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haru-dipthong · 12 hours
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My Utena Fansub Ep 1 (link & translation discussion)
There were a lot of important decisions to be made in the first episode, since much of it is re-used in later episodes. In this post, I'll discuss some of the translation choices I made around the fairy tale opening, and the use of 様 (sama).
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王子様が呉れた指輪はやはりエンゲージリングだったのでしょうか。それは良いとして、お姫様は王子様に憧れるあまり、自分も王子様に成る決意をしてしまったのです。でも良いの本当にそれで?
Was the ring from the prince meant as an engagement ring? That part was good, but because of the strength of her admiration for the prince, the princess made up her mind to become a prince herself! But is that really good for her? (from ohtori.nu)
Perhaps the ring from the prince was meant as an engagement ring? Casting the thought aside, and overcome by an idolisation of the prince, the princess instead resolved to become a gallant prince herself! But is that really what she wants? (my translation)
「それはいいとして」 is an idiomatic phrase which, if taken literally, looks like it means “considering that good” or “that was good”. In reality, it means something more like “be that as it may”. A Japanese thesaurus gives synonyms such as 「それを置いといて」, which means “putting it aside for now”. It seems as though the translators from the ohtori scripts didn’t pick up on this nuance, which is surprising because they are usually quite accurate (if a little unnatural sounding).
憧れ (akogare) is a difficult word to translate here. It’s important that the translated word can’t be misinterpreted as the princess being infatuated with the prince. “Admiration” is ok, but it’s still sort of synonymous with love. 憧れ (akogare) contains notions of aspiration, it carries the implication of wanting to become like the target of their admiration, not simply being with them. This is why I chose to translate it as “idolisation”.
I see 「でもいいの?本当にそれで」 as a VERY important line in Utena. To read Utena as queer, this line from the narrator echoes words from straight cis people lacking understanding of someone’s desire to transition. This line is something you’d say to someone who came to a party and when you offered them a wide variety of options of drinks and food, they only took water - “Are you sure? Is that really what you want?” It’s suggesting that what she really wants, what she should really want, is to marry the prince, not become a prince. This line represents the world’s resistance to Utena’s gender non-conformity — even the narrator is questioning them!
girl: あーーーーー!ウテナ様ー! girl: ウテナ様、あたしのタオルを使って下さい! later… Anthy: 私は今、西園寺様の花嫁です。
girl: Aaaaaah! Utena is the master! girl: Master Utena, use my towel! later… Anthy: I am currently Master Saionji’s Bride.
One goal of my translation is to make it as accessible as possible to non-anime watchers, which means finding a good translation for 様(sama).
Why master? One good thing about it is that it’s vaguely masculine without being explicitly masculine (which 様 (sama) is not, but I like how this aspect assists with delivering some of the themes of the story). But more important than that, it can be used in the two critically important contexts 様 (sama) is used in — 1. as part of the Rose Bride’s obligation to show deference to the person she is engaged to, and 2. used by the schoolgirls who idolise Utena as a fun, affectionate nickname.
The Utena-sama nickname already exists among the girls at school before Anthy starts calling Utena that. Then the girls use it, they’re using it to jokingly emphasise how skilful and cool Utena is — a “basketball master”, a “master of cool”. This has a totally different connotation to the way Anthy uses it — she uses it sincerely, to show extreme deference to her literal master.
To establish this double meaning, I made cheeky use of what is essentially background dialogue. When the girls rush the basketball court to congratulate Utena, they scream “Utena-sama”, but I translated it as “Utena is the master”, which is then followed up with the first actual use of “Master Utena”.
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teplejtrouba · 8 months
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i have managed to actually do a hobby for the first time in months. yippee
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anothermonikan · 1 year
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I'm getting a new laptop on Saturday I'm sooo nervous to meet them ;~;
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yamujiburo · 6 months
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Why I Love Hanamusa
I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:
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First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.
I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!
Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!
It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.
Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.
Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.
All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 
Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.
Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.
There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.
I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.
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gallusrostromegalus · 7 months
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hi i see that you have much smart dog experience. i may have accidentally purchased such a dog. she's only 10 weeks, and ive had her 1, and she's already outmatched every puzzle feeder i got or have made. to the point that she is morosely disappointed when her food comes in an actual food bowl. do you know where i can find like. "heres 100 enrichment toys you can make out of free trash so your dog stops eating fucking rocks for enrichment" lists. i only have so many paper towel tubes XD
Herschel now just disassembles puzzle feeders, so I've been focusing on "Toys that, even if he already knows how to operate them, will still take TIME for him to collect the treat from" to give him something to fuss with.
Herschel eats all his meals out of a Kong Wobbler, because he will otherwise eat so fast he will literally inhale and choke on his kibble and I do not need him developing pneumonia from aspiration. Even though it's a "Simple" toy it slows him down and he does have to think a bit to tip it in the most efficient manner possible. Kong's "Flipz", "Gyro" and "Rewards Wally" are also really good "dog needs to think/carefully manipulate the toy for food" toys that act as both mental stimulation and exercise and "give human a break for up to twelve minutes" toys.
I highly reccomend KONG as a brand- they're local to Denver and have an impeccable saftey record and all of the toys I have gotten from them have held up extremely well vs. the ravages of three entirely too smart and strong-jawed dogs at once.
Some more thoughts:
If she's not prone to shredding rubber, the kind of treat toys she has to chew are also good stimulation.
If you don't want to give her That Many treats, my vet said that dogs can have as many green beans as they want. Just make sure that the beans haven't had salt added to them- canned usually does, but frozen green beans usually don't, but always check the label.
You can make nearly any toy last longer, or make a cheap long-puzzle by freezing the treats so they take longer to eat AND provides hydration. Herschel's most favorite treat of all time is literally a wad of sliced green beans in a dixie cup, filled with water and frozen. Just peel off the cup and hand him the chunk of ice and he's good for up to half an hour and more chill afterwards.
You can also freeze lick mats
If your girl is like Charlie and doesn't like greenbeans, you can also try freezing paper cups of: Canned pumpkin, apple slices in water, putting some ice cubes in the bottom of the cup, a gob of peanut butter in the middle and then fill it with water to make a peanutbutter filled ice cube.
If your girl is REALLY like charlie who has figured out how to use labor negotiation and strike tactics for better treats: boiled chicken chunks frozen in some of the water you boiled them in.
Walkies are as much mental stimulation as they are physical exercise. Take her out and let her sniff to her heart's content.
Also Puppies in particular need like, SO MUCH exercise.
Let her participate in activities with you. Herschel and charlie sit in the kitchen and I narrate cooking dinner to them, which seems to interest them, even if I don't have spare veggie ends to give them. I also frequently bring them along in the car if I'm running errands when it's cold enough to do that, so they have something new to look at, and get to participate. I also am more likely to stop at a new park and give myself some exercise and mental stimulation.
Training her to do tasks is GREAT Smart Dog enrichment- esp if she's a herding or heeler, they LOVE being helpful. I taught the dogs they get a small treat if they come in from the yard without me having to go chase them down, which saved me a lot of hassle, and now I'm working on teaching herschel to pick things up off the floor for me if I drop them and alert for chickpeas, which my housemate is allergic to.
A lot of dogs like cat-type toys. Tie a stick or some fleece to some paracord and drag or flycast it around for her to chase/play tug with when she catches it. Toys that bounce unexpectedly were also a huge hit. or just wave the string around the cat and the corgi both like that.
If you live in farm country or know other people with pets, you can grab something with the scent of another animal on it and bring it home for her to smell. Charlie and Herschel spent the better part of three days investigating the wad of horse undercoat I brought home and put in the spare wobbler for them to smell.
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bellanothadidloa · 22 days
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I've been receiving a lot of inquiries since sharing my success story, and while I'm not planning to start a blog, I do want to address some common questions here.
Did I manifest everything from the void?
Yes, everything I listed was indeed manifested when I entered the void, as outlined in my story. I've had some successes with various experiments before, but none reached the level of my most recent attempt.
What was the most crucial factor in achieving the final breakthrough?
I wish there was a straightforward answer, but it probably boils down to the realization that no matter how much I complained or cried, I was determined not to give up. I would read success stories and find myself in tears because they mirrored the life I aspired to have. I wanted to shift realities, be wealthy, happy, and beautiful—it might sound vain, but that's what I desired. I longed to feel free, unbound by any world, and to pursue my own path. Who wouldn't want that? At some point, I asked myself, would I still be trying to shift at 30, while struggling with dietary issues caused by gut praxis disorder? If the answer was yes, what did that mean? It meant I wasn't going to give up. So, I kept trying different things, knowing that eventually, something would work. Inner work is essential, but I believe it's inevitable. The longest journey I've seen took seven years. Do I want that for myself? Absolutely not, but what if it happens? The very acceptance of that possibility means you're not giving up, so what does it matter?
What method did you use?
As I've mentioned, I've tried every method. The final one that worked was the morphic field. I don't really care whether it was the morphic fields or something else that clicked within me. As I mentioned earlier, I realized I was sad, but I knew I wasn't going to give up, so I let myself be sad. Who cares? Let me be angry; I'm still not giving up. So, why fight those feelings? I cared and was disappointed and scared, but I just decided to trust in the fields because, in the end, it didn't matter whether they worked or not. I wasn't giving up.
How do you feel now that you've achieved your dream life?
I've managed to transform my life and self-concept, and along with being incredibly happy, I feel a mix of sadness for everything I endured and pride for how I pushed myself before succeeding. Initially, I thought it would be hypocritical to say I love myself after I changed everything about myself, looks and life, but I realized this is my life, and I'm still the same person, just with desires that now align with my reality. Why would I want to be unhappy in a life that makes no sense to be sad in? I don't believe anyone deserves or doesn't deserve anything. Do what you want, pursue inner work if you wish, or just manifest your desires. Personally, I didn't feel the need to do the inner work after manifesting my dream life, but I know some people do, and that's beautiful too. Life is just beautiful.
How to mend your relationship with the void?
The only advice I can offer from my experience is to acknowledge that you're not giving up on it. It reminds me of toxic relationships where despite infidelity, they say, "I know where home is." Unlike those misguided people, the void genuinely serves its purpose and supports you. It already knows its home is with you, whether you realize it or not, and that's all that matters.
How did you exit the void state ?
Exiting the void was a simple experience for me. I simply took a deep, calming breath and set a clear intention to leave. The sensation that followed was like tunnel vision, where everything around me seemed to narrow and focus. This was followed by a profound sense of detachment from any sense of self, almost like becoming weightless or losing a sense of individual identity. When I finally opened my eyes, I found myself in a completely new room, confirming that I had successfully transitioned out of the void and back to reality with everything on my life
Did everything you wanted come true?
Oh, absolutely—and then some! I ended up getting things I didn't even know I wanted. The way I look now is even better than my Pinterest boards ever dreamed of. Like, I had this idea for how I wanted my room to look, trying to mash together different vibes and aesthetics, and it turned out way better than I could have pictured. I was stuck between wanting a curvy figure and that sleek Bella Hadid look, but somehow I got the best of both worlds, which is exactly what I was hoping for.
I wasn’t even thinking about changing my eye color, but it happened, and I absolutely love it. I thought I'd revise old friends, but instead, I found new, amazing people who fit into my life perfectly. Now that I’ve got a better sense of self, I see this is exactly what I really wanted deep down. Everything just fell into place so perfectly, and it feels like I've finally got a handle on what I truly wanted all along.
Can you manifest things for other people?
Well, yeah, but it’s kind of like it's really just about yourself in a way. I mean, there have been times when I managed to manifest things for my brother, but oddly enough, I struggled to do the same for myself. It's weird, right? I don't fully understand how manifestation works in every detail. I just kind of go with the flow and assume it works the way I want it to. If I can pull off all these manifestations, then why not just trust that I can manifest whatever I want, however I want it? That's the mindset I've adopted, and it seems to work for me.
What's it like being a master shifter?
It's like waking up and remembering who you truly are, and almost laughing at all the suffering you experienced. When you think about it, you might have lowkey created that suffering yourself, which is kind of sadistic, but instead of holding onto any negative emotions about the journey, I just appreciate my life more. It’s a mix of joy and bliss. I still remember my old life, sure, but somehow, this new reality feels just right. It's like destiny exists, and I’ve finally found mine.
This concludes everything for me, and I’ve decided I won't be continuing my blog any longer. I've shared a lot of helpful insights in the past, but I won't be actively posting from now on. Thank you all for the love and support. I’ve reached a point where I no longer have a reason to continue here, and soon, you won't either. Goodbye and take care!
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natamouche-art · 3 months
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some favourite shots I did for episode 6... it was so fun crafting the final bridge scene from Travis' script, and seriously all the credit for the amazing opening seq goes to our EP Aaron for taking the emotion in Yaz's exposure therapy to the next level!
Inspo for this ep mainly came from the Alebrijes attack and car chase boards from the Coco blu-ray deleted scenes. Seriously yall, if you're an aspiring board artist, go watch those, they're all masterclasses in camera, framing, and acting.
Some thoughts below about these boards if yall are interested...
Becklespinaxes - there was a LOT of research that went into becklespinaxes (aka altispinaxes) to make this bridge scene happen. In the original script, there was the idea that Blondie (the yellow becklespinax) would be ramming and spinning the side of the van all over the bridge from the beginning, all while ben was still driving forward and Sammy was trying to climb the side latter of the van and into Yaz's window. - I think in writing it made for a really rad scene, but there were some concerns that the physics of all of that, as well as some staging issues, so I dove into becklespinax research to see if some of these problems could be fixed by grounding the conflict in the dino's hunting/attack styles - From what I can remember, as a mid-sized theropod, the becklespinax would've hunted small sauropods and the like, not van-sized dinos, so having her ramming the side of the van was out. Instead, I theorized the becklespinax would more likely be interested in rooting out the tastey treats inside, like a bird fishing out grubs from inside a tree or log. Thus, Blondie jamming her head into the window was born - From there on I tried to keep the van-and-dino physics and behaviours as grounded as possible, but i'll be the first to admit that physics was never my strong suit and sometimes the plot's just gotta come first over science
One detail I loved that unfortunately seemed to get passed over in animation was the way the second becklespinax, Brownie, entered the shot from behind the camera, and covered up the "NOW LEAVING DINOSAUR FREE ZONE" to just be "NOW DINOSAUR ZONE". Corny, I know! But it felt right and I was heartbroken to see that it wasn't caught in time to be able to go back and change it
Also no heart by sammy's name on yaz's phone :( idk why, sorry gang
About boards, an interesting thing to keep in mind was that even though this bridge may seem like a pretty isolated and simple set, there were actually several moments/shots that I didn't end up using because they revealed too much of the background, specifically the exterior island set and the exterior mainland sets that connected to the bridge! That's right, in the actual set models, those parts are just the cliff ledges and a bit on the sides, everything else would have to be what's called a paintover. That's something for aspiring storyboard artists to keep in mind about working on 3D TV shows: the sets come before storyboards in the pipeline, so often you have to make what you want to do work to the set, and not the other way around like in feature!
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beneathashadytree · 1 month
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HI GUYS! LONG POST, MAKING A BIG ANNOUNCEMENT OVER HERE! I WILL BE ACCEPTING WRITING COMMISSIONS FOR A COUPLE OF MONTHS, DUE TO THE FACT THAT I LIVE IN EXTREME POVERTY… PLEASE REBLOG!!
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Here are my commision prices:
1$-2$ —> an SMAU (depends on length)
5$ —> a drabble (around 500 words)
10$ —> a oneshot (around 1000 words)
20$ or more—> a ficlet (2000-4000 words or more)
What fandoms I’m willing to write for (the ones in bold are the ones I’m best at and hyperfixating on):
Attack on Titan
Mr. Love: Queen’s Choice
My Hero Academia
Haikyuu!!
Jujutsu Kaisen
JoJo’s Bizarre Adventure
Moriarty the Patriot
Tokyo Revengers
One Piece
Bungou Stray Dogs
Kuroko no Basket
Ikemen Sengoku
Ikemen Vampire
Ikemen Revolution
Ikemen Prince
Love and Deepspace (my current fav)
How do I request a commission?
Either contact me via my DMs here, or on my Ko-Fi! I’ll be linking my account at the bottom of this post.
What’s the commission format?
Tell me your name or your OC’s name, their gender & pronouns, describe them to me both physically and in terms of personality, then tell me which character you want me to write them with. I’ll be writing “character x reader” or “character x OC” fics, so I need to know what I’m working with! Any extra details will help a lot. Of course, we will discuss everything concerning your commission privately.
If you want to check out my previous works to have a rough idea of how things will look like, be sure to check out my masterlist, which is my pinned post! Of course, my writing improves over time, so it may not be precisely as it is there.
How do I pay you?
You can pay me via my Ko-Fi account, which is linked to my PayPal! Here’s the link to my Ko-Fi.
Please consider helping me out, whether by requesting a commission, or by sharing this post and my links as much as possible!! I’m trying my best to do all I can now that I haven’t got many options left.
As some of you might already know, I’m a dentist, but still at uni. Sadly, studying dentistry is extremely expensive, and I can’t rely on my parents to pay my fees for me for a few reasons.
The first being that my dad is a heart patient, and can’t work anymore. The pension he receives is literally less than the equivalent of 90 dollars. Of course, that doesn’t provide anything in terms of food and living (we usually can only afford a meal or two a day) except for some of his meds—not even all of them. His health is steadily declining.
My mother is extremely narcissistic and very, very abusive. I’ve gone through hell living with her because I have to, but even she can’t even afford to take care of us because no one wants to hire her at her old age, and she’s used up all her savings on my dad.
I’m also physically disabled, and can’t move around often. I also have to have surgeries every now and then because of the chronic illness I have.
I am in serious, dire need of money, both for my tuition fees, and hopefully to be able to live. I have to keep us afloat until I can get married in a couple of years, since I can’t live alone. Besides, my dad doesn’t deserve to suffer with his heart problems.
I tried working with dentistry last year, and that worked for a while, but this year no one’s hiring due to the terrible state of our economy. I have no skills aside from my writing, so that’s what I’ll have to work with. I’m getting seriously desperate, so I hope you guys understand why I’m doing this, and hopefully feel inclined to offer any support you can—even if not financial, but just by reblogging this post!
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iovmegumi · 1 year
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sims 4 crystal legacy challenge
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hello! here is a legacy challenge i created while playing the Garden Legacy challenge. i didn’t want to finish on my tenth gen and decided to create my own challenge, based on crystals. this challenge can be continued from a previous save or started in a new one! i also tried to implement base game options for those who don’t own all the packs! some gens do need packs but if you don’t have them, they may be skipped. 
if you play this please tag me! or post your sims with #iovmegumi crystal legacy challenge
general rules ❥ you do not have to live on the same lot for all 10 generations if you wish. ❥ mods and cc are allowed! ❥ no money cheats ! ❥ i’ve assigned a colour to each gen so you may play with berry sims if you wish!  ❥ i’ve decided that in each generation you may roll for offspring (rolling a dice or using a random number generator to decide how many children) unless stated otherwise in the rules.
gen one - rose quartz (pink)
a stone of unconditional love.
growing up, all you ever wanted was a family. leaving home young to start your life, you work on your career while trying to find the one, dedicated to cultivating the perfect life. you work hard to support your family and love your children so much, opening your heart and home to those in need of families as well. you cherish your partner and frequently find yourself going on date nights.
traits: family-oriented, romantic, perfectionist aspiration: super parent (PH) or big happy family rules:
❥ level 10 cooking ❥ level 5 gourmet cooking ❥ level 10 parenting (PH) ❥ master arts critic career or reach level 10 of painting while freelancing ❥ have four kids, one adopted ❥ marry your soulmate and stay together until death do you part
gen two - orange calcite (orange)
a stone for energy and creativity.
you had everything as a child, lots of siblings and loving parents. you took an interest in your house, specifically the furniture and decided that you’d love to create your own items. when you are old enough you begin learning how to make furniture and take an interest in repairing objects. though you grew such a passion for this, you found that you hadn’t really had time to make friends.
traits: loner, self-assured, maker (EL) or creative aspiration: master maker (EL) or curator rules:
❥ level 10 fabrication (EL) or complete crystal collection or both! ❥level 10 handiness ❥ level 5 gardening ❥ level 10 civil designer career - green technician branch (EL) or live off making creations ❥ have only one friend ❥ marry that friend ❥ complete aspiration ❥ roll for offspring ❥ fill house with furniture or items you’ve made
gen three - moonstone (white)
a symbol of light and hope and also encourages us to embrace new beginnings.
your parents were so focused on the world around you that you began wondering what else was out there. you grew a fascination for space and found the urge to explore outside your planet. you meet some different people, and even find yourself falling in love with one of them. how do you tell your parents that you’re marrying an alien?
traits: genius, family-oriented, clumsy aspiration: nerd brain rules:
❥ level 10 logic ❥ level 10 fitness ❥ level 10 rocket science ❥ level 5 parenting ❥ level 10 astronaut career ❥ complete aspiration ❥ have 4-5 kids ❥ marry an alien (if you have GTW) ❥ build & fully upgrade a rocket ship ❥ travel to sixam
gen four - sodalite (blue)
enhances communication and builds confidence.
having an alien background, you have never felt like you fit in. you dream of having lots of friends and living a normal life. you focus on trying to blend into society and try to be as social as possible, throwing parties and meeting new sims, even seeming to gain some attention on the internet too.
traits: outgoing, unflirty, party animal or bro and loyal aspiration: friend of the world rules:
❥ level 10 charisma ❥ level 7 comedy or mischief ❥ level 7 video gaming ❥ level 10 social media career - internet personality branch (CL) or entertainer - comedy branch ❥ complete aspiration ❥ roll for offspring ❥ throw 5 parties over the course of your life
gen five - pyrite (grey)
used for abundance, confidence & protection.
note: this gen requires Get Famous and may be skipped if you do not own the pack!
having a well-known parent thrust you into the spotlight from a young age and as you grew older, you found yourself loving it, wanting more. you dream of being on the big screen, your face plastered on billboards, your name nominated for awards. you’ll do anything to gain fame, even if it means use others.
traits: ambitious, snob, self-absorbed (GF) aspiration: world famous celebrity rules:
❥ level 10 acting ❥ level 10 piano ❥ level 5 violin ❥ level 5 guitar ❥ level 10 acting career ❥ complete aspiration ❥ become a 5 star celebrity ❥ have two failed marriages ❥ have only one child ❥ have a butler (VG)
gen six - amethyst (purple)
a powerful protective stone.
your parent was obsessed with fame, wanting you to follow in their footsteps. after seeing how little they cared about you, you decided to go in a different direction. your butler was your best friend and basically raised you, talking to you of how they used to love their family garden. you decide a quiet life is suited to you and put all your focus into working on a lovely garden dedicated to your butler.
traits: loves the outdoors, neat, vegetarian aspiration: freelance botanist rules:
❥ level 10 gardening ❥ level 10 cooking ❥ level 6 logic ❥ level 10 gardening career (seasons) or complete basegame plants collection or both ❥ have at least 3 kids ❥ lose one child to death ❥ be best friends with your childhood butler
gen seven - tourmaline (black)
promotes happiness and offers protection, inspires creativity.
losing a sibling was the hardest time of your life, and you found that your family never recovered from this loss. you hear a myth of a book that can bring people back to life and vow to return your sibling back to you and your family. 
traits: gloomy, creative, paranoid or erratic aspiration: bestselling author rules:
❥ level 10 writing skill  ❥ level 5 photography skill (GTW) ❥ level 10 writing career ❥ complete aspiration ❥ write book of life & bring back deceased sibling ❥ marry a bookworm ❥ roll for offspring ❥ adopt a cat (C&D)
gen eight - bloodstone (red)
for courage & justice, strengthens immune system & family bonds.
your parents had been stressed a lot of their life, working hard to bring your family member back. you were frustrated that they had to go through so much and decided to take it out on others. you grew to despise most people, working on creating enemies rather than friends, feeling a sense of justice for your parent. yet you still made sure to love your children, even if you may have not loved your spouse as much.
traits: mean, noncommittal, bro aspiration: bodybuilder rules: 
❥ level 10 programming ❥ level 10 mischief ❥ level 10 criminal career (oracle branch) ❥ roll for offspring ❥ cheat on your spouse once all children are born ❥ get divorced as an adult ❥ get engaged again & leave new spouse at the altar
gen nine - amazonite (green)
a stone of peace, harmony, truth & communication.
the trauma of your parents rough marriage led you to pursue finding harmony and inner peace. you find this through yoga and painting, refusing to get a job so you can keep an eye on your spouse and make sure all your children feel loved. 
traits: jealous, erratic, art lover aspiration: painter extraordinaire rules:
❥ level 10 painting ❥ level 10 wellness (SD) or level 10 violin ❥ level 5 knitting (NK) ❥ complete aspiration ❥ never get a job ❥ fill your household with children ❥ always celebrate the holidays (seasons) ❥ go to the spa once a week (SD)
gen ten - citrine (yellow)
attracts wealth, prosperity & success.
note: this gen requires discover university! but i have included a basegame option too!
your whole life has revolved around your siblings. you had nothing that was your own and desperately wanted to remove yourself from them, wanting your own success and your own name. you study and get a degree, priding yourself on your intelligence and work ethic.
traits: hot-headed, materialistic, overachiever or ambitious aspiration: fabulously wealthy rules:
❥ level 10 robotics or level 10 logic & charisma ❥ level 7 programming ❥ level 7 handiness ❥ level 10 engineer career or level 10 business career ❥ complete aspiration ❥ get a university degree (DU) ❥ own a dog & a cat (C&D)
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angelnumbing · 1 year
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whether you like it or not, YES, obsessively reading love/your person/crush/FS/etc. tarot readings is bad for you.
even if you’re just reading them for fun (like i was), you have to really think about it. first, every reading you click on requires some kind of energetic connection with the reader. if you read/watch multiple of these things a day you’ve got a bunch of strangers all up in your energy all the time and that’s just not going to be a good thing. buying personal ones is included in this.
youtube randomly recommended me a video of a woman explaining that we as clients come to these readings because, most likely, our situations are so unfulfilling or confusing so we seek answers through tarot. this is natural imo and isn’t a sign of bad character or anything, but we have to accept that some things are meant to be a mystery to us. beyond that, a tarot reader (especially one doing PACs or collective readings) can only pick up on the energy of the querent. the other person’s energy cannot be picked up on without consent, which means that tarot readers read your energy and the way you interpret your person’s energy. this means that if you see your person as hot-and-cold and are holding onto hope for a connection that clearly isn’t working, the reader is going to tell you exactly what you’re thinking because the only way that 3rd party person’s energy can be accessed is through the footprint it leaves in your aura.
not only does this mean that — if you consume these readings often — you’re consistently getting told a false one-sided narrative, but it also inherently establishes its own reward system that keeps you coming back for me. for example, you tell yourself that your person likes you (and maybe they do!) but they’re scared of their feelings for you which is why they ghost you. when you receive a reading that says this, it affirms to you that you were right, and the reading was “accurate”. worse than that, these readings and your dependency on them can easily be used to justify clinging on to a relationship or connection that isn’t working. your person goes cold and you run to a tarot reading basically to be told that there is some hope, actually, and now instead of dealing with the difficult feelings that come with romantic disappointment and growing through that, you’re stuck in the stagnant state of waiting for reality to match up to the picture in your head. realistically, the healthiest thing for you to do is move on from this person and work on yourself.
this isn’t to say that all tarot readings are terrible, because i don’t think that at all. tarot can definitely be a great tool for self-discovery and just for getting some direction in life. i also don’t think there’s a problem with doing love readings for yourself as long as it’s not constant and obsessive.
if you find yourself looking for affirmation from these readings, you should instead shift your focus to readings about your shadow self, where you need to grow and heal, and other things like that. we cling on to these lackluster connections because of something in our past that makes disappointing people attractive to us. i know a lot of you on here are very defensive about your precious PAC readings, but the fact of the matter is that you read them because either your love life is nonexistent and you have to consume what is essentially self-insert fanfiction to cope (i’m not coming for you bc i’m in that camp) OR you do have some connection with someone but they are falling short or disappointing you in such a way that direct communication is not possible and you have to turn to an outside source for some kind of answer.
at the end of the day, if you actually care about yourself, you’re going to have to do the (very hard) work of finding security in yourself and who you are. these readings and any relationships you have or aspire to have are never going to replace that. and frankly a few of you seem to put too much weight on the meaning of these readings. i remember someone said they don’t bother to put any effort into their current relationships anymore because they “know” their current partner isn’t the one bc it doesn’t match up to what they’ve read in FS readings. at some point you need to use your common sense. the readings get hundreds of notes and thousands of views and there’s no way you can rationally justify making decisions like that based off of something meant to apply to everyone who watches and not just you specifically.
i’m making this post because i’ve stopped consuming readings like this and i actually feel so much better mentally and spiritually. they actually are fully capable of making you completely delusional as well, which in some contexts isn’t exactly a bad thing but it’s not a great state to be in when it comes to your interpersonal relationships. ultimately i hope that i’m able to at least of few other people break their pattern and kickstart a genuine healing journey.
i don’t use this app often, tbh so if you get mad in my replies you might as well take it up with god because i’m not looking and if i am looking i’m not caring at the same time. toodles!!
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marley-manson · 7 months
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Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.
Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.
Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.
And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.
From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.
Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.
Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.
And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.
Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.
More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.
But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.
Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.
This difference in framing can partially be explained by the nature of their respective gender performances.
While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.
The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.
This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.
And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.
Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.
Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).
Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.
Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.
Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.
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mcflymemes · 11 months
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AS SAID BY DORIAN PAVUS  *  assorted dialogue from dragon age inquisition, updated version
i don't care what they think about me. i care what they think about us.
i like you. more than i should. more than might be wise.
discretion isn't your thing, is it?
all this dancing, politics, and murder makes me a bit homesick.
i suppose it really depends. how bad do you want to be?
living a lie... it festers inside of you, like poison.
i'm a man of many talents. what can i say?
the moment i saw you, i thought "there's a man who knows quality."
if you don't come through this, i swear i'll kill you.
i'm curious where this goes, you and i. we've had fun. perfectly reasonable to leave it here.
here is my proposal: we dispense with the chitchat and move on to something more primal.
i tease you too much, i know.
i'll have to find something we can do that doesn't involve teasing.
time to drink myself into a stupor. it's been that sort of day.
i see you enjoy playing with fire.
i like playing hard to get.
i'm not suggesting we venture into mutual domesticity.
if it's a trap, we escape and kill everyone. you're good at that.
talk to me. let me hear how mystified you are by my anger.
oh, i'm not arguing. just pointing out the ridiculously obvious.
if you choose to leave your door unlocked like a savage, i may or may not come.
now... what was i talking about? ah, yes. me.
i am apparently an incredible ass at accepting gifts.
i prefer the company of men.
would you prefer me bound and leashed?
sometimes the ones you love are also the ones who disappoint you the most.
you are the man i love, [name]. nothing will truly keep us apart.
the things you ask are just... very personal.
sometimes... love isn't enough.
there will always be an "us." we'll just be... farther apart, for a time.
i had no idea something like you was possible.
i'm imagining what you would look like in a dress.
i've never seen you smile so much!
i have no idea what you're talking about.
you stand there, flexing your muscles, huffing like some beast of burden with no thought save conquest.
you're shaping the world for good or ill. how could i aspire to do any less?
my footsies are freezing, thank you.
don't you ever bathe?
you're not suggesting we're similar.
watch where you're pointing that thing!
i'm not wearing a skirt.
it's significantly more impressive than hitting them with a sharp piece of metal.
i only meant to say i'm very sorry for your loss.
we can continue this dance forever, if you wish.
i'm saying we should be careful what we assume when it comes to such matters.
demons don't appreciate a man with good hair.
what i wouldn't give for some proper wine.
your outfit's entertaining. i'll give you that.
he had to leave early on account of assassination.
it's nice to know you have friends.
i'm here to do what is right.
come on, just answer the question.
they were asking me about you. personal things.
you said we'd be ass-deep in trouble. this is more like knee-high.
so what's your estimation? think we can win?
you can't call me pampered. nobody's peeled a grape for me in weeks.
you startled me. you're always so... nondescript.
you're a special and unique snowflake. live the dream.
i wanted to see you make flowers bloom with your song. just once.
you've done a lot less dancing naked in the moonlight than expected.
i've never seen anyone in this part of the world do it.
i realize there's more to you than that.
have i offended you?
for hating the outdoors, you sure seem to like bad weather.
i can't figure you out, [name].
you don't play their stupid game, they send an assassin or three your way.
i can't believe you're scared of magic.
i'm going to take that as a compliment.
still don't like me, [name]? after all this time?
[name], i owe you an apology.
i suspect people will use any excuse to hate us.
why be ashamed? power should be respected, not swept under the carpet.
maybe you're not a complete moron.
i just need to know you're capable of higher thought. for my own comfort.
it would take work. and soap. lots and lots of soap.
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nayatarot777 · 8 months
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do you view this person clearly? (preview to extended patreon reading)
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if you’d like a personal reading, then please check out my pinned post 💚✨
• pile one •
how do you view this person?
you view this person as someone who’s “prickly” in some way. someone who’s hard to reach. but at the same time, you see something that’s extremely precious in them. you may assume that this is why they have the type of demeanour or energy that repels people - as a method of protecting the preciousness that they have inside. you view this person who’s worth spending time on to develop something practical with. although it seems like it’s difficult to progress your connection with this person. it may be slow because they’re very slow to open up. you view them as someone who’s quite practical and grounded. someone who’s focused on steadily working on what they’re building for themselves in their practical life. there’s something about a prickly demeanour that hides a soft inside. you view them as someone who’s either very emotionally confusing or someone who’s very emotionally overwhelmed. i don’t think that this person speaks about their feelings that much. they prefer to keep them a secret. but there’s a lot that you pick up on about this person’s emotions in an intuitive way. this person also stands out compared to many other people who aren’t really what you’re looking for. people who you have hit a dead end with or who you know that you would. this person is majorly different to anyone else that you’ve met so far. they stand out the most. there’s something about them being golden. being very healing too. there’s some type of innocence and goodness that you view in them. this person shines bright to you.
you view them as someone who’s very abundant physically (they could have a lot of money). there’s an elegance about this person - maybe even a chivalrous type of character - and you could definitely view them as an earth angel of some sort. you’re someone who has high standards and you see this person potentially being the one person who could live up to them. you feel like they could possibly be the one to be on your level in a connection, a friendship, a business partnership - whatever this is. there’s a repetitive message about this person just being golden in your eyes. one of a kind. you see that this person is deeply connected to their inner child. no matter how self-protective their demeanour is, their inner personality shines through. their inner child shines bright. they’re extremely authentic to you and they’re someone who elicits happiness and growth towards those around him. they have the energy of warm sunlight to you. they have an energy that many people need in their lives. you view them as very self-sufficient and very confident in their abilities to gain their goals and achieve their aspirations. they seem like they don’t need anyone for their own happiness. they’re self-sufficient in their physical life as well as in their ability to make themselves happy and content. and that may be the difference that you see in this person compared to everyone else. they’re someone who doesn’t rely on or use other people to give them something that they can’t give themselves. they don’t rely on others as a source of energy to siphon positive energy from. they’re someone who naturally has that for themselves - and therefore they have that for everyone else.
if this has resonated with you and you’d like to see if the way that you view this person is accurate + how they view you, find the extended reading on my patreon here OR on kofi (to purchase this extended reading individually)! 💚✨
• pile two •
how do you view this person?
you view this person as someone who’s extremely giving. extremely charitable. either with their money or their time. this person is extremely charming to you. you believe that they love to help people who are less fortunate than them. people who are in need of help. specifically younger people for some of these people. they just seem to really care about others and always want to be of help or of service. you also view this person as extremely focused. one-track minded in some way. they’re very perceptive too. and you might see this person enduring a lot of pressure in their life. this major focus and pressure is either towards helping other people (could be their family, their friends, people who they work with - especially if it’s children or vulnerable people etc.) or it’s towards their work and their finances in general. you view them as someone who was raised right. that’s what i’m really feeling. this person really has a lot of chivalry or respect or just a lot of manners for people. so therefore they attract that back to themselves too. this person could prioritise being very helpful towards women too - which is where this energy of chivalry and being a prince charming is coming - regardless of gender. they’re just someone who likes to be a protector or helper of some sort towards people who they believe should be cherished and cared for, from your perspective.
i feel like you view this person as someone who always wants to help people who are struggling emotionally too. people who are grieving and people who are going through emotional loss. you may pick up the energy of emotional grief from this person at times too, and therefore you assume that they have a lot of empathy towards the people who they want to help. you may know about a new financial opportunity that this person is going after and you can tell that they’re extremely focused on this. this could also be someone who gives people new opportunities in their life. new financial or work opportunities to build a stable life for themselves. this could also be very valuable advice. i feel like you view them as extremely abundant themselves, but someone who’s constantly looking for more opportunities in life to go after. someone who’s very ambitious when it comes to their personal goals. and i feel like for a lot of you, you can tell that this person’s personal goals revolve around helping people in the world in some way.
if this has resonated with you and you’d like to see if the way that you view this person is accurate + how they view you, find the extended reading on my patreon here OR on kofi (to purchase this extended reading individually)! 💚✨
• pile three •
how do you view this person?
you view this person as someone who you have a very strong emotional connection to. you feel like they’re your equal emotionally. like the emotions that you have for them are equally reciprocated back to you. you could definitely already be in a relationship or a friendship or some sort of connection with this person. and you view them as someone who you have pure, genuine love and care for that’s reciprocated. someone who’s your emotional comfort as you are for them. you feel like you’re on the same page, and that you’re both moving towards the same place in life together. you view them as someone who greatly helps you with your direction in life. someone who helps you to gain control over your life in some way. you view them as someone who really inspires you. someone who finds new excitement or new inspiration to exert their energy towards too. for some of you, you can see that this person is trying to start a new chapter of their life - perhaps with better morals and values than before. this person could have a bit of a dark past in some way, but you can see their effort to use this as energy and motivation to propel themselves forward onto a new path.
aw, this person really gives you a lot of happiness, pile three. they light you up because both of your inner-children can be authentic and be themselves around each other. there’s also something about this person shining an awareness on your emotions. on your ability to emotionally connect with another which is something that you may have really struggled to do before. you view this person as your vitality in a way. they give you something that you need to grow and evolve. and again, i’m seeing that you view this as an equal effort on both of your parts for each other. you view this person who you are going to build an EXTREMELY happy and stable life with. 10 of pentacles is out here. you view this person as someone who you can move towards building a very happy family with, for those of you who are in a relationship with this person. if not, then this is just someone who you view as someone who you’ll be with for the long-haul, building a life together. going back to this person’s past that they’re trying to move away from, i am seeing that you feel like they have A LOT of regrets about this. their past could keep them up at night because of this. someone who maybe even sheds tears because of the past that they’re trying to build a new life from.
if this has resonated with you and you’d like to see if the way that you view this person is accurate + how they view you, find the extended reading on my patreon here OR on kofi (to purchase this extended reading individually)! 💚✨
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bookishgalaxies · 11 days
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𝐃𝐚𝐭𝐢𝐧𝐠 𝐀𝐥𝐛𝐞𝐝𝐨 𝐇𝐞𝐚𝐝𝐜𝐚𝐧𝐧𝐨𝐧𝐬 ❥
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pairing: albedo x gn!reader
type: headcannons, not proofread
warnings: fluff, so much fluff
a/n: I’m such a simp and I know I have requests and other drafts and calculus homework but it is his birthday!!! I had to post something !!
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❥ for starters I know this hall boy confessed in the most deliberate way
❥ we’re talking you were simply doing a task with him and the room and he just turns and goes
❥ “I’ve been reading lately about human relationships and at what point you should attempt to have one. I’ve concluded that I would like to date you, if at all possible.”
❥ “I’m not participating in another experiment. The last time I did I was sick for five days.”
❥ “This one I confess is not an experiment. I read about the conditions for people know they want a relationship with someone and all of them lined up with my feelings towards you.”
❥ “Are you asking me out?”
❥ “I believe that is the more common term for it, yes.”
❥ I think at first he’s VERY shy. Not in a uwu won’t say anything shy. I actually imagine he isn’t a bad conversationalist. He likes having long talks and asking you about your aspirations and how you acquired them.
❥ I think he’s shy in the sense that he’ll brush his hand against your’s gently as if asking to hold it. As well as leaning in really close and then whispering the question of if he can kiss you.
❥ Albedo really enjoys drawings you. I know it is a cliche headcannon of his but I had to include it. I just genuinely believe to him he enjoys looking at you, no matter what your appearance is, and attempting to memorize every shape and line so he can draw you well.
❥ He also enjoys just being around you. He wants you to be there while he’s doing experiments. If you are into alchemy or interested in it/interested in helping him, great! If not, he would want nothing more than for you to stay and do your own thing. The feeling of your presence warms his heart.
❥ Dragonspine always gets colder in the winter months and you best believe he always gives you his coat.
❥ “Albedo, you are going to freeze without it. I’m not taking the jacket”
❥ “Your human body will freeze much faster than mine, please, I insist.”
❥ As for nicknames and things I genuinely think Albedo just calls you by your name. He likes the way it sounds and uses it quite often. If you want to be called by a specific pet name he doesn’t mind but he definitely enjoys just calling you hy your name.
❥ His sleep schedule was shit before you came along but it has significantly improved. He observed how you enjoyed cuddling with him and how much faster you fell asleep. So now anytime you retire for the night he does the same.
❥ There may have still been a few all nighter’s pulled by him though where you find him asleep in his chair, head on the desk.
❥ I’ve seen a lot of people say that Albedo wouldn’t be good at cooking and I don’t really agree. I mean, I don’t think he’s fantastic at it but he’s decent.
❥ I do however believe he SHINES in the baking department! Baking is about a lot of precision with ingredients and instructions. Albedo as an alchemist does that everyday with his research.
❥ I just know one time he made you heart shape cookies and wrote cute messages on them
❥ I believe that is it for right now, I may add more later. Happy birthday to this lovely alchemist !!
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thank you so much for reading !!
have a nice day/night !!
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anantaru · 2 years
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✧ ۫ 𑄼ల۫  ۪ sfw scaramouche boyfriend headcanons
we all know he deserves some fluff in his life 🩰
genre: fluff, gn! reader, kissing, lots of love, gossip boyfriend kuni (my favorite personal hc)
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+ ˚ gossiping while cuddling (gossip bf kuni)
without a single doubt, quality time like that one in particular was surely scaramouche's favorite and according to him, nothing else could outbid it either.
and, well, this is what he always aspired, to have you close by his side so you'd be secured and loved forever.
enveloping you with both tenderness and warmth, kuni had placed his head against your own to listen to your incoherent mumbling about your day.
how come your breathing was calming him so greatly? your heart, it sounded so fragile, stirring him on to protect it even further.
more often than not, you'd also ask him to tell you all about his past work place, you weren't sure what made it funnier, the stories scaramouche would come up with from time to time or the way he was telling them to you.
full of disgust and demeanor, it was safe to say he hated everyone there.
from what you can see, it was clear as day kuni loved sharing stuff with you, didn’t matter what it was.
he wasn't eager to do so in the beginning but gradually loosened up to the idea of sharing things with his s/o.
yet in truth, and that goes without saying, scaramouche was actually quite invested in the gossips and little stories you'd tell him, he'd ask more than you would’ve thought he would about them.
the worst, jarring, possible outcome would be for you to leave him on a damned cliffhanger, it was infuriating and irksome, so annoying!
his hands are now tightly entangled in yours and ever so often he‘d draw you closer as well, kissing and worshipping your tender skin while eagerly listening to the continuation of your juicy, hilarious stories.
+ ˚ painting each others nails
as you'd expect from your boyfriend, he'd do whatever you'd want, sometimes scaramouche would complain about it but do not fret, he‘d still do it regardless.
so, if you ask if he could paint your nails because you tend to mess yours up, he'd naturally agree after some bickering like "can you not even do that without me?"
but bear in mind, scaramouche wants everyone to know you're his so, what if, he'd let you paint his nails too now? it'll be a perfect outcome, a so called "win-win" situation.
"be careful!" he's squeaking as you worked your way to his fingernails, gingerly applying the black polish, slowly, you did it slow so you wouldn't mess it up.
important to note and much to your surprise, kuni was actually quite skilled in putting on nail polish on your nails.
"why wouldn't i be able to do this?"
he's shooting you a deadly glare while hiding the obvious flustered state he were in, raising a brow.
"do you humans need to be taught every single little thing?"
here he goes again, well, that was entirely different but you did not bother to speak up, being aware of his nature with words that is.
"you're just that skilled kuni."
making sure to add a little teasing, apathetic lace around your words, you had caught your boyfriend off guard, again.
he's averting his gaze from you fully now to focus on the mission ahead— that being applying polish on the nails of your left hand, but not before snarkily rolling his eyes back at you.
also in true fashion, he‘d complain every once in a while, can you stop moving? he‘s trying to get the job done, duh!
"stop wiggling around like that, you just want me to mess up!"
+ ˚ getting used to being loved
touch, intimacy and love.
three things that weren't as easy for scaramouche as someone might think.
you see, it's quite difficult to trust, to open yourself up to someone and give yourself to them in the process.
for him, it's like he showed weakness that way, something he utterly despised about not only himself, but about humans in the past.
yet as you took his hands into yours, soothing relaxing circles on his palms, the once dampened light in him, suddenly glowed yet again.
you had never seen it before like that. Of course, when scaramouche and you were together, you'd be able to coax out a couple grins or smiles from him— even with him trying to hide them, they‘ll still appear in the end.
but that glow, that damned glow and you couldn't stop yourself from looking into his eyes that shimmered with a bright indigo color.
"is this too much?" you whispered and hummed at him to be sure, not daring to overstep any boundaries or have him overwhelmed.
"yes, i‘m fine."
once, he had answered back, his hands weakly traced over your arms, melting in your skin and drawing themselves all the way to your shoulders, one second - two seconds, before pulling himself back to your hands.
the motion of it was slow and light, for scaramouche it was interesting to see how your body reacted to him.
it was almost addicting to watch and study your facial expressions— how your brows knitted together in concentration, or how he caught you chew on your cheeks as he advanced closer to your collarbones.
all the little details surely would come in handy some day, he figured.
+ ˚ conclusion and his past
truly, he wondered how he had ever gotten so lucky to have you by his side.
was this, again, some cruel trick played out by some god? or was it for one, a lucky encounter he had faced?
scaramouche was certain he'd never get this lucky again, and quite frankly, he didn't want to. His past was filled with both sorrow and hard comings, despair without a way out.
sometimes, while being close to you, while none of you spoke rather only indulged in each others embrace, he can't help himself but be encountered by those dreadful memories again.
it's as if his mind was playing dirty, as if it never let him heal but then, he's looking at you, slightly shaken and you notice, you always do.
and when you're closing the slight gap between your lips, kissing away the grim and distress, kuni had been woken up by you again, stirred from the unpleasant feelings as you reassured him that you will stay, as long as you had to until he had fallen asleep at last.
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©2022 anantaru do not share, copy, translate
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ieatangstforbreakfast · 10 months
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Pairing ೃ⁀➷ 𝐄𝐚𝐫𝐭𝐡 𝟒𝟐! 𝐌𝐢𝐥𝐞𝐬 𝐌𝐨𝐫𝐚𝐥𝐞𝐬 x Fem! Reader
Summary ೃ⁀➷ Lovers have secrets of their own, no matter how much they come to trust each other, whether it be a past mistake or an unspoken trauma. For you and Miles, however, your secrets came in the form of hidden identities— one being a masked vigilante, and the other a mastermind.
Genre ೃ⁀➷ Forbidden love, mutual pining, angst♡
Tags ೃ⁀➷ Both are artists, reader is from a very wealthy family, both are living double lives, underaged smoking, reader is female and uses she/her pronouns, forbidden love (ish?), swearing, daddy issues, mommy issues, reader is unhinged, both are mentally unstable, lots of flirting.
Author's Note ೃ⁀➷ i thought about this plot over and over, and I hesitated publishing it since i don’t want to deviate so much from everything but i said fuck it, so now ere i am, greeting y’all with ‘wassup villain’
Tag list ೃ⁀➷ @sakura-onesan @coffeeandtealol @luvjunie @noetophat @proudgojofucker @depresssedcowboy @shuna-boin
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⚠️ 𝐖𝐚𝐫𝐧𝐢𝐧𝐠 ⚠️ Mommy issues, mention of death,, profane language, plot progression. Pronouns keep shifting bc Miles thinks you’re a guy. A bit confusing? Anyways, congrats with your debut. I’ve got uh.. A little surprise? Enjoy.
FIC MASTERLIST
Previous Chapter || Next Chapter
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"Park behind the building B, McLaren. I’ll have to deal with a separate matter, for now, call backup."
"Yes, miss."
Ring. Ring.
Your head pivots at the sound of your phone’s ringing, eagerly answering the call without having to look into the ID, knowing a thing or two about a certain someone’s timing.
“What’s going on so early in the morning?” Your father haggardly asks. You could already smell the stench of his morning breath from the car.
“We have trespassers in the Warehouse.” You start. “Two of them, partners. The duo we know as the Prowlers.”
“What?” You hear the morning grogginess laced in his voice. “Who leaked the information?”
“I’ve updated Morrison and he’s currently investigating the black market. I suspect a traitor.”
“Evidence?”
“There’d been no reports of outsiders entering the vicinity. All employees have been given fake addresses and all of their gadgets have been monitored— and so far, no one’s been flagged, so my guess is.. A higher up who’s sold us out.”
There you go.
“… I’ll look into it.” Your father mumbles. “Make sure that nothing is released into the media. The election is coming soon, we don’t want to do anything that’ll stir the public.”
“Understood.”
And the call ends just like that.
You blankly look at the road ahead of you, skin itching from the tightness and texture of your leather coat. Laid before your lap was a flat screen, in it were nine boxes— each playing a variety of scenes brought to you by the hidden cameras. Across every box, two swift figures maneuvered past the rooms with incredible ease. Several workers and scientists were sprawled across the jagged floors, motionless like corpses. You grimaced at the possibility of them being dead, but after seeing the thick gas emanating throughout every crevice of the building, you safely assumed that they were simply knocked out.
The Warehouse housed one of your father's investments; an Oscorp-Alchemax experiment funded by the elites, done underground and tested on prisoners to find some sort of super serum. When the new money folks thrusted themselves into the world of High society, most of the higher elites came to applaud the idea of one man.
Harry Osborn.
As a kid, you grew up aspiring to be like Harry. Always so friendly and approachable to anyone and everyone he’s ever met.
He did it so effortlessly that you recognized his niceness as a talent.
Harry came from second generation money— hailing this scientific empire called Oscorp. Having been brought up by his father, Norman, who was an industrialist, Harry was all things sciencey.
After his father's death, Harry sought out a blueprint of his father's past works, finding a journal containing the records of several hypotheses in regard to a variety of drugs. A sort of instruction to turn into a superhuman being, he claims, that his father had put into mind but never really practiced.
A handful of the higher-ups adored the impressionable idea, one of its primary investors being your father. You never really understood his reasons, but when the drug seemingly began showing fruitful results, your father set you up under Antonne's name to supervise Warehouse 317 after Harry entrusted your family to house the experiment.
So at that moment, you weren't you.
And Miles wasn't Miles.
He didn’t know what he was doing here. But he never bothered to really ask since his Uncle seemed tense all throughout the journey.
When Aaron told him to strap up for a sudden mission, he wasn't expecting a raid— nor was he expecting him to bring him to a hidden laboratory containing all these alien-like fuckeries. From glass beakers to drums filled to the brim with some sort of neon liquid, it all varied in levels of strangeness. Everywhere he looked, he could find the same circular, yellow warning sticker staring right back at him. Behind his digital mask, he skims past the unconscious workers— checking every crevice to see if anyone had escaped the incapacitating agent.
“According to the drive, the stuff are located in the north building.” His uncle’s voice snaps him out of the haze. “I’ll be heading there. I’m sure you can fend for yourself?”
“F’course I can,” Miles answered. “I can knock a bitch or two out with these.” He grinned while unfoldding his claw.
“You kiss your mama with that mouth? Watch yo tongue.”
“Yes, sir.”
Aaron pats his shoulder. “Record the evidence, I’ll go find the blueprints.”
With a single nod, Miles sets off with his mission in mind. When the holographic interface materializes from his wrist-mounted control panel, he activates the scanner with a light tap. The digitalized purple light cascades over the room, gathering physical data with each passing step.
He prided in his cut-edge tech— developed into great usage by his and his uncle’s hands. In a way, it reassured him that he had epically great potential, despite the current crisis going on in the city. But of course, his greatest pride was the fact that you liked the idea of the Prowler. That alone harbored him confidence he never knew he had.
Miles never initially thought of himself as a hero, no matter how much he’s worked to save the lower class of New York. Heroes existed in the confines of comic books and kids’ TV shows. He wasn’t super, and he wasn’t a hero either. The term was black and white. Narcissistic, as you would put it.
But he liked playing along to the idea of being a superhero to you.
He wanted you to gawk and admire his vigilante identity. He wanted you to look at the TV early in the morning with a mug of coffee in your hands, pointing at the screen with a squeal, ‘It’s the Prowler!’
Most of all, he wanted you to know about it eventually.
When he passes by the computers, Miles heads straight for the manila folders, unraveling his gauntlet just to grasp the files better.
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[ 11 | 10 | 2020 ]
•[𝙿𝚛𝚘𝚓𝚎𝚌𝚝: #𝟷𝟷𝟹𝟸] 𝙳𝚊𝚢 𝟻𝟼
𝚜𝚝𝚒𝚕𝚕 𝚗𝚘 𝚛𝚎𝚌𝚘𝚛𝚍 𝚘𝚏 𝚊𝚗𝚢 𝚜𝚘𝚛𝚝 𝚘𝚏 𝚌𝚑𝚊𝚗𝚐𝚎. 𝚜𝚞𝚋𝚓𝚎𝚌𝚝 𝚒𝚜 𝚖𝚘𝚜𝚝𝚕𝚢 𝚍𝚒𝚜𝚘𝚛𝚒𝚎𝚗𝚝𝚎𝚍 𝚊𝚏𝚝𝚎𝚛 𝚌𝚘𝚖𝚒𝚗𝚐 𝚒𝚗 𝚌𝚘𝚗𝚝𝚊𝚌𝚝 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚖𝚊𝚝𝚝𝚎𝚛. 𝚖𝚎𝚗𝚝𝚒𝚘𝚗𝚜 𝚘𝚏 𝚑𝚊𝚕𝚕𝚞𝚌𝚒𝚗𝚊𝚝𝚒𝚘𝚗𝚜 𝚊𝚗𝚍 𝚛𝚎𝚜𝚝𝚕𝚎𝚜𝚜𝚗𝚎𝚜𝚜. 𝚍𝚎𝚟𝚎𝚕𝚘𝚙𝚎𝚍 𝚊 𝚜𝚘𝚛𝚝 𝚘𝚏 𝚊𝚗𝚡𝚒𝚎𝚝𝚢 𝚊𝚏𝚝𝚎𝚛 𝚝𝚑𝚎 𝚕𝚊𝚜𝚝 𝚋𝚛𝚎𝚊𝚔𝚍𝚘𝚠𝚗.
𝚝𝚎𝚊𝚖 𝚒𝚜 𝚌𝚞𝚛𝚛𝚎𝚗𝚝𝚕𝚢 𝚍𝚎𝚋𝚊𝚝𝚒𝚗𝚐 𝚘𝚗 𝚝𝚑𝚎 𝚍𝚒𝚜𝚌𝚘𝚗𝚝𝚒𝚗𝚞𝚊𝚝𝚒𝚘𝚗 𝚘𝚛 𝚌𝚑𝚊𝚗𝚐𝚎 𝚘𝚏 𝚝𝚑𝚎 𝚙𝚛𝚘𝚓𝚎𝚌𝚝. 𝚕𝚊𝚝𝚝𝚎𝚛 𝚒𝚜 𝚝𝚘 𝚋𝚎 𝚍𝚎𝚌𝚒𝚍𝚎𝚍 𝚒𝚗 𝚊 𝚏𝚘𝚛𝚝𝚗𝚒𝚐𝚑𝚝.
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With the slightest jolt of his palm, the paper crumbles, and behind it sat another file. He peers through it diligently, only to find a name signed at the bottom.
And it crumples from the clamp of his fist.
Anthony Primo-Chávez.
The surname, Primo-Chávez, was the household name of the family who owns the Primm Hotel, and a single mention of it alone only reignited the anger he was sparing for the upcoming plans. All of the rage he kept to himself was seeping out the cracks of his still-grieving heart, and the grief remained a permanent scar.
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And with a whisper of the wind, the warehouse falls into darkness.
There was this chill crawling up his back, and it haunted him. And in the silence that surrounded him, he calls out for his uncle.
And it echoes, and echoes. No one replies. Only the silence answered to his desperate calls. At that point, all that he could hear was the sound of his own heart beating out of his chest— a sort of morbid reminder that he was still alive. It made him wonder if that was all his father heard when he was trapped beneath the fallen carcass all those years ago. Just like that carcass, in the midst of all that darkness, screams begin to bellow.
Oh. One of the scientists have woken up.
But all Miles could picture was all what could’ve happened that night, when everything fell apart. Did they scream like this? Call out for help like this? Did his father struggle to breathe like this?
A lone light shines above the metal rails— a watch window, large and square, gleaming in this daunt violent that flickered and flickered. There was a figure there, dark, willowy, and invasive in the way it stared.
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Unmoving, watching. A gaze that lingered like the chill running down his back.
What did they do in here?
Like a croak, the question bubbles up his throat and releases.
“Who are you?”
Like a growl, the voice changer emits the query a too many tones lower. At that question, the being tilts its head.
“You’re not supposed to be here.”
Velvety, low, exhausted— and it oozed from the broadcaster mic like a tease. You stared at the Prowler, almost amused by his size. From above, he seemed much tinier, like less of a threat. You feel your breath cascade against the lenses of your gas mask, sweat sticking to the leather of your gloves. There, you see the digitalized magenta and the gleam of his steel claws, as though he meant to intimidate. You stood partially befuddled at the fact that the vigilante everyone revered and loathed was likely a teenager.
“… You don’t know what this place is, don’t you?”
B O O M.
The wall beside him crumbles into dust.
Miles shields himself from the impact, the cement’s fumes blinding his sights. Upon the activation of his night vision, he searches in behind the violet screen, finding only his uncle emerging from the smoke and debris, rushing with a USB in his hands. Behind him, a flock of guards came rushing in with their ray guns— flames of red bursting into a shower as the man signaled him to run.
Miles casts a quick glance at the window above.
No one’s there.
“EVACUATE ALL EMPLOYEES
IM MEDIATELY. IM MEDIATELY.”
The digital voice commands along with a blaring alarm.
The warehouse that housed this elaborate labyrinth, it continued on and on like a maze. Bland green tiles and white walls, glass screens— like a pattern he immediately grew to dislike. It all went on and on like a fever dream, but Miles’ head was ringing with the sight of the man he saw up the window.
And he lays it all out in his mind, trying to piece it altogether.
B O O M.
The walls click and collapse, and the floors shake, but Miles doesn’t look back. The sound of the guards’ heavy stomps cease though, eventually replaced with a sort of screech that irked his ears.
It was unfamiliar to him. He’s faced over a hundred bad people, but only the sight of that being unsettled him more than the rest.
“Up ahead!”
He watches as his Uncle heads right out the window with a fall, the shards ricocheting behind him like specs of snow as he throws a carabiner right back at Miles to snatch. His fingers thinly reach for the cord when he’s suddenly assaulted to the ground with a powerful force.
C R A S H.
“Agh!” He grumbles in pain, rolling down to the ground. But even then, it wasn’t the pain that made every hair on his limb stand, it was the sound of your heeled boots clicking against the tiles, and the sound of your metal blade scraping against the wall.
“Mornin’, Prowler.”
Exhaustion made the delivery deeper. He senses it in you, and you sense it him. Though he was unaware of what your head was actually filled of, I’ve got a lecture at nine, I still have to do my literature essay, and I want to sleep. Miles wasn’t all that interested at all in what your mind bore. To be fair, from where he was, Miles only saw this figure towering over him with a long knife poking out its sleeve. Some gas mask, and a black leather coat. Even then as you stood above him, he could only watch as you fixed your gloves, pulling farther beneath your sleeve.
“It’s an honor to meet you like this.”
Fwip. With a crisp cut, the cord that connected him to his partner was severed. You throw it out the window along with the metal piece. “I’m not so usually cruel, but you’re trespassing my family’s property—“
“So this is your family’s property.” He stands back up, hands aching to fight. “Primo-Chávez. As I recognized.”
He claws at you, but instead, the metal meets the end of your unsheathed blade with a clink!
“You’re smart.” And when you pull away, he stumbles backward. “Let’s see if that’ll save you.”
Crack! The walls quivered as Miles narrowly avoided the blade aimed for his neck. He raises his gauntlets, lunging right at you with swift punches, to which you countered gracefully with quick blocks. Eventually, he manages to take hold of your shoulders, shoving you back with feet tangled like knots. You lower down and hook your heel over his ankle, pulling with force as he falters.
You crack your neck, pressing your heel over his shoulder to keep him down. “I’ll be honest with you, I think you’re awfully underwhelming.” You lean down to his level, musing yourself in the way he heaved.
“But I can forgive all that.” Your fingers fiddle with the strap of his backpack. “You’re useful in a way—“
With a gauntlet over your neck, he slams you against the wall.
“I ain’t working for nobody,” He churned. “And I definitely won’t be fucking working for people like you.”
“I never said you had to work for me.” You calmly replied despite his grip. “You just have to make better decisions from now on.”
“Fuck you mean by that?”
From the ache your neck bore, you knew it was gonna leave a bruise.
“Aren’t you supposed to be smart?”
He furrows his brows at that statement, holding himself back as he taunts. “… I wonder how your father is going to abandon you once I set this little investment of his on fire.”
Rather than the silence or panic he hoped, Miles heard you laugh.
“Do it.” You playfully suggest. “Do it, and kill all the other interns, employees, and guards in here.” Despite your façade, he could still sense the smirk creeping up your lips. “Then think to yourself, ask yourself; are you any better than my family?”
That alone catches him by surprise.
“… You’ve got a lot to learn.”
“What do you m—“ Before he could even finish off his sentence, a powerful strike ricochets into his stomach, sending him off to the other wall. A loud grunt emanates from his lips, hands gripping the lower of his belly as you set your foot down. “The next time we meet, do promise me that you’ll be much more of a promising opponent. Today was.. Eventless.” Your gaze sets sights on the camera hidden in the corner.
“For now, I’ll have to let someone else do the job.”
As though on cue, you see his partner rush in with the broken cord in his hand. The same broken cord you’d thrown out. Without another word, he lunges at you with lightning speed, and the way you collide with the glass wall sends ripples across the corridor.
“You goddamn son of a bitch.”
“Long time no see.”
C R A S H.
And from then on, Miles watches as this figure and his uncle battled amidst the labyrinth. But your words struck him hard, ‘Long time no see’— what did that mean? Did his uncle have a sort of connection to the elites, or has he worked for the upper class before?
With how his punches flew, Miles sensed this sort of undying rage that crackled with the quiver of his Uncle’s fist.
Why did this battle seem so natural? Like the two of them know each other’s moves too well.
“I see you’ve resigned.” You curtly brought up, grunting as he mercilessly charges at you. “And seems like you’ve brought a little something with you.” Upon the mention of Miles, Aaron struck back with a blow, feigning ignorance at your words. Despite your state, you managed to put up a great fight. “Why did you bring him here? He doesn’t seem fit for the job—“
“Stop the small talk, Antonne.”
Antonne.
Anthony Primo-Chávez.
“I’m simply being polite,” You grinned. “It’s been a while, don’t you think so too?”
With that alone, Miles somehow confirmed that the figure was the heir of the hotel in the flesh. The man responsible for the deaths of many— the man responsible for the death of his father. But something felt wrong, like a sense that was gnawing at his guts.
He couldn’t pinpoint what it was exactly.
Just of now, Miles realizes that he had no place here, at least, not yet. But he was just as confused as the other guy, why did his uncle bring him here if it was too dangerous?
“Is your sister also a piece of shit like you?”
Sister?
“She’s a little more pacifist than all of us.”
You lie so naturally, it was like second-nature to you— as though it was your second, utterly ridiculous hobby next to scheming. To play the part of Antonne was excruciating enough, but it was enjoyable in a way. You haven’t seen the Prowler for about four years— last seeing him when you were twelve, when he worked for the Fisks until his abrupt resignation. Next thing you and the elite knew, the mercenary who once worked for the high-class was now a vigilante working against them.
No one particularly knew the reason why. You somewhat guessed what it was.
And when the both of you crashed past the danger zone, you knew that the situation was way beyond your grasps from this point on, and the best you could hope for was a perfect gamble.
The man grabs all that he could in his anger, from glass beakers to steel rods, he figures splashing you with whatever thing he could find can help in making you perish from his sights.
You fight back, without the usage of anything else except the blade, only until Aaron repeatedly smashes your head inside a closed-off frozen cage. The two of you fall right in, breaking some sort of container in the process.
“What the fuck?”
Like a flame, it sears your skin— causing you to panic and recklessly pat away at the tar-like substance enveloping you in its sticky embrace. Without even a shriek, it consumes your system entirely, sending you down on your knees.
And the next thing you know, everything else fades into black.
Aaron pulls away, in shock of the dark matter unveiling before him. Immediately, he places a hand over Miles’ eyes, ushering him away.
From afar, they could hear the police sirens coming.
“Let’s— let’s go.” Aaron hurriedly commands.
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“Uncle Aaron.”
Miles exhaustively calls out to him.
“Uncle Aaron!”
As his mask unfolds, Miles squints as the sunlight seeping from the tall trees welcomes him, shielding his face with his hands while trudging across the stones to meet his Uncle’s steps. Aaron pauses for a moment, taking only one look back.
“Why’d you bring me there?” Miles directly starts. “I wasn’t strong enough to be there— who was that guy? How- How did you suddenly know about the location of the warehouse, how did— I don’t— I-I have school in three hours, I don’t get why you had to bring me along—“
“That girl you’re seeing,” Aaron intervenes without a waste of breath. “What’s her last name?”
Miles takes a step back, furrowing his brows.
“[L/n].”
Aaron nods. “… It’s the same as the file.”
“What?”
“Bring her to dinner.”
Now everything further confused him, what did you have to do with all of this?
“I-I can’t bring her to dinner yet— what do you mean part of the f— we haven’t even gone on a date yet!”
The date set for tomorrow. The trick-or-treating date Miles had always longed for. Aaron tosses his hand upward. “Just make it quick and let me meet her.” He commands in a rush, pacing his steps faster. “We’ve got to get moving before they find us.”
“But— I don’t get it. What does [Y/n] have to do with all of this?"
Aaron stops for a moment, looking up before heaving a long, jagged sigh.
“… I got a file last night. Sent by an anonymous number. Someone managed to take a picture of you and your girl earlier when you were walking her home.”
Hearing this, a bundle of worries begin to churn in Miles’ mind. This whole night enough was messy for him, and he couldn’t understand why things were getting so complicated. Like what Antonne said earlier, it was ingrained into his mind, Aren’t you supposed to be smart?
“Along with the pictures, I got sent a file. [Y/n] [L/n], is..” Aaron consequently looks into his nephew’s eyes, a sort of hesitation imbued in his system. “Somewhat connected to the Primos.”
Miles halts entirely, and over and over, like how he’s always asked for the last hour. “What?”
“I.. I’ll just tell you when we get home.”
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It was many years ago, when your mother endowed this habit of sitting you down by her vanity just to comb your hair and fix you up like a doll.
At that time, you were a tiny little girl with tiny little legs that were unable to reach the floor, instead opting to dangle them with light kicks from your seat— thinking you were some kind of mermaid. During those times, you could only spot at least the whole of your head staring right back at you, but rather than yourself, you marveled at the sight of your mother and her clothes.
The colors she wore were patterned in dates. Mauve, pink, white, and sometimes vermilion in special occasions. Those were the days she used to pick out your clothes for you, and whenever you complained about the color being too bright or dull, your mother would claim that she'd know your colors the best.
As you got older, and when you started dressing for yourself, in the colors you liked, and in the sort of mauve and pink that suited you, you watched as your mother would stare at you from afar with an irate frown, and silently, you'd think to yourself.
Even in the way I rebel against you, you still see yourself in me, because when you look at me, you see only a mirror of your younger self grimacing in disgust. You'd come so far to convince yourself that you're at the height of your being, but your daughter and your child-self only sees mediocrity.
“Miss?”
A flurry of people. Lots of talking. You despised that.
“Miss, are you awake?”
“[Y/n], wake up this instant!”
And at your father’s instruction, your eyes peel open almost immediately. You’re greeted with the sight of the ceiling, and your skin covered in warmth. You look at yourself, finding bruises all over your arms, still wearing your white dress shirt and formal pants. Silently, you force yourself to sit up despite the ache you felt, wincing as you spot several faces surrounding you. There was your father, pacing back and forth, certainly distressed about something; Antonne, with his arms crossed, sitting by the edge of your bed; some physician, silently standing by the side with her hands clasped together; and Harry Osborn standing alongside her.
“What’s going on in here?” You haphazardly asked.
“You almost died.” Antonne stirs the silence. “The Warehouse was set on fire, and you were still inside.”
“The warehouse was set on fire!?” You jolt up, only now realizing the dirty looks from your father. “That’s impossible, how could—“
“There were traces of gasoline.” Emerging from the doors, your father approaches you with a sort of chagrin in his glare. “Since you failed to capture or at least slow down the perpetrators, that happened.”
“… You’re placing the blame on me?” You ask, hardly believing your ears.
“We’re not—“ Just as Harry’s about to speak, your father intervenes. “Yes, we are. Because of your incompetence, we lost millions worth of money in damages!”
“Sir, calm down.”
“Father, this is what I’ve been telling you about.” Antonne pinches the bridge of his nose. “She’s sixteen! How could she have possibly fought against a mercenary!?”
“I did better than you.” Poison spewed from your lips, losing all sort of rationality. “This has never happened before. Whenever there was something any of you asked me to do, I did my very best. How could I possibly perform my best when I lacked sleep and I was dependent on coffee!?”
“Your brother is right.”
Hearing that alone was a nightmare.
“Although you’re talented in upkeep and information, you’re too young to fight against an ex-assassin.”
You helplessly scramble off the bed. “Daddy, you’re being unfair.”
Daddy. It’s like you were a ten-year-old fighting for his attention once again. You looked at Antonne, and then your father, shifting in complacency. “I worked for three years, ceaselessly. Even if it meant giving up my weekends and studying so hard that it made my nose bleed. I got the job done, even if no one paid me or thanked me, I still did everything.”
“We’ve lost a lot of resources,” Harry begins. “And we’ve been brought back to square one because of the fire.”
Before Harry could even finish off his explanation, you lift a finger and point at him accusingly. “This is because one of your people decided to leak information—“ In between your rant, Antonne attempts to soothe you. “Had it not been for the fact that you decided to let untrusted people into the faction, we wouldn— stop it, Antonne— we wouldn’t be dealing with this sort of thing. Mother warned you about it, and you brushed off her every warning— STOP IT, ANTONNE!” You finally yelled out. Your brother ceases, lifting his hands off of you after he sees that you’re shaking.
What’s wrong with me?
Why am I being more emotional than usual?
The way the rage consumed you left you in dismay. At a short moment of epiphany, you run your hands across your face and, like a switch, all of your emotions reboot.
“I apologize. I spoke out of line.”
That line alone was chilling.
“I’m sorry, [Y/n].” The tender way Harry called out your name was unfathomable. “I know it’s upsetting that your job is being taken away from you, and you have every right to get upset. However, for your sake and your health, you can pass on these responsibilities to Montrell for now.”
“Montrell’s in London.” You add. “He can’t possibly take over—“
“He’s not in London.” Antonne confesses. You furrowed your brows, shaking your head. “What are you talking about?”
“… It was going to be a surprise but..”
Oh no.
“Oh,” You blankly state, your mind rioting. “I see.”
“It’s an unplanned decision, really,” Your father explains. “Montrell also has no idea that you’ve taken Antonne’s place in taking care of the hotel for the last three years. It’d be better for you, as well, to take a break.”
You wanted to scream, break down, curse at everyone.
“I’m sorry for being too harsh on you, [Y/n].” Harry eases, placing a hand over your shoulder. “However, you have to understand that it’s also for the best.”
“I understand.” Fuck you, and fuck all of you.
“We’ll leave you to rest for now.” Yeah, leave me the fuck alone before I melt the fuck down.
As they step out, all the tension in the room leave along with the squeak of their fine, leather dress shoes. You’re left with the silent physician, whose presence you’d completely forgotten despite the wildness of her dark curls. She shifts uncomfortably, parting her lips to speak, only to find that she didn’t know what to say.
“What is it?” You ask, lowering your voice so as to not intimidate. Prompting to break the silence in her place.
The woman blinks at you, somewhat relieved by your words.
“Can I be direct, Miss?” She sternly asks.
“It’ll be better off that way, frankly.”
She leans a little closer, tugging on the sleeve of your arm. “When you first got here, your body was riddled with cuts, bruises, and broken bones around— oh, can I touch you?”
You squirm. “I’m not a relic.”
“Sorry ‘bout that. Most of the rich people I’ve worked with were usually snobby douches who think their skin shed gold.” She subtly laughs, raising the fabric up higher. “Initially, I believed you were exactly that kind of rich kid, but after seeing what happened, you don’t seem like anything they say.”
You raise a brow. “.. Have we met each other before?”
She looked at you as though you’d just insulted her, her eyes about to pop off her thick-rimmed glasses.
“.. I work at Alchemax. I’m the head of the research team in the particle accelerator project— we’ve spoken many, many times before.”
“.. You’re not my physician?”
Her lips tighten into a line. “I take what I said back. You’re exactly like all those other rich kids.”
“W-well, I’m sorry.” You grumbled. “I work with a hundred different people almost every single day, my mind usually shuts down when I’m at work.”
“Well, your father did just drag me out of the line and forced me to fix you up since they didn’t want to risk calling for a doctor who doesn’t know that you’re parading as your brother.” She spoke so quickly, it made you rethink what she just said three times. “Anyways— I needed to tell you that under my observations, you’ve healed yourself in a supernaturally fast rate that it’s groundbreaking.”
“What?”
“Six hours ago, you had broken bones in here,” She points her fingers at your shoulder. “Here,” Followed by your thigh. “And here.” Then your calf. “But after seeing your little drama session with your father, you were able to move yourself without any sort of pain. Initially, I concluded that you must’ve had some very high pain tolerance, but I noticed that so many of your cuts and bruises have all been healed, and that,” Her fingers trace a line over your neck. “That was red as hell just moments ago. Now, it’s gone.”
Oh, the mark you got from Prowler Jr after he choked the hell out of you.
You liked calling him that. Prowler Jr— a smaller, rustier protégée of the Prowler you grew up with.
“.. I wonder why so.”
There was a wily grin on her face that unsettled you tremendously.
“Well, without your father looking, I ran a test on you.”
“You what?”
Without even a single second to lose, the woman takes out few samples from her bag, laying them all out before you with a couple of handwritten documents.
“Here.” She states so proudly.
You marveled at all that she’s written— unfortunately for you, her handwriting was so messily done that you couldn’t understand a single damn thing.
“… You could get sued for this, you know that?”
“Your father wouldn’t. Unlike his children, he can’t find a replacement for me.”
Your mouth hung in disbelief at what you just heard. Rather than acknowledging the insult, however, she plucks out a print of what you assumed were tiny splotches of black tar on a petri dish.
“What the hell is that?”
“I got that swabbed out of your mouth.”
“Oh fuck, I thought I’d dieted enough for the performance!”
“It’s not sweets, sweetheart.” She answered defeatedly, clearly full of your unsure-weaponized-incompetence. “It’s a mysterious symbiote that we’ve recently caught hold of four months ago, and during your fight with the Prowler, it forged itself into your system.” Her fingers trace down your arm, grasping the center of your wrist while grinning. “And it can make you do this.”
As she squeezes your hand, a black matter ejects from your palm. You jolt away, slapping her hand off as you curse.
“WHAT THE FUCK IS THAT!?”
“The symbiote.” She casually replies. “Isn’t it amazing?”
It retreats like a slimey being, pushing itself back into your skin as though it’d all been a mere hallucination.
“You mean to tell me there’s some alien slime living inside my body!?”
“Well, yes—“
“GET IT OUT OF ME!”
She winces at the loudness of your voice, moving back an inch away. “That’ll take a while for me to dissect. You have to come to my lab tomorrow if you want me to find a way to pull that away from you.”
“I can’t go tomorrow.” You had a date with Miles, and that alone was reasonable enough to miss anything and everything else. “I-I have practice for the fundraiser on Sunday, and I’m still the hostess, so I have to make sure that the preparations are seamless.”
“… I have a comment, but I’m not sure if you’ll like it since you probably hear it all the time.”
“What? That I’m just like my mother?”
She scrunches her nose. “I was going to say that you’re too young to be acting so old.” The woman turns away, beginning to pack up her things again. “You’re sixteen. You should be going out to parties, creating fake IDs, sneaking out to make out with your boyfriend— whatever other shit girls your age like to do.”
You try your hardest not to react at the last mention, since that was definitely what you just did a few hours before. You begin to rub your hands, the friction warming you up as your shoulders shrug.
“Well, as much as I want to do all that, I’ve got too much to do.”
“You won’t be sixteen forever, Miss.” She tosses the bag over her shoulder. “Take that from me. I’m forty-six, and I’ve went through a lot. I’d give everything to be your age again.”
As you watch her head for the door, you call out to her one last time.
“.. Call me [Y/n]. I don’t like it when people way older than me call me ‘miss’.”
She raised her brows. “Alright then, [Y/n].” Your name rolls off her tongue gently.
“How about you? What do I call you?”
With a hand over the knob, the woman beamed.
“.. I’m Olivia Octavius, but you can call me Liv.”
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