it's been so long since i did a sith obi-wan au so like - how about an au where the sith are almost as established as the jedi (a temple, an order, followers numbering in the hundreds/thousands) but things are a bit more diplomatic in the galaxy (it's definitely tense but not all out war just yet)
so both the sith and jedi orders are alerted to a new rising power in the outer rim.....on tatooine of all places. a slave rebellion, led by shmi skywalker, has toppled the hutts. it's said that this new leader, queen of tatooine, has the Force's favor....but more importantly than that, shmi skywalker is a new galactic player, with a lot of money and a lot of support.....and a son of marriageable age.
cue both the jedi and the sith sending a delegation to tatooine - ostensibly to nurture galactic relations between their orders and the new power, but also to lowkey seduce shmi skywalker's son into marriage/a relationship because everyone knows that a parent's heart follows their children's happiness.
sith!obi-wan aka darth solence is selected to lead the sith seduction attempt. he's pretty confident - after all, he's led hundreds of seduction missions at this point, and he'd suffer a thousand different humiliations for the sake of the order of the sith who took him in after the jedi sent him to the agricorps.
the only problem is that he arrives on tatooine and shmi skywalker's son, anakin, is the most bland, boring, two-dimensional boy to ever breathe. he's completely uninterested in politics, in history, in the Force---he'd rather talk about pod-racing and--and Coruscanti daytime holo shows than anything of actual interest!
good thing the prince's manservant, kitster, is almost always hanging around. he's wrong about many things, obi-wan finds, but he's passionate. passionate and beautiful. oh, he loves pod-racing just as much as the prince, but he's fascinated by the Force and ready to tear obi-wan's eyes out over a passing negative observation on a droid. and did obi-wan mention that he's beautiful? with his golden curls and sky blue eyes and fierce scowl and broad shoulders and prominent eyebrows and even more prominent lips? the sith, as a general rule, appreciate passion, anger. beauty. obi-wan adores them as well.
but kitster the man servant isn't the person obi-wan has been flown to tatooine to seduce--he's duty-bound to seduce prince anakin. even if being around him feels like pulling his teeth out with rusty pliers.
if only obi-wan knew that shmi skywalker is more suspicious about the galaxy than she lets on. more protective of her son, too. if only he knew that her son, anakin, had a best friend growing up named kitster, who owed them both just enough life-debts to convince him to trade places with shmi's son for the length of the delegations' visit.
it's an easy sell after all -- who doesn't want to be a prince for a few weeks, no harm done?
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one of my favorite (/sarcastic but not really cuz its like funny idk) things in fandoms is when people make ocs or self inserts or 'x readers' being shipped with characters, but the oc/sona/reader is literally just another character from the source material.. its like youre shipping the characters but didnt want to admit it, so you made a kinsona and branded it as something else..
and its NEVER subtle, actually its super blatant every time and im always shocked when nobody points it out..
i have seen uncountable saiki k x readers where the description is like:
"saiki meets someone whose thoughts he cant read for the first time, and even though he doesnt trust her at first, she keeps proving that she is kind and has good intentions!" you mean nendo? reader is girl nendo?
"this time, he meets a girl whose thoughts honestly match up with her spoken words almost perfectly for the first time!" hairo. youre shipping saiki with girl hairo.
"saiki meets someone whose thoughts are too fast and jumbled to re-" ITS AKECHI, THATS AKECHI, ITS LITERALLY AKECHI.
"saiki meets someone whose just as immune to teruhashi as he is for the first and only tim-" this is hairo again, awe bae you secretly LOVE haisai ?!?
"saiki sees his old childhood friend for the first time in years after an incident caused them to be apart and then they fall in lov-" WHY DID YOU EVEN WRITE THIS AND NOT CALL IT SAIKECHI.
its even funnier when they say its like that characters little sister, but the way they write it is still literally just the character, like their personality, dialogue, even their relationship, is the same..
not all of them fit this exactly, but the ones that take a boy character and turn them into a girl oc to ship them with a boy, it reminds of how in equestria girls they couldnt make applejack and rarity endgame so they gave them boyfriends who looked IDENTICAL to each other.. thats what youre creating, guys, youre creating heterosexual rarijack.
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hermit horror week day 6: season 6 or flesh
Cleo hums as she looks over her pirate crew. Her ship is coming more and more to life every day with the help of the new armor stand book. Bringing real pirates to life to live in her crew--it's been a dream so far. She has a real knack for it, to. Everyone keeps commenting on it.
It's funny, thinking she of all people would be good at bringing life to things. There's a joke about that, she's sure.
She flips through the book, tilts her head and frowns as the crew prepares her ship for the day. Hm, no. She needs to make some more edits, though, before she declares it done. Her crew is a little bit too all the same color, at the moment, and there aren't enough that are the right height, and...
She walks up to the nearest crew member. He looks up at her and waves methodically before going back to his programmed actions. She flips the pages in the book, finds the correct pages to nudge, and starts messing with his height to make the crew more varied.
There is a horrible snapping and popping sound as the crew member freezes in place, and his torso and limbs begin to stretch to match the new parameters. The skin twists around the bone. Bones break and regrow. She waits patiently for the changes to be done. Finally, the twisted cracking stops, and the crew member stands at his new height.
Cleo makes a face.
"Yeah, I'm not sure that's right either," she says, even as the crew member stands up to start going back to his tasks. He's sweating and shaking, which makes it a bit hard to judge, so she re-locks the armor stand in place, freezing him.
She thinks she got his limbs wrong the first time, actually; that's why the new height didn't work well. It'll be individual reposing, then.
She starts making adjustments in her book when she looks over her shoulder and sees her crew staring at her. She shudders. It's unnerving when that happens. It always makes her feel like--she brings life to her builds like this, but it's not like the things are alive.
But sometimes, when she's adjusting the scene...
"Well? You lot get back to work!" she says, and she goes back to adjusting the first crew member she has to make changes for. She'll start with the arms, since those are proportioned worst. She needs to make them a little shorter.
The terrible tearing and popping sounds continue as things break and relocate. Cleo sighs.
One day, maybe this will be less trial and error, and she'll have to hear less horrible bone breaking? Today, though, she'll be fine with it. She's a zombie, she's probably heard worse.
As she finishes setting the arm in place, there's a low, strange sound, like an aborted scream.
She's really got to ask the datapack author one day about that, she thinks, and she moves to the next arm.
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The eggs are asleep, and finally Philza and Missa can catch a moment to themselves. Unfortunately, catching that moment means admitting to the injuries they have been hiding from their children - fussing over scratches while having arrowheads lodged next to your spine is the duty of a parent on Quesadilla Island, but an exhausting one.
Missa's quick fingers manage to pull said arrowhead from Philza's back, the momentary flash of pain causing him to nearly drop the iodine solution. He doesn't, though, just a little stain on the floorboards, and so he continues applying it to the wound in Missa's leg.
He barely notices the scratch of a needle against his back, but Missa cannot help but whine as the gauze is pressed against his wound.
"I hate it here," Missa manages, thankfully in English as Philza is in no position to twist and see his translator. "Why is everything trying to kill us?"
"The island fucking hates us, is why," Philza grouches, reaching over for a bandage. He's managed to get Missa's leg to stop bleeding, but it should still be covered. "Enjoy the island my ass."
Missa giggles a bit, even as he tapes a dressing in place over the arrow wound. He says something in Spanish which is definitely too fast for Philza to parse; he tries to turn and look, only to be gently pressed back into position.
"It's nothing," Missa assures him. "But the skeletons! Why are they so bad?"
"The skeletons aren't even the worst of it," Philza groans back. "If you ever see glowing eyes and nothing else? Run."
There's a long pause, and Philza hopes that Missa understands the severity of his warning - a Nightmare Stalker is exactly that, and Philza knows Missa is not nearly equipped to handle one. If he struggles as he does, he doesn't want to think about how his partner would suffer in his stead.
"It's okay," Missa pats his shoulder a few times, leaning around his wings to do so. "I'm good at running. It's my special talent!"
"You're good at a lot of things," Philza promises.
Missa doesn't reply; this time when Philza turns, he is allowed to. His entire body aching he sits himself up and twists himself around, taking Missa's face him his hands.
"You are so good," he promises. "So, so good. There's nobody else I would want to raise my eggs with."
There's more on the tip of his tongue; Philza quashes it as Missa closes his eyes, rest of his expression hidden by his mask.
Philza can see Missa struggle with his words for a bit - he's always amazed how someone can make themselves understood in two languages - before eventually receiving, "you are the best egg father."
"We have the best egg child," he retorts.
"We do!" Missa's entire body language perks up. "Chayanne is the best egg child, and he is ours. We are so lucky."
"We really are."
Philza isn't sure when it happens, but eventually he realises that he has leant forward, his forehead resting against Missa's mask. He closes his eyes and savours it, feeling as Missa loosely places his arms across his bare back - Philza needs his for support, one either side of Missa's hips and taking his weight, but otherwise he would do much the same.
The two of them stay in silence for a while, savouring each other's presence. The pain is still there, from protecting their children, and yet... In a simple house of oak and glass, for a moment it is all peace.
"Run away with me."
This is not how Philza had ever meant to bring it up, but the words slip out of their own accord.
Missa startles, eyes wide and spine straight as he blinks himself out of the peaceful haze, "qué?!"
"Run away with me," he shifts so he can see all of Missa's face, taking both of his partner's hands in his own. "Take the children, and run away. Find a way off this island, and to another world - one where the skeletons are the /only/ thing to worry about. I'll build you another house and we'll make it a home. Any colour you like, with a fence and walls and real bedrooms and a kitchen for Chayanne and gardens for Tallulah... You can have your own music room and kick Wilbur out for trying to steal your guitar, and we can sit on the roof in the moonlight and you can sing and I'll dance with the children asleep beneath us and no risk of zombie horsemen on our tail."
"But how-" a small whine catches in Missa's throat. "How do we get away? They said we cannot leave."
"There's always a way to leave," Philza says. "We just have to find it."
There's hands in his wings, and Philza startles.
"Your wings are so big... If they healed, you could fly away," Missa says, something wishful in his tone. "Up and up and far, far away, so far they could never catch you."
"And leave you behind?" he asks.
"You'd come back for Chayanne. And I... I could follow you then?"
"Even if something happens to Chayanne, I'd come back for you," Philza promises. "I won't leave you here, not in this hell."
"You wouldn't leave anyone here, if you could help it."
"Probably," Philza admits. "But I wouldn't come back for them, not if I didn't know I could escape again - I'd come back for you."
"I'll wait for you," Missa seems almost to melt in Philza's touch, whimpering as he curls in on him. Philza isn't even sure what he said wrong, just that his egg partner is clinging to him, whimpering.
"We might not always be together," he tries to reassure. "But I will always come back for you - I'll always find you. There's no point in running away if we don't run away together; if some day I /can/ fly away, I'd only do it to come back with help."
The whimpering turns to sobbing, and Philza adjusts his position to hold Missa properly. The hands in his feathers dig deep - one finger catches on some tape holding one of the litany of dressings in place - but Philza just holds Missa and worries.
Why this reaction? Was it something he said?
He stops talking just in case; Missa clearly wants a hug, so he just holds him, understanding only odd words of the broken fragments of Spanish between the sobs.
Eventually the tears slow; Missa pulls away, still sniffling.
"And... Spreen can come?"
"He can live next door, if he wants," Philza promises; it'll be a little hard to negotiate with Fit, but interpersonal drama is just a part of life. "A whole new town for /everyone/ - all of the islanders, and all of our friends. Maybe if we let his ex in Forever will even stop hitting on me."
That earns a laugh, if a bit of a wet one.
"I want to dance with you," Missa says.
"With no zombie riders," Philza promises. "Maybe tomorrow we could dance a bit at the Favela? But, one day, we'll do it somewhere safe."
"On the roof, under the moon?"
"I'll make a roof specially designed for it."
The tears slow some more, and Missa drops to actually lie on the bed.
"Do you really think we'll escape?" Missa turns to Philza and asks. "We broke the Wall, and the Federation-"
Philza moves to lie beside him - on his front while Missa is on his back - and takes a hand. "We will. I promise."
"But-"
"Someone cleverer than us will work it out," he smiles to Missa. "We've just got to survive while they do."
"And if they don't?"
"Then I'll burn the Federation to the ground."
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