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raayllum · 2 months

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She Must Pay the Price, or A Drop of Mercy :: A Rayla and Leola Meta

Quick:

You're a young elven girl, and you show mercy and compassion to a human that you definitely weren't supposed to. When it's found out, you're punished, with elves even calling for your execution (6x09, book 1 novelization). Your father does what he can, but there's only so much. You're put on trial. You're found guilty regardless of intent, and only by association. You die for this; you die for them. You're a star. A guiding light. There's even a Great Fall off a precipice (though only one of you hits the ground).

Your name is Leola, or Rayla.

You're the beginning and the end, respectively.

So let's talk about it.

Tests of Love

For years, I had wondered where Aaravos' assessment of "Those who fail tests of love are simple animals. They deserve to be motivated by fear" (2x09) came from, cause you don't drop in a line like that if it's not going somewhere. It's quite a statement and worldview, after all. Now, with Leola's trial, it seems we know.

We can see, then, perhaps that Leola's gift giving was the first test of love — are you willing to break the Natural Law, the Natural Order of things? — to help another? To show another a source of power in order to share, to be compassionate, and in Rayla's case, to be merciful (though we'll get more to that in a minute).

We also know that the love Leola had was powerful and all encompassing:

She didn't care to follow the order set in the stars. Though she was born an immortal being from the Heavens, she loved this world... and all its flaws. Her heart was warm and open.

And she befriended mortals. Animals, elves... and humans.

ETHARI: Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. (Bloodmoon Huntress)

Okay, so Leola and Rayla both have big compassionate hearts and befriend creatures from all over the place. So what? So do Callum, Ezran, Soren, and most of our other main good guy characters. Even Claudia to a degree (though she could work on not using magical creatures for spell parts).

Well, specifically, it's because of how they intersect currently more with anyone else on the concept of

Mercy

KOSMO: Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled. (6x05)

Rayla sparing Marcos, as noted in multiple interviews by the creators and by myself in previous metas, is ultimately the inciting incident / lynchpin of the entire series. Without it, there would've been no soulfang proposal or Ez running away to find the egg or any of the number of other elements that had to come together to make achieving peace possible.

While we still have details to discover regarding Aaravos' Fall and development of dark magic, we know that a lack of mercy was ultimately what sent him on his path of vengeance. Leola was not shown mercy, and while it seems there were already "flaws" for an imperfect world, things were (probably) better than they currently are in Xadia in a variety of ways. Then, to kick off the entire Saga, we have Rayla sparing Marcos in a soundtrack literally titled "Mercy" and have Kosmo, seasons and seasons later, spell out directly what a big deal this was for well, the ocean of time.

None of this is to say Rayla can't act out of revenge — she did ("when I first came here, I was on a mission for revenge") and she has ("but I became so obsessed with revenge"), much like Aaravos ("he isn't doing anything out of love, he's doing it for revenge") — but that her general compassion and love for others has always been stronger than her grief or rage, and that even when she had every social and personal reason to, she was and is fundamentally unable to hurt someone innocent.

Even when she's shamed or punished for it by herself or by others. RAYLA: The human looked up at me, and I saw the fear in his eyes. RUNAAN: Of course he was afraid, but you a job to do! (1x01)

EZRAN: Yeah, but then you saw he was scared, and you knew he was a person, just like you. RAYLA: That shouldn't have mattered. I had a job to do. (1x08)

The Cosmic Council — and to a degree, the Silvergrove — say that the reasonings or motivations, the intentions, behind Leola and Rayla's actions do not and should not matter when it comes out to doling 'Justice'. So Leola faces her justice, being literally killed in the one manner that can kill a Startouch elf, and so does Rayla, being metaphorically Ghosted / 'murdered' by her community, regardless.

Neither are enough to ultimately quell their light or their love/power, however.

A Star

RAYLA: That beautiful shining star you just pointed out? We call it Leola's Last Wish. (5x02)

So both Leola and Rayla are stars in season 6, literally and metaphorically respectively. Leola's is more self-explanatory, whereas Rayla's is mostly about the role she has in Callum's life as a guiding light and star. I don't think it's a coincidence, though, that just as Rayla placed Callum on his path of being a primal mage, though, that Leola did the same for humanity. I also don't think it's a coincidence that Callum's love for Rayla restores Callum's own light and agency amid Leola giving humanity the same through light and fire.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. (TDP shorts, Ripples)

In this way, we see the manifestation of a repeating parallel of Rayla representing Leola, a gift giver of life, magic, light, unjustly punished/killed, and Callum representing humanity, looking to the kindest brightest star for guidance, magic, restoration, and salvation if he's just given the chance to grasp it. After all, presumably, Leola's last wish would have something to do with primal magic and humanity, and who represents that better than Callum, with two arcana under his belt and possibly more on the way? With that in mind, I want to return to another quote from earlier but with a different focus on

Ripples

Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled.

The wisest of the humans looked upon the water. His own reflection smiled back at him, and he dared to imagine what such power would feel like in his own hands, should he be allowed to hold it. Imagine, he thought, if I were more than what I am. With a trembling hand he touched the surface of the water. Ripples spread from his fingertips. [...] I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand. In this, the humans taught me another lesson. And so I touch the surface of the water. I watch the ripples spread.

Water in TDP is a strange beast, symbolically speaking. There are some more straight forward motifs (reflections, "don't try to control where the river [of life] goes, there's one thing you can know and control: yourself"). For Aaravos, it's connected to deep loss but also his own sense of patience in playing and winning his game, as illustrated above. For Rayla, it's linked to shame, self-reflection, bravery, and loss. Aaravos weeps and creates a sea upon losing Leola; Rayla says goodbye to her family by the lotus pond times three.

We don't know what water represents for Leola. Not distinctly, anyway. The best we can figure though, is that by following the through line of the Rayla and Leola parallels, that the ripples Leola wanted to send out or did send out — not the distortions caused by her father and his grief — are ones that Rayla received, and then continued.

Rayla has always been a foil to Aaravos, and this hasn't changed. She is the one who set Callum on the path initially of being a mage, which put him in Aaravos' machinations as prey; she retrieved his Key; and she's the reason Callum's done dark magic, twice. At the same time, much like the moon, Rayla carries Leola's light as much as she shoulders Aaravos' dark. She literally represents light in Callum's life, helps lead him through the darkness, and him being a primal mage and it's possible growth to other humans is the best possible thing that could've ever happened to Xadia.

Sol Regem says that "no one can save" Xadia or fix what is deeply broken. The Cosmic Council said that Leola had broken the Cosmic order and had to pay the price. Rayla has repeatedly been willing to pay the price for both hers and other's actions in hopes of making things right, of sparing others' pain. Sometimes to her detriment, but—if Rayla as Callum's one Truth could fix the darkness within him, if she's the lynchpin for breaking the Cycle, for bringing back Runaan and fixing her family's souls, in opposing and presenting mercy amid the Council's lack of mercy, in the face of Xadia's violence—

Then Rayla's act of mercy in 1x01, and potentially beyond in S7 with Callum, will be what fixes Xadia.

Leola's gift of magic is what 'broke' Xadia, and her execution is what literally did so, leading to the division of the continent. She wrongly paid the price in the absence of mercy and love. Rayla is therefore her thematic successor — welcomed this time as Light and Truth — as the carrier of Mercy and Love, and she will 'fix' Xadia through her ripples and dynamics. She will mend them back together. There will, at last, be no price to pay.

Misc. Thoughts / Predictions

One thing I was always curious about going forward into future seasons was the prospect of a 'trial' or reunification of the Silvergrove. It felt like a no-brainer the Silvergrove would have to change in order to reflect Runaan's character arc, much the way we see Katolis and the Sunfire elves change to better accommodate the new, more compassionate world order. Pre-S4 a trial felt a little strange as an idea, though post-S4 the parallels it could provide to the Lucia tribunal made more sense about why include either (or both).

However, Leola's trial seemed to hammer home the almost necessity (as this is still a prediction, after all, that may not happen) of Rayla and/or Runaan saying their peace to the Silvergrove leaders. This would be a great opportunity to provide a contrast to the Cosmic Council, reaffirming that Xadia is ultimately better than them because the Moonshadow elves and everyone else can change, and the Cosmic Council seemingly cannot or will not. But I guess we'll have to wait for S7 or beyond (#GiveUsTheSaga) to find out if this'll come to fruition or not.

I also wanted to touch on what we see with Leola ("I'm so scared!") and the repeated emphasis on "recognizing fear as a moment of empathy and personhood" and the horror that can come if you don't have that moment of recognition. This is something I've touched on before most notably as a striking difference between S1 Rayla and S5 Claudia, but I thought it was worth mentioning as S6 added to it specifically with Viren towards Soren and Lissa. This is another point in the "Rayla is an inversion of the Council's lack of mercy" column, as Leola's — a child's fear, and Aaravos willing to pay the price and take her place — earns her no mercy. Rayla, meanwhile, sees someone innocent that she has 'every right' to execute is afraid of her, and that strays her hand; it steadies her sword, and she spares him. Because if someone is afraid of you, it's worth asking yourself why, and what you might want to do instead.

Last but not least I wanted to talk about Leola's parallels to Callum and Ezran as well, since they are very much there (though yet not perhaps to the same extent).

Ezran has Leola's friendliness to animals and soft heart. He too is a child whose death is called for as a means of Justice, and he is granted mercy through Rayla and the discovery of the egg, able to live and grow and help usher in peace. He is, I think, what Leola might've been allowed to be if she'd lived in different times. Callum, meanwhile, carries the gift giving motif through his cube, staff, and tokens he both gives to (moon-phoenix bracelet) and receives (the moon opal necklace) from Rayla, and previous 'human-Leola' magic dynamic. Callum being able to break free fully from Aaravos' and dark magic's control in S7 and turn his eye instead to primal magic will be what helps bring true justice to Leola and hope for humanity / Xadia in righting the Cosmic Council's fundamental wrongdoing. Hopefully, anyway.

Conclusion

I hope you enjoyed this deep dive into some parallels and potential narrative goings-on between Leola and Rayla as characters. TDP loves its historical and ironic layers in TDP (Ez and the Orphan Queen, Viren's arc from S1 to S6) and I think this layered thematic dynamic between the two merciful young girls was a good, brilliant choice by the creative team. I'm excited to see where this thematic thread goes in the future and how it may continue to be woven into the story. As always, thank you for reading, and I'll see you in the next one.

#tdp rayla #tdp leola #tdp meta #tdp spoilers #the dragon prince #she must pay the price #s6 spoilers #multi #arc 1 #arc 2 #s6 #analysis series #analysis #parallels #rayla #leola

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mortal-song · 2 months

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the problem with tua's ending is that it was IMPOSSIBLE to do without retconning and defacing the themes and characterizations that have been central to the story since the very first episode. if you had to end it that way, if it really was "the plan all along," then fine. there ARE good ways to do that -- so the execution should have been much different here if that was the case. take a look at "the good place," for example. everyone ceased to exist at the end of that story as well, but it was beautifully done because it ADDED to the show's core themes rather than take away from them. tua's ending was hollow and unavailing. at some point i have to commend the precision with which someone can desecrate an entire series and certain characters (looking at five, diego and lila especially) like this.

it made no sense. diego and lila formed a beautiful (albeit chaotic) relationship built upon mutual trust and authentic love that neither of them had ever experienced before. it was something they were teaching each other and learning together. that was a new beginning to them, and it was painted as such by the narrative. at no point were there hints that things would go sideways, no build up. every time they stumbled in the past it was still right back into each other's arms. at no point did their chaos look like an ending until it was shoved in our faces for... shock value? to shake things up? i fail to understand where it came from. they were relentlessly devoted to each other and the only two people who could stand each other for long. and so what became of them was very jarring. very messy.

five's ENTIRE character has been focused on and motivated by one thing: saving the people he loves. to the point that he was willing to let his own humanity become a forgone ideal, a renounced concept, as many times as it took. to the point that he essentially INVENTED TIME TRAVEL and INVENTED THE COMMISSION TO REGULATE IT. five's stoic exterior only barely concealed the claw-grip he had on every single family member, so why forget it now? why choose to go back on that? and in what world would five hargreeves willingly wait MONTHS to return to his family? because he was SUDDENLY in love with lila, no less? forgetting the very apparent fact that his age and body are not in alignment, five had never shown any interest in romance. especially not towards lila. but they do have very similar backgrounds, and so this was a chance to enrich the mutual understanding five and lila have with each other, expand the familial connections they have, especially seeing as how both of them -- in their own ways -- spent most of their life without that sort of connection.

ben's entire arc felt so, so out of place. completely and very ironically isolated from the entire rest of the series. nothing about it was fulfilling, nothing about it offered any sense of closure or even development. jennifer made no sense even as a plot device, much less as her own character. these two brought out nothing in each other.

klaus had the foundations of a good arc, but too much was introduced in too small an amount of time and none of it really went anywhere. i can say roughly the same for allison and viktor. THAT being said, of most of the scenes i did find myself genuinely enjoying this season, THOSE three were usually at the center! in fact, i really did love the scenes with klaus, allison, and claire. so that's cool. i guess. luther? he was just kind of... there?

and ray just fucked off with no explanation? okay. and reginald? until this point he had all the qualities of a potentially VERY GOOD and nuanced villain. his arc fell flat. and let's not forget all the other loose ends, but, you know, we've been here long enough. so. onto the next point.

none of these characters got to heal. none of them ever got to revel in anything meaningful, or, rather, the things that WERE meaningful across the whole series were rendered worthless because... none of it exists anymore! none of it ever existed! this is like an "it was all a dream" ending but much worse. and these characters are so, so incredible. i can only name a few other stories that have had characters i've connected to this deeply. and despite everything i could never really stop loving them. that makes it hurt more though tbh

anyways. i know i'm about to sound incredibly dramatic but the ending made me sob my lungs out. this show was really important to me. it led me to incredible people, other incredible stories, helped me live, etc. but i honestly found myself wishing i'd just never watched this series at all. the ending was eviscerating and Just Fucking Pointless. i don't think i'm ever going to be able to rewatch it. it's still hard for me to conceptualize that it was even real, that this is all we get. there's a lot more i could say about everything, but again, i've said a lot already and i'm not trying to write a fucking novel. i'll say more of what i want to in sporadic bursts i guess.

#the umbrella academy #tua #klaus hargreeves #allison hargreeves #viktor hargreeves #luther hargreeves #ben hargreeves #diego hargreeves #five hargreeves #lila pitts #umbrella academy

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dreaminginthedeepsouth · 15 days

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Sign of the Day... in Greenwich Village...

(Mary Elaine LeBey)

* * * *

Kamala Harris meets the moment!

September 11, 2024

Robert B. Hubbell

Kamala Harris’s debate performance exceeded the unfair and asymmetrical expectations imposed on her by the press and pundits. She was terrific—in command of the facts, unfazed by Trump's bluster, personable, sincere, and likable but strong. That is a difficult mix to maintain in the face of a torrent of lies shouted by a bully who could not be controlled by the moderators. For those who were worried about the possibility that Kamala Harris would somehow stumble and harm her electoral prospects, put those worries aside. The reverse happened. She soared while Trump collapsed into his hollow shell.

Kamala Harris was confident and at ease. Trump sputtered and dodged in a futile effort to avoid answering the moderators’ questions.

I was struck by judgments delivered during the debate by two preeminent historians. I follow both Heather Cox Richardson and Michael Beschloss on Twitter. Near the end of the debate, the historians posted the following comments, which encapsulated the debate for me:

Heather Cox Richardson: “Trump is proving world leaders like him by citing Viktor Orban. Dear heavens. She is walking him like a poodle.” Michael Beschlossos: “From start to end, Kamala Harris has just delivered what is easily one of the most successful Presidential debate performances in all of American history.”

First, I hope HCR writes a book or starts a rock band with the name, “Walking Him Like a Poodle.” HCR’s comment gets to the pith of the debate: Kamala Harris was in charge, leading Trump into traps he knew were traps but could not avoid. In the instance cited by HCR, VP Harris chided Trump, saying that world leaders laugh at him and military leaders believe he is a “disgrace.” Trump responded by citing Viktor Orbán as a leader who respects him. As HCR said, “Dear heavens.” Trump was outmatched and outclassed—bigly.

Michael Beschloss’s comment is significant because it ranks Harris’s performance in the historical context of presidential debates. The precise ranking of her performance matters less than the fact it will be near the top, according to one of the nation’s preeminent historians.

There is too much to cover in tonight’s newsletter, so I will focus on the major newsworthy positions revealed in the debate. I will return later in the week to additional subjects when transcripts and analyses are available. Of note:

Harris presented herself as a candidate offering “generational change.”

Harris advocated for the middle class and small businesses.

Harris promised to sign a bill enacting the protections of Roe v. Wade.

Harris promised to sign the border bill that Trump convinced Republicans to kill.

Harris promised to reinstitute the child tax credit and institute a $6,000 credit for families with newborns

Trump refused to acknowledge that he lost the 2020 election.

Trump refused to express any regret for anything he did or failed to do regarding the January 6 insurrection.

Trump refused to say whether he would veto a national abortion ban.

Trump repeatedly claimed that Democrats advocate for the execution of babies after birth.

Trump refused to say why he urged Republicans to defeat the border bill.

Trump claimed that tariffs are “taxes on foreign nations.”

Trump refused to say whether he hoped Ukraine would defeat Russia war of aggression.

Trump said he didn’t have a plan for healthcare after nine years but has only “concepts for a plan.”

Trump repeated a racist slur that Haitian migrants are stealing and eating pets them in Springfield, Ohio.

No one who watched the debate could believe anything other than the fact that Kamala Harris is smart, capable, and up to the challenge of serving as president and commander-in-chief. Moreover, the debate served as a hyper-charged “media interview”—complete with hostile questions and an obnoxious heckler.

One of the first commentators to publish a review of the debate is David Frum in The Atlantic, How Harris Roped a Dope | She stayed human when Trump went feral. Per Frum,

Vice President Kamala Harris walked onto the ABC News debate stage with a mission: trigger a Trump meltdown. She succeeded. Former President Donald Trump had a mission too: control yourself. He failed. Trump lost his cool over and over. Goaded by predictable provocations, he succumbed again and again. Trump was pushed into broken-sentence monologues—and even an all-out attack on the 2020 election outcome. He repeated crazy stories about immigrants eating cats and dogs, and was backward-looking, personal, emotional, defensive, and frequently incomprehensible.

One final note: During the debate, I received outraged emails from readers about the moderators' failure to control Trump or treat Kamala Harris fairly. While true, let’s not make the debate about the moderators. That is what Republicans are doing tonight—to avoid talking about Trump's meltdown. Let’s focus on Kamala Harris’s ability to show Americans that she is up to the job of being president. That’s the story; let’s not bury the lead.

[Robert B. Hubbell Newsletter]

#debate #Kamala Harris #Robert b. Hubbell Newsletter #facts

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cjrae · 6 months

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Stunted Love. Or: The Theme of MaoMao's little finger.

Maomao's little finger is a recurring motif in the Apothecary Diaries, and it receives even more emphasis in the anime's first season - it represents her belief that romantic love leads to pain and destruction. Spoilers primarily for the anime, but also the epilogue of light novel four and Chapter 15 of light novel six below.

Love In A Cage

The motif is first introduced in "The Unsettling Matter of the Spirit" - Concubine Fuyou's story. Maomao has already noted the parallels between the red light district and the Inner Palace, but here we see what happens when romantic love is introduced into the mix. On paper, Concubine Fuyou is a literal object of pity. Her personhood is being gifted to an officer who recently distinguished himself on the front lines, discarded after having failed to please the Emperor. It's telling that this is one of the first times we see Jinshi interacting with a consort where he is completely serious, without bringing his charm to bear. We never hear him say anything, but it's clear that he's communicating the Emperor's order with respect and understanding the gravity of the consequences for Fuyou.

As the events of the episode unfold, the parallels between courtesans and consorts get stronger as Maomao introduces the concept of having a contract bought out - if a man wants a courtesan enough, she is also an object to be purchased, albeit at potentially astronomical price. At first glance, it would seem like these women have absolutely no power in these scenarios - but by the end of the episode, Maomao shows us the feminine side of this transaction - how a woman can manipulate the system she is trapped by in order to get what she wants. All she has to do is lower her value - a rather counterintuitive measure that can go horribly wrong all too easily, as we see later.

And what Concubine Fuyou wants is to escape the Inner Palace to be with the man she loves - a task that she succeeds at. She has played a long, patient game in the service of freedom. Trapped in the cage of the Inner Palace herself, Maomao holds her scarred finger against the freedom of the sky and wonders what kind of medicine love would make.

Devotion

We see further flashbacks to Maomao's past through multiple episodes, but the next time the concept of love is brought up is when Fengming is confessing her role in the death of Consort Ah-Duo's baby in "Honey" (episode 11). Maomao is brought up short by Fengming's confession - she flat out says to the audience that she's never loved anyone with that depth of devotion Fengming displays toward Ah-Duo, so she doesn't know how Fengming feels. But if she doesn't have empathy to offer, she does have a rough kindness. Another person might have said that Ah-Duo deserved to know why her son died, that the knowledge might have provided closure. Maomao, however, believes that knowing the baby's cause of death would only cause more pain (it's never the crime and always about the cover-up) without providing any actual benefit.

With these two episodes framing her early character development we see that, whatever Maomao's natural inclinations are (and I will leave discussion of neuro divergency to those better qualified to discuss it), there is a certain distance between Maomao and her emotions most of the time. It is implied that this distancing from her emotions is a trauma response as the image of a woman holding a knife above her head while kneeling on a bed is shown but not explained (it is the only recurring image during the montage before the discussion about her potential execution with Jinshi).

Lakan and Fengxian

In "Lakan" (episode 18) the motif begins recurring more often as Maomao's parentage is revealed. We've caught glimpses of the sick woman in the annex before, but as the camera pans over the bed, it's clear that this is Maomao's mother (as always in anime, the hair is a dead giveaway). We've seen Maomao in this room, always curled in a fetal position, staring with blank eyes, but here we see Maomao actually caring for a woman who she describes as driving her out over and over again. The camera's focus is on Maomao's eyes as she watches her mother continuing to deteriorate - they're blank yet again, echoing her earlier line of "This is stupid. She's gone."

This is not the look of a girl who genuinely doesn't care about her mother. The image of her mother with the knife upraised is straight out of recurring nightmares that wake her gasping with terror and continue to haunt her after she's returned to work. While there is no AFFECTION involved, there are certainly very strong emotions here. Later, in the bath with Meimei, Maomao wonders if Meimei's in love - and immediately shies away from the thought, insisting that "love is an emotion I'm sure I left behind in the womb."

Interestingly, this is immediately belied as the Three Princesses (the women who took on the maternal role that her mother discarded) begin to pamper Maomao in the bath, and she relaxes into their touch, flushed with belonging and pleasure at their attention.

Confrontation

In "Blue Roses," (episode 22), everything has built to a head. By hiding Maomao back into the Rear Palace, Jinshi is acting as her shield - and Lakan responds with a power play. Both he and Jinshi are aware that Lakan knows his true identity, so Lakan provokes Jinshi with a political test. "Nothing is impossible" for a man with Jinshi's power - so providing some blue roses at a garden party in early spring should be simple, right? It's a near impossible task and Lakan knows it - even if Jinshi were to figure out how to dye the roses to be the appropriate color, they're still out of season.

Up until now, Maomao's response to Lakan has been to hide. But, with Jinshi's reputation on the line and seeing how worn out he is, Maomao has finally had enough. So she takes Lakan's challenge on and, while she's in the process of growing the hothouse roses so that Jinshi can best Lakan, she diverts unwanted attention from the Crystal Palace's handmaidens by showing Xiaolan how to do a manicure - something that draws attention to the deformed pinky on her hand and changes her perspective of the damage to the finger.

The art should be paid attention to here - we see close up shots of two other people's hands after having the manicure done - Xiaolan and Consort Lihua. In both of these shots, there's some subtle detail paid to their little fingers as well - Xiaolan's is ever so slightly crooked rather than perfectly straight, while Lihua flexes her fingers so that the pinky is extended as she looks at her hands. In the next shot, Maomao has done her nails as well - and when Jinshi draws attention to the fact that he's surprised she would do her nails (like Hongiang, Maomao usually prefers work over fashion), she looks at the finger and remarks that, even though her little finger is twisted and scarred, it looks better than it did before - an acknowledgement that the finger is not actually a hindrance, but a piece of her identity.

Healing

Giving Lakan the opportunity to finally do right by Fengxian is the most grace and forgiveness that Maomao can extend to either of her parents. Their romantic love is certainly sympathetic to an outsider, but Maomao was shaped by the consequences. Lakan's carelessness and Fengxian's willingness to break the rules of the pleasure district in order to deliberately lower her value so that she could be with the man she loved, is the guiding cautionary tale of her life.

But Maomao has also grown over the season. She is neither the terrified little girl, abandoned by mother and father alike (however unintentionally on Lakan's part) nor a teenager full of fear fueled rage at Lakan's persistence. She is Luomen's daughter and proud of that fact - she has found her family and a place in the world. It is with that more adult understanding of the world around her that she dances atop the wall of the Rear Palace, giving her parents the only thing she can, which is her blessing and best wishes for their short future, as she sends her mother off.

Sure enough, who is watching her as she takes a step toward a more mature identity but Jinshi? Other characters have provided a shield between Maomao and Lakan - Verdigris' madam, Meimei and even Luomen. But it is on Jinshi's behalf that Maomao decided to face Lakan herself. She loves her adoptive dad and granny and sisters with all the affection she never received from Fengxian, but Maomao's actions have always spoken much louder than her words - Jinshi protected her and she, in turn, chose to face her childhood bogeyman to help him.

Is it stating the obvious that Maomao tripping and Jinshi catching her is an obvious metaphor for falling in love?

As she dances on the wall, we see the two seemingly disparate sides of her identity coalesce into a whole. The moment she lets down her hair is a uniquely Japanese moment of eroticism (this is why maiko and geisha use the oshiroi that bare the nape of their necks), even as she's also deliberately reapplied her freckles.

The moment she realizes that Jinshi truly sees all of her in a uniquely emotional moment, she trips and is made terrifyingly vulnerable as she nearly goes over the edge - only to be caught safely in Jinshi's arms.

Safely back atop the wall, the little finger comes up one more time - except that this time, instead of looking at the damage inflicted and seeing the scar, Maomao looks at her pinky and shows it to Jinshi, telling him what sounds like a strangely gruesome medical fact. That a fingertip can regrow if cut off. For all the trauma that her biological parents caused her, for all that her pinky will be scarred for the rest of her life, the wound did heal. Maomao has healed - she is capable of friendship, loyalty and love that can inspire devotion - even if she rarely displays open affection.

Love Creates Fear

This motif comes back again, at the end of light novel 4 (what will be the end of Season 2, if the studio continues to stick to two light novels a season for pacing, which I expect they will). Jinshi has officially cast aside his cover as a eunuch and stepped into the political limelight as the Imperial Brother. Maomao, as a result of their adventures, has returned home, to her apothecary shop and, as she works she thinks about how everything has changed.

"Jinshi must have finally gone back to being whoever he really was. Maomao didn't know his real name: she couldn't have used it even if she did. The worlds they lived in were simply too different…Anyway, now that Jinshi was no longer a eunuch, he couldn't get away with keeping some lowborn girl around him…So it was for the best, really, that Maomao had come back to the apothecary's shop in the pleasure district."

As Maomao ruminates to herself about how she will never see Jinshi again, she retreats to what she knows best - medicine. She's got her emotions under lock and key and she's begun experimenting, working on creating a more potent painkiller. However, her pain tolerance is too high to work with her previous methods.

Or, to lay the metaphor bare, Maomao has dealt with abandonment before, but not like this. Her usual methods aren't working - so it's time to up the ante. What she does next is extremely telling.

"'Got to cut deeper if I want to be sure'. Maomao looked at her left hand, then tied some string firmly around her pinky. She stood and took a small knife from a cabinet. 'Here goes!'

Just as she was about to bring the knife down, a beautiful voice interrupted her: 'WHAT are you doing?'

Without a word, she turned to see a man in an unusual mask standing in the entryway of the shop…'Done with all your work?' Maomao asked, undoing the string around her finger and putting the knife back in the cabinet."

The thought that she and Jinshi are now living in such different worlds that they will never see each other again is painful enough that cutting her finger off in a thinly justified experiment is preferable to feeling her own emotions. What Maomao wants in this moment is a return to the emotional numbness of the past - only this time, she will do the damage herself.

But Jinshi is not Lakan and abandoning Maomao for any reason is simply not an option. Just as he caught her on the wall, Jinshi catches her again. A prince is standing in an apothecary shop on the edges of the red-light district, a place where he should not be - except for the fact that it's where Maomao is.

Connection and Communication

Finally, as a callback toward the end of light novel six, Jinshi and Maomao are beginning to reconnect after Jinshi screwed up and lost a lot of emotional ground in light novel five's epilogue, and he does the following.

"She reached out for the package, which Jinshi had put behind his back, but he planted a palm on her belly to keep her from sitting up and she couldn't reach it. She kicked her legs from sheer frustration and this time he grabbed her ankle. She was just trying to decide what he might be planning when he brushed the tip of his pinky finger along the back of her foot.

'Hrk?!' Maomao choked, squirming...The back of her foot, and her back as well, were hopelessly vulnerable to a gentle brush of the fingers.

'M-Master Jinshi...That's...not...fair!'"

While Jinshi is still the instigator in this scene, this is the the first instance of romantic and sexual contact that Maomao accepts, eventually bursting out laughing - and when he gets that laughter, Jinshi also immediately backs off, accepting that he has pushed her as far as she can go right now. But that first contact was via that tiny fingertip representing love.

His hard-learned patience is rewarded when Maomao is finally willing to speak to Jinshi about how she's feeling about his desire to marry her, first obliquely as they discuss the plot of a very familiar tragic romance, before she addresses the issue directly.

"Instead of answering, she murmured, 'I don't want to be an enemy.' Jinshi gave her a sidelong look as if to ask whose enemy she meant. 'To Empress Gyokuyou,' she said.

Would Jinshi understand what she was saying? If not, that was fine, Maomao thought. There were things even he didn't know.

'You - '

He seemed about to ask her something else when a horse whinnied outside..."

Maomao may be hesitant, she may feel very confused, but she finally gives Jinshi something to work with here - communicating to him not that she simply doesn't care about him that way, but that she has a very real, concrete fear about what a romantic relationship with him would mean, not only for them, but for everyone else around them.

That's a lot to balance on the tip of a pinky.

#kusuriya no hitorigoto #the apothecary diaries #maomao #character analysis #jinshi and maomao #jinshi x maomao #jinshi #long text post #apothecary diaries meta #jinmao

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teeth-cable · 7 months

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This is what I mean when I say they did Niffty so dirty because where are any of the dark concepts in these pictures???????????

This is what drives me up a wall. Viv creates interesting characters ideas but for some reason, she never utilizes them and when she does, it’s usually executed poorly.

Niffty was a Japanese (maybe American) housewife in the 1950s. She stalks people, she is hopeless in her romantic life, she has a fixation on men to the point she will randomly starts crushing on them because of it, she represses her dark past which sometimes shows through the cracks of her demeanor, she’s dumb and Alastor is aware of it. The opportunities were endless, but no, she’s just the random creepy funny quirky girl with no explanation, are you kidding me?

I don’t care that Season 2 is the season we will learn about their backstories because they decided speedrun the Heaven corruption arc, when originally the show was supposed to be about the HOTEL and it’s INHABITANTS. The Heaven arc fails in so many aspects, one of them being the stakes. The emotional and in shows stakes only works if the viewers are invested in Charlie’s reaction, but why should we be? The cast gets little to no development, they aren’t trying to actively improve themselves nor do they care about going to Heaven, the sinners like being bad (Even Lucifer is confused why Charlie cares for the sinners), and we don’t even get hints to their human backstories to explain why they’re as messed up as they are, so what pity points/emotional care the audience could have is wasted. Plus Season 1, they technically did have deep and dark concepts and scenes for almost every character so there’s no reason why Niffty couldn’t have one scene that implying something somber.

#꧁rambles꧂#hazbin hotel critical #hazbin hotel criticism #hazbin critical #hazbin hotel #niffty

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tocomplainfriend · 8 months

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SEE!? THEY DON'T CARE!

TW: Rape, SA, Homophobia, Misogyny, Misandry

The specific censored word with "-", it's for my own reasons and comfort. It's not censored up and in tags due to filtering! Sorry if I made mistakes like forgetting of filtering or similar, I haven't used tumblr much before!

THIS IS A R-PE JOKE! THAT'S WHAT I HAVE BEEN FUCKING SAYING! ONE OF MY BIGGEST PROBLEMS WITH EPISODE 4 IS THE FACT OF "we want to write an empowering story about men getting sexually assaulted. Men victim don't get that attentio-" BITCH, YOU MADE MANY R-PE AND SA JOKES ALL THE FUCKING WAY THROUGH HELLUVA AND KNOW HAZBIN! You are the one making fun of scenarios where your male characters get assaulted or r-ped.

HOW TF DO YOU PRETEND TO BE SOOO ABOVE PEOPLE (INCLUDING VICTIMS OF SA AND R-PE) THAT'S EXPRESSED HOW THEY FELT ON THE EXECUTIONS AND WHO WORKED IN EPISODE 4. WHEN YOU YOURSELF MAKE JOKES ABOUT IT????? For some context, Sir Pent is trying to get with Cherri, but always deflects first in case she rejects him. He offers her a drink, but immediately says it's because he'll buy a drink for everyone on the club. Then he asks Cherri if they can have sex- and deflects back (a repetition joke) "Because I'll have sex with everyone here". Then he gets dragged into a room by other people, yelling wait and no! And the door closes as you heard him scream.

Out of context in the screenshot, you might even think it might be a serious scene where something happens to Pentious. BUT NO! IT'S BRUSHED OVER REAL FAST AND PLAYED AS "HAHA SOMETHING BAD HAPPEN TO SIR PENTIOUS AGAIN LMAOO"- it's the punchline.

Then at the end of the episode he gets out asking "Where is Cherri" (who btw is having sex with a random guy).

And please don't say "Well, he asked for it"- you know how you sound. The whole point of the joke is that he is trying to get with Cherri and failing astronomically. The point here is that he really doesn't want to have sex with a bunch of random people, but he has to do it because he is getting dragged into a room. (Again, Pentious is like Moxxie Their joke it's getting trashed and bullied by the world or people around them).

You made a whole episode about dealing with a male character's sexual assault, abuse or r-pe. Saying how much you respect victims, and your episode, it's just perfect about the topic. BlaBlaBla- no, you don't. You made all this jokes since HB season 1. This new joke was episode 6 of HH. You never acknowledge power dynamics, or coercion. You never acknowledge anything bad in your show.

Remember, as much as this shows go for LGBTQ+ representation and Queer media. As a ""Female lead show"". This jokes link back (not only to making fun of SA and R-pe itself, but to) homophobia and Misogyny. A scenario of where a man gets SA'ed or r-ped by another man or woman- leads to a scenario where the character is made fun of for not being "masculine enough" for being a victim or for not being able to defend themselves. In a scenario where this happens by a man to man, "It's funny because the victim is viewed as gay. As less masculine = gay and that's bad cause gay = weak and feminine and the idea of feminine = weak".

(There are a few jokes here and there, like Blitzo touching Moxxie's dick after making fun of him for having a baby penis.)

If you didn't notice, Moxxie gets attacked by multiple succubus, and that's apparently funny. KEEP IN MIND is not basic physical violence-no he comes out with lipstick kisses marks, the sounds effects are (ugh)... and Blitz tells him "Don't let them access any of your holes". In other concepts, I want to point out that the times when Moxxie is viewed as a bottom or feminine- he is made fun of. When Millie pegs him, he is made fun of because he is the man of the relationship, being implied as the bottom. When he wears the outfit of unhappy campers, he is extra objectified or made fun of even more than in any other episodes. He is also forcefully put on a dress in his wedding.

He is made fun of for being SA'ed for being uncomfortable scenarios:

These aren't jokes made by characters that "are bad because they are from hell". These are scripted jokes written by a person searching for the audience to laugh.

AND the reason why many audiences accept this jokes or even find them funny is because of some of these views (internalized or not) above. You'll also notice how all these jokes are directed at men (if you find an R-pe or SA joke directed at a woman in this two show, say something about it! POINT IT OUT!). People accept and write these jokes more because they care less about the idea of a man being a victim of such situation. More often than not- in the present, a woman getting assaulted or anything similar in any media gets noticed and called out. THESE JOKES OR THE NORMALIZATION OF SEXUAL HARASSMENT, ASSAULT, COERCION, OR SIMILAR TOWARDS WOMAN STILL HAPPENS!!!! There is an idea that men just tend to just want sex all times at any time. -And that a man getting SA'ed or r-ped by a woman it's just sex, cause "Why wouldn't you like free pussy". When it's a gay perpetrator is viewed as funny cause "that makes you gay or a woman" and that's apparently hilarious. Men can be r-ped no matter what. Men can be targets of all of these acts.

Remember that all the scenes of sexual abuse, harassment and r-pe in Poison are directed by the R2. Who, once again, is into r-pe porn- and they themselves said they are not an SA victim either. So remember, not even a victim trying to cope with their own R-pe or SA. This person draws and ships "R-pe ships", and tags it as "naughty men uwu" bullshit. Also, a person so obsessed with the character of Angel that they changed their name to Tony (Angel's real human name), make themselves look like him, and become a sex worker like Angel. They themselves looked at a comic of Val threatening r-pe and abuse on Angel as "thank good you have balls to draw something mean with these too, I was so bored" ???? (this stuff is in:) and cosplay and take photos of your Val x Angel ship

Congrats if you as a victim yourself thought that the scene with Angel was good. If it helped you be and feel seen. But remember the rest of the show, the hypocritical writers, don't care enough to view it as a serious topic to not joke about. Both HB and HH written by the same people (as in Vivziepop), take their sweet time to turn these topics into jokes.

What pisses off more, it's the trying to make yourself be viewed as a sensitive person about such topic. Make it seem like you are a savior for writing about it in such "serious, powerful and not sugar coded" way. But then you drop that on the fucking ground to make a joke about it when you are tired of pretending you are so good. If you were so informed of SA and r-pe, you wouldn't be making these jokes. If you knew how much SA male victims struggle to get viewed as serious or their stories taken into account-you wouldn't be this shitty.

God, you are so proud of the joke too.

My poor snake guy... one of the few characters that I like-

#vivziepop critique #vivziepop critical #helluva boss critique #helluva boss criticism #helluva boss critical #hazbin hotel critical #hazbin hotel criticism #hazbin hotel critique #anti vivziepop #tw sa #cw abuse #spindlehorse criticism #tw rape

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cloudycera · 9 months

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I’m thinking about how Martian man hunter or someone might try to get into Captain Marvel’s head and is just hit in the face with 6 guys on one side ignoring their existence and a teenager on the other side giving them the chills cause he’s just smiling at them before they get kicked out.

Mind reading might work but pulling memories or mind control just doesn’t work on him.

Bruce has concocted the perfect Psychological profile for him, “Don’t be fooled by his aloofness”, he looks carefree but is always watching his back and seems confused by half the plans the Bat gives him but he never fails to execute them. He’s good at reading people and always knows how to lighten the mood, he’s friendly but few know him well enough to call him a friend.

He’s the idle Partner, someone you can always work with and count on but outside of that you never know what’s going on in his head.

I like how he’s written nowadays, he’s still a kid but he doesn’t shy away from taking on an ungodly amount of responsibility no matter what but it’s so funny that he does it in a way no one can stop him.

In Titans he just says “Bye guys I’m trapping myself in the very concept of magic for maybe eternity cause things are screwy and no one questions it.”

Told Mary she was Shazam now have fun but even in giving her the mantle he still took on 90% of the stress cause even though he understands that he doesn’t need to do it alone and can rely on others he’d rather disappear forever than put his friends and family in harms way.

Billy Batson has extreme mental fortitude, which sounds great but it’s like having extreme pain tolerance, yeah you can live through the pain but you just ignore how bad it’s gotten cause “It doesn’t hurt that much”.

Teehee

#billy batson #dc dcomics #dc heroes #justice league #shazam #captain marvel

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cinnamostar · 10 months

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01: self-fulfilling prophecy

part two.

pairing : jisung x gn!reader

summary : han jisung, the man who is incapable of maintaining a relationship for more than a few months. han jisung, the man who is in complete denial that maybe he is the problem. han jisung, the man who has convinced himself he isn’t meant for love.

wc : 8.5k

cw : not proof read, nonidol!au, alcohol/drinking, sadness, angst, arguing, cursing, some cute stuff. plz let me know if i missed anything.

a/n : likes, reblogs, and feedback is much appreciated!! not too confident on this one because idk, i feel like the dialogue isn’t well executed, but let me know what you think. please enjoy!

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Jisung didn’t exactly have the best track record when it came to romance. He never did anything exceedingly horrendous, he always remained faithful in each relationship he had, but they never lasted long. He simply didn’t know how to be a good partner, always too focused on his own needs to the point that his selfishness turned into emotional neglect for the other.

It’s not that he didn’t like the people he dated. He genuinely adored them for who they were, yet he always found himself heartbroken and confused at the end of each relationship when they would all voice the same exact reasonings on why they were ending it.

“I just don’t feel like you care about my feelings.”

“It feels like you don’t even like me enough to put in the effort to make this work.”

“I don’t feel like a priority in your life.”

“I swear you forget we’re even in a relationship.”

“You’re too focused on yourself and everything else to even make time for me.”

Like clockwork, a few months would pass by and his partner would sit him down for the break up talk. It was exhausting. He was clueless, not having any idea what he was doing so wrong even though he would always receive a list of reasons each time. In his eyes, he was doing the best he could, but perhaps his best was not enough.

Of course he cared for their feelings! Of course he liked them, he could’ve sworn he was doing his damnedest. Not a priority? That was ridiculous, he always made time to spend with his partner during the week despite his busy schedule. Forget? Nonsense! Too focused on himself? Well, of course he was focused on pursuing his music career which required long hours at the studio, why would he want to be with someone who didn’t support his endeavors? They knew what they were getting into when they met him!

It made zero sense to Jisung. At some point, he had given up on love altogether. Maybe he just wasn’t meant for it, maybe relationships were just not his thing. Clearly, he was doing something wrong and he decided that maybe hook up culture was just where he belonged.

What Jisung failed to realize was that he was forcing his own ideals of a relationship onto his partners. The idea that people had different needs and perceptions on how relationships should function never dawned on him. He never thought to consider what the other person wanted and had simply assumed they would be content with whatever he had to offer.

He forgot that some people needed more reassurance. He forgot some people wanted to go on actual dates, not everyone considered a night in a date, especially if every date was a night in. He forgot that some people didn’t just want to sit in a room with him while he was on his phone or working on his next project. Sometimes people wanted his undivided attention. Sometimes people wanted to be able to hold a conversation with him. Sometimes people needed more communication because quite frankly, three texts a day didn’t quite cut it for most people.

Yet, Jisung was too absorbed in his own world and his passions to even begin to understand that concept. He absolutely refused to believe he was doing something wrong and that he was just dating the wrong people this whole time. He just hadn’t found the one, right?

Despite that foolish belief he stubbornly held onto, it didn’t mean each instance didn’t take a hit on his ego. After the many failed relationships he had been through, the fear of inadequacy and insecurity began to creep into his mind. Was he not worthy of love? Was he incapable of forming a healthy relationship? Was something wrong with him?

He felt that he had so much love to offer in his heart, but he had no idea what it took to be a good partner. He was too tunnel visioned on producing and music to realize that sometimes, love and relationships required a bit of sacrifice, and that was something he refused to do.

Yet, Jisung wanted to fall in love. Like any other human on earth, he craved to love and be loved, to be understood wordlessly by someone else, but it seemed like love didn’t welcome him with open arms. He desperately wanted to feel like he was needed and wanted, to feel the bubbling shyness and giddiness that only love could give him, but somehow, it seemed that he was the victim of a paradox. Love hated him.

However, Jisung had resigned and accepted defeat. He wasn’t cut out for it. Besides, it’s not like anyone would even bother to give him a chance anymore. After a few failed relationships, people were quick to label him as ‘trash’ and a terrible boyfriend, only good for fun, but definitely nothing more. It was almost as if he had a permanent warning label above his head that scared off anyone who had any remote interest in him.

People talked. And if anyone so much expressed any interest in him, someone would leap in to rescue them from a foreseeable heartbreak, telling them he was no good and a waste of time. Oh, but if you wanted a few nights of fun and to just fool around, he was perfect for that, but never, and absolutely under no circumstances, was he someone to settle down with.

He was the only one to blame for his infamy in the dating scene, but Jisung was suffering from a case of extreme delusion and oblivion. Maybe one day he would lose that self-centered immaturity and have a much needed epiphany, but that day seemed far off in the future.

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For the past week, Jisung had holed himself in his studio, insistent on perfecting his latest track by some arbitrary deadline he had set for himself. This was a regular occurrence that his friends had gotten used to. They would be more surprised if this didn’t happen, but this also meant that they had to pay a visit to his studio every few days and force him to take a break for the sake of his mental and physical health.

Today was one of those days in which Minho came knocking at his door after unlocking the door with the passcode Jisung had given him long ago, reminding him to come by his place later that night for a small party to celebrate his dance troop’s recent competition win. While Jisung was proud of this achievement, part of him felt a tad bit annoyed that he had to interrupt his work schedule for someone else, but Minho was one of his best friends, he at the very least should show up for a bit. He could stay for an hour or two, and hopefully by then everyone would be a little too drunk to notice he had escaped back to his studio.

Jisung sighed as he begrudgingly made his way to Minho’s apartment, dreading the amount of people he would have to socialize with tonight. He was relieved to know that a few familiar faces would be there, such as Hyunjin and Felix, who were also part of the troop, but the team had also gone through auditions recently, meaning there would be people he would have to meet for the first time.

He wasn’t one for befriending strangers, as oftentimes, many of them had a negative impression of him due to his dating history. He hated how every time he introduced himself, as soon as the words “Han Jisung” left his mouth, people’s faces would drop into an unreadable expression, almost as if they were disappointed to finally meet the man who was rumored to be complete and utter trash. It was anxiety-inducing and turned him off from seeking out new friendships because everyone would always say “Oh! Did you used to date my friend?” And at that moment, he knew it was over. They hated him before they even got to know him. As a result, Jisung always felt apprehensive when it came to meeting new people and he much preferred sticking with his small circle of friends.

As Jisung arrived at the front steps of Minho’s apartment, he felt his shoulders tense up with trepidation as he subconsciously bit the inside of his cheek. The party had already started with the music blaring throughout the building, the lights dimmed with colorful LEDs visible from the window. A chorus of joyful cheers followed by the clinking of shot glasses and laughter could be heard from outside, signaling that the party was already in full swing. Jisung let out an uneasy groan, unprepared for what the night would bring, but reassured himself knowing that he only needed to stay for at least an hour before he could retreat back to the safe haven known as his studio.

After a sharp inhale, Jisung put on a fake smile as he opened the door, instantly greeted by a drunken Changbin who was double fisting two beers, wearing a toothy smile.

“Jisung! You made it!”

The last thing Jisung wanted tonight was to be put in the spotlight, which Changbin just unknowingly thrust him into with no warning. Others nearby turned their attention to the front door, some choosing to ignore Jisung’s presence to continue their conversations while others politely waved or called out a quick hello.

Minho shortly appeared in Jisung’s vision, grinning from ear to ear as he pulled him into a one-armed hug, “Glad you showed up, I was worried you forgot!” An airy chuckle escaped Minho as Jisung gasped, feigning a look of betrayal while playfully shoving Minho’s shoulder, “How dare you think I’d forget my best friend’s party? I would never!”

Minho rolled his eyes at Jisung’s gesture before dragging him by his wrist. “Whatever you say, but c’mon! I want you to meet our new members. Plus, you look a little too stiff for my liking,so let's get some drinks in ya first.”

Suddenly, shot glasses filled with tequila were shoved into Jisung’s hand as people egged him on to down them, chasing the two shots with lime and salt to cut through the harshness of the alcohol. A familiar buzz took over his senses, his head feeling lighter than usual as a lopsided smile appeared on his face while the nervousness he felt earlier quickly dissipated.

The bit of liquid courage energized Jisung enough to forget all the now seemingly silly concerns he had earlier as he jumped through the bunches of people, excitedly yapping away as he caught up with friends and introduced himself to new people. Each time he noticed someone cringing at the sound of his name or giving him a dirty look, he would promptly take another shot to rid himself of the anxiety he was feeling, hoping the alcohol would make him just unaware enough of any other glares he would receive from people that night.

Eventually, Jisung made his way to the loft upstairs to take a break from the hectic party below, already feeling a headache coming on. He stumbled his way to the couch, not paying much mind to his surroundings as he plopped himself onto the couch, immediately throwing his head back while shutting his eyes.

“Oh, he definitely overdid it again,” laughed Felix from the left of him, “How many shots did you take?”

Jisung waved his hand as if he was shooing Felix away while mumbling, “Don’t even ask.”

He heard an unfamiliar giggle erupt from the right side of him, causing him to sit straight up with his eyes wide, hastily snapping his head to see who the laugh belonged to, not expecting anyone other than his friends here.

He found himself staring into your eyes that were crinkled from laughing, a lax smile adorning your face as you brought up a hand to hide behind. Your laugh was rich and decadent, almost as sweet as chocolate, and your smile was so refreshing that it instantly roused him from his drunken state the moment his eyes landed on you.

Oh, shit, they’re cute.

Jisung’s inebriated state had caused him to lose all self-awareness because all he could do was gawk at you with enamored eyes, his lips slightly parted as he struggled to find the words to introduce himself. He felt his face flush from embarrassment when you returned his gaze while wearing an expectant expression, patiently waiting for him to finish his sentence.

“I- Oh, uhm, I…”

You had instantly captured his heart with the most saccharine smile he has ever seen and within a few seconds, Jisung was undeniably smitten, but he was also completely making a fool of himself within those same few seconds.

“Jesus christ, Jisung, how drunk are you?” howled Hyunjin, who had gotten up to lightly poke Jisung’s cheek, “Helloooo, earth to Jisung? Anyone home?”

“Dude… Close your mouth before you start drooling over there. I don’t think that’s an image you want Y/N to have during your first meeting,” Seungmin, who was sitting on the floor, mischievously sneered, quickly recognizing Jisung’s speechless state was caused by something more than just alcohol. Jisung shook his head side to side to wake himself from his lovestruck daze, clearing his throat in an attempt to cover up Seungmin’s comment.

“Mm, sorry! I just-,”

Oh, this is bad, he really is making this so much worse for himself. He was now regretting all the shots from earlier as he tripped over his words, his nerves not being of any help. He desperately was trying to say something sensible, but instead, all he could blurt out was,

“Jisung! I’m Jisung… yeah!”

Now it is a lot worse as Jisung cringed at how loud and annoying his voice was, everyone else also seemingly cowering from second hand embarrassment as they watched the scene unfold, but no one was able to peel their eyes away.

Like an angel sent from heaven, Felix decided to have mercy on the brown haired boy, peeking out from behind Jisung to meet your eyes at the other side of the couch. “Y/N, this is our friend Jisung! He makes music with Changbin and Chan. Jisung, this is Y/N. They’re one of our newest members on the team.” God, Jisung could kiss Felix right now from how relieved he was to have alleviated the awkward tension he had just created moments earlier.

You nodded, smiling at Jisung as your eyes lit up in realization, “Oh, Jisung? I’ve heard about you before.”

Ah, there it is. Of course! Of course you have and how stupid of him to think he’d be able to have an untarnished first impression with you and-

“Minho says so many good things about you! He even showed me some of your songs. You’re really talented at what you do, I definitely added a few to my playlist.”

Someone pinch Jisung right now because he must be dreaming, there’s absolutely no way. Is luck finally on his side? Has God finally decided to be oh-so-merciful today? He was on cloud nine as he relished in your compliments, savoring this moment because this may never happen again.

Jisung clicked his teeth as he waved both his hands in front of him with a flustered smile, “Oh, no, no, no, I am not that good! But thank you!” The alcohol was really doing a number on him as he slurred over each syllable, but thankfully he was coherent enough for everyone to understand what he said.

You let out a breathy laugh at his antics while standing from your seat, “Well, it's nice to finally put a face to the name, but I do have to go now, I have to be up early.”

Jisung deflated as everyone wished you good night, feeling disappointed how quickly your first meeting with him ended. Hyunjin stood up, offering to walk you out and once you were out of earshot, Jisung whipped his head to Felix.

“Felix… Who was that? How long have you been hiding them from me?”

Seungmin struggled to contain his laugh, earning a confused look from Jisung, “What are you laughing at?”

“Dude, you. You looked so stupid trying to talk to them.”

Jisung threw himself back into the couch, sinking into the cushions with an embarrassed groan, “Shut up, I know.”

Felix laughed, shooting Jisung a pitiful smile, “You’ve done worse, it’s fine. And no one was hiding them from you, you just never show up when we invite you anywhere. That is your own fault, not ours!” Jisung pouted, cursing himself mentally for rejecting all those plans.

“They’re cool, they’ve been on our team for a few months. Crazy good at dancing too, we are super lucky to have them.”

“Are they dating anyone?”

The room grew quiet at Jisung’s question as Seungmin and Felix looked at each other with uneasiness, unsure how to respond. Hyunjin had come back up the stairs after walking you to your car, just in time to hear Jisung. He let out a heavy sigh, alerting everyone of his presence.

“I… I think it's best if you just leave them alone, Jisung. They’re a really sweet person and you, well…”

“Me what? What do you mean?” Jisung furrowed his eyebrows at Hyunjin as the taller boy struggled to finish his thought.

“Just don’t think it’s a good idea.”

“Why?”

“Seriously, Jisung? I know you’re wasted right now, but don’t make me say it. You know exactly what I’m talking about.”

And he did, he knew that Hyunjin was referring to his dating history, but Jisung felt himself growing angry hearing his friend allude to him being a bad partner, suggesting he would hurt you.

“No, I want to hear you say it,” Jisung spat out, a scowl painted all over his face as he stared down Hyunjin with his arms crossed, who was still standing by the stairs. He felt himself become warm in frustration as all the insecurities he held close to his heart started to bubble up. Did his own friend’s think so poorly of him too?

Felix reached out to put a reassuring hand on Jisung’s shoulder, hoping to defuse the situation, “Let’s not do this right now. You’re still drunk, Jisung.” Jisung shook Felix’s hand off his shoulders, standing up while still glaring at Hyunjin with clenched fists.

“Say it.”

“Jisung-” warned Felix, but he was cut off by Seungmin.

“You’re a shit boyfriend, Jisung. We don’t need you hurting someone we’re friends with again.”

The room was silent as everyone now stared at Seungmin with wide eyes, startled at how blunt he was being. Jisung didn’t know what he was feeling as a flash of rage took over his body, but at the same time, he felt his heart drop hearing those words come out of his own friend’s mouth. It was now Hyunjin’s turn to butt in,

“Seungmin, stop-”

“No, he needs to hear it straight up. He fucking sucks and you all know I’m right. I’m tired of him acting like he isn’t the problem. Leave Y/N alone. They’re better off without you.”

Jisung felt hot tears well up in his eyes as he took in every one of Seungmin’s words, each casting daggers into his heart. His worst nightmares were coming true as he realized that it wasn’t just strangers and ex-lovers who viewed in such a negative light, but the people he trusted so much, his own friends, also thought the same of him. The fury laced in Seungmin’s voice cut Jisung deep as every syllable pushed him over the edge til Jisungfound himself falling into a pit of sadness and hurt, his stomach flipping onto itself on his way down.

Was he really that bad? Wait, no! How dare Seungmin say such a thing to him? What does Seungmin even know about Jisung’s past relationship? He was stepping out of line! The sadness instantly subsided, soon being replaced with a familiar feeling of denial and anger as Jisung stomped towards Seungmin, crouching down to meet him on the floor. Jisung sloppily grabbed Seungmin by the collar of his shirt, pulling him close to his face.

“What the fuck did you just say? Take it back right fucking now,” growled Jisung, venom dropping down from each word.

Seungmin rolled his eyes, pushing the drunken boy off him who stumbled backwards, “See, this right here is your problem. You can’t even begin to accept that you’re in the wrong.” Seungmin stood up, now looking down at Jisung who still hadn’t regained his balance. He took in an exasperated inhale, a subdued smile replacing the vexed look he just had as he softened his tone, “Look, Jisung. I love and care for you, but I cannot turn a blind eye and let you hurt someone else. I mean it. Leave them alone.” With that, Seungmin made his way to the stairs, wanting nothing more than to get away from Jisung at that moment before he said something he’d later regret.

Jisung remained seated on the floor as he was processing the words and emotions that were rushing in all at once, his drunken brain unsure how to handle all the information he was just fed. He laid his head into his hands as his brain echoed Seungmin’s words again and again.

Jisung felt his breath get caught in his throat as he hiccuped a quiet sob, his body starting to tremble as the tears he was holding back for so long finally fell. His body collapsed onto itself as his heart stuttered in his chest, his lungs burning from the lack of air as he continued to inconsolably weep, struggling to breathe between his cries.

Maybe he is as bad as everyone said he was.

┈ ✁✃✁✃✁✃✁✃✁✁✃✁✃✁✃✁✃✁ ┈

A few weeks had gone by since Jisung and Seungmin’s argument at the party, but the tension between the two boys didn’t last long as Seungmin showed up to Jisung’s apartment the very next day with a bowl of soup for his hangover and an apology, which Jisung graciously accepted, neither wanting to be upset at each other any longer.

Despite that, the words Seungmin had said never left Jisung, leaving a permanent scar on his brain as he constantly recalled the moment. The words painfully rang through his ears as a ball of shame and misery formed in his stomach while he reminisced about his past relationships, trying to figure out what he did so wrong.

Jisung felt horrible as he carried this weight of guilt on his shoulders as he wondered how his actions had hurt others and how he had remained oblivious for so long. All the insecurities and fears he had about himself were true at the end. Everyone around him was in agreement that he was the issue and he was the one behaving so selfishly in every relationship. He could understand that and he knew if his friend’s felt that way, it had to be the truth, but he was still struggling to identify what exactly about him and his behavior was so bad.

Sure, he could reach out and ask his friends to help see what he was missing, but he was too afraid to face the reality of the situation, not ready to take another brutal beating of words. He was terrified to hear the truth, but he knew the same conclusion he came to long ago remained true. Love was just not for him, it didn’t want him the same way he did.

Everyone had taken note of Jisung’s downtrodden mood and thought he had just needed a few days to collect himself, but once everyone realized more time had passed and that he didn’t even have the will to attend a recording session with Chan and Changbin, everyone went into crisis mode. So, over the last few weeks, someone would show up to Jisung’s house to check in on him and either spend a few hours with him at home, or forcefully drag him out the house to spend time with the group, insisting it would help him feel better.

Each time someone had forced him out, he would be huffing and sulking like a grumpy toddler throwing a tantrum, but as soon as he got there, he would be as cheery as ever and would end the day feeling a lot better. He hated how right his friends were, but he was always thankful for every time they dragged him out despite his whiny and bratty attitude.

However, there was another mental battle Jisung was fighting that everyone was unaware of, or so he thought, and he was definitely not coming out of it as a winner. Unfortunately for Jisung, since the time you joined Minho’s dance team, you had hit it off so well with the rest of the group that you were there almost every time Jisung joined you guys on an outing. And each day he spent with you, he found himself falling more and more for you.

He was really trying to stop himself, as he took Seungmin’s words to heart and imagined that sentiment was shared with everyone else, but this task was becoming an impossible one for Jisung to tackle!

It was weird. Every time he’d get invited out, Jisung would dread seeing you because he knew he was doomed to a hopeless, unrequited love with you, but if you weren’t there, he would be so disappointed and would find himself wanting to go home sooner. He wanted to stay as far away from you as possible, but something about you drew him in and he couldn’t resist and now here he is, finding himself in a friendship with you that he could not escape.

It’s not that he didn't want to be friends with you, if anything he loved the friendship you two had grown in such a short time and how quickly he became fond of you. You were incredibly sweet to Jisung, constantly showing your consideration for him everyday in new ways. If he ever felt anxious or out of place, you were the first to take notice and offer to get him out of whatever stuffy social situation he was in and stay with him til he was ready to join the others again. If he had decided to stay in that day, you’d send him a message letting know he was missed and hoped to see him the next time. There was even a time where he was too sick to leave the house, and much to his surprise, he found you and Minho at his front door steps with food and medicine.

Somehow, unlike everyone else before you, you had shown him a special kind of unwavering kindness and didn’t judge him for his past. For the first time in years, he finally felt safe and unconditionally loved in a friendship that wasn’t one of the boys. That was enough for Jisung to know that you were someone he wanted to keep in his life for as long as possible, even if it meant he had to confront eventual heartbreak and only stay by your side as nothing more than a friend.

But, that was okay. That was more than enough for him because as long as you were there, he would give you his all and support you endlessly. He would do anything to see you smile, anything to ensure your happiness, and if that meant he couldn’t be your lover, then that was a sacrifice he was willing to make. Besides, no one has ever been happy with him in a relationship. This was how it had to be, this is how he could protect you from himself.

Regardless of how Jisung felt towards you, he had seriously doubted you had any interest in him in the first place. How could someone as angelic as you want to be with, well, trash? There was no way you hadn’t heard about his disastrous dating history, and if you were as smart as he thought you were, that alone would turn you off from him. Not only that, he was pretty sure you had heard about the fight he had with Seungmin and if that fight said anything about him, it showed that he was a mess of insecurities and arrogance. Why on Earth would you ever like someone like that? And if you heard about the fight, he was positive that Seungmin and everyone else had warned you about him and dissuaded you from even considering anything romantic with him.

It was doomed!

And although Jisung had earnestly vowed to himself he would not engage in anything romantic with you, he was failing miserably. His affection towards you was something everyone picked up on. He always, no matter what, had his undivided attention on you as you ranted to him about whatever bothered you that day or how you were struggling to nail a part of your dance routine. It was obvious. He loved hearing you talk and could listen to you for hours as if you were his own personal podcast, always mirroring your emotion and blindly agreeing with you during your rants, always asking you questions whenever you rambled on about your own hobbies and interests.

If someone ever talked over you, he’d make sure to ask you what you were going to say. If you were upset that day, he’d always offer to buy you ice cream and insist to the group that they all needed to stop by the local ice cream shop. If you ever showed him a video of your latest dance routine, he’d shower you with a ridiculous amount of compliments until you were a flustered mess asking him to stop. And every time he noticed you were wearing a new outfit, changed your hair, or wore different jewelry, he would be quick to notice and let you know how wonderful you looked. He was shamelessly flirting with you, and he hadn’t even realized how far he had let it go.

On the other side of the pond, you were well aware of every horrible thing that was said about Jisung, even long before you had become a member of Minho’s team, and to be quite frank, you thought he was a complete asshole from what you’ve heard. But once you realized that he was one of Minho’s lifelong best friends, you knew you had to push your personal feelings aside, especially when you realized some of the music Minho had you perform with was Jisung’s original work. You hated to admit it, but he was an absolute genius when it came to music production and you were slowly becoming a fan of his work.

All you could tell yourself was that he couldn’t have been that bad if everyone was still his friend and reminded yourself people change, it’s not like you were going to end up liking the guy anyway.

Oh, but you were so wrong.

The first time you saw him at Minho’s party, you thought he was so irresistibly adorable during his drunken babbling, and you were honestly taken aback that the cute man who sat in front of you was none other than Han Jisung. Although, it did help soften your initial thoughts of him, making you think maybe he wasn’t that bad, especially after seeing him become a blushing mess at the mere sight of you, but those thoughts were quickly pushed away while Hyunjin walked you to your car after you left.

“Y/N…”

“Hmm?”

“I’m sure you’ve heard about Jisung from other people, right?”

“Oh, I’ve heard plenty, but he doesn’t seem so bad though.”

“Well, he isn’t if you’re just friends with him, but… He definitely seemed into you when he saw you and as your friend, I feel like it is my responsibility to let you know that he isn’t someone you should pursue. I love him, but you deserve someone better than that… I would hate to see him hurt another one of my friends.”

“Ah, no worries, Hyunjin. I’ve made dumb dating choices in the past, but I’m not that stupid.”

Except, you were that stupid. So, so, so incredibly stupid and you were terrified that anyone would uncover your growing crush on the boy. You could already imagine both Hyunjin and Seungmin’s disappointed looks, and you promised yourself you were taking this little secret to the grave. You had every reason in the world to not be attracted to Jisung, especially after hearing how he put his hands on Seungmin during their argument! Drunk or not, there’s no excuse for that and his denial of his actions said so much about him.

Yet, here you are, sitting next to Jisung on the couch in the living room of Minho’s place, excitedly talking to him about the latest episode of the drama you were currently watching, gossiping to him as if the actors were real people you knew in your personal life. He sat on the couch with his legs crossed, facing you while nodding along to every word you said, his eyes trained on you and you alone.

“And-, oh my god, I almost forgot, but the lead then told her to shut up! Can you believe that?!”

Jisung would then gasp, theatrically putting his hand on his chest, “No fucking way… What is his problem?”

“Right! And then-,” you paused for a moment, suddenly feeling insecure that you were forcing Jisung to listen about something he probably didn’t care for. You sighed and gave him an apologetic smile as you anxiously twiddled your fingers, “I’m sorry, I got carried away, you probably don’t wanna listen to me talk about some stupid drama.”

This time, Jisung did look genuinely surprised as his eyebrows furrowed upward with panicked eyes, “What? No, I love hearing you talk about this, you’re always so excited that it’s adorable.” He hated how fast your mood changed and started to worry if he had done something to make you feel that way. Did he look uninterested? Was he not responsive enough?

“Did I do something to make you think I didn’t want to listen?”

You felt your cheeks grow warm at Jisung calling you adorable, and then felt your heart start beating loudly in your chest when he asked you that question with all the concern and worry in the world filling his eyes. You shot straight up in your seat, returning his gaze with astonishment, not expecting him to be so considerate. “No, no, you didn’t do anything wrong… I just…” You paused for a moment, trying to find the words without revealing too much on how you were feeling, “I just got nervous for a moment, I don’t know.”

Jisung nodded as you spoke, taking your hands in his as he gave you a reassuring smile, “Y/N, I promise there’s nothing more I’d love than to hear you talk. You could be explaining the most boring thing ever, and I would still listen to you happily.”

In the kitchen stood Hyunjin, Seungmin, and Minho who were watching the scene unfold before them as they prepared food for everyone, while the others were upstairs playing whatever video game upstairs. Seungmin narrowed his eyes as he watched Jisung reach for your hands, taking note of the flustered look on your face.

“I think Y/N likes him.”

Hyunjin and Minho turned to Seungmin for a moment, then looked back at you and Jisung, unsure what exactly Seungmin saw other than Jisung’s flirtations.

Hyunjin let out an annoyed exhale as he continued to fry the eggs on the pan, then muttering, “There’s no way that’s possible. Y/N knows better.”

“I don’t know. Just look at them, they act like there’s no one else in the room when they’re together,” whispered Seungmin.

“I guess,” murmured Hyunjin, clearly upset about Seungmin’s hunch, “This is going to end terribly, isn’t it?”

Minho silently stood as he separated the ramen noodles that were boiling in the pot, humming along as he listened to the two younger boys angrily whisper. “I think it will be okay. I think our Jisungie has learned his lessons.”

The other two looked at him with disbelief, neither believing Jisung was capable of ever growing from the immature mindset he had for as long as they’ve known him. Hyunjin scoffed, “No, you don’t really think that, do you?”

Minho kept his eyes on the stove as the other two stared down at the back of his head, shrugging his shoulders, “Well, I could be wrong, I can’t exactly predict the future, but…” He then glanced back at the couch, smiling as Jisung made you laugh, “He treats them differently. I don’t know why, but he does. Don’t you two think so?”

Seungmin and Hyunjin stayed silent, not being able to deny Minho’s statement because they fully knew he wasn’t wrong. Everyone knew something in Jisung had changed when he had met you, and everyone saw how gently he treated you, almost as if he was scared he could scare you away with one little misstep.

“Whatever, I still don’t trust him,” Hyunjin grumbled, putting the last of the eggs on a plate.

Minho chuckled at both of the boy’s protectiveness, “That’s okay, no one is forcing you to, but remember, they’re both adults. They can do what they want, no matter how stupid we all think it is.”

┈ ✁✃✁✃✁✃✁✃✁✁✃✁✃✁✃✁✃✁ ┈

Months had gone by and there was no denying the small romance that had flourished between you and Jisung. You both were hopelessly head-over-heels for the other, to the point that everyone around you two had grown sick of it and was praying for the day where one of you would finally confess your feelings to the other.

You had long given up on hiding your feelings for the boy from your friends, especially after one day Seungmin had confronted you and told you it was the most obvious thing in the world. Part of you had prepared yourself for Seungmin to berate you for your poor taste in men, especially after the plethora of warnings you had been given about Jisung, but instead, he was very supportive and wanted you to feel comfortable enough to talk to him about it, even if he thought you could do better.

Jisung had become a part of your daily life, spending nearly everyday with each other or at the very least, you both had become accustomed to texting one another throughout the day. You’d start your day either sending or receiving a ‘good morning’ text from him and you’d end your day the same way, except it was a ‘good night’ text.

You’d often pay him a visit at his studio on days he had lost track of time, always letting yourself in after he had given you the passcode to the door, which he had only given to you, Minho, Chan, and Changbin. It came to you as a surprise when he gave you the code to his studio, insisting that you needed it so you could drop in whenever you wanted, telling you that you were always a welcomed guest at his studio. In reality, Jisung just wanted an excuse to see you more, and you had taken the bait as you would often show up with an iced americano in hand and whatever takeout food you were in the mood for that day.

If you ever had a long day of dance practice, Jisung would make sure to stop by to drop off a snack and drink as well, often receiving complaints from Minho over his blatant favoritism, accusing him of neglecting his best friend, which would cause Jisung to grow red from embarrassment. Despite his relentless teasing, Minho was more than proud to see how much Jisung had grown and how naturally caring for you had come to him. It was a side of Jisung no one had ever seen, and it was a very much welcomed change.

Today, you were sitting on the couch at Jisung’s apartment as he washed the dishes from the dinner you both had attempted to make, humming along as he put them in the drying rack. For some reason, you and Jisung had thought it would be a great idea to recreate a steak dish you both saw online and while it did not go terribly, the steaks ended up being a little too burnt for either of your liking. You were a bit disappointed, part of you feeling embarrassed you couldn’t even cook a proper meal in front of your crush, but he had lifted your spirits up by telling you it was an ‘excellent culinary choice’ to serve the steaks charred, shushing you each time you said the word burnt.

Soon after, he took a seat next to you on the couch, flicking through the TV as he tried to find something to watch, but soon gave up as he turned to you, “Is there anything you wanna watch?”

You scrunch up your face as you take a few seconds to think, clapping your hands excitedly once the idea hits you, “Have you ever watched Love is Blind? It’s kinda a dumb reality show, but I still haven’t seen the new season and it’s always a fun watch!”

Jisung furrowed his eyebrows quizzically, tilting his head to the side like a confused puppy, “Love is Blind? I’ve never heard of it, what's it about?”

“Never heard of it!? No way!” You gasped, a hand clasping over your mouth dramatically as he smiled adoringly at your antics, “It’s such a crazy show! Basically, a bunch of singles are trying to find the love of their lives, but they’re meeting people without ever seeing what they look like!”

“Oh, so they only get to talk to each other?”

“Yeah! And then they have to get engaged, and once that happens, they can finally meet face to face. They’re supposed to get married at the end of the series, but there’s always juicy drama going on before then!”

Jisung hummed, taking interest in the show's concept, “That’s cool, so they’re trying to see if love is truly blind?”

“Exactly!” You chirped, nodding with enthusiasm as you beamed at Jisung, waiting for his response.

“Sure, let’s watch it!” How could he ever say no to you when you’re smiling at him that way? He swore he felt his heart flutter the moment you smiled at him, the jubilation in your eyes making him become putty in your hands. “Do you really believe in that though? Like, unconditional love?”

You turned to him as you grabbed the remote from his hands, a bit taken aback from his question, “Well, I’ve already seen the other seasons and some couples have definitely proven that love can be blind, but love differs for everyone. I think that’s the beauty of this show though, loving someone despite their flaws and loving them for who they truly are.”

He leaned back on the couch, returning your gaze as he lost himself deep in thought, “Right, but do you think you could love someone unconditionally? Even if they’ve made mistakes in the past?”

You furrowed your eyebrows as you tried to understand where Jisung was coming from, a gentle smile gracing your features as you reached a comforting hand over his wrist, “Well, as long as those past mistakes aren’t murder or something, I don’t see why not. I’d like to think people are able to grow from their past.”

Jisung smiled as he sighed in relief, his other hand resting on top of yours, “Even me?”

“Especially you.”

┈ ✁✃✁✃✁✃✁✃✁✁✃✁✃✁✃✁✃✁ ┈

It was a quiet and cold night as you curled up into Jisung’s side, your head resting on his chest with a leg thrown over his as his arms swaddled you into a tight embrace. It was peaceful and serene, the only sounds filling the room was the light pitter patter of rain against his bedroom window and the comforting beat of his heart. You tilted your head upwards and caught Jisung’s gaze, a relaxed smile on his face as he leaned down to press a gentle kiss on your forehead, but you could’ve sworn you saw a glimmer of sadness in his eyes.

To be quite honest, you weren’t entirely sure what you and Jisung were, as neither of you had ever officially discussed labels, but you both were very aware of each other’s feelings for one another. There was no doubt that you both were more than just friends, but the label of partners or dating was something Jisung nervously tiptoed around.

After a few weeks of these shared tender moments, you figured Jisung would soon ask you to be his, but the question never came and it filled you with nervousness. You didn’t want to pressure him, as you could sympathize with his concerns since he was very transparent with you about his hesitance from the very start.

Jisung was irrevocably in love with you and wanted nothing more than to make you his partner, but he would be lying to you if he wasn’t also terrified of the weight of that label. For so long, Jisung had convinced himself he was incapable of loving someone the way they deserved to be and never thought anyone would have ever fallen for him, especially someone as perfect as you. Perhaps it was your sheer kindness and undying belief in him, but he felt like a complete fraud, as if you had imagined him to be this amazing man that he could never be and has never been. He wasn’t ready to fall short of your expectations, he wasn’t ready to face the disappointed and heartbroken look on your face once you realized the rumors about him were complete truth.

He felt as if he was truly undeserving of someone as pure as you, someone so selfless and caring who approached their own feelings with so much confidence, while he was just a shamefully selfish man who didn’t know how to trust himself, who didn’t believe in his own ability to make his own partner happy, a man who was painfully insecure and unsure of who he was.

He wanted you with every fiber of his being and desperately wanted to be the very reason behind your smiles, laughter, and happiness. He so greedily desired to see his own reflection in your eyes for the rest of his life, a sight that he wanted to treasure for the rest of life and the thought of you looking at someone else that way physically pained him.

Yet, his fear of hurting you and disappointing everyone else around him held him back from chasing those feelings and Seungmin’s words from months ago ruminated in his mind as a constant reminder of his past failures. He would not be able to shoulder the burden of hurting you, the guilt would completely eat him up because at the end of the day, it would be his fault for fooling you into the idea that he was capable of giving you that movie perfect love story. For crying out loud, he’s Han Jisung, the guy everyone hated and criticized for his ineptitude of romantic relations. He knew what you wanted, he knew you were growing impatient and scared over his inaction, but his anxieties held him captive in a standstill, and he was not strong enough to challenge it.

All he could tell you was that he needed more time, that he was afraid and needed the chance to grow that confidence in himself once more, but he knew time was finite and he was running out of it.

As he kissed your forehead, he felt his heart flinch as a pang of sadness flooded his body, forcefully fighting the overwhelming adoration and affection he had for you. He was petrified at the way his body slowly began to reject the feelings of love he had for you, fear and insecurities consuming it as if everything you had to offer nothing. All rational thinking had left him in that moment as panic took over his thoughts, angrily yelling at him for being such an idiot to think anything would ever change. How stupid he was to lead on another innocent person and how he was only going to hurt them, just like all the others before him. How idiotic he was for thinking he was ever deserving of love, as love does not wish to know him.

He just couldn’t be your love.

God, if he wasn’t such a selfish asshole, maybe then he could’ve saved you from his own carelessness. If he had only heeded the warnings of his friends, but once again, he has fallen into the trap of self-centered needs outweighing the feelings of others. If he had only stayed your friend and nothing more, if he had only not-

“Y/N, I don’t think this is going to work.”

Did he really say that out loud? He held his breath as he cursed himself for acting so quickly out of fear, his heart stopped as he watched you stiffen in his own arm. You silently sat yourself up, his arms falling to the mattress as you turned to him with tears filling your eyes, your lips trembling as you tried to contain a sob.

Oh, how Jisung just wished the world would swallow him whole in that moment, his heart completely shattering at the sight of your crestfallen face. He looked into your watery eyes to only realize that this time, the reflection of your eyes showed the source of your sorrow, an expression he had wished he never had the misfortune to witness.

“I… I’m sorry, I just-”

You shook your head, raising a hand to signal him to stop talking, refusing to take an explanation from him, “It’s okay. I was afraid this would happen.”

You forced a tightlipped smile, taking a deep breath through your nose as you tried to keep yourself together, faintly whispering a broken “Please don’t text or call me.”

Jisung shot up as he watched you get up from his bed, trying to scramble after you as you made your way to his front door, grabbing your belongings on the way. He didn’t realize how much he was already crying until he tried to speak to you, but it all came out in a blubbering sob. “Y/N, please, listen to me…” He begged you to listen to him, pleaded for you to try to understand where this was all coming from and to understand that he still loved you so much despite how selfish his actions are, yet you never gave him a chance.

“Jisung, please. I don’t care why, I don’t want to know,” you croaked between sobs, doing your best to maintain your composure as you faced the front door, refusing to look at him. “I just feel like an idiot. I should’ve listened to what people said about you.”

There you went, leaving his apartment and shutting the door in his face with force, leaving Jisung to confront nothing, but his own cowardice.

Once again, Jisung fell into the trap of his own self-centered thinking, getting lost in his own immaturity as he became the victim of the circumstances he created. If he had only realized that he wasn't alone in this battle of his own conscience, if he had only realized you would've fought each insecurity and fear with him.

Oh, woe is me, Han Jisung. Only a fool would be afraid of love.

#skz x reader #skz fanfic #skz angst #skz #stray kids fanfic #stray kids x reader #stray kids #stray kids angst #han jisung #skz jisung #skz jisung x reader #han x reader #skz han #skz han x reader #jisung x reader #han jisung x reader #cinnamostar writes

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daydreamerdrew · 2 years

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The Avengers (1963) #12

#I remember the early issues playing with the team not coordinating well in fights and so getting in each others way #so the other side of the coin that the way the team functions didn’t make the team members friends #is that it has succeeded in making them effective in fights #which is probably the primary metric by which they’re judging the success of the team at this point #even if we are seeing some problems arise from the team members’ occasional lack of kindness or trust or respect for one another #I feel like the main times we see the team together when they’re not actively on a mission is when they’re in a meeting or training #I think there have been small little bits that fall outside of that #but I would like to see attempting to form stronger bonds and spend time with each other outside of those bounds #not because I necessarily think them being friends is necessary for the book to be interesting #but because I think the process of all that would be interesting to read #like I could take them trying and failing at being friends tbh #and regarding them probably judging the team just on how well they handle their supervillain conflicts #I think the concept of a team that doesn’t always like each other but functions well as a superhero team and so continues on #because nothing dramatically makes them stop being a team it’s just not all executed ideally #could work really well with its kind of quieter interpersonal conflict #marvel #steve rogers #tony stark #janet van dyne #my posts #comic panels

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homunculus-argument · 7 months

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Why are you Finns so miserable? From an outside perspective, as someone who lives in a country where our government has continuously failed us, your country seems to be nearly perfect. It seems like paradise.

I truly feel that most people living in my country would kill to live in one like yours. I would saw off my leg if it meant that I could have the guaranteed quality of life that you guys have.

So why are you guys so sad? Is it the cold? The lack of sunlight? I’m seriously at a loss here, because I feel like you guys really take your homeland for granted.

I have no idea. Being alive is simply an unpleasant obligation and a thankless duty that you owe to nobody in particular and gain nothing out of doing. I was literally born as an unpleasant obligation - my parents didn't like each other and they didn't like children, but they married each other and had two kids because that's what people are supposed to do. When we whined as kids about how we don't want to go to school, they'd just say "well I don't want to go to work, either, but unfortunately that's just what life is." Life consists of going places you don't want to go to do things you don't want to do.

My mother once told me that if I ever kill myself, she will go completely insane, just the way that my grandmother went insane when my aunt killed herself. I was like 15 at the time when she told me this, I had been three years old when the aforementioned aunt died. I had never known her, but I was raised with the understanding that the only reason to continue being alive is peer pressure. You don't get to die, you have to keep living because the people around you would be sad if you quit. It's a mutual hostage situation.

Back when the church had more power and death penatly was a thing, there were people who committed crimes that had a death penalty (or claimed to have committed them, depending on the crime) in order to get executed rather than simply commit suicide, because suicide was an unforgivable sin but if you were executed, you could still confess your sins before the final blow and die with hopes of going to heaven.

Finns aren't oblivious of how bad things are everywhere else, or how good we have it. That, too, is a source of misery. It's a whole country of "you have no reason to be sad, there are people out there with real problems" and being reminded that everything everywhere else is even more miserable than how we have it. That anyone else would be ready to kill or saw off their own leg to get to be here, and here we are squandering all this potential by sitting here like a miserable little piece of shit.

Frankly, I am baffled by the concept that there really are people who just genuinely, honestly, wholeheartedly want to live. Like as a preferrable option to having never been born at all. To me, finding happiness in life has always been a "when life gives you lemons, make lemonade" sort of thing, finding silver linings out of the unfortunate matter that I happened to be born.

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innuendostudios · 6 months

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youtube

new video about Edgar Wright's Cornetto Trilogy, and how everyone* keeps getting them wrong! this video is sponsored by Nebula, a place where you can watch the original version of this video before I had to tweak it for YouTube's copyright bots. (by clicking that link, you can get an annual subscription for 40% off.) or you can just back me on Patreon, which is also cool and good.

transcript below the cut.

I adore Edgar Wright’s Cornetto Trilogy. I flirted with making a video about it ages ago, had a draft of a script, but ultimately decided it wasn’t about anything except “here’s a thing I like, and here are its (I thought) very obvious themes.” So I shelved it. But, in the years since, I have seen multiple video essayists on this here website claim that these movies are about growing up and taking responsibility. (I say “multiple.” It’s not a lot. But it’s more than one! And that’s enough.)

These people are 100% wrong.

Lemme lay it out: the Cornetto Trilogy is not about growing up. It is not about taking responsibility. It is the exact opposite, and that’s not subtext. It is three movies about stunted manchildren thrust into extraordinary circumstances, and each, in the end, is saved - is redeemed - by abandoning his character arc and failing to grow or change. It is a three-part love letter to immaturity.

And I guess I have to set the record straight.

Sometimes making a video about a thing you love is an act of appreciation. And sometimes it’s out of spite.

The Cornetto Trilogy is three movies: Shaun of the Dead, Hot Fuzz, and The World’s End. All three are written by Simon Pegg and Edgar Wright; Pegg stars, and Wright directs; all three center on a relationship between Pegg and real-life best friend Nick Frost, which makes each film a reunion of the core team behind Spaced (excepting, but for a small role in Shaun of the Dead, Jessica Hynes). The three films span three genres: zombie apocalypse, buddy cop, alien invasion; each features a Cornetto ice cream cone: strawberry to represent blood, original blue to represent the police, and mint to represent little green men; this is a joking nod to Krzysztof Kieślowski’s Trois Couleur films, Bleu, Blanc, and Rouge, which were based on the colors and themes of the French flag (I don’t care what you say, Emily: #TeamRouge); that nod is funny because Trois Couleur is high-art drama and these are comedies. All three are parodies of, tributes to, and actually surprisingly good executions of their respective genres. And the hook, the gag at the center of all these movies, is that Simon Pegg plays a character wholly unsuited to be starring in this kind of film.

Shaun, the burnout, is the wrong person to survive the zombie apocalypse; by-the-book British bobby Nicholas is the wrong person to lead an American-style bombastic actioner; and alcoholic asshole Gary is the last person to save the world from aliens.

And I think that’s where people get stuck. Because “schlub finds himself protagonist of a genre film” is the elevator pitch for like a dozen Adam Sandler movies. The genre trappings may be as mundane as parenthood or mandated anger management classes, or as high-concept as action movie, whodunnit, or time travel It’s a Wonderful Life if Clarence were Christopher Walken as the angel of death (that… that makes it sound good, it’s not, don’t see Click; leave Frank Capra alone, Adam). But all these movies have the same basic shape: an extraordinary situation forces a guy to confront his shortcomings, which always stem from having never grown up. And you probably haven’t seen all of these movies, but if you’ve seen any, I bet you have assumptions about how the rest end: even though “Adam Sandler acts like a child” is generally the selling point of an Adam Sandler movie, they all end with some lip service toward becoming an adult: hey man, grow up a bit; appreciate your family a little more; square your shoulders; clean your room. This is so standard, it was parodied mercilessly in Funny People.

And this was a formative microgenre for my generation! Whole universe turns itself upside down to teach some shitty dude to, like, do the dishes and pay his wife a compliment now and then - Liar Liar, Bruce and Evan Almighty (all directed by the same guy, by the way). So I don’t blame people of a certain age for seeing the first act of Shaun of the Dead and thinking “I know where this is going.” And when, at the last minute, it swerves and goes someplace else, you could read that as a gag, a final subversion of expectation, still the same basic shape. But no! No! Once is a gag - thrice??? Thrice is a thematic statement!

So lemme make my case. I’ma take you through these movies one by one - we’ll talk about the manchildren and the expectations set by the genre, and then we’ll talk about that last-minute swerve and what it means. And then you’ll tell me I’m right and apologize!

Shaun of the Dead:

Shaun is a man in his twenties. What kind of manchild is he? He’s the slacker.

What is his problem? He needs to sort his life out. Shaun doesn’t know how to take action. He hasn’t advanced since college - he’s been working the kind of job a teen takes over the summer for like a decade, lives with the same best friend, has the same petty fights with his stepdad, goes to the same pub every week with the same group of people. He can’t make a reservation, he can’t manage a calendar, he’s a washup. This makes his girlfriend, Liz, feel stifled, trapped; he is a weight around her ankle, taking her on the same date week after week, keeping her from living her own dreams, having her own adventures. She gives him one last chance to prove he can sort his life out, and he blows it, and she dumps him.

And then: a zombie movie happens.

The genre forces him to confront his shortcomings: to survive, and save his loved ones, he’ll have to take action, make plans, be decisive. This is a common fantasy: when you feel ground down by the mundanity of life, you might imagine, oh, if only a crisis would happen, like a zombie virus outbreak, where my normal-life problems like “am I gonna make rent,” “is my girl gonna take me back,” “is my roommate gonna kick out my stoner buddy who’s crashing on the couch” become meaningless, and it’s immediately clear what’s really important, what matters. Then I’d know exactly what to do. It’s why disaster movies work as escapism: a necromantic plague - or at least the fantasy of one - is sometime preferable to normal life.

Hot Fuzz:

Nicholas is a man in his thirties. What kind of manchild is he? He’s the hall monitor.

What is his problem? He can’t switch off. He is a hypercompetant police officer with a rulebook where his brain should be. He’s so good at being a cop that he’s spotting and unraveling crimes even on his day off. He can’t maintain a relationship, has no friends, all his coworkers hate him because he keeps finishing their work for them, and his stats show up the rest of the force so badly that they scuttle him out to the country.

Now you might be thinking, “Mmm. A fastidious police officer who can’t have fun? How is that a manchild? Sounds pretty grown-up to me. You’re reaching, bud.” Ohhhh ho ho, smartass, do you remember this scene? [bar scene] Yeah! Nicholas Angel has a five-year-old’s notion of law and order. He’s still playing cops and robbers.

And that’s a problem, because then: an action movie happens.

It doesn’t happen all at once: he goes out to the country and finds they do things a bit differently there. They are (ostensibly) less concerned with rules than what than the rules are for: if the purpose of drinking laws is to keep the streets safe and orderly, and letting some people off with a warning or allowing kids drink so long as they do it inside achieves that end, the rule can be bent. That’s a judgment grown-ups can make; I mean, they’re the ones who wrote the rules in the first place. So be lenient with shoplifters, don’t hassle people for speeding; this isn’t the Big City, you can use your better judgment. But Nicholas never got past doing whatever Mom & Dad said; obedience, and trusting whoever’s up the chain, is his entire moral framework. He can’t accept that bending the law could be more righteous than following it.

But also maybe there’s a criminal conspiracy murdering people and writing it off as accidents and the police chief might be in on it. Or maybe Nicholas is so desperate for a big case with no moral ambiguity that he’s seeing things where they aren’t.

The genre forces him to confront his shortcomings: either there’s nothing going on and he needs to chill out about procedure, or the department is corrupt and he’ll have to go rogue like it’s Point Break - and this is how he experiences Point Break. [“paperwork”]

No matter what, he’ll have to bend the rules, which he constitutionally cannot do.

The World’s End:

Gary is a man in his forties. What kind of manchild is he? He’s the delinquent.

What’s his problem? Pfffft. What isn’t his problem? Gary is a manipulative, narcissistic, lying, self-destructive, ignorant, violent, thieving, shit-talking, unapologetic asshole who peaked in high school when being all those things was still kind of badass. The greatest night of his life was the drunken pub crawl after graduation he and his friends didn’t even finish, and he’s been tumbling downhill ever since. He’s spent his life ruining everyone who knows him until there’s no one left to ruin but Gary King. So now it’s time to bully the old gang into going back home with him to relive that night by finishing the pub crawl, because, in his own words, it’s all he’s got. And he and his friends have to confront how home has changed since they left - the bars have gentrified, not everyone recognizes them; the defining, epic deeds of Gary’s youth have been forgotten. You can’t actually go back because that place doesn’t exist anymore.

And then: a sci-fi movie happens.

Turns out the town’s been taken over by aliens, and all the people who couldn’t conform to their new order have been replaced with robots! That’s why no one recognizes them! And that’s why the pubs all look the same: the aliens are homogenizing everything! And it’s clear, if they can’t get Gary and his friends to play ball, they’ll roboticize them as well! The obvious move is to get the hell out of town, but Gary keeps inventing excuses to stay and finish the pub crawl, and they sound pretty sensible because the group’s already five pints in. The genre forces him to confront his shortcomings: sooner or later he’s gonna have to give up on recapturing his youth and do what’s best for him and his friends now, even if it means running back to the city where all his problems live.

So there we have it: the characters cross the threshold into an unfamiliar world where an external conflict cannot be addressed without resolving the tension within. The slacker will have to get his shit sorted, the hall monitor will have to break the rules, and the delinquent will have to do what’s good for him. And, to an extent, all three know this! The movies Wright and Pegg pay homage to exist in these stories - Shaun knows what a zombie is, Danny keeps Nicholas up watching Point Break and Bad Boys II, and Gary and friends know bodysnatcher movies so well they have philosophical debates with the robots about whether “robot” is the PC term.

So, yeah, if you turned the movies off there, I could forgive you for thinking that’s where they’re headed. But you goofballs watched them to the end and then made content about them, what is wrong with you???

What actually happens in the second halves of these movies?

Shaun twigs that he’s in a zombie movie and, at first, tries to play the part - his survival plans are miniature hero’s journeys with him as protagonist, wherein he’ll save the day by neatly confronting all his flaws. He’ll resolve parental conflict by saving his mom from his zombified stepdad, resolve romantic conflict by showing his girl he can come through when it counts, and resolve internal conflict by being a man who saves the day. And all his plans suck! It’s just the same plan he always comes up with! Dragging around the same useless liability of a bestie, collecting the same group of people, and holing up in the same pub! He doesn’t save his mom: his stepdad apologizes, resolving their conflict for him, and then survives in zombie form but Shaun’s mom gets killed; most of the friend group gets killed because the crisis does not actually suspend but in fact amplifies their personal grievances; and he doesn’t save the day, just manages not to die long enough for the military to show up.

But… well, Liz wanted adventure and now she’s had enough for a lifetime, so… she’s down to just be boring with him for a while - sit on the couch, watch TV, hit the pub. Beats running for your life. Tensions with the roommate are gone cuz roommate died, but rent is covered cuz Liz moved in. Zombies don’t get eradicated, just folded into normal life, so Shaun can mindlessly play video games with his bestie forever, and it’s not a problem that bestie doesn’t have an income cuz he doesn’t need food or shelter.

The zombie apocalypse doesn’t make Shaun sort his life out, it changes the world til he doesn’t have to.

When Nicholas discovers that, yes, there is definitely a murderous criminal conspiracy inside the police department, he recognizes the only way to bring about justice is to become what Danny has always wanted and go Dirty Harry on the town. It’s either that or just swallow the crimes. But he does neither. He and Danny go on an epic shooting spree, recreating famous movie scenes, taking out the entire criminal organization against all odds, and spouting badass one-liners… but everyone who helps them is a cop, they don’t actually kill anyone, all perps are formally arrested, and they fill out all the paperwork. I think he even properly signs out the weapons. He never switches off, never breaks a rule, does absolutely everything by the book, only… louder. And this violent showdown saves him from the chill town with lax rules he thought he’d moved to. Now he, with his five-year-old notion of right and wrong, is in charge of the police department.

The buddy cop actioner doesn’t make Nicholas bend the rules, it changes the world til he doesn’t have to.

Gary knows exactly how a movie of this sort is supposed to go and spends the whole movie running from it. Friends and secondary characters keep sharing these poignant moments with him, because they know this story, too: yeah, he’s gonna reject help at first, but sooner or later he’ll hit rock bottom and then someone will get through to him. And, as the night goes on, and the characters get drunker and drunker, and Gary passes up more and more opportunities to abandon the pub crawl and go home, these moments take a tone of desperation. They start to sound more like interventions; like, Gary, we all know you’re going to come to your senses but could you hurry up with it??? How many of your friends need to literally die for you to shape up? Are you gonna get them all killed?

And the answer is: Gary will never shape up! To Gary the Human Dril Tweet, his friends trying to save him, psychiatrists trying to treat him, and aliens trying to assimilate him are all the same thing. He doggedly makes it to the end of the pub crawl and confronts the alien overlord who tells him all the technological advancements of the past few decades - all the efficiency and homogenization that’ve changed the face of his home town - are their doing. The Information Age is an intervention on behalf of Earth, a pan-galactic effort to save humanity from itself. And the reason they’ve been replacing people with robots is some people are too fucked up to go along with it.

And here’s Gary, King of the Fuckups, brashly declaring that fucking up is what makes us human. There is no freedom without the freedom to ruin your life. We are endowed by our creator with the right to be drunken, ornery pieces of shit.

He tells the aliens to piss off and he’s so fucking annoying that they do, and they take the Information Age with them.

Now… I know… ugh… I know a lot of people love this movie, say it’s the best of the three. Some friends who’ve struggled with mental health or just being an adult under late capitalism really identify with Gary, and the valorization of being a mess. I see you, you’re not wrong, I get it, I really do. But can we just… not “but” but “also” can we… can we also admit that this ending is… this is Space Brexit.

Like, literally it’s an alien invasion but symbolically this is Gary rejecting the adult world of rules and authority and doing what’s best for the community and that’s how Brexiters view the EU. And people keep telling him “Gary, this is in your best interest” and Gary says, I don’t want my best interest! I am registered in the anti-Gary’s Face Party and I will cast my vote by cutting my nose! I choose to do what’s bad for me.

And, like a true Brexiter, he chooses for everybody.

Now tell me that’s a movie about growing up. Gary collapses human civilization in its entirety rather than change, and in the world that follows, he thrives… by being an immature, irresponsible bag of garbage.

To Wright and Pegg, growing up is death, and these are movies about being alive. These characters don’t cross the threshold back into the ordinary world with the ultimate boon of character growth; all three stay in the extraordinary world. The zombies remain, the robots remain, Nicholas is offered his London job back and chooses to stay in the country. These are stories about normal life spontaneously turning into a genre film, and they are made with deep love for those genres; why would they end with leaving those genres behind? Because it’s what Adam Sandler would do?

So there you have it. I rest my case.

“Okay Ian. Why does this matter?”

…what was that?

“You’ve made your point: these movies aren’t about growing up or taking responsibility. So what?”

Uhhhh.

“Bring it home for us.”

…

“Why do you care so much?

[breath]

I wrote the first draft of this script when I was around Shaun and Nicholas’ age, and “so what?” is why I shelved it. Now I’m Gary’s age, this video’s been in the back of my brain the whole time, but I got this far and “so what” is where I got stuck, again. This is why the CO-VIDs came out quicker, cuz I let myself end with “so that’s interesting!” and got on with my life. But there’s clearly something sticky here, more than “someone is wrong on the internet.” (Also, to the YouTubers I’m vaguebooking, who said these were movies about growing up - I’m way more annoyed at the folks I’ve argued with on Twitter about this, you just made a better rhetorical device; you do not owe me an apology!) (Also, to the commentariat: I am not extrapolating this from like two data points, this is chronic and recurring and has been bothering me for years.)

There are a few directions I could take this to give it some “cultural weight.” I could put on my social justice hat and talk about how the “crisis of adulthood” doesn’t play as broad comedy unless you look like Adam Sandler or Simon Pegg, or put on my class analysis hat and talk about how signifiers of adulthood are, traditionally, ways of spending and accruing capital which are, today, often inaccessible to people under 40.

And that’s all legit, but here’s the real deal: I’m just mad at Gary. The world changed around Shaun such that he could stay a child. And Nicholas ended up somewhere he could stay a child. If you missed that, you’re wrong, but whatever. But to say that Gary grew up grinds me, because Gary chose this. The whole movie is people telling him to grow up, and he says no! He says it out loud! He says it to the literal end of the world. To walk out of the theater and say “that’s a movie about growing up” is more than a mistake, it’s a refusal. It’s trying to “fix” the movie by fitting it into a more familiar shape, so it doesn’t say what it says, so Gary isn’t who he is, who he chooses to be.

I’m being cheeky when I say this because he’s a fictional character, but saying Gary grew up is enabling.

Gary says there’s no freedom without the freedom to ruin your life, which is the problem with alcoholics and libertarians: it’s not just your life, Gary! You live in a community, a culture, and an ecosystem! Your actions - everybody’s actions - impact other people! That’s just the way the world is! You can’t shit yourself at the bar without other people having to smell it. We’re all fuckin’ connected, man! You don’t want anyone’s will imposed on you; you spend the whole movie imposing your will on everyone else! You say humans don’t wanna be told what to do, and then you decide humanity’s future by yourself with no input or consent from anyone!

People point to Gary ordering water in the last scene instead of beer as evidence that he got sober, like that’s proof that he did grow up in the end, which are you fucking joking??? Getting sober is a shorthand for maturity the way buying a house is, it doesn’t signify anything in and of itself! Gary drank to escape the adult world of rules and responsibilities! So, yeah, under normal circumstances getting sober would mean he’s made peace with that world and is ready to integrate. But that’s not what happened! The thing he was escaping doesn’t exist anymore! He literally destroyed it!! People died! Probably millions! Now he lives a happy life LARPing as Omega Doom - no I don’t expect you to catch that reference! He doesn’t need to drink! He is literally reliving the best day of his life forever. And even if it did mean personal growth, the idea that a person could make what would be, unequivocally, the most selfish decision in human history, and then spend his life celebrating the outcome, oh but if he overcame a personal demon in the process then on balance that’s maturity? That is lightspeed solipsism! Who are you if you think that way? Are you all Adam Sandler???

And none of that makes this a bad ending, or Gary a bad character. I mean, he is the reason The World’s End is my least favorite, and I don’t like the ending, but I don’t think it’s bad that I don’t like the ending. Rather than watch another addict pull his life together or destroy himself, we watch a downward spiral with so much gravity the whole world self-destructs alongside him. And that’s why The World’s End is the most interesting of the three: it is a bold choice, and I think we are free to feel however we want about the conclusion Gary engineered for himself. I don’t think it’s valid to pretend it didn’t happen.

In the context of the trilogy, we see that Shaun’s immaturity is mostly a problem for Shaun: he would be, at worst, a footnote in the lives of the people who love him; “yeah, I liked Shaun a lot, but I couldn’t carry him through life anymore.” Nicholas is the kind of overachiever that is useful if pointed in the right direction; juvenile code of ethics aside, he is, empirically, helping the community (within the entirely fictional framework where that’s a thing police do). If the world hadn’t changed to turn their flaws into strengths, they would still be relatively harmless. Gary is what happens when immaturity isn’t harmless, and shows us how a world built by that immaturity would look.

There is an appeal to Gary King, a wish fulfillment. Letting your id fully off the leash because you no longer care what anybody thinks - it’s why some people drink, and it’s why some people would like to drink with Gary. But if that’s not just your Friday night, not just your twenties, but that’s your life? There is a destination at the end of that road, and it’s Gary doing something truly ugly. And we see that ugly thing the way Gary sees it: as awesome. But then you see the reality: the Monday morning after the Friday night. We went out with Gary and he did something terrible.

And I’m not telling you to hate Gary for it; I’m not saying Gary can’t be forgiven. In fact, seeing it for what it is is the only way Gary could be forgiven, because, if he “grew up and took responsibility,” there’s nothing to forgive.

I think this is the only way the trilogy could have ended. I mean, you make stories about boys who get older and older and don’t grow up, it eventually becomes a problem. There’s only two ways to resolve it: you either end with a guy actually sorting his shit out, or you go for broke and show what happens if he doesn’t. And I think some of us boys saw that and said, “no, noooo, they did grow up! all three of them!” rather than say, “haha! hahaaa! ……………shit.”

#video essay #cornetto trilogy #Youtube

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