very slight tone color of the gradient behind her, to make her and the background feel like they’re supposed to be together. And that’s it!!

I’m really happy with this so I wanted to explain my process. Looking around at tutorials on youtube, talking to artist friends who- tbh, are WAY more knowledgeable then me, helped a ton. And using the 3d model helped visualize the body, and different angles, WAY better then anything else I could find.

So uhhh thank you, and enjoy!

[alkalinefrog]

Hey Alka, I had a quick question for you (whenever you have the time to answer or even if you have the time), I've been taking some storyboard classes and with my illustration background, it's been hard to really find a good shorthand for characters to really get that anatomy/gesture looking right without it being too sketchy and unreadable.

How long did it take you to find your storyboard shorthand, and what exercises would you recommend to try to find it? I'm sure it just takes time and practice, I've been doing a lot more studies and gesture drawings (currently following along all the free Glenn Vilppu videos I can find on youtube) but I wanted to ask you as well because I am in love with how fluid your anatomy is, and how clear your storyboards read. And those hands my god you're a wizard!!!

Thanks a bunch, have a wonderful day!

Heya Secret, great to hear from ya! Well, what you don’t see online is how gross the rough stage of my boards can get LMFAO. Most of the boards I post are actually overly cleaned up because I'm just doing them for fun and can afford the time! I'm not really sure how long it took to develop my shorthand, I've never really enjoyed drawing detail to begin with, so when I decided to go into boarding I kinda just leaned into it!

I’ve covered a bunch of gesture drawing exercises already if you scroll through my advice tag, but ***once you have a good foundation*** here's some stuff you can try!

First you'll want to build up an arsenal of anatomy hacks you can always fallback on, particularly for complex parts of the body. The less time you spend on details, the more time you have to focus on the overall pose and storytelling. Aim to find ways to draw with as FEW lines as possible. If I had to make a list to streamline what to practice:

Head shapes - find the most efficient way to draw the front + 3/4 + side view in as few lines as possible (the challenge is still making them look structured with dimension)

Eyes - are SO important for expressions! Unless your project has characters with dot eyes, you're going to need to find a quick way to do the circle and iris in as few lines as possible. Make sure you can convey where they're looking

Hands - fists (you'll be drawing a lot of people holding poles), open palms at various angles, foreshortened fingers pointing at viewer, fingers making grabby motions----protips: 1) half the time all you need is a vague triangle/rectangle plus thumb sticking up and that's a hand 2) if the hand is relaxed, you probably don't need to draw the knuckles. Save some time!

Feet - just learn how to make sure they look like they're standing on the ground, and do some studies of what they look like when you're running. Otherwise you can usually get away with a vague shoe or boot shape (just add toe lines if they're not wearing any)

----everything else you'll practice as you go!

Jump from SUPER rough straight into clean boards to really force yourself to be economic. I've done each of these methods for work before:

Before you start boarding with a character, sketch them a few times with the intention of simplifying their design while keeping them recognizable:

You'd be surprised how little you need to recognize a character:

Depending on the scene, you can adjust how much detail you want to include:

Stay loose/more generalized with action, especially for the "inbetweens" between key poses. Clean up enough to communicate movement and make the character recognizable.

If the character's small on screen in a wide shot, edit out most details and focus on the silhouette

Save the detail work for character acting, when you really want to be specific with their expressions and gestures.

But outside of all that, be bold and fearless!! Everyone has that stage where their boards look like spaghetti! Boarding is like handwriting; you could have really shitty chicken scratch, but if you're writing beautiful poetry, who cares!

god I love drawing hands you don’t even know thank you so much!! Good luck dude!! You’ve more than got this!!

[kokoasci]

I LOVE YOUR ART!! <3

I'm sorry if this bothers you but is there any tut for lineart?

Have a nice day!

hello!! no there isnt, but i can talk about it quickly!

Let's talk about how I did the lines for this dazai drawing below:

I acutally don't do lineart, I just clean the sketch 😭 All my lines/sketches are done using the regular hard airbrush and just erase using that same brush to create different line widths.

First, let's talk about pen pressure and line width. To create depth, I like to make certain parts of the lineart "heavier" in pen pressure:

You can see in the lineart above that stuff like where the hair meets other roots, creases in the jacket, etc. all are heavily lined, while other stuff is left more detailed. I think it helps draw the eye in to parts you want to focus on?? just something I've picked up from habit and i liked it so i kept doing it hahsdh

I usually just start with a really rough anatomy sketch, and make a new layer to start the actual drawing:

Looks nothing like the finished drawing (or my usual style), right?? And like, yeah that's normal, at least for me. I approach lineart as a way to refine something I've drawn into my own style, it doesn't just like. pop straight out as soon as I start doing lines 😭 (also probably why my art looks so inconsistent lmao)

Then from there I refine the sketch! Because of this, I'm working all on one layer, by erasing and redrawing portions of the sketch using that like pen pressure variation technique:

Usually I just make a mental note of how something looks, erase it, and redraw it. At this point I'll also start adding more detail or fixing posture/anatomy etc. as I go to make something closer to what I want.

Eventually this refines into what you see as the final lines!! Because this process is probably not the best. it takes me a long time to sketch, but I actually really like cleaning the lines! I find it refreshing to put so much detail in them :D

This is probably an incredibly wrong process in professional work, but I'm self taught and this is just what I enjoy doing :D I wouldn't recommend really doing this if you're trying to sketch quickly, but it's just what works best for me!

Happy sketching!

[boku-no-imagine-acadamia]

hello starlight! hope you're doing well 💙

can I please get some hcs about main 4 with s/o who draws sketches of them constantly but she is quite embarrassed about it?

wait no why is this actually me with my bf thats crazy

Main 4 with an artist s/o

Stan

He loves watching you draw

so much

like something about it is just so relaxing

the pencil scratching on paper and the occasional erasing

so when you let him flip through your sketchbook one day and he found a page full of him, well

you had to clean some vomit off the floor

he was so flattered that you wanted to use your skills to draw him

Kyle

Kyle is so proud to have such a talented s/o

he has no idea how he pulled you

any opportunity he gets to show people your art, or even tell them you draw, he takes

much to your chagrin of course

but he cant help it, he just loves your art so much

one day you were sat next to him on the couch, drawing him as he played video games

when he looked over, he saw himself on the page

he immediately paused the game, "is that me?"

you slammed the sketchbook shut as he reassured you that he was not mad, and that he loved that you were drawing him

Cartman

Cartman is indifferent to your art most of the time

he thinks your time has better uses, like hanging out with him

or making him food

or giving him your undivided attention

one day you were sat at his kitchen table, drawing while he ate

you were so focused that you didnt notice him get up from his chair until he was snatching your sketchbook away.

"lets see whats more important than talking to me..." he trailed off as he saw a drawing of him eating etched into the page

he scoffed, handing it back to you a bit gentler than normal, "at least youre doing something useful with your talents"

Kenny

kenny... appreciates your artistic talents?

he asks you to draw naked people.

all the time.

one time he saw some nude portraits that you had done as anatomy studies, and he was never the same

one time while he was at your house, you went to use the bathroom, and while you were gone he snooped your desk

while he was looking for underwear, what he found instead a drawer full of drawings of him. he took them out and looked through them carefully.

suddenly, the bathroom door opened as he jumped

you looked at him, then the papers in his hands, and then back to him as your face became hot

"you know," he said, smirking, "my bulge isnt nearly big enough in any of these"

hope you enjoyed!

asks are open

[moons-of-dewclan]

I was curious how to get your clan really set off? I recently (LIKE EARLIER TODAY JFJSJFJ) started my own clangen blog but idk if it's worthy of Tumblr😭

How can I improve my art and improve my process? You're one of my BIGGEST inspirations ngl you're literally him (or her or they I'm so sorry I never caught your pronouns) but I was just curious on how to be better? If you wanna look, don't. It's like, rlly bad so.... save your eyes. Have a lovely nighttt <33

HELLOOOOO I'M NOT 100% SURE WHAT YOU MEAN BY SET OFF I'M SORRY :{ if you mean to get people reading it, i think it's vastly just luck also appealing to an audience by accident i posted my art online for 10 years (i started posting in 2010 as a wee ka- told you i'm an adult haahahueu) before anyone showed consistent interest and i valued those two or so commenters who occasionally had something to say about my stuff, so much LAKSNLKD. that entire decade i got between 2 and 30 favourites for every piece i posted- usually between 2 and 10- until around 2021 when a making a comic aANNND joining a wolf ARPG group exposed me to many kindred art-enjoyers that wanted to keep up with my goofy stories then for some reason, i posted Dewclan's first page on tumblr and it got way more engagement than any other piece of art i've ever posted SO LAKSDNLKDAS WE CANNOT PREDICT THESE THINGS.. at least i can't if you're looking for engagement, pLS AIM FOR ENGAGEMENT THAT FEELS MEANINGFUL over anything else IN MY OPINION, and it's just my opinion- part of being 'better' is, first and foremost, being able to enjoy your art alone. and then being excited with what you choose to share! even if you don't care about your quality of art, care about the story. if you don't care about the story, care about the process and just having fun. but you have to have fun in doing it, and do it for your own eyes primarily. like if you were alone in a room and creating only for yourself! because, until you happen to find others who like what you're liking, you are then when someone is interested and you get to share that excitement, even that ooone comment on something you care about is OOGHHH SUCH A NICE FEELIN. enter communities, comment on other artists' work, try to make friends! but make sure to remember, if you create with the hopes others will like it, without liking it yourself, you're going to be really broken down if someone doesn't like it FOR you :{ loving your own art is tough work but it's integral to your longterm relationship with drawing ON IMPROVING.. for me, nothing is more integral to improving than finding a way to practice that suits you (looking at live figures doesn't help me at all. i don't know why. it's insane), and having fun doing it. i can't grasp anatomy unless i break it down with shapes. SHAPES ARE EVERYTHING. study the shapes of what you want to draw. break em down by tracing simple shapes over your subject. see if the leg is the same length as the head from muzzle to neck and lock that info in. STUFF LIKE THAT on the technical side of things, it can be super helpful to dedicate half an hour or so to drawing a day- eventually it becomes a habit and you just default to 'oh i think i wanna draw' when you've got nothing else to do. more drawing, more improvement!

HONESTLY THO another important thing is not putting yourself down. i know it's a hard habit to break (i struggle with it outside of art myself!), but it doesn't do you any favours. the more you rag on yourself, the more it'll manifest as something that actually damages your art, AND your relationship with it. let it be fun- don't sabotage yourself! you can be critical of your work and still kind! little tip here, improving can take a while, but experimenting with styles can make an INSTANT shift in how you perceive your stuff. ALSOOO EXPERIMENT WITH DIFFERENT BRUSHES FOR SKETCHING AND LINING. I PROOMISE. PLS DO IT. IT'S LIKE A MAGIC TRICK. i cannNNNOT sketch with a hard brush. everything looks horrible. marker brush tho?? so smooth. full of character. lovely. binary brush sketches? suddenly i'm Anime. pencil brush?? i digidevolve back into baby ka who loved to crosshatch and do semi realism. airbrush??? i explode into atoms actually

i find for a lot of people, they don't need to improve or be 'better' at art, they need to learn to enjoy what they're capable of doing now, and improvement is a byproduct. from what i've seen through the years, unless you work to curb it the negative view of your art will stick with you no matter what 'skill level' you get to bc the calls' comin from inside the house, yknow what i mean 3: it can be a long process to learn to accept your art, and sometimes you just plain grow out of it over time! but in the meantime it can't hurt to make efforts to fight your d e m o n s

I'M SORRY I WROTE SO MUCH IK YOU DIDN'T ASK FOR THIS ALL IT ISN'T JUST TO YOU, ODESSY-CLAN BLOG RUNNER, IT'S AIMED AT ANYONE WITH ARTSY SELF DOUBTS. i hope i phrased everything kindly bc i meant it all kindly 3: i hate to see an artist doubt their work, but THERE IS NO SHAME IN IT. i want to encourage loving it regardless of any flaws tho, even though it takes time!

[eldstunga]

Hi! I really love your art! The lines are so bold but the colours so natural that it feels distinct but grounded?? I'm obsessed with the shapes in your work

I was wondering if you had any advice for drawing bodies? Whenever I try it either my proportions are off or an arm ends up looking like a calf or something.

First of all, thank you <3 That's so nice and I think "lines bold, colours natural" is some truly aspirational words to say about my art, I'll strive to be what you say I am <3 I do not, unfortunately, have any great tips on drawing bodies - it's a very wide topic and fundamentally just really bloody hard. I fail horribly 9 times out of 10. How to approach it I think varies a lot with like...HOW you are struggling, and who you are as a person. For proportions and anatomy there are definitely books to look at, and some rules of thumb that can help you - anything from "the shoulders are about 2.5-3 heads wide" through "feet are the same length as the forearm", "elbows are in line with the navel and the navel is two sternums down" etc etc. For me, realising just how big the ribcage actually is and learning how to use that as a unit of measure was a big event (the torso is about two ribcages long). Look at references, Draw over low opacity references and try to look for patterns that help YOU. Like... "Hm, do the shoulders line up with something useful?"

Having a good ref model to double check things helps too. The pen is pointing to about the bottom of the ribcage. But there's also stuff like maybe you're getting too hung up on construction and then it might help more to try to draw from references by ONLY blocking in a silhouette first. This helps me sometimes still:

Or you could be like me, struggle with all of the above and then some - like how to make poses look natural and/or dynamic? Weight distribution is a whole other topic.. gah, it never ends, but it's fun to learn.

Lastly, this took me way too long to realise and I think it should be said: Do not fret too much about STUDYING. The unfair thing is that the better you are at something, the better you will be at actually learning from doing studies and exercises or reading books. We accept this with many other disciplines and sports but rarely art. Mileage is king, and mileage is best gained from having fun and enjoying what you do. If you find studies suffering and frustrating you're probably better off just drawing what you enjoy and fuck it if it isn't "pushing your boundaries" or whatever. Eventually you'll get to the point where studies start to give more than they take, and then you're home free. I'm not gonna recommend a billion resources you likely won't enjoy but here are some things I genuinely found helpful lately: * a physical anatomy model, they're pricy and not necessary but being able to just look at it every now and then, turn it over etc helps. * The "Morpho" series of books, they do not teach anatomy, but they are very useful quick reference books and much more easily digested than most anatomy material. Just try to find a real anatomy book to read once your appetite is up as well.

The zig-zag/Lightning bolt method for arms and legs, fuckin' thing revolutionised how I sketch: https://www.youtube.com/watch?v=yCkmB030GpQ

Gottfried Bammes "The Complete guide to Anatomy for Artists and Illustrators" This thing is insane, it's from the 50's and like 600 pages long. You could absolutely kill someone with it, but a lot of the pages are more philosophical or art history you can skip and despite its age and fear factor this dude writes in a witty, clever and just wonderful way that I've seen nowhere else. Fantastic photos. By far, FAR the best anatomy book I've ever seen. It's not a book I'd recommend for someone starting out, I would not have been able to digest it like four years ago, but once you get to a certain point it's amazing.

That's a lot, uhhh, feel free to ask me for more specific tips this was a bit of a rant. Hope some of it was useful!

[remidiy]

We Don't Gatekeep Art Resources | A Comprehensive List

Here's a list of some of the tools/sites I currently use or have used previously for works/studies. I'll separate it into Software/Utility, Reference, and 'Other' which will be just general things that could help you map out things for your experience with art. **[Free highlighted in pink, paid highlighted in green. Blue is variable/both. Prices Listed in USD]**

Software/Utility:

2D

Krita Painting app (PC) (my main digital art software on PC for 5+ yrs)

Clip Studio Paint [PC] [CSP 2.0+ allows for 3d modelling within the painting app and a lot of other cool features] [apparently allows up to 6 months free trial]

Procreate (12.99) [iPad/iPad Pro] (the GOAT)

Artstudio Pro [iPad/iPad Pro] (An alternative to Procreate if you enjoy the more traditional art app layout) -- I find this app handy when Procreate is lacking a feature I need, or vice versa. (you can easily transfer files between the two, but keep in mind Procreate's layer limit)

2D "Collaborative Painting/Drawing apps"

Magma Studio

Drawpile

Discord Whiteboard

Gartic Phone (Pretty decent for 2d animation practice, but has a hard limit on frames)

3D

Blender [3D Modelling, Sculpting + Layout] (PC)

Sculptris [PC] (it's an old unsupported version of Zbrush, but can help to get ideas out, and functions better than browser sculpting apps

Nomad Sculpt [iPad/iPad Pro] ($20) Works pretty well if you prefer a mobile setup, but it is a bit intense on the battery life and takes some getting used to

References + Study

Magic Poser [ PC and Mobile ] Has both free and paid versions, I've made do with just the lite version before

Artpose ($9.99) [Iphone + Steam]

Head Model Studio [IPhone] A 3D head, with both a basic blockout version for angles, and a paid version with more detail

Cubebrush [simply search "[keyword] pose reference pack"], they usually have good results + they frequently have sales!

Line of Action [Good for Gesture practice + daily sketching], also has other resources built in.

Quickposes Similar to Line of action, more geared toward anatomy

Drawabox | Perspective Fundamentals Improvement modules (Suggested by @taffingspy )

Sketchfab, this skull in particular is useful, but there is other models that can help you study anatomy as well.

Pinterest can be good, you just have to be careful, usually you're better off just finding reference pack if you have the money, sometimes certain creators have freebies as well

Artstation Marketplace can be decent [make sure to turn on the Aye-Eye filter so it doesn't feed you trash], a colleague of mine recommended this head model for practicing facial blocking, there is also this free version without lighting.

Local Art Museums [Unironically good for studying old "master work" if you're into that, or even just getting some inspiration]

Brushes + Other Useful software:

I personally have used both of these brush packs before making my own

(I actually don't know how to share my daily brush set because I frequently switch between Krita, Procreate, and ASP, but once I figure that out I'll be sure to do that lol)

Marc Brunet's Starter brush pack [Technically free but supporting him for this if you like it is ideal, there's some good brushes]

Dave Greco Brush Pack [$3]

Gumroad in general is a good place to find brushes and art resources. *Note; for Krita specifically, brush packs are a bit weird, so it may require you to find different packs, or import them in a particular way

PureRef [PC] - Reference Compiler/Moodboarding

VizRef ($3.99) [iPad] - Moodboarding/Reference Compiler

Artist Youtubers/Creators that helped me improve/guide me along as a self-taught artist from when I first started digital art to where I am today:

Proko

Marco Bucci

Sinix Design

Sycra

Hardy Fowler

Lighting Mentor

Winged Canvas

Moderndayjames

Swatches

Chommang_drawing

Marc Brunet (YTartschool)

+ Observing a lot of speedpaint art by people whose work I enjoy on social media/youtube, trying to dissect their processes

If you've gotten this far, first of all, congrats, you can read a lot, and second of all, thank you for reading and I hope this helps! I'll continue to come back and update this if I find any new resources in the future, or if my processes change :)

Much Love,

-Remedy (aka "grommy_art")

[sinning-23]

My Latest crush is an alien car from space Pt.2

Okay so iwasnt expecting so many Mirage smps to like up my post but HEYYY welcome home yall lmao. Heres part two and let me know is yall want like a tag list for the next couple parts. ANywhoo there's some tension that forms this chapter so start getting ready for more flirty and spicyyyy interactions with old boy.

Heres the link to pt.1

Heres the link to pt.3 shawty

ANywho ENJOY!

Pt.2

Touch me softly 

Mirage had allowed you to explore his anatomy, and he was more willing than you thought. You had managed to make a nice little sketch of his body and made 4 separate copies to try and get a placement in where everything was. Then you had 5 more separate sheets just in case there were some more internal systems you wanted to note. He watched as your eye brown pinched and formed a line on your forehead and your fingers guided the pencil to the paper. 

“Wow, you drew me kinda sexy.” He jokes making you draw a breath trying to hold back a laugh. 

It really wasn’t sexy, it was about the equivalent of the Vitruvian man drawing and basic anatomical positioning for a robot. He watches you stand, hair pulled back, yet a couple of braids still fall in front of your face. He’s quiet, looking at the way you focused so intensely on exploring him.

When you gestured for him to move his leg, he did so without complaint, the feeling of your soft, warm hands under his exteriors heating him up from the inside. Of course, you’d never know that unless you kept poking and prodding. 

“Ok so compared to me, and well, other humans I’m sure your overall body parts are called different things. So let’s start from top to bottom, yeah?” You suggest, eager to learn. 

Mirage kneels in front of you, giving you an opportunity to see better. You’re much smaller than him, but he could tell when you stood next to Noah you were definitely average human height. Small to him but normal to everyone else. 

“Alright I hope you’re ready cause there’s a LOT.” He explains, clearing his throat as you move closer to his face just to see better, he blinks a bit, getting used to the feeling.

You smile slyly, placing your hand under his chin to  guide his face, 

“Let’s start with your face. Stick out your…tongue?” 

He opens his mouth and lets the ‘flesh’ inside lol out before speaking 

“Gloth-ah” he announces and you tilt your head in confusion, only for him to repeat.

“Glossa” 

You nod prodding at what you soon learned was his helm and face plates. You brush over his vocalizer for a moment and he hums, high-pitched enough to be a moan but not loud enough for either of you to acknowledge it. You know what you heard though.

“Whoa- lets not touch that alright ma?” He asks. 

Soon enough your trailing downward and when you do he announces each part for you to make a note of. This is the quietest he’s been since earlier today. He lets you work, touch, poke, pull, and press whatever you'd wanted. It’s not like it hurt really, but he’s never had something smaller than him want to examine at such close range and actually touch places he’d never been able to. In fact, it was kind of nice-

He yelps when you slide your hand down his chest plate and even farther under his chassis. You pull away, startled at the noise with wide eyes. 

“OK, that’s enough exploring don’t you think?” The statement is rushed and you side-eye him when what sounded like cooling fans whirred from inside.

Had you gotten him worked up? Maybe those were sensitive spots that had never really been touched like that before? You nod, not wanting to pry and ruin this newfound friendship by being a perv. You collect the papers and paperclip them together as he begins to wind down. It's about 6am now, and the sun peeks in through the garage windows. Your dad should be awake about now and- 

You gasp pushing Mirage back into the space he was originally parked in last night(even though he didn’t budge). Your dad couldn’t know about this! AT ALL! Knowing him he'd stress out and then his pressure would get too high and he’d have a heart attack and-

“Whoa hey, what the rush, mamas? Got something to hide?” Mirage questions, figuring out why you were trying to get him back into a corner. 

Was he being clueless on purpose?!

“YES, YOU! Now go back to being a car! My dad can't know about you, it might just be the death of him.” You huff out, gripping your scalp and pacing back and forth. He gets the idea, chuckling a bit before right back to that beat-up Porsche.

You sneak out the garage, tiptoeing up the stairs and into your room. And the moment your head hit the pillow, not even a tornado could wake you. 

__________

You'd be lying if you said you didn't sleep the rest of the day away. By the time you woke up it was already 3-4pm and sounded like your father was cleaning up the kitchen. You sigh, running yourself a shower considering you didn't get one the night before. Mirage was still in the garage as far as you knew and you were hellbent on getting the rest of those notes.

You step in, the water feeling soothing against your skin, steam filling up the bathroom as you sigh in relief. Thoughts of your apartment fill your head. 

‘Maybe Mirage could help with the unpacking? Or maybe not. He could be spotted and then that’s more problems for us. Mirage…..Miraaaaageee….’

Your turn to face the water, soaping up your towel as suds slide down the drain. 

‘I wonder if a car wash is the equivalent of a shower for him….does he stay a car or like…fully transformed….does he have a-‘ 

Shutting the water off you opt to pull your hair back today since youd being doing more exploring. The steam from the bathroom escapes when youleave and pad downstairs, catching a glimpse at the note you father let you on the kitchen counter

~Working late, leftovers in the fridge~

You smile to yourself, grabbing a bottle of water to try and beat the obvious heat outside and head to the garage. Sure enough, the Porsche is right where you left it. Mirage is right where you'd left him, and when you tap on the window, the doors unlock almost instantly. You flatten the back of your blue jean skirt and adjust the seat. Awfully quiet today?

“Well good afternoon to you too sunshine? You realize it’s almost 5 right?.” You joke, hearing him rev his engine and the radio humming to life with the sound of his voice. 

“You had me up all night! Looking this good doesn’t happen on its own! But how tired can I be when a pretty girl in a miniskirt‘s got her thighs on my seat?” He shoots back, making you gasp. 

“Drive you flirt, I got more notes to take. Wanna go to that garage you took me to yesterday?” You ask, using the garage clicker to leave. 

It was hot, the sun beating down on you as Mirage insisted you keep the windows down instead of running the ac. The streets were somewhat empty on this fine Sunday morning and Mirage’s only response was to drive in what you assumed was the direction to the garage. You fidget with the radio nobs and glance at the aux cord below the cd player. Maybe he did have CDs in here? You open the armrest to find nothing but-

It was easy to be nosy and explore when Mirage could drive himself, youd put that together on your own last night. There was so little you knew about him but his demeanor overall made you feel comfortable enough to ask. He was…charming. You pull the blank CD case out the armrest, and dust it off. 

“MIrage’s Mix (from-)”

The name was scratched off, well more smudged than anything. You crack the case open and slide the CD into the player, the wait for the music to start making you a bit nervous. Had he realized you'd put it in? Was it personal? You begin to regret your decision but before you could press the eject button, it began. N.W.A. blasted from the speakers, startling you for a moment but you're soon amused.  What did he know about N.W.A?

________

It doesn't take much longer for you to arrive at the garage, most of the lot being empty while the two of you enter to complete more of your research. You set your purse down, taking the papers from yesterday out and trying to organize them as he peers over your shoulder.

“Still think you drew me sexy-”

You scoff playfully and push him a bit, not moving him in the slightest but still, but he still finds it amusing. 

“Stop it, I need you to sit so I can finish. You got all squeamish on my last night.” You tease, sliding your hand down the back of his ‘leg’ and he freezes.

He kneels back down, watching your every move. Your fingers hover over his vocalizer, the warning from yesterday replaying in your mind. Right, don't touch. You skip his chest plate and chassis, watching his expression slightly change to disappointment for what seemed like only a second. Again, he announces each part of himself, the air slightly awkward and VERY quiet. Maybe now was the time to try and strike up some more conversation.

“Soooo, where are you really from?” You ask, writing down each part you trace over when he speaks. 

“Cybertron actually. Not in your solar system lil mama.” He flirts, turning his palms slightly open when you tap them. 

Servos 

"Never been?" He jokes again, admiring how small your hand looked compare to his.

'Careful Mirage your size kink is showing' he thinks to himself, avoiding your gaze.

You shake your head in response, looking at the details of his hands, moving back to his torso, purposefully skipping over the plated area between his thighs. Boundaries were definitely not something you wanted to cross, trying not to make him uncomfortable. I mean, he was willingly letting you poke around, and he clears his throat when you skip that spot.

“You, you can look if you want. And touch…ask questions. It's all good babygirl.” He offers, almost melting when you look up from under your lashes at him.

 He could practically feel his pump about to explode. Why did Earth girls look so damn pretty? Mirage couldn't wrap his head around it honestly, the feeling he got when he passes a pretty girl when Noah would take him for drives. How they would gasp if he revved loud enough to embarrass Noah a bit but also score him a couple numbers.

Talk about a damn good wingman. You were different though.

You were a softer kind of pretty…He'd seen you come into the garage so many times before you really met. The day your dad parked him in that spot, he watched you skip in with your little low-rise jeans, the piercing you sported shining in the sunlight. 

You hugged your dad, eyes lighitn up at the new car with a gasp. 

“A Porsche! Dad oh my gosh really?” You ask, seeing him nod. You squealed more, inspecting his paint job, it was just as beat up then as it was before you officially met. 

You chatted on and on about how ‘cute’ he’d look when you finally got to paint him a nice shade of hot pink and added your glitter seat covers. Not so exciting for him considering pink wasn't particularly his favorite but god did you look adorable when you were excited. 

And there was that same look. Pure, unbridled excitement, yet your eyes shone almost darker this time. That look is almost salacious. It makes him swallow hard, legs opening a bit more and you brush your hand over his thighs, sparing one more glance as if to ask, ‘Are you sure?’ He only nods. 

“Mirage, you gonna keep telling me what everything is, or am I to assume on my own?” You question, tracing the skirt plate.

Ita hard to speak, his fans feelijg as if they were working overtime to keep him from overheating. Primus you looked so pretty between him and now he was wondering how would you look riding his-

You stop touching, whistling to get his attention. Damn, he kinda liked that.

“ ‘Rag, we good?” You questions and he swallows hard at his new nickname.

Where did all that slick talk go now? 

“Yeah, y-yeah we’re good ma.” He responds finally, optics low when your light chuckle reaches his ears. 

You slide your hands up and down his midsection plating, teasing at this point. How was he supposed to focus on helping you learn when you touch under his plates like that? When your fingers slide over his thighs and over the skirt plate over and over, the pace only makes him want to thrust into your touch.

He felt perverted sort of, getting off on you exploring him in the name of science. That was such bullshit. He looks down at you, watching you pinch your lip between your teeth. Oh….you liked this. Your thighs pressed together as your tongue darts out to lick your lips. 

You look up at him again, smile mischievous. And before he could ask any questions you slid you hand right back to his chassis and vocalizer. Oh that was a moan without a doubt. You hum in satisfaction, you’re practically playing with him, his body. It wasn’t helping that he hadn’t been touched like this in so long either p.

“Wanna tell me what happens if I keep touching you like this?” You purr, seeing Mirage avoid eye contact. 

“C’mon ma, don’t mess with me like this.” He breathes out, hollow.

You stop your ministries after hearing tires and revving come to a halt. With footsteps approaching you stand quickly, Mirage doing the same. He crosses his arms over his chest and leaning against the wall as if he’d been caught while you shove the papers into your bag and swallow hard. You’d never moved so fast in your life.

Noah enters, feeling as if he’s just interrupted something but panicking once he realizes the predicament you were about ot be in. Why were you two here? Did Mirage even think this through? Probably not.  He glances back at the other 3 bots behind him, trying to find a quick solution to hide you. But, before he could get any sort of plan out, three other robots similar to Mirage walked in, and one of them, was not at all pleased. 

“Primeee, i had no idea youd be back so soon!”

_______________________________________

Lemme know waht yall think in the comments lmao and let me know if you wanna be added to the taglist as well!

Mini Taglist: @gniteruirui @veggiepizzababy panty-h03

[pillowspace]

Hi! So sorry to get sentimental in your ask box, especially considering you don't even know me. But! I wanted to thank you for you unknowingly helping me get better at art! And to think I started getting better because of the catboy Sunna sketch of all things...

I actually have been looking back at the art I drew when I first got this phone compared to my most recent sketch and... And oh my god, the amount of improvements within like... A month??? I don't know what it is about Sunna, but ever since I've started drawing her as a warm-up sketch I've ACTUALLY been able to draw and enjoy drawing. I've always loved art, but I've never REALLY enjoyed it until I got my grubby little hands on that god. I feel like I've accidentally spawned a separate fandom with me and my friend (of which has no idea about any of the dca "lore", much less the existence of the csd fic) because of how much we love this goofy little guy. Every time I draw Sunna I fuckign study ANATOMY of all things. It's a fictional guy and he don't even got human bones ! Yet here I am. Getting genuinely good at art because of you and your stupid little... backpack-loving fool... Curse you and your cool storytelling & art.

I think I'm legally obligated to learn how to draw Meno now... But it's just so aha'rd to figure out their outfit, can you blame me? (No I haven't been rewatching the life series, I don't know what you're t-aha-lking about.)

Anyways. Enough rambling. Keep doing cool things, cool internet person! I've gotta go. Do school now because it's midnight and i forgor

AWW I'M SO HAPPY FOR YOU!! I'm so glad my silly little blorbo can do that for you :'Dc sobsob

Meno is tricky, but here's some help if it's any!!

[doodlejoops]

hello im back again, this time i wanna show you what i’ve been trying to do… my sister keeps talking about negative spaces and idk what else so today’s drawing exercise was copying a drawing and…

lol it’s so fucking hard and i keep giving bakugou massive tits and back problems

this is so long sorry i just wanted to let you know (again) that you’re a wonderful artist 🥰

I see absolutely no problem with giving Kacchan massive tits and back problems. See, I think the issue you have here is that you're working from a piece where I, too, decided that the stylistic choice to break this dude's back was morally correct. I'm so sorry. I actually still have the sketch for this piece if this helps at all:

But damn I think you're doing great, honestly! The anatomy is very exaggerated in this piece, and quite frankly after this piece I decided 'I'll make the bones work for me' and really enjoy making accurate anatomy somewhat of an afterthought these days. But I think breaking down how other artists work can be so uniquely helpful in developing our own methods of working, so I'm really happy that it's helping you!