#i just can't handle them

[korkiekenobiconfirmed]

I heard some quote I-don't-know-where (was it a renowned author? maybe. was it a random person on the internet? just as possible.) about how loving someone for the rest of your life is choice. That initial, gut feeling of love only lasts for two years and if you and your person make it longer than that, it's because you chose to actively work at and maintain your love. I agree relationships take work and you have to give some to get some, but I'm not 100% sold on the entire 2-year expiration date.

With that being said, Nicky and Joe's love absolutely baffles me. Two-year theory aside, I just cannot comprehend loving someone so wholly, so fiercely, so unabashedly for the better part of millennia, much less somebody loving me like that. I don't believe, for one single second, that the love Joe and Nicky have for each other is a choice in any way. It grew, slowly and organically, out of the most extraordinary conflict, and thus ended up being so impossibly resilient that nine hundred years after they first killed each other, Joe can't help tearing up while expressing just how much Nicky means to him.

I firmly believe that whenever these two meet their real and final death, it'll be together. There is just no other option.

[beybuniki]

it is not that deep, but sometimes i find the discourse about forgiveness surrounding bakugo interesting because there's a lot of (younger) fans who have zero empathy for bakugo and think deku should beat his ass or that bakugo should face harsher consequences etc., and i'm just thinking that such a radical stance on forgiveness and resentment in general (outside of bnha) is a bit naive. and i'm not surprised that it's a lot of younger fans who hold this sentiment (i say this with no judgement, i think we've all been there as teenagers, you rlly think you're above all of that lol). and this isn't about what deku is "supposed" to do either (plenty of possibilities here), but i personally don't see any merit in bakugo "punishing" himself for his past actions, it's so damaging and unproductive and i feel like that's sth you have to realize as a young adult. so much about this discourse is surrounded around deku's reaction (and male fans expecting an aggressive rejection or whatever) and i can def see less convenient reactions from deku'sside work, but what makes bnha as a whole but bakugo in particular so compelling (imo!!!) is that there's so much kindness poured into the whole situation, i think the epilogue made is pretty clear that bakugo feels ashamed and angry about his negative influence on deku's self-worth and that will forever be his cross to bear, but he also isn't one to wallow in self-pity or self-hatred and that is a good thing. this started with bakugo but i guess my point is that i think his whole arc is a nice outlook on young adulthood, you will make big mistakes that will negatively affect either you or someone else and you rlly won't survive your 20s if you don't learn to find a balance between accountability and forgiveness.

idk i personally love that bakugo becomes a better person out of love for deku and himself and everyone else, that's how you /should/ guide kids like bakugo and that's how you should be led into your 20s when you will make mistakes that might have even graver consequences lol

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[transsexual-necromutilomaniac]

yeah yeah swap spit with that freaky nerd with the substance abuse metaphor

[raggedy-spaceman]

David Tennant, Michael Sheen & The Good Omens 2 Cast Answer Your Questions!

Or, David Tennant and Michael Sheen being Crowley and Aziraphale in real life for 7 minutes

[starflungwaddledee]

some rather strong first impressions were made.

required reading for the magical "voice" headcanon and another for starstruck's signature in particular. asked by @trainerbob23 !

[kacievvbbbb]

You do get the sense that the fallout of Roger's death and the Roger pirates disbanding not so much traumatized Buggy and Shanks indifferent ways but instead generated such drastically different reactions to the trauma.

While the trauma of everything seemed to push Shanks into the future, always constantly waiting for something, putting plans on hold and then later in place, for this great moment, this great coming that he sees on the Horizon. For Buggy it rooted him firmly in the past keeping him trapped in this grief masquerading as anger.

While Roger's death forced Shanks to grow up fast, it kind of arrested Buggy's development keeping him stuck in those same feelings, rooted int that same place.

You get the sense that Buggy's whole east blue schtick is just one long overdue rebellious phase one big fuck you to Roger and his ideals. He's rebelling against Roger's principles. One of their rules was don't steal from innocent people and Buggy was keeping a whole town in poverty. If Roger and Luffy's pirating styles are diametrically opposed to someone like Blackbeard, who might be the most literal pirate in the entire series, then buggy is the parody of that Blackbeard piratism. He is playing up cruelty, being the most piratey pirate possible, hell he's literally a clown on a stage. It's all a show! It's his own special way of trying to "get back at Roger" of trying to discard everything Roger taught him for this overacted, over exaggerated clownish cruelty. Mentally he never left that execution square. He is still 15, alone and scared.

Hell he literally never left either, while I'm pretty sure Shanks' booked it out of the east blue as fast as he could, Buggy never lef, might have never left, if not for Luffy. It's part of why Luffy bothers him so much, he's just like Roger everything that Buggy is trying hard to forget and here comes this kid, whose never even met the Captain but is wearing his hat, shoving it right back in his face.

It makes sense that he never leaves the east blue till Luffy literally forces him out of it (fucking with Luffy gets him captured and imprisoned) and it makes sense that it's Luffy that literally breaks him out of prison, literally sets him free, and on the path to greatness that maybe he was always meant to achieve (even if he trips his way into it). This boy that is tragically so much like his old captain but so beautifully unabashedly himself, is what Buggy needs to start letting go off the past, to start trying to move forward.

Maybe that's why Buggy, at what could arguably be described as his lowest moment, gets the strength to free himself from his own self imprisonment, realizing that even back then he was locking himself away and pinning his own dreams on Shanks. And, maybe for the first time ever, Buggy really own his dream. He declares to his tormentors and his crew and the entire world that; actually He wants to find the one piece, him, as captain of his own crew, this crew, not just a part of someone else's. That's his dream and he's willing to turn the world upside down to do it.

[palossssssand]

grief paralysis

[llamahearted]

like it's no big deal at all

songs on repeat

[sunderwight]

Thinking about the weird camaraderie that exists between demons but not angels in GO.

Have we ever seen two angels who are actually friends? Or even friendly to one another? We have met angels with a capacity to be friendly in general, but I think the closest we've come to two angels actually getting along would be Gabriel making a point to laugh at Sandalphon's terrible "can't have a war without War" line in S1.

Most scenes between the angels actually seem to have an undercurrent of absolute hostility. Teeth-clenched teamwork. No wonder it took them so long to notice that Aziraphale wasn't on the same page as the rest of them! The rest of them are barely on the same page as one another, either! When Gabriel goes against the majority vote, no one bats an eye at demoting him and wiping his memory. Michael and Uriel immediately begin vying for his job. The only times we've seen angels team up is when they're working together to bully someone else, like when they're trying to intimidate Aziraphale in S1 or going to the aftermath of the bookshop raid in S2.

Saraqael's overall neutrality towards Muriel is the closest we get to two angels in Heaven getting along, and it's more a lack of hostility than any kind of friendliness. At least until Gabriel loses his memories and Muriel shows up to spy on Aziraphale, and Aziraphale decides to be kind to both of them.

Demons, on the other hand, actually seem to form alliances and even friendships among one another. Hastur and Ligur are awful, but Hastur seems genuinely distraught over Ligur's death, not just fearful of suffering the same fate. Shax and Furfur conspire together and even though the 1940's investigation into Crowley's fraternizing doesn't work out for Furfur, it's not due to any double-crossing on Shax's part. Unlike the angels, who stick almost exclusively to making threats until the Metatron decides to try dangling a carrot at the end of the season, demons actually offer rewards to other demons when trying to work together. Beelzebub offers Crowley a promotion if he can bring them Gabriel, Furfur offers to back Shax up politically if she goes for the Duke position opening, and Crowley successfully stalls Hastur in S1 by pretending everything was a test and he's going to be put in charge of a legion as a reward for passing. They're still not great at socializing, but they're significantly ahead of the angels.

Of course, it's a fact that demons are awful to one another (Eric's treatment is really bad, they throw that random demon into holy water just to test it, "it'd be a funny world if demons went around trusting one another", etc) but they still seem more capable of forming friendships than the angels do.

I think that's because Hell cramps and crowds everyone together to try and increase their suffering and hostility, whereas Heaven isolates angels to decrease the odds of questioning or rebellion. Hell's methods are unpleasant, but it still ends up putting demons together, and some of those demons inevitably forge alliances and make friendships. Because as Crowley and Beelzebub demonstrate, demons are still social creatures with the capacity for love and affection, even if it's strongly discouraged and buried under nine million layers of trauma and a cultural mandate against kindness.

Angels are the same, but isolation makes is harder to form connections than overcrowding. Muriel and Jimbriel are both so eager to make friends, but Muriel's spent the past millennia shut in an empty office, and Gabriel has been distanced from his peers both through his position and also through Heaven's culture of fear and surveillance. He only breaks away from it when he finds something that's stronger than "choosing sides" (stronger than the fear of being rejected by Heaven and Falling, in fact strong enough that Falling seems worth it if he gets to be with someone he loves). Both Muriel and Gabriel are only able to start forming connections when they're away from Heaven.

I just think it's interesting that demons, despite being supposedly devoid of love, have an advantage in forming relationships compared to angels. Angels are supposed to love, but have far fewer opportunities to actually do so. Demons aren't supposed to love, but they make connections anyway.

[pixiemage]

Holy crap I completely forgot I attempted to download the entire Unus Annus channel right before it got deleted. I just found an old hard drive in my desk I forgot I even had, and like - dude. I have no idea how many videos are on here but it HAS to be in the triple digits, including thumbnails. This is friggin' insane.

[svtskneecaps]

i'm still stuck on the purgatories so here's a list of purgatory 2 moments simply off the top of my head that deserve to be remembered:

aimsey ducking all of axolotl team alone in a cave with literally half a heart

goose gang fucking descending on the raccoon base and absolutely wrecking shop

ethan crankgameplays clutching up for team panda during the capture the flag game by being the only one hanging out in the center and periodically checking the chests, earning them a shitton of flags and clutching multiple rounds

crow team's egg taking 0 damage

pac doxxing goose gang's egg in the last second

shelby shubble as the last member of her team online writing a letter to aimsey and sharing the world's most devastating ten minutes before her team was eliminated with one of the eye creatures (coco? i forgot lol)

badboyhalo absolutely fucking DEMOLISHING the battleship event on like 2 hours of sleep and a dream

wuant(?) stealing a tv from the battleship event and then playing portuguese ice age on it for the crows lmfao

tubbo djing for his team while waiting for the time for a goose gambit

theguill CRASHING THROUGH THE FUCKING CEILING of the raccoon team's hidey hole like the fucking kool aid man in a last effort to save his team and 4v1 or 5v1 ing team raccoon; he lost but that was such an epic fucking moment

theguill and etoiles pvping and each hyping the other's skills the entire time

seapeekay escaping cellbit and baghera and then stealing their boats and rocketing past to tease them about it; that shit was iconic

kenny going mad with power collecting sand on literally day 1

the english speaking squirrels taking actual physical notes on portuguese phrases (i think)

lgbtiba

i may add more this is an off the top of my head list but like got DAMN i like these events :D i like them a lot

[canisalbus]

thinking about the time I showed my friend your blog but they were flash banged with gay dogs kissing and I had to explain that it was only gay dogs, but not too much gay dogs kissing 😔

.

[triglycercule]

horror being very specific with table manners and he berates people (dust and killer) for eating like fucking pigs

i think it'd be morbidly funny that because there was no food in horrortale but the cutlery and stuff was all there that maybe he would pretend to eat with no food on the plate. it was in a satirical way that he would joke maybe around horror paps or alone where he would pretend to eat and have really good table manners but then the satire joke became REAL and now horror is incredibly specific about how to eat food

you MUST hold the fork in the left and knife in right says horror. no killer you can't duel wield the fucking knives this is a table not a slaughterhouse. dust pick up your elbows off the table. actually how about you get your entire upper body off the table tf why are you SLEEPING ON THE FOOD??? killer's sitting fetal position in the chair because of course he wouldn't sit normally like the idiot he is. dust is forced to put his hood down and reveal his face no more mysterious shadow style because it puts horror at ease. they cannot have a single peaceful meal because once they get past the table manners phase it then becomes a completion to see who can eat the least (because they suck at everything including eating)

[nibeul]

um would u mind showing your process of sketching if that makes sense 😭

uhhh I don't rlly have a "process", I kinda just go in? I'll collect any refs I'm using (typically myself 4 posing), display it on my laptop, n then just. draw ig.

[skrunksthatwunk]

actually i'm still thinking about the moral orel finale.

he has a cross on his wall. do you know how much i think about that bc it's a lot.

a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).

but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.

and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.

he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.

and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal