#i just love these lesbians so bad

[gateskeeping]

happy birthday, The Children’s Hour (1961). u are the brightest star that burned out before your time. anyway, something for TCH day might drop on ao3 in the next couple days <3

[sincerelybubbles]

Here's a dialogue prompt for Emily please! Try this out pls. Love you Kam sm sm. "So why are you here?" "To make a fool of myself." ok ty lysm

even though i watched u type this, the wording makes me giggle every time i look at it.

emily prentiss x tech analyst!reader <3

warnings: fem!reader, cannon typical violence, very brief allusions to sexual assault (nothing happens!), angst and fluff! mutual pining.

word count: 5.4k

Emily is the loveliest thing you've ever seen and you can't imagine how she could ever possibly like you back. She enjoys the game, though, and teasing you is her favorite hobby.

-

It’s a sunny day. Warmth trickles down with the scattered light through the leaves. Patterns trace your arms, throwing your skin into a collage of different shapes and shades. Leaning back on your elbows, you watch people mill about the park. You look back down at your arm after a few more minutes, this time focused on the small watch resting there. With a sigh, you stand up and dust off your pants before picking up the small blanket you laid out and tucking it into your bag. 

You walk back to work, enjoying the sounds of the people around you. You lingered too long at the park during your break and are hoping that nobody notices your slightly late return. Maybe the team will be in a meeting, gruesome pictures you never quite learned to stomach plastered on the board, entirely oblivious to your tardiness. 

Unlikely, but a welcome thought soothing your anxiety as you push the door open and scan your badge at the security desk. 

“Welcome back,” the security guard says, smiling at you over his paperback. He’s an old greying man and you vaguely recognize him. You think he’s new and send him a warm smile in return. 

“Thanks,” you glance at his name badge, “Martin!”

You walk past him and step into the elevator. “Wait!” A voice calls and you reach forward to hit the hold button instinctively before you register the voice as Emily’s. 

She jogs into the elevator with you, smiling gratefully. “Thanks, I’m already running a little behind.” She lifts a container and shakes it a little. The label is from the Italian bistro across the street, about a ten-minute walk away and always nearly triple that in wait time. 

“Brave of you to go there during your lunch,” you joke, returning her smile and pressing the button for your floor. 

You hope she can’t see how your hands shake as you reach forward.

“I know, I just love their Pasta Brado. Have you tried it?”

“Can’t say I have. I’m boring, I usually go for the parm.”

“You’re not boring,” she says so earnestly that you can’t help but blush. You cough as an excuse to raise your hand to your face and hopefully hide it some. “You do have to try it, though. Here,” she offers you the plastic box. 

“Oh, I couldn’t. And I already ate.” You ignore the way your chest hurts a little at how enthusiastic she is. The worst part? She doesn’t even know how endearing her simple kindness, her casual enthusiasm, is to you. 

“Tomorrow, then. We can go together.” The elevator doors open as she says it and she steps out with an affirmative nod to solidify it. “Don’t try to bail out on me either, I know where to find you.”

“Yeah, I'm okay,” you say, feeling lame as you step out behind her. “I would love to.” She’s too far to hear you, though, already heading to Spencer’s desk and jumping right into his conversation with Morgan. 

Someone says your last name and you turn on your heel to see Hotch and cringe slightly. “I was trying to find you.” It’s a kinder way of him reminding you that you’re nearly ten minutes late back from your lunch. 

“Sorry, sir.”

“It’s fine. Do you have the reports finished from last week's trip to Huston?”

“Yes, sir, they’re at my desk. One moment.”

-

You and Emily don’t go to the bistro the next day because she and the team are sent to a small town in Kansas that night. 

“I’ll owe you lunch,” she says, hand on the back of your desk chair and brushing your shoulder as the team rushes to the jet. 

“Don’t worry about it!” You reassure her.

“I’m taking you to lunch,” she calls over her shoulder, pretend-glaring, “you will try that Brado!”

And then she’s gone, leaving you giddy and breathless. 

You know she’s just being friendly – she treats Spencer, Morgan, and JJ all the same as you – but her efforts to spend one-on-one time with you outside of work still have you feeling like a schoolgirl passed a note from her crush in class. 

You try to remind your heart to stop singing because Emily probably isn’t even gay and definitely isn’t interested. Instead, Garcia scares the shit out of you when she interrupts your inner monologue. 

“Lunch with Emily? Things are getting serious in your work marriage.” You hadn’t seen her walk into the room and jump at her voice, hand jumping to your mouth to suppress a yelp. “Sorry! Sorry!”

“It’s okay, didn’t see you.”

“Your loss, I look fantastic today.”

“As always,” you smile up at her, nose wrinkling and genuine fondness filling your senses. 

“Careful, wouldn’t want a workplace affair,” she jokes, leaning against your desk and picking up the stress ball you keep handy. 

“Stop,” you moan in good nature. “Nobody else calls us work wives.”

“That’s just because they don’t have my brilliance and excellent observational skills.”

“Nor do they have the same privy to my more personal thoughts,” you say, glancing up at her before returning to your paperwork. With the team leaving so quickly to tend to a missing child's case, you’re not getting home in time to cook dinner but are hoping to leave early enough to grab food instead of resorting to your freezer stash. 

“I would hope not. You know I can’t be replaced, baby.”

“Does Morgan know you talk to all your work besties like this?”

“I most certainly do not. You’re a regular bestie, not a work bestie.” A wink and then her expression sobers. “I do have an actual reason for visiting your humble cubical, though.”

“Hm?”

“I’m going to need extra hands for this case. It’s time-sensitive, as usual, and seems like it will be particularly tricky.”

“Yes ma’am,” you say, dropping your pen and standing to follow her. 

Your position at the bureau is kind of a catch-all. Most of your time is spent logging data, building reports, and doing general research for the team. Occasionally, though, you jump in to help Garcia with real-time research. Nothing as high-stakes as her direct assignments, more background work. Calling offices to talk to managers, combing through more meticulous data, generic census material to rule out obvious dead ends. 

It’s stressful work that technically isn’t what you’re paid for but you never complain. Your team saves lives, consistently putting themselves in the line of danger. If you have to spend a few hours a month helping Garcia call a suspect's manager at McDonald's to see if he still works there, it’s literally the least you can do. 

“Yes, so, it looks like our unsub…”

You drown out Garcia’s brief about information you already have sitting in front of you and begin vetting possible suspects from the large pool her system created.

It’s going to be a long night. You think about future Brado to cheer you up. 

-

“Reid, Prentiss take the back,” Hotch’s voice fills your ears. You imagine the pair nodding and splitting off from the group. 

This is your least favorite part of helping the team with active investigations – listening in on the calls. It’s rare that you and Garcia join the line when they’re approaching the unsub but, with you helping her, it isn’t a risk to distract Garcia and a much quicker method of getting any new information the team needs. It’s a new system you’ve only tried thrice, unsure how having microphones on 24/7 will work, and it grants you and the team more fluid communication.

Still, adrenaline floods your veins as you listen to their coms, the sounds of Garcia typing a constant behind their voices, imagining every way this could go wrong. 

You suspect the girl is still alive, the uncle doesn’t seem to have any reason to kill her just yet, but your fear for her grows with every minute. 

“Clear!”

Your eyes fall to the receipts flooding your screen. Ammo. A new rifle and pistol. The team knows but the evidence of this unsubs ability to hurt any of your friends, your family, isn’t helping your nerves. 

“I think he’s going to the roof!” Morgan’s voice, clear in the comms. 

You click out of the documents. Two swift motions on the screen. The firm press of the button. 

“Morgan, you’re on foot. Prentiss, follow him. Everyone else in vans, go!”

“Garcia, map out possible escape routes from the roof,” you instruct. 

She nods, screens shifting immediately. She puts on her own headset with one hand and clicks on the call and starts to bark information to Hotch. 

“Got her!” Reid’s voice sounds and you deflate a little. He mutes as he begins to console the small girl. 

You know you can take off your headset now, leave the call, and go to your paperwork. There isn’t much more you can do to help – you’re sure that’s what you’re supposed to do – but you stay on anyway, listening. 

“Right on Elmore!” Morgan calls. You find the street on Garcia’s screen, eyes tracing the path you think they’re taking. 

“We’ll try to cut him off,” Rossi says and you can hear tires in the background of the call. The click of a steering wheel cutting to the side too quickly. Someone’s labored breathing – probably Morgan’s as he dead sprints. 

“Stop! Put your hands up!” Emily shouts. The firmness in her voice makes you sit up straighter in your chair. 

You hear something that sounds vaguely like, “bitch,” before a loud pop drowns anything else out. 

“Emily!” Morgan’s voice, more pops. 

Gunfire. That’s gunfire, your brain recognizes. 

Your blood has gone cold.

“We need a medic!” Morgan shouts. Hotch’s line blinks red, going dead as he calls the ambulance. “Emily, Emily.”

Rustling. Cars. Sirens. Morgan’s line goes dead after you hear a car door slam shut. Then Reid’s and Rossi’s. Emily’s is the last to stay green, blinking.

You and Garcia stare at each other as you listen to Emily be loaded into an ambulance. Listen to Morgan tell the team, voice far away and barely tangible, that the unsub only managed to fire out one shot before he downed him. 

Neither of you can hear where she was shot or how badly injured she is before Emily’s line goes red as well.

-

“Emily?” You call softly, rapping your knuckles softly on the frame of the cracked hospital door. 

Your name, faint, answers you and you take that as permission to nudge the door open. The room looked dark from the hallway but Emily has the small lamp embedded on the wall switched on, throwing her face into harsh shadow. 

“Hey, you,” you say, walking in, arms full. “I brought things.”

“You didn’t have to do that,” she says, trying to sit herself up further and wincing as the motion pulls on her stitches in her abdomen. 

“Wait, let me help you,” you say, setting your things down and reaching out a hand. 

You wait for her nod before touching her, letting her grasp your arm and looping your other arm around the back of her waist to take most of her weight yourself. 

“Thanks,” she mumbles. You can tell she hates feeling useless, hates needing help for something as simple as sitting up, so you drop the subject with a nod and kind smile. 

You turn around to the small rolling tray where you put your things down, pulling two black containers out from a plastic bag. You feel silly and very awkward as you turn around to show them to her. 

“I know it’s probably not quite what you meant but,” you set the containers down on her bed and pop one open. 

“The Pasta Brado! Oh man, I was going to treat you.” She’s pouting through a smile, attempting to put on an upset facade and failing miserably. 

It’s so cute that you struggle with what to say next. 

“Thank you, really. You can pull up that chair, if you’re hungry now.”

You grab the chair she’s motioned to and drag it to sit next to her. “I’m hungry if you are. It might be a little cold, though, it’s kind of a far walk.”

“You walked here?” Emily asks, tone appalled and face comically shocked. 

“Yeah, my car broke down last week. I’ve been walking to work – it’s actually really nice out right now – and I couldn’t find a cab from the bistro.” You busy yourself with the food while you talk, opening the second container, setting it on her legs, and unwrapping the plastic cutlery for her. 

“Jesus! You didn’t need to come and see me if you don’t have a car. You didn’t need to come at all, actually. I really appreciate it,” she amends, seeing how your bashful smile freezes on your face, reaching forward as if to touch your face and brushing your shoulder instead. “It’s really sweet of you but you didn’t need to walk all that way. Isn’t it like a twenty-minute walk from here?”

Over thirty, but you nod anyway, knowing it won’t help your case to correct her. “It’s not a big deal. You were shot in the stomach, of course I wanted to see you.”

“Ah, so you wouldn't want to see me otherwise,” she teases, nodding and pushing her pasta around with her fork. She doesn’t even try to conceal her grin. 

“Ha ha, very funny,” you mumble. You take a bite of your food and your eyes widen. “Oh my god.”

“I knew you would love it,” she beams, watching your expression as you taste the food. You you she meant to say it in a gloating way but you swear you can hear a sort of fondness behind the words. Something in you warms at her ability to know you so well. 

You tell yourself you’re overreacting about both thoughts. 

“You were right – Emily this is unfairly good.”

“Oh, I know,” she says, taking her own bite and letting out an exaggerated moan, complete with an eye roll. You giggle and she smiles at you. “Thank you, this is exactly what I needed.”

“You’re welcome,” you say, holding her eye contact. 

She's been in the hospital for three days, transferred back to Virginia last night; her hair is unwashed and unbrushed, and she’s wearing no makeup and a hospital gown. 

She’s still the prettiest girl you’ve ever seen. 

-

Your car is fixed by the time Emily is released from the hospital two days later and you offer to take her home. 

“Hi Sergio,” you greet the cat brushing against your legs as Emily disengages the alarm. 

You set her things down by the door before turning to offer her your arm. Emily doesn’t pretend that she doesn’t need the help when it’s just you two, something you’re grateful for after watching her struggle with the team around, and lets you guide her to her bedroom. 

You set about making her comfortable, turning down her sheets and propping the pillows up so she can sit. 

“I’ve got it,” she laughs, playfully pushing away your hands. 

You laugh along with her, raising your hands and backing away. “I’m going to go put the rest of your stuff away and get you a drink.”

“Perfect, I’ll take an old-fashioned. Don’t forget the cherry.”

You roll your eyes at her, scoffing and leaving her room. 

You throw her clothes and go-bag in her laundry room before making her a glass of water and another glass of juice. Once you’re sure she’s settled in her bed with her book, you return to the kitchen to make her a few dinners, ignoring her protests. 

-

Emily is back in the field much sooner than you would have liked. 

“I was cleared by the doctors,” she tells you, coat slung over her arm as she digs through her bag for her badge. 

You smile at Martin, sending him a mock exasperated look, before she finds her ID and shows it to him. 

“It still seems too soon, Em,” you persist, reaching forward to push the elevator button and turning so you can lean back to watch her face. 

“Em?” Emily asks, the hint of a smile pulling up the left corner of her mouth. 

You sort of feel like you could die in that moment, just from the heat that simple gesture surges through you. 

“It just sort of slipped out, sorry,” you say, thoroughly embarrassed. 

The elevator dings and the doors open, throwing you off balance for a second. This doesn’t help your already flared nerves as you stumble back and drop your bag. You reach down to gather it and the files scattered across the floor. 

You’re kneeling to stuff everything in your bag when Emily crosses your line of sight again, wide smile on her face – teeth fully on display and nose scrunched, you are in desperate need of help – holding out your notepad.

“I think the nickname’s sweet. I kind of like the idea of having a name only one person, only you, calls me.”

All of the air has left this godforsaken elevator, the heat must be on, you stare dumbly at her as she reaches forward to grab your bag and put the rest of your papers inside of it for you. 

And then, realizing you look like an absolute idiot, you snap back into your body and cough slightly. The doors ding and open again, you grab your bag from her and stand slowly. Smiling at her, still crouched on the floor and looking, amused, up at you through her eyelashes, you say, “Okay. Thanks, then, Emmy.”

You walk away after that brief flash of confidence, telling yourself you’re just imagining how you swear her face flushed bright at your comment. 

And if Morgan mentions a few minutes that Emily seems flusters, well, who can blame you for floating on that high for a few days?

Except she doesn’t let it go. 

She corners you on your break in the kitchenette. Literally. She catches you when you’re examining the coffee pot that has been making concerning gurgles for the past few days and leans on the counter behind you, effectively blocking your exit. 

Not that you really want to leave. 

She’s wearing a red tank top and dark jeans, her hair is loose around her shoulders, eyes steadily trained on your face as you work. 

“Hello,” you say, quiet in a way you’re not normally. 

“Hi.”

“What’re you doing?” You ask after a few more moments of her silently staring at you while you pretend to know what you’re doing with a screwdriver. 

“Enjoying the view.”

You drop your screwdriver and relish in the sound of her laugh. 

-

You’d love to say that you had some suave answer to return her charm but you think you spent it all that morning with your boldness. 

You’re not shy but confidence doesn’t run in your blood either. You’d say you’re pretty normal – average. You don’t find much wrong with that, you know you have other qualities that build you up into an interesting person. You love your friends and coworkers deeply, for one. And have an intense trust in them and their abilities. 

That trust is always tested in your day-to-day at work but never more than now as you feel the car around you make turns at highway speeds. You think you’re on some sort of back road but it’s hard to tell from the trunk given the obvious lack of windows. 

You’re calmer than you thought you would be if kidnapped. 

Groaning after one particularly rough turn that has you jostling against the sides of the trunk, you allow your head to thump back and stare at the inside of the dark car. Light breaks through the cracks of the hinges of the trunk and you wonder if water trickles through when it rains. 

You’ve been in here too long to consider if you’re focused on the wrong things. You’re scared shitless, of course, but the adrenaline faded about an hour into your drive and now you’re just bored. 

Imagine that – bored as fuck in the trunk of a stranger's car, wrists burning from the rope and jaw sore from where it’s been forced open too long by the fabric tied around the back of your head. 

You’re just allowing yourself to reimagine your morning with Emily when the car stops and the engine cuts. 

You snap back into the present, energy flooding your system again as your brain flicks into overdrive. You might spend your days paper-pushing behind a desk, but you passed your physical. You’re smart, you’ve heard the stories of how these victims survive captivity. 

When the trunk pops open, you squeeze your eyes shut to prevent pain from the sudden lack of light. You don’t want to be blinded and the action has the added benefit of pleasing your captor. He put a hood over your hood when he grabbed you, muttering in your ear in tense tones that you would do best to not even try to see him. 

Say what you will, you usually do a pretty good job at following directions. This one is easy and happens to be number one on your list right now – keep him happy so he keeps you alive. 

“Good girl,” a gruff voice says before a calloused hand gropes the back of your neck to yank you forward. Scratchy fabric envelops your head and your hot breath bounces back against you, trapped against the fabric of the hood. 

You stand when his hands start to grab your waist, pulling yourself to your knees and allowing yourself to be lifted from the trunk.

You want to run but know now’s not the time. 

“Look at how well-behaved you are!” His breath is wet against your neck. He stands too close, hands clawing under the hem of your shirt to cling to your skin. 

He walks you forward like that, chest pressed against your back and breath slithering down the collar of your shirt to hang uncomfortably over your collarbones. 

It’s becoming increasingly more obvious what this sicko wants from you and your stomach is twisting at the thought. You urge the team to hurry up, knowing your absence would have been missed ages ago. They have to be looking for you by now. And, with how sloppy this dude seems to be, he must have left a plethora of clues waiting to be found. 

You have to repeat this to yourself as you hear a door lock click. 

“Took you long enough. This is the girl? She’s kind of … well,” the second man kisses his teeth with a sharp sound. You’re pushed forward again. “Whatever floats your boat man.” The door shuts and locks behind you. The second man's voice fades as he talks, disinterested. 

You wonder if it’s wrong to feel slightly insulted right now. 

“This way, doll.”

You listen. It’s saving your life to be complicit in his directions, so you listen. Still, you’re shoved harshly to the floor once you get to where he wants you, knees striking what feels like cement. Before you can recover, your cheek stings and your head is whipping to the side from a sudden slap. 

Then, there’s a kick to your ribs. You fall onto your side, too winded to even cry out, lips falling open in a silent scream. A boot in your belly. Your ribs again, your hip and back. 

“Why?” You manage to sob out. “Why, why?”

You don’t get an answer.

-

You’re not overly religious but you thank whatever heavens or universe exists that he leaves you alone once he’s done kicking the shit out of you. Your ribs are bruised but the worst you expected hasn’t happened. 

The boredom returns as you lay with throbbing ribs. At least one is broken and every breath hurts. You can’t imagine sitting up and, luckily, with your hands tied behind your back, it’s not really an option anyway. 

It must be near an hour later when you’re fading out of consciousness – a purposeful choice on your part to save your energy – when you hear the front door burst down. 

“FBI! Hands where I can see them!” Morgan. You nearly weep but think better when your stuttered gasp makes your side throb. “What the fuck?” You hear shouted in reply. “Robb, what the fuck man.”

There isn’t much of a resistance from the living room. The second man is shouting at what you can only assume is the first – your initial kidnapper – but there’s nothing else other than that. 

“Clear!” You hear Hotch call. Spencer replies and then you hear the door nearest you open. 

His voice calls out your name. You deflate against the floor. A second, you know he’s scanning the room with his gun before holstering it. “Clear! I need a medic!”

Hands, gentle, against your face, removing the hood. Swifter after that, removing your gag, and then hand binds. 

“Hey, Spence,” you say, trying to smile up at him. 

“Shh, you’re okay. We’ve got you.” He starts to support your weight behind your shoulders and the pain that brings is too intense to prevent your yelp. 

“Oh my god, is she okay?” You hear Emily ask seconds before you see her. She looks concerned, hair now in a tight ponytail and FBI vest strapped over her chest. She whispers your name once and then a second time, reaching forward to gently brush your hair out of your eyes. 

“Hey, pretty,” you say, words tumbling out of your mouth before you can catch them.

“Hi beautiful,” she answers, reply just as soft as your own. Earnest. 

It makes your heart ache and, for the first time since being yanked off the road walking to grab lunch, you start to cry. 

“Hey, hey, I’m sorry. I’m sorry, beautiful, it’s okay. You’re okay.” She repeats this as you’re lifted by the paramedics and cry harder. 

She repeats it when they stitch up where kicks burst the skin over your cheekbone open, repeats it as she trails a hand down your arm in gentle patterns while they examine your ribs and confirm that you’ve broken two, maybe three. 

She tries with you in the ambulance. 

You can’t help but think about being on the phone when you heard Emily be shot weeks earlier. You squeeze your eye shut as they insert the IV, beyond grateful that she’s there to hold your hand while they do it. The tear that falls down your cheek has nothing to do with the pain and everything to do with the thought that you couldn’t have been there for her in the same way. 

An odd thought, you realize, but it’s the one you’re stuck with as you drift away when the pain medicine enters your system. 

-

You’re sent home three days later. You insist on spending the night alone, afraid to admit you’re scared because, honestly, nothing much happened to you. 

Oh, of course, everyone tries to convince you otherwise but you know they’ve all had it worse. You were gone from the bureau for about eight hours and spent most of it bored. 

So you force yourself to spend the night alone. You don’t need help moving around or doing things for yourself so you convince yourself you don’t need help. 

You’re cooking dinner when the doorbell rings. You wipe your hands with a dish towel and take your time walking to the door to look through the peephole. You don’t know who took you yet, you haven’t asked and nobody has said, but you can imagine seeing him through the door. Waiting for you, waiting to kill you this time. 

Okay, yeah, maybe Spencer was right when he talked about PTSD and usual levels of anxiety, but you’re so tired of him being so right all of the time that you really want to prove him right.

There is no man standing on the other side of the door, though. Instead, you see Emily, holding a plate wrapped in tin foil and looking serene in your apartment hallway. 

You open the door quickly, unlatching it and turning off your alarm with a few clicks. “Emily?”

“Ah, man, I was getting used to Emmy,” she jokes, stepping inside with a smile in your direction and kicking off her shoes. 

You can’t think of an answer so you just smile at her, hoping she’ll take the lead. You’re tired and she must see it because she offers the plate in her hands to you once the door is closed and the alarm is reengaged. 

“Rossi sent me with it with explicit instructions to not let you share it.”

You giggle and take the plate. “I’ll have to tell him thank you. It’s kind of out of your way to come all this way, though, isn’t it?”

“Not out of my way at all,” she says, words dripping with meaning as she holds your eyes. “I would have come even if Rossi didn’t have food for you.”

“So why are you here?”

“To make a fool of myself,” she says, casually, like that’s something people say every day, “probably. You’ve just gotten back from the hospital and I know you said you wanted to be alone, but,” she swallows and her words are becoming more rushed as she speaks, “I said the same thing and you still stayed.”

“Emily?” You ask, setting the plate down on your hallway table and clearing your throat. “Ah, Emmy?” You amend when she cuts you a look. Your attempt to diffuse the tension doesn’t work and she steps closer so you’re toe to toe.

“That doesn’t really answer your question, though. You’re sweet enough that you would let it go, but,” she shrugs, reaching forward to gently loop her fingers around your wrists. “Stop me if this is awful timing. Please,” she says, leaning forward and staring into your eyes. 

You feel like you’re suffocating, but if this is death, you’ll greet it gladly in the irises of Emily Prentiss. You’re caught in the trap of the moment, heart hardly breathing, all aches and sores forgotten because Emily is leaning closer, breath fanning across your face. You feel intoxicated, ensnared. 

Everything that has ever been exists here, now, in this moment. Every breath used to blow out birthday candles and blow away eyelashes – breaths with purpose, with wishes, with intent – exists between the two of you as she leans closer and closer. Closer, still, and how can so much distance exist between you two when you’ve been standing so closely?

“Just, stop me, if you want,” she whispers against your lips, eyes falling shut. 

Time yawns again, freezing. Your eyes open, hers closed, beats of seconds pausing. Hesitating for you to hold this moment in your hands. You’re grateful to appreciate it because she really is so lovely. Her bangs are pushed back from her face with a headband – imagine that! Emily owns headbands! – and you can see every detail of her face. Her elegant nose, her slim eyebrows, her narrow, prominent, lips.

And then your heart finally catches up, beats loudly, cracks whatever fragile plane of glass holding the moment so perfectly still, and her lips are meeting yours. 

You gasp into her mouth, hands breaking out of her hold to grab her face. You’re afraid that she’s going to pull away before this kiss can be fully real. Before you can actually taste her – lemon cake and rain and warmth. Before you can memorize the feel of her lips pressed against your own before you can drag her closer and slip your hands into her hair. 

But she doesn’t pull away. She meets your enthusiasm with a sigh and then enthusiasm tenfold. You can feel relief in the kiss, feel how she relaxes into you. She takes a step forward and you take one back half the amount to account for it. 

A tilt of your head and it’s better, impossibly. She’s firm, sturdy, beautiful. Confident. Lovely, lovely, lovely. 

And then she reaches forward to hold you to her, hands brushing your ribs to wrap around your back and you can’t hold in the gasp of pain that causes you to stiffen. You want to take it back, want to ignore the pain, want to keep her near, but she won’t allow it.

“Oh, I’m so so sorry. Are you okay? I’m sorry.” You smush the apologies against her lips, removing one hand from her hand to guide her arms around your shoulders where they won’t hurt. “Okay! Okay,” she giggles, leaning back with several short kisses that do nothing to satiate you. “I need to know you’re okay.”

She can obviously tell she hasn’t hurt you too bad by your reaction, but the sweet caution in her voice has you melting further. 

“I’m perfect.”

[napping-sapphic]

Sometimes i wish flirting was as easy as taking a girls face in my hands and telling her i have time for her, that i’ve got time for all her hopes and worries and rants and goals and wants and needs

[grzybjek]

recent sketches!!

The first pic are redesigns of my 2019-2021 ocs! If you remember any of these characters no you dont! Embarrassing. Second is Maria, Marysia, my beloved protagonist for my newest project. Third is Helena my favorite rat. And fourth is Maria once again, with her friend, Juras, also a character from my newest project

[hysteriafossil]

guess who finished tlok tonight and immediately had this come to him in a vision!!!!

[dykesevika]

fortiche studios please make her a canon dyke please and thank u

Men DNI

[sigsfigs]

never thought i would be without you

i wish you love

i wish you well

i wish you roses

while you can still smell them

[tmntismdoodls]

i just think she’s neat 🩵

[danwhobrowses]

For anyone else who is gonna struggle surviving the next 3 weeks with the angsty and tense situation of Callowmoore here's a few things from the last 2 episodes that I feel were underrated and will assist in trying to keep me sane/emotionally stable: - Matching messed up hands built for holding - Fearne nervously playing with her hair as she approaches Ashton - Ashton wanted Fearne to be either the last thing they saw if they died or the first thing they saw when they succeeded - Fearne's admittance corroborates Ashley's 4SD revelation that Fearne is in love with someone in the party but doesn't know how to process the emotions - Fearne wanted Ashton to be happy, while Ashton wanted to feel whole so they would be worthy of the Hells - Ashton twice tried to lead a search for Fearne, and instantly clocking onto Chetney saying he followed Fearne - Fearne making herself look as radiant as possible before giving Ashton the cold shoulder - Ashton only rose to Chetney's provocations until he said 'You hurt Fearne' Use how you will

[veronicalolsies]

this was an excuse to draw cute rikma art. Cleo’s forever a third wheel💔/j

excuse bad anatomy pls i drew it in less than an hour at 2 am

[gus-dix]

wanted to draw the girls from hunchback of notre dame 1 and 2 dancing cause they both have a red dress and i thought it would be cute

+ it always seemed likely to me that one of the triplets in beauty and the beast was only pretending to go along with her sisters... and due to that she’s good at playing a role but not so much at being herself so when she gets an interest in belle she suddenly turns real shy

do not erase the caption, use or rePOST my art (reblog ok)

[mymarifae]

i think the most important thing in the world is vbs being best friends who love each other so much and are super affectionate with each other like. listen to me:

- when toya hugs kohane he'll pick her up a tiny bit (a tiny bit is all he can manage. noodle arms) and she squeals with delight every time

- toya just really likes hugs in general. it's suuuuper common for him to just come up behind akito or an or kohane and wrap his arms around them and lean his head against theirs. hello and goodbye hugs with him always last a good 20 seconds because he won't let go sdjfjsnfkd

- kohane loooooves to tuck her hand in the crooks of her teammates' elbows while they're walking together. this way she won't get lost <3 sometimes she'll hold onto like, akito's elbow with one hand and an's with the other. it's very cute. and as vbs has grown closer, she's started to switch to hand holding. (don't tell anyone but akito's her favorite to hold hands with because he swings their arms as they walk and it's cute)

- also, kohane's hair tends to be messy because of her damn hats and this bugs akito so he spends a lot of time fussing over it. he'll just sort of...tug her closer and take out the pigtails and comb through it with his fingers. at some point she starts packing a brush in her bag to placate him. i like to think akito knows how to do hair because ena will sometimes make him do hers so after a while he stops just rebrushing kohane's hair and starts pulling it up in different ways... braiding it... etc... and he starts keeping things like hairspray in His bag. yknow. jic

- the hairstyling extravaganza extends to an and toya too. (i mean there's only so much akito can do with toya but he tries...) it's a calming thing for him - fiddling with his teammates' hair as they plan setlists or wait backstage. and having your hair played with is always nice <3

- i think shortly after teaming up an started giving kohane little kisses on the cheek. not as a romantic gesture - just simple affection! and after a while, she starts kissing toya and akito too. toya is always happy to lean down so she can pepper his face with little platonic kisses, but she usually has to wrestle akito. it's all in good fun and he'll always relent and let her kiss him in the end

- speaking of platonic kisses, i ALSO think that akito gives toya little kisses from time to time. it started back when they were still BAD DOGS. toya wasn't having a great time one night and after soothing him with a good sturdy hug, akito kissed the top of his head. it completely floored toya and akito blew up when he realized what he did. and they never fucking talked about it <3 but since toya didn't seem MAD about it, akito decided to stick with it and kept giving toya kisses like that. it's not common, and he ONLY does it when they're alone. except for when they make up after their little divorce arc in the main story. IGNORE the gunjo sanka mv and listen to me. they HUG after their heart to heart. and akito kisses toya's cheek. right around where he punched him

- but an's overaffectionate nature kind of rubs off on akito after a while. so he becomes less stingy when it comes to kisses and starts giving them to kohane and an too <3

- they lean against each other while sitting like kohane might cuddle into toya's side or an goes and lays her head on akito's shoulder

- and they have sleepovers and they fall asleep comfortably tangled up together (or not comfortably. at all. seriously cuddling while sleeping can get so uncomfy but it's worth it to be so close to someone you love). ken's taken quite a few adorable (and sometimes really funny) pictures of all four of them passed out on piles of blankets and futons. just dad things

i could go on forever it's just. platonic affection is so important to me and it's so frequently Ignored in fandom spaces. and in the case of vbs and the prsk fandom specifically, there's a tendency to separate vbs into akitoya VS anhane. which is so 💔 because the whole POINT of their story is that while they started off as separate duos, that's no longer the case! they've become such good friends. they're inseparable.

like even jokes about akito and an being "wlw and mlm hostility" are starting to wear on me because... they're friends, guys. they're incredibly close. akito is always looking out for an and is right by her side to support her through all the shit she's currently struggling with. there's no "hostility" present in their relationship. like, if you actually look at the game's text, an... rarely teases akito. the person who teases him the most is actually toya but you know... whatever... gotta reduce an down to a mean lesbian amirite... completely ignoring that she's one of the kindest characters in the whole game...

idk. i juuuuuust wish that this fandom wasn't so defensive and obsessive over shipping akitoya and anhane (mostly akitoya while anhane is a second thought but YOU KNOW) because it results in so many people watering down vbs as individuals And as pairs - because all they care about is shipping. like i promise that the other dynamics in vbs are worth exploring (both platonicallyand romantically but too much of this fandom still feels threatened by m/f vbs ships). and hell, explore akitoya and anhane on a platonic level, too! don't just jump to shipping them because teehee boyxboy and girlxgirl. take the time to understand what draws them together in the first place

i love friendship. i love when friends outwardly express their affection for each other and it doesn't have to have any romantic implications. can we talk about friendship for once like this game is literally The Ultimate Friendship Simulator feat. Hatsune Miku

[napping-sapphic]

yeah, my life can just get so tough😔 (constantly in the mood to flirt but too shy and easily embarrassed to flirt with anyone)

[salad-storm]

I love sashisu because they all very much love each other and are best friends but the shoko erasure is so blatant that it makes for a very interesting dynamic. Like yeah obviously she was part of everything that happened. Not that any of them would realise if you asked them though.

[lullabyshark]

hi can i talk about shinooka "has a crush on a guy specifically bc he will never ever like her back" chiyo is so real and relatable to me a lesbian who did the exact same thing in high school. and can i talk about "abe will never look at me as a romantic partner" while the panel is him looking at mihashi. this page is too much. gayest page in the manga because its mlm/wlw solidarity multiple colors of the rainbow etc can we talk about chiyo PLEASE!!!!!!!

[silly-mess-xx]

SOMEONE IMPREGNATE ME RIGHT FUCKING NOW