#i know i know his eyes are green

[stopstopstopit]

band of brothers text posts 11/?

[hinamie]

spiraling

[technically-human]

St. Hilarion's ghost story

[musubiki]

balor + ponytail (feat my farmer isa)

[ew-selfish-art]

DPxDC AU: Ellie was going to beat the shit out of this space cop if he was lying…she might just do it anyway but, like, fr she’ll throw down on Danny’s behalf.

Enter scene following a bad tandem clone + identity reveal where in Danny is captured and wounded, Ellie escaping just narrowly. She manages to get Sam and Tucker on her side and together the three of them save Danny. (Where was Jazz? Why couldn’t she find Jazz?)

Ellie has traveled all over the world, has seen its hospitality just as much as its hostility- besides Danny liked space right? Mostly, Ellie is panicking and, being unable to think of a place to take Danny while he’s bleeding out on her, she just goes… up. Out of the atmosphere and just beyond the satellites. It finally feels far enough away, tho she didn’t take them beyond the moon, she has limits to her paranoia thank you.

Imagine to her annoyance that apparently someone actually watches for biological materials leaving and re-entering the earth! Total Bullshit! She’s needed to make a number of trips back and forth to get Danny food and water and medical supplies- and she’s doing a damn good job of getting him stable. Too bad she hadn’t realized the ring guy following her sooner.

Turns out he’s “made a report” and “will find them justice” and “wants to help”. Yeah right. She throws down with him as best she can, and he clearly doesn’t want to hurt her so he keeps letting her get away with Danny in tow. Danny is sleeping through most of this but a few times he lets out a woop or a go get ‘em.

Eventually Hal calls the only person on the team with a single paternal bone in his body (even if it was only a single one most days). Pulling Batman into a spacesuit, into a ship and across the atmosphere shouldn’t have been that easy- though it was obvious how his agreement came immediately after Hal mentioned the wounded and entirely isolated twins he’d found.

[moment-live]

Unreliable narrator

[getvalentined]

"Those people are too kind for their own good. It's going to get them killed."

[cloudcastor]

moms…..

[mo-mode]

Chiron: Welcome to Camp Half-Blood! Home to demigods of—

Me: Yeah yeah, which demigods can see the shrimp colors?

Chiron: Excuse me?

Me: You heard me. Who’s got the shrimp colors?

Chiron: Well, ah…Iris is the goddess of the rainbow, and Poseidon is god of the sea, but I don’t think—

Me: Give me the shrimp colors, horse man.

[alicornze7]

AvM fandom is this accurate-

(pls don't burn me at the stake)

[poorly-drawn-mdzs]

Sharing is Caring!

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[br-disaster]

Nie Mingjue's Fatal Journey crying scenes appreciation post

There's no way I wouldn't make this post, but it ended up way longer than I intended.

Fighting with Huaisang

When is this man not tearing up?

This fight is so important for Huaisang's character development and the movie's themes, with Huaisang being ready to challenge and question the Nie ways and Mingjue doing his best to uphold those traditions and keep the peace through the only way he knows how.

But it's still hard to be challenged like this and to face the possibility that everything you've ever known might not be right, actually.

And this gif specifically is from the moment Huaisang questions if Mingjue even knows what they're there to fight and what this supposed great evil that will come to Qinghe if they fail to balance their blades even is. Mingjue has no answer, of course, I suppose he was only taught this and never had reason to question it.

But Huaisang is also talking about the disciples they already 'lost' at this point of the movie, and he says something along the lines of " You don't know anything, you only know how to bring them here to die" and that does it. Because it's both "you can't follow these rules blindly when they rely on sacrificing people" and "you've changed and I don't trust your judgement on these matters anymore".

And as he says it, Mingjue looks at their disciples and he sees the puppets for a moment. And Huaisang just questioned if the other disciples were really attacked by puppets.

So that's a big moment and Huaisang is right, of course, but he doesn't have a confirmation that this is the result of Mingjue's health deterioration yet, so he keeps pushing. And Mingjue doesn't really have a counter argument because he knows what's going on with him, but it must be very scary to hear it from the person you care about the most and realize just how much you're being affected.

(Actually, Mingjue has one counter argument and that is "Well, I am at least trying to do something while you're painting and living a carefree life", and he's not wrong either. Huaisang is right and rightfully harsh, but this is the first time he's being confronted with these difficult choices and all their family history. He can reflect on and question it, but his brother has been meking those hard decisions since he was 14, when did he ever had a break to question and change things?)

Which leads us to

The Talk

After seeing his brother sacrifice himself for him at the bridge, and then seeing Mingjue be so vulnerable and lost, that anger from their fight is gone. They can meet in the middle with "You are right, I wasn't thinking straight, this is not a long term solution and I've failed at changing our ways" and "It's not your fault, you did everything you could but you're not responsible for this situation" and it's very beautiful and heartbreaking.

Mingjue is so remorseful, both because he has condemned Huaisang to die with him and because he feels like he failed everyone and everything (even if he doesn't seem to know what he could have done differently to avoid all this).

And Huaisang's reaction in this scene is so calm it made me think this Huaisang is somewhat used to his brother displaying vulnerability around him. This isn't book NMJ with all his victories, this isn't a man who never let the Unclean Realm be conquered and who could afford to keep Huaisang far away from the war. This is a man who was attacked and subdued in his own home, who had to send Huaisang to the hands of the people who killed their father.

This Huaisang doesn't have reasons to see Mingjue as this unmovable force, he has seen Mingjue hurt and threatened and fearful; and he's now seeing him remorseful and defeated.

(I'm sure Mingjue telling Huaisang about the fact that he's dying and admiting his mistakes and insecurities is something new, especially considering their previous fight, but this Huaisang doesn't take it as a shock, because he knows his brother is only human and there's only so much he can handle. He even, like, explicitly says this)

And so he assumes this calm, reassuring and empathetic posture, because that's what his brother is asking for. And it's the most beautiful thing, Huaisang has so much love for him, so much empathy. And this is Mingjue's reaction to his brother's reassurance that it's okay if they have to die there:

I'm sure Huaisang is still processing Mingjue's "I only forced you to practice because I'll die soon", but he's so good at reassuring his brother.

Because Mingjue just told him "I am dying and I'll go as a failure" and Huaisang insisted "None of this is your fault and you did everything you could and more, and if I have to die here with you today, I don't regret a thing, and you shouldn't either".

There's no despair or anger that his brother is only telling him this now, there's only understanding and acceptance and so much love and they really knew what they were doing with this movie.

His people love him

Mingjue is so moved. He just admitted to Huaisang that he's not in peace with his accomplishments, or lack thereof; that he feels ashamed to face his ancestors, having done so little.

So I truly believe Mingjue doesn't consider himself worthy of this much trust and support. (And I can't ignore how this is tied to the Nightless City situation, where he led the men who trusted him with their lives to a dangerous situation and couldn't save any of them).

As we see in the confrontation at Jinlintai, that technically happens after this movie, that is still a very sensitive topic.

And here he has his loyal disciples saying they will follow him yet again, despite his previous 'failures'; just like Huaisang was ready to die with him. They have so much trust in him, and the way he's nodding a little here, just like he was nodding when Huaisang reminded him of everything he's done for their sect since their father died, is like he's convincing himself of it. That he can do this and he can do this right this time.

And yet

He fails again. And I don't even think he knows it was him who killed those disciples, like some people say. He doesn't need to because it doesn't matter. His men, who followed him till the end of the world, are dead again. And so is the hope he had of doing this one right thing before he dies.

Yes, he supressed the saber spirit like he had to, but they're still dead, all of them.

He falls apart, how could he not?

At some point I'm sure Huaisang his holding all his weight because he just gives up. There's only so much loss one can handle and that's way too much.

And look at the way Huaisang is watching him as he realizes something inside Mingjue shattered forever.

There's so much pain in this scene, it looks physically taxing and I hope people gave Wang Yizhou a break after he shot this. I know it's his job and he's phenomenal at it, but this has to mess with your head a little.

And hey, it's a Huaisang crying scene as well. CQL Huaisang only really cries twice. First he watches his brother have a mental breakdown in his arms after unknowingly killing his own disciples; and then as he watches his brother qi deviate and die, while unable to do anything to either stop or comfort him.

(And a lot of people said there's no hesitation on Huaisang's part when he rushes to his brother's aid when Mingjue is hurt on this post's notes, and that's true for book Huaisang too, because he runs towards Mingjue as he is qi deviating, gets hurt in the process, and still keeps calling for him, which makes CQL's decision to have JGY holding him back kind of cruel, tbh, there's not a Huaisang who would run from a hurting Mingjue regardless of the risks

But at least we have this scene.)

And that's it, I guess. There's nothing uplifting to say about this, really. He just went through a lot and kept shouldering everything until he couldn't anymore. I just wish book NMJ had gotten to receive the same love and comfort and acceptance from NHS before he died, I wish he had been able to tell his brother what was actually happening, but thats kind of the purpose of this movie, so I'm just very grateful that it exists.

It's like that post says, it didn't change anything but the love was there, you know? That's how this movie feels for me.

[allthishumanityforfree]

Andrew and Paul at Glasto

[lycazart]

nf but crop of a heisy charm im gonna get made for myself

[estrangedandwayward]

Okay but like do you think the flight home after driftmark was fun? Like yeah aemond just lost an eye and they're all in huge trouble but once their up in the air, all three of them on dragon back together for the first time, would that even matter? I bet they were doing tricks and seeing who could fly the fastest, yelling things at eachother and laughing. They're kids, and we know that they all love their dragons, and I just can't imagine they weren't thrilled to finally be able to fly together

[hauntingsofhouses]

(concept art of young taigen - source ; art credit: @abigaillarson)

i cannot get over this concept art of young taigen. god.

just look at this angry bratty boy, too many feelings that he doesnt know what to do with! an abused 9 year old kid in poverty always playing with sticks in the dirt, obsessed with greatness and dreaming to escape his decrepit village—and he does!

he does escape. he runs away. this angry little boy, all claws and teeth and biting words uttered with a lisp, going on the run into a world he's never seen before until he makes his way to kyoto. and knowing him he probably forced his way in to be accepted by the dojo, growling and kicking even as he's thrown out, back into the streets, too stubborn to take no for an answer and never knowing when to give up.

taigen calls mizu a dog, weak, an orphan, a scrawny street urchin. but i can't help but think that he feels so bold to use those words because he had them spat at him too.

because taigen had the idea of "this is how the world is" beat into him from birth. he learned quickly that if you couldn't beat the world you could join it. but that meant losing your way, your values, your principles. and isn't that what true honour is? not just titles and status and glory?

we don't get to see what taigen, as a child surrounded by peers encouraging and goading him on, would've actually done if that meteor hadn't fallen right in front of them at that very moment. would he have really tried to throw that stone on mizu, killing her? we don't know.

but we do see what taigen (his true self, with no one around) does, when presented with the same opportunity. when mizu passes out in front of him, unconscious and near death, vulnerable, the path to restoring his honour lays itself out for him on a silver platter. and he wants to take it, wants to kill mizu, to claim what is his and return to kyoto and get back everything he'd worked tooth and nail for. he feels like it's what he should do. but he doesn't.

and later, again he is presented with the chance to betray mizu, likely offered by heiji shindo to get his rank reinstated within the shindo dojo. and again, taigen doesn't take it. he refuses. "stupidly loyal," fowler calls him later. loyal, like a dog.

because now, pulled away from the sneering looks and jeering words of people around him, telling him that this is what the world is, taigen had met ringo and mizu, two outcasts who refuse to follow a predetermined path to greatness. and so inside something blooms in him. something like hope. a chance to live in a world that doesn't kick you down every chance it gets, to live in a world where genuine kindness and and love and friendship and even weakness is possible, allowed to simply exist without fear.

because he'd been running away from the very idea of it the whole time. when he ran from kohama, he never looked back, never wanted to remember what it was like to be a child, afraid and hungry and angry and hurting, without the words to make sense of it, desperately wishing for something. something more. he doesn't know what. but he hears stories of great swordsmen and decides, yes, this must be it. this is what i want: glory, greatness. the twisted seed gets planted and thrives in this barren land.

and when he returns to kohama with mizu and ringo, he at last is forced to stop running. he must face the child within him again, and he tells that child to put down the stones in his hand, tells him to stop barking at anything that moves or looks at him wrong.

the child drops the stone, and taigen buys dumplings instead, gives them to mizu. the child within him, wide-eyed at the prospect of friendship, moves him to pick up a hammer and toss it to mizu. he's smiling inside even as he does it; giggling like a kid hiding a silly prank. as soon as mizu drops the hammer after him, he leaps at her, tackling her to the ground and they wrestle and laugh unbridled like two children playing while the adults aren't around to barge in and yell at them.

and then his gaze catches on mizu's lips, he stares into mizu's eyes, a sparkling blue, inviting like the open sea in good weather.

it's a man's desire that takes hold then, the child in him sinking away again, and he curses himself for it, because it ruins the moment.

everything goes to shit from there, and then it's back to being a man, back to putting on his grown-up's armour to play hero.

it fails. the shogun dies. fowler's beatings reopen all the wounds left by heiji shindo's torture. "honour is meaningless," mizu tells him. "nothing comes from being a samurai but death."

the words follow him, and he follows the words.

as everything burns down, he runs, leaving the fire behind him, and sees akemi, as well as the verdure of spring behind her, calling him. he does not hesitate then to hold his hand out to her, inviting her to come with him. "i don't want to be great," he says. "i just want to be happy."

what is happiness to him? perhaps he doesn't know it yet, or perhaps he does. but really, i believe happiness is what the child in him always wanted but never received. happiness is a home.